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the experience of reading in Britain, from 1450 to 1945...

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Listings for Author:  

Robert Browning

 

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Robert Browning : 

'Philip Inman conveyed a ... specific sense of the uses of literacy for an early Labour MP. The son of a widowed charwoman, he bought up all the cheap reprints he could afford and kept notes on fifty-eight of them... There were Emerson's essays, Ruskin's Sesame and Lilies, Holmes's Autocrat of the Breakfast Table, Lamb's Essays of Elia, classic biogaphies (Boswell on Johnson, Lockhart on Scott, Carlyle on Sterling), several Waverley novels, Wuthering Heights, Don Quixote, Robinson Crusoe, Pilgrim's Progress, The Imitation of Christ, Shakespeare's sonnets, Tennyson, Browning, William Morris and Palgrave's Golden Treasury.'

Century: 1900-1945     Reader/Listener/Group: Philip Inman      Print: Book

  

Robert Browning : 'Bishop Blougram's Apology'

'Her first WEA summer scool at the end of the First World War, was "a new and undreamt-of experience... We argued over Wilson's Fourteen Points and in literary sessions read and explored Browning's poems. It was a strange joy to browse overthe niceties of Bishop Blougram's Apology or to delve into the intricacies of The Ring and the Book... It was a month of almost complete happiness; a pinnacle of joy never to be quite reached again".'

Century: 1900-1945     Reader/Listener/Group: Alice Foley      Print: Book

  

Robert Browning : 'The Ring and the Book'

'Her first WEA summer school at the end of the First World War, was "a new and undreamt-of experience... We argued over Wilson's Fourteen Points and in literary sessions read and explored Browning's poems. It was a strange joy to browse overthe niceties of Bishop Blougram's Apology or to delve into the intricacies of The Ring and the Book... It was a month of almost complete happiness; a pinnacle of joy never to be quite reached again".'

Century: 1900-1945     Reader/Listener/Group: Alice Foley      Print: Book

  

Robert Browning : 

'In 1898 Armstrong organised the Ashington Debating and Literary Improvement Society, and his reading broadened out to Shakespeare, Burns, Shelley, Keats, Tennyson, Byron, Whitman, Wordsworth, Scott, Robert Browning, Darwin and T.H. Huxley. Robertson Nicoll's British Weekly had introduced him to a more liberal Nonconformity that was hospitable to contemporary literature. The difficulty was that the traditional Nonconformist commitment to freedom of conscience was propelling him beyond the confines of Primitive Methodism, as far as Unitarianism, the Rationalist Press Association and the Independent Labour Party. His tastes in literature evolved apace: Ibsen, Zola. Meredith, and Wilde by the 1890s; then on to Shaw, Wells, and Bennett; and ultimately Marxist economics and Brave New World'.

Century: 1850-1899     Reader/Listener/Group: Chester Armstrong      Print: Book

  

Robert Browning : Bells and Pomegranates

[Robert Browning] 'published a sort of poem called Bells & Pomegranates in wh. there is no meaning at all.'

Century: 1800-1849     Reader/Listener/Group: Caroline Clive      Print: Book

  

Robert Browning : unknown

Geraldine Hodgson, The Life of James Elroy Flecker (1925), 'Reading aloud in the family circle was an established custom [in 1880s-90s] ... by a very early age, Roy had listened to large parts of Dickens, Longfellow, and Tennyson, and to much of Thackeray, George Eliot, Carlyle, and Browning.'

Century: 1850-1899     Reader/Listener/Group: James Elroy Flecker      Print: Book

  

Robert Browning : Sordello

'Sordello (1840) was undoubtedly the toughest assignment [of Browning's works]. When Douglas Jerrold venured on it while convalescing, he entered a state of panic that his illness had destroyed his reason; then, having passed the book from his bedside to a visiting friend, who also exhibited utter incomprehension, he collapsed relieved on his pillow with a cry of "Thank God!"!'

Century: 1850-1899 / 1900-1945     Reader/Listener/Group: Douglas Jerrold      Print: Book

  

Robert Browning : A Death in the Desert

In Retrospect of an Unimportant Life (1934), the Bishop of Durham Herbert Hensley Henson reminisced about Browning's "A Death in the Desert": 'Sixty years have passed since first I read it at Oxford, and then it seemed to me convincing and consoling ... To-day I find myself unable to discover any conclusion better fitted to satisfy Christian thought ...'

Unknown
Century: 1850-1899     Reader/Listener/Group: Herbert Hensley Henson      

  

Robert Browning : Red Cotton Nightcap Country

"In the early 1870s Browning frequently dined at the Chelsea home of the newly married Sir Charles Dilke. In 1872 he read there Red Cotton Nightcap Country (1873) -- 'at his own request'"

Unknown
Century: 1850-1899     Reader/Listener/Group: Robert Browning      

  

Robert Browning : Men and Women

Letter H 25 - Late November 1855 - "It is so off ... that we all should like that poem of the Arab physician best. - Fancy my endorsing the Athenaeum! Every word in the Athenaeum critique I agree with - for I am very stupid in making things out in poetry; and that Men & Women is to me simply a set of 50 Conundrums, of the most amazing & tormenting kind."

Century: 1850-1899     Reader/Listener/Group: John Ruskin      Print: Book

  

Robert Browning : Men and Women

The editor's footnote quotes a letter from Dante Gabriel Rossetti to Ellen Heaton: 24/11/1855 - "Much of my time in Paris was spent with Mr and Mrs Browning, who send you their kind regards. What a glorious book "Men and Women" is!" (Letters written to Ellen Heaton; sold in 1969; whereabouts unknown.)

Century: 1850-1899     Reader/Listener/Group: Dante Gabriel Rossetti      Print: Book

  

Robert Browning : 

?I always have a profound impression that human beings have been much more like each other than we fancy since they got rid of their tails & that the great outbursts of speculation or art imply some special excitement more than a radical difference in people themselves. I have even a belief that if Browning had lived 200 years ago he would have been a small Shakespeare & perhaps Tennyson a second rate Milton ? though I agree that poor old Alfred has not quite the stuff in him.?

Century: 1800-1849 / 1850-1899 / 1900-1945     Reader/Listener/Group: Leslie Stephen      Print: Book

  

Robert Browning : 

"I have been amusing myself down here with reading Browning - some of him for the first time; & I wonder more and more at his extraordinary power occasionally & at its waste in some directions. I think him marvellously good, when at his best."

Century: 1850-1899     Reader/Listener/Group: Leslie Stephen      Print: Book

  

Robert Browning : 

'While his widowed mother... worked a market stall, Ralph Finn scrambled up the scholarship ladder to Oxford University. He credited his success largely to his English master at Davenant Foundation School: "When I was an East End boy searching for beauty, hardly knowing what I was searching for, fighting against all sorts of bad beginnings and unrewarding examples, he more than anyone taught me to love our tremndous heritage of English language and literature". And Finnn never doubted that it was HIS heritage: "My friends and companions Tennyson, Browning, Keats, Shakespeare, Francis Thompson, Donne, Housman, the Rosettis. All as alive to me as thought they had been members of my family". After all, as he was surprised and pleased to discover, F.T. Palgrave (whose Golden Treasury he knew thoroughly) was part-Jewish'.

Century: 1900-1945     Reader/Listener/Group: Ralph Finn      Print: Book

  

Robert Browning : 

"Prior to ... [her] marriage [in 1911], [Marie Stopes's] only sexual knowledge came from reading Browning, Swinburne, and -- ignoring her mother's advice -- Shakespeare's sonnets and 'Venus and Adonis', with the addition of novels, and ... Edward Carpenter's Love's Coming of Age."

Century: 1850-1899 / 1900-1945     Reader/Listener/Group: Marie Stopes      Print: Book

  

Robert Browning : [unknown]

'[Neville] Cardus read only boys' papers until quite suddenly, in adolescence, he dove into Dickens and Mark Twain. "Then, without scarcely a bridge-passage, I was deep in the authors who to this day I regard the best discovered in a lifetime" - Fielding, Browning, Hardy, Tolstoy, even Henry James. He found them all before he was twenty, with critical guidance from no one: "We must make our own soundings and chartings in the arts... so that we may all one day climb to our own peak, silent in Darien".'

Century: 1900-1945     Reader/Listener/Group: Neville Cardus      Print: Book

  

Robert Browning : 

''"My masters... in poetry, were Swinburne and Meredith among the living, Rossetti, Matthew Arnold and Robert Browning among the lately dead. To these I would add Edward Fitzgerald... In prose, the masters were Stendhal, Flaubert, Villiers del'Isle-Adam, Guy de Maupassant, Prosper Merimee and Walter Pater".'

Century: 1850-1899 / 1900-1945     Reader/Listener/Group: John Masefield      Print: Book

  

Robert Browning : 

'my mother arrived in England with a great respect for culture, and eager to learn all she could. We find her struggling to read Browning and Tennyson and Shelley; battering her way with pride and tenacity through "La Petite Fadette"... But with all her respect for education...learning was never her strong point'.

Century: 1850-1899     Reader/Listener/Group: Maud du Puy      Print: Unknown

  

Robert Browning : 

'Uncle Richard had adored Ruskin, and worshipped Morris, and had slept for years with a copy of "In Memoriam" under his pillow. He told me once how he and his friends used to wait outside the bookshops in the early morning, when they heard that a new volume of Tennyson was to come out. He had read all Browning too, and all Wordsworth, and Carlyle, in fact nearly everything contemporary; and he constantly re-read the Classics in their own classic tongues... a triumph of timing occurred once when he was listening to the Thunderstorm in the Pastoral Symphony, and reading the thunderstorm in "Oedipus at Colonus", and a real thunderstorm took place!'

Century: 1850-1899     Reader/Listener/Group: Richard Litchfield      Print: Book

  

Robert Browning : Saul

'I learnt with interest all about David and read Browning's "Saul" with "an intelligent scripture mistess".'

Century: 1900-1945     Reader/Listener/Group: Gwen Raverat      Print: Book

  

Robert Browning : plays

Henry James to Thomas Sergeant Perry, 18 April 1864: "I got Browning's plays from J[ohn].'s [La Farge] and have been reading them with deep interest."

Century: 1850-1899     Reader/Listener/Group: Henry James      Print: Book

  

Robert Browning : The Ring and the Book

Henry James to William James, 8 March 1870: "During the past month I have been ... reading among other things Browning's Ring and Book ... the President de Brosse's delightful letters, Crabbe Robinson's memoirs and the new vol. of Ste Beuve."

Century: 1850-1899     Reader/Listener/Group: Henry James      Print: Book

  

Robert Browning : Luria

'Finished "The Knightes Tale" and am now embarking on "Luria" - it's pretty awful."

Century: 1900-1945     Reader/Listener/Group: Hilary Spalding      Print: Book

  

Robert Browning : poems

Henry James to Grace Norton, 26 July 1880: "One of my latest sensations was going one day to Lady Airlie's to hear Browning read his own poems ... He read them as if he hated them and would like to bite them to pieces."

Unknown
Century: 1850-1899     Reader/Listener/Group: Robert Browning      

  

Robert Browning : Men and Women

[List of books read in 1945]: 'For Whom the Bell Tolls; Henry Brocken; Doctor Faustus; Life of the Bee; The Screwtape Letters; Modern Short Stories; Letters of People in Love; Men and Women; The Headmistress; The People's Government; The Art of Writing; Speech and Sound; Background to the Life of Christ; The House of Prayer; Eleanor in the Fifth; Adventures of Jig and Co; Rendezvous with Fear; Antony and Cleopatra; Hamlet; The Poetry of James Elroy Flecker; Escape; Hangman's Holiday; The Body Behind the Bar; Strong Poison; The Critic; Magic Lantern; Listening Valley; Emma; Dragon Seed; Crowthers of Bankdam; The Rat Trap; The Vortex; Fallen Angels; The Spanish House; O the Brave Music; The Light that Failed; Ghosts; The Antiquary; The Knightes Tale; Luria; The Best of Hazlitt; Pericles; The Rivals; Hamlet [again]; Antony and Cleopatra [again]; Knightes Tale [again]; Julius Caesar; Merchant of Venice; The Critic; The Rivals; Cymbeline; Adventures of a Young Soldier in Search of a Better World; The Nine Tailors; The Conquered; The Professor; Peter Abelard; Then They Pulled Down the Blind; The Unpleasantness at the Bellona Club; Portrait of a Man with Red Hair; Winnie-the-Pooh; The House at Pooh Corner; Mrs Parkinson; Adele and Co; Frossia; Cluny Brown; Four Gardens; The World is Square; Being Met Together; Best Sporting Stories; Selected stories by Q; And Five were Foolish; Campaspe; Endimion [by Lyly]; Midas; Dr Faustus [again]; Twelfth Night; Mrs Warrent's Proffession [sic]; The Spanish Tragedy; The Jew of Malta; Galathea; Tambourlaine; Sun is my Undoing; By Greta Bridge; Utopia; England, their England; The Art of Poetry; Old Wives Tale; The Reader is Warned; Long, Long Ago; Friar Bacon & Friar Bungay; James IV of Scotland; The Handsome Langleys; The Dog Beneath the Skin; Death Comes for the Archbishop; The Island of Youth; I'll Say She Does; The Forsyte Saga; In Youth is Pleasure; On Forsyte Change; Genesis to Nehemiah.'

Century: 1900-1945     Reader/Listener/Group: Hilary Spalding      Print: Book

  

Robert Browning : 

'As to what they read [at the Gower Street School in the 1880s] -- and [...] Lucy Harrison [headmistress] read aloud to them untiringly -- it must be what went deepest and lifted highest -- Shakespeare, Dante in Cary's translation, Blake, Wordsworth, and [...] [Miss Harrison's] own favourites, Emily Bronte, Christina Rossetti, the Brownings, Coventry Patmore [...] A reading which all [...] [Miss Harrison's] pupils heard often, and never forgot, was from Alice Meynell's "Preludes" of 1875 -- the sonnet "To a Daisy"'.

Century: 1850-1899     Reader/Listener/Group: Lucy Harrison, headmistress, Charlotte Mew, and other pupils at Gower Street school     Print: Book

  

Robert Browning : Paracelsus

Harriet Martineau on her first acquaintance with Robert Browning's poetry, 'a wonderful event': 'Mr. Macready put "Paracelsus" into my hand, when I was staying at his house, and I read a canto before going to bed. For the first time in my life, I passed a whole night without sleeping a wink.'

Century: 1800-1849     Reader/Listener/Group: Harriet Martineau      Print: Book

  

Robert Browning : Sordello

'The unbounded expectation I [Harriet Martineau] formed from "Paracelsus"[...] was sadly disappointed when "Sordello" came out. I was so wholly unable to understand it that I supposed myself ill.'

Century: 1800-1849     Reader/Listener/Group: Harriet Martineau      Print: Book

  

Robert Browning : The Pied Piper of Hamelin

'Then, when I was twelve we had a really good poetry book which contained extracts from "The Excursion", part of "Childe Harold's Pilgrimage", "The Eve of Saint Agnes", "Adonais", "The Pied Piper of Hamelin", and Mathew Arnold's "Tristram and Iseult". We were given "Childe Harold's Pilgrimage" and "The Pied Piper" to learn by heart in consecutive years. I never liked "The Pied Piper", which, being written consciously as a child's poem, made me feel conscious, and most of "Childe Harold's Pilgrimage" seemed unreal to me... The poems in the book which I liked best were "The Eve of Saint Agnes" and "Tristram and Iseult"...'

Century: 1850-1899 / 1900-1945     Reader/Listener/Group: Edwin Muir      Print: Book

  

Robert Browning : 

Taking a book of Browning's poems from his pocket he showed Louis a verse which he said he could not understand...bending forward, his hands clasped, he gazed expectant, while Louis read over the poem. Alas, for the hero worshipper! This is what the Master said: 'I'm damned if I know what it means. It reads like cat's meat to me.'

Century: 1850-1899     Reader/Listener/Group: Robert Louis Stevenson      Print: Book

  

Robert Browning : Paracelsus

Elizabeth Barrett to Mary Russell Mitford, 10 August 1836: 'I can tell you [...] of [John Kenyon's] having given himself a great deal of kind trouble in finding the Countess of Essex for me and of my reading it and Paracelsus besides which he also lent me. As to the play, its talent may be both felt & seen -- but felt & seen [italics]in parts[end italics] [...] But have you seen Paracelsus? I am a little discontented even [italics]there[end italics], & wd wish for more harmony & rather more clearness & compression [...] but I do think that the pulse of poetry is full & warm & strong in it [...] There is a palpable power! a height & depth of thought, -- & sudden repressed gushings of tenderness which suggest to us a depth beyond, in the affections. I wish you wd read it, & agree with me that the author is a poet in the holy sense. And I wish that some passages in the poem referring to the divine Being had been softened or removed. They sound to me daringly; and [italics]that[end italics] is not the appropriate daring of genius.'

Century: 1800-1849     Reader/Listener/Group: Elizabeth Barrett      Print: Book

  

Robert Browning : Pauline

John Stuart Mill to W. J. Fox, c.25 June 1833: 'I send "Pauline," having done all I could, which was to annotate copiously in the margin and sum up on the fly-leaf. On the whole the observations are not flattering to the author -- perhaps too strong in the expression to be shown him'.

Century: 1800-1849     Reader/Listener/Group: John Stuart Mill      Print: Book

  

Robert Browning : Paracelsus

Walter Savage Landor to Robert Browning, c.18 March 1840: 'Three days have nearly slipped by me since I received your poem [Sordello] [...] You much overrate my judgement, but whatever it is, you shall have it, before I have redd it so often as I redd Paracelsus.'

Century: 1800-1849     Reader/Listener/Group: Walter Savage Landor      Print: Book

  

Robert Browning : The Return of the Druses

William Charles Macready, in diary entry for 3 August 1840: 'Read Browning's play [The Return of the Druses], and with the deepest concern I yield to the belief that he will [italics]never write again[end italics] -- to any purpose. I fear his intellect is not quite clear.'

Century: 1800-1849     Reader/Listener/Group: William Charles Macready      Manuscript: Unknown

  

Robert Browning : Sordello

Thomas Carlyle to Robert Browning, 21 June 1841: 'Many months ago you were kind enough to send me your Sordello; and now this day I have been looking into your Pippa passes, for which also I am your debtor [...] both Pieces have given rise to many reflections in me [...] you seem to possess a rare spiritual gift, poetical, pictorial, intellectual [...] to unfold which into articulate clearness is naturally the problem of all problems for you.'

Century: 1800-1849     Reader/Listener/Group: Thomas Carlyle      Print: Book

  

Robert Browning : Pippa Passes

Thomas Carlyle to Robert Browning, 21 June 1841: 'Many months ago you were kind enough to send me your Sordello; and now this day I have been looking into your Pippa passes, for which also I am your debtor [...] both Pieces have given rise to many reflections in me [...] you seem to possess a rare spiritual gift, poetical, pictorial, intellectual [...] to unfold which into articulate clearness is naturally the problem of all problems for you.'

Century: 1800-1849     Reader/Listener/Group: Thomas Carlyle      Print: Book

  

Robert Browning : Pippa Passes (Bells and Pomegranates, No. I)

Elizabeth Barrett to Mary Russell Mitford, 15 July 1841: 'I have read the Bells & Pomegranates! -- "Pippa passes" .. comprehension, I was going to say! [...] There are fine things in it -- & the presence of genius, never to be denied! -- At the same time it is hard .. [italics]to understand[end italics] -- is'nt it?'

Century: 1800-1849     Reader/Listener/Group: Elizabeth Barrett      Print: Book

  

Robert Browning : 'The Cardinal and the Dog'

William Charles Macready, Jr. to Robert Browning, May 1842: 'My dear Mr Browning 'I was very much obliged to you, for your kind letter. I liked exceedingly the Cardinal and the dog. I have tried to illustrate the poem, and I hope that you will like my attempt.'

Century: 1800-1849     Reader/Listener/Group: William Charles Macready      Manuscript: Unknown

  

Robert Browning : Bells and Pomegranates III (Dramatic Lyrics)

Joseph Arnould to Robert Browning, 27 November 1842: 'Finding it utterly impossible to express in prose the tumult of delight which your most noble Dramatic Lyrics have given me I have ventured as you will see to express, however imperfectly a tithe of what I felt in the following most crude and hasty lines [long poem in heroic couplets follows letter] [...] I wish you could have seen the delight with which my wife & myself devoured your "Pomegranate" & the ringing of "Bells" we set up afterwards [...] you must let me grasp your hand as a friend for "Waring": which I read & reread with tears in my eyes, I KNOW you can guess why [poem was based on Arnould and Browning's mutual friend Alfred Domett].'

Century: 1800-1849     Reader/Listener/Group: Joseph and Maria Arnould     Print: Book

  

Robert Browning : 'Waring'

Joseph Arnould to Robert Browning, 27 November 1842: 'Finding it utterly impossible to express in prose the tumult of delight which your most noble Dramatic Lyrics have given me I have ventured as you will see to express, however imperfectly a tithe of what I felt in the following most crude and hasty lines [long poem in heroic couplets follows letter] [...] I wish you could have seen the delight with which my wife & myself devoured your "Pomegranate" & the ringing of "Bells" we set up afterwards [...] you must let me grasp your hand as a friend for "Waring": which I read & reread with tears in my eyes, I KNOW you can guess why [poem was based on Arnould and Browning's mutual friend Alfred Domett].'

Century: 1800-1849     Reader/Listener/Group: Joseph Arnould      Print: Book

  

Robert Browning : Bells and Pomegranates III (Dramatic Lyrics)

Elizabeth Barrett to Mary Russell Mitford, 14 December 1842: 'Mr Browning's last "Bells and Pomegranates" I sigh over. There are fine things [...] But there is much in the little (for the publication consists of only a few pages) which I, who admire him, wish away -- impotent attempts at humour, -- a vain jangling with rhymes [...] and a fragmentary rough-edgedness about the [italics]mounting[end italics] of some high thoughts.'

Century: 1800-1849     Reader/Listener/Group: Elizabeth Barrett      Print: Book

  

Robert Browning : Pippa Passes

Thomas Westwood to Elizabeth Barrett, 26 September 1843: 'Browning, I have read but little of -- indeed "Pippa passes" -- is almost the only poem of his that I have seen -- the commencement I thought very beautiful, & the [italics]design[end italics] of the poem altogether, -- but the interior is often so labyrinthine, that it is not the easiest matter in the world to thread one's way [...] Turning over some numbers of the Athenaeum, last night, I came upon a review of [R. H. Horne's Orion], which the first half- dozen lines proclaimed to be yours. How pleasant it is, all of a sudden, to turn round a corner, & be met by some familiar face [...] 'I read the "Brown Rosarie["] the other day to a young friend, an artist & he was so much delighted with it, that he determined forthwith to execute a set of designs from it.'

Century: 1800-1849     Reader/Listener/Group: Thomas Westwood      Print: Book

  

Robert Browning, Jr : 'On Bonaparte'

Robert Browning, Sr to Thomas Powell, 11 March 1843: 'I hope the enclosed may be acceptable as curiosities. They were written by Robert when quite a child. I once had nearly a hundred of them. But he has destroyed all that ever came in his way, having a great aversion to the practice of many biographers in recording every trifling incident that falls in their way [...] There was one amongst them "On Bonaparte" -- remarkably beautiful -- and had I not seen it in his own handwriting I never would have believed it to have been the production of a child. It is destroyed.'

Century: 1800-1849     Reader/Listener/Group: Robert Browning, Sr      Manuscript: Unknown

  

Robert Browning : Colombe's Birthday

Robert Browning to Christopher Dowson, Jr., 10 March 1844: 'Yesterday I read my play to [Charles Kean] and his charming wife (who is to take the principal part) -- and all went off au mieux -- [italics]but[end italics] -- he wants to keep it till "Easter next year" -- and unpublished all the time!'

Century: 1800-1849     Reader/Listener/Group: Robert Browning      Manuscript: Unknown

  

Robert Browning : Colombe's Birthday

Bryan Waller Procter to Robert Browning, ?26 March 1844: 'I got your play last night then read it with very great pleasure [...] Colombe is a charming creature. The play [...] is [italics]full[end italics] of interest & capital situations -- the language excellent. You have done well [...] to lay aside all mystery of language & speak direct'.

Century: 1800-1849     Reader/Listener/Group: Bryan Waller Procter      Print: In proof copy

  

Robert Browning : Paracelsus

Joseph Arnould to Alfred Domett, c.8 November 1843: 'What a pity [Tennyson] has not the intense vigour of Robert Browning -- I still believe as devoutly as ever in Paracelsus & find more wealth of thought & poetry in it than [in] any book except Shakespeare. The more one reads the more miraculous does that book seem as the work of a man of five and twenty'.

Century: 1800-1849     Reader/Listener/Group: Joseph Arnould      Print: Book

  

Robert Browning : Sordello

John Westland Marston to Thomas Powell, c. October 1844: 'Mrs Marston has just read "Sordello" through. She accomplished it in 3 days, & pronounced it not only intelligible but deeply interesting'.

Century: 1800-1849     Reader/Listener/Group: Mrs Marston      Print: Book

  

Robert Browning : Pauline, a Fragment of a Confession

Dante Gabriel Rossetti to Robert Browning, 17 October 1847: 'It is now two or three months ago that I met, at the British Museum, with a Poem published in 1833, entitled "Pauline, a Fragment of a Confession," which elicited my warm admiration, and which, having failed in an attempt to procure a copy at the publisher's, I have since transcribed. It seems to me, in reading this beautiful composition, that it presents a noticeable analogy in style and feeling to your first acknowledged work, "Paracelsus": so much so indeed as to induce a suspicion that it might actually be written by yourself [goes on, very formally, to ask whether this is the case].'

Century: 1800-1849     Reader/Listener/Group: Dante Gabriel Rossetti      Print: Book

  

Robert Browning : Paracelsus

Joseph Arnould to Alfred Domett, 16 July 1847: 'I find myself reading Paracelsus and the Dramatic Lyrics more often than any thing else in verse'.

Century: 1800-1849     Reader/Listener/Group: Joseph Arnould      Print: Book

  

Robert Browning : Dramatic Lyrics

Joseph Arnould to Alfred Domett, 16 July 1847: 'I find myself reading Paracelsus and the Dramatic Lyrics more often than any thing else in verse'.

Century: 1800-1849     Reader/Listener/Group: Joseph Arnould      Print: Book

  

Robert Browning : [poems]

'Browning was a little beyond her. Convinced that he was a great poet, she still found him a bore at times. Elizabeth Barrett Browning was a major disappointment: she thought "Sonnets from the Portuguese" were beautiful in emotion but simply not good sonnets'.

Century: 1850-1899 / 1900-1945     Reader/Listener/Group: Edith Sitwell      Print: Book

  

Robert Browning : unknown

His reading this summer included much Browning, Turgenev's Smoke and Kenneth Grahame's Golden Age ('which surely is the most beautiful book published for many years').

Century: 1850-1899     Reader/Listener/Group: John Buchan      Print: Book

  

Robert Browning : 'Claret and Tokay'

Elizabeth Barrett to Robert Browning, 15-17 July 1845: 'Yesterday you must have wondered at me for being in such a maze about the poems. It was assuredly the wine song & no other which I read of yours in Hood's [...] Do bring in all the Hood poems of your own -- inclusive of the Tokay, because I read it in such haste as to whirl up all the dust you saw, from the wheels of my chariot.'

Century: 1800-1849     Reader/Listener/Group: Elizabeth Barrett      Print: Serial / periodical

  

Robert Browning : 'Garden Fancies: I, The Flower's Name; II, Sibrandus Schafnaburgensis'

Elizabeth Barrett to Robert Browning, letter postmarked 21 July 1845, following remarks on Browning's reading of her published juvenile writings: 'I leave my sins & yours gladly, to get into the Hood poems which have delighted me so -- & first to the St Praxede [sic] which is of course the finest & most powerful .. & indeed full of the power of life .. & of death [...] The "angel & child," with all its beauty & significance! -- and the "Garden Fancies" [...] with that beautiful & musical use of the word "meandering," [...] It does so mate with your "[italics]simmering[end italics] quiet" in Sordello, which brings the summer air into the room as sure as you read it [...] And the Laboratory is hideous as you meant to make it: -- only I object a little to your tendency .. which is almost a habit [...] of making lines difficult for the reader to read .. see the opening lines of this poem.'

Century: 1800-1849     Reader/Listener/Group: Elizabeth Barrett Barrett      Print: Serial / periodical

  

Robert Browning : 'The Tomb at St. Praxed's (Rome, 15----.)'

Elizabeth Barrett to Robert Browning, letter postmarked 21 July 1845, following remarks on Browning's reading of her published juvenile writings: 'I leave my sins & yours gladly, to get into the Hood poems which have delighted me so -- & first to the St Praxede [sic] which is of course the finest & most powerful .. & indeed full of the power of life .. & of death [...] The "angel & child," with all its beauty & significance! -- and the "Garden Fancies" [...] with that beautiful & musical use of the word "meandering," [...] It does so mate with your "[italics]simmering[end italics] quiet" in Sordello, which brings the summer air into the room as sure as you read it [...] And the Laboratory is hideous as you meant to make it: -- only I object a little to your tendency .. which is almost a habit [...] of making lines difficult for the reader to read .. see the opening lines of this poem.'

Century: 1800-1849     Reader/Listener/Group: Elizabeth Barrett Barrett      Print: Serial / periodical

  

Robert Browning : 'The Boy and the Angel'

Elizabeth Barrett to Robert Browning, letter postmarked 21 July 1845, following remarks on Browning's reading of her published juvenile writings: 'I leave my sins & yours gladly, to get into the Hood poems which have delighted me so -- & first to the St Praxede [sic] which is of course the finest & most powerful .. & indeed full of the power of life .. & of death [...] The "angel & child," with all its beauty & significance! -- and the "Garden Fancies" [...] with that beautiful & musical use of the word "meandering," [...] It does so mate with your "[italics]simmering[end italics] quiet" in Sordello, which brings the summer air into the room as sure as you read it [...] And the Laboratory is hideous as you meant to make it: -- only I object a little to your tendency .. which is almost a habit [...] of making lines difficult for the reader to read .. see the opening lines of this poem.'

Century: 1800-1849     Reader/Listener/Group: Elizabeth Barrett      Print: Serial / periodical

  

Robert Browning : 'The Laboratory (Ancien Regime)'

Elizabeth Barrett to Robert Browning, letter postmarked 21 July 1845, following remarks on Browning's reading of her published juvenile writings: 'I leave my sins & yours gladly, to get into the Hood poems which have delighted me so -- & first to the St Praxede [sic] which is of course the finest & most powerful .. & indeed full of the power of life .. & of death [...] The "angel & child," with all its beauty & significance! -- and the "Garden Fancies" [...] with that beautiful & musical use of the word "meandering," [...] It does so mate with your "[italics]simmering[end italics] quiet" in Sordello, which brings the summer air into the room as sure as you read it [...] And the Laboratory is hideous as you meant to make it: -- only I object a little to your tendency .. which is almost a habit [...] of making lines difficult for the reader to read .. see the opening lines of this poem.'

Century: 1800-1849     Reader/Listener/Group: Elizabeth Barrett Barrett      Print: Serial / periodical

  

Robert Browning : 'Oh to be in England'

Elizabeth Barrett to Robert Browning, 4 October 1845: 'Your spring-song is full of beauty as you know very well [...] so characteristic of you [...] that I was sorely tempted to ask you to write it "twice over," .. & not send the first copy to Mary Hunter notwithstanding my promise to her. And when you come to print these fragments, would it not be well if you were to stoop to the vulgarism of prefixing some word of introduction, as other people do, you know, .. a title .. a name? You perplex your readers often by casting yourself on their intelligence in these things [...] Now these fragments ... you mean to print them with a line between .. & not one word at the top of it .. now dont you? And then people will read '"Oh, to be in England" & say to themselves .. "Why who is this? .. who's out of England?" Which is an extreme case of course, -- but you will see what I mean .. & often I have observed how some of the very most beautiful of your lyrics have suffered just from your disdain of the usual tactics of writers in this one respect.'

Century: 1800-1849     Reader/Listener/Group: Elizabeth Barrett Barrett      Manuscript: Sheet

  

Robert Browning : Dramatic Romances and Lyrics

Walter Savage Landor to Robert Browning, letter postmarked 10 November 1845: 'Before I have half re[a]d through your Dramatic Romances, I must acknowledge the delight I am receiving [...] What a profusion of imagery, covering what a depth of thought!'

Century: 1800-1849     Reader/Listener/Group: Walter Savage Landor      Print: Book

  

Robert Browning : Luria (Act I)

Elizabeth Barrett to Robert Browning, 12 November 1845: 'I read Luria's first act twice through before I slept last night, & feel just as a bullet might feel [...] shot into the air & suddenly arrested & suspended. It ("Luria") is all life [comments in detail upon specific passages and phrases] [...] I am snatched up into "Luria" & feel myself driven on to the ends of the poet, just as a reader should.'

Century: 1800-1849     Reader/Listener/Group: Elizabeth Barrett Barrett      Manuscript: Unknown

  

Robert Browning : Christmas-Eve and Easter-Day

Joseph Arnould to Robert Browning, 25 April 1850: 'I have read re-read marked learned & [italics]]really[end italics] inwardly digested your last Poem [...] Well then I must say quite honestly that though your master hand has never dashed on the canvas the colours of poetry more grandly [...] yet, [italics]as a whole[end italics], it is less satisfactory to me than some of your earlier inspirations: call me limited, narrow, academic what you will, but I cannot quite like the grotesque, wonderful inventive & ingenious as it is of your opening; & then not so much on the ground of any mere individual dislike on my own part, as from the feeling that it may be a stumbling block to so many weaker brethren in the critic world'.

Century: 1850-1899     Reader/Listener/Group: Joseph Arnould      Print: Book

  

Robert Browning : Paracelsus

'L[eonard]W[oolf] had undertaken to write a play for the "X" Society, which had recently read Robert Browning's Paracelsus.'

Century: 1900-1945     Reader/Listener/Group: The 'X' Society     Print: Book

  

Robert Browning : 

Leonard Woolf to Lytton Strachey, 2 January 1903: 'I don't think my December list of books read equals yours. It includes however Bernard Shaw, Schopenhauer, Barry Pain, Browning, D'Aurevilly, Oscar Wilde, Flaubert, A Manual of Ethics & Shakespeare [...] I don't see how anyone, after reading Madame Bovary, can doubt which is the supremest of all novels -- though I now remember writing the same to you about Le Pere Goriot.'

Century: 1900-1945     Reader/Listener/Group: Leonard Woolf      Print: Book

  

Robert Browning : Childe Roland to the Dark Tower Came

'I remembered once, years before, when I was a child of thirteen, listening in half-fascinated terror to a mistress at St. Monica's reading "Childe Roland to the Dark Tower Came":'

Century: 1900-1945     Reader/Listener/Group: Vera Brittain      Print: Book

  

Robert Browning : The Inn Album

'I have done rather an amusing paragraph or two for "Vanity Fair" on the "Inn Album". I have slated R.B. pretty handsomely.

Century: 1850-1899     Reader/Listener/Group: Robert Louis Stevenson      Print: Book, Unknown

  

Robert Browning : The Ring and the Book

From Emily Tennyson's Journal, 1869: 'Before the end of February A. had read me all "The Coming of Arthur" finished, and was reading at night Browning's "Ring and the Book" -- "Pompilia" and "Caponsacchi" are the finest parts.'

Century: 1850-1899     Reader/Listener/Group: Alfred Tennyson      Print: Book

  

Robert Browning : Balaustion

From Emily Tennyson's Journal, 1871: 'Sept. 4th. We both read Browning's Balaustion. Heracles the free, the joyous, the strong, the self-sacrificer, a grand creation.'

Century: 1850-1899     Reader/Listener/Group: Alfred and Emily Tennyson     Print: Book

  

Robert Browning : Preface, The Ring and the Book

From Alfred Tennyson's letter-diary to his family (1868): 'Nov. 21st. Browning read his Preface to us last night, full of strange vigour and remarkable in many ways; doubtful whether it can ever be popular.'

Unknown
Century: 1850-1899     Reader/Listener/Group: Robert Browning      

  

Robert Browning : 'One Word More'

'A programme of the works of Robert Browning arranged by the committee appointed at the previous meeting was then entered up [?] Mrs Stansfield read a paper on some characteristics of the poet. Mr Goadby read Garden Fancies & Master Hugues Of Saxe-Gotha. Mrs Rawlings read Evelyn Hope. Mr Edminson Phedippides Mrs Smith May & Death & Prospice A Rawlings One Word More.'

Century: 1850-1899     Reader/Listener/Group: Alfred Rawlings      Print: Book

  

Robert Browning : 'May and Death'

'A programme of the works of Robert Browning arranged by the committee appointed at the previous meeting was then entered up [?] Mrs Stansfield read a paper on some characteristics of the poet. Mr Goadby read Garden Fancies & Master Hugues Of Saxe-Gotha. Mrs Rawlings read Evelyn Hope. Mr Edminson Phedippides Mrs Smith May & Death & Prospice A Rawlings One Word More.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Ann Smith      Print: Book

  

Robert Browning : 'Prospice'

'A programme of the works of Robert Browning arranged by the committee appointed at the previous meeting was then entered up [?] Mrs Stansfield read a paper on some characteristics of the poet. Mr Goadby read Garden Fancies & Master Hugues Of Saxe-Gotha. Mrs Rawlings read Evelyn Hope. Mr Edminson Phedippides Mrs Smith May & Death & Prospice A Rawlings One Word More.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Ann Smith      Print: Book

  

Robert Browning : 'Phedippides'

'A programme of the works of Robert Browning arranged by the committee appointed at the previous meeting was then entered up [?] Mrs Stansfield read a paper on some characteristics of the poet. Mr Goadby read Garden Fancies & Master Hugues Of Saxe-Gotha. Mrs Rawlings read Evelyn Hope. Mr Edminson Phedippides Mrs Smith May & Death & Prospice A Rawlings One Word More.'

Century: 1850-1899     Reader/Listener/Group: Frederick J. Edminson      Print: Book

  

Robert Browning : 'Evelyn Hope'

'A programme of the works of Robert Browning arranged by the committee appointed at the previous meeting was then entered up [?] Mrs Stansfield read a paper on some characteristics of the poet. Mr Goadby read Garden Fancies & Master Hugues Of Saxe-Gotha. Mrs Rawlings read Evelyn Hope. Mr Edminson Phedippides Mrs Smith May & Death & Prospice A Rawlings One Word More.'

Century: 1850-1899     Reader/Listener/Group: Helen Rawlings      Print: Book

  

Robert Browning : 'Garden Fancies'

'A programme of the works of Robert Browning arranged by the committee appointed at the previous meeting was then entered up [?] Mrs Stansfield read a paper on some characteristics of the poet. Mr Goadby read Garden Fancies & Master Hugues Of Saxe-Gotha. Mrs Rawlings read Evelyn Hope. Mr Edminson Phedippides Mrs Smith May & Death & Prospice A Rawlings One Word More.'

Century: 1850-1899     Reader/Listener/Group: Allan Goadby      Print: Book

  

Robert Browning : 'Master Hugues Of Saxe-Gotha'

'A programme of the works of Robert Browning arranged by the committee appointed at the previous meeting was then entered up [?] Mrs Stansfield read a paper on some characteristics of the poet. Mr Goadby read Garden Fancies & Master Hugues Of Saxe-Gotha. Mrs Rawlings read Evelyn Hope. Mr Edminson Phedippides Mrs Smith May & Death & Prospice A Rawlings One Word More.'

Century: 1850-1899     Reader/Listener/Group: Allan Goadby      Print: Book

  

Robert Browning : 

'A programme of the works of Robert Browning arranged by the committee appointed at the previous meeting was then entered up [?] Mrs Stansfield read a paper on some characteristics of the poet. Mr Goadby read Garden Fancies & Master Hugues Of Saxe-Gotha. Mrs Rawlings read Evelyn Hope. Mr Edminson Phedippides Mrs Smith May & Death & Prospice A Rawlings One Word More.'

Century: 1850-1899     Reader/Listener/Group: Pattie Stansfield      Print: Book

  

Robert Browning : Sordello

'Browning's Sordello was introduced by some prefatory notes by H.M. Wallis read by E.E. Unwin. H.M. Wallis then read a paper describing the historical setting of the poem. Selections were read by Miss Marriage and C.I. Evans'.

Century: 1900-1945     Reader/Listener/Group: Charles I. Evans      Print: Book

  

Robert Browning : Sordello

'Browning's Sordello was introduced by some prefatory notes by H.M. Wallis read by E.E. Unwin. H.M. Wallis then read a paper describing the historical setting of the poem. Selections were read by Miss Marriage and C.I. Evans'.

Century: 1900-1945     Reader/Listener/Group: Miss Marriage      Print: Book

  

Robert Browning : Sordello

'Browning's Sordello was introduced by some prefatory notes by H.M. Wallis read by E.E. Unwin. H.M. Wallis then read a paper describing the historical setting of the poem. Selections were read by Miss Marriage and C.I. Evans'.

Century: 1900-1945     Reader/Listener/Group: Henry Marriage Wallis      Print: Book

  

Robert Browning : Evelyn Hope

'A series of more or less five minutes essays or talks on various aspects of Browning by the folowing members were then given. viz C.I. Evans, E.E. Unwin, W.S. Rowntree, E.A. Smith, H.R. Smith & A. Rawlings. Mrs Robson, E.E. Unwin, & Kathleen Rawlings contributed songs & Margery Rawlings read Evelyn Hope'.

Century: 1900-1945     Reader/Listener/Group: Margery Rawlings      Print: Book

  

Robert Browning : 'Epilogue to Asolando'

'I have been trying to think how far I and my like, middle class schoolboys at the end of our pre-war education, were unquestioning patriots ready to respond to heroics. I think it is true that we were. We were reading now, or having read to us by our English master, the newly published sonnets of Rupert Brooke: 'Now, God be thanked who has matched us with His hour / And caught our youth, and wakened us from sleep.' 'Blow out, you bugles, over the rich Dead.' and 'Honour has come back, as a king, to earth.' 'If I should die, think only this of me: / That there's some corner of a foreign field / That is for ever England.' We had been prepared for these heights: conditioned may be the right word. Tennyson and Browning (besides Shakespeare, of course) we read in the English lessons and learnt by heart; and it cannot be by chance that there comes to my mind unbidden 'Ulysses' - 'To strive, to seek, to find, and not to yield' and the well-known 'Epilogue to Asolando': One who never turned his back but marched breast forward, Never doubted clouds would break, Never dreamed, though right were worsted, wrong would triumph, Held we fall to rise, are baffled to fight better, Sleep to wake.'

Century: 1900-1945     Reader/Listener/Group: Harold Edward Leslie Mellersh      Print: Book

  

Robert Browning : Sordello

'As for Sordello, I read it four times in youth, and never could make out who was speaking; yet I liked it - as one likes the moon, I fancy'.

Century: 1850-1899     Reader/Listener/Group: Robert Louis Stevenson      Print: Unknown

  

Robert Browning : 'In a gondola'

'The following miscellaneous programme was then gone through. This change in the subject was caused by the imposibility of getting cheap copies of The Dynasts. 1. Pianoforte solo. Selection from Debusy [sic] Miss Bowman Smith 2. Reading. Modern Froissart Chronicles Mrs W.H. Smith 3. Reading. Migrations. Anon. Contrib. from Punch by Alfred Rawlings 4. Recitation. In a Gondola (Browning) Miss Cole 5. Song. 2 French Bergerettes. Mrs Unwin 6. Essay. 'The Pious Atrocity' R.B. Graham 7. Reading. Wedding Presents (Punch) Mrs Reynolds 8. Song. My dear Soul. Mrs Robson 9. Reading 'How the Camel got his Hump' W.H. Smith 10. Song. The Camel's hump. E.E. Unwin 11. Reading. The Man of the Evening (A.A. Milne Punch) Miss R. Wallis 12. Song. Hebrides Galley Song. Miss Bowman Smith 13. Reading. Arms of Wipplecrack S.A. Reynolds 14. Reading. Joints in the Armour. E.V. Lucas. H.M. Wallis 15. Song-Chant Folk Song [ditto] 16. Essay. 'Bad morality & bad art' R.H. Robson 17. Song. Winter. Miss Bowman Smith 18. Essay 'Etaples & the air raids' H.R. Smith 19. Recitation. These new fangled ways. E.E. Unwin 20. Song. Goodnight. Mrs Robson.'

Century: 1900-1945     Reader/Listener/Group: Muriel Bowman-Smith      Print: Book

  

Robert Browning : Ring and the Book, The

'the rest of the evening was devoted to Browning's The Ring & the Book. Henry M. Wallis read a masterly paper in introduction. This enabled those who had not read the long poem to understand the story & the way in which Browning treated the story. The success of the evening was largely due to this introduction. The story from several standpoints was then dealt with by members of the club. R.H. Robson read a description of the 1st Guido A. Rawlings read extracts from the book Capansacchi Mrs Evans [ditto] Pompilia Mr Gidham [ditto] Pope Mr Robson [ditto] Guido in prison'

Century: 1900-1945     Reader/Listener/Group: Reginald Robson      Print: Book

  

Robert Browning : Ring and the Book, The

'the rest of the evening was devoted to Browning's The Ring & the Book. Henry M. Wallis read a masterly paper in introduction. This enabled those who had not read the long poem to understand the story & the way in which Browning treated the story. The success of the evening was largely due to this introduction. The story from several standpoints was then dealt with by members of the club. R.H. Robson read a description of the 1st Guido A. Rawlings read extracts from the book Capansacchi Mrs Evans [ditto] Pompilia Mr Gidham [ditto] Pope Mr Robson [ditto] Guido in prison'

Century: 1900-1945     Reader/Listener/Group: Alfred Rawlings      Print: Book

  

Robert Browning : Ring and the Book, The

'the rest of the evening was devoted to Browning's The Ring & the Book. Henry M. Wallis read a masterly paper in introduction. This enabled those who had not read the long poem to understand the story & the way in which Browning treated the story. The success of the evening was largely due to this introduction. The story from several standpoints was then dealt with by members of the club. R.H. Robson read a description of the 1st Guido A. Rawlings read extracts from the book Capansacchi Mrs Evans [ditto] Pompilia Mr Gidham [ditto] Pope Mr Robson [ditto] Guido in prison'

Century: 1900-1945     Reader/Listener/Group: Mr Gidham      Print: Book

  

Robert Browning : Ring and the Book, The

'the rest of the evening was devoted to Browning's The Ring & the Book. Henry M. Wallis read a masterly paper in introduction. This enabled those who had not read the long poem to understand the story & the way in which Browning treated the story. The success of the evening was largely due to this introduction. The story from several standpoints was then dealt with by members of the club. R.H. Robson read a description of the 1st Guido A. Rawlings read extracts from the book Capansacchi Mrs Evans [ditto] Pompilia Mr Gidham [ditto] Pope Mr Robson [ditto] Guido in prison'

Century: 1900-1945     Reader/Listener/Group: Katherine Evans      Print: Book

  

Robert Browning : Ring and the Book, The

'the rest of the evening was devoted to Browning's The Ring & the Book. Henry M. Wallis read a masterly paper in introduction. This enabled those who had not read the long poem to understand the story & the way in which Browning treated the story. The success of the evening was largely due to this introduction. The story from several standpoints was then dealt with by members of the club. R.H. Robson read a description of the 1st Guido A. Rawlings read extracts from the book Capansacchi Mrs Evans [ditto] Pompilia Mr Gidham [ditto] Pope Mr Robson [ditto] Guido in prison'

Century: 1900-1945     Reader/Listener/Group: Henry Marriage Wallis      Print: Book

  

Robert Browning : 'Flower's Name, The'

'The subject of the meeting was 'Gardens' & all members were asked to bring contributions [...] The following is a list of the contributions. C.E. Stansfield a reading from 'Paradise Lost' followed by a short essay entitled "The Lost Art of Living - A Gardener's Life" Mary Hayward. Song "Now sleeps the crimson petals" C.I. Evans. Two Readings. Of an Orchard. Higson. The Apple. John Burrough. Mrs Robson. Song. "Thank God for a Garden" Miss Cole. Recitation. 'The Flower's Name'. Browning. E.E. Unwin. Song. "Come into the Garden Maud" Mrs Evans. Reading from "The Small Garden Useful" dealing with the Cooking of Vegetables. C.I. Evans. Reading. "My Garden" interval for supper Miss Wallis. Reading by Request 'My Garden' - a parody Miss Cole. Recitation. Gardens. by Kipling Miss Hayward. Song. R.H. Robson Violin Solo C.I. Evans. Reading. A ballad of trees & the master Mrs Robson. Song.

Century: 1900-1945     Reader/Listener/Group: Celia Cole      Print: Book

  

Robert Browning : The Letters of Robert Browning and Elizabeth Barrett

'Dined with 'A' Company. Read the Browning Love Letters at night, in bed. Disappointed, though not displeased. Felt I could have written a better love letter myself in spite of my tender years - and lack of experience.'

Century: 1900-1945     Reader/Listener/Group: Robert Lindsay Mackay      Print: Book

  

Robert Browning : The Letters of Robert Browning and Elizabeth Barrett

'Church parade. Cricket against Royal Scots. Did rather well. Won by 1 run. Reading the Browning Love letters in my spare time.'

Century: 1900-1945     Reader/Listener/Group: Robert Lindsay Mackay      Print: Book

  

Robert Browning : The Letters of Robert Browning and Elizabeth Barrett

'Sunday 12th. August. Church parade. New minister. Rather enjoyed the sermon. Easy afternoon. Finished Vol. 1 of the Browning Letters - rather a feat for Active Service!'

Century: 1900-1945     Reader/Listener/Group: Robert Lindsay Mackay      Print: Book

  

Robert Browning : The Letters of Robert Browning and Elizabeth Barrett

'Meant to go to church, but couldn't find it, so had a fine lazy day instead. Read Browning.'

Century: 1900-1945     Reader/Listener/Group: Robert Lindsay Mackay      Print: BookManuscript: Letter, Sheet

  

Robert Browning : The Letters of Robert Browning and Elizabeth Barrett

'Finished the Browning Letters - one of the biggest feats of the war! It has taken a tremendous effort of will on my part to get through them. Felt that if I had been in love I could have written better letters than those!!'

Century: 1900-1945     Reader/Listener/Group: Robert Lindsay Mackay      Print: Book

  

Robert Browning : "The Wanderers"

'... as we drifted gaily down the sparkling river [Tigris] in perfect autumnal weather, I thought of Browning's [italics] Wanderers [end italics] .... For on my kelek I had my [italics] Book of Verses [end italics], my Loaf of Bread and even my Jug of Wine and I only lacked some visionary "Thou" beside me.'

Century: 1900-1945     Reader/Listener/Group: William Collis Spackman      Print: Book

 

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