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the experience of reading in Britain, from 1450 to 1945...

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Bamford

 

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John Milton : L'Allegro

'As a Manchester warehouse porter, Samuel Bamford found the same richness in Milton: "His 'L'Allegro' and 'Il Penseroso' were but expressions of thoughts and feelings which my romantic imagination had not unfrequently led me to indulge, but which, until now, I had deemed beyond all human utterance".'

Century: 1700-1799 / 1800-1849     Reader/Listener/Group: Samuel Bamford      Print: Book

  

John Milton : Il Penseroso

'As a Manchester warehouse porter, Samuel Bamford found the same richness in Milton: "His 'L'Allegro' and 'Il Penseroso' were but expressions of thoughts and feelings which my romantic imagination had not unfrequently led me to indulge, but which, until now, I had deemed beyond all human utterance".'

Century: 1700-1799 / 1800-1849     Reader/Listener/Group: Samuel Bamford      Print: Book

  

Homer  : 

'Milton established a habit of serious reading, which brought Bamford to Homer, Virgil, Shakespeare, the great poets, classic histories and voyages, and ultimately William Cobbett's Political Register'.

Century: 1700-1799 / 1800-1849     Reader/Listener/Group: Samuel Bamford      Print: Book

  

Virgil  : 

'Milton established a habit of serious reading, which brought Bamford to Homer, Virgil, Shakespeare, the great poets, classic histories and voyages, and ultimately William Cobbett's Political Register'.

Century: 1800-1849     Reader/Listener/Group: Samuel Bamford      Print: Book

  

William Shakespeare : 

'Milton established a habit of serious reading, which brought Bamford to Homer, Virgil, Shakespeare, the great poets, classic histories and voyages, and ultimately William Cobbett's Political Register'.

Century: 1700-1799 / 1800-1849     Reader/Listener/Group: Samuel Bamford      Print: Book

  

[the great poets]  : 

'Milton established a habit of serious reading, which brought Bamford to Homer, Virgil, Shakespeare, the great poets, classic histories and voyages, and ultimately William Cobbett's Political Register'.

Century: 1700-1799 / 1800-1849     Reader/Listener/Group: Samuel Bamford      Print: Unknown

  

 : [classic histories]

'Milton established a habit of serious reading, which brought Bamford to Homer, Virgil, Shakespeare, the great poets, classic histories and voyages and, ultimately, William Cobbett's Political Register'.

Century: 1700-1799 / 1800-1849     Reader/Listener/Group: Samuel Bamford      Print: Book

  

 : [voyages]

'Milton established a habit of serious reading, which brought Bamford to Homer, Virgil, Shakespeare, the great poets, classic histories and voyages and, ultimately, William Cobbett's Political Register'.

Century: 1700-1799 / 1800-1849     Reader/Listener/Group: Samuel Bamford      Print: Book

  

William Cobbett : Political Register

'Milton established a habit of serious reading, which brought Bamford to Homer, Virgil, Shakespeare, the great poets, classic histories and voyages and, ultimately, William Cobbett's Political Register'.

Century: 1700-1799 / 1800-1849     Reader/Listener/Group: Samuel Bamford      Print: Book

  

 : 

Dorothy Wordsworth to William Wordsworth, 23 April 1812: 'Our new Master reads prayers to the Boys every night - John says he does not read so well as Mr Johnson; but about like Mr Sewel, which Mr Sewel Sara reports to be the worst Reader in the world.'

Unknown
Century: 1800-1849     Reader/Listener/Group:      

  

John Bunyan : Pilgrim's Progress

'When radical weaver Samuel Bamford first discovered Pilgrim's Progress, it impressed him as a thrilling illustrated romance: woodcuts of Christian's fight with Apollyon and his escape from Giant Despair encouraged "the exercise of my feeling and my imagination". Then The New Testament became "my story book and I read it all through and through, but more for the interest the marvellous passages excited, than from any religious impression which they created". At a bookshop he picked up stories about witches, Robin Hood, Jack the Giant Killer, St George and the Dragon and the History of the Seven Champions, all with the same deliciously garish woodcuts he had found in Bunyan. Since these stories followed the same narrative conventions, there was no reason to doubt them. "For my part I implicitly believed them all, and when told by my father or others that they were 'trash' or 'nonsense', and 'could not be true', I, innocently enough contrasted their probability with that of other wondrous things which I had read in books that 'it were a sin to disbelieve'."'

Century: 1700-1799     Reader/Listener/Group: Samuel Bamford      Print: Book

  

 : [The New Testament]

'When radical weaver Samuel Bamford first discovered Pilgrim's Progress, it impressed him as a thrilling illustrated romance: woodcuts of Christian's fight with Apollyon and his escape from Giant Despair encouraged "the exercise of my feeling and my imagination". Then The New Testament became "my story book and I read it all through and through, but more for the interest the marvellous passages excited, than from any religious impression which they created". At a bookshop he picked up stories about witches, Robin Hood, Jack the Giant Killer, St George and the Dragon and the History of the Seven Champions, all with the same deliciously garish woodcuts he had found in Bunyan. Since these stories followed the same narrative conventions, there was no reason to doubt them. "For my part I implicitly believed them all, and when told by my father or others that they were 'trash' or 'nonsense', and 'could not be true', I, innocently enough contrasted their probability with that of other wondrous things which I had read in books that 'it were a sin to disbelieve'."'

Century: 1700-1799     Reader/Listener/Group: Samuel Bamford      Print: Book

  

 : [tale of Robin Hood]

'When radical weaver Samuel Bamford first discovered Pilgrim's Progress, it impressed him as a thrilling illustrated romance: woodcuts of Christian's fight with Apollyon and his escape from Giant Despair encouraged "the exercise of my feeling and my imagination". Then The New Testament became "my story book and I read it all through and through, but more for the interest the marvellous passages excited, than from any religious impression which they created". At a bookshop he picked up stories about witches, Robin Hood, Jack the Giant Killer, St George and the Dragon and the History of the Seven Champions, all with the same deliciously garish woodcuts he had found in Bunyan. Since these stories followed the same narrative conventions, there was no reason to doubt them. "For my part I implicitly believed them all, and when told by my father or others that they were 'trash' or 'nonsense', and 'could not be true', I, innocently enough contrasted their probability with that of other wondrous things which I had read in books that 'it were a sin to disbelieve'."'

Century: 1700-1799     Reader/Listener/Group: Samuel Bamford      Print: Book

  

 : Jack the Giant Killer

'When radical weaver Samuel Bamford first discovered Pilgrim's Progress, it impressed him as a thrilling illustrated romance: woodcuts of Christian's fight with Apollyon and his escape from Giant Despair encouraged "the exercise of my feeling and my imagination". Then The New Testament became "my story book and I read it all through and through, but more for the interest the marvellous passages excited, than from any religious impression which they created". At a bookshop he picked up stories about witches, Robin Hood, Jack the Giant Killer, St George and the Dragon and the History of the Seven Champions, all with the same deliciously garish woodcuts he had found in Bunyan. Since these stories followed the same narrative conventions, there was no reason to doubt them. "For my part I implicitly believed them all, and when told by my father or others that they were 'trash' or 'nonsense', and 'could not be true', I, innocently enough contrasted their probability with that of other wondrous things which I had read in books that 'it were a sin to disbelieve'."'

Century: 1700-1799     Reader/Listener/Group: Samuel Bamford      Print: Book

  

 : [Story of St George and the Dragon]

'When radical weaver Samuel Bamford first discovered Pilgrim's Progress, it impressed him as a thrilling illustrated romance: woodcuts of Christian's fight with Apollyon and his escape from Giant Despair encouraged "the exercise of my feeling and my imagination". Then The New Testament became "my story book and I read it all through and through, but more for the interest the marvellous passages excited, than from any religious impression which they created". At a bookshop he picked up stories about witches, Robin Hood, Jack the Giant Killer, St George and the Dragon and the History of the Seven Champions, all with the same deliciously garish woodcuts he had found in Bunyan. Since these stories followed the same narrative conventions, there was no reason to doubt them. "For my part I implicitly believed them all, and when told by my father or others that they were 'trash' or 'nonsense', and 'could not be true', I, innocently enough contrasted their probability with that of other wondrous things which I had read in books that 'it were a sin to disbelieve'."'

Century: 1700-1799     Reader/Listener/Group: Samuel Bamford      Print: Book

  

Richard Johnson : The History of The Seven Champions

'When radical weaver Samuel Bamford first discovered Pilgrim's Progress, it impressed him as a thrilling illustrated romance: woodcuts of Christian's fight with Apollyon and his escape from Giant Despair encouraged "the exercise of my feeling and my imagination". Then The New Testament became "my story book and I read it all through and through, but more for the interest the marvellous passages excited, than from any religious impression which they created". At a bookshop he picked up stories about witches, Robin Hood, Jack the Giant Killer, St George and the Dragon and the History of the Seven Champions, all with the same deliciously garish woodcuts he had found in Bunyan. Since these stories followed the same narrative conventions, there was no reason to doubt them. "For my part I implicitly believed them all, and when told by my father or others that they were 'trash' or 'nonsense', and 'could not be true', I, innocently enough contrasted their probability with that of other wondrous things which I had read in books that 'it were a sin to disbelieve'."'

Century: 1700-1799     Reader/Listener/Group: Samuel Bamford      Print: Book

  

John Bunyan : Pilgrim's Progress

?The first book which attracted my particular notice was "The Pilgrim?s Progress", with rude woodcuts; it excited my curiosity in an extraordinary degree. There was "Christian knocking at the strait gate", his "fight wit Appolyn", his "passing near the lions", his "escape from Giant Dispair [sic]", his perils at "Vanity Fair", his arrival in "the land of Beula", and his final passage to "Eternal Rest": all these were matters for the exercise of my feeling and my imagination. And then when it was explained to me ? as it was by my mother and sister...?

Century: 1700-1799     Reader/Listener/Group: Samuel Bamford      Print: Book

  

Thomas Paine : Age of Reason

?My father, as before stated, was a reader, and amongst other books which he now read, was Pain?s [sic] "Rights of Man". He also read Pain?s [sic] "Age of Reason", and his other theological works, but they made not the least alterations in his religious opinions.?

Century: 1700-1799 / 1800-1849     Reader/Listener/Group: Daniel Bamford      Print: Book

  

[n/a] : New Testament

??now, being able to read, I had almost continually the Testament in my hand. I had all the wondrous accounts in the Revelations, and my father, not a little pleased, would at times sit down, and in his way explain the meaning of the strange things about which I read. After I had gone through the Revelations, I began with the Gospel of Saint Matthew, and was deeply interested by the miracles, sufferings and death of our Lord. The New Testament was now my shiny book, and I read it all through and through, but more for the interest the marvellous passages excited, than from any religious impression which they caused.?

Century: 1700-1799     Reader/Listener/Group: Samuel Bamford      Print: Book

  

anon : Histories of Jack the Giant Killer

'At the corner of Hanging Bridge, near Old Churchyard, was a bookshop kept by one Swindells, a printer. In the spacious windows of this shop? were exhibited numerous songs, ballads, tales, and other publications, with horrid and awful-looking woodcuts at the head; which publications, with their cuts, had a strong command of my attention. Every farthing I could scrape together was now spent in purchasing "Histories of Jack the Giant Killer", "Saint George and the Dragon", "Tom Hickathrift", "Jack and the Bean Stalk", "History of the Seven Champions", tale of "Fair Rosamond", "History of Friar Bacon", "Account of the Lancashire Witches", "The Witches of the Woodlands", and such like romances; whilst my ? collections embraced but few pieces besides "Robin Hood?s Songs", and "The Ballad of Chevy Chase". Of all these tales and ballads I was soon to master, and they formed the subjects of many a long study to me, and of many a wonder-creating story for my acquaintance both at the workhouse and elsewhere. For my part I implicitly believed them all, and when told by my father or others that they were "trash" and "nonsense", and "could not be true", I innocently enough, contrasted their probability with that of other wondrous things which I read in books that "it were a sin to disbelieve".'

Century: 1700-1799 / 1800-1849     Reader/Listener/Group: Samuel Bamford      Print: Book

  

anon : Saint George and the Dragon

'At the corner of Hanging Bridge, near Old Churchyard, was a bookshop kept by one Swindells, a printer. In the spacious windows of this shop? were exhibited numerous songs, ballads, tales, and other publications, with horrid and awful-looking woodcuts at the head; which publications, with their cuts, had a strong command of my attention. Every farthing I could scrape together was now spent in purchasing "Histories of Jack the Giant Killer", "Saint George and the Dragon", "Tom Hickathrift", "Jack and the Bean Stalk", "History of the Seven Champions", tale of "Fair Rosamond", "History of Friar Bacon", "Account of the Lancashire Witches", "The Witches of the Woodlands", and such like romances; whilst my ? collections embraced but few pieces besides "Robin Hood?s Songs", and "The Ballad of Chevy Chase". Of all these tales and ballads I was soon to master, and they formed the subjects of many a long study to me, and of many a wonder-creating story for my acquaintance both at the workhouse and elsewhere. For my part I implicitly believed them all, and when told by my father or others that they were "trash" and "nonsense", and "could not be true", I innocently enough, contrasted their probability with that of other wondrous things which I read in books that "it were a sin to disbelieve".'

Century: 1700-1799 / 1800-1849     Reader/Listener/Group: Samuel Bamford      Print: Book

  

anon : Tom Hickathrift

'At the corner of Hanging Bridge, near Old Churchyard, was a bookshop kept by one Swindells, a printer. In the spacious windows of this shop? were exhibited numerous songs, ballads, tales, and other publications, with horrid and awful-looking woodcuts at the head; which publications, with their cuts, had a strong command of my attention. Every farthing I could scrape together was now spent in purchasing "Histories of Jack the Giant Killer", "Saint George and the Dragon", "Tom Hickathrift", "Jack and the Bean Stalk", "History of the Seven Champions", tale of "Fair Rosamond", "History of Friar Bacon", "Account of the Lancashire Witches", "The Witches of the Woodlands", and such like romances; whilst my ? collections embraced but few pieces besides "Robin Hood?s Songs", and "The Ballad of Chevy Chase". Of all these tales and ballads I was soon to master, and they formed the subjects of many a long study to me, and of many a wonder-creating story for my acquaintance both at the workhouse and elsewhere. For my part I implicitly believed them all, and when told by my father or others that they were "trash" and "nonsense", and "could not be true", I innocently enough, contrasted their probability with that of other wondrous things which I read in books that "it were a sin to disbelieve".'

Century: 1700-1799 / 1800-1849     Reader/Listener/Group: Samuel Bamford      Print: Book

  

anon : Jack and the Bean Stalk

'At the corner of Hanging Bridge, near Old Churchyard, was a bookshop kept by one Swindells, a printer. In the spacious windows of this shop? were exhibited numerous songs, ballads, tales, and other publications, with horrid and awful-looking woodcuts at the head; which publications, with their cuts, had a strong command of my attention. Every farthing I could scrape together was now spent in purchasing "Histories of Jack the Giant Killer", "Saint George and the Dragon", "Tom Hickathrift", "Jack and the Bean Stalk", "History of the Seven Champions", tale of "Fair Rosamond", "History of Friar Bacon", "Account of the Lancashire Witches", "The Witches of the Woodlands", and such like romances; whilst my ? collections embraced but few pieces besides "Robin Hood?s Songs", and "The Ballad of Chevy Chase". Of all these tales and ballads I was soon to master, and they formed the subjects of many a long study to me, and of many a wonder-creating story for my acquaintance both at the workhouse and elsewhere. For my part I implicitly believed them all, and when told by my father or others that they were "trash" and "nonsense", and "could not be true", I innocently enough, contrasted their probability with that of other wondrous things which I read in books that "it were a sin to disbelieve".'

Century: 1700-1799 / 1800-1849     Reader/Listener/Group: Samuel Bamford      Print: Book

  

anon : History of the Seven Champions

'At the corner of Hanging Bridge, near Old Churchyard, was a bookshop kept by one Swindells, a printer. In the spacious windows of this shop? were exhibited numerous songs, ballads, tales, and other publications, with horrid and awful-looking woodcuts at the head; which publications, with their cuts, had a strong command of my attention. Every farthing I could scrape together was now spent in purchasing "Histories of Jack the Giant Killer", "Saint George and the Dragon", "Tom Hickathrift", "Jack and the Bean Stalk", "History of the Seven Champions", tale of "Fair Rosamond", "History of Friar Bacon", "Account of the Lancashire Witches", "The Witches of the Woodlands", and such like romances; whilst my ? collections embraced but few pieces besides "Robin Hood?s Songs", and "The Ballad of Chevy Chase". Of all these tales and ballads I was soon to master, and they formed the subjects of many a long study to me, and of many a wonder-creating story for my acquaintance both at the workhouse and elsewhere. For my part I implicitly believed them all, and when told by my father or others that they were "trash" and "nonsense", and "could not be true", I innocently enough, contrasted their probability with that of other wondrous things which I read in books that "it were a sin to disbelieve".'

Century: 1700-1799 / 1800-1849     Reader/Listener/Group: Samuel Bamford      Print: Book

  

anon : Fair Rosamond

'At the corner of Hanging Bridge, near Old Churchyard, was a bookshop kept by one Swindells, a printer. In the spacious windows of this shop? were exhibited numerous songs, ballads, tales, and other publications, with horrid and awful-looking woodcuts at the head; which publications, with their cuts, had a strong command of my attention. Every farthing I could scrape together was now spent in purchasing "Histories of Jack the Giant Killer", "Saint George and the Dragon", "Tom Hickathrift", "Jack and the Bean Stalk", "History of the Seven Champions", tale of "Fair Rosamond", "History of Friar Bacon", "Account of the Lancashire Witches", "The Witches of the Woodlands", and such like romances; whilst my ? collections embraced but few pieces besides "Robin Hood?s Songs", and "The Ballad of Chevy Chase". Of all these tales and ballads I was soon to master, and they formed the subjects of many a long study to me, and of many a wonder-creating story for my acquaintance both at the workhouse and elsewhere. For my part I implicitly believed them all, and when told by my father or others that they were "trash" and "nonsense", and "could not be true", I innocently enough, contrasted their probability with that of other wondrous things which I read in books that "it were a sin to disbelieve".'

Century: 1700-1799 / 1800-1849     Reader/Listener/Group: Samuel Bamford      Print: Book

  

anon : History of Friar Bacon

'At the corner of Hanging Bridge, near Old Churchyard, was a bookshop kept by one Swindells, a printer. In the spacious windows of this shop? were exhibited numerous songs, ballads, tales, and other publications, with horrid and awful-looking woodcuts at the head; which publications, with their cuts, had a strong command of my attention. Every farthing I could scrape together was now spent in purchasing "Histories of Jack the Giant Killer", "Saint George and the Dragon", ?Tom Hickathrift?, "Jack and the Bean Stalk", "History of the Seven Champions", tale of "Fair Rosamond", "History of Friar Bacon", "Account of the Lancashire Witches", "The Witches of the Woodlands", and such like romances; whilst my ? collections embraced but few pieces besides "Robin Hood?s Songs", and "The Ballad of Chevy Chase". Of all these tales and ballads I was soon to master, and they formed the subjects of many a long study to me, and of many a wonder-creating story for my acquaintance both at the workhouse and elsewhere. For my part I implicitly believed them all, and when told by my father or others that they were "trash" and "nonsense", and "could not be true", I innocently enough, contrasted their probability with that of other wondrous things which I read in books that "it were a sin to disbelieve".'

Century: 1700-1799 / 1800-1849     Reader/Listener/Group: Samuel Bamford      Print: Book

  

anon : Account of the Lancashire witches

'At the corner of Hanging Bridge, near Old Churchyard, was a bookshop kept by one Swindells, a printer. In the spacious windows of this shop? were exhibited numerous songs, ballads, tales, and other publications, with horrid and awful-looking woodcuts at the head; which publications, with their cuts, had a strong command of my attention. Every farthing I could scrape together was now spent in purchasing "Histories of Jack the Giant Killer", "Saint George and the Dragon", "Tom Hickathrift", "Jack and the Bean Stalk", "History of the Seven Champions", tale of "Fair Rosamond", "History of Friar Bacon", "Account of the Lancashire Witches", "The Witches of the Woodlands", and such like romances; whilst my ? collections embraced but few pieces besides "Robin Hood?s Songs", and "The Ballad of Chevy Chase". Of all these tales and ballads I was soon to master, and they formed the subjects of many a long study to me, and of many a wonder-creating story for my acquaintance both at the workhouse and elsewhere. For my part I implicitly believed them all, and when told by my father or others that they were "trash" and "nonsense", and "could not be true", I innocently enough, contrasted their probability with that of other wondrous things which I read in books that "it were a sin to disbelieve".'

Century: 1700-1799 / 1800-1849     Reader/Listener/Group: Samuel Bamford      Print: Book

  

anon : The witches of the woodlands

'At the corner of Hanging Bridge, near Old Churchyard, was a bookshop kept by one Swindells, a printer. In the spacious windows of this shop? were exhibited numerous songs, ballads, tales, and other publications, with horrid and awful-looking woodcuts at the head; which publications, with their cuts, had a strong command of my attention. Every farthing I could scrape together was now spent in purchasing "Histories of Jack the Giant Killer", "Saint George and the Dragon", "Tom Hickathrift", "Jack and the Bean Stalk", "History of the Seven Champions", tale of "Fair Rosamond", "History of Friar Bacon", "Account of the Lancashire Witches", "The Witches of the Woodlands", and such like romances; whilst my ? collections embraced but few pieces besides "Robin Hood?s Songs", and "The Ballad of Chevy Chase". Of all these tales and ballads I was soon to master, and they formed the subjects of many a long study to me, and of many a wonder-creating story for my acquaintance both at the workhouse and elsewhere. For my part I implicitly believed them all, and when told by my father or others that they were "trash" and "nonsense", and "could not be true", I innocently enough, contrasted their probability with that of other wondrous things which I read in books that "it were a sin to disbelieve".

Century: 1700-1799 / 1800-1849     Reader/Listener/Group: Samuel Bamford      Print: Book

  

anon : Robin Hood's Songs

'At the corner of Hanging Bridge, near Old Churchyard, was a bookshop kept by one Swindells, a printer. In the spacious windows of this shop? were exhibited numerous songs, ballads, tales, and other publications, with horrid and awful-looking woodcuts at the head; which publications, with their cuts, had a strong command of my attention. Every farthing I could scrape together was now spent in purchasing "Histories of Jack the Giant Killer", "Saint George and the Dragon", "Tom Hickathrift", "Jack and the Bean Stalk", "History of the Seven Champions", tale of "Fair Rosamond", "History of Friar Bacon", "Account of the Lancashire Witches", "The Witches of the Woodlands", and such like romances; whilst my ? collections embraced but few pieces besides "Robin Hood?s Songs", and "The Ballad of Chevy Chase". Of all these tales and ballads I was soon to master, and they formed the subjects of many a long study to me, and of many a wonder-creating story for my acquaintance both at the workhouse and elsewhere. For my part I implicitly believed them all, and when told by my father or others that they were "trash" and "nonsense", and "could not be true", I innocently enough, contrasted their probability with that of other wondrous things which I read in books that "it were a sin to disbelieve".'

Century: 1700-1799 / 1800-1849     Reader/Listener/Group: Samuel Bamford      Print: Book, Broadsheet

  

anon : The Ballad of Chevy Chase

'At the corner of Hanging Bridge, near Old Churchyard, was a bookshop kept by one Swindells, a printer. In the spacious windows of this shop? were exhibited numerous songs, ballads, tales, and other publications, with horrid and awful-looking woodcuts at the head; which publications, with their cuts, had a strong command of my attention. Every farthing I could scrape together was now spent in purchasing "Histories of Jack the Giant Killer", "Saint George and the Dragon", "Tom Hickathrift", "Jack and the Bean Stalk", "History of the Seven Champions", tale of "Fair Rosamond", "History of Friar Bacon", "Account of the Lancashire Witches", "The Witches of the Woodlands", and such like romances; whilst my ? collections embraced but few pieces besides "Robin Hood?s Songs", and "The Ballad of Chevy Chase". Of all these tales and ballads I was soon to master, and they formed the subjects of many a long study to me, and of many a wonder-creating story for my acquaintance both at the workhouse and elsewhere. For my part I implicitly believed them all, and when told by my father or others that they were "trash" and "nonsense", and "could not be true", I innocently enough, contrasted their probability with that of other wondrous things which I read in books that "it were a sin to disbelieve".'

Century: 1700-1799 / 1800-1849     Reader/Listener/Group: Samuel Bamford      Print: Book, Broadsheet

  

Daniel Defoe : Robinson Crusoe

?At length, "Robinson Crusoe" ? that ever-exciting day dream of boys ? fell in our way. I read it to him, as I had done the others, and for a long time both Sam?s ideas and mine were owned and fascinated by the descriptions of sea-dangers, shipwrecks, and lone islands with savages, and far-off countries teeming with riches and plenty.?

Century: 1700-1799 / 1800-1849     Reader/Listener/Group: Samuel Bamford      Print: Book

  

John Wesley : Journals

'...with the exception of Bible lessons at Sunday school, all my reading was done at home, after the daily task was finished. When not strongly tempted to play I was almost certain to be reading by the summer?s twilight, or by the red embers of the winter fire, my books being chiefly "Wesley?s Journals", "The Armenian Magazine", wherein I found "Maudrell?s Travels from Aleppo to Jerusalem", which I was very much interested by; "An account of the Inquisition in Spain", which filled me with a dislike of Popery; "The Drummer of Tedworth"; "Some account of the Disturbances at Glenluce"; "An account of the apparition of the Laird of Cool", - and other most marvellous narratives which excited my attention, and held me pausing over the ashes until the light was either gone or I was sent to bed. I also got hold of an old superstitious doctoring book, which gave me some unexpected information relative to the human frame, and equally surprised me as to the occult powers of certain herbs and simples, when prepared under supposed planetary aspects. A copy of Cocker?s "Arithmetic" soon after set me to writing figures and casting accounts, in which I made but slow progress; and part of a small volume of "The History of England", which I found in rumaging an old meal ark, gave me the first insight into the chronicles of my native country.'

Century: 1800-1849     Reader/Listener/Group: Samuel Bamford      Print: Book

  

[n/a] : The Armenian Magazine

'? with the exception of Bible lessons at Sunday school, all my reading was done at home, after the daily task was finished. When not strongly tempted to play I was almost certain to be reading by the summer?s twilight, or by the red embers of the winter fire, my books being chiefly "Wesley?s Journals", "The Armenian Magazine", wherein I found "Maudrell?s Travels from Aleppo to Jerusalem", which I was very much interested by; "An account of the Inquisition in Spain", which filled me with a dislike of Popery; "The Drummer of Tedworth"; "Some account of the Disturbances at Glenluce"; "An account of the Apparition of the Laird of Cool", - and other most marvellous narratives which excited my attention, and held me pausing over the ashes until the light was either gone or I was sent to bed. I also got hold of an old superstitious doctoring book, which gave me some unexpected information relative to the human frame, and equally surprised me as to the occult powers of certain herbs and simples, when prepared under supposed planetary aspects. A copy of Cocker?s "Arithmetic" soon after set me to writing figures and casting accounts, in which I made but slow progress; and part of a small volume of "The History of England", which I found in rumaging through an old meal ark, gave me the first insight into the chronicles of my native country.'

Century: 1800-1849     Reader/Listener/Group: Samuel Bamford      Print: Serial / periodical

  

anon : An account of the Inquisition in Spain

'? with the exception of Bible lessons at Sunday school, all my reading was done at home, after the daily task was finished. When not strongly tempted to play I was almost certain to be reading by the summer?s twilight, or by the red embers of the winter's fire, my books being chiefly "Wesley?s Journals", "The Armenian Magazine", wherein I found "Maundrell?s Travels from Aleppo to Jerusalem", which I was very much interested by; "An account of the Inquisition in Spain", which filled me with a dislike of Popery; "The Drummer of Tedworth"; "Some account of the Disturbances at Glenluce"; "An account of the Apparition of the Laird of Cool", - and other most marvellous narratives which excited my attention, and held me pausing over the ashes until the light was either gone or I was sent to bed. I also got hold of an old superstitious doctoring book, which gave me some unexpected information relative to the human frame, and equally surprised me as to the occult powers of certain herbs and simples, when prepared under supposed planetary aspects. A copy of Cocker?s "Arithmetic" soon after set me to writing figures and casting accounts, in which I made but slow progress; and part of a small volume of "The History of England", which I found in rumaging an old meal ark, gave me the first insight into the chronicles of my native country.'

Century: 1800-1849     Reader/Listener/Group: Samuel Bamford      Print: Book

  

anon : The Drummer of Tedworth

'? with the exception of Bible lessons at Sunday school, all my reading was done at home, after the daily task was finished. When not strongly tempted to play I was almost certain to be reading by the summer?s twilight, or by the red embers of the winter fire, my books being chiefly "Wesley?s Journals", "The Armenian Magazine", wherein I found "Maundrell?s Travels from Aleppo to Jerusalem", which I was very much interested by; "An account of the Inquisition in Spain", which filled me with a dislike of Popery; "The Drummer of Tedworth"; "Some account of the Disturbances at Glenluce"; "An account of the Apparition of the Laird of Cool", - and other most marvellous narratives which excited my attention, and held me pausing over the ashes until the light was either gone or I was sent to bed. I also got hold of an old superstitious doctoring book, which gave me some unexpected information relative to the human frame, and equally surprised me as to the occult powers of certain herbs and simples, when prepared under supposed planetary aspects. A copy of Cocker?s "Arithmetic" soon after set me to writing figures and casting accounts, in which I made but slow progress; and part of a small volume of "The History of England", which I found in rumaging an old meal ark, gave me the first insight into the chronicles of my native country.'

Century: 1800-1849     Reader/Listener/Group: Samuel Bamford      Print: Unknown

  

anon : Some account of the disturbances at Glenluce

'? with the exception of Bible lessons at Sunday school, all my reading was done at home, after the daily task was finished. When not strongly tempted to play I was almost certain to be reading by the summer?s twilight, or by the red embers of the winter's five, my books being chiefly "Wesley?s Journals", "The Armenian Magazine", wherein I found "Maundrell?s Travels from Aleppo to Jerusalem", which I was very much interested by; "An account of the Inquisition in Spain", which filled me with a dislike of Popery; "The Drummer of Tedworth"; "Some account of the Disturbances at Glenluce"; "An account of the Apparition of the Laird of Cool", - and other most marvellous narratives which excited my attention, and held me pausing over the ashes until the light was either gone or I was sent to bed. I also got hold of an old superstitious doctoring book, which gave me some unexpected information relative to the human frame, and equally surprised me as to the occult powers of certain herbs and simples, when prepared under supposed planetary aspects. A copy of Cocker?s "Arithmetic" soon after set me to writing figures and casting accounts, in which I made but slow progress; and part of a small volume of "The History of England", which I found in rumaging an old meal ark, gave me the first insight into the chronicles of my native country.'

Century: 1800-1849     Reader/Listener/Group: Samuel Bamford      Print: Unknown

  

anon : An account of the Apparition of the Laird of Cool

'? with the exception of Bible lessons at Sunday school, all my reading was done at home, after the daily task was finished. When not strongly tempted to play I was almost certain to be reading by the summer?s twilight, or by the red embers of the winter's fire, my books being chiefly "Wesley?s Journals", "The Armenian Magazine", wherein I found "Maundrell?s Travels from Aleppo to Jerusalem", which I was very much interested by; "An account of the Inquisition in Spain", which filled me with a dislike of Popery; "The Drummer of Tedworth"; "Some account of the Disturbances at Glenluce"; "An account of the Apparition of the Laird of Cool", - and other most marvellous narratives which excited my attention, and held me pausing over the ashes until the light was either gone or I was sent to bed. I also got hold of an old superstitious doctoring book, which gave me some unexpected information relative to the human frame, and equally surprised me as to the occult powers of certain herbs and simples, when prepared under supposed planetary aspects. A copy of Cocker?s "Arithmetic" soon after set me to writing figures and casting accounts, in which I made but slow progress; and part of a small volume of "The History of England", which I found rumaging an old meal ark, gave me the first insight into the chronicles of my native country.'

Century: 1800-1849     Reader/Listener/Group: Samuel Bamford      Print: Unknown

  

[unknown] : The History of England

'? with the exception of Bible lessons at Sunday school, all my reading was done at home, after the daily task was finished. When not strongly tempted to play I was almost certain to be reading by the summer?s twilight, or by the red embers of the winter's fire, my books being chiefly "Wesley?s Journals", "The Armenian Magazine", wherein I found "Maundrell?s Travels from Aleppo to Jerusalem", which I was very much interested by; "An account of the Inquisition in Spain", which filled me with a dislike of Popery"; "The Drummer of Tedworth"; "Some account of the Disturbances at Glenluce"; "An account of the Apparition of the Laird of Cool", - and other most marvellous narratives which excited my attention, and held me pausing over the ashes until the light was either gone or I was sent to bed. I also got hold of an old superstitious doctoring book, which gave me some unexpected information relative to the human frame, and equally surprised me as to the occult powers of certain herbs and simples, when prepared under supposed planetary aspects. A copy of Cocker?s "Arithmetic" soon after set me to writing figures and casting accounts, in which I made but slow progress; and part of a small volume of "The History of England", which I found in rumaging an old meal ark, gave me the first insight into the chronicles of my native country.'

Century: 1800-1849     Reader/Listener/Group: Samuel Bamford      Print: Book

  

Homer : Iliad

?About this time I was delighted by the acquisition of two books, the existence of which, until then, had been unknown to me. One was the second volume of Homer?s "Iliad", translated by Alexander Pope, with notes by Madame Dacier; and the other was a small volume of miscellaneous poems, by John Milton. Homer I read with an absorbed attention which soon enabled me to commit nearly every line to memory.?

Century: 1800-1849     Reader/Listener/Group: Samuel Bamford      Print: Book

  

John Milton : [miscellaneous poems]

?About this time I was delighted by the acquisition of two books, the existence of which, until then, had been unknown to me. One was the second volume of Homer?s "Iliad", translated by Alexander Pope, with notes by Madame Dacier; and the other was a small volume of Miscellaneous Poems, by John Milton. Homer I read with an absorbed attention which soon enabled me to commit nearly every line to memory.?

Century: 1800-1849     Reader/Listener/Group: Samuel Bamford      Print: Book

  

Homer : Iliad

?Whilst in Mr W?s employ, I combined my poetic readings at all leisure moments. I procured and read speedily a complete "Iliad" in English. Some of Shakespeare?s works having fallen in my way, I read them with avidity, as I did almost every other book, and though deeply interested by his historical characters and passages, I never either then or since relished his blank verse, or that of any other poet.?

Century: 1800-1849     Reader/Listener/Group: Samuel Bamford      Print: Book

  

William Shakespeare : [works]

?Whilst in Mr W?s employ, I combined my poetic readings at all leisure moments. I procured and read speedily a complete "Iliad" in English. Some of Shakespeare?s works having fallen in my way, I read them with avidity, as I did almost every other book, and though deeply interested by his historical characters and passages, I never either then or since relished his blank verse, or that of any other poet.?

Century: 1800-1849     Reader/Listener/Group: Samuel Bamford      Print: Book

  

John Milton : [miscellaneous works]

?Milton?s miscellaneous works were still my favourites. I copied many of his poems into a writing book, and this I did, not only an account of the pleasure which I felt in their repetition, and in the appropriation ? so to speak ? of the ideas, but also as a means for improvement of my handwriting, which had continued to be very indifferent. The "Odyssey" and "Aeniad", which I also procured and read about this time, seemed tame and languid, whilst the stirring call of the old Iliadic battle trumpet was ringing in my ears, and vibrating within my heart. In short, I read or attentively conned [sic] over, every book I could buy or borrow, and as I retained a pretty clear idea of what I read, I became rather more than commonly proficient in book knowledge considering that I was only a better sort of porter in a warehouse.'

Century: 1800-1849     Reader/Listener/Group: Samuel Bamford      Print: Book

  

Virgil : Aeneid

?Milton?s miscellaneous works were still my favourites. I copied many of his poems into a writing book, and this I did, not only an account of the pleasure which I felt in their repetition, and in the appropriation ? so to speak ? of the ideas, but also as a means for improvement of my handwriting, which had continued to be very indifferent. The "Odyssey" and "Aeniad", which I also procured and read about this time, seemed tame and languid, whilst the stirring call of the old Iliadic battle trumpet was ringing in my ears, and vibrating within my heart. In short, I read or attentively conned [sic] over, every book I could buy or borrow, and as I retained a pretty clear idea of what I read, I became rather more than commonly proficient in book knowledge considering that I was only a better sort of porter in a warehouse.'

Century: 1800-1849     Reader/Listener/Group: Samuel Bamford      Print: Book

  

William Robertson : History of Scotland

?As spring and autumn were our only really busy seasons, I had occasionally , during other parts of the year, considerable leisure, which, if I could procure a book that I considered at all worth the reading, was spent with such a book on my desk, in the little recess of the packing room. Here, therefore, I had opportunities for reading many books of which I had only heard the names before, such as Robertson?s "History of Scotland", Goldsmith?s "History of England", Rollin?s "Ancient History", Hume?s "Decline and Fall of the Roman Empire", Anachaises? "Travels in Greece"; and many other works on travels, geography, and antiquities.?

Century: 1800-1849     Reader/Listener/Group: Samuel Bamford      Print: Book

  

Oliver Goldsmith : History of England

?As spring and autumn were our only really busy seasons, I had occasionally , during other parts of the year, considerable leisure, which, if I could procure a book that I considered at all worth the reading, was spent with such a book of my desk, in the little recess of the packing room. Here, therefore, I had opportunities for reading many books of which I had only heard the names before, such as Robertson?s "History of Scotland", Goldsmith?s "History of England", Rollin?s "Ancient History", Hume?s "Decline and Fall of the Roman Empire", Anachaises? "Travels in Greece"; and many other works on travels, geography, and antiquities.?

Century: 1800-1849     Reader/Listener/Group: Samuel Bamford      Print: Book

  

Charles Rollin : Ancient history

?As spring and autumn were our only really busy seasons, I had occasionally , during other parts of the year, considerable leisure, which, if I could procure a book that I considered at all worth the reading, was spent with such a book of my desk, in the little recess of the packing room. Here, therefore, I had opportunities for reading many books of which I had only heard the names before, such as Robertson?s "History of Scotland", Goldsmith?s "History of England", Rollin?s "Ancient History", Hume?s "Decline and Fall of the Roman Empire", Anachaises? "Travels in Greece"; and many other works on travels, geography, and antiquities.?

Century: 1800-1849     Reader/Listener/Group: Samuel Bamford      Print: Book

  

David Hume : Decline and fall of the Roman empire

?As spring and autumn were our only really busy seasons, I had occasionally , during other parts of the year, considerable leisure, which, if I could procure a book that I considered at all worth the reading, was spent with such a book of my desk, in the little recess of the packing room. Here, therefore, I had opportunities for reading many books of which I had only heard the names before, such as Robertson?s "History of Scotland", Goldsmith?s "History of England", Rollin?s "Ancient History", Hume?s "Decline and Fall of the Roman Empire", Anachaises? "Travels in Greece"; and many other works on travels, geography, and antiquities.?

Century: 1800-1849     Reader/Listener/Group: Samuel Bamford      Print: Book

  

Anachaises : Travels in Greece

?As spring and autumn were our only really busy seasons, I had occasionally , during other parts of the year, considerable leisure, which, if I could procure a book that I considered at all worth the reading, was spent with such a book of my desk, in the little recess of the packing room. Here, therefore, I had opportunities for reading many books of which I had only heard the names before, such as Robertson?s "History of Scotland", Goldsmith?s "History of England", Rollin?s "Ancient History", Hume?s "Decline and Fall of the Roman Empire", Anachaises? "Travels in Greece"; and many other works on travels, geography, and antiquities.?

Century: 1800-1849     Reader/Listener/Group: Samuel Bamford      Print: Book

  

Samuel Johnson : Lives of the poets

'... I also enlarged my acquaintance with English literature, read Johnson's "Lives of the Poets", and, as a consequence, many of their productions also. Macpherson's "Ossain", whilst it gave me a glimpse of our most ancient love, interested my feelings and absorbed my attention. I also bent my thoughts on more practical studies, and at one time had nearly the whole of Lindsey Murray's Grammar stored in my memory, although I never so far benefited by it as to become ready at pausing.'

Century: 1800-1849     Reader/Listener/Group: Samuel Bamford      Print: Book

  

James Macpherson : Ossian

'... I also enlarged my acquaintance with English literature, read Johnson's "Lives of the Poets", and, as a consequence, many of their productions also. Macpherson's "Ossain", whilst it gave me a glimpse of our most ancient love, interested my feelings and absorbed my attention. I also bent my thoughts on more practical studies, and at one time had nearly the whole of Lindsey Murray's Grammar stored in my memory, although I never so far benefited by it as to become ready at pausing.'

Century: 1800-1849     Reader/Listener/Group: Samuel Bamford      Print: Book

  

Lindley Murray : Murray's Grammar

'... I also enlarged my acquaintance with English literature, read Johnson's "Lives of the Poets", and, as a consequence, many of their productions also. Macpherson's "Ossain", whilst it gave me a glimpse of our most ancient love, interested my feelings and absorbed my attention. I also bent my thoughts on more practical studies, and at one time had nearly the whole of Lindley Murray's "Grammar" stored in my memory, although I never so far benefited by it as to become ready at pausing.'

Century: 1800-1849     Reader/Listener/Group: Samuel Bamford      Print: Book

  

William Cobbett : Cobbett's Weekly Register

?A publication of a different description also fell in my way. Mr Hale was a reader of "Cobbett?s Weekly Register", and as I constantly saw the tract lying on the desk at the beginning of the week, I at length read it, and found within its pages far more matter for reflection than, from its unattractive title and appearance, I had expected to find there. The nervous and unmistakeable English of that work there was so withstanding. I thenceforth became as constant a reader of Cobbett?s writings as was my master himself, and was soon, probably, a more ardent admirer of his doctrines than was my employer.?

Century: 1800-1849     Reader/Listener/Group: Samuel Bamford      Print: Newspaper, Serial / periodical

  

William Cobbett : Weekly Register

??we were soon in a free conversation on the subject of parliamentary reform. When objections were stated, they listened candidly to our replies, and a good-humoured discussion, half serious, half joking, was prompted on both sides. I and Mitchell had with us, and it was entirely accidental, a few of Cobbett?s "Registers" and Hone?s Political Pamphlets, to which we sometimes appealed, and read extracts from. The soldiers were delighted; they burst into fits of laughter; and all the copies we had, being given to them, one of them read the "Political Litany" through, to the further great amusement of himself and the company. Thus we passed a most agreeable evening and parted only at the last hour.?

Century: 1800-1849     Reader/Listener/Group: Samuel Bamford      Print: Newspaper

  

William Hone : [political pamphlets]

??we were soon in a free conversation on the subject of parliamentary reform. When objections were stated, they listened candidly to our replies, and a good-humoured discussion, half serious, half joking, was prompted on both sides. I and Mitchell had with us, and it was entirely accidental, a few of Cobbett?s "Registers" and Hone?s "Political Pamphlets", to which we sometimes appealed, and read extracts from. The soldiers were delighted; they burst into fits of laughter; and all the copies we had, being given to them, one of them read the "Political Litany" through, to the further great amusement of himself and the company. Thus we passed a most agreeable evening and parted only at the last hour.?

Century: 1800-1849     Reader/Listener/Group: Samuel Bamford      

  

Thomas Paine : Rights of Man

?My father, as before stated, was a reader, and amongst other books which he now read, was Pain?s [sic] "Rights of Men". He also read Pain?s [sic] "Age of Reason", and his other theological works, but they made not the least alterations in his religious opinions.?

Century: 1700-1799 / 1800-1849     Reader/Listener/Group: Daniel Bamford      Print: Book

  

[unknown] : [theological works]

?My father, as before stated, was a reader, and amongst other books which he now read, was Pain?s [sic] "Rights of Men". He also read Pain?s [sic] "Age of Reason", and his other theological works, but they made not the least alterations in his religious opinions.?

Century: 1700-1799 / 1800-1849     Reader/Listener/Group: Daniel Bamford      Print: Unknown

  

[unknown] : [works on travel and antiquities]

?As spring and autumn were our only really busy seasons, I had occasionally , during other parts of the year, considerable leisure, which, if I could procure a book that I considered at all worth the reading, was spent with such a book of my desk, in the little recess of the packing room. Here, therefore, I had opportunities for reading many books of which I had only heard the names before, such as Robertson?s "History of Scotland", Goldsmith?s "History of England", Rollin?s "Ancient History", Hume?s "Decline and Fall of the Roman Empire", Anachaises? "Travels in Greece"; and many other works on travels, geography, and antiquities.?

Century: 1800-1849     Reader/Listener/Group: Samuel Bamford      Print: Book

  

anon : [superstitious doctoring book]

'? with the exception of Bible lessons at Sunday school, all my reading was done at home, after the daily task was finished. When not strongly tempted to play I was almost certain to be reading by the summer?s twilight, or by the red embers of the winter's fire, my books being chiefly "Wesley?s Journals", "The Armenian Magazine", wherein I found "Maundrell?s Travels from Aleppo to Jerusalem", which I was very much interested by; "An account of the Inquisition in Spain", which filled me with a dislike of Popery"; "The Drummer of Tedworth"; "Some account of the Disturbances at Glenluce"; "An account of the Apparition of the Laird of Cool", - and other most marvellous narratives which excited my attention, and held me pausing over the ashes until the light was either gone or I was sent to bed. I also got hold of an old superstitious doctoring book, which gave me some unexpected information relative to the human frame, and equally surprised me as to the occult powers of certain herbs and simples, when prepared under supposed planetary aspects. A copy of Cocker?s "Arithmetic" soon after set me to writing figures and casting accounts, in which I made but slow progress; and part of a small volume of "The History of England", which I found in rumaging an old meal ark, gave me the first insight into the chronicles of my native country.'

Century: 1800-1849     Reader/Listener/Group: Samuel Bamford      Print: Book

  

Edward Cocker : Cocker's Arithmetic, being a Plain and Easy Method of 1678

'? with the exception of Bible lessons at Sunday school, all my reading was done at home, after the daily task was finished. When not strongly tempted to play I was almost certain to be reading by the summer?s twilight, or by the red embers of the winter's fire, my books being chiefly "Wesley?s Journals", "The Armenian Magazine", wherein I found "Maundrell?s Travels from Aleppo to Jerusalem", which I was very much interested by; "An account of the Inquisition in Spain", which filled me with a dislike of Popery"; "The Drummer of Tedworth"; "Some account of the Disturbances at Glenluce"; "An account of the Apparition of the Laird of Cool", - and other most marvellous narratives which excited my attention, and held me pausing over the ashes until the light was either gone or I was sent to bed. I also got hold of an old superstitious doctoring book, which gave me some unexpected information relative to the human frame, and equally surprised me as to the occult powers of certain herbs and simples, when prepared under supposed planetary aspects. A copy of Cocker?s "Arithmetic" soon after set me to writing figures and casting accounts, in which I made but slow progress; and part of a small volume of "The History of England", which I found in rumaging an old meal ark, gave me the first insight into the chronicles of my native country.'

Century: 1800-1849     Reader/Listener/Group: Samuel Bamford      Print: Book

  

Homer : Odyssey

?Milton?s miscellaneous works were still my favourites. I copied many of his poems into a writing book, and this I did, not only an account of the pleasure which I felt in their repetition, and in the appropriation ? so to speak ? of the ideas, but also as a means for improvement of my handwriting, which had continued to be very indifferent. The "Odyssey" and "Aeniad", which I also procured and read about this time, seemed tame and languid, whilst the stirring call of the old Iliadic battle trumpet was ringing in my ears, and vibrating within my heart. In short, I read or attentively conned [sic] over, every book I could buy or borrow, and as I retained a pretty clear idea of what I read, I became rather more than commonly proficient in book knowledge considering that I was only a better sort of porter in a warehouse.'

Century: 1800-1849     Reader/Listener/Group: Samuel Bamford      Print: Book

  

William Cobbett : [writings]

?A publication of a different description also fell in my way. Mr Hale was a reader of "Cobbett?s Weekly Register", and as I constantly saw the tract lying on the desk at the beginning of the week, I at length read it, and found within its pages far more matter for reflection than, from its unattractive title and appearance, I had expected to find there. The nervous and unmistakeable English of that work there was so withstanding. I thenceforth became as constant a reader of Cobbett?s writings as was my master himself, and was soon, probably, a more ardent admirer of his doctrines than was my employer.?

Century: 1800-1849     Reader/Listener/Group: Samuel Bamford      Print: Unknown

  

 : 

'Samuel Bamford, warehouseman to a cloth printer in Manchester at the beginning of the [nineteenth] century, was able to make use of seasonal fluctuations in business to greatly increase the range of his reading: '"As spring and autumn were our only really busy seasons, I had occasionally, during other parts of the year, considerable leisure, which, if I could procure a book that I considered at all worth the reading, was spent with such book at my desk, in the little recess of the packing room."'

Century: 1800-1849     Reader/Listener/Group: Samuel Bamford      Print: Book

  

Robert Burns : volume containing life and writings of Burns

'Samuel Bamford never forgot the sensation of reading a volume of [...] [Robert Burns's] life and writings whilst working as a porter and warehouseman in Manchester'.

Century: 1700-1799 / 1800-1849     Reader/Listener/Group: Samuel Bamford      Print: Book

  

Alfred, Lord Tennyson : Oenone

[Gaskell tells John Forster of Samuel Bamford who knows many of Tennyson's poems by heart and recites them, but does not have his own copy - she later asks Forster if he could procure a copy for Bamford, signed by Tennyson] ''whenever he got into a house where there were Tennyson's poems he learnt as many as he could of[f] by heart; & he thought he knew better than twelve', - & he began Oenone, & then the Sleeping Beauty'.

Century: 1800-1849     Reader/Listener/Group: Samuel Bamford      Print: Book

  

Alfred, Lord Tennyson : 'Sleeping Beauty, The'

[Gaskell tells John Forster of Samuel Bamford who knows many of Tennyson's poems by heart and recites them, but does not have his own copy - she later asks Forster if he could procure a copy for Bamford, signed by Tennyson] ''whenever he got into a house where there were Tennyson's poems he learnt as many as he could of[f] by heart; & he thought he knew better than twelve', - & he began Oenone, & then the Sleeping Beauty'.

Century: 1800-1849     Reader/Listener/Group: Samuel Bamford      Print: Book

  

Alfred, Lord Tennyson : 'Sleeping Beauty, The'

[Gaskell describes handing over the gift of a signed copy of Tennyson's poems to Samuel Bamford] 'I said, 'Look at the title page', for I saw he was fairly caught by something he liked in the middle of the book, & was standing reading it there in the street. 'Well! I am a proud man this day', he exclaimed, - then he turned it up and down, & read a bit, (it was a very crowded street), and his grey face went quite brown-red with pleasure [...] Then he dipped down into his book, and began reading aloud the Sleeping beauty, and in the middle stopped to look at the writing again, and we left him a sort of sleep[-]walking state, & only trust he will not be run over'.

Century: 1800-1849     Reader/Listener/Group: Samuel Bamford      Print: Book

  

Alfred Tennyson : Poems

Elizabeth Gaskell to John Forster, on presentation of inscribed copy of Tennyson's poems to Samuel Bamford, 7 December 1849: 'I have not yet taken my bonnet off after hunting up Bamford. First of all we went to Blakeley to his little white-washed cottage. His wife was cleaning, and regretted her "master" was not at home. He had gone into Manchester [...] At last we pounced upon the great gray stalwart man coming out of a little old-fashioned public-house where Blakeley people put up. Whe I produced my book he said, "This is grand." I said, "Look at the title-page," for I saw he was fairly caught by something he liked in the middle of the book, and was standing reading it in the street. "Well, I am a proud man this day!" he exclaimed. Then he turned it up and down and read a bit (it was a very crowded street) and his gray face went quite brown-red with pleasure. Suddenly he stopped. "What must I do for him back again?" "Oh! you must write to him, and thank him." "I'd rather walk 20 mile than write a letter any day." "Well then, suppose you set off this Christmas, and walk and thank Tennyson." He looked up from his book, right in my face, quite indignant. "Woman! walking won't reach him. We're on the earth don't ye see, but he's there, up above. I can no more reach him by walking than if he were an eagle or a skylark high above my head." It came fresh, warm, straight from the heart, without a notion of making a figurative speech [...] Then he dipped down again into his book, and began reading aloud the "Sleeping Beauty," and in the middle stopped to look at the writing again. And we left him in a sort of sleep-walking state, and only trust he will not be run over.'

Century: 1800-1849     Reader/Listener/Group: Samuel Bamford      Print: Book

  

Alfred Tennyson : 'The Sleeping Beauty'

Elizabeth Gaskell to John Forster, on presentation of inscribed copy of Tennyson's poems to Samuel Bamford, 7 December 1849: 'I have not yet taken my bonnet off after hunting up Bamford. First of all we went to Blakeley to his little white-washed cottage. His wife was cleaning, and regretted her "master" was not at home. He had gone into Manchester [...] At last we pounced upon the great gray stalwart man coming out of a little old-fashioned public-house where Blakeley people put up. Whe I produced my book he said, "This is grand." I said, "Look at the title-page," for I saw he was fairly caught by something he liked in the middle of the book, and was standing reading it in the street. "Well, I am a proud man this day!" he exclaimed. Then he turned it up and down and read a bit (it was a very crowded street) and his gray face went quite brown-red with pleasure. Suddenly he stopped. "What must I do for him back again?" "Oh! you must write to him, and thank him." "I'd rather walk 20 mile than write a letter any day." "Well then, suppose you set off this Christmas, and walk and thank Tennyson." He looked up from his book, right in my face, quite indignant. "Woman! walking won't reach him. We're on the earth don't ye see, but he's there, up above. I can no more reach him by walking than if he were an eagle or a skylark high above my head." It came fresh, warm, straight from the heart, without a notion of making a figurative speech [...] Then he dipped down again into his book, and began reading aloud the "Sleeping Beauty," and in the middle stopped to look at the writing again. And we left him in a sort of sleep-walking state, and only trust he will not be run over.'

Century: 1800-1849     Reader/Listener/Group: Samuel Bamford      Print: Book

 

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