Listings for Reader:
Robert Dodsley
Click here to select all entries:
Samuel Johnson : [letter from Johnson to Lord Chesterfield]
'[Robert Dodsley] then told Dr Adams, that Lord Chesterfield had shewn him the letter [in which Johnson refused his patronage]. "I should have imagined (replied Dr Adams) that Lord Chesterfield would have concealed it". "Poh! (said Dodsley) do you think a letter from Johnson could hurt Lord Chesterfield? Not at all, Sir. It lay upon his table where any body might see it. He read it to me; said, 'this man has great powers', pointed out the severest passages, and observed how well they were expressed".'
Century: 1700-1799 Reader/Listener/Group: Robert Dodsley Manuscript: Letter
George Lyttelton, First Baron Lyttelton : Dialogues of the Dead
' [Johnson said] "When Lord Lyttelton's 'Dialogues of the Dead' came out, one of which is between Apicius, an ancient epicure, and Dartineuf, a modern epicure, Dodsley said to me, 'I knew Dartineuf well, for I was once his footman.'" Biography led us to speak of Dr. John Campbell, who had written a considerable part of the "Biographia Britannica" Johnson, though he valued him highly, was of opinion that there was not so much in his great work, "A Political Survey of Great Britain," as the world had been taught to expect'.
Century: 1700-1799 Reader/Listener/Group: Robert Dodsley Print: Book
John Dryden : 'Ode on St Cecilia's Day'
'I related a dispute between Goldsmith and Mr. Robert Dodsley, one day when they and I were dining at Tom Davies's, in 1762. Goldsmith asserted, that there was no poetry produced in this age. Dodsley appealed to his own Collection, and maintained, that though you could not find a palace like Dryden's "Ode on St. Cecilia's Day", you had villages composed of very pretty houses; and he mentioned particularly "The Spleen".'
Century: 1700-1799 Reader/Listener/Group: Robert Dodsley Print: Book
Ibbot : 'Fit of the Spleen, A'
'I related a dispute between Goldsmith and Mr. Robert Dodsley, one day when they and I were dining at Tom Davies's, in 1762. Goldsmith asserted, that there was no poetry produced in this age. Dodsley appealed to his own Collection, and maintained, that though you could not find a palace like Dryden's "Ode on St. Cecilia's Day", you had villages composed of very pretty houses; and he mentioned particularly "The Spleen".'