Listings for Reader:
David Garrick
Click here to select all entries:
Edward Moore : The Gamester
'I heard the greatest part of the Gamester read by Mr Garrick, before it was brought upon the stage. On the whole, I much liked it. I thought it a very affecting performance. There are faults in it; but I think it a moral and seasonable piece'
UnknownCentury: 1700-1799 Reader/Listener/Group: David Garrick
Samuel Johnson : Vanity of Human Wishes, The
'His "Vanity of Human Wishes" has less of common life, but more of a philosophick dignity than his "London". More readers, therefore, will be delighted with the pointed spirit of "London", than with the profound reflection of "The Vanity Of Human Wishes". Garrick, for instance, observed in his sprightly manner, with more vivacity than regard to just discrimination, as is usual with wits, "When Johnson lived much with the Herveys, and saw a good deal of what was passing in life, he wrote his 'London', which is lively and easy. When he became more retired, he gave us his 'Vanity of Human Wishes', which is as hard as Greek. Had he gone on to imitate another satire, it would have been as hard as Hebrew".'
Century: 1700-1799 Reader/Listener/Group: David Garrick Print: Unknown
Samuel Johnson : London: A Poem in Imitation of the Third Satire of Juvenal.
'His "Vanity of Human Wishes" has less of common life, but more of a philosophick dignity than his "London". More readers, therefore, will be delighted with the pointed spirit of "London", than with the profound reflection of "The Vanity Of Human Wishes". Garrick, for instance, observed in his sprightly manner, with more vivacity than regard to just discrimination, as is usual with wits, "When Johnson lived much with the Herveys, and saw a good deal of what was passing in life, he wrote his 'London', which is lively and easy. When he became more retired, he gave us his 'Vanity of Human Wishes', which is as hard as Greek. Had he gone on to imitate another satire, it would have been as hard as Hebrew".'
Century: 1700-1799 Reader/Listener/Group: David Garrick Print: Unknown
Elizabeth Montagu : Essay on the Writings and Genius of Shakespear
'Mrs. Montague, a lady distinguished for having written an Essay on Shakspeare [sic], being mentioned:—Reynolds. "I think that essay does her honour." Johnson. "Yes, Sir; it does her honour, but it would do nobody else honour. I have, indeed, not read it all. But when I take up the end of a web, and find it packthread. I do not expect, by looking further, to find embroidery. Sir, I will venture to say, there is not one sentence of true criticism in her book." Garrick. "But, Sir, surely it shews how much Voltaire has mistaken Shakspeare, which nobody else has done." Johnson. "Sir, nobody else has thought it worth while. And what merit is there in that ? You may as well praise a schoolmaster for whipping a boy who has construed ill".'
Century: 1700-1799 Reader/Listener/Group: David Garrick Print: Unknown
Martial : Epigrams
'JOHNSON. "Sir William Temple was the first writer who gave cadence to English prose. Before his time they were careless of arrangement, and did not mind whether a sentence ended with an important word or an insignificant word, or with what part of speech it was concluded". Mr. Langton, who now had joined us, commended Clarendon. JOHNSON. "He is objected to for his parentheses, his involved clauses, and his want of harmony. But he is supported by his matter. It is, indeed, owing to a plethory of matter that his style is so faulty. Every [italics] substance [end italics], (smiling to Mr. Harris,) has so many [italics] accidents [end italics].--To be distinct, we must talk analytically. If we analyse language, we must speak of it grammatically; if we analyse argument, we must speak of it logically". GARRICK. "Of all the translations that ever were attempted, I think Elphinston's 'Martial' the most extraordinary. He consulted me upon it, who am a little of an epigrammatist myself, you know. I told him freely, 'You don't seem to have that turn.' I asked him if he was serious; and finding he was, I advised him against publishing. Why, his translation is more difficult to understand than the original. I thought him a man of some talents; but he seems crazy in this".'
Century: 1700-1799 Reader/Listener/Group: David Garrick Print: Book
Martial : Epigrams
'JOHNSON. "Sir William Temple was the first writer who gave cadence to English prose. Before his time they were careless of arrangement, and did not mind whether a sentence ended with an important word or an insignificant word, or with what part of speech it was concluded". Mr. Langton, who now had joined us, commended Clarendon. JOHNSON. "He is objected to for his parentheses, his involved clauses, and his want of harmony. But he is supported by his matter. It is, indeed, owing to a plethory of matter that his style is so faulty. Every [italics] substance [end italics], (smiling to Mr. Harris,) has so many [italics] accidents [end italics].--To be distinct, we must talk analytically. If we analyse language, we must speak of it grammatically; if we analyse argument, we must speak of it logically". GARRICK. "Of all the translations that ever were attempted, I think Elphinston's 'Martial' the most extraordinary. He consulted me upon it, who am a little of an epigrammatist myself, you know. I told him freely, 'You don't seem to have that turn.' I asked him if he was serious; and finding he was, I advised him against publishing. Why, his translation is more difficult to understand than the original. I thought him a man of some talents; but he seems crazy in this".'
