Evidence: |
'After dinner our conversation first turned upon Pope. Johnson said, his characters of men were admirably drawn, those of women not so well. He repeated to us, in his forcible melodious manner, the concluding lines of the "Dunciad". While he was talking loudly in praise of those lines, one of the company ventured to say, "Too fine for such a poem:— a poem on what?" Johnson, (with a disdainful look,) "Why, on [italics] dunces [italics]. It was worth while being a dunce then. Ah, Sir, hadst [italics] thou [italics] lived in those days! It is not worth while being a dunce now, when there are no wits." Bickerstaff observed, as a peculiar circumstance, that Pope's fame was higher when he was alive, than it was then. Johnson said, his Pastorals were poor things, though the versification was fine. He told us, with high satisfaction, the anecdote of Pope's enquiring who was the author of his "London," and saying, he will be soon [italics] deterré [italics]. He observed, that in Dryden's poetry there were passages drawn from a profundity which Pope could never reach. He repeated some fine lines on love, by the former, (which I have now forgotten,) and gave great applause to the character of Zimri. Goldsmith said, that Pope's character of Addison shewed a deep knowledge of the human heart. Johnson said, that the description of the temple, in "The Mourning Bride," was the finest poetical passage he had ever read; he recollected none in Shakspeare equal to it'. |