Listings for Author:
Carlo Maggi
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Carlo Maria Maggi : Sonnet 'Care dell'alma stanca Albengatrici...'
Catherine Talbot to Elizabeth Carter, 10 June 1754: 'I will send you a sonnet that I am extremely fond of, from no modern author, but from one whom I am sure you never met with, because you never mentioned him, Carlo Maria Maggi [...] [reproduces sonnet opening "Care dell'alma stanca Albengatrici..."] Is not this sonnet perfect in its way? And is it not utterly untranslatable?'
UnknownCentury: 1700-1799 Reader/Listener/Group: Catherine Talbot
Carlo Maria Maggi : Sonnet 'Care dell'alma stanca Albengatrici...'
Elizabeth Carter to Catherine Talbot, 10 July 1754: 'I am beyond description charmed with the Italian sonnet you sent me. I am afraid your opinion is too well grounded of its being absolutely untranslatable, at least into our Gothic language.'
Century: 1700-1799 Reader/Listener/Group: Elizabeth Carter Manuscript: Letter, Transcribed by Catherine Talbot in letter of 10 June 1754.
Carlo Maggi : 'Prologue to a comedy of Plautus'
[Catherine Talbot to Elizabeth Carter, 26 April 1763:] 'Your Carlo Maggi, were he not such a horrible papist, is a most excellent companion to me. Do you remember the laughing prologue to a comedy of Plautus? Surely it is quite original: and whether Carlo is penitential, or merry, or critical, or satirical, or complimental, one sees the same pure amiable good mind through every form. Indeed it hurts me grievously that he should have been born in a popish country, and some flights of his popery are quite shocking [...] but surely there might be a scelta made even with parts of his Letters to Rosa, that would be a most valuable book.'
Century: 1700-1799 Reader/Listener/Group: Catherine Talbot Print: Book
Carlo Maggi : Letters to Rosa
[Catherine Talbot to Elizabeth Carter, 26 April 1763:] 'Your Carlo Maggi, were he not such a horrible papist, is a most excellent companion to me. Do you remember the laughing prologue to a comedy of Plautus? Surely it is quite original: and whether Carlo is penitential, or merry, or critical, or satirical, or complimental, one sees the same pure amiable good mind through every form. Indeed it hurts me grievously that he should have been born in a popish country, and some flights of his popery are quite shocking [...] but surely there might be a scelta made even with parts of his Letters to Rosa, that would be a most valuable book.'
Century: 1700-1799 Reader/Listener/Group: Catherine Talbot Print: Book
Carlo Maggi : poems
[Elizabeth Carter to Catherine Talbot, 10 May 1763:] 'Carlo Maggi is, indeed, a most excellent companion, and I agree with you in lamenting that one cannot recommend the most elegant, the most amiable, and the most useful of all the Italian poets without so many cautions and qualifications [...] I fear some of his finest pieces have often a mixture of popish wildness and absurdity. I do not particularly recollect the prologue ["to a comedy of Plautus"] you mention, and perhaps never read it, as I am apt to skip the humorous pieces, but I will look over it on your recommendation.'
Century: 1700-1799 Reader/Listener/Group: Elizabeth Carter Print: Book
Carlo Maggi : 'the Death of Adam'
[Catherine Talbot to Elizabeth Carter, 14 May 1763:] 'Some of [Carlo Maggi's] prose is delightful. Pray do not read the death of Adam. It is extremely fine, but so painful, that at first it gives one's thoughts a wrong turn -- one cannot get it out of one's head; yet if one thinks it thoroughly over, one may get a great deal of good out of it. We shall have a very different one after supper, Lady Mary Wortley Montagu's Letters. They are very amusing for that half hour, and I dare say genuine. Mrs Montagu whom I saw a few days ago, first told me of them.'
Century: 1700-1799 Reader/Listener/Group: Catherine Talbot Print: Book
Carlo Maggi : Malincolia d'Alicino
[Elizabeth Carter to Elizabeth Vesey, 29 April 1763:] 'I am rather scandalized that you should even ask how I like the Malincolia d'Alcindo, which is beautiful in the highest degree, and it is impossible to be unaffected by it without an absolute want of all taste and all feeling [comments further]'.
