Listings for Reader:
Lawrence Durrell
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William Makepeace Thackeray : [unknown]
'on his eighth birthday, 27 February 1920, an ox-cart drew up outside Everleas Lodge with a present for him - a huge parcel of books. His father had bought him a complete set of Dickens which had belonged to a recently expired tea-planter. Durrell claimed later that he never got beyond the Pickwick Papers (sometimes he said that he got through about ten of them), but Dickens gave him a vision of merrie England... supplemented later by reading Thackeray and R.S. Surtees. In Surtees' convivial tales of the hunting, shooting, sporting Mr Jorrocks and his pursuitful adventures, there was something ruddy, jolly and rumbustious, which appealed to the perky youngster'.
Century: 1900-1945 Reader/Listener/Group: Lawrence Durrell Print: Book
Robert Smith Surtees : [probably] Jorrocks's Jaunts and Jollities
'on his eighth birthday, 27 February 1920, an ox-cart drew up outside Everleas Lodge with a present for him - a huge parcel of books. His father had bought him a complete set of Dickens which had belonged to a recently expired tea-planter. Durrell claimed later that he never got beyond the Pickwick Papers (sometimes he said that he got through about ten of them), but Dickens gave him a vision of merrie England... supplemented later by reading Thackeray and R.S. Surtees. In Surtees' convivial tales of the hunting, shooting, sporting Mr Jorrocks and his pursuitful adventures, there was something ruddy, jolly and rumbustious, which appealed to the perky youngster'.
Century: 1900-1945 Reader/Listener/Group: Lawrence Durrell Print: Book
Rudyard Kipling : Kim
'Kipling had now been supplemented with Henty, Ballantyne, Rider Haggard and John Buchan, all with their own tales of imperial derring-do to tell theimpressionable young colonial'.
Century: 1900-1945 Reader/Listener/Group: Lawrence Durrell Print: Book
George Alfred Henty : [unknown]
'Kipling had now been supplemented with Henty, Ballantyne, Rider Haggard and John Buchan, all with their own tales of imperial derring-do to tell theimpressionable young colonial'.
Century: 1900-1945 Reader/Listener/Group: Lawrence Durrell Print: Book
Robert Michael Ballantyne : [unknown]
'Kipling had now been supplemented with Henty, Ballantyne, Rider Haggard and John Buchan, all with their own tales of imperial derring-do to tell theimpressionable young colonial'.
Century: 1900-1945 Reader/Listener/Group: Lawrence Durrell Print: Book
Henry Rider Haggard : [unknown]
'Kipling had now been supplemented with Henty, Ballantyne, Rider Haggard and John Buchan, all with their own tales of imperial derring-do to tell theimpressionable young colonial'.
Century: 1900-1945 Reader/Listener/Group: Lawrence Durrell Print: Book
John Buchan : [unknown]
'Kipling had now been supplemented with Henty, Ballantyne, Rider Haggard and John Buchan, all with their own tales of imperial derring-do to tell theimpressionable young colonial'.
Century: 1900-1945 Reader/Listener/Group: Lawrence Durrell Print: Book
[n/a] : Le Figaro
[a teacher at St Edmunds Scool, Canterbury] 'encouraged him by supplying him regularly with the literary pages of Le Figaro. From then on Durrell became hooked on French Literature'.
Century: 1900-1945 Reader/Listener/Group: Lawrence Durrell Print: Serial / periodical
Aldous Huxley : [unknown]
'The fresh-sounding work of the war generation, which began to appear in the late 1920s and early 1930s, provided him with important models. Huxley, Wells and Aldington (especially "Death of a Hero") were rapidly digested; his poetic models were Edith Sitwell, Aldington, Nichols, Sassoon and Graves (in the cheap Benn's Sixpenny Poets editions), to be followed by the more lasting influences of Eliot and D.H. Lawrence...He read an essay by Lawrence in which he showed how England treated its writers. That, he said, made him decide "to swim against the current".'
Century: 1900-1945 Reader/Listener/Group: Lawrence Durrell Print: Book
H.G. Wells : [unknown]
'The fresh-sounding work of the war generation, which began to appear in the late 1920s and early 1930s, provided him with important models. Huxley, Wells and Aldington (especially "Death of a Hero") were rapidly digested; his poetic models were Edith Sitwell, Aldington, Nichols, Sassoon and Graves (in the cheap Benn's Sixpenny Poets editions), to be followed by the more lasting influences of Eliot and D.H. Lawrence...He read an essay by Lawrence in which he showed how England treated its writers. That, he said, made him decide "to swim against the current".'
Century: 1900-1945 Reader/Listener/Group: Lawrence Durrell Print: Book
Richard (pseud.) Aldington [real name] : Death of a Hero
'The fresh-sounding work of the war generation, which began to appear in the late 1920s and early 1930s, provided him with important models. Huxley, Wells and Aldington (especially "Death of a Hero") were rapidly digested; his poetic models were Edith Sitwell, Aldington, Nichols, Sassoon and Graves (in the cheap Benn's Sixpenny Poets editions), to be followed by the more lasting influences of Eliot and D.H. Lawrence...He read an essay by Lawrence in which he showed how England treated its writers. That, he said, made him decide "to swim against the current".'
Century: 1900-1945 Reader/Listener/Group: Lawrence Durrell Print: Book
Richard (pseud.) Aldington [real name] : [poetry]
'The fresh-sounding work of the war generation, which began to appear in the late 1920s and early 1930s, provided him with important models. Huxley, Wells and Aldington (especially "Death of a Hero") were rapidly digested; his poetic models were Edith Sitwell, Aldington, Nichols, Sassoon and Graves (in the cheap Benn's Sixpenny Poets editions), to be followed by the more lasting influences of Eliot and D.H. Lawrence...He read an essay by Lawrence in which he showed how England treated its writers. That, he said, made him decide "to swim against the current".'
Century: 1900-1945 Reader/Listener/Group: Lawrence Durrell Print: Book
Edith Sitwell : [poetry]
'The fresh-sounding work of the war generation, which began to appear in the late 1920s and early 1930s, provided him with important models. Huxley, Wells and Aldington (especially "Death of a Hero") were rapidly digested; his poetic models were Edith Sitwell, Aldington, Nichols, Sassoon and Graves (in the cheap Benn's Sixpenny Poets editions), to be followed by the more lasting influences of Eliot and D.H. Lawrence...He read an essay by Lawrence in which he showed how England treated its writers. That, he said, made him decide "to swim against the current".'
Century: 1900-1945 Reader/Listener/Group: Lawrence Durrell Print: Book
unknown Nichols : [poetry]
'The fresh-sounding work of the war generation, which began to appear in the late 1920s and early 1930s, provided him with important models. Huxley, Wells and Aldington (especially "Death of a Hero") were rapidly digested; his poetic models were Edith Sitwell, Aldington, Nichols, Sassoon and Graves (in the cheap Benn's Sixpenny Poets editions), to be followed by the more lasting influences of Eliot and D.H. Lawrence...He read an essay by Lawrence in which he showed how England treated its writers. That, he said, made him decide "to swim against the current".'
Century: 1900-1945 Reader/Listener/Group: Lawrence Durrell Print: Book
Siegfried Sassoon : [poetry]
'The fresh-sounding work of the war generation, which began to appear in the late 1920s and early 1930s, provided him with important models. Huxley, Wells and Aldington (especially "Death of a Hero") were rapidly digested; his poetic models were Edith Sitwell, Aldington, Nichols, Sassoon and Graves (in the cheap Benn's Sixpenny Poets editions), to be followed by the more lasting influences of Eliot and D.H. Lawrence...He read an essay by Lawrence in which he showed how England treated its writers. That, he said, made him decide "to swim against the current".'
Century: 1900-1945 Reader/Listener/Group: Lawrence Durrell Print: Book
Robert Graves : [poetry]
'The fresh-sounding work of the war generation, which began to appear in the late 1920s and early 1930s, provided him with important models. Huxley, Wells and Aldington (especially "Death of a Hero") were rapidly digested; his poetic models were Edith Sitwell, Aldington, Nichols, Sassoon and Graves (in the cheap Benn's Sixpenny Poets editions), to be followed by the more lasting influences of Eliot and D.H. Lawrence...He read an essay by Lawrence in which he showed how England treated its writers. That, he said, made him decide "to swim against the current".'
Century: 1900-1945 Reader/Listener/Group: Lawrence Durrell Print: Book
Thomas Stearns Eliot : [poetry]
'The fresh-sounding work of the war generation, which began to appear in the late 1920s and early 1930s, provided him with important models. Huxley, Wells and Aldington (especially "Death of a Hero") were rapidly digested; his poetic models were Edith Sitwell, Aldington, Nichols, Sassoon and Graves (in the cheap Benn's Sixpenny Poets editions), to be followed by the more lasting influences of Eliot and D.H. Lawrence...He read an essay by Lawrence in which he showed how England treated its writers. That, he said, made him decide "to swim against the current".'
Century: 1900-1945 Reader/Listener/Group: Lawrence Durrell Print: Book
David Herbert Lawrence : [unknown]
'The fresh-sounding work of the War generation, which began to appear in the late 1920s and early 1930s, provided him with important models. Huxley, Wells and Aldington (especially "Death of a Hero") were rapidly digested; his poetic models were Edith Sitwell, Aldington, Nichols, Sassoon and Graves (in the cheap Benn's Sixpenny Poets editions), to be followed by the more lasting influences of Eliot and D.H. Lawrence...He read an essay by Lawrence in which he showed how England treated its writers. That, he said, made him decide "to swim against the current".'
Century: 1900-1945 Reader/Listener/Group: Lawrence Durrell Print: Book
Francois Rabelais : [unknown]
'He lapped up those French writers who kicked against those conventions - Rabelais, Villon, Baudelaire, Rimbaud'
Century: 1900-1945 Reader/Listener/Group: Lawrence Durrell Print: Book
Francois Villon : [unknown]
'He lapped up those French writers who kicked against those conventions - Rabelais, Villon, Baudelaire, Rimbaud'
Century: 1900-1945 Reader/Listener/Group: Lawrence Durrell Print: Book
Charles Pierre Baudelaire : [unknown]
'He lapped up those French writers who kicked against those conventions - Rabelais, Villon, Baudelaire, Rimbaud'
Century: 1900-1945 Reader/Listener/Group: Lawrence Durrell Print: Book
Arthur Rimbaud : [unknown]
'He lapped up those French writers who kicked against those conventions - Rabelais, Villon, Baudelaire, Rimbaud'
Century: 1900-1945 Reader/Listener/Group: Lawrence Durrell Print: Book
Sigmund Freud : [unknown]
'like any bright young intellectual of his day, he was greatly influenced by Freud and writers on sex, such as Havelock Ellis and Norman Haire, who had taken their cue from Freud's liberating initiative'.
Century: 1900-1945 Reader/Listener/Group: Lawrence Durrell Print: Book
Havelock Ellis : [unknown]
'like any bright young intellectual of his day, he was greatly influenced by Freud and writers on sex, such as Havelock Ellis and Norman Haire, who had taken their cue from Freud's liberating initiative'.
Century: 1900-1945 Reader/Listener/Group: Lawrence Durrell Print: Book
Norman Haire : [unknown]
'like any bright young intellectual of his day, he was greatly influenced by Freud and writers on sex, such as Havelock Ellis and Norman Haire, who had taken their cue from Freud's liberating initiative'.
Century: 1900-1945 Reader/Listener/Group: Lawrence Durrell Print: Book
Philip Sidney : [unknown]
'Durrell's studies at the British Museum turned even further towards the Elizabethans. He took in Sidney, Marlowe, Nashe, Greene, Peel and Tourneur, as well as Shakespeare'.
Century: 1900-1945 Reader/Listener/Group: Lawrence Durrell Print: Book
Christopher Marlowe : [unknown]
'Durrell's studies at the British Museum turned even further towards the Elizabethans. He took in Sidney, Marlowe, Nashe, Greene, Peel and Tourneur, as well as Shakespeare'.
Century: 1900-1945 Reader/Listener/Group: Lawrence Durrell Print: Book
Thomas Nashe : [unknown]
'Durrell's studies at the British Museum turned even further towards the Elizabethans. He took in Sidney, Marlowe, Nashe, Greene, Peel and Tourneur, as well as Shakespeare'.
Century: 1900-1945 Reader/Listener/Group: Lawrence Durrell Print: Book
Robert Greene : [unknown]
'Durrell's studies at the British Museum turned even further towards the Elizabethans. He took in Sidney, Marlowe, Nashe, Greene, Peel and Tourneur, as well as Shakespeare'.
Century: 1900-1945 Reader/Listener/Group: Lawrence Durrell Print: Book
Cyril Tourneur : [unknown]
'Durrell's studies at the British Museum turned even further towards the Elizabethans. He took in Sidney, Marlowe, Nashe, Greene, Peel and Tourneur, as well as Shakespeare'.
Century: 1900-1945 Reader/Listener/Group: Lawrence Durrell Print: Book
Peel : [unknown]
'Durrell's studies at the British Museum turned even further towards the Elizabethans. He took in Sidney, Marlowe, Nashe, Greene, Peel and Tourneur, as well as Shakespeare'.
Century: 1900-1945 Reader/Listener/Group: Lawrence Durrell Print: Book
John Keats : [unknown]
'He was also interesting himself in poets such as Keats, Fitzgerald and Yeats'.
Century: 1900-1945 Reader/Listener/Group: Lawrence Durrell Print: Book
William Butler Yeats : [unknown]
'He was also interesting himself in poets such as Keats, Fitzgerald and Yeats'.
Century: 1900-1945 Reader/Listener/Group: Lawrence Durrell Print: Book
Edward Fitzgerald : [unknown]
'He was also interesting himself in poets such as Keats, Fitzgerald and Yeats'.
Century: 1900-1945 Reader/Listener/Group: Lawrence Durrell Print: Book
Jean Jacques Rousseau : [unknown]
'He consumed works of western philosophy, from Rousseau to Wyndham Lewis. All this he added to his diet of sexology - Freud, Remy de Gourmont, de Sade and Krafft-Ebing. And with the Mediterranean in mind, he read D.H. Lawrence's "Sea and Sardinia" and Norman Douglas's "South Wind"'.
Century: 1900-1945 Reader/Listener/Group: Lawrence Durrell Print: Book
Percy Wyndham Lewis : [unknown]
'He consumed works of western philosophy, from Rousseau to Wyndham Lewis. All this he added to his diet of sexology - Freud, Remy de Gourmont, de Sade and Krafft-Ebing. And with the Mediterranean in mind, he read D.H. Lawrence's "Sea and Sardinia" and Norman Douglas's "South Wind"'.
Century: 1900-1945 Reader/Listener/Group: Lawrence Durrell Print: Book
Remy de Gourmont : [unknown]
'He consumed works of western philosophy, from Rousseau to Wyndham Lewis. All this he added to his diet of sexology - Freud, Remy de Gourmont, de Sade and Krafft-Ebing. And with the Mediterranean in mind, he read D.H. Lawrence's "Sea and Sardinia" and Norman Douglas's "South Wind"'.
Century: 1900-1945 Reader/Listener/Group: Lawrence Durrell Print: Book
Donatien Alphonse-Fran?ois de Sade : [unknown]
'He consumed works of western philosophy, from Rousseau to Wyndham Lewis. All this he added to his diet of sexology - Freud, Remy de Gourmont, de Sade and Krafft-Ebing. And with the Mediterranean in mind, he read D.H. Lawrence's "Sea and Sardinia" and Norman Douglas's "South Wind"'.
Century: 1900-1945 Reader/Listener/Group: Lawrence Durrell Print: Book
Richard Freiherr von Krafft-Ebing : [probably] Psychopathia Sexualis
'He consumed works of western philosophy, from Rousseau to Wyndham Lewis. All this he added to his diet of sexology - Freud, Remy de Gourmont, de Sade and Krafft-Ebing. And with the Mediterranean in mind, he read D.H. Lawrence's "Sea and Sardinia" and Norman Douglas's "South Wind"'.
Century: 1900-1945 Reader/Listener/Group: Lawrence Durrell Print: Book
David Herbert Lawrence : Sea and Sardinia
'He consumed works of western philosophy, from Rousseau to Wyndham Lewis. All this he added to his diet of sexology - Freud, Remy de Gourmont, de Sade and Krafft-Ebing. And with the Mediterranean in mind, he read D.H. Lawrence's "Sea and Sardinia" and Norman Douglas's "South Wind"'.
Century: 1900-1945 Reader/Listener/Group: Lawrence Durrell Print: Book
George Norman Douglas : South Wind
'He consumed works of western philosophy, from Rousseau to Wyndham Lewis. All this he added to his diet of sexology - Freud, Remy de Gourmont, de Sade and Krafft-Ebing. And with the Mediterranean in mind, he read D.H. Lawrence's "Sea and Sardinia" and Norman Douglas's "South Wind"'.
Century: 1900-1945 Reader/Listener/Group: Lawrence Durrell Print: Book
Henry Miller : Tropic of Cancer
'Barclay Hudson, an American living near by, lent him a new novel to read. It was published in Paris by the Obelisk Press, a publisher specializing mainly in pornography in English for visiting tourists, and in books banned elsewhere. The novel Hudson lent him was the recently published "Tropic of Cancer" by Henry Miller. The impact was immediate, and he read it straight through twice..."There isn't a good word to express its excellence", he wrote. "Of course, like all works of genius it's strong fruit and you'd have to be careful about getting it into England".'
Century: 1900-1945 Reader/Listener/Group: Lawrence Durrell Print: Book
Charles Dickens : Pickwick Papers
'on his eighth birthday, 27 February 1920, an ox-cart drew up outside Everleas Lodge with a present for him - a huge parcel of books. His father had bought him a complete set of Dickens which had belonged to a recently expired tea-planter. Durrell claimed later that he never got beyond the Pickwick Papers (sometimes he said that he got through about ten of them), but Dickens gave him a vision of merrie England... supplemented later by reading Thackeray and R.S. Surtees. In Surtees' convivial tales of the hunting, shooting, sporting Mr Jorrocks and his pursuitful adventures, there was something ruddy, jolly and rumbustious, which appealed to the perky youngster'.
