Listings for Reader:
George Gissing
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Hall Caine : The Manxman
George Gissing in diary, 9 August 1894: "'Read Hall Caine's 'The Manxman', which has just appeared in 1 vol., instead of 3."
Century: 1850-1899 Reader/Listener/Group: George Gissing Print: Book
George Moore : Esther Waters
George Gissing, diary entry for 9 December 1894: 'Gloomy day. Read "Esther Waters". Some pathos and power in latter part, but miserable writing.'
Century: 1850-1899 Reader/Listener/Group: George Gissing Print: Book
Thomas Hardy : [novels]
'He [George Gissing] seems to have read Hardy's novels as they appeared and, impressed by "Diana of the Crossways", re-read Meredith in the important first collected edition which began to appear in the same year, that is in 1885'.
Century: 1850-1899 Reader/Listener/Group: George Gissing Print: Book
George Meredith : Diana of the Crossways
'He [George Gissing] seems to have read Hardy's novels as they appeared and, impressed by "Diana of the Crossways", re-read Meredith in the important first collected edition which began to appear in the same year, that is in 1885'.
Century: 1850-1899 Reader/Listener/Group: George Gissing Print: Book
George Meredith : [novels]
'He [George Gissing] seems to have read Hardy's novels as they appeared and, impressed by "Diana of the Crossways", re-read Meredith in the important first collected edition which began to appear in the same year, that is in 1885'.
Century: 1850-1899 Reader/Listener/Group: George Gissing Print: Book
Johann Wolfgang von Goethe : [unknown]
'In the late 1880s Gissing immersed himself in contemporary European fiction, as he had during previous periods of his life. Gissing's wide reading has been often noted but rarely assessed. Salient in any study of it would be his reading of Goethe and Heine in 1876 (and throughout his life), Eugene Sue and Henri Murger (in 1878 "Scenes de la Vie Boheme" was deepy influential), Comte (notably "Cours de Philosophie Positive" in 1878), Turgenev (in 1884 - but also constantly, for by the end of the decade he had read "Fathers and Sons" five times), Moliere, George Sand, Balzac, de Musset (whom he called indispensable" in 1885), Ibsen (in German, in the late 1880s), Zola, Dostoevski, the Goncourts (at least by the early 1890s). Gissing read with equal ease in French, German, Greek and latin, and these from an early age. Later he added Italian and late in life some Spanish'.
Century: 1850-1899 Reader/Listener/Group: George Gissing Print: Book
Heinrich Heine : [unknown]
'In the late 1880s Gissing immersed himself in contemporary European fiction, as he had during previous periods of his life. Gissing's wide reading has been often noted but rarely assessed. Salient in any study of it would be his reading of Goethe and Heine in 1876 (and throughout his life), Eugene Sue and Henri Murger (in 1878 "Scenes de la Vie Boheme" was deepy influential), Comte (notably "Cours de Philosophie Positive" in 1878), Turgenev (in 1884 - but also constantly, for by the end of the decade he had read "Fathers and Sons" five times), Moliere, George Sand, Balzac, de Musset (whom he called indispensable" in 1885), Ibsen (in German, in the late 1880s), Zola, Dostoevski, the Goncourts (at least by the early 1890s). Gissing read with equal ease in French, German, Greek and latin, and these from an early age. Later he added Italian and late in life some Spanish'.
Century: 1850-1899 Reader/Listener/Group: George Gissing Print: Book
Joseph Marie Eugene Sue : [unknown]
'In the late 1880s Gissing immersed himself in contemporary European fiction, as he had during previous periods of his life. Gissing's wide reading has been often noted but rarely assessed. Salient in any study of it would be his reading of Goethe and Heine in 1876 (and throughout his life), Eugene Sue and Henri Murger (in 1878 "Scenes de la Vie Boheme" was deepy influential), Comte (notably "Cours de Philosophie Positive" in 1878), Turgenev (in 1884 - but also constantly, for by the end of the decade he had read "Fathers and Sons" five times), Moliere, George Sand, Balzac, de Musset (whom he called indispensable" in 1885), Ibsen (in German, in the late 1880s), Zola, Dostoevski, the Goncourts (at least by the early 1890s). Gissing read with equal ease in French, German, Greek and latin, and these from an early age. Later he added Italian and late in life some Spanish'.
Century: 1850-1899 Reader/Listener/Group: George Gissing Print: Book
Henri Murger : Scenes de la Vie Boheme
'In the late 1880s Gissing immersed himself in contemporary European fiction, as he had during previous periods of his life. Gissing's wide reading has been often noted but rarely assessed. Salient in any study of it would be his reading of Goethe and Heine in 1876 (and throughout his life), Eugene Sue and Henri Murger (in 1878 "Scenes de la Vie Boheme" was deepy influential), Comte (notably "Cours de Philosophie Positive" in 1878), Turgenev (in 1884 - but also constantly, for by the end of the decade he had read "Fathers and Sons" five times), Moliere, George Sand, Balzac, de Musset (whom he called indispensable" in 1885), Ibsen (in German, in the late 1880s), Zola, Dostoevski, the Goncourts (at least by the early 1890s). Gissing read with equal ease in French, German, Greek and latin, and these from an early age. Later he added Italian and late in life some Spanish'.
Century: 1850-1899 Reader/Listener/Group: George Gissing Print: Book
Auguste Comte : Cours de Philosophie Positive
'In the late 1880s Gissing immersed himself in contemporary European fiction, as he had during previous periods of his life. Gissing's wide reading has been often noted but rarely assessed. Salient in any study of it would be his reading of Goethe and Heine in 1876 (and throughout his life), Eugene Sue and Henri Murger (in 1878 "Scenes de la Vie Boheme" was deepy influential), Comte (notably "Cours de Philosophie Positive" in 1878), Turgenev (in 1884 - but also constantly, for by the end of the decade he had read "Fathers and Sons" five times), Moliere, George Sand, Balzac, de Musset (whom he called indispensable" in 1885), Ibsen (in German, in the late 1880s), Zola, Dostoevski, the Goncourts (at least by the early 1890s). Gissing read with equal ease in French, German, Greek and latin, and these from an early age. Later he added Italian and late in life some Spanish'.
Century: 1850-1899 Reader/Listener/Group: George Gissing Print: Book
Ivan Turgenev : Fathers and Sons
'In the late 1880s Gissing immersed himself in contemporary European fiction, as he had during previous periods of his life. Gissing's wide reading has been often noted but rarely assessed. Salient in any study of it would be his reading of Goethe and Heine in 1876 (and throughout his life), Eugene Sue and Henri Murger (in 1878 "Scenes de la Vie Boheme" was deepy influential), Comte (notably "Cours de Philosophie Positive" in 1878), Turgenev (in 1884 - but also constantly, for by the end of the decade he had read "Fathers and Sons" five times), Moliere, George Sand, Balzac, de Musset (whom he called indispensable" in 1885), Ibsen (in German, in the late 1880s), Zola, Dostoevski, the Goncourts (at least by the early 1890s). Gissing read with equal ease in French, German, Greek and latin, and these from an early age. Later he added Italian and late in life some Spanish'.
Century: 1850-1899 Reader/Listener/Group: George Gissing Print: Book
Moliere : [unknown]
'In the late 1880s Gissing immersed himself in contemporary European fiction, as he had during previous periods of his life. Gissing's wide reading has been often noted but rarely assessed. Salient in any study of it would be his reading of Goethe and Heine in 1876 (and throughout his life), Eugene Sue and Henri Murger (in 1878 "Scenes de la Vie Boheme" was deepy influential), Comte (notably "Cours de Philosophie Positive" in 1878), Turgenev (in 1884 - but also constantly, for by the end of the decade he had read "Fathers and Sons" five times), Moliere, George Sand, Balzac, de Musset (whom he called indispensable" in 1885), Ibsen (in German, in the late 1880s), Zola, Dostoevski, the Goncourts (at least by the early 1890s). Gissing read with equal ease in French, German, Greek and latin, and these from an early age. Later he added Italian and late in life some Spanish'.
Century: 1850-1899 Reader/Listener/Group: George Gissing Print: Book
George Sand [pseud.] : [unknown]
'In the late 1880s Gissing immersed himself in contemporary European fiction, as he had during previous periods of his life. Gissing's wide reading has been often noted but rarely assessed. Salient in any study of it would be his reading of Goethe and Heine in 1876 (and throughout his life), Eugene Sue and Henri Murger (in 1878 "Scenes de la Vie Boheme" was deepy influential), Comte (notably "Cours de Philosophie Positive" in 1878), Turgenev (in 1884 - but also constantly, for by the end of the decade he had read "Fathers and Sons" five times), Moliere, George Sand, Balzac, de Musset (whom he called indispensable" in 1885), Ibsen (in German, in the late 1880s), Zola, Dostoevski, the Goncourts (at least by the early 1890s). Gissing read with equal ease in French, German, Greek and latin, and these from an early age. Later he added Italian and late in life some Spanish'.
Century: 1850-1899 Reader/Listener/Group: George Gissing Print: Book
Honore de Balzac : [unknown]
'In the late 1880s Gissing immersed himself in contemporary European fiction, as he had during previous periods of his life. Gissing's wide reading has been often noted but rarely assessed. Salient in any study of it would be his reading of Goethe and Heine in 1876 (and throughout his life), Eugene Sue and Henri Murger (in 1878 "Scenes de la Vie Boheme" was deepy influential), Comte (notably "Cours de Philosophie Positive" in 1878), Turgenev (in 1884 - but also constantly, for by the end of the decade he had read "Fathers and Sons" five times), Moliere, George Sand, Balzac, de Musset (whom he called indispensable" in 1885), Ibsen (in German, in the late 1880s), Zola, Dostoevski, the Goncourts (at least by the early 1890s). Gissing read with equal ease in French, German, Greek and latin, and these from an early age. Later he added Italian and late in life some Spanish'.
Century: 1850-1899 Reader/Listener/Group: George Gissing Print: Book
Alfred de Musset : [unknown]
'In the late 1880s Gissing immersed himself in contemporary European fiction, as he had during previous periods of his life. Gissing's wide reading has been often noted but rarely assessed. Salient in any study of it would be his reading of Goethe and Heine in 1876 (and throughout his life), Eugene Sue and Henri Murger (in 1878 "Scenes de la Vie Boheme" was deepy influential), Comte (notably "Cours de Philosophie Positive" in 1878), Turgenev (in 1884 - but also constantly, for by the end of the decade he had read "Fathers and Sons" five times), Moliere, George Sand, Balzac, de Musset (whom he called indispensable" in 1885), Ibsen (in German, in the late 1880s), Zola, Dostoevski, the Goncourts (at least by the early 1890s). Gissing read with equal ease in French, German, Greek and latin, and these from an early age. Later he added Italian and late in life some Spanish'.
Century: 1850-1899 Reader/Listener/Group: George Gissing Print: Book
Henrik Ibsen : [unknown]
'In the late 1880s Gissing immersed himself in contemporary European fiction, as he had during previous periods of his life. Gissing's wide reading has been often noted but rarely assessed. Salient in any study of it would be his reading of Goethe and Heine in 1876 (and throughout his life), Eugene Sue and Henri Murger (in 1878 "Scenes de la Vie Boheme" was deepy influential), Comte (notably "Cours de Philosophie Positive" in 1878), Turgenev (in 1884 - but also constantly, for by the end of the decade he had read "Fathers and Sons" five times), Moliere, George Sand, Balzac, de Musset (whom he called indispensable" in 1885), Ibsen (in German, in the late 1880s), Zola, Dostoevski, the Goncourts (at least by the early 1890s). Gissing read with equal ease in French, German, Greek and latin, and these from an early age. Later he added Italian and late in life some Spanish'.
Century: 1850-1899 Reader/Listener/Group: George Gissing Print: Book
Emile Zola : [unknown]
'In the late 1880s Gissing immersed himself in contemporary European fiction, as he had during previous periods of his life. Gissing's wide reading has been often noted but rarely assessed. Salient in any study of it would be his reading of Goethe and Heine in 1876 (and throughout his life), Eugene Sue and Henri Murger (in 1878 "Scenes de la Vie Boheme" was deepy influential), Comte (notably "Cours de Philosophie Positive" in 1878), Turgenev (in 1884 - but also constantly, for by the end of the decade he had read "Fathers and Sons" five times), Moliere, George Sand, Balzac, de Musset (whom he called indispensable" in 1885), Ibsen (in German, in the late 1880s), Zola, Dostoevski, the Goncourts (at least by the early 1890s). Gissing read with equal ease in French, German, Greek and latin, and these from an early age. Later he added Italian and late in life some Spanish'.
Century: 1850-1899 Reader/Listener/Group: George Gissing Print: Book
Fyodor Dostoevsky : [unknown]
'In the late 1880s Gissing immersed himself in contemporary European fiction, as he had during previous periods of his life. Gissing's wide reading has been often noted but rarely assessed. Salient in any study of it would be his reading of Goethe and Heine in 1876 (and throughout his life), Eugene Sue and Henri Murger (in 1878 "Scenes de la Vie Boheme" was deepy influential), Comte (notably "Cours de Philosophie Positive" in 1878), Turgenev (in 1884 - but also constantly, for by the end of the decade he had read "Fathers and Sons" five times), Moliere, George Sand, Balzac, de Musset (whom he called indispensable" in 1885), Ibsen (in German, in the late 1880s), Zola, Dostoevski, the Goncourts (at least by the early 1890s). Gissing read with equal ease in French, German, Greek and latin, and these from an early age. Later he added Italian and late in life some Spanish'.
Century: 1850-1899 Reader/Listener/Group: George Gissing Print: Book
Edmond de Goncourt : [unknown]
'In the late 1880s Gissing immersed himself in contemporary European fiction, as he had during previous periods of his life. Gissing's wide reading has been often noted but rarely assessed. Salient in any study of it would be his reading of Goethe and Heine in 1876 (and throughout his life), Eugene Sue and Henri Murger (in 1878 "Scenes de la Vie Boheme" was deepy influential), Comte (notably "Cours de Philosophie Positive" in 1878), Turgenev (in 1884 - but also constantly, for by the end of the decade he had read "Fathers and Sons" five times), Moliere, George Sand, Balzac, de Musset (whom he called indispensable" in 1885), Ibsen (in German, in the late 1880s), Zola, Dostoevski, the Goncourts (at least by the early 1890s). Gissing read with equal ease in French, German, Greek and latin, and these from an early age. Later he added Italian and late in life some Spanish'.
Century: 1850-1899 Reader/Listener/Group: George Gissing Print: Book
William Morris : Earthly Paradise, The
'He [George Gissing] recommended [in letters to his siblings] books like Morris's "Earthly Paradise", a poem "abounding in the quaintest archaisms"; Ruskin's "Unto this last", which Gissing liked as a "contribution to - or rather onslaught upon - Political Economy"; Landor's "Imaginary Conversations", for its "perfect prose"; and Scott's "Redgauntlet", for the romantic situations of which he must "try to find parallel kinds in modern life". Gissing kept up the habit throughout his life: he was always reading and always recommending books to his friends and family. In the early 1880s he read a lot of German, and to his brother, Algernon, particularly recommended Eckerman's "Conversations with Goethe", "a most delightful book". Meanwhile his sister, Margaret, was reading Schiller under his direction'.
Century: 1850-1899 Reader/Listener/Group: George Gissing Print: Book
John Ruskin : Unto this Last
'He [George Gissing] recommended [in letters to his siblings] books like Morris's "Earthly Paradise", a poem "abounding in the quaintest archaisms"; Ruskin's "Unto this last", which Gissing liked as a "contribution to - or rather onslaught upon - Political Economy"; Landor's "Imaginary Conversations", for its "perfect prose"; and Scott's "Redgauntlet", for the romantic situations of which he must "try to find parallel kinds in modern life". Gissing kept up the habit throughout his life: he was always reading and always recommending books to his friends and family. In the early 1880s he read a lot of German, and to his brother, Algernon, particularly recommended Eckerman's "Conversations with Goethe", "a most delightful book". Meanwhile his sister, Margaret, was reading Schiller under his direction'.
Century: 1850-1899 Reader/Listener/Group: George Gissing Print: Book
Walter Scott : Redgauntlet
'He [George Gissing] recommended [in letters to his siblings] books like Morris's "Earthly Paradise", a poem "abounding in the quaintest archaisms"; Ruskin's "Unto this last", which Gissing liked as a "contribution to - or rather onslaught upon - Political Economy"; Landor's "Imaginary Conversations", for its "perfect prose"; and Scott's "Redgauntlet", for the romantic situations of which he must "try to find parallel kinds in modern life". Gissing kept up the habit throughout his life: he was always reading and always recommending books to his friends and family. In the early 1880s he read a lot of German, and to his brother, Algernon, particularly recommended Eckerman's "Conversations with Goethe", "a most delightful book". Meanwhile his sister, Margaret, was reading Schiller under his direction'.
Century: 1850-1899 Reader/Listener/Group: George Gissing Print: Book
Walter Savage Landor : Imaginary Conversations
'He [George Gissing] recommended [in letters to his siblings] books like Morris's "Earthly Paradise", a poem "abounding in the quaintest archaisms"; Ruskin's "Unto this last", which Gissing liked as a "contribution to - or rather onslaught upon - Political Economy"; Landor's "Imaginary Conversations", for its "perfect prose"; and Scott's "Redgauntlet", for the romantic situations of which he must "try to find parallel kinds in modern life". Gissing kept up the habit throughout his life: he was always reading and always recommending books to his friends and family. In the early 1880s he read a lot of German, and to his brother, Algernon, particularly recommended Eckerman's "Conversations with Goethe", "a most delightful book". Meanwhile his sister, Margaret, was reading Schiller under his direction'.
Century: 1850-1899 Reader/Listener/Group: George Gissing Print: Book
Johann Peter Eckerman : Conversations of Goethe
'He [George Gissing] recommended [in letters to his siblings] books like Morris's "Earthly Paradise", a poem "abounding in the quaintest archaisms"; Ruskin's "Unto this last", which Gissing liked as a "contribution to - or rather onslaught upon - Political Economy"; Landor's "Imaginary Conversations", for its "perfect prose"; and Scott's "Redgauntlet", for the romantic situations of which he must "try to find parallel kinds in modern life". Gissing kept up the habit throughout his life: he was always reading and always recommending books to his friends and family. In the early 1880s he read a lot of German, and to his brother, Algernon, particularly recommended Eckerman's "Conversations with Goethe", "a most delightful book". Meanwhile his sister, Margaret, was reading Schiller under his direction'.
Century: 1850-1899 Reader/Listener/Group: George Gissing Print: Book
Friedrich Schiller : [unknown]
'He [George Gissing] recommended [in letters to his siblings] books like Morris's "Earthly Paradise", a poem "abounding in the quaintest archaisms"; Ruskin's "Unto this last", which Gissing liked as a "contribution to - or rather onslaught upon - Political Economy"; Landor's "Imaginary Conversations", for its "perfect prose"; and Scott's "Redgauntlet", for the romantic situations of which he must "try to find parallel kinds in modern life". Gissing kept up the habit throughout his life: he was always reading and always recommending books to his friends and family. In the early 1880s he read a lot of German, and to his brother, Algernon, particularly recommended Eckerman's "Conversations with Goethe", "a most delightful book". Meanwhile his sister, Margaret, was reading Schiller under his direction'.
Century: 1850-1899 Reader/Listener/Group: George Gissing Print: Book
[unknown] : [unknown]
'[During the 1880s Gissing] continued to read Latin and Greek authors daily'.
Century: 1850-1899 Reader/Listener/Group: George Gissing Print: Book
Paul Charles Joseph Bourget : [unknown]
'Now [after 1890] he [Gissing] read books that seemed to have had a direct impact on his development, turning him away from working-class subjects (to which he never returned) and making him more interested in the nihilistic or purely intellectual attitudes of his characters than in those of them who had a Walter Egremont type of social conscience. Thus, he re-read Bourget, on [his friend] Bertz's recommendation looked at J.P. Jacobsen's "Niels Lyhne" and "Marie Grube", reread Turgenev's "Fathers and Sons" (for the seventh time), reread Dostoevski, whom he recomended to his brother but disliked himself, once again mulled over Hardy's "The Woodlanders" and "The Mayor of Casterbridge" (he later said that "Jude" was poor stuff by comparison with these), and began to ponder Ibsen, starting with "Hedda Gabler".'
Century: 1850-1899 Reader/Listener/Group: George Gissing Print: Book
Jens Peter Jacobsen : Niels lyhne
'Now [after 1890] he [Gissing] read books that seemed to have had a direct impact on his development, turning him away from working-class subjects (to which he never returned) and making him more interested in the nihilistic or purely intellectual attitudes of his characters than in those of them who had a Walter Egremont type of social conscience. Thus, he re-read Bourget, on [his friend] Bertz's recommendation looked at J.P. Jacobsen's "Niels Lyhne" and "Marie Grube", reread Turgenev's "Fathers and Sons" (for the seventh time), reread Dostoevski, whom he recomended to his brother but disliked himself, once again mulled over Hardy's "The Woodlanders" and "The Mayor of Casterbridge" (he later said that "Jude" was poor stuff by comparison with these), and began to ponder Ibsen, starting with "Hedda Gabler".'
Century: 1850-1899 Reader/Listener/Group: George Gissing Print: Book
Jens Peter Jacobsen : Marie Grube
'Now [after 1890] he [Gissing] read books that seemed to have had a direct impact on his development, turning him away from working-class subjects (to which he never returned) and making him more interested in the nihilistic or purely intellectual attitudes of his characters than in those of them who had a Walter Egremont type of social conscience. Thus, he re-read Bourget, on [his friend] Bertz's recommendation looked at J.P. Jacobsen's "Niels Lyhne" and "Marie Grube", reread Turgenev's "Fathers and Sons" (for the seventh time), reread Dostoevski, whom he recomended to his brother but disliked himself, once again mulled over Hardy's "The Woodlanders" and "The Mayor of Casterbridge" (he later said that "Jude" was poor stuff by comparison with these), and began to ponder Ibsen, starting with "Hedda Gabler".'
Century: 1850-1899 Reader/Listener/Group: George Gissing Print: Book
Ivan Turgenev : Fathers and Sons
'Now [after 1890] he [Gissing] read books that seemed to have had a direct impact on his development, turning him away from working-class subjects (to which he never returned) and making him more interested in the nihilistic or purely intellectual attitudes of his characters than in those of them who had a Walter Egremont type of social conscience. Thus, he re-read Bourget, on [his friend] Bertz's recommendation looked at J.P. Jacobsen's "Niels Lyhne" and "Marie Grube", reread Turgenev's "Fathers and Sons" (for the seventh time), reread Dostoevski, whom he recomended to his brother but disliked himself, once again mulled over Hardy's "The Woodlanders" and "The Mayor of Casterbridge" (he later said that "Jude" was poor stuff by comparison with these), and began to ponder Ibsen, starting with "Hedda Gabler".'
Century: 1850-1899 Reader/Listener/Group: George Gissing Print: Book
Fyodor Dostoevsky : [unknown]
'Now [after 1890] he [Gissing] read books that seemed to have had a direct impact on his development, turning him away from working-class subjects (to which he never returned) and making him more interested in the nihilistic or purely intellectual attitudes of his characters than in those of them who had a Walter Egremont type of social conscience. Thus, he re-read Bourget, on [his friend] Bertz's recommendation looked at J.P. Jacobsen's "Niels Lyhne" and "Marie Grube", reread Turgenev's "Fathers and Sons" (for the seventh time), reread Dostoevski, whom he recomended to his brother but disliked himself, once again mulled over Hardy's "The Woodlanders" and "The Mayor of Casterbridge" (he later said that "Jude" was poor stuff by comparison with these), and began to ponder Ibsen, starting with "Hedda Gabler".'
Century: 1850-1899 Reader/Listener/Group: George Gissing Print: Book
Thomas Hardy : Woodlanders, The
'Now [after 1890] he [Gissing] read books that seemed to have had a direct impact on his development, turning him away from working-class subjects (to which he never returned) and making him more interested in the nihilistic or purely intellectual attitudes of his characters than in those of them who had a Walter Egremont type of social conscience. Thus, he re-read Bourget, on [his friend] Bertz's recommendation looked at J.P. Jacobsen's "Niels Lyhne" and "Marie Grube", reread Turgenev's "Fathers and Sons" (for the seventh time), reread Dostoevski, whom he recomended to his brother but disliked himself, once again mulled over Hardy's "The Woodlanders" and "The Mayor of Casterbridge" (he later said that "Jude" was poor stuff by comparison with these), and began to ponder Ibsen, starting with "Hedda Gabler".'
Century: 1850-1899 Reader/Listener/Group: George Gissing Print: Book
Thomas Hardy : Mayor of Casterbridge, The
'Now [after 1890] he [Gissing] read books that seemed to have had a direct impact on his development, turning him away from working-class subjects (to which he never returned) and making him more interested in the nihilistic or purely intellectual attitudes of his characters than in those of them who had a Walter Egremont type of social conscience. Thus, he re-read Bourget, on [his friend] Bertz's recommendation looked at J.P. Jacobsen's "Niels Lyhne" and "Marie Grube", reread Turgenev's "Fathers and Sons" (for the seventh time), reread Dostoevski, whom he recomended to his brother but disliked himself, once again mulled over Hardy's "The Woodlanders" and "The Mayor of Casterbridge" (he later said that "Jude" was poor stuff by comparison with these), and began to ponder Ibsen, starting with "Hedda Gabler".'
Century: 1850-1899 Reader/Listener/Group: George Gissing Print: Book
Thomas Hardy : Jude the Obscure
'Now [after 1890] he [Gissing] read books that seemed to have had a direct impact on his development, turning him away from working-class subjects (to which he never returned) and making him more interested in the nihilistic or purely intellectual attitudes of his characters than in those of them who had a Walter Egremont type of social conscience. Thus, he re-read Bourget, on [his friend] Bertz's recommendation looked at J.P. Jacobsen's "Niels Lyhne" and "Marie Grube", reread Turgenev's "Fathers and Sons" (for the seventh time), reread Dostoevski, whom he recomended to his brother but disliked himself, once again mulled over Hardy's "The Woodlanders" and "The Mayor of Casterbridge" (he later said that "Jude" was poor stuff by comparison with these), and began to ponder Ibsen, starting with "Hedda Gabler".'
Century: 1850-1899 Reader/Listener/Group: George Gissing Print: Book
Henrik Ibsen : Hedda Gabler
'Now [after 1890] he [Gissing] read books that seemed to have had a direct impact on his development, turning him away from working-class subjects (to which he never returned) and making him more interested in the nihilistic or purely intellectual attitudes of his characters than in those of them who had a Walter Egremont type of social conscience. Thus, he re-read Bourget, on [his friend] Bertz's recommendation looked at J.P. Jacobsen's "Niels Lyhne" and "Marie Grube", reread Turgenev's "Fathers and Sons" (for the seventh time), reread Dostoevski, whom he recomended to his brother but disliked himself, once again mulled over Hardy's "The Woodlanders" and "The Mayor of Casterbridge" (he later said that "Jude" was poor stuff by comparison with these), and began to ponder Ibsen, starting with "Hedda Gabler".'
Century: 1850-1899 Reader/Listener/Group: George Gissing Print: Book
George Sand [pseud.] : [unknown]
'Gissing, probably more than any of his contemporaries, knew well the main trends of European literature at that time, for he continued to read widely in both French and German, as well as English. During the eighteen-eighties, he re-read George Sand and much of Balzac; read Zola for the first time; purchased cheap German editions of Turgenev and read them all; was famiiar with Daudet, Flaubert, Tolstoy, Dostoevsky and later de Maupassant; and read Ibsen as his work became available and in the late eighties saw his plays when they were performed for the first time in London'.
Century: 1850-1899 Reader/Listener/Group: George Gissing Print: Book
Honore de Balzac : [unknown]
'Gissing, probably more than any of his contemporaries, knew well the main trends of European literature at that time, for he continued to read widely in both French and German, as well as English. During the eighteen-eighties, he re-read George Sand and much of Balzac; read Zola for the first time; purchased cheap German editions of Turgenev and read them all; was famiiar with Daudet, Flaubert, Tolstoy, Dostoevsky and later de Maupassant; and read Ibsen as his work became available and in the late eighties saw his plays when they were performed for the first time in London'.
Century: 1850-1899 Reader/Listener/Group: George Gissing Print: Book
Emile Zola : [unknown]
'Gissing, probably more than any of his contemporaries, knew well the main trends of European literature at that time, for he continued to read widely in both French and German, as well as English. During the eighteen-eighties, he re-read George Sand and much of Balzac; read Zola for the first time; purchased cheap German editions of Turgenev and read them all; was famiiar with Daudet, Flaubert, Tolstoy, Dostoevsky and later de Maupassant; and read Ibsen as his work became available and in the late eighties saw his plays when they were performed for the first time in London'.
Century: 1850-1899 Reader/Listener/Group: George Gissing Print: Book
Ivan Turgenev : [unknown]
'Gissing, probably more than any of his contemporaries, knew well the main trends of European literature at that time, for he continued to read widely in both French and German, as well as English. During the eighteen-eighties, he re-read George Sand and much of Balzac; read Zola for the first time; purchased cheap German editions of Turgenev and read them all; was famiiar with Daudet, Flaubert, Tolstoy, Dostoevsky and later de Maupassant; and read Ibsen as his work became available and in the late eighties saw his plays when they were performed for the first time in London'.
Century: 1850-1899 Reader/Listener/Group: George Gissing Print: Book
Leo Tolstoy : [unknown]
'Gissing, probably more than any of his contemporaries, knew well the main trends of European literature at that time, for he continued to read widely in both French and German, as well as English. During the eighteen-eighties, he re-read George Sand and much of Balzac; read Zola for the first time; purchased cheap German editions of Turgenev and read them all; was famiiar with Daudet, Flaubert, Tolstoy, Dostoevsky and later de Maupassant; and read Ibsen as his work became available and in the late eighties saw his plays when they were performed for the first time in London'.
Century: 1850-1899 Reader/Listener/Group: George Gissing Print: Book
Fyodor Dostoevsky : [unknown]
'Gissing, probably more than any of his contemporaries, knew well the main trends of European literature at that time, for he continued to read widely in both French and German, as well as English. During the eighteen-eighties, he re-read George Sand and much of Balzac; read Zola for the first time; purchased cheap German editions of Turgenev and read them all; was famiiar with Daudet, Flaubert, Tolstoy, Dostoevsky and later de Maupassant; and read Ibsen as his work became available and in the late eighties saw his plays when they were performed for the first time in London'.
Century: 1850-1899 Reader/Listener/Group: George Gissing Print: Book
Gustave Flaubert : [unknown]
'Gissing, probably more than any of his contemporaries, knew well the main trends of European literature at that time, for he continued to read widely in both French and German, as well as English. During the eighteen-eighties, he re-read George Sand and much of Balzac; read Zola for the first time; purchased cheap German editions of Turgenev and read them all; was famiiar with Daudet, Flaubert, Tolstoy, Dostoevsky and later de Maupassant; and read Ibsen as his work became available and in the late eighties saw his plays when they were performed for the first time in London'.
Century: 1850-1899 Reader/Listener/Group: George Gissing Print: Book
Guy de Maupassant : [unknown]
'Gissing, probably more than any of his contemporaries, knew well the main trends of European literature at that time, for he continued to read widely in both French and German, as well as English. During the eighteen-eighties, he re-read George Sand and much of Balzac; read Zola for the first time; purchased cheap German editions of Turgenev and read them all; was famiiar with Daudet, Flaubert, Tolstoy, Dostoevsky and later de Maupassant; and read Ibsen as his work became available and in the late eighties saw his plays when they were performed for the first time in London'.
Century: 1850-1899 Reader/Listener/Group: George Gissing Print: Book
Henrik Ibsen : [unknown]
'Gissing, probably more than any of his contemporaries, knew well the main trends of European literature at that time, for he continued to read widely in both French and German, as well as English. During the eighteen-eighties, he re-read George Sand and much of Balzac; read Zola for the first time; purchased cheap German editions of Turgenev and read them all; was famiiar with Daudet, Flaubert, Tolstoy, Dostoevsky and later de Maupassant; and read Ibsen as his work became available and in the late eighties saw his plays when they were performed for the first time in London'.
Century: 1850-1899 Reader/Listener/Group: George Gissing Print: Book
Alphonse Daudet : [unknown]
'Gissing, probably more than any of his contemporaries, knew well the main trends of European literature at that time, for he continued to read widely in both French and German, as well as English. During the eighteen-eighties, he re-read George Sand and much of Balzac; read Zola for the first time; purchased cheap German editions of Turgenev and read them all; was famiiar with Daudet, Flaubert, Tolstoy, Dostoevsky and later de Maupassant; and read Ibsen as his work became available and in the late eighties saw his plays when they were performed for the first time in London'.
Century: 1850-1899 Reader/Listener/Group: George Gissing Print: Book
J.P. Jacobsen : Niels Lyhne
'Gissing read as widely as ever, with the same unbridled curiosity as during his youth but now with an intelligence tempered by experience. Of course he continued to read the Latin, Greek, English and French classics, but of the particular titles he noted in his diary during the second part of 1889 there are a number that indicate fairly and squarely the direction in which his thoughts were carrying him. Besides books like J.P. Jacobsen's "Niels Lyhne" and Frederick Bremer's "Hertha", he also read Taine's "English Literature", Bourget's "Etudes et Portraits" as well as the "Essais Psychologiques", A.H. Buck's "Treatise on Hygiene", W. B. Carpenter's "Principles of Mental Physiology" and the books he just mentions as Ribot's "Hereditie".'
Century: 1850-1899 Reader/Listener/Group: George Gissing Print: Book
Frederika Bremer : Hertha
'Gissing read as widely as ever, with the same unbridled curiosity as during his youth but now with an intelligence tempered by experience. Of course he continued to read the Latin, Greek, English and French classics, but of the particular titles he noted in his diary during the second part of 1889 there are a number that indicate fairly and squarely the direction in which his thoughts were carrying him. Besides books like J.P. Jacobsen's "Niels Lyhne" and Frederick [sic]Bremer's "Hertha", he also read Taine's "English Literature", Bourget's "Etudes et Portraits" as well as the "Essais Psychologiques", A.H. Buck's "Treatise on Hygiene", W. B. Carpenter's "Principles of Mental Physiology" and the books he just mentions as Ribot's "Hereditie".'
Century: 1850-1899 Reader/Listener/Group: George Gissing Print: Book
Hippolyte Taine : History of English Literature
'Gissing read as widely as ever, with the same unbridled curiosity as during his youth but now with an intelligence tempered by experience. Of course he continued to read the Latin, Greek, English and French classics, but of the particular titles he noted in his diary during the second part of 1889 there are a number that indicate fairly and squarely the direction in which his thoughts were carrying him. Besides books like J.P. Jacobsen's "Niels Lyhne" and Frederick [sic]Bremer's "Hertha", he also read Taine's "English Literature", Bourget's "Etudes et Portraits" as well as the "Essais Psychologiques", A.H. Buck's "Treatise on Hygiene", W. B. Carpenter's "Principles of Mental Physiology" and the books he just mentions as Ribot's "Hereditie".'
Century: 1850-1899 Reader/Listener/Group: George Gissing Print: Book
Paul Bourget : Études et portraits
'Gissing read as widely as ever, with the same unbridled curiosity as during his youth but now with an intelligence tempered by experience. Of course he continued to read the Latin, Greek, English and French classics, but of the particular titles he noted in his diary during the second part of 1889 there are a number that indicate fairly and squarely the direction in which his thoughts were carrying him. Besides books like J.P. Jacobsen's "Niels Lyhne" and Frederick [sic]Bremer's "Hertha", he also read Taine's "English Literature", Bourget's "Etudes et Portraits" as well as the "Essais Psychologiques", A.H. Buck's "Treatise on Hygiene", W. B. Carpenter's "Principles of Mental Physiology" and the books he just mentions as Ribot's "Hereditie".'
Century: 1850-1899 Reader/Listener/Group: George Gissing Print: Book
Paul Bourget : Essais de psychologie contemporaine
'Gissing read as widely as ever, with the same unbridled curiosity as during his youth but now with an intelligence tempered by experience. Of course he continued to read the Latin, Greek, English and French classics, but of the particular titles he noted in his diary during the second part of 1889 there are a number that indicate fairly and squarely the direction in which his thoughts were carrying him. Besides books like J.P. Jacobsen's "Niels Lyhne" and Frederick [sic]Bremer's "Hertha", he also read Taine's "English Literature", Bourget's "Etudes et Portraits" as well as the "Essais Psychologiques", A.H. Buck's "Treatise on Hygiene", W. B. Carpenter's "Principles of Mental Physiology" and the books he just mentions as Ribot's "Hereditie".'
Century: 1850-1899 Reader/Listener/Group: George Gissing Print: Book
Albert Henry Buck : Treatise on Hygiene and Public Health
'Gissing read as widely as ever, with the same unbridled curiosity as during his youth but now with an intelligence tempered by experience. Of course he continued to read the Latin, Greek, English and French classics, but of the particular titles he noted in his diary during the second part of 1889 there are a number that indicate fairly and squarely the direction in which his thoughts were carrying him. Besides books like J.P. Jacobsen's "Niels Lyhne" and Frederick [sic]Bremer's "Hertha", he also read Taine's "English Literature", Bourget's "Etudes et Portraits" as well as the "Essais Psychologiques", A.H. Buck's "Treatise on Hygiene", W. B. Carpenter's "Principles of Mental Physiology" and the books he just mentions as Ribot's "Hereditie".'
Century: 1850-1899 Reader/Listener/Group: George Gissing Print: Book
William B. Carpenter : Principles of Mental Physiology, With Their Applications to the Training and Discipline of the Mind
'Gissing read as widely as ever, with the same unbridled curiosity as during his youth but now with an intelligence tempered by experience. Of course he continued to read the Latin, Greek, English and French classics, but of the particular titles he noted in his diary during the second part of 1889 there are a number that indicate fairly and squarely the direction in which his thoughts were carrying him. Besides books like J.P. Jacobsen's "Niels Lyhne" and Frederick [sic]Bremer's "Hertha", he also read Taine's "English Literature", Bourget's "Etudes et Portraits" as well as the "Essais Psychologiques", A.H. Buck's "Treatise on Hygiene", W. B. Carpenter's "Principles of Mental Physiology" and the books he just mentions as Ribot's "Hereditie".'
Century: 1850-1899 Reader/Listener/Group: George Gissing Print: Book
Theodule-Armand Ribot : Hérédité: étude psychologique
'Gissing read as widely as ever, with the same unbridled curiosity as during his youth but now with an intelligence tempered by experience. Of course he continued to read the Latin, Greek, English and French classics, but of the particular titles he noted in his diary during the second part of 1889 there are a number that indicate fairly and squarely the direction in which his thoughts were carrying him. Besides books like J.P. Jacobsen's "Niels Lyhne" and Frederick [sic]Bremer's "Hertha", he also read Taine's "English Literature", Bourget's "Etudes et Portraits" as well as the "Essais Psychologiques", A.H. Buck's "Treatise on Hygiene", W. B. Carpenter's "Principles of Mental Physiology" and the books he just mentions as Ribot's "Hereditie".'
Century: 1850-1899 Reader/Listener/Group: George Gissing Print: Book
Charles Darwin : On the Origin of Species
'[from Gissing's diary] Spent the evening in a troubled state of mind, occasionaly glancing at Darwin's "Origin of Species" - a queer jumble of thoughts'.
Century: 1850-1899 Reader/Listener/Group: George Gissing Print: Book
Aristophanes : [unknown]
'[in Athens, Gissing] spent a lot of time in the hotel reading Aristophanes and Plato. He could read Greek but not speak it'.
Century: 1850-1899 Reader/Listener/Group: George Gissing Print: Book
Plato : [unknown]
'[in Athens, Gissing] spent a lot of time in the hotel reading Aristophanes and Plato. He could read Greek but not speak it'.