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the experience of reading in Britain, from 1450 to 1945...

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Record Number: 17382


Reading Experience:

Evidence:

Mary Russell Mitford to Elizabeth Barrett, 28 November 1844: 'What works of Casimir Delavigne have you read? [...] I have read "Louis the Eleventh [sic]," "Marino Faliero," "Les Enfans d'Edouard [sic]," "Don Juan d'Autriche," "La Popularite," "La Fille du Cid," "Une Famille du temps de Luther [sic]," forming the second and third series of his "Theatre." To me they seem full of talent; striking the just medium between the slowness and dullness of what they call the classical drama [...] and the unnatural and exaggerated contrasts and surprises of Victor Hugo'.

Century:

1800-1849

Date:

Between 1 Jan 1838 and 28 Nov 1844

Country:

England

Time

n/a

Place:

n/a

Type of Experience
(Reader):
 

silent aloud unknown
solitary in company unknown
single serial unknown

Type of Experience
(Listener):
 

solitary in company unknown
single serial unknown


Reader / Listener / Reading Group:

Reader:

Mary Russell Mitford

Age:

Adult (18-100+)

Gender:

Female

Date of Birth:

16 Dec 1787

Socio-Economic Group:

Professional / academic / merchant / farmer

Occupation:

Writer

Religion:

n/a

Country of Origin:

England

Country of Experience:

England

Listeners present if any:
e.g family, servants, friends

n/a


Additional Comments:

n/a



Text Being Read:

Author:

Casimir Delavigne

Title:

La Popularite

Genre:

Drama

Form of Text:

Print: Book

Publication Details

n/a

Provenance

unknown


Source Information:

Record ID:

17382

Source:

Print

Author:

n/a

Editor:

Philip Kelley and Scott Lewis

Title:

The Brownings' Correspondence

Place of Publication:

Winfield

Date of Publication:

1991

Vol:

9

Page:

248

Additional Comments:

n/a

Citation:

Philip Kelley and Scott Lewis (ed.), The Brownings' Correspondence (Winfield, 1991), 9, p. 248, http://can-red-lec.library.dal.ca/Arts/RED/record_details.php?id=17382, accessed: 19 April 2024


Additional Comments:

Source eds 'unable to clarify the reference to a "second and third series" of Theatre' (first having appeared in 1825, before first publication of most plays mentioned here); see p.248 n.3.

   
   
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