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the experience of reading in Britain, from 1450 to 1945...

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Aeschylus : 

'I have cast up my reading account, and brought it to the end of the year 1835. During the last thirteen months I have read Aeschylus twice; Sophocles twice; Euripides once; Pindar twice; Callimachus; Apollonius Rhodius; Quintus Calaber; Theocritus twice; Herodotus; Thucydides; almost all Xenophon?s works; almost all Plato; Aristotle s Politics, and a good deal of his Organon, besides dipping elsewhere in him; the whole of Plutarch?s Lives; about half of Lucian; two or three books of Athenaeus; Plautus twice; Terence twice; Lucretius twice; Catullus; Tibullus; Propertius; Lucan; Statius; Silius Italicus; Livy; Velleius Paterculus; Sallust; Caesar; and, lastly, Cicero. I have, indeed, still a little of Cicero left; but I shall finish him in a few days. I am now deep in Aristophanes and Lucian.'

Century: 1800-1849     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Sophocles : unknown

'I have cast up my reading account, and brought it to the end of the year 1835. During the last thirteen months I have read Aeschylus twice; Sophocles twice; Euripides once; Pindar twice; Callimachus; Apollonius Rhodius; Quintus Calaber; Theocritus twice; Herodotus; Thucydides; almost all Xenophon?s works; almost all Plato; Aristotle s Politics, and a good deal of his Organon, besides dipping elsewhere in him; the whole of Plutarch s Lives; about half of Lucian; two or three books of Athenaeus; Plautus twice; Terence twice; Lucretius twice; Catullus; Tibullus; Propertius; Lucan; Statius; Silius Italicus; Livy; Velleius Paterculus; Sallust; Caesar; and, lastly, Cicero. I have, indeed, still a little of Cicero left; but I shall finish him in a few days. I am now deep in Aristophanes and Lucian.'

Century: 1800-1849     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Euripides : 

'I have cast up my reading account, and brought it to the end of the year 1835. During the last thirteen months I have read Aeschylus twice; Sophocles twice; Euripides once; Pindar twice; Callimachus; Apollonius Rhodius; Quintus Calaber; Theocritus twice; Herodotus; Thucydides; almost all Xenophon?s works; almost all Plato; Aristotle s Politics, and a good deal of his Organon, besides dipping elsewhere in him; the whole of Plutarch s Lives; about half of Lucian; two or three books of Athenaeus; Plautus twice; Terence twice; Lucretius twice; Catullus; Tibullus; Propertius; Lucan; Statius; Silius Italicus; Livy; Velleius Paterculus; Sallust; Caesar; and, lastly, Cicero. I have, indeed, still a little of Cicero left; but I shall finish him in a few days. I am now deep in Aristophanes and Lucian.'

Century: 1800-1849     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Francis Lathom : Midnight Bell, a German Story, Founded on Incidents in Real Life

'My father is now reading the Midnight Bell, which he has got from the library, and mother sitting by the fire.'

Century: 1700-1799     Reader/Listener/Group: George Austen      Print: Book

  

William Cowper : unknown

'My father reads Cowper to us in the evening, to which I listen when I can.'

Century: 1700-1799     Reader/Listener/Group: George Austen      Print: Book

  

Samuel Richardson : Clarissa, or, the History of a Young Lady

'I am working at Richardson now, and will send you the paper by the end of the week. I suppose I ought to be ashamed to confess that, tedious as he often is, I feel less difficulty in getting through him than in reading Fielding, and that as a matter of taste I actually prefer Lovelace to Tom Jones! I suppose that is one of the differences between men and women which even Ladies' Colleges will not set to rights.'

Century: 1850-1899     Reader/Listener/Group: Margaret Oliphant      Print: Book

  

Henry Fielding : Tom Jones

'I am working at Richardson now, and will send you the paper by the end of the week. I suppose I ought to be ashamed to confess that, tedious as he often is, I feel less difficulty in getting through him than in reading Fielding, and that as a matter of taste I actually prefer Lovelace to Tom Jones! I suppose that is one of the differences between men and women which even Ladies' Colleges will not set to rights.'

Century: 1850-1899     Reader/Listener/Group: Margaret Oliphant      Print: Book

  

Edward Jenkins : Ginx's Baby

'I sympathise most warmly in a great deal that is said in the 'Ginx's Baby' book, and do actually express my own sentiments in what I say about it. And I admire immensely the "Peasant Life".'

Century: 1850-1899     Reader/Listener/Group: Margaret Oliphant      Print: Book

  

unknown : Peasant Life

'I sympathise most warmly in a great deal that is said in the 'Ginx's Baby' book, and do actually express my own sentiments in what I say about it. And I admire immensely the "Peasant Life".'

Century: 1850-1899     Reader/Listener/Group: Margaret Oliphant      Print: Book

  

George Chesney : Battle of Dorking

'If your old contributors had to yield the pas to such writers only as the author of the "Battle of Dorking" we should have little to complain of. It is wonderfully fine and powerful. Is it Laurence Oliphant? I can't think of anybody else with such a power of realism and wonderful command of the subject. It is vivid as Defoe.'

Century: 1850-1899     Reader/Listener/Group: Margaret Oliphant      Print: Book

  

Collins : unknown

'I agree with you that Mr Collins's volumes are very good, but I don't agree with you about Mr Trollope, whose "Caesar" I cannot read without laughing - it is so like Johnny Eames.'

Century: 1850-1899     Reader/Listener/Group: Margaret Oliphant      Print: Book

  

Anthony Trollope : Caesar

'I agree with you that Mr Collins's volumes are very good, but I don't agree with you about Mr Trollope, whose 'Caesar' I cannot read without laughing - it is so like Johnny Eames.'

Century: 1850-1899     Reader/Listener/Group: Margaret Oliphant      Print: Book

  

Alexander William Kinglake : Eothen

'Pray tell him [Mr Kinglake] that I have been an admirer of his for - Heaven knows how long! - since the days when I was shocked and delighted by "Eothen." I remember being very much amused by the opening out of two old neighbours of mine at Ealing, after a discussion of his first volume. In the enthusiasm created by it one of them, an old Peninsular officer, instructed me carefully how to make a pontoon bridge and get my (!) troops over it; while the other, Admiral Collinson, burst forth into naval experiences.'

Century: 1850-1899     Reader/Listener/Group: Margaret Oliphant      Print: Book

  

Major Lockhart : [verses]

'By the bye, how good and clever his (Major Lockhart's) verses are which you sent me...'

Unknown
Century: 1850-1899     Reader/Listener/Group: Margaret Oliphant      

  

Alexander Allardyce : City of Sunshine

'There is a novel not very long published by a Mr Allardyce called the "City of Sunshine", entirely about Indian (not Anglo-Indian) life, which gives a very fine picture of an old Mohammedan officer in the old sepoy army. It is a very clever book. I don't know if it would interest you, who have the real thing under your eyes, as much as it interests us, or I would put it into the next box that is sent.'

Century: 1850-1899     Reader/Listener/Group: Margaret Oliphant      Print: Book

  

Alphonse Daudet : [novels]

'I think very highly of Daudet as a novelist, but I know nothing of him personally.'

Century: 1850-1899     Reader/Listener/Group: Margaret Oliphant      Print: Book

  

 : Blackwood's Magazine

'I ought to have written last month to thank you and your able contributor for the flattering mention made of me in the article on Magazines, but the coming here complicated my other businesses, and I did not even read the article till somewhat late in the month. I am now overwhelmed by Mr Shand's (it is Mr Shand?) civilities in the present number.'

Century: 1850-1899     Reader/Listener/Group: Margaret Oliphant      Print: Serial / periodical

  

 : Times, The

'I read with sad interest the references to your brother's battery in the 'Times' this morning.'

Century: 1850-1899     Reader/Listener/Group: Margaret Oliphant      Print: Newspaper

  

Samuel Richardson : Clarissa Harlowe

At home all day. [...] My wife read part of Clarissa Harlowe to me in the even as I sat a-posting my book.

Century: 1700-1799     Reader/Listener/Group: Margaret 'Peggy' Turner      Print: Book

  

Pindar : unknown

'I have cast up my reading account, and brought it to the end of the year 1835. [?] During the last thirteen months I have read Aeschylus twice; Sophocles twice; Euripides once; Pindar twice; Callimachus; Apollonius Rhodius; Quintus Calaber; Theocritus twice; Herodotus; Thucydides; almost all Xenophon?s works; almost all Plato; Aristotle?s Politics, and a good deal of his Organon, besides dipping elsewhere in him; the whole of Plutarch?s Lives; about half of Lucian; two or three books of Athenaeus; Plautus twice; Terence twice; Lucretius twice; Catullus; Tibullus; Propertius; Lucan; Statius; Silius Italicus; Livy; Velleius Paterculus; Sallust; Caesar; and, lastly, Cicero. I have, indeed, still a little of Cicero left; but I shall finish him in a few days. I am now deep in Aristophanes and Lucian.'

Century: 1800-1849     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Callimachus : unknown

'I have cast up my reading account, and brought it to the end of the year 1835. [?] During the last thirteen months I have read Aeschylus twice; Sophocles twice; Euripides once; Pindar twice; Callimachus; Apollonius Rhodius; Quintus Calaber; Theocritus twice; Herodotus; Thucydides; almost all Xenophon?s works; almost all Plato; Aristotle?s Politics, and a good deal of his Organon, besides dipping elsewhere in him; the whole of Plutarch?s Lives; about half of Lucian; two or three books of Athenaeus; Plautus twice; Terence twice; Lucretius twice; Catullus; Tibullus; Propertius; Lucan; Statius; Silius Italicus; Livy; Velleius Paterculus; Sallust; Caesar; and, lastly, Cicero. I have, indeed, still a little of Cicero left; but I shall finish him in a few days. I am now deep in Aristophanes and Lucian.'

Century: 1800-1849     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Apollonius Rhodius : unknown

'I have cast up my reading account, and brought it to the end of the year 1835. [?] During the last thirteen months I have read Aeschylus twice; Sophocles twice; Euripides once; Pindar twice; Callimachus; Apollonius Rhodius; Quintus Calaber; Theocritus twice; Herodotus; Thucydides; almost all Xenophon?s works; almost all Plato; Aristotle?s Politics, and a good deal of his Organon, besides dipping elsewhere in him; the whole of Plutarch?s Lives; about half of Lucian; two or three books of Athenaeus; Plautus twice; Terence twice; Lucretius twice; Catullus; Tibullus; Propertius; Lucan; Statius; Silius Italicus; Livy; Velleius Paterculus; Sallust; Caesar; and, lastly, Cicero. I have, indeed, still a little of Cicero left; but I shall finish him in a few days. I am now deep in Aristophanes and Lucian.'

Century: 1800-1849     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Quintus Calaber : unknown

'I have cast up my reading account, and brought it to the end of the year 1835. [?] During the last thirteen months I have read Aeschylus twice; Sophocles twice; Euripides once; Pindar twice; Callimachus; Apollonius Rhodius; Quintus Calaber; Theocritus twice; Herodotus; Thucydides; almost all Xenophon?s works; almost all Plato; Aristotle?s Politics, and a good deal of his Organon, besides dipping elsewhere in him; the whole of Plutarch?s Lives; about half of Lucian; two or three books of Athenaeus; Plautus twice; Terence twice; Lucretius twice; Catullus; Tibullus; Propertius; Lucan; Statius; Silius Italicus; Livy; Velleius Paterculus; Sallust; Caesar; and, lastly, Cicero. I have, indeed, still a little of Cicero left; but I shall finish him in a few days. I am now deep in Aristophanes and Lucian.'

Century: 1800-1849     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Theocritus : unknown

'I have cast up my reading account, and brought it to the end of the year 1835. [?] During the last thirteen months I have read Aeschylus twice; Sophocles twice; Euripides once; Pindar twice; Callimachus; Apollonius Rhodius; Quintus Calaber; Theocritus twice; Herodotus; Thucydides; almost all Xenophon?s works; almost all Plato; Aristotle?s Politics, and a good deal of his Organon, besides dipping elsewhere in him; the whole of Plutarch?s Lives; about half of Lucian; two or three books of Athenaeus; Plautus twice; Terence twice; Lucretius twice; Catullus; Tibullus; Propertius; Lucan; Statius; Silius Italicus; Livy; Velleius Paterculus; Sallust; Caesar; and, lastly, Cicero. I have, indeed, still a little of Cicero left; but I shall finish him in a few days. I am now deep in Aristophanes and Lucian.'

Century: 1800-1849     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Herodotus : unknown

'I have cast up my reading account, and brought it to the end of the year 1835. [?] During the last thirteen months I have read Aeschylus twice; Sophocles twice; Euripides once; Pindar twice; Callimachus; Apollonius Rhodius; Quintus Calaber; Theocritus twice; Herodotus; Thucydides; almost all Xenophon?s works; almost all Plato; Aristotle?s Politics, and a good deal of his Organon, besides dipping elsewhere in him; the whole of Plutarch?s Lives; about half of Lucian; two or three books of Athenaeus; Plautus twice; Terence twice; Lucretius twice; Catullus; Tibullus; Propertius; Lucan; Statius; Silius Italicus; Livy; Velleius Paterculus; Sallust; Caesar; and, lastly, Cicero. I have, indeed, still a little of Cicero left; but I shall finish him in a few days. I am now deep in Aristophanes and Lucian.'

Century: 1800-1849     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Thucydides : unknown

'I have cast up my reading account, and brought it to the end of the year 1835. [?] During the last thirteen months I have read Aeschylus twice; Sophocles twice; Euripides once; Pindar twice; Callimachus; Apollonius Rhodius; Quintus Calaber; Theocritus twice; Herodotus; Thucydides; almost all Xenophon?s works; almost all Plato; Aristotle?s Politics, and a good deal of his Organon, besides dipping elsewhere in him; the whole of Plutarch?s Lives; about half of Lucian; two or three books of Athenaeus; Plautus twice; Terence twice; Lucretius twice; Catullus; Tibullus; Propertius; Lucan; Statius; Silius Italicus; Livy; Velleius Paterculus; Sallust; Caesar; and, lastly, Cicero. I have, indeed, still a little of Cicero left; but I shall finish him in a few days. I am now deep in Aristophanes and Lucian.'

Century: 1800-1849     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Xenophon : unknown

'I have cast up my reading account, and brought it to the end of the year 1835. [?] During the last thirteen months I have read Aeschylus twice; Sophocles twice; Euripides once; Pindar twice; Callimachus; Apollonius Rhodius; Quintus Calaber; Theocritus twice; Herodotus; Thucydides; almost all Xenophon?s works; almost all Plato; Aristotle?s Politics, and a good deal of his Organon, besides dipping elsewhere in him; the whole of Plutarch?s Lives; about half of Lucian; two or three books of Athenaeus; Plautus twice; Terence twice; Lucretius twice; Catullus; Tibullus; Propertius; Lucan; Statius; Silius Italicus; Livy; Velleius Paterculus; Sallust; Caesar; and, lastly, Cicero. I have, indeed, still a little of Cicero left; but I shall finish him in a few days. I am now deep in Aristophanes and Lucian.'

Century: 1800-1849     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Plato : unknown

'I have cast up my reading account, and brought it to the end of the year 1835. [?] During the last thirteen months I have read Aeschylus twice; Sophocles twice; Euripides once; Pindar twice; Callimachus; Apollonius Rhodius; Quintus Calaber; Theocritus twice; Herodotus; Thucydides; almost all Xenophon?s works; almost all Plato; Aristotle?s Politics, and a good deal of his Organon, besides dipping elsewhere in him; the whole of Plutarch?s Lives; about half of Lucian; two or three books of Athenaeus; Plautus twice; Terence twice; Lucretius twice; Catullus; Tibullus; Propertius; Lucan; Statius; Silius Italicus; Livy; Velleius Paterculus; Sallust; Caesar; and, lastly, Cicero. I have, indeed, still a little of Cicero left; but I shall finish him in a few days. I am now deep in Aristophanes and Lucian.'

Century: 1800-1849     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Aristotle : Politics

'I have cast up my reading account, and brought it to the end of the year 1835. [?] During the last thirteen months I have read Aeschylus twice; Sophocles twice; Euripides once; Pindar twice; Callimachus; Apollonius Rhodius; Quintus Calaber; Theocritus twice; Herodotus; Thucydides; almost all Xenophon?s works; almost all Plato; Aristotle?s Politics, and a good deal of his Organon, besides dipping elsewhere in him; the whole of Plutarch?s Lives; about half of Lucian; two or three books of Athenaeus; Plautus twice; Terence twice; Lucretius twice; Catullus; Tibullus; Propertius; Lucan; Statius; Silius Italicus; Livy; Velleius Paterculus; Sallust; Caesar; and, lastly, Cicero. I have, indeed, still a little of Cicero left; but I shall finish him in a few days. I am now deep in Aristophanes and Lucian.'

Century: 1800-1849     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Aristotle : Organon

'I have cast up my reading account, and brought it to the end of the year 1835. [?] During the last thirteen months I have read Aeschylus twice; Sophocles twice; Euripides once; Pindar twice; Callimachus; Apollonius Rhodius; Quintus Calaber; Theocritus twice; Herodotus; Thucydides; almost all Xenophon?s works; almost all Plato; Aristotle?s Politics, and a good deal of his Organon, besides dipping elsewhere in him; the whole of Plutarch?s Lives; about half of Lucian; two or three books of Athenaeus; Plautus twice; Terence twice; Lucretius twice; Catullus; Tibullus; Propertius; Lucan; Statius; Silius Italicus; Livy; Velleius Paterculus; Sallust; Caesar; and, lastly, Cicero. I have, indeed, still a little of Cicero left; but I shall finish him in a few days. I am now deep in Aristophanes and Lucian.'

Century: 1800-1849     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Plutarch : Lives

'I have cast up my reading account, and brought it to the end of the year 1835. [?] During the last thirteen months I have read Aeschylus twice; Sophocles twice; Euripides once; Pindar twice; Callimachus; Apollonius Rhodius; Quintus Calaber; Theocritus twice; Herodotus; Thucydides; almost all Xenophon?s works; almost all Plato; Aristotle?s Politics, and a good deal of his Organon, besides dipping elsewhere in him; the whole of Plutarch?s Lives; about half of Lucian; two or three books of Athenaeus; Plautus twice; Terence twice; Lucretius twice; Catullus; Tibullus; Propertius; Lucan; Statius; Silius Italicus; Livy; Velleius Paterculus; Sallust; Caesar; and, lastly, Cicero. I have, indeed, still a little of Cicero left; but I shall finish him in a few days. I am now deep in Aristophanes and Lucian.'

Century: 1800-1849     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Lucian : unknown

'I have cast up my reading account, and brought it to the end of the year 1835. [?] During the last thirteen months I have read Aeschylus twice; Sophocles twice; Euripides once; Pindar twice; Callimachus; Apollonius Rhodius; Quintus Calaber; Theocritus twice; Herodotus; Thucydides; almost all Xenophon?s works; almost all Plato; Aristotle?s Politics, and a good deal of his Organon, besides dipping elsewhere in him; the whole of Plutarch?s Lives; about half of Lucian; two or three books of Athenaeus; Plautus twice; Terence twice; Lucretius twice; Catullus; Tibullus; Propertius; Lucan; Statius; Silius Italicus; Livy; Velleius Paterculus; Sallust; Caesar; and, lastly, Cicero. I have, indeed, still a little of Cicero left; but I shall finish him in a few days. I am now deep in Aristophanes and Lucian.'

Century: 1800-1849     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Athenaeus : unknown

'I have cast up my reading account, and brought it to the end of the year 1835. [?] During the last thirteen months I have read Aeschylus twice; Sophocles twice; Euripides once; Pindar twice; Callimachus; Apollonius Rhodius; Quintus Calaber; Theocritus twice; Herodotus; Thucydides; almost all Xenophon?s works; almost all Plato; Aristotle?s Politics, and a good deal of his Organon, besides dipping elsewhere in him; the whole of Plutarch?s Lives; about half of Lucian; two or three books of Athenaeus; Plautus twice; Terence twice; Lucretius twice; Catullus; Tibullus; Propertius; Lucan; Statius; Silius Italicus; Livy; Velleius Paterculus; Sallust; Caesar; and, lastly, Cicero. I have, indeed, still a little of Cicero left; but I shall finish him in a few days. I am now deep in Aristophanes and Lucian.'

Century: 1800-1849     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Plautus : unknown

'I have cast up my reading account, and brought it to the end of the year 1835. [?] During the last thirteen months I have read Aeschylus twice; Sophocles twice; Euripides once; Pindar twice; Callimachus; Apollonius Rhodius; Quintus Calaber; Theocritus twice; Herodotus; Thucydides; almost all Xenophon?s works; almost all Plato; Aristotle?s Politics, and a good deal of his Organon, besides dipping elsewhere in him; the whole of Plutarch?s Lives; about half of Lucian; two or three books of Athenaeus; Plautus twice; Terence twice; Lucretius twice; Catullus; Tibullus; Propertius; Lucan; Statius; Silius Italicus; Livy; Velleius Paterculus; Sallust; Caesar; and, lastly, Cicero. I have, indeed, still a little of Cicero left; but I shall finish him in a few days. I am now deep in Aristophanes and Lucian.'

Century: 1800-1849     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Plautus : unknown

'I have cast up my reading account, and brought it to the end of the year 1835. [?] During the last thirteen months I have read Aeschylus twice; Sophocles twice; Euripides once; Pindar twice; Callimachus; Apollonius Rhodius; Quintus Calaber; Theocritus twice; Herodotus; Thucydides; almost all Xenophon?s works; almost all Plato; Aristotle?s Politics, and a good deal of his Organon, besides dipping elsewhere in him; the whole of Plutarch?s Lives; about half of Lucian; two or three books of Athenaeus; Plautus twice; Terence twice; Lucretius twice; Catullus; Tibullus; Propertius; Lucan; Statius; Silius Italicus; Livy; Velleius Paterculus; Sallust; Caesar; and, lastly, Cicero. I have, indeed, still a little of Cicero left; but I shall finish him in a few days. I am now deep in Aristophanes and Lucian.'

Century: 1800-1849     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Aeschylus : unknown

'I have cast up my reading account, and brought it to the end of the year 1835. [?] During the last thirteen months I have read Aeschylus twice; Sophocles twice; Euripides once; Pindar twice; Callimachus; Apollonius Rhodius; Quintus Calaber; Theocritus twice; Herodotus; Thucydides; almost all Xenophon?s works; almost all Plato; Aristotle?s Politics, and a good deal of his Organon, besides dipping elsewhere in him; the whole of Plutarch?s Lives; about half of Lucian; two or three books of Athenaeus; Plautus twice; Terence twice; Lucretius twice; Catullus; Tibullus; Propertius; Lucan; Statius; Silius Italicus; Livy; Velleius Paterculus; Sallust; Caesar; and, lastly, Cicero. I have, indeed, still a little of Cicero left; but I shall finish him in a few days. I am now deep in Aristophanes and Lucian.'

Century: 1800-1849     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Sophocles : unknown

'I have cast up my reading account, and brought it to the end of the year 1835. [?] During the last thirteen months I have read Aeschylus twice; Sophocles twice; Euripides once; Pindar twice; Callimachus; Apollonius Rhodius; Quintus Calaber; Theocritus twice; Herodotus; Thucydides; almost all Xenophon?s works; almost all Plato; Aristotle?s Politics, and a good deal of his Organon, besides dipping elsewhere in him; the whole of Plutarch?s Lives; about half of Lucian; two or three books of Athenaeus; Plautus twice; Terence twice; Lucretius twice; Catullus; Tibullus; Propertius; Lucan; Statius; Silius Italicus; Livy; Velleius Paterculus; Sallust; Caesar; and, lastly, Cicero. I have, indeed, still a little of Cicero left; but I shall finish him in a few days. I am now deep in Aristophanes and Lucian.'

Century: 1800-1849     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Pindar : unknown

'I have cast up my reading account, and brought it to the end of the year 1835. [?] During the last thirteen months I have read Aeschylus twice; Sophocles twice; Euripides once; Pindar twice; Callimachus; Apollonius Rhodius; Quintus Calaber; Theocritus twice; Herodotus; Thucydides; almost all Xenophon?s works; almost all Plato; Aristotle?s Politics, and a good deal of his Organon, besides dipping elsewhere in him; the whole of Plutarch?s Lives; about half of Lucian; two or three books of Athenaeus; Plautus twice; Terence twice; Lucretius twice; Catullus; Tibullus; Propertius; Lucan; Statius; Silius Italicus; Livy; Velleius Paterculus; Sallust; Caesar; and, lastly, Cicero. I have, indeed, still a little of Cicero left; but I shall finish him in a few days. I am now deep in Aristophanes and Lucian.'

Century: 1800-1849     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Theocritus : unknown

'I have cast up my reading account, and brought it to the end of the year 1835. [?] During the last thirteen months I have read Aeschylus twice; Sophocles twice; Euripides once; Pindar twice; Callimachus; Apollonius Rhodius; Quintus Calaber; Theocritus twice; Herodotus; Thucydides; almost all Xenophon?s works; almost all Plato; Aristotle?s Politics, and a good deal of his Organon, besides dipping elsewhere in him; the whole of Plutarch?s Lives; about half of Lucian; two or three books of Athenaeus; Plautus twice; Terence twice; Lucretius twice; Catullus; Tibullus; Propertius; Lucan; Statius; Silius Italicus; Livy; Velleius Paterculus; Sallust; Caesar; and, lastly, Cicero. I have, indeed, still a little of Cicero left; but I shall finish him in a few days. I am now deep in Aristophanes and Lucian.'

Century: 1800-1849     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Terence : unknown

'I have cast up my reading account, and brought it to the end of the year 1835. [?] During the last thirteen months I have read Aeschylus twice; Sophocles twice; Euripides once; Pindar twice; Callimachus; Apollonius Rhodius; Quintus Calaber; Theocritus twice; Herodotus; Thucydides; almost all Xenophon?s works; almost all Plato; Aristotle?s Politics, and a good deal of his Organon, besides dipping elsewhere in him; the whole of Plutarch?s Lives; about half of Lucian; two or three books of Athenaeus; Plautus twice; Terence twice; Lucretius twice; Catullus; Tibullus; Propertius; Lucan; Statius; Silius Italicus; Livy; Velleius Paterculus; Sallust; Caesar; and, lastly, Cicero. I have, indeed, still a little of Cicero left; but I shall finish him in a few days. I am now deep in Aristophanes and Lucian.'

Century: 1800-1849     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Lucretius : unknown

'I have cast up my reading account, and brought it to the end of the year 1835. [?] During the last thirteen months I have read Aeschylus twice; Sophocles twice; Euripides once; Pindar twice; Callimachus; Apollonius Rhodius; Quintus Calaber; Theocritus twice; Herodotus; Thucydides; almost all Xenophon?s works; almost all Plato; Aristotle?s Politics, and a good deal of his Organon, besides dipping elsewhere in him; the whole of Plutarch?s Lives; about half of Lucian; two or three books of Athenaeus; Plautus twice; Terence twice; Lucretius twice; Catullus; Tibullus; Propertius; Lucan; Statius; Silius Italicus; Livy; Velleius Paterculus; Sallust; Caesar; and, lastly, Cicero. I have, indeed, still a little of Cicero left; but I shall finish him in a few days. I am now deep in Aristophanes and Lucian.'

Century: 1800-1849     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Catullus : unknown

'I have cast up my reading account, and brought it to the end of the year 1835. [?] During the last thirteen months I have read Aeschylus twice; Sophocles twice; Euripides once; Pindar twice; Callimachus; Apollonius Rhodius; Quintus Calaber; Theocritus twice; Herodotus; Thucydides; almost all Xenophon?s works; almost all Plato; Aristotle?s Politics, and a good deal of his Organon, besides dipping elsewhere in him; the whole of Plutarch?s Lives; about half of Lucian; two or three books of Athenaeus; Plautus twice; Terence twice; Lucretius twice; Catullus; Tibullus; Propertius; Lucan; Statius; Silius Italicus; Livy; Velleius Paterculus; Sallust; Caesar; and, lastly, Cicero. I have, indeed, still a little of Cicero left; but I shall finish him in a few days. I am now deep in Aristophanes and Lucian.'

Century: 1800-1849     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Albius Tibullus : unknown

'I have cast up my reading account, and brought it to the end of the year 1835. [?] During the last thirteen months I have read Aeschylus twice; Sophocles twice; Euripides once; Pindar twice; Callimachus; Apollonius Rhodius; Quintus Calaber; Theocritus twice; Herodotus; Thucydides; almost all Xenophon?s works; almost all Plato; Aristotle?s Politics, and a good deal of his Organon, besides dipping elsewhere in him; the whole of Plutarch?s Lives; about half of Lucian; two or three books of Athenaeus; Plautus twice; Terence twice; Lucretius twice; Catullus; Tibullus; Propertius; Lucan; Statius; Silius Italicus; Livy; Velleius Paterculus; Sallust; Caesar; and, lastly, Cicero. I have, indeed, still a little of Cicero left; but I shall finish him in a few days. I am now deep in Aristophanes and Lucian.'

Century: 1800-1849     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Sextus Propertius : unknown

'I have cast up my reading account, and brought it to the end of the year 1835. [?] During the last thirteen months I have read Aeschylus twice; Sophocles twice; Euripides once; Pindar twice; Callimachus; Apollonius Rhodius; Quintus Calaber; Theocritus twice; Herodotus; Thucydides; almost all Xenophon?s works; almost all Plato; Aristotle?s Politics, and a good deal of his Organon, besides dipping elsewhere in him; the whole of Plutarch?s Lives; about half of Lucian; two or three books of Athenaeus; Plautus twice; Terence twice; Lucretius twice; Catullus; Tibullus; Propertius; Lucan; Statius; Silius Italicus; Livy; Velleius Paterculus; Sallust; Caesar; and, lastly, Cicero. I have, indeed, still a little of Cicero left; but I shall finish him in a few days. I am now deep in Aristophanes and Lucian.'

Century: 1800-1849     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Lucan : unknown

'I have cast up my reading account, and brought it to the end of the year 1835. [?] During the last thirteen months I have read Aeschylus twice; Sophocles twice; Euripides once; Pindar twice; Callimachus; Apollonius Rhodius; Quintus Calaber; Theocritus twice; Herodotus; Thucydides; almost all Xenophon?s works; almost all Plato; Aristotle?s Politics, and a good deal of his Organon, besides dipping elsewhere in him; the whole of Plutarch?s Lives; about half of Lucian; two or three books of Athenaeus; Plautus twice; Terence twice; Lucretius twice; Catullus; Tibullus; Propertius; Lucan; Statius; Silius Italicus; Livy; Velleius Paterculus; Sallust; Caesar; and, lastly, Cicero. I have, indeed, still a little of Cicero left; but I shall finish him in a few days. I am now deep in Aristophanes and Lucian.'

Century: 1800-1849     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Silius Italicus : unknown

'I have cast up my reading account, and brought it to the end of the year 1835. [?] During the last thirteen months I have read Aeschylus twice; Sophocles twice; Euripides once; Pindar twice; Callimachus; Apollonius Rhodius; Quintus Calaber; Theocritus twice; Herodotus; Thucydides; almost all Xenophon?s works; almost all Plato; Aristotle?s Politics, and a good deal of his Organon, besides dipping elsewhere in him; the whole of Plutarch?s Lives; about half of Lucian; two or three books of Athenaeus; Plautus twice; Terence twice; Lucretius twice; Catullus; Tibullus; Propertius; Lucan; Statius; Silius Italicus; Livy; Velleius Paterculus; Sallust; Caesar; and, lastly, Cicero. I have, indeed, still a little of Cicero left; but I shall finish him in a few days. I am now deep in Aristophanes and Lucian.'

Century: 1800-1849     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Livy : unknown

'I have cast up my reading account, and brought it to the end of the year 1835. [?] During the last thirteen months I have read Aeschylus twice; Sophocles twice; Euripides once; Pindar twice; Callimachus; Apollonius Rhodius; Quintus Calaber; Theocritus twice; Herodotus; Thucydides; almost all Xenophon?s works; almost all Plato; Aristotle?s Politics, and a good deal of his Organon, besides dipping elsewhere in him; the whole of Plutarch?s Lives; about half of Lucian; two or three books of Athenaeus; Plautus twice; Terence twice; Lucretius twice; Catullus; Tibullus; Propertius; Lucan; Statius; Silius Italicus; Livy; Velleius Paterculus; Sallust; Caesar; and, lastly, Cicero. I have, indeed, still a little of Cicero left; but I shall finish him in a few days. I am now deep in Aristophanes and Lucian.'

Century: 1800-1849     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Velleius Paterculus : unknown

'I have cast up my reading account, and brought it to the end of the year 1835. [?] During the last thirteen months I have read Aeschylus twice; Sophocles twice; Euripides once; Pindar twice; Callimachus; Apollonius Rhodius; Quintus Calaber; Theocritus twice; Herodotus; Thucydides; almost all Xenophon?s works; almost all Plato; Aristotle?s Politics, and a good deal of his Organon, besides dipping elsewhere in him; the whole of Plutarch?s Lives; about half of Lucian; two or three books of Athenaeus; Plautus twice; Terence twice; Lucretius twice; Catullus; Tibullus; Propertius; Lucan; Statius; Silius Italicus; Livy; Velleius Paterculus; Sallust; Caesar; and, lastly, Cicero. I have, indeed, still a little of Cicero left; but I shall finish him in a few days. I am now deep in Aristophanes and Lucian.'

Century: 1800-1849     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Sallust : unknown

'I have cast up my reading account, and brought it to the end of the year 1835. [?] During the last thirteen months I have read Aeschylus twice; Sophocles twice; Euripides once; Pindar twice; Callimachus; Apollonius Rhodius; Quintus Calaber; Theocritus twice; Herodotus; Thucydides; almost all Xenophon?s works; almost all Plato; Aristotle?s Politics, and a good deal of his Organon, besides dipping elsewhere in him; the whole of Plutarch?s Lives; about half of Lucian; two or three books of Athenaeus; Plautus twice; Terence twice; Lucretius twice; Catullus; Tibullus; Propertius; Lucan; Statius; Silius Italicus; Livy; Velleius Paterculus; Sallust; Caesar; and, lastly, Cicero. I have, indeed, still a little of Cicero left; but I shall finish him in a few days. I am now deep in Aristophanes and Lucian.'

Century: 1800-1849     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Caesar : unknown

'I have cast up my reading account, and brought it to the end of the year 1835. [?] During the last thirteen months I have read Aeschylus twice; Sophocles twice; Euripides once; Pindar twice; Callimachus; Apollonius Rhodius; Quintus Calaber; Theocritus twice; Herodotus; Thucydides; almost all Xenophon?s works; almost all Plato; Aristotle?s Politics, and a good deal of his Organon, besides dipping elsewhere in him; the whole of Plutarch?s Lives; about half of Lucian; two or three books of Athenaeus; Plautus twice; Terence twice; Lucretius twice; Catullus; Tibullus; Propertius; Lucan; Statius; Silius Italicus; Livy; Velleius Paterculus; Sallust; Caesar; and, lastly, Cicero. I have, indeed, still a little of Cicero left; but I shall finish him in a few days. I am now deep in Aristophanes and Lucian.'

Century: 1800-1849     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Cicero : unknown

'I have cast up my reading account, and brought it to the end of the year 1835. [?] During the last thirteen months I have read Aeschylus twice; Sophocles twice; Euripides once; Pindar twice; Callimachus; Apollonius Rhodius; Quintus Calaber; Theocritus twice; Herodotus; Thucydides; almost all Xenophon?s works; almost all Plato; Aristotle?s Politics, and a good deal of his Organon, besides dipping elsewhere in him; the whole of Plutarch?s Lives; about half of Lucian; two or three books of Athenaeus; Plautus twice; Terence twice; Lucretius twice; Catullus; Tibullus; Propertius; Lucan; Statius; Silius Italicus; Livy; Velleius Paterculus; Sallust; Caesar; and, lastly, Cicero. I have, indeed, still a little of Cicero left; but I shall finish him in a few days. I am now deep in Aristophanes and Lucian.'

Century: 1800-1849     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Aristophanes : unknown

'I have cast up my reading account, and brought it to the end of the year 1835. [?] During the last thirteen months I have read Aeschylus twice; Sophocles twice; Euripides once; Pindar twice; Callimachus; Apollonius Rhodius; Quintus Calaber; Theocritus twice; Herodotus; Thucydides; almost all Xenophon?s works; almost all Plato; Aristotle?s Politics, and a good deal of his Organon, besides dipping elsewhere in him; the whole of Plutarch?s Lives; about half of Lucian; two or three books of Athenaeus; Plautus twice; Terence twice; Lucretius twice; Catullus; Tibullus; Propertius; Lucan; Statius; Silius Italicus; Livy; Velleius Paterculus; Sallust; Caesar; and, lastly, Cicero. I have, indeed, still a little of Cicero left; but I shall finish him in a few days. I am now deep in Aristophanes and Lucian.'

Century: 1800-1849     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Monk : Biography of Richard Bentley

'Macaulay began with the frontispiece, if the book possessed one. "Said to be very like, and certainly full of the character. Energy, acuteness, tyranny, and audacity in every line of the face." Those words are writen above the portrait of Richard Bentley, in Bishop Monk's biography of that famous writer.'

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Theocritus : Seventh Idyll

' "This is a very good Idyll. Indeed it is more pleasing to me than almost any other pastoral poem in any language. It was my favourite at College. There is a rich profusion of rustic imagery about it which I find nowhere else. It opens a scene of rural plenty and comfort which quite fills the imagination, - flowers, fruits, leaves, fountains, soft goatskins, old wine, singing birds, joyous friendly companions. The whole has an air of reality which is more interesting than the conventional world which Virgil has placed in Arcadia". So Macaulay characterises the Seventh Idyll of Theocritus.'

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Ben Jonson : The Alchemist

'Of Ben Jonson's Alchemist he writes: "It is very happily managed indeed to make Subtle use so many terms of alchemy, and talk with such fanatical warmth about his 'great art,' even to his accomplice. As Hume says, roguery and enthusiasm run into each other. I admire this play very much. The plot would have been more agreeable, and more rational, if Surly had married the widow whose honor he has preserved. Lovewit is as contemptible as Subtle himself. The whole of the trick about the Queen of Fairy is improbable in the highest degree. But, after all, the play is as good as any in our language out of Shakespeare."'

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Ben Jonson : Catiline

'I am a reader in ordinary, and I cannot defend the introduction of the First Catilinarian oration, at full length, into a play. Catiline is a very middling play. The characters are certainly discriminated, but with no delicacy. Jonson makes Cethegus a mere vulgar ruffian. He quite fogets that all the conspirators were gentlemen, noblemen, politicians, probably scholars. He has seized only the coarsest peculiarities of character. As to the conduct of the piece, nothing can be worse than the long debates and narratives which make up half of it.'

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Alexander Pope : The Rape of the Lock

'Of Pope's Rape of the Lock, Macaulay says: "Admirable indeed! The fight towards the beginning of the last book is very extravagant and foolish. It is the blemish of a poem which, but for this blemish, would be as near perfection in its own class as any work in the world." '

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Horace : Satires

'He thus remarks on the Imitations of Horace's Satires: "Horace had perhaps less wit than Pope, but far more humour, far more variety, more sentiment, more thought. But that to which Horace chiefly owes his reputation, is his perfect good sense and self-knowledge, in whcih he exceeded all men."'

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Paul Louis Courier : Le Simple Discours

[Marginalia] 'A most powerful piece of rhetoric as ever I read.'

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      

  

Paul Louis Courier : Le Simple Discours

'He used to read Courier aloud to his sister at Calcutta of a June afternoon, - in the darkened upstairs chamber, with the punkah swinging overhead, with as much enjoyment as ever Charles James Fox read the romances of Voltaire to his wife in the garden at St. Anne's Hill, though with a less irreproachable accent.'

Century: 1800-1849     Reader/Listener/Group: Thomas Babington Macaulay      

  

F.D. Hemans : The Homes of England

'The Homes of England' [transcribes text] 'Mrs Hemans'

Unknown
Century: 1800-1849     Reader/Listener/Group: Augusta Browne      

  

F.D. Hemans : Evening Prayer at a Girl's School

'Mrs Hemans. Evening Prayer at a girls school' [transcribes text]

Unknown
Century: 1800-1849     Reader/Listener/Group: Augusta Browne      

  

F.D. Hemans : The Wings of the Dove

'The Wings of the Dove. Mrs Hemans' [transcribes text]

Unknown
Century: 1800-1849     Reader/Listener/Group: Augusta Browne      

  

Sampson Perry : An Historical Sketch of the French Revolution

completed the perusal of the firstvolume of Perry's French Revolution, which requires to be read with care, the author a Democratic writer too often attempts to justify principles in themselves unjustifiable

Century:      Reader/Listener/Group: I.G.      Print: Book

  

Sampson Perry : An Historical Sketch of the French Revolution

Continued the perusal of the 2nd volume which opens a display of the insubordination & cruelty of the French populace

Century: 1800-1849     Reader/Listener/Group: I.G.      Print: Book

  

Sampson Perry : An Historical Sketch of the French Revolution

READING THE 2ND VOLUME OF PERRY'S FRENCH REVOLUTION

Century:      Reader/Listener/Group: I.G.      Print: Book

  

Sampson Perry : An Historical Sketch of the French Revolution

Continue the perusal of Perry's French Revolution, which like the murmurings heard at the foot of the crater become more dreadful as we approach to its summit

Century: 1800-1849     Reader/Listener/Group: I.G.      Print: Book

  

Sampson Perry : An Historical Sketch of the French Revolution

Still engaged in the perusal of Perry's French Revolution together with a few periodical publications by way of a change of its summit

Century:      Reader/Listener/Group: I.G.      Print: Book

  

Sampson Perry : An Historical Sketch of the French Revolution

Continued Perry's French Revolution and read Cowper

Century: 1800-1849     Reader/Listener/Group: I.G.      Print: Book

  

William Cowper : 

Continued Perry's French Revolution and read Cowper

Century: 1800-1849     Reader/Listener/Group: I.G.      Print: Book

  

Thomas James Mathias : The Pursuits of Literature; A Satirical Poem

Engaged in a 2nd perusal of the Pursuits of Literature and the Monthly Magazine

Century: 1800-1849     Reader/Listener/Group: I.G.      Print: Book

  

 : Monthly Magazine

Engaged in a 2nd perusal of The Pursuits of Literature and the Monthly Magazine

Century: 1800-1849     Reader/Listener/Group: I.G.      Print: Serial / periodical

  

Baroness Anne Loiuse Germaine De Stael-Holstein : Germany

Read with much delight and instruction the Baroness De Stael's Germany

Century: 1800-1849     Reader/Listener/Group: I.G.      Print: Book

  

Charles Rollin : Ancient History of the Egyptians

Continue the perusal of Rollins Ancient History- this work reflects great light upon the sacred volume.

Century: 1800-1849     Reader/Listener/Group: I.G.      Print: Book

  

Robert Southey : Life of Wesley

Read Southey's Life of Wesley and ingenious but by no means faithful production

Century: 1800-1849     Reader/Listener/Group: I.G.      Print: Book

  

George Stanhope : Twelve Sermons

Did not go to church. Read a funeral sermon of Dr Stanhope's.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

David Lewis : Philip of Macedon: A Tragedy. As it is acted at th

Bought... sugar at Cossen's, 2 vols of Dr Clark's exposition of the 4 Evengellists (cost 10s), sermons by Dr Stanhope. Cost 5s. Mother paid half of that... Read Philip of Macedon after supper. Does not read as well as I expected.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

Penelope Aubin : The Strange Adventure of the Count de Vinevil and

After dinner, summerhouse, read the Life of Count Venivill - silly.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

Richard Baker : A Chronicle of the Kings of England from the Time

No rest for me in bed, therefore rise 1/2 past 4... summerhouse till 1/2 past 7 read Baker's Chronicles

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

Samuel Clarke : A Paraphrase on the Four Evangelists

I know not why but too late for Church. Read 1 hour in the summerhouse, Dr Clark on the Evengelists.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

Jonathan Swift : A Tale of A Tub

Sup'd by myself in own chamber. Read 'Tale of a Tub'. Bed 11...

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

Richard Baker : A Chronicle of the Kings of England

I left the old woman with mother as soon as supper was done. Read Baker's Chronicles 1 1/2 hours. Bed at 11.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

Samuel Clarke : A Paraphrase on the Four Evangelists

Came home before 7. Dr Clark 1 hour. Bed past 10.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

Eliza Fowler Haywood : The Perplex'd Dutchess: Or, Treachery Rewarded...

Sup'd alone. Read 'The Perplex'd Duches' a novell. Bed 11.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

Eliza Haywood : Memoirs of the Baron de Brosse, who was broke on t

Lay till 11. All day alone... Lay on the bed as much as I coud. Read 2 books of the Life of the Baron Debross, an old story.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

John Dryden : All for Love

Read some spectators in great anguish of mind. 'Im weary of my part My torch is out, and the world stands before me Like a black desart at th' approach of night I'll lay me down and stray no further on' (All for Love)

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

John Dryden : All for Love

"Is there yet left the least unmortgag'd hope" ('All for Love')

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

Thomas Killigrew : Chit-Chat. A Comedy. As it is Acted at the Theatre

'tis in clearing one's charicter, as in taking spotts outof one's cloaths. You make it ten times bigger and seldom or never efface the first stains'. (Chit-Chat)

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

James Shirley : The Gratefull Servant. A Comedie...

Aunt sup'd with me. Read 4 Acts of 'The Gratefull Servant'. Bed 12. More amused and quiet than of late.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

George Stanhope : Twelve Sermons

Afternoon read a sermon of Dr Stanhope's. of Prayers not being granted immediately.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

George Stanhope : Twelve Sermons

Read one sermon and part of another of Dr Stanhope's of Death and Judgement, and of the sufficiency of the scriptures. I think he is a better orator than casuist: his argument is not so clear a stile.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

George Stanhope : Twelve Sermons

After dinner, garden 1 1/2 hours feeding the foul. Drank coffee. Made an end of the sermon.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

George Stanhope : Twelve Sermons

Read 2 sermons of Dr Stanhope's, one to sea men, the other on the 5th November.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

George Stanhope : Twelve Sermons

I sat in the Parlor; drank coffee and read a sermon of Dr Stanhope's...

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

Aphra Behn : All the Histories and Novels of the Late Ingenious

With mother to Clapham Common. Read to her 'Agnes de Castro' by Mrs Behn. Home before 8. Read one hour of the book before supper.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

Aphra Behn : All the Histories and Novels of the Late Ingenious

Read part of 'Fair Gilt' by Mrs Behn.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

Aphra Behn : All the Histories and Novels of the Late Ingenious

Read part of 'Oroonoko' after supper.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

Aphra Behn : All the Histories and Novels of the Late Ingenious

Had a fire in my own Room. Mother sup'd with me there. Read 'The Lucky Mistake' - Mrs Behn.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

John Eachard : The Grounds and Occasion of the Contempt of the Cl

Read after supper the contempt of the clergy.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

John Eachard : The Grounds and Occasion of the Contempt of the Cl

Summerhouse reading 'contempt of the clergy' till 1/2 past 5.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

Charles Sedley : The Mulberry Garden or The Works...In Two Volumes

Writt from 6 to 9. Sup'd alone. Read 'The Mulberry Garden', a pretty play. Bed 12.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

Nathaniel Lee : Constantine The Great: A Tragedy. OR The Works...

'O heart, Why dost thou leap against my Bosom like a Cag'd Bird, and beat thyself to Death for an impossible freedom'. ('Constantine')

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

Nathaniel Lee : Caesar Borgia. A Tragedy

Very miserable. 'Like a poor Lunitick that Makes his Moan And for a time beguiles the Lookers-On He reasons well, his Eyes their Wildness lose And vows the keepers his wrong'd sense abuse. But if you hitt the cause that hurts his Brain Then his Teeth gnash; he foams; he Shakes his Chain, His Eyeballs roll, and he is madagain'. (Lee, 'Caesar Borgia')

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

Aphra Behn : All the Histories and Novels of the Late Ingenious

Home past 8 a fier in the Parlor. Read Mrs Behn's novels, a book of Abraham's [cut by editor].

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

Aphra Behn : All the Histories and Novels of the Late Ingenious

With mother to Clapham Common. Read to her 'Agnes de Castro' by Mrs Behn. Home before 8. Read one hour of the book before supper.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

Aphra Behn : All the Histories and Novels of the Late Ingenious

Made an end of the Novell [the Fair Jilt].

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

John Eachard : The Grounds and Occasion of the Contempt of the Cl

Summerhouse and garden till past 8, cutting shift neck and reading 'The Grounds of the Contempt of the Clergy' by Eachard; a book with much truth and much witt, but too ludicrase I think for the subject. It belongs to our [Quaker] Landlady.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

John Eachard : The Grounds and Occasion of the Contempt of the Cl

After dinner 1 hour reading 'Contempt of the Clergy'.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

 : Church of England burial service

Monday 7th Buried poor Broome at 10 AM with all honours the General & staff attending the 40th [regiment] lending their Band - the Commodore was obliged to read the Burial Service as there was no Clergyman out here

Century: 1850-1899     Reader/Listener/Group: Frederick Beauchamp Paget Seymour      Print: Book

  

Jonathan Swift : A Tale of A Tub

Read 'Tale of Tub' 1 hour. Bed past 10.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

Thomas Wotton : The English Baronets: Being a Genealogical and His

Brother and Lady Savile came at 5. Sup'd here and went near 11. Most of the time compareing the pedigree of the Saviles (in a book of the Baronets lately come out), with the account Brother sent to be inserted.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

William Shakespeare : Double Falsehood; Or, the Distrest Lovers... writt

Read 'Double Falshood' a play of Shakespear's never acted till this winter. I think it a poor one for his. Bed 12.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

Charles Beckingham : The Life of Mr Richard Savage

Supper alone. Read life of Mr Savage.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

(Sir) John Denham : The Sophy OR Poems and Translations

Sup'd alone. Read 'The Sophy', a play of Sir J Deham's.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

Martin Luther : 

None went to Church. Read a book of Luther's.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

John Sturmy : Sesostris: Or, Royalty in Disguise. A Tragedy.

Read 'Sesostris, a new Tragydy'; a so-so one.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

 : Tatler

Din'd and sup'd with Aunt. Play'd Pickett till past 9. Read some Tatlers. Bed 11.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Serial / periodical

  

Samuel Clarke : A Demonstration of the Being and Attributes of God

Did not go to Church. Read Clark's Attributes morn.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

Andrew Michael Ramsay : The Travels of Cyrus

Read 'The travells of Cyrus' after supper.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

(Sir) John Vanbrugh : A Journey to London, being part of a comedy...

Din'd in own room alone... Read 'A Journy to London', Sir J Vanburg's -part of what is made 'The Provoked Husband' by Cibber, vastly mended by him I think.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

John Gay : The Beggar's Opera

Play'd tunes in 'The Beggars Opera' 2 hours after dinner.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

Andrew Michael Ramsay : The Travels of Cyrus

Home past 9. Supper alone, Read 'Cyrus', Bed 12.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

John Gay : The Beggars Opera

Tuned harpsichord and play'd some of Beggars Opera songs after supper alone.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

Edward Young : A Vindication of Providence; Or, a True Estimate o

Read 'A True Estemate of Human Life' by Mr Young, a Sermon preach'd in St George's Church upon the King's death. Extreordinary stile. Poeticall, exceeding entertaining.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

Edward Young : A Vindication of Providence; Or, a True Estimate o

Aunt had the coach at 5 to visit. I drank tea and read Mr Young's sermon. Mrs D'Enly went when the coach came back with Aunt near 10.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

John Gay : The Beggar's Opera

Mrs Newton, Lady Palmerston, Lady Clavering and 2 daughters (great fortunes), and 3 Mrs Fox's here. While the last 2 were here, and Mrs D'Enly alone in Mother's room, I read 'The Beggar's Opera' to them in intervals before and after supper.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

Samuel Clarke : A Demonstration of the Being and Attributes of God

Lay till past 9. Read Dr Clark little. Went to King Street chapel...

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

Samuel Clarke : A Demonstration of the Being and Attributes of God

Mrs Prade set me down past 9. Read Dr Clark 1/2 hour after supper. Bed 11.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

 : Tatler

Supper alone. Tatlers. Bed past 11.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Serial / periodical

  

 : Tatler

Supper alone. 4 Tatlers. Bed 1/2 past 11.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Serial / periodical

  

 : Tatler

Home 9. Supper below. 3 Tatlers. Bed 11.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Serial / periodical

  

 : Tatler

Home past 9. Read 4 Tatlers. Bed past 11.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Serial / periodical

  

 : Tatler

Home near 10. Read 4 Tatlers. Bed 12.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Serial / periodical

  

(Sir) Richard Steele : The Conscious Lovers. A Comedy.

Went into the park...Back to our dinner at 2. Spent the afternoon walking and sitting, and I read 3 Acts of 'The Conscious Lovers'.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

Edward Young : The Universal Passion

Read the 'Universal Passion'

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

Edward Young : The Universal Passion

Made an end of 'The Unniversall Passion'... 'Tis exceeding seveer, 'tis all satir[e] but mighty pretty and too just. He is grown a favouritt Author of mine. I am not content with once reading it, but design to bye it.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

 : The Life and Actions of James Dalton (the noted st

Supper below. Read 'The Life, Roberies, etc. of Dalton', an evidence against several of the Robers which are to be Hang'd. Bed past 11.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

'B.L' OR 'A Lady'  : Two Letters: one from a Lady to a friend who had m

Afternoon read Lady's Letter to a Popish Gentleman etc.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

Eliza Haywood : The British Recluse; Or the Secret History of Cleo

Read 'The British Recluse'.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

Samuel Clarke Clarke : A Paraphrase on the Four Evangelists

Afternoon went to the chaple. Home. Coffee. Read Clarke's 'Parraphras on the Evangellists'.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

Madame de Gomez : La Belle Assemblee: or, The Adventures of Six Days

Read 'The Adventures of Six Days'. 1 hour. Bed 11.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

Madame de Gomez : La Belle Assemblee: or, The Adventures of Six Days

Read 'Six Days Adventures' after supper. Bed 11.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

Madame de Gomez : La Belle Assemblee: or, The Adventures of Six Days

'Adventures of Six Days' 1 hour after supper. Bed 11.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

Jonathan Swift : Essay on the Fates of Clergymen

[Marginalia by Macaulay on Swift's "Essay on the Fates of Clergymen"]: 'People speak of the world as they find it. I have been more fortunate or prudent than Swift or Eugenio.'

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Madame de Gomez : La Belle Assemblee: or, The Adventures of Six Days

Read 'Adventures of Six Days'. Bed 1.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

Anon OR 'Ma. A' [Madame A]  : The Prude. A Novel... By a Young Lady.

Home near 9. Read 'The Prude' comfortably by a fire.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

Anon OR 'M. A.' [Madame A]  : The Prude. A Novel... By a Young Lady.

Read 'The Prude'.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

Edward Gibbon : Vindication

Description of Marginalia by Macaulay on Edward Gibbon's 'Vindication' - the marginalia responds to the passage 'Fame is the motive, it is the reward, of our labours: nor can I easily comprehend how it is possible that we should remain cold and indifferent with regard to the attempts which are made to deprive us of the most valuable object of our possessions, or at least, of our hopes.' Macaulay writes: 'But what if you are confident that these attempts will be vain, and that your book will fix its own place?'

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Anon OR 'Ma. A' [Madame A]  : The Prude. A Novel... By a Young Lady.

Tent till dark. Read the 3rd part of 'The Prude', and the 'The Beautifull Pyrate'.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

Jean Regnauld de Segrais : Three Novels; viz I. The Beautiful Pyrate.... OR F

Read... "The Beautifull Pyrate".

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

Jean Regnauld de Segrais : Three Novels; viz I. The Beautiful Pyrate.... OR F

Tent all day light. Read Ugania [?] and Bajesett. Bed past 11.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

Conyers Middleton : Free Enquiry into the Miraculous Powers of the Christian Church

[Marginalia by Macaulay on Conyers Middleton's 'Free Enquiry into the Miraculous Powers of the Christian Church']: 'I do not at all admire this letter. Indeed Middleton should have counted the cost before he took his part. He never appears to so little advantage as when he complains in this way of the calumnies and invectives of the orthodox.'

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

 : [A Novell] OR [A Novel]

Read a Novell after supper. Bed past 11.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

 : 'Brutus' OR 'A Tragedy'

Slept in the chair - knew not what to do with myself. Read a New Tragidy in Maniscript that has not been acted; the story of the first Brutus that putt his 2 sons to death.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Manuscript: Codex

  

William Shakespeare : Romeo and Juliet

[Marginalia by Macaulay on the first page of his copy of Shakespeare's "Romeo and Juliet"]: 'An admirable opening scene, whatever the French critics may say. It at once puts us thoroughly in possession of the state of the two families.'

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

William Shakespeare : Romeo and Juliet

[Marginalia by Macaulay by the passage about the biting of the thumbs in Shakespeare's "Romeo and Juliet"]: 'This is not what would be commonly called fine; but I would give any six plays of Rowe for it.'

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

William Shakespeare : Romeo and Juliet

[Marginalia by Macaulay by the scene in the street beginning with Mercutio's lines: 'Where the devil should this Romeo be? / Came he not home to- night?' in Shakespeare's "Romeo and Juliet"]: 'This is the free conversation of lively, high-spirited young gentlemen.'

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

William Shakespeare : Romeo and Juliet

[Marginalia by Macaulay by the commencement of the third act in Shakespeare's "Romeo and Juliet"]: 'Mercutio, here, is beyond the reach of anybody but Shakespeare.'

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

William Shakespeare : Romeo and Juliet

[Marginalia by Macaulay by the the lines 'Some consequence, yet hanging in the stars, / Shall bitterly begin his fearful date / With this night's revels'in Shakespeare's "Romeo and Juliet"]: 'This is as fine an instance of presentiment as I remember in poetry. It throws a sadness over all the gaiety that follows, and prepares us for the catastrophe.'

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

William Shakespeare : Romeo and Juliet

[Marginalia by Macaulay at the close of the Third Act of Shakespeare's "Romeo and Juliet"]: 'Very fine is the way in which Juliet at once withdraws her whole confidence from the nurse without disclosing her feelings'.

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Penelope Aubin : The Noble Slaves: Or, the Lives and Adventures of

Read after supper 'The Noble Slaves'. Bed 12.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

Penelope Aubin : The Strange Adventures of the Count de Vinevil...

'Life of Count De Venivill' after supper. Bed near 12.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

William Shakespeare : Romeo and Juliet

[Editorial commentary on Macaulay's marginalia]: 'When [...] the poor child commits her life to the hands of Friar Lawrence, Macaulay remarks on the wonderful genius with which the poet delineates a timid, delicate girl of fourteen excited and exalted to an act of desperate courage.'

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

'Young Nobleman'  : Nunnery Tales, Written by a Young Nobleman, and Tr

Tent till Dark. Read 'Nunnery Tales'. What a Stuped Life is my lott!...

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

'Young Nobleman'  : Nunnery Tales, Written by a Young Nobleman, and Tr

Sat humdrum some time. Read a storry out of 'Nunnery Tales'. At 5 to Mrs Drydens...

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

Elijah Fenton : Mariamne. A Tragey. Acted at the Theatre Royal...

'Tis th' infirmity of noblest mind When ruffled with an unexpected woe To speak what settled prudence wou'd conceal: As the vex'd oceean [sic] working in a storm Off brings to light the wrecks which long lay calm, In the dark bosom of the secret deep. ('Mariamne')

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

John Sturmy : Sesostris: Or, Royalty in Disguise. A Tragedy...

Writt till supper. Read 'Sesostris'. Bed near 12.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

Eliza Fowler Haywood : The City Widow; or, Love in a Butt. A Novel.

After supper read 'The City Widow' and part of the 'Adventures of Abdella' - 2 new books got tonight. Bed past 12.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

Alain Rene Le Sage : The History and Adventures of Gil Blas...

Home past 9 almost starv'd to death...Read 'Gill Blas'. Bed 12.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

Alain Rene Le Sage : The History and Adventures of Gil Blas...

Home near 11. 'Gil Blass'. Bed past 12.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

Penelope Aubin : The Noble Slaves: or, The Lives and Adventures of

Home past 10. 'Noble Slaves'. Bed past 12.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

Eliza Fowler Haywood : The Perplex'd Dutchess; or, Treachery Rewarded...A

News. Writt. After supper read 'The Perplex'd Dutches'.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

Alain Rene Le Sage : The History and Adventures of Gil Blas...

Made an end of 'Gil Blas'.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

Philip Massinger : The Very Woman

Masenger - Believe ye are to blame, much to blame Lady; [...] That Feel a Weight of Sorrow through their Souls.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

Nicholas Rowe : The Ambitious Step-Mother. A Tragedy...

I fear to tempt this stormy sea the World, Whose every Beach is strew'd with wrecks of wretches, That daily perish in it. - Rows Ambitious Stepmother

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

Samuel Clarke : A Demonstration of the Being and Attributes of God

Afternoon read Clarke's Attributes 2 hours.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

Samuel Clarke : A Paraphrase on the Four Evangelists

Would not go to Church. Read Dr Clark's 'paraphras'.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

George (Duke of Buckingham) Villiers : The Rehearsal

Read 4 acts of 'The Rehearsall'. Bed 11.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

George (Duke of Buckingham) Villiers : The Rehearsal

Read an act of 'The Rehearsall' and one of 'All for Love'. Bed 12.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

John Dryden : All for Love: or, the World well lost. A tragedy..

Read an act of 'The Rehearsall' and one of 'All for Love'. Bed 12.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

Samuel Clarke : A Paraphrase on the Four Evangelists

Some of Dr Clark's paraphras.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

John Dryden : All for Love: or, the World well lost. A tragedy..

Came up and din'd alone. Writt little. Read 'All for Love'.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

John Dryden : All for Love: or, the World well lost. A tragedy..

Din'd alone in own room. Read part of 'All for Love'.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

Samuel Clarke : A Paraphrase on the Four Evangelists

I sat with Aunt till 7. Read Dr Clark's 'Paraphras' 1 1/2 hours.Bed near 11.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

Andrew Michael Ramsay : The Travels of Cyrus

Read 'travells of Cyrus' alone 2 1/2 hours. A fine book. Bed near 12.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

Samuel Clarke : A Paraphrase on the Four Evangelists

Did not go to Church morn. nor afternoon. Read Dr Clark paraphras.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

 : Tatler

Tatlers (borrow'd of Mrs Helen D'Enly) 1 1/2 hours.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Serial / periodical

  

Samuel Clarke : A Demonstration of the Being and Attributes of God

None went to Church. Read Clark's 'Attributes' and writt.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

Thomas Jevon : The Devil of a Wife

Read 2 plays after supper - 'The Guardian' and 'The Devil of a Wife'. Bed 1.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

Abraham Cowley : The Guardian: A Comedy Acted before Prince Charles

Read 2 plays after supper - 'The Guardian' and 'The Devil of a Wife'. Bed 1.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

George Stanhope : Twelve Sermons

Read part of a sermon of Dr Stanhope's.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

George Stanhope : Twelve Sermons

Read a sermon of Dr Stanhope's to the sons of the clergy. Bed past 11.

Century: 1700-1799     Reader/Listener/Group: Gertrude Savile      Print: Book

  

George MacDonald : David Elginbrod

[Editorial commentary by Annie Coghill, Mrs Oliphant's cousin] 'George Macdonald's first book, or at any rate his first successful book, "David Elginbrod", had been published many years before by Messrs Hurst & Blackett, at Mrs Oliphant's warm recommendation. She always spoke of it as a work of genius, and quoted it as one of the instances of publishers' blunders, for when the MS. came to her it came enveloped in wrappings that showed how many refusals it had already suffered.'

Century: 1850-1899     Reader/Listener/Group: Margaret Oliphant      Manuscript: MS of a book

  

John Morley : Life of George Eliot

'Thank you very much for the "Life of George Eliot," and for the kind and flattering inscription. I am very glad to have the book, which is as curious a book as any I ever saw. The personality of the great writer is as yet very confusing to me in the extreme flatness of the picture. I don't mean by flatness dulness [sic], though there is something of that, but only that it is like mural paintings or sculpture in very low relief. I have just run over your reviewer's article and think it very good.'

Century: 1850-1899     Reader/Listener/Group: Margaret Oliphant      Print: Book

  

 : Review of the Life of George Eliot

'Thank you very much for the "Life of George Eliot," and for the kind and flattering inscription. I am very glad to have the book, which is as curious a book as any I ever saw. The personality of the great writer is as yet very confusing to me in the extreme flatness of the picture. I don't mean by flatness dulness [sic], though there is something of that, but only that it is like mural paintings or sculpture in very low relief. I have just run over your reviewer's article and think it very good.'

Century: 1850-1899     Reader/Listener/Group: Margaret Oliphant      Print: Serial / periodical

  

Laurence Oliphant : Land of Gilead, The

'Laurence Oliphant's sketches of the Druse villages are delightful, but his philosophy is something too tremendous. I am making the most prodigious effort to understand his book, but I have to catch hold of the furniture after a few pages to keep myself from turning round and round, and yet the absorption of such a man of the world as he is in a religious idea has something very fine in it.'

Century: 1850-1899     Reader/Listener/Group: Margaret Oliphant      Print: Book

  

 : Athenaeum

'I see by the "Athenaeum" that the Magazine is to be enlarged'.

Century: 1850-1899     Reader/Listener/Group: Margaret Oliphant      Print: Serial / periodical

  

 : Blackwood's Magazine

'Thanks for the old numbers; they are very interesting, and what vigour in them! - but one could not speak so strongly now.'

Century: 1850-1899     Reader/Listener/Group: Margaret Oliphant      Print: Serial / periodical

  

 : Blackwood's Magazine

'It seems an excellent number, with the exception of the short story, which is not up to "Maga's" mark. The article on Hayward is very good. Sir Edward Hamley, I think?'

Century: 1850-1899     Reader/Listener/Group: Margaret Oliphant      Print: Serial / periodical

  

A.K.H. Boyd : Taking in Sail

'I have just been reading your paper about "Taking in Sail". I think I have told you before how much I feel with and sympathise in your afternoon musings - the subdued thoughts that come to us with the decline of the day.'

Century: 1850-1899     Reader/Listener/Group: Margaret Oliphant      Print: Unknown

  

J.M. Barrie : Auld Licht Idylls

'I don't at all know the books you refer to - I have not seen any of them. Mr Barrie's "Auld Licht Idylls," etc, I think exceedingly clever. Indeed there seems to me genius in them, though the Scotch is, as you say, much too provincial.'

Century: 1850-1899     Reader/Listener/Group: Margaret Oliphant      Print: Book

  

 : Blackwood's Magazine

I don't feel quite sure with the last paper whether it is in earnest or not, or if your contributor means to make fun of Macdonald, who is often a noble writer, but not, I think, according to these specimens, in poetry.

Century: 1850-1899     Reader/Listener/Group: Margaret Oliphant      Print: Serial / periodical, Unknown

  

 : [a paper on the Poor Laws in Austria]

I had half a mind, on reading a paper about the Poor Laws in Austria in your Magazine, to send you a sketch of Dr Chalmers's great experiment in Glasgow, which I think a very fine thing indeed, and which has fallen out of recollection.

Century: 1850-1899     Reader/Listener/Group: Margaret Oliphant      Print: Newspaper, Unknown

  

A.P. Stanley : A Selection from the writings of Dean Stanley

I have done nothing but wade through Dean Stanley's Life this last week in the intervals of doing perfunctorily a little work in the mornings.

Century: 1850-1899     Reader/Listener/Group: Margaret Oliphant      Print: Book

  

 : Blackwood's Magazine

I have several times intended to speak of the very great vigour and fresh start which the Magazine seems to me to have taken during the last year. It has been more full of interesting articles, and altogether stronger than for a long time before.

Century: 1850-1899     Reader/Listener/Group: Margaret Oliphant      Print: Serial / periodical

  

Andrew Lang : Life of Lockhart

Mr Lang sent me several chapters to read in the early summer, which I thought were rather dull - tell it not in Gath - with much virtuous indignation about 'Maga's' personalities.

Century: 1850-1899     Reader/Listener/Group: Margaret Oliphant      Print: Serial / periodicalManuscript: MS chapters of a book

  

Marie Corelli : 

I suppose there was no man who had a greater command of the public in his day [than Bulwer Lytton]. To be sure, one might say the same of Miss Marie Corelli, who, by the way in the only book of hers I can read, seems to be founded upon Bulwer

Century: 1850-1899     Reader/Listener/Group: Margaret Oliphant      Print: Book

  

William Shakespeare : Romeo and Juliet

Macaulay's marginalia, by the lines 'Now, afore God, this reverend holy friar/ All our whole city is much bound to him' in Shakespeare's Romeo and Juliet: "Warburton proposed to read 'hymn' for 'him'; - the most ludicrous emendation ever suggested".

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

William Shakespeare : Romeo and Juliet

Macaulay's marginalia by the speech about Queen Mab in Romeo and Juliet: "This speech, - full of matter, of thought, of fancy, as it is, - seems to me, like much of this play, to be not in Shakspeare's [sic] very best manner. It is stuck on like one of Horace's 'purple patches'. It does not seem to spring naturally out of the conversation. This is a fault which, in his finest works, Shakspeare [sic] never commits."

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

William Shakespeare : Romeo and Juliet

Macaulay's marginalia by the lines 'Hath Romeo slain himself' to 'Of those eyes shut, that make thee answer "I"' : "If this had been in Cibber, Cibber would never have heard the last of it."

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

William Shakespeare : Romeo and Juliet

Macaulay's marginalia by the point where Balthazar brings the evil tidings to Mantua in Shakespeare's Romeo and Juliet: "Here begins a noble series of scenes. I know nothing grander than the way in which Romeo hears the news. It moves me even more than Lear's agonies."

Century: 1800-1849     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

William Shakespeare : Romeo and Juliet

Macaulay's marginalia in the scene in the vault of death in Shakespeare's Romeo and Juliet: "The desperate calmness of Romeo is sublime beyond expression; and the manner in which he is softened into tenderness when he sees the body of Juliet is perhaps the most affecting touch in all poetry."

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

William Shakespeare : Hamlet

Macaulay's marginalia in his copy of Hamlet, by the opening dialogue: "beyond praise".

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

William Shakespeare : Hamlet

Macaulay's marginalia in his copy of Hamlet, by the lines 'that season comes/ Wherein our Saviour's birth is celebrated" : "Sweet writing".

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

William Shakespeare : Hamlet

Macaulay's marginalia in his copy of Hamlet, "The long story about Fortinbras, and all that follows from it, seems to me to be a clumsy addition to the plot".

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

William Shakespeare : Hamlet

Macaulay's marginalia in his copy of Hamlet, in the scene of the royal audience in the room of state: "The silence of Hamlet during the earlier part of this scene is very fine, but not equal to the silence of Prometheus and Cassandra in the Prometheus and Agammemnon of Aeschylus."

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

William Shakespeare : Hamlet

Macaulay's marginalia in his copy of Hamlet, by the scene with the strolling player's declamation about Pyrrhus: "the only thing deserving of much admiration in the speech is the manner in which it is raised above the ordinary diction which surrounds it. It is poetry within poetry, - a play within a play. It was therefore proper to make its language bear the same relation to the language, in which Hamlet and Horatio talk, which the language of Hamlet and Horatio bears to the common style of conversation among gentlemen. This is a sufficient defence of the style, which is undoubtedly in itself far too turgid for dramatic, or even for lyric, composition."

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

William Shakespeare : Hamlet

Macaulay's marginalia in his copy of Hamlet, at the opening of Act 1, Scene 4: "Nothing can be finer than this specimen of Hamlet's peculiar character. His intellect is out of all proportion to his will or his passions. Under the most exciting circumstances, while expecting every moment to see the ghost of his father rise before him, he goes on discussing questions of morals, manners, or politics, as if he were in the schools of Wittenberg."

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

William Shakespeare : Hamlet

Macaulay's marginalia in his copy of Hamlet, by the lines 'Dost thou hear?/ Since my dear soul was mistress of her choice,/ And could of men distinguish, her election/ Hath sealed thee for herself, - ' : "An exquisitely beautiful scene. It always moved me more than any other in the play. There is something very striking in the way in which Hamlet, a man of a gentle nature, quick in speculation, morbidly sluggish in action, unfit to struggle with the real evils of life, and finding himself plunged into the midst of them, - delights to repose on the strong mind of a man who had been severely tried, and who had learned stoicism from experience. There is wonderful truth in this."

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

William Shakespeare : Hamlet

Macaulay's marginalia in his copy of Hamlet, by the conversation between Hamlet and the courtier, in Act 5: "This is a most admirable scene. The fooling of Osric is nothing; but it is most striking to see how completely Hamlet forgets his father, his mistress, the terrible duty imposed upon him, the imminent danger which he has to run, as soon as a subject of observation comes before him; - as soon as a good butt is offered to his wit."

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

William Shakespeare : Hamlet

Macaulay's marginalia. By an editorial note by Dr Johnson, to the lines, 'Who would fardels bear, / To groan and sweat under a weary life'. Johnson wrote, "All the old copies have to 'grunt and sweat'. It is undoubtedly the true reading, but can scarcely be borne by modern ears." Macaulay writes: "We want Shakespeare, not your fine modern English."

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

William Shakespeare : Hamlet

Macaulay's marginalia. By the editorial notes in his copy of Hamlet: "It is a noble emendation. Had Warburton often hit off such corrections, he would be entitled to the first place among critics."

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

William Shakespeare : Hamlet

Macaulay's marginalia by the editorial notes in his copy of Hamlet in the scene where Hamlet declines to kill his uncle in the act of praying. Johnson comments that the speech in which, "not content with taking blood for blood, he contrived damnation for his enemy, was too horrible to be read or uttered." Macaulay responds: "Johnson does not understand the character. Hamlet is irresolute; and he makes the first excuse that suggests itself for not striking. If he had met the King drunk, he would have refrained from avenging himself lest he should kill both soul and body."

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

William Shakespeare : King Lear

Macaulay's marginalia in his copy of King Lear, in Act 1, Scene 3: "Here begins the finest of all human performances."

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

William Shakespeare : King Lear

Macaulay's marginalia in his copy of King Lear, in Act 2, Scene 2, opposite Cornwall's description of the fellow who has been praised for bluntness: "Excellent! It is worth while to compare these moral speeches of Shakspeare [sic] with those which are so much admired in Euripides. The superiority of Shakspeare's [sic] observations is immense. But the dramatic art with which they are introduced, - always in the right place, - always from the right person, - is still more admirable."

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

William Shakespeare : King Lear

Macaulay's marginalia in his copy of King Lear, by the lines 'Now i pr'ythee, daughter, do not make me mad!/ I will not trouble thee, my child; farewell!' : "This last struggle between rage and tenderness is, I think, unequalled in poetry."

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

William Shakespeare : King Lear

Macaulay's marginalia in his copy of King Lear, by the apostrophe commencing, 'O, let not women's weapons, water-drops...' : "Where is there anything like this in the world"?

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

William Shakespeare : King Lear

Macaulay's marginalia in his copy of King Lear, by opening of the play: "Idolising Shakspeare [sic] as I do, I cannot but feel that the whole scene is very unnatural. He took it, to be sure, from an old story. What miracles his genius has brought out from materials so unpromising!"

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

William Shakespeare : King Lear

Macaulay's marginalia in his copy of King Lear, by the quarrel between Kent and Cornwall's steward: "It is rather a fault in the play, to my thinking, that Kent should behave so very insolently in this scene. A man of his rank and sense would have had more self-command and dignity even in his anger. One can hardly blame Cornwall for putting him in the stocks."

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

William Shakespeare : King Lear

Macaulay's marginalia in his copy of King Lear, in Act 3, Scene 4: "The softening of Lear's nature and manners, under the discipline of severe sorrow, is mot happily marked in several places."

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

William Shakespeare : King Lear

Macaulay's marginalia in response to a note by Dr Johnson at the end of King Lear. Johnson protested against the unpleasing character of a story, "in which the wicked prosper, and the virtuous miscarry." Macaulay responds: "There is nothing like this last scene in the world. Johnson talks nonsense. Torn to pieces as Lear's heart had been, was he to live happily ever after, as the story-books say? Wonderful as the whole play is, this last passage is the triumph of Shakspeare's [sic] genius. Every character is perfectly supported."

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

William Shakespeare : Antony and Cleopatra

Macaulay's marginalia in his copy of Antony and Cleopatra. A response to an editorial note by Steevens. "Solemn nonsense! Had Shakspeare [ sic] no eyes to see the sky with?"

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

William Shakespeare : Henry V

Macaulay's marginalia in his copy of Henry V, by the Prologue. Macaulay responds to an editorial note by Dr Johnson, who remarks that to call a circle an O was a very mean metaphor. Macaulay responds: "Surely, if O were really the usual name of a circle there would be nothing mean in it, any more than in the Delta of the Nile."

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

William Shakespeare : A Midsummer Night's Dream

Macaulay's marginalia in his copy of A Midsummer Night's Dream, by Warburton's editorial note to the lines 'Now the hungry lions roar, / And the wolf beholds the moon'. Macaulay writes: "In my opinion, this is one of Warburton's very best corrections."

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

William Shakespeare : A Midsummer Night's Dream

Macaulay's marginalia in his copy of A Midsummer Night's Dream, by the lines 'the rattling tongue / Of saucy and audacious eloquence': This is Shakspeare's [sic] manly sense and knowledge of the world, introduced with perfect dramatic propriety. How different from Euripides's lectures on such subjects."

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

William Shakespeare : A Midsummer Night's Dream

Macaulay's marginalia in his copy of A Midsummer Night's Dream, by the lines 'Be, as thou wast wont to be' to 'Hath such force and blessed power": "Beautiful and easy beyond expression".

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

William Shakespeare : A Midsummer Night's Dream

Macaulay's marginalia in his copy of A Midsummer Night's Dream, on the last page: "A glorious play. The love-scenes Fletcher might perhaps have written. The fairy scenes no man but one since the world began could have written."

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Gregory : Odes

Finished not only the whole of Synesius?s poems, but four odes of Gregory, contained in the same little volume. And yet I really read nothing superficially. There is a great deal in Synesius which is very fine. He stands on a much higher step than Gregory does, as a poet; tho? occasional diffuseness is the fault of each. I like the 7th. hymn extremely. A slip of paper in the first leaf, tells me that in Mr. Boyd?s opinion the 1st. 5th. & 6th. are perhaps the finest, next to the 9th. I wd. lay a very strong emphasis on perhaps. The 9th. is, I agree with him, decidedly the finest.

Century: 1800-1849     Reader/Listener/Group: Hugh Stuart Boyd      Print: Book

  

Synesius : Poems

Finished not only the whole of Synesius?s poems, but four odes of Gregory, contained in the same little volume. And yet I really read nothing superficially. There is a great deal in Synesius which is very fine. He stands on a much higher step than Gregory does, as a poet; tho? occasional diffuseness is the fault of each. I like the 7th. hymn extremely. A slip of paper in the first leaf, tells me that in Mr. Boyd?s opinion the 1st. 5th. & 6th. are perhaps the finest, next to the 9th. I wd. lay a very strong emphasis on perhaps. The 9th. is, I agree with him, decidedly the finest.

Century: 1800-1849     Reader/Listener/Group: Hugh Stuart Boyd      Print: Book

  

John Bunyan : Pilgrim's Progress

'The mother of Joseph Wright, the millworker-philologist, did not learn to read until age forty-eight, and then apparently never ventured beyond the New Testament, Pilgrim's Progress and a translation of Klopstock's Messiah'.

Century: 1800-1849     Reader/Listener/Group: mother of Joseph Wright      Print: Book

  

 : New Testament

'The mother of Joseph Wright, the millworker-philologist, did not learn to read until age forty-eight, and then apparently never ventured beyond the New Testament, Pilgrim's Progress and a translation of Klopstock's Messiah'.

Century: 1800-1849     Reader/Listener/Group: mother of Joseph Wright      Print: Book

  

Friedrich Klopstock : Messiah

'The mother of Joseph Wright, the millworker-philologist, did not learn to read until age forty-eight, and then apparently never ventured beyond the New Testament, Pilgrim's Progress and a translation of Klopstock's Messiah'.

Century: 1800-1849     Reader/Listener/Group: mother of Joseph Wright      Print: Book

  

 : Daily Advertiser

Witness statement in trial for for theft: George Martin: [prisoner offered him cup for sale] "the next morning I read it in the 'Daily Advertiser', only in the paper it is said to be marked with letters on the handle, but the letters on the belly of the cup..."

Century: 1700-1799     Reader/Listener/Group: George Martin      Print: Newspaper

  

Friedrich Gottlieb Klopstock : [odes]

"On 21 Sept 1798, Klopstock read to W[ordsworth] and C[oleridge] 'some passages from his odes in which he has adopted the latin measures' (Wordsworth, Prose Works vol. 1, p.91).

Unknown
Century: 1700-1799     Reader/Listener/Group: Friedrich Gottlieb Klopstock      

  

 : 

Witness statement in trial for theft: Thomas Crocket: "I keep Pan's Coffee-house in Castle-street; on the 9th of November last, the prisoner came into my house, between six and seven in the evening, and called for a glass of brandy and water; I served him with it; he staid about a quarter of an hour reading a newspaper; after he had read the paper he asked for a bason of soup;..."

Century: 1700-1799     Reader/Listener/Group: George Watson      Print: Newspaper

  

 : 

Witness statement in trial for burglary: 2 statements -that George Todd was apprehended in a public house, reading a newspaper at the time

Century: 1700-1799     Reader/Listener/Group: George Todd      Print: Newspaper

  

 : 

witness statement in trial for theft: George Nash: "I was never in the house before... I only staid while I drank my beer -I looked at the newspaper. I was not there above a quarter of an hour"

Century: 1800-1849     Reader/Listener/Group: George Nash      Print: Newspaper

  

William Wordsworth : [poems]

William Wordsworth describes coach journey from London, having already observed that the coach guard was a former grocer on his first day in the new job: 'At Lancaster I happened to mention Grasmere in the hearing of one of the Passengers, who asked me immediately if one Wordsworth did not live there. I answered, "Yes." - "He has written," said he, "some very beautiful Poems; The Critics do indeed cry out against them, and condemn them as over simple, but for my part I read them with great pleasure, they are natural and true." - This man was also a Grocer.'

Unknown
Century: 1800-1849     Reader/Listener/Group: [a grocer] Anon      

  

William Shakespeare : Julius Caesar

[Macaulay's marginalia by the conversation in the street between Brutus and Cassius, in the First Act of Julius Caesar] "These two or three pages are worth the whole French drama ten times over."

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

William Shakespeare : Julius Caesar

[Macaulay's marginalia at the end of Julius Caesar] "The last scenes are huddled up, and affect me less than Plutarch's narrative. But the working up of Brutus by Cassius, the meeting of the conspirators, the stirring of the mob by Antony, and (above all,) the dispute and reconciliation of the two generals, are things far beyond the reach of any other poet that ever lived."

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

William Shakespeare : Julius Caesar

[Macaulay's marginalia by the lines "Let me have men about me that are fat/ Sleek headed men, and such as sleep o' nights" in Julius Caesar] "Plutarch's hint is admirably expanded here".

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Charles Dickens : 

'Even before [Chaim Lewis] discovered the English novelists, he was introduced to Tolstoy, Dostoevsky, Turgenev and Pushkin by a Russian revolutionary rag merchant who studied Dickens in the Whitechapel Public Library and read aloud from Man and Superman. Another friend - the son of a widowed mother, who left school at fourteen - exposed him to Egyptology, Greek architecture, Scott, Smollett, the British Musuem and Prescott's History of the Conquest of Peru'.

Century: 1900-1945     Reader/Listener/Group: a revolutionary Russian rag merchant      Print: Book

  

Samuel Smiles : Self Help

'Blatchford, once he read it carefully found [Samuel Smiles's Self Help] "one of the most delightful and invigorating books it has been my happy fortune to meet with".'

Century: 1850-1899     Reader/Listener/Group: Robert Peel Glanville Blatchford      Print: Book

  

Samuel Smiles : Self Help

'George Gregory offers a case study in the importance of Self-Help. His father was an illiterate Somsert miner, his mother a servant who read nothing but the Bible... Gregory only had a few school prizes - Jack and the Ostrich, a children's story; The Crucifixion of Philip Strong, a gripping tale of labor unrest; and the verses of Cornish poet, John Harries - and the family read a weekly serial, Strongdold the Gladiator. Having left school at twelve to work in the mines, Gregory had no access to serious reading matter until mid-adolescence, when a clerk introduced him to Self-Help. That book, he recalled in old age, "has lived with me, and in me, for more than sixty years... I was impressed by its quality for I had never touched a book of such high quality; and the impression deepened and became vivid as I took it home, read the stories of men who had helped themselves, struggled against enormous difficulties, suffered privations...but went on to rise phoenix-like from the ruins of their plans... I realised that my lack of education was not decisive of what I might become, so I commenced to reach out into the future".'

Century: 1900-1945     Reader/Listener/Group: George Gregory      Print: Book

  

John Harries : 

'George Gregory offers a case study in the importance of Self-Help. His father was an illiterate Somsert miner, his mother a servant who read nothing but the Bible... Gregory only had a few school prizes - Jack and the Ostrich, a children's story; The Crucifixion of Philip Strong, a gripping tale of labor unrest; and the verses of Cornish poet, John Harries - and the family read a weekly serial, Strongdold the Gladiator. Having left school at twelve to work in the mines, Gregory had no access to serious reading matter until mid-adolescence, when a clerk introduced him to Self-Help. That book, he recalled in old age, "has lived with me, and in me, for more than sixty years... I was impressed by its quality for I had never touched a book of such high quality; and the impression deepened and became vivid as I took it home, read the stories of men who had helped themselves, struggled against enormous difficulties, suffered privations...but went on to rise phoenix-like from the ruins of their plans... I realised that my lack of education was not decisive of what I might become, so I commenced to reach out into the future".'

Century: 1900-1945     Reader/Listener/Group: George Gregory      Print: Book

  

 : Jack and The Ostrich

'George Gregory offers a case study in the importance of Self-Help. His father was an illiterate Somerset miner, his mother a servant who read nothing but the Bible... Gregory only had a few school prizes - Jack and the Ostrich, a children's story; The Crucifixion of Philip Strong, a gripping tale of labor unrest; and the verses of Cornish poet, John Harries - and the family read a weekly serial, Strongdold the Gladiator. Having left school at twelve to work in the mines, Gregory had no access to serious reading matter until mid-adolescence, when a clerk introduced him to Self-Help. That book, he recalled in old age, "has lived with me, and in me, for more than sixty years... I was impressed by its quality for I had never touched a book of such high quality; and the impression deepened and became vivid as I took it home, read the stories of men who had helped themselves, struggled against enormous difficulties, suffered privations...but went on to rise phoenix-like from the ruins of their plans... I realised that my lack of education was not decisive of what I might become, so I commenced to reach out into the future".'

Century: 1900-1945     Reader/Listener/Group: George Gregory      Print: Book

  

Charles Monroe Sheldon : The Crucifixion of Philip Strong

'George Gregory offers a case study in the importance of Self-Help. His father was an illiterate Somerset miner, his mother a servant who read nothing but the Bible... Gregory only had a few school prizes - Jack and the Ostrich, a children's story; The Crucifixion of Philip Strong, a gripping tale of labor unrest; and the verses of Cornish poet, John Harries - and the family read a weekly serial, Strongdold the Gladiator. Having left school at twelve to work in the mines, Gregory had no access to serious reading matter until mid-adolescence, when a clerk introduced him to Self-Help. That book, he recalled in old age, "has lived with me, and in me, for more than sixty years... I was impressed by its quality for I had never touched a book of such high quality; and the impression deepened and became vivid as I took it home, read the stories of men who had helped themselves, struggled against enormous difficulties, suffered privations...but went on to rise phoenix-like from the ruins of their plans... I realised that my lack of education was not decisive of what I might become, so I commenced to reach out into the future".'

Century: 1900-1945     Reader/Listener/Group: George Gregory      Print: Book

  

 : Strongdold the Gladiator

'George Gregory offers a case study in the importance of Self-Help. His father was an illiterate Somerset miner, his mother a servant who read nothing but the Bible... Gregory only had a few school prizes - Jack and the Ostrich, a children's story; The Crucifixion of Philip Strong, a gripping tale of labor unrest; and the verses of Cornish poet, John Harries - and the family read a weekly serial, Strongdold the Gladiator. Having left school at twelve to work in the mines, Gregory had no access to serious reading matter until mid-adolescence, when a clerk introduced him to Self-Help. That book, he recalled in old age, "has lived with me, and in me, for more than sixty years... I was impressed by its quality for I had never touched a book of such high quality; and the impression deepened and became vivid as I took it home, read the stories of men who had helped themselves, struggled against enormous difficulties, suffered privations...but went on to rise phoenix-like from the ruins of their plans... I realised that my lack of education was not decisive of what I might become, so I commenced to reach out into the future".'

Century: 1900-1945     Reader/Listener/Group: George Gregory      Print: Serial / periodical

  

 : 

Dorothy Wordsworth to William and Mary Wordsworth, 3 May [1812]: 'The Coleridges and Algernon [Montagu] were here yesterday and John and A had a happy day of play and reading; for Algernon is very good in reading to John.'

Unknown
Century: 1800-1849     Reader/Listener/Group: Algernon Montagu      

  

William Harrison Ainsworth : Jack Sheppard

Statement of a juvenile offender: "I came from Manchester to the races. I was taken into custody when I had only been in Liverpool two days. I was taken up for attempting to pick pockets... Theatres are very exciting. I never saw 'Jack Sheppard' performed; I have read his history; I have seen many boys buy his history; I borrowed mine from another boy."

Century: 1800-1849     Reader/Listener/Group: G.G.      Print: Book

  

 : Child's First Book

Report of prison chaplain on the progress of prisoner: "From his first arrival in gaol, he had been attended by the schoolmaster; and one day, when I examined his progress in learning to read, I was surprised and delighted to find that he had not only acquired the mechanical ability to spell and read words of one syllable, but, which was of much more consequence, that he was applying the simple lessons in the 'Child's First Book' to the very best purpose. The great truths contained in the little words of that book were finding their way into his mind..."

Century: 1800-1849     Reader/Listener/Group: J.G.      Print: Book

  

William Shakespeare : Antony and Cleopatra

[Macaulay's marginalia in his copy of Antony and Cleopatra, by an editorial note by Steevens, which reminds the reader that Cleopatra's story of the salt fish on Antony's hook was taken from North's Plutarch]: "Yes, but how happily introduced, and with what skill and spirit worked up by Shakespeare!"

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

William Shakespeare : Coriolanus

[Macaulay's marginalia in his copy of Coriolanus, by a note by Warburton regarding the composition of the Senate] "Absurd! Who knows anything about the usages of the Senate, and the privileges of the Tribunes, in Coriolanus's time?"

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

William Shakespeare : Coriolanus

[Macaulay's marginalia in his copy of Coriolanus, by a note by Warburton regarding the history of the Roman Consular Government]: "Well! but there had certainly been elective magistracies in Rome before the expulsion of the kings, and there might have been canvassing. Shakspeare [sic] cared so little about historical accuracy that an editor who notices expressions, which really are not grossly inaccurate, is unpardonable."

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

William Shakespeare : Coriolanus

[Macaulay's marginalia in his copy of Coriolanus, by a note by Warburton regarding the creation of the first Censor, which suggests that Shakespeare had misread his authorities]: "This undoubtedly was a mistake, and what DOES it matter?"

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

William Shakespeare : Coriolanus

[Macaulay's marginalia in his copy of Coriolanus, on the last page]: "A noble play. As usual, Shakspeare [sic] had thumbed his translation of Plutarch to rags."

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Hesiod : 

[Editorial commentary on Macaulay's reading]: "His manuscript notes extend through the long range of Greek authors from Hesiod to Athenaeus, and of Latin authors from Cato the Censor, - through Livy, and Sallust, and Tacitus, and Aulus Gellius, and Suetonius, -down to the very latest Augustan histories."

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Athenaeus : 

[Editorial commentary on Macaulay's reading]: "His manuscript notes extend through the long range of Greek authors from Hesiod to Athenaeus, and of Latin authors from Cato the Censor, - through Livy, and Sallust, and Tacitus, and Aulus Gellius, and Suetonius, -down to the very latest Augustan histories."

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Cato : 

[Editorial commentary on Macaulay's reading]: "His manuscript notes extend through the long range of Greek authors from Hesiod to Athenaeus, and of Latin authors from Cato the Censor, - through Livy, and Sallust, and Tacitus, and Aulus Gellius, and Suetonius, -down to the very latest Augustan histories."

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Livy : 

[Editorial commentary on Macaulay's reading]: "His manuscript notes extend through the long range of Greek authors from Hesiod to Athenaeus, and of Latin authors from Cato the Censor, - through Livy, and Sallust, and Tacitus, and Aulus Gellius, and Suetonius, -down to the very latest Augustan histories."

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Sallust : 

[Editorial commentary on Macaulay's reading]: "His manuscript notes extend through the long range of Greek authors from Hesiod to Athenaeus, and of Latin authors from Cato the Censor, - through Livy, and Sallust, and Tacitus, and Aulus Gellius, and Suetonius, -down to the very latest Augustan histories."

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Tacitus : 

[Editorial commentary on Macaulay's reading]: "His manuscript notes extend through the long range of Greek authors from Hesiod to Athenaeus, and of Latin authors from Cato the Censor, - through Livy, and Sallust, and Tacitus, and Aulus Gellius, and Suetonius, -down to the very latest Augustan histories."

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Aulus Gellius : 

[Editorial commentary on Macaulay's reading]: "His manuscript notes extend through the long range of Greek authors from Hesiod to Athenaeus, and of Latin authors from Cato the Censor, - through Livy, and Sallust, and Tacitus, and Aulus Gellius, and Suetonius, -down to the very latest Augustan histories."

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Suetonius : 

[Editorial commentary on Macaulay's reading]: "His manuscript notes extend through the long range of Greek authors from Hesiod to Athenaeus, and of Latin authors from Cato the Censor, - through Livy, and Sallust, and Tacitus, and Aulus Gellius, and Suetonius, -down to the very latest Augustan histories."

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Cicero : De Finibus

[Editorial commentary on Macaulay's reading]: "Those two parallel lines in pencil, which were his highest form of compliment, are scored down page after page of the De Finibus, the Academic Questions, and the Tusculan Disputations."

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Cicero : Academic Questions

[Editorial commentary on Macaulay's reading]: "Those two parallel lines in pencil, which were his highest form of compliment, are scored down page after page of the De Finibus, the Academic Questions, and the Tusculan Disputations."

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Cicero : Tusculan Disputations

[Editorial commentary on Macaulay's reading]: "Those two parallel lines in pencil, which were his highest form of compliment, are scored down page after page of the De Finibus, the Academic Questions, and the Tusculan Disputations."

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Cicero : De Finibus

[Macaulay's marginalia at the end of the first book of Cicero's De Finibus]: "Exquisitely written, graceful, calm, luminous and full of interest; but the Epicurean theory of morals is hardly deserving of refutation."

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Cicero : De Natura Deorum

[Macaulay's marginalia in Cicero's De Natura Deorum]: "Equal to anything that Cicero ever did."

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Cicero : De Divinatione

[Macaulay's marginalia in the Second Book of Cicero's De Divinatione]: double-lines down the margin of the argument against the credibility of visions and prophecies.

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Ben Jonson : Catiline

[Macaulay's marginalia in his copy of Ben Jonson's Catiline, by the lines 'Lentulus: The augurs all are constant I am meant / Catiline: They had lost their science else.']: "The dialogue here is good and natural. but it is strange that so excellent a scholar as Ben Jonson should represent the Augurs as giving any encouragement to Lentulus's dreams. The Augurs were the first nobles of Rome. In this generation Pompey, Hortensius, Cicero, and other men of the same class, belonged to the College."

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Ben Cicero : Tusculan Disputations

[Macaulay's marginalia in his copy of Cicero's Tusculan Disputations, by the translations from Aeschylus and Sophocles in the Second Book]: "Cicero's best".

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Cicero : Letters

[Macaulay's marginalia in his copy of Cicero's Letters, opposite the sentences 'Meum factum probari abs te [...] nihil enim malo quam et me mei similem esse, et illos sui', translated as 'I triumph and rejoice that my action should have sustained your approval [...] for there is nothing which I so much covet as that I should be like myself, and they like themselves]: "Noble fellow!"

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Cicero : Speeches

[Editorial commentary on Macaulay's marginalia on Cicero's speeches]: "Macaulay's pencilled observations upon each successive speech of Cicero form a continuous history of the great orator's public career, and a far from unsympathetic analysis of his mobile, and singularly interesting, character."

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Cicero : Letters to Atticus

Macaulay's marginalia on Cicero's Epistles to Atticus]: "A kind-hearted man [Cicero], with all his faults." Later, "Poor fellow! He makes a pitiful figure. But it is impossible not to feel for him. Since I left England I have not despised Cicero and Ovid for their lamentations in exile as much as I did."

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Cicero : Second Philippic

[Macaulay's marginalia on Cicero's Second Philippic]: "a most wonderful display of rhetorical talent, worthy of all its fame."

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Cicero : Third Philippic

[Macaulay's marginalia on Cicero's Third Philippic]: "The close of this speech is very fine. His later and earlier speeches have a freedom and an air of sincerity about them which, in the interval between his Consulship and Caesar's death, I do not find. During that interval he was mixed up with the aristocratical party, and yet afraid of the Triumvirate. When all the great party-leaders were dead, he found himself at the head of the state, and spoke with a boldness and energy which he had not shown since his youthful days."

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Cicero : Last Philippic

[Macaulay's marginalia at the end of Cicero's last Philippic]: "As a man, I think of Cicero much as I always did, except that I am more disgusted with his conduct after Caesar's death. I really think that he met with little more than his deserts from the Triumvirs. It is quite certain, as Livy says, that he suffered nothing more than he would have inflicted."

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Plato : Euthydemus

[Macaulay's marginalia in his copy of Plato's Euthydemus]: "It seems incredible that these absurdities of Dionysodorus and Euthydemus should have been mistaken for wisdom, even by the weakest of mankind. I can hardly help thinking that Plato has overcharged the portrait. But the humour of the dialogue is admirable."

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Plato : Euthydemus

[Macaulay's marginalia in his copy of Plato's Euthydemus]: "Glorious irony!"

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Plato : Euthydemus

[Macaulay's marginalia in his copy of Plato's Euthydemus]: "Incomparably ludicrous!"

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Plato : Euthydemus

[Macaulay's marginalia in his copy of Plato's Euthydemus]: "No writer, not even Cervantes, was so great a master of this solemn ridicule as Plato."

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Plato : Euthydemus

[Macaulay's marginalia in his copy of Plato's Euthydemus]: "There is hardly any comedy, in any language, more diverting than this dialogue. It is not only richly humorous. The characters are most happily sustained and discriminated. The contrast between the youthful petulance of Ctesippus and the sly, sarcastic mock humility of Socrates is admirable."

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Plato : Euthydemus

[Macaulay's marginalia in his copy of Plato's Euthydemus]: "Dulcissima hercle, eademque nobilissima vita."

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Plato : Euthydemus

[Macaulay's marginalia in his copy of Plato's Euthydemus, below the last line of the dialogue]: "Calcutta, May 1835."

Century: 1800-1849     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Plato : Republic

[Macaulay's marginalia in his copy of Plato's Republic]: "Plato has been censured with great justice for his doctrine about the community of women and the exposure of children. But nobody, as far as I remember, has done justice to him on one important point. No ancient politician appears to have thought so highly of the capacity of women, and to have been inclined to make them so important."

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Plato : Republic

[Macaulay's marginalia in his copy of Plato's Republic]: "You may see that Plato was passionately fond of poetry, even when arguing against it."

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Plato : Republic

[Macaulay's marginalia in his copy of Plato's Republic, by the passage where Plato recommends a broader patriotism]: "This passage does Plato great honour. Philhellenism is a step towards philanthropy. There is an enlargement of mind in this work which I do not remember to have found in any earlier composition, and in very few ancient works, either earlier or later."

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Plato : Republic

[Macaulay's marginalia in his copy of Plato's Republic, in the Second Book, by the discussion of abstract justice]: "This is indeed a noble dream. Pity that it should come through the gate of ivory!"

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Plato : Republic

[Macaulay's marginalia in his copy of Plato's Republic, in the Eighth Book]: "I remember nothing in Greek philosophy superior to this in profundity, ingenuity, and eloquence."

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Plato : Protagoras

[Macaulay's marginalia in his copy of Plato's Protagoras]: "A very lively picture of Athenian manners. There is scarcely anywhere so interesting a view of the interior of a Greek house in the most interesting age of Greece."

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Plato : Protagoras

[Macaulay's marginalia in his copy of Plato's Protagoras]: "Callias seems to have been a munificent and courteous patron of learning. What with sophists, what with pretty women, and what with sycophants, he came to the end of a noble fortune."

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Plato : Protagoras

[Macaulay's marginalia in his copy of Plato's Protagoras]: "Alcibiades is very well represented here. It is plain that he wants only to get up a row among the sophists."

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Plato : Protagoras

[Macaulay's marginalia in his copy of Plato's Protagoras]: "Protagoras seems to deserve the character he gives himself. Nothing can be more courteous and generous than his language. Socrates shows abundance of talent and acuteness in this dialogue; but the more I read of his conversation, the less I wonder at the fierce hatred he provoked. He evidently had an ill-natured pleasure in making men, - particularly men famed for wisdom and eloquence, - look like fools." [the comments continue at some length.]

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Plato : Gorgias

[Macaulay's marginalia at the beginning of Plato's Gorgias]: "This was my favourite dialogue at College. I do not know whether I shall like it as well now. May 1, 1837."

Century: 1800-1849     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Plato : Gorgias

[Macaulay's marginalia in Plato's Gorgias]: "Polus is much in the right. Socrates abused scandalously the advantages which his wonderful talents, and his command of temper, gave him."

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Plato : Gorgias

[Maraulay's marginalia in Plato's Gorgias]: "You have made a blunder, and Socrates will have you in an instant."

Century: 1800-1849     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Plato : Gorgias

[Macaulay's marginalia in Plato's Gorgias]: "Hem! Retiarium astutum!" [Cunning netter].

Century: 1800-1849     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Plato : Gorgias

[Macaulay's marginalia in Plato's Gorgias]: "There you are in the Sophist's net. I think that, if I had been in the place of Polus, Socrates would hardly have had so easy a job of it."

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Plato : Gorgias

[Macaulay's marginalia in Plato's Gorgias]: "What a command of his temper the old fellow [Callicles] had, and what terrible, though delicate, ridicule! A bitter fellow, too, with all his suavity."

Century: 1800-1849     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Plato : Gorgias

[Macaulay's marginalia in Plato's Gorgias]: "This is not pure morality; but there is a good deal of weight in what Callicles says. He is wrong in not perceiving that the real happiness, not only of the weak many, but of the able few, is promoted by virtue. [...] When I read this dialogue as a lad at college, I wrote a trifling piece for Knight's Magazine, in which some Athenian characters were introduced, I made this Callicles the villain of the drama. I now see that he was merely a fair specimen of the public men of Athens in that age. Although his principles were those of aspiring and voluptuous men in unquiet times, his feelings seem to have been friendly and kind."

Century: 1800-1849     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Plato : Gorgias

[Macaulay's marginalia at the end of the dialogue in Plato's Gorgias]: "This is one of the finest passages in Greek literature. Plato is a real poet."

Century: 1800-1849     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Plato : Gorgias

[Macaulay's marginalia at the end of the dialogue in Plato's Gorgias. He marks the the doctrine "that we ought to be more afraid of wronging than of being wronged, and that the prime business of every man is, not to seem good, but to be good, in all his private and public dealings" with three pencil lines, and writes]: "This just and noble conclusion atones for much fallacy in the reasoning by which Socrates arrived at it [...] it is impossible not to consider it [the Gorgias] as one of the greatest performances which have descended to us from that wonderful generation."

Century: 1800-1849     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Plato : Gorgias

[Macaulay's marginalia in Plato's Gorgias, by the trial of Socrates, when Socrates expressed a serene conviction that to die is gain, even if death were nothing more than an untroubled and dreamless sleep]: "Milton thought otherwise" [Macaulay quotes the lines "Sad cure! For who would lose,/Though full of pain, this intellectual being;/ Those thoughts that wander through eternity?"] "I once thought with Milton; but every day brings me nearer and nearer the doctrine here laid down by Socrates."

Century: 1800-1849     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Plato : Gorgias

[Macaulay's marginalia in Plato's Gorgias, at the end of the trial of Socrates]: "A most solemn and noble close! Nothing was ever written, or spoken, approaching in sober sublimity to the latter part of the Apology. It is impossible to read it without feeling one's mind elevated and strengthened."

Century: 1800-1849     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Plato : Crito

[Macaulay's marginalia on the last page of the Crito]: There is much that may be questioned in the reasoning of Socrates; but it is impossible not to admire the wisdom and virtue which it indicates. When we consider the moral state of Greece in his time, and the revolution which he produced in men's notions of good and evil, we must pronounce him one of the greatest men that ever lived."

Century: 1800-1849     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Juvenal : 

I remember paying him [Macaulay] a visit in his rose-garden at Campden Hill [...] I was in a hurry to communicate to him my discovery of the magnificent verses in which Juvenal bids observe how the world's two mightiest orators [Cicero and Demosthenes] were brought by their genius and eloquence to a violent and tragic death.

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: George Otto Trevelyan      Print: Book

  

John Beaumont : [poems]

'[Sir George] Beaumont wriote to W[ordsworth] on 10 Aug. 1806, saying: "I am sure you will be pleased with my ancestor (sir Johns) Poems. the more I read them the more I am pleased, his mind was elevated, pious & pure."'

Unknown
Century: 1800-1849     Reader/Listener/Group: Sir George Beaumont      

  

Charles Lyell : Principles of Geology

'In his isolated rural community Gregory never imagined that he might aspire to a higher profession. Now he returned to his old school for evening classes in chemistry, arithmetic, and mining engineering, where he won a prize book of world history and was introduced to Lyell's Principles of Geology. These two volumes taught him to think in evolutionary terms, and he began to read widely on the historicity of religion and the development of capitalism'.

Century: 1900-1945     Reader/Listener/Group: George Gregory      Print: Book

  

 : [book of world history]

'In his isolated rural community Gregory never imagined that he might aspire to a higher profession. Now he returned to his old school for evening classes in chemistry, arithmetic, and mining engineering, where he won a prize book of world history and was introduced to Lyell's Principles of Geology. These two volumes taught him to think in evolutionary terms, and he began to read widely on the historicity of religion and the development of capitalism'.

Century: 1900-1945     Reader/Listener/Group: George Gregory      Print: Book

  

 : [the story of Joseph]

'As a boy, stonemason Hugh Miller first learned to appreciate the pleasures of literature in the "most delightful of all narratives - the story of Joseph. Was there ever such a discovery made before! I actually found out for myself that the art of reading is the art of finding stories in books, and from that moment reading became one of the most delightful of my amusements". Once Miller had learned to read Scripture as a story, he soon found similar and equally gripping tales in chapbooks of Jack the Giant Killer, Sinbad the Sailor, Beauty and the Beast, and Aladdin. And then, he recalled, from fairy tales "I passed on, without being conscious of break or line of division, to books on which the learned are content to write commentaries and dissertations, but which I found to be quite as nice children's books as any of the others": Pope's Iliad and Odyssey. "With what power, and at how early an age, true genius impresses!"'

Century: 1800-1849     Reader/Listener/Group: Hugh Miller      Print: Book

  

 : Jack the Giant Killer

'As a boy, stonemason Hugh Miller first learned to appreciate the pleasures of literature in the "most delightful of all narratives - the story of Joseph. Was there ever such a discovery made before! I actually found out for myself that the art of reading is the art of finding stories in books, and from that moment reading became one of the most delightful of my amusements". Once Miller had learned to read Scripture as a story, he soon found similar and equally gripping tales in chapbooks of Jack the Giant Killer, Sinbad the Sailor, Beauty and the Beast, and Aladdin. And then, he recalled, from fairy tales "I passed on, without being conscious of break or line of division, to books on which the learned are content to write commentaries and dissertations, but which I found to be quite as nice children's books as any of the others": Pope's Iliad and Odyssey. "With what power, and at how early an age, true genius impresses!"'

Century: 1800-1849     Reader/Listener/Group: Hugh Miller      Print: Book

  

 : Sinbad the Sailor

'As a boy, stonemason Hugh Miller first learned to appreciate the pleasures of literature in the "most delightful of all narratives - the story of Joseph. Was there ever such a discovery made before! I actually found out for myself that the art of reading is the art of finding stories in books, and from that moment reading became one of the most delightful of my amusements". Once Miller had learned to read Scripture as a story, he soon found similar and equally gripping tales in chapbooks of Jack the Giant Killer, Sinbad the Sailor, Beauty and the Beast, and Aladdin. And then, he recalled, from fairy tales "I passed on, without being conscious of break or line of division, to books on which the learned are content to write commentaries and dissertations, but which I found to be quite as nice children's books as any of the others": Pope's Iliad and Odyssey. "With what power, and at how early an age, true genius impresses!"'

Century: 1800-1849     Reader/Listener/Group: Hugh Miller      Print: Book

  

 : Beauty and the Beast

'As a boy, stonemason Hugh Miller first learned to appreciate the pleasures of literature in the "most delightful of all narratives - the story of Joseph. Was there ever such a discovery made before! I actually found out for myself that the art of reading is the art of finding stories in books, and from that moment reading became one of the most delightful of my amusements". Once Miller had learned to read Scripture as a story, he soon found similar and equally gripping tales in chapbooks of Jack the Giant Killer, Sinbad the Sailor, Beauty and the Beast, and Aladdin. And then, he recalled, from fairy tales "I passed on, without being conscious of break or line of division, to books on which the learned are content to write commentaries and dissertations, but which I found to be quite as nice children's books as any of the others": Pope's Iliad and Odyssey. "With what power, and at how early an age, true genius impresses!"'

Century: 1800-1849     Reader/Listener/Group: Hugh Miller      Print: Book

  

 : Aladdin

'As a boy, stonemason Hugh Miller first learned to appreciate the pleasures of literature in the "most delightful of all narratives - the story of Joseph. Was there ever such a discovery made before! I actually found out for myself that the art of reading is the art of finding stories in books, and from that moment reading became one of the most delightful of my amusements". Once Miller had learned to read Scripture as a story, he soon found similar and equally gripping tales in chapbooks of Jack the Giant Killer, Sinbad the Sailor, Beauty and the Beast, and Aladdin. And then, he recalled, from fairy tales "I passed on, without being conscious of break or line of division, to books on which the learned are content to write commentaries and dissertations, but which I found to be quite as nice children's books as any of the others": Pope's Iliad and Odyssey. "With what power, and at how early an age, true genius impresses!"'

Century: 1800-1849     Reader/Listener/Group: Hugh Miller      Print: Book

  

Homer  : the Iliad

'As a boy, stonemason Hugh Miller first learned to appreciate the pleasures of literature in the "most delightful of all narratives - the story of Joseph. Was there ever such a discovery made before! I actually found out for myself that the art of reading is the art of finding stories in books, and from that moment reading became one of the most delightful of my amusements". Once Miller had learned to read Scripture as a story, he soon found similar and equally gripping tales in chapbooks of Jack the Giant Killer, Sinbad the Sailor, Beauty and the Beast, and Aladdin. And then, he recalled, from fairy tales "I passed on, without being conscious of break or line of division, to books on which the learned are content to write commentaries and dissertations, but which I found to be quite as nice children's books as any of the others": Pope's Iliad and Odyssey. "With what power, and at how early an age, true genius impresses!"'

Century: 1800-1849     Reader/Listener/Group: Hugh Miller      Print: Book

  

Homer  : The Odyssey

'As a boy, stonemason Hugh Miller first learned to appreciate the pleasures of literature in the "most delightful of all narratives - the story of Joseph. Was there ever such a discovery made before! I actually found out for myself that the art of reading is the art of finding stories in books, and from that moment reading became one of the most delightful of my amusements". Once Miller had learned to read Scripture as a story, he soon found similar and equally gripping tales in chapbooks of Jack the Giant Killer, Sinbad the Sailor, Beauty and the Beast, and Aladdin. And then, he recalled, from fairy tales "I passed on, without being conscious of break or line of division, to books on which the learned are content to write commentaries and dissertations, but which I found to be quite as nice children's books as any of the others": Pope's Iliad and Odyssey. "With what power, and at how early an age, true genius impresses!"'

Century: 1800-1849     Reader/Listener/Group: Hugh Miller      Print: Book

  

John Bunyan : Pilgrim's Progress

'"I next succeeded in discovering for myself a child's book, of not less interest than even The Iliad." It was Pilgrim's Progress, with wonderful woodcut illustrations. And from there it was a sort step to Robinson Crusoe and Gulliver's Travels'.

Century: 1800-1849     Reader/Listener/Group: Hugh Miller      Print: Book

  

Daniel Defoe : Robinson Crusoe

'"I next succeeded in discovering for myself a child's book, of not less interest than even The Iliad." It was Pilgrim's Progress, with wonderful woodcut illustrations. And from there it was a sort step to Robinson Crusoe and Gulliver's Travels'.

Century: 1800-1849     Reader/Listener/Group: Hugh Miller      Print: Book

  

Jonathan Swift : Gulliver's Travels

'"I next succeeded in discovering for myself a child's book, of not less interest than even The Iliad." It was Pilgrim's Progress, with wonderful woodcut illustrations. And from there it was a sort step to Robinson Crusoe and Gulliver's Travels'.

Century: 1800-1849     Reader/Listener/Group: Hugh Miller      Print: Book

  

anon : [newspaper]

Byron to John Hanson, [? November 1799]: 'I congratulate you on Capt. Hanson's being appointed commander of the Brazen sloop of war ... The manner I knew that Capt. Hanson was appointed Commander of the ship before mentioned was this[.] I saw it in the public paper.'

Century: 1700-1799     Reader/Listener/Group: George Gordon, Lord Byron      Print: Newspaper

  

anon : Morning Post

Byron to Augusta Byron, 25 April 1805: 'You say you are sick of the Installation [of seven Knights of the Garter at Windsor], and that Ld. C[arlisle] was not present; I however saw his name in the Morning Post, as one of the Knights Companions....'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Newspaper

  

William Cowper : Friendship

In letter to Edward Noel Long, 23 February 1807 Byron transcribes lines 91-96 of William Cowper, "Friendship" (as in 1803 edition of poem).

Unknown
Century: 1800-1849     Reader/Listener/Group: George Gordon, Lord Byron      

  

Various : Monthly Literary Recreations

Byron to Elizabeth Pigot, 2 August 1807: 'I have now a Review before me entitled, "Literary Recreations" where my Bardship is applauded far beyond my Deserts ... [the] critique pleases me particularly because it is of great great length, and a proper quantum of censure is administered ... though I have written a paper ... which appears in the same work, I am ignorant of every other person concerned in it.'

Century: 1800-1849     Reader/Listener/Group: George Gordon, Lord Byron      Print: Serial / periodical

  

anon : [morning newspaper]

Byron to the Earl of Clare, 20 August 1807: 'I hope this Letter will find you safe, I saw in a Morning paper, a long account of Robbery &c. &c. committed on the persons of sundry Majors, Colonels, & Esquires, passing from Lady Clare's to Limerick ... '

Century: 1800-1849     Reader/Listener/Group: George Gordon, Lord Byron      Print: NewspaperManuscript: Letter

  

 : Daily Advertiser

Evidence in trial for theft and receiving stolen goods. Prisoner Brown questions witness George Picard: Q: "Do you remember that there was a newspaper on the table at tea, and you read it?" A: "Yes, I believe it was the Daily Advertiser -it was the morning paper of the day before."

Century: 1800-1849     Reader/Listener/Group: George Picard      Print: Newspaper

  

 : 

Witness statement in trial for theft and receiving stolen goods; witness reads a 'bogus' invoice to the court: Q: "Is the invoice in a business-like form?" A: "Certainly not; it ought to have the name to it. It only says (reads) '50 pieces, 534 yards, 2 pieces of handkerchiefs, 24 yards.'"

Century: 1800-1849     Reader/Listener/Group: George Deboos      Manuscript: invoice

  

 : 

Witness statement in trial for theft and receiving stolen goods; witness reads a letter aloud to the court Deboos: "After reading it, he handed it to me -(reads) 'Mr Sherwin. In consequence of the hurry of business..."

Century: 1800-1849     Reader/Listener/Group: George Deboos      Manuscript: Letter

  

Robert Charles Dallas : unknown

Byron to Robert Charles Dallas, 21 January 1808: 'Whenever Leisure and Inclination permit me the pleasure of a visit, I shall feel truly gratified in a personal acquaintance with one, whose mind has long been known to me in his Writings.'

Unknown
Century: 1700-1799 / 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      

  

Herodotus : unknown

Byron to Robert Charles Dallas, 21 January 1808: 'As for my reading, I believe I may aver without hyperbole, it has been tolerably extensive in the historical department, so that few nations exist or have existed with whose records I am not in some degree acquainted from Herodotus down to Gibbon.'

Century: 1700-1799 / 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

Edward Gibbon : Decline and Fall of the Roman Empire

Byron to Robert Charles Dallas, 21 January 1808: 'As for my reading, I believe I may aver without hyperbole, it has been tolerably extensive in the historical department, so that few nations exist or have existed with whose records I am not in some degree acquainted from Herodotus down to Gibbon.'

Century: 1700-1799 / 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

 : The Times

Witness statements in trial for theft: George Baverstock: "I keep the Angel and Crown public house, opposite Whitechapel church; I have kept it thirteen years -I know the prisoner [Albin] well; he used to come often to read the Times newspaper"

Century: 1800-1849     Reader/Listener/Group: Nicholas Benigne Ablin      Print: Newspaper

  

William Harness : unknown

Byron to William Harness, 11 February 1808: 'I ... remember being favoured with the perusal of many of your compositions....'

Unknown
Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      

  

 : 

Witness statements in trial for tax offences: Jane Fuller: "I can neither read nor write; I had occasion to send a letter, and told Griffiths of it, he offered to write, and took pen and paper -I told him the persons name and my business, and he completed the letter and read it to me, it contained what I wanted, and answered my purpose very well, it was sent, and I received a very satisfactory answer. I have known him nine years -I have heard him read a story book, which was very entertaining, there was the names of fishes of the sea, and animals on the earth; I do not recollect the name of anything but the rattle snake." Q: "How long ago was this?" Fuller: "About nine years; it was at his house in Green parish -Ann Siders, his present wife was with him -I frequently called there, as I knew the people; it was one o'clock in the afternoon; he read an hour, or perhaps more, and told me the meanings of the things he read, about beasts, fishes and creeping things on earth..."

Century: 1800-1849     Reader/Listener/Group: George Griffiths      Print: Book

  

 : 

Witness statements in trial for tax offences: Jane Fuller: "I can neither read nor write; I had occasion to send a letter, and told Griffiths of it, he offered to write, and took pen and paper -I told him the persons name and my business, and he completed the letter and read it to me, it contained what I wanted, and answered my purpose very well, it was sent, and I received a very satisfactory answer. I have known him nine years -I have heard him read a story book, which was very entertaining, there was the names of fishes of the sea, and animals on the earth; I do not recollect the name of anything but the rattle snake." Q: "How long ago was this?" Fuller: "About nine years; it was at his house in Green parish -Ann Siders, his present wife was with him -I frequently called there, as I knew the people; it was one o'clock in the afternoon; he read an hour, or perhaps more, and told me the meanings of the things he read, about beasts, fishes and creeping things on earth..."

Century: 1800-1849     Reader/Listener/Group: George Griffiths      Manuscript: Letter

  

 : [newspapers]

Byron to Robert Charles Dallas, 23 June 1810: 'I ... request that you will write to malta. I expect a world of news, not political, for we have the papers up to May.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Newspaper

  

Henry Brougham : [speech]

Byron to Edward Ellice, 4 July 1810: 'I hear your friend Brougham is in the lower house mouthing at the ministry ... you remember he would not believe that I had written my pestilent Satire [English Bards and Scotch Reviewers], now that was very cruel and unlike me, for the moment I read his speech, I believed it to be his entire from Exordium to Peroration.'

Unknown
Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      

  

Horace : Ode ("Exegi monumentum")

Byron to John Cam Hobhouse, 23 August 1810: 'I am learning Italian, and this day translated an ode of Horace "Exegi monumentum" into that language[.]'

Unknown
Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      

  

 : [newspapers]

Byron to Francis Hodgson, 3 October 1810: 'I have seen some old English papers up to the 15th. of May, I see the "Lady of the Lake" advertised[;] of course it is in his old ballad style, and pretty, after all Scott is the best of them.'

Unknown
Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Newspaper

  

Anon : advertisement for Scott, The Lady of The Lake

Byron to Francis Hodgson, 3 October 1810: 'I have seen some old English papers up to the 15th. of May, I see the "Lady of the Lake" advertised[;] of course it is in his old ballad style, and pretty, after all Scott is the best of them.'

Unknown
Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Advertisement, Newspaper

  

John Galt : Fair Shepherdess, The

Byron to John Cam Hobhouse, 4 October 1810: 'I have just received a letter from [John] Galt with a Candiot poem which ... appears to be damned nonsense ... Galt also writes something not very intelligible about a "Spartan state paper" ... '

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Manuscript: Sheet

  

Various : Edinburgh Review

Byron to Francis Hodgson, 20 January 1811: 'I wish to be sure I had a few books ... any damned nonsense on a long Evening. - I had a straggling number of the E[dinburgh] Review given me by a compassionate Capt. of a frigate lately, it contains the reply to the Oxonian pamphlet, on the Strabonic controversy, the reviewer seems to be in a perilous passion ... '

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Serial / periodicalManuscript: Letter

  

Horace : De Arte Poetica

Byron to John Cam Hobhouse, 5 March 1811: 'I have begun an Imitation of the "De Arte Poetica" of Horace [became his Hints from Horace] ... The Horace I found in the convent where I have sojourned some months.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

 : [newspapers]

Byron to John Cam Hobhouse, 5 March 1811: 'I have seen English papers of October, which say little or nothing ... '

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Newspaper

  

unknown : unknown

Byron to John Cam Hobhouse, 10 August 1811, within two weeks of his mother's death: 'I am very lonely, & should think myself miserable, were it not for a kind of hysterical merriment ... I have tried reading & boxing, & swimming, & writing ... with a number of ineffectual remedies ... '

Unknown
Century: 1800-1849     Reader/Listener/Group: George Gordon, Lord Byron      

  

 : The Times

Witness statement in trial for theft: Francis Gifford Banner: "On the Monday after the 30th of June, I saw, in the Times newspaper, an account of this robbery, and that the men had said they were employed by me; I went to Mansion-house, and saw the prisoners -I had not employed them..."

Century: 1800-1849     Reader/Listener/Group: Francis Gifford Banner      Print: Newspaper

  

 : 

Witness statement in trial for forgery: George Coombs: "I appointed to meet him [Conway] next evening at the coffee house in Pickett-street; I did so -while we were in there reading the newspaper over, Martelly was there, and got into conversation with us"

Century: 1800-1849     Reader/Listener/Group: George Coobs      Print: Newspaper

  

Francis Hodgson : [translation of Juvenal]

Byron to Francis Hodgson, 9 September 1811: 'Dear Hodgson, - I have been a good deal in your company lately, for I have been reading Juvenal & Lady Jane &ca for the first time since my return.'

Century: 1800-1849     Reader/Listener/Group: George Gordon, Lord Byron      Print: Unknown

  

Francis Hodgson : Lady Jane Grey, a Tale; and Other Poems

Byron to Francis Hodgson, 9 September 1811: 'Dear Hodgson, - I have been a good deal in your company lately, for I have been reading Juvenal & Lady Jane &ca for the first time since my return.'

Century: 1800-1849     Reader/Listener/Group: George Gordon, Lord Byron      Print: Book

  

Richard Watson : Apology for Christianity, in a Series of Letters to Edward Gibbon, Esq.

Byron to Francis Hodgson, 4 December 1811: 'I have read Watson to Gibbon. He proves nothing, so I am where I was, verging towards Spinoza ... '

Century: 1800-1849     Reader/Listener/Group: George Gordon, Lord Byron      Print: Book

  

Sir William Drummond : Aedipus Judaicus

Byron to Francis Hodgson, 8 December 1811: 'I have gotten a book by Sir William Drummond (printed, but not published), entitled Oedipus Judaicus, in which he attempts to prove the greater part of the Old Testament an allegory, particularly Genesis and Joshua. He professes himself a theist in the preface, and handles the literal interpretation very roughly. I wish I could see it. Mr Ward has lent it me, and I confess it is worth fifty Watsons.'

Century: 1800-1849     Reader/Listener/Group: George Gordon, Lord Byron      Print: Book

  

Sir William Drummond : Aedipus Judaicus

Byron to John Cam Hobhouse, 15 December 1811: 'I have been living quietly, reading Sir W. Drummond's book on the bible ... '

Century: 1800-1849     Reader/Listener/Group: George Gordon, Lord Byron      Print: Book

  

Annabella Milbanke : [lines on Dermody]

Byron to Lady Caroline Lamb, 1 May 1812: 'I have read over the few poems of Miss Milbank with attention ... I like the lines on Dermody so much that I wish they were in rhyme. - The lines in the cave at Seaham have a turn of thought which I cannot sufficiently commend ... '

Century: 1800-1849     Reader/Listener/Group: George Gordon, Lord Byron      Manuscript: Unknown

  

Annabella Milbanke : [lines in the cave at Seaham]

Byron to Lady Caroline Lamb, 1 May 1812: 'I have read over the few poems of Miss Milbank with attention ... I like the lines on Dermody so much that I wish they were in rhyme. - The lines in the cave at Seaham have a turn of thought which I cannot sufficiently commend ... '

Century: 1800-1849     Reader/Listener/Group: George Gordon, Lord Byron      Manuscript: Unknown

  

Bernard Barton : unknown

Byron to Bernard Barton, 1 June 1812: 'Some weeks ago my friend Mr Rogers showed me some of the stanzas [of Barton's] in M.S. & I then expressed my opinion of their merit which a further perusal of the printed volume has given me no reason to revoke.'

Century: 1800-1849     Reader/Listener/Group: George Gordon, Lord Byron      Manuscript: Unknown

  

Bernard Barton : Metrical Effusions

Byron to Bernard Barton, 1 June 1812: 'Some weeks ago my friend Mr Rogers showed me some of the stanzas [of Barton's] in M.S. & I then expressed my opinion of their merit which a further perusal of the printed volume has given me no reason to revoke.'

Century: 1800-1849     Reader/Listener/Group: George Gordon, Lord Byron      Print: Book

  

Edward Daniel Clarke : Travels in Various Countries of Europe, Asia, and Africa (vol 2)

Byron to Edward Daniel Clarke, 26 June 1812: 'My dear Sir, - Will you accept my very sincere congratulations on your second volume wherein I have retraced some of my old paths adorned by you so beautifully that they give me double delight. The part which pleases me best is the preface ... '

Century: 1800-1849     Reader/Listener/Group: George Gordon, Lord Byron      Print: Book

  

anon : 

Byron to John Murray, acknowledging receipt of parcel of books and letters from Christian well-wishers, 14 September 1812, including Granville Penn, "The Bioscope, or Dial of Life Explained": ;The "Bioscope" contained an M.S.S. copy of very excellent verses, from whom I know not, but evidently the composition of some one in the habit of writing & of writing well, I do not know if he be ye. author of the "Bioscope" which accompanied them, but whoevever he is if you can discover hiim, thank him from me most heartily.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Manuscript: Unknown

  

various : Morning Chronicle

Byron to Lord Holland, 14 October 1812, on looking out for reports of his Drury Lane Theatre address: 'I have seen no paper but [James] Perry's [Morning Chronicle] and two of the Sunday ones.'

Century: 1800-1849     Reader/Listener/Group: George Gordon, Lord Byron      Print: Newspaper

  

various : [Sunday papers]

Byron to Lord Holland, 14 October 1812, on looking out for reports of his Drury Lane Theatre address: 'I have seen no paper but [James] Perry's [Morning Chronicle] and two of the Sunday ones.'

Century: 1800-1849     Reader/Listener/Group: George Gordon, Lord Byron      Print: Newspaper

  

various : [newspapers]

Byron to Lady Melbourne, 17 October 1812, on reports of his Drury Lane Theatre address: '... my address has been ... mauled (I see) in the newspapers ... '

Century: 1800-1849     Reader/Listener/Group: George Gordon, Lord Byron      Print: Newspaper

  

Annabella Milbanke : [biography]

Byron to Lady Melbourne, 18 October 1812, on writing by Annabella Milbanke that she has forwarded to him: '... the specimen you send me is more favourable to her talents than her discernment, & much too indulgent to the subject she has chosen ... but you have not sent me the whole (I imagine) by the abruptness of both beginning & end ... '

Century: 1800-1849     Reader/Listener/Group: George Gordon, Lord Byron      Manuscript: Unknown

  

 : [newspapers]

Byron to Lady Melbourne, 30 October 1812: '... I see by the papers Ld. and Ly. Cowper are returned to Herts.'

Century: 1800-1849     Reader/Listener/Group: George Gordon, Lord Byron      Print: Newspaper

  

unknown : unknown

Byron to Lady Melbourne, 18 November 1812: 'I am still here only sad in the prospect of going [from home of Lord and Lady Oxford]; reading, laughing, & playing ... with ye. children; a month has slipped away in this & such like innocent recreations ... '

Unknown
Century: 1800-1849     Reader/Listener/Group: George Gordon, Lord Byron      

  

Lord Brooke : [untitled manuscript]

Byron to John Murray, 22 November 1812: 'I have in charge a curious and very long MS. poem written by Lord Brooke (the friend of Sir Philip Sidney) (which I wish to submit to the inspection of Mr. Gifford with the following queries ... whether it has ever been published & secondly (if not) whether it is worth publication? - It is from Ld. Oxford's library & must have escaped or been overlooked amongst the M.SS. of the Harleian Miscellany. The writing is Ld. Brooke's except a different hand towards the close, it is ... in the six line stanza ... '

Century: 1800-1849     Reader/Listener/Group: George Gordon, Lord Byron      Manuscript: Unknown

  

 : [epitaphs]

Byron to Lady Melbourne, 11 January 1813: 'I have been looking over my Kinsham premises which are close to a church and churchyard full of the most facetious Epitaphs I ever read - "Adue"! (a new orthography taken from one of them) I commend me to your orisons ... '

Century: 1800-1849     Reader/Listener/Group: George Gordon, Lord Byron      Manuscript: tombstone epitaphs

  

James and Horace Smith : Horace in London; consisting of Imitations of the First Two Books of the Odes of Horace

Byron to John Murray, 20 January 1813; 'In "Horace in London" I perceive some stanzas on Ld. E[lgin] - in which ... I heartily concur. - I wish I had the pleasure of Mr. S[mith]'s acquaintance ... What I have read of this work seems admirably done ... '

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

Leigh Hunt : Examiner, The

Byron to John Murray, 21 April 1813: 'I see the Examiner threatens some observations upon you next week ... '

Century: 1800-1849     Reader/Listener/Group: George Gordon, Lord Byron      Print: Serial / periodical

  

Lord Thurlow : "When Rogers ... "

In letter from Byron to Thomas Moore: 'When Byron read these verses aloud to Moore and Rogers, they all three broke down with laughter.'

Unknown
Century: 1800-1849     Reader/Listener/Group: George Gordon, Lord Byron      

  

John Galt : Letters from the Levant

Byron to John Galt, 8 June 1813: 'I have to thank you for a most agreeable present [apparently a copy of his Letters from the Levant] ... I wish you had given us more ... no one has yet treated the subject in so pleasing a manner. - If there is any page where your readers may be inclined to think you have said too much - it will probably be that in which you have honoured me with a notice far too favourable ... I know nothing more attractive in poetry than your description of the Romaika [dance] ... thank you for a volume on Greece - which has not yet been equalled - & will with difficulty be surpassed.'

Century: 1800-1849     Reader/Listener/Group: George Gordon, Lord Byron      Print: Book

  

anon : advertisement for William Wadd, Practical Observations on the best mode of curing Strictures...

Byron to John Murray, 12 June 1813: 'In yesterday's paper immediately under an advertisement on "Strictures in the Urethra" I see most appropriately consequent - a poem with "strictures on Ld. B. Mr. Southey and others" ...'

Century: 1800-1849     Reader/Listener/Group: George Gordon, Lord Byron      Print: Advertisement, Newspaper

  

anon : advertisement for Modern Poets; a Dialogue in Verse, containing some Strictures on the Poetry of Lord Byron, Mr. Southey, and Others

Byron to John Murray, 12 June 1813: 'In yesterday's paper immediately under an advertisement on "Strictures in the Urethra" I see most appropriately consequent - a poem with "strictures on Ld. B. Mr. Southey and others" ...'

Century: 1800-1849     Reader/Listener/Group: George Gordon, Lord Byron      Print: Advertisement, Newspaper

  

anon : Modern Poets; a Dialogue in Verse, containing some Strictures on the Poetry of Lord Byron, Mr. Southey, and Others

Byron to John Murray, 13 June 1813: 'I have read the strictures which are just enough - & not grossly abusive - in very fair couplets ... '

Century: 1800-1849     Reader/Listener/Group: George Gordon, Lord Byron      Print: Book

  

Various : Edinburgh Review

Byron to Thomas Moore, 22 August 1813: 'In a "mail-coach" copy of the Edinburgh, I perceive the Giaour is 2d article.'

Century: 1800-1849     Reader/Listener/Group: George Gordon, Lord Byron      Print: Serial / periodical

  

Thomas Moore : [poems]

Byron to Thomas Moore, 22 August 1813, in description of Newstead Abbey: 'I remember, when about fifteen, reading your poems there ... '

Unknown
Century: 1800-1849     Reader/Listener/Group: George Gordon, Lord Byron      

  

Lucien Buonaparte : Charlemagne

Byron to Thomas Moore, 22 August 1813: 'I hope you are going on with your grand coup - pray do - or that damned Lucien Buonaparte will beat us all. I have seen much of his poem in MS., and he really surpasses everything beneath Tasso.'

Century: 1800-1849     Reader/Listener/Group: George Gordon, Lord Byron      Manuscript: Unknown

  

A. L. Castellan : Moeurs, usages costumes des Othomans, et abrege de leur histoire

Byron to Thomas Moore, 28 August 1813: 'If you want any more books [on the Orient], there is "Castellan's Moeurs des Ottomans," the best compendium of the kind I ever met with, in six small tomes.'

Century: 1800-1849     Reader/Listener/Group: George Gordon, Lord Byron      Print: Book

  

Grimm : unknown

Byron to Lady Melbourne, 21 September 1813, from Aston Hall, Rotherham (where staying with Sir James Wedderburn Webster): 'There is a delightful epitaph on Voltaire in Grimm - I read it coming down - the French I should probably misspell so take it only in bad English - "Here lies the spoilt child of the/a world which he spoiled"'.

Unknown
Century: 1800-1849     Reader/Listener/Group: George Gordon, Lord Byron      

  

J. Thomson : unknown

Byron thanks J. Thomson (unidentified) for volume of poems, 27 September 1813: 'I have derived considerable pleasure from ye. perusal of parts of the book - to the whole I have not yet had time to do justice by more than a slight inspection.'

Unknown
Century: 1800-1849     Reader/Listener/Group: George Gordon, Lord Byron      

  

 : British Review

Byron to John Murray, 12 October 1813: 'I have received and read the British Review ... '

Century: 1800-1849     Reader/Listener/Group: George Gordon, Lord Byron      Print: Serial / periodical

  

Lucien Buonaparte : Charlemagne

Byron to Dr Samuel Butler, 20 October 1813: 'The little that I have seen by stealth and accident of Charlemagne quite electrified me.'

Unknown
Century: 1800-1849     Reader/Listener/Group: George Gordon, Lord Byron      

  

Madame Germaine de Stael-Holstein : De l'Allemagne

In postscript to letter written by Byron to John Murray, 3 am [29 November 1813]: 'I have got out of my bed (in which however I could not sleep ... ) & so Good Morning - I am trying whether De L'Allemagne will act as an opiate - but I doubt it.-'

Century: 1800-1849     Reader/Listener/Group: George Gordon, Lord Byron      Print: Book

  

unknown : [epigram on J. W. Ward]

Byron to John Murray, [29 November 1813 (c)]: 'there have been some epigrams on Mr. W[ar]d one I see today - the first I did not see but heard yesterday - the second seems very bad - and Mr. P[erry] has placed it over your puff - I only hope that Mr. W[ard] does not believe that I had any connection with either - '

Century: 1800-1849     Reader/Listener/Group: George Gordon, Lord Byron      Print: Newspaper

  

Madame Germaine de Stael-Holstein : De L'Allemagne

Byron to Madame de Stael, 30 November 1813, in praise of her De L'Allemagne: 'few days have passed since its publication without my perusal of many of its pages ... I should be sorry for my own sake to fix the period when I should not recur to it with pleasure.'

Century: 1800-1849     Reader/Listener/Group: George Gordon, Lord Byron      Print: Book

  

Various : Christian Observer

Byron to Zachary Macaulay (editor of the Christian Observer), 3 December 1813: 'Sir / - I have just finished the perusal of an article in the "Christian Observer" on ye. "Giaour." - You perhaps are unacquainted with ye. writer ... I only wish you would have the goodness to thank him very sincerely on my part for ye. pleasure ... which the perusal of a very able and I believe just criticism has afforded me. ... this is ye. first notice I have for some years taken of any public criticism good or bad in the way of either thanks or defence ... '

Century: 1800-1849     Reader/Listener/Group: George Gordon, Lord Byron      Print: Serial / periodical

  

unknown : Persian Tale

Byron to John Murray, 4 December 1813: 'I have redde through your Persian Tale - I have taken ye. liberty of making some remarks on ye. blank pages - there are many beautiful passages and an interesting story - and I cannot give a stonger proof that such is my opinion than by the date of the hour 2 o' clock. - till which it has kept me awake without a yawn ... the tale must be written by some one - who has been on the spot ... he deserves success. - Will you apologize to the author for the liberties I have taken with his M.S. ... '

Century:      Reader/Listener/Group: George Gordon, Lord Byron      Manuscript: Unknown

  

Friedrich Melchoir Grimm : Correspondance Litteraire

Byron to Thomas Moore, 8 December 1813: 'I have met with an odd reflection in Grimm ... "Many people have the reputation of being wicked, with whom we should be too happy to pass our lives." I need not add it is a woman's saying - a Mademoisele de Sommery's.'

Century: 1800-1849     Reader/Listener/Group: George Gordon, Lord Byron      Print: Book

  

George Gordon, Lord Byron : unknown

In Byron's Journal (14 November 1813-19 April 1814): 'I never in my life read a composition [of his own], save to Hodgson, as he pays me in kind. It is a horrible thing to do too frequently ... '

Unknown
Century: 1800-1849     Reader/Listener/Group: George Gordon, Lord Byron      

  

Madame Germaine de Stael-Holstein : unknown

In Byron's Journal (14 November 1813-19 April 1814): '... [Madame de Stael] writes octavos, and talks folios. I have read her books - like most of them, and delight in the last ... '

Century: 1800-1849     Reader/Listener/Group: George Gordon, Lord Byron      Print: Book

  

Robert Burns : unknown

In Byron's Journal (14 November 1813-19 April 1814): 'Read Burns to-day.'

Unknown
Century: 1800-1849     Reader/Listener/Group: George Gordon, Lord Byron      

  

unknown : [books]

In Byron's Journal (14 November 1813-19 April 1814), 17 November 1813: 'I wish I could settle to reading again, - my life is monotonous, and yet desultory. I take up books, and fling them down again.'

Century: 1800-1849     Reader/Listener/Group: George Gordon, Lord Byron      Print: Book

  

Various : Edinburgh Review

In Byron's Journal (14 November 1813-19 April 1814), 22 November 1813: 'I remember the effect of the first Edinburgh Review [containing negative review of his work] on me. I heard of it six weeks before, - read it the day of its denunciation, - dined and drank three bottles of claret ... was not easy, till I had vented my wrath and my rhyme, in the same pages aganst every thing and every body.'

Century: 1800-1849     Reader/Listener/Group: George Gordon, Lord Byron      Print: Serial / periodical

  

Sir Egerton Brydges : The Ruminator: containing a series of moral, critical and sentimental Essays

In Byron's Journal (14 November 1813-19 April 1814), 23 November 1813: "Redde the Ruminator - a collection of Essays, by a strange, but able, old man (Sir E[gerton] B[rydges], and a half-wild young one, author of a Poem on the Highlands, called Childe Alarique. The word 'sensibility' (always my aversion) occurs a thousand times in these Essays ... This young man can know nothing of life ... "

Century:      Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

Lady Frances Wedderburn Webster : letter with poem

In Byron's Journal (14 November 1813-19 April 1814), 26 November 1813: "Two letters, one from **** [Lady Frances Webster] ... **** [Lady Frances]'s contained also a very pretty lyric on 'concealed griefs' - of not her own, then very like her."

Century:      Reader/Listener/Group: George Gordon Lord Byron      Manuscript: Letter

  

Various : The Edinburgh Review

In Byron's Journal (14 November 1813-19 April 1814), ?27 November 1813: "Redde the Edinburgh Review of Rogers [with himself and other contemporary authors also discussed]."

Century:      Reader/Listener/Group: George Gordon Lord Byron      Print: Serial / periodical

  

George Frederick Cooke : Memoirs of George Frederick Cooke, late of the Theatre Royal, Covent Garden

In Byron's Journal (14 November 1813-19 April 1814), 5 December 1813, on pleasure at learning of his works' popularity in the USA: "The greatest pleasure I ever derived, of this kind, was from an extract, in Cooke the actor's life, from his journal, saying that in the reading-room of Albany, near Washington, he perused English Bards and Scotch Reviewers."

Century:      Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

George Gordon Lord Byron : English Bards and Scotch Reviewers

In Byron's Journal (14 November 1813-19 April 1814), 5 December 1813, on pleasure at learning of his works' popularity in the USA: "The greatest pleasure I ever derived, of this kind, was from an extract, in Cooke the actor's life, from his journal, saying that in the reading-room of Albany, near Washington, he perused English Bards and Scotch Reviewers."

Century:      Reader/Listener/Group: George Frederick Cooke      Print: Book

  

George Gordon Lord Byron : English Bards and Scotch Reviewers

In extract from journal of George Frederick Cooke in W. Dunlap, Memoirs of George Frederick Cooke: "Read English Bards and Scotch Reviewers, by Lord Byron. It is well written, His Lordship is rather severe ... on Walter Scott ... "

Century:      Reader/Listener/Group: George Frederick Cooke      Print: Book

  

Lord Sligo (2nd marquis of) : [letter on punishment for adultery in Turkey]

Byron's Journal (14 November 1813-19 April 1814), 5 Deecmber 1813: 'I showed ... [John Galt] Sligo's letter on the reports of the Turkish girl's aventure [ie punishment for adultery that became source of Byron's The Giaour] at Athens soon after it happened. He and Lord Holland, Lewis, and Moore, and Rogers, and Lady Melbourne have seen it.'

Century: 1800-1849     Reader/Listener/Group: Matthew Gregory Lewis      Manuscript: Letter

  

Madame Germaine de Stael-Holstein : unknown

Byron's Journal (14 November 1813-19 April 1814), 5 December 1813, on Madame De Stael: 'I read her again and again ... I cannot be mistaken (except in taste) in a book I read and lay down, and take up again ... '

Century: 1700-1799 / 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

Lord Glenbervie : Prospectus for Sylvester Douglas, Baron Glenbervie,

Byron's Journal (14 November 1813-19 April 1814), 6 Decmber 1813: 'Saw Lord Glenbervie and his Prospectus, at Murray's, of a new Treatise on Timber. Now here is a man more useful than all the hiistorians and rhymers ever planted. For by oreserving our woods and forests, he furnishes material for all the history of Britain worth reading, and all the odes worth nothing.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Advertisement

  

Matthew Gregory Lewis : The Monk

Byron's Journal (14 November 1813-19 April 1814), 6 December 1813: "Redde a good deal, but desultorily ... It is odd that when I do read, I can only bear the chicken broth of - any thing but Novels. It is many a year since I looked into one, (though they are sometimes ordered, by way of experiment, but never taken) till I looked yesterday at the worst parts of the Monk. These descriptions .. are forced - the philtred ideas of a jaded voluptuary."

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

 : [newspapers]

Byron's Journal (14 November 1813-19 April 1814), 7 December 1813: '... up an hour before being called ... Redde the papers and tea-ed and soda-watered ... '

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Newspaper

  

unknown : unknown

Byron's Journal (14 November 1813-19 April 1814), 13 December 1813: 'Called at three places - read, and got ready to leave town to-morrow.'

Unknown
Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      

  

unknown : [Italian]

Byron's Journal (14 November 1813-19 April 1814), 17 December 1813: 'Redde some Italian, and wrote two Sonnets on *** [Lady Frances Wedderburn Webster].'

Unknown
Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      

  

 : The Morning Post

Byron's Journal (14 November 1813-19 April 1814), 18 February 1814: 'Got up - redde the Morning Post containing the battle of Buonaparte, the destruction of the Custom House, and a paragraph on me as long as my pedigree, and vituperative, as usual.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Newspaper

  

unknown : unknown

Byron's Journal (14 November 1813-19 April 1814), 18 February 1814 ('Nine o'clock'): 'Redde a little - wrote notes, and letters, and am alone ... '

Unknown
Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      

  

unknown : unknown

Byron's Journal (14 November 1813-19 April 1814), 18 February 1814 ('Midnight'): 'Began a letter, which I threw into the fire. Redde - but to little purpose.'

Unknown
Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      

  

Johann Christoph von Schiller : The Robbers

Byron's Journal (14 November 1813-19 April 1814), 20 February 1814: ' ... redde the Robbers.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

unknown : Anti-Byron

Byron's Journal (14 November 1813-19 April 1814), 15 March 1814: 'Redde a satire on myself, called Anti-Byron, and told Murray to publish it if he liked. The object of the Author is to prove me an Atheist and a systematic conspirator against law and government. Some of the verse is good; the prose I don't quite understand.'

Unknown
Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      

  

Isaac Disraeli : Quarrels of Authors

Byron's Journal (14 November 1813-19 April 1814), 17 March 1814: 'Redde the "Quarrels of Authors" ... a new work, by that most entertaining and researching writer, Israeli [Isaac Disraeli].'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

Jean Chardin : unknown

Byron's Journal (14 November 1813-19 April 1814), 20 March 1814: 'Redde Machiavel, parts of Chardin, and Sismondi, and Bandello - by starts.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

Leonard Simonde de Sismondi : unknown

Byron's Journal (14 November 1813-19 April 1814), 20 March 1814: 'Redde Machiavel, parts of Chardin, and Sismondi, and Bandello - by starts.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

Matteo Bandello : unknown

Byron's Journal (14 November 1813-19 April 1814), 20 March 1814: 'Redde Machiavel, parts of Chardin, and Sismondi, and Bandello - by starts.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

 : The Edinburgh Review

Byron's Journal (14 November 1813-19 April 1814), 20 March 1814: 'Redde the Edinburgh, 44, just come out. In the beginning of the article on 'Edgeworth's Patronage,' I have gotten a high compliment, I perceive."'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Serial / periodical

  

unknown : unknown

Byron's Journal (14 November 1813-19 April 1814), 10 April 1814: 'Today I have boxed one hour - written an ode to Napoleon Buonaparte - copied it - eaten six biscuits - drunk four bottles of soda water - redde away the rest of my time ... '

Unknown
Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      

  

John Herman Merivale : Orlando in Roncesvalles

Byron to John Herman Merivale, [January 1814]: 'I have redde Roncesvaux with very great pleasure ... You have written a very noble poem ... your measure is uncommonly well chosen & wielded [goes on to advise March publication].'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Manuscript: Unknown

  

Maria Edgeworth : Patronage

Byron in postscript to letter to John Murray, [11 January 1814]: 'I have redde "Patronage" it is full of praises of Lord Ellenborough!!! from which I infer near & dear relations at the bar ... the tone of her book is as vulgar as her father ...'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

 : The Morning Chronicle

Byron in postscript to letter to John Murray, 4 February 1814: 'I see by the Mo[rning] C[hronicl]e there hathe been discussion in ye. Courier & I read in ye. Mo[rning] Post - a wrathful letter about Mr. Moore - in which some Protestant Reader has made a sad confusion about India and Ireland.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Newspaper

  

 : The Morning Post

Byron in postscript to letter to John Murray, 4 February 1814: 'I see by the Mo[rning] C[hronicl]e there hathe been discussion in ye. Courier & I read in ye. Mo[rning] Post - a wrathful letter about Mr. Moore - in which some Protestant Reader has made a sad confusion about India and Ireland.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Newspaper

  

Leigh Hunt : The Feast of the Poets

Byron to Leigh Hunt, 9 February 1814: 'Your poem I read long ago in "the Reflector" & it is not much to say it is the best "Session" we have ... '

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Serial / periodical

  

unknown : [ministerial gazettes]

Byron to Leigh Hunt, 9 February 1814: 'I have been regaled at every Inn on the road [from Newstead to London] by lampoons and other merry conceits on myself in the ministerial gazettes ...'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Newspaper, Serial / periodical

  

Annabella Milbanke : [letter]

Byron to Annabella Milbanke, 12 February 1814: 'In thanking you for your letter you will allow me to say that there is one sentence I do not understand ... I will copy it ... "How may I have forsaken that - and under the influence of an ardent zeal for Sincerity - is an explanation that cannot benefit either of us - should any disadvantage arise from the original fault it must be only where it is deserved - Let this then suffice for I cannot by total silence acquiesce in that which if supported when it's [sic] delusion is known to myself would become deception." - - - This I believe is word for word from your letter now before me.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Manuscript: Letter

  

John Locke : unknown

Byron to Annabella Milbanke, 15 February 1814: 'In my letter of ye. 12th in answer to your last I omitted to say that I have not for several years looked into the tract of Locke's which you mention -- but I have redde it formerly though I fear to little purpose since it is forgotten.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

 : The Book of Job

Byron to Annabella Milbanke, 15 February 1814: 'Of the Scriptures ... I have ever been a reader & admirer as compositions particularly the Arab -- Job -- and parts of Isaiah -- and the song of Deborah.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

 : The Book of Isaiah

Byron to Annabella Milbanke, 15 February 1814: 'Of the Scriptures ... I have ever been a reader & admirer as compositions particularly the Arab -- Job -- and parts of Isaiah -- and the song of Deborah.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

 : The Book of Deborah

Byron to Annabella Milbanke, 15 February 1814: 'Of the Scriptures ... I have ever been a reader & admirer as compositions particularly the Arab -- Job -- and parts of Isaiah -- and the song of Deborah.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

unknown : Anti-Byron

Byron to John Murray, 12 March 1814: 'I have not had time to read the whole M.S. but what I have seen seems very well written (both prose and verse) & ... containing nothing which you ought to hesitate publishing upon my account.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Manuscript: Unknown

  

Frances Burney : The Wanderer, or Female Difficulties

Byron to Lady Melbourne, 30 March 1814, on Frances Burney, The Wanderer (which contains episode recalling his ex-lover Lady Caroline Lamb's attempt to stab herself at a party) : 'I have turned over ye. book at least ye. part of it. -- & think the coincidence unlucky for many reasons ... '

Unknown
Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      

  

Francis Jeffrey : review of Byron, The Corsair and The Bride of Abydos

Byron to Lady Melbourne, 30 March 1814: 'I have seen the E[dinburgh] R[eview] and the compliment -- which Rogers says -- "Scott and Campbell won't like" kind Soul!'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Serial / periodical

  

 : advertisement for William Sotheby, Five Tragedies (1814)

Byron to John Murray, 9 April 1814: 'I see Sotheby's tragedies advertised ... '

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Advertisement

  

Stratford Canning : Bonaparte

Byron to John Murray, 26 April 1814, on work (about abdication of Napoleon) sent to him to read: 'I have no guess at your Author but it is a noble poem ... I suppose I may keep this copy -- after reading it I really regret having written my own ...'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Manuscript: Unknown

  

unknown : [Roman History]

Byron to Lady Melbourne, April- 1 May 1814, on his relations with his half-sister: 'it is odd that I always had a foreboding -- and remember when quite a child reading the Roman History -- about a marriage I will tell you of when we me[et] -- asking ma mere -- why I should not marry +'

Unknown
Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      

  

unknown : unknown

Byron to unknown correspondent, 29 June 1814: 'Sir / -- I have to thank you for the perusal of your work -- and assure You that I perfectly coincide with your judges in their opinion of it's merits. -- Excuse my having detained it so long.'

Unknown
Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      

  

unknown : [article]

Byron to John Murray, [?July 23-24 1814]: 'I have read the article & concur in opinion with Mr. Rogers & my friends that I have every reason to be satisfied. -- You best know as Publisher how far the book may be injured or benefited by the critique in question.'

Unknown
Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      

  

Walter Scott : Waverley

Byron to John Murray, 24 July 1814: 'Waverley is the best & most interesting novel I have redde since -- I don't know when -- I like it as much as I hate Patronage and Wanderer -- & O'donnel and all the feminine trash of the last four months ... '

Century:      Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

Annabella Milbanke : [letter]

Byron in postscript of letter to Annabella Milbanke, 1 August 1814: 'I have read your letter once more -- and it appears to me that I must have said something which makes you apprehend a misunderstanding on my part of your sentiments ...'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Manuscript: Letter

  

John Murray : [advertisements for Byron, Lara, and Samuel Rogers, Jacqueline (joint publication)]

Byron to John Murray, 3 August 1814: 'I see advertisements of Lara & Jacqueline -- pray why? when I requested you to postpone publication till my return to town.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: AdvertisementManuscript: Letter

  

Robert Charles Dallas [?] : [poem]

Byron to unknown female correspondent (mother of author of poem sent for Byron's consideration), 17 August 1814: 'The poem from which you have done me the honour to enlose some extracts --I saw in M.S. last year at the hands of Mr. Murray and expressed my wonder that he did not publish it ...'

Century:      Reader/Listener/Group: George Gordon Lord Byron      Manuscript: Unknown

  

unknown : [history book]

Byron recommends history books in letter to Annabella Milbanke, 25 August 1814: 'the best thing of that kind I met with by accident at Athens in a Convent Library in an old & not "very choice Italian" I forget the title -- but it was a history in some 30 tomes of all Conjurazioni whatsoever from Cataline's down to Fiesco of Lavagna's in Genoa -- and Braganza's in Lisbon -- I read it through (having nothing else to read) & having nothing to compare it withal thought it perfection.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

Thomas Campbell : Lines on Leaving a Scene in Bavaria

Byron to John Murray, 2 September 1814: ' ... [Thomas Campbell] has an unpublished (though printed) poem on a Scene in Germany (Bavaria I think) which I saw last year -- that is perfectly magnificent ...'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Unknown

  

unknown : unknown

Byron to John Murray, 7 September 1814: 'I am very idle I have read the few books I had with me -- & been forced to fish for lack of other argument ...'

Unknown
Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      

  

Richard Porson : Letters to Archdeacon Travis

Byron in letter to Annabella Milbanke of 7 September 1814 praises Richard Porson's Letters to Archdeacon Travis (alluded to by Milbanke in a previous letter) but notes that 'years have elapsed since I saw it.'

Unknown
Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      

  

unknown : unknown

Byron to Thomas Moore, 15 September 1814, writing whilst waiting at Newstead to learn whether marriage proposal acepted: 'Books I have but few here, and those I have read ten times over, till sick of them.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

Annabella Milbanke : [letter]

Byron to Annabella Milbanke, early in their engagement, 19 September 1814: 'When your letter arrived my sister was sitting near me and grew frightened at the effect of it's contents -- which was even painful for a moment -- not a long one -- nor am I often so shaken.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Manuscript: Letter

  

Annabella Milbanke : [letter to Byron]

Byron to Lady Melbourne, 23 September 1814: 'I am glad you liked Annabella [Milbanke]'s letter to you -- Augusta said that to me (the decisive one ) [ie accepting his marriage proposal] was the best & prettiest she ever read ...'

Century: 1800-1849     Reader/Listener/Group: Augusta Leigh      Manuscript: Letter

  

 : The Morning Chronicle

Byron to James Perry, editor of the Morning Chronicle, 5 October 1814: 'Sir -- I perceive in your paper this day the contradiction of a paragraph copied from the Durham paper announcing the intended marriage of Ld. B. with Miss M[ilbank]e. -- How the paragraph came into the Durham or the other papers I know not -- but as it is founded on fact -- I will be much obliged if you will inform me -- who instructed you to contradict this?'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: NewspaperManuscript: Letter

  

 : [newspaper]

Byron to Annabella Milbanke, 14 October 1814: 'I have this morning seen the paragraph [regarding their engagement, alluded to by her in letter to him] -- it is just to you -- & not very just to me ...'

Century:      Reader/Listener/Group: George Gordon Lord Byron      Print: Newspaper, Serial / periodicalManuscript: Letter

  

Annabella Milbanke : [letter]

Byron to Annabella Milbanke, 16 October 1814: 'In arranging papers I have found the first letter you ever wrote to me -- read it again ...'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Manuscript: Letter

  

unknown : unknown

Byron to Annabella Milbanke, 17 October 1814: 'If there were no other inducements for me to leave London -- the utter solitude of my situation with only my Maccaw to converse with -- would be sufficient ... I read -- but very desultorily ...'

Unknown
Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      

  

 : The Morning Chronicle

Byron to Annabella Milbanke, 12 December 1814: 'I perceive in the M[ornin]g Chronicle report -- that Sir H. Mildmay in one of his amatory epistles compared himself to Childe Harold ...'

Unknown
Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Newspaper

  

Thomas Moore : article on Boyd's Select Passages from the Writings of St Chrysostom

Byron to Thomas Moore, 10 January 1815: 'I have redde thee upon the Fathers, and it is excellent well ... you must not leave off reviewing. You shine in it ...'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Serial / periodical

  

John Cam Hobhouse : [packet]

Byron to John Cam Hobhouse, 26 January 1815: 'Your packet hath been perused ...'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Manuscript: Letter

  

 : The Annual Register

Activities listed by Byron, bored at wife's family home at Seaham, in letter to Thomas Moore, 2 March 1815, include 'trying to read old Annual Registers and the daily papers ...'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Serial / periodical

  

 : [daily newspapers]

Activities listed by Byron, bored at wife's family home at Seaham, in letter to Thomas Moore, 2 March 1815, include 'trying to read old Annual Registers and the daily papers ...'

Century:      Reader/Listener/Group: George Gordon Lord Byron      Print: Newspaper

  

 : Byron family pedigree

Byron to John Hanson, 11 July 1815: 'Dear Sir -- I have called about my Will -- which I hope is nearly ready. -- I also wish to have the robe and sword sent up to my house -- and the Pedigree this last must be looked for immediately -- I recollect perfectly seeing it at your house -- and trust that it is not lost or mislaid -- as it is not only a document of importance but beautiful and valuable as a piece of work from the inlaid engravings upon it.'

Unknown
Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      

  

unknown : unknown

Byron to unknown author of volume of poems sent to him the previous day, 18 July 1815: 'the satisfaction I experienced from the perusal, made me anxious for the immediate acquaintance and society of the Gentleman, who has so kindly favoured the world with the production of his leisure hours.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

Leigh Hunt : The Story of Rimini (Canto 3)

Byron to Leigh Hunt, 22 October 1815: 'My dear Hunt -- You have excelled yourself - if not all your Contemporaries in the Canto which I have just finished ...'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Manuscript: Unknown

  

unknown : [paper on the Methodists]

Byron to Leigh Hunt, [4-6 November, 1815]: 'The paper on the Methodists was sure to raise the bristles of the godly -- I redde it and agree with the writer on one point ... that an addiction to poetry is very generally the result of "an uneasy mind in an uneasy body" ...'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Serial / periodical

  

Charles Robert Maturin : Bertram

Byron to the Rev. Charles Robert Maturin, 21 December 1815, regarding submission of MS [Bertram] to Drury Lane Theatre: 'Sir -- Mr. Lamb -- (one of my colleagues in the S[ub] Committee) & myself have read your tragedy: -- he agrees with me in thinking it a very extraordinary production ...'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Manuscript: Unknown

  

Charles Robert Maturin : Bertram

Byron to the Rev. Charles Robert Maturin, 21 December 1815, regarding submission of MS [Bertram] to Drury Lane Theatre: 'Sir -- Mr. Lamb -- (one of my colleagues in the S[ub] Committee) & myself have read your tragedy: -- he agrees with me in thinking it a very extraordinary production ...'

Century:      Reader/Listener/Group: George Lamb      Manuscript: Unknown

  

Lady Byron : [letter]

Byron to his father-in-law, Sir Ralph Noel, 7 February 1816: 'I have read Lady Byron's letter -- enclosed by you to Mrs. Leigh -- with much surprize and more sorrow.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Manuscript: Letter

  

Leigh Hunt : The Story of Rimini

Byron to Leigh Hunt, [?March-April 1816], on receptions of his poem The Story of Rimini: 'my sister and cousin ... were in fixed perusal & delight with it ...'

Unknown
Century: 1800-1849     Reader/Listener/Group: Augusta Leigh      

  

Giambattista Casti : Novelle Amorose

Byron to Pryce Gordon, [?June 1816]: '... I cannot tell you what a treat your gift of Casti has been to me; I have almost got him by heart. I had read his "Animali Parlanti," but I think these "Novelle" much better ...'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

Giambattista Casti : Animali Parlante

Byron to Pryce Gordon, [?June 1816]: '... I cannot tell you what a treat your gift of Casti has been to me; I have almost got him by heart. I had read his "Animali Parlanti," but I think these "Novelle" much better ...'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

Jean-Jacques Rousseau : Julie, ou La Nouvelle Heloise

Byron to John Murray, 27 June 1816: 'I have traversed all Rousseau's ground -- with the Heloise before me -- & am struck to a degree with the force and accuracy of hs descriptions ...'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

Lady Caroline Lamb : Glenarvon

Byron to Samuel Rogers, 29 July 1816: 'I have read "Glenarvon" ... & have also seen Ben. Constant's Adolphe ... a work which leaves an unpleasant impression ...'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

Benjamin Constant : Adolphe

Byron to Samuel Rogers, 29 July 1816: 'I have read "Glenarvon" ... & have also seen Ben. Constant's Adolphe ... a work which leaves an unpleasant impression ...'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

Edmund Ludlow : memoirs

Byron to Augusta Leigh, 17 September 1816 ("Alpine Journal"), on seeing General Ludlow's monument at Vevey: 'I remember reading his memoirs in January 1815 (at Halnaby -- ) the first part of them very amusing -- the latter less so, -- I little thought at the time of their perusal by me of seeing his tomb --'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

Margaret de Thomas : epitaph to Edmund Ludlow

Byron to Augusta Leigh, 17 September 1816 ("Alpine Journal"), on General Ludlow's monument at Vevey: 'black marble -- long inscription -- Latin -- but simple -- particularly the latter part -- in which his wife (Margaret de Thomas) records her long -- her tried -- and unshaken affection ...'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Manuscript: tombstone epitaph

  

Johann Christoph von Schiller : unknown

Byron to Augusta Leigh, 20 September 1816 ("Alpine Journal"), on evening arrival at inn: 'nine o clock -- going to bed ... women gabbling below -- read a French translation of Schiller ...'

Unknown
Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      

  

anon : [inscription on rock]

Byron to Augusta Leigh, 22 September 1816 ("Alpine Journal"): 'Passed a rock -- inscription -- 2 brothers -- one murdered the other ...'

Unknown
Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Manuscript: inscription

  

anon : review of Goethe, Aus meinem Leben, Dichtung und Wahrheit

Byron to John Murray, 5 October 1816: 'I have read the last E[dinburgh] R[eview] they are very severe on the Germans -- and their idol Goethe -- I have also read Wedderburne Webster -- and Ilderim -- and the Pamphleteer. -- --'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Serial / periodicalManuscript: Unknown

  

James Wedderburn Webster : Waterloo and Other Poems

Byron to John Murray, 5 October 1816: 'I have read the last E[dinburgh] R[eview] they are very severe on the Germans -- and their idol Goethe -- I have also read Wedderburne Webster -- and Ilderim -- and the Pamphleteer. -- --'

Unknown
Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Manuscript: Unknown

  

H. Gally Knight : Ilderim: A Syrian Tale

Byron to John Murray, 5 October 1816: 'I have read the last E[dinburgh] R[eview] they are very severe on the Germans -- and their idol Goethe -- I have also read Wedderburne Webster -- and Ilderim -- and the Pamphleteer. -- --'

Unknown
Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      

  

 : The Pamphleteer

Byron to John Murray, 5 October 1816: 'I have read the last E[dinburgh] R[eview] they are very severe on the Germans -- and their idol Goethe -- I have also read Wedderburne Webster -- and Ilderim -- and the Pamphleteer. -- --'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Serial / periodical

  

Lucretia de Borgia : [unknown]

Byron to Augusta Leigh, 15 October 1816, from Milan: 'What has delighted me most is a manuscript collection (preserved in the Ambrosian library), of original love-letters and verses of Lucretia de Borgia & Cardinal Bembo ... the letters are so beautiful that I have done nothing but pore over them, & have made the librarian promise me a copy of them ... The verses are Spanish -- the letters Italian ... all in hr own hand-writing.'

Century: 1800-1849     Reader/Listener/Group: George Gordon, Lord Byron      Manuscript: Unknown

  

Cardinal; Lucretia Bembo; de Borgia : letters

Byron to Thomas Moore, 6 November 1816: 'Among many things at Milan, one pleased me particularly, viz. the correspondence ... of Lucretia Borgia wth Cardinal Bembo ... I ... wished sorely to get a copy of one or two of the letters, but is was prohibited ... so I only got some of them by heart. They are kept in the Ambrosian Library, which I often visited to look them over ...'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Manuscript: Letter, Unknown

  

unknown : "book treating of the Rhine"

Byron to Augusta Leigh, 6 November 1816: ' ... by the way Ada [his daughter]'s name is the same with that of the Sister of Charlemagne -- as I read the other day in a book treating of the Rhine.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

Lady Caroline Lamb : Glenarvon

Byron to Thomas Moore, 17 November 1816: 'By the way, I suppose you have seen "Glenarvon". Madame de Stael lent it to me to read from Copet last autumn. It seems to me that if the authoress had written the truth ... the romance would not only have been more romantic, but more entertaining.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

George MacDonald : Alec Forbes of Howglen

"Read my birthday book from Walter. 'Alec Forbes of Howglen' by Mac Donald."

Century: 1850-1899     Reader/Listener/Group: Agnes Blanche Hemming      Print: Book

  

 : ["the Italian version of the French papers"]

Byron to John Murray, 4 December 1816: 'From England I hear nothing ... I know no more ... than the Italian version of the French papers chooses to tell me, -- or the advertisements of Mr. Colburn tagged to the end of your Quarterly review for the year ago.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Newspaper

  

George MacDonald : Alec Forbes of Howglen

"Had a long morning to read 'Alec Forbes of Howglen'".

Century: 1850-1899     Reader/Listener/Group: Agnes Blanche Hemming      Print: Book

  

 : Quarterly Review

Byron to John Murray, 4 December 1816: 'From England I hear nothing ... I know no more ... than the Italian version of the French papers chooses to tell me, -- or the advertisements of Mr. Colburn tagged to the end of your Quarterly review for the year ago.'

Century:      Reader/Listener/Group: George Gordon Lord Byron      Print: Advertisement, Serial / periodical

  

R.D. Blackmore : Lorna Doone

"Read Lorna Doone in the evening and helped Mother in to bed."

Century: 1850-1899     Reader/Listener/Group: Agnes Blanche Hemming      Print: Book

  

R.D. Blackmore : Lorna Doone

"Much interested in Lorna Doone. It is a truly romantic book."

Century: 1850-1899     Reader/Listener/Group: Agnes Blanche Hemming      Print: Book

  

R.D. Blackmore : Lorna Doone

"Finished reading Lorna Doone and like it very much."

Century: 1850-1899     Reader/Listener/Group: Agnes Blanche Hemming      Print: Book

  

R.D. Blackmore : Lorna Doone

"Read aloud to Maude from Lorna Doone. Very much taken with this little bit - 'the valley into which I gazed was fair with early promise, having shelter from the wind and taking all the sunshine. The willow bushes hung over the stream as if they were angling with tasseled floats of gold & silver, bursting like a bean-pod. Between them came the water laughing like a maid at her own dancing, and spread with that young blue which never lies beyond the April. And on either bank, the meadow ruffled as the breeze came by, opening (through new tufts of green) daisy-bud or celandine, or a shy glimpse now & then of a love-lorn primrose.'"

Century: 1850-1899     Reader/Listener/Group: Agnes Blanche Hemming      Print: Book

  

James Wedderburn Webster : Waterloo and Other Poems

Byron to Douglas Kinnaird, 24 February 1817: 'I saw in Switzerland in the autumn the poems of [James Wedderburn] Webster ... Amongst the ingredients of this volume I was not a little astonished to find an epitaph upon myself -- the desert of which I would postpone for a few years at least ...'

Century: 1800-1849     Reader/Listener/Group: George Gordon, Lord Byron      Print: Advertisement, Book, Serial / periodical

  

Walter Scott : Review of Byron, Childe Harold Canto III and The Prisoner of Chillon, a Dream, and other Poems

Byron to John Murray, 3 March 1817, on review of his work in Quarterly Review received two days previously: '... I ... flatter myself that the writer ... will not regret that the perusal of this has given me as much gratification -- as any composition of that nature could give -- & more than any other ever has given ...'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Serial / periodical

  

Anne Grant : Letters from the Mountains; being the real correspondence of a Lady, between the year 1773 and 1807, third edition.

[Marginalia]: All three volumes have marginal vertical lines and underlines which appear to indicate meaningful points for the reader (Magdalene Erskine). Vol. 2 has a number of sketches by her. Some of the lines are accompanied by comments or corrections. The end of vol. 3 is dated "My cottage Jany 19th 1809 Thursday night by ... fireside". Marginal comments are in general very brief.

Century: 1800-1849     Reader/Listener/Group: Magdalene Erskine      Print: Book

  

George Gordon Lord Byron : travel journal

Byron to Thomas Moore, 25 March 1817, on Alpine travels in 1816: 'I kept a journal of the whole for my sister Augusta, which she copied and let Murray see.'

Century: 1800-1849     Reader/Listener/Group: Augusta Leigh      Manuscript: Codex

  

Voltaire : Oeuvres Completes de Voltaire. De L'Imprimerie de la Societe Litterarie Typographique

Byron to John Cam Hobhouse, 31 March 1817: 'I have bought several books ... among others a complete Voltaire in 92 volumes -- whom I have been reading -- he is delightful but dreadfully inaccurate frequently.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

St. Paul  : Epistles to Corinthians

Byron to Thomas Moore, 31 March 1817: 'Did I tell you that I have translated two Epistles? -- a correspondence between St. Paul and the Corinthians, not to be found in our version, but the Armenian -- but which seems to me very orthodox, and I have done it into scriptural prose English.'

Unknown
Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

 : [newspaper]

Byron to editor of a Venice newspaper, denying that Napoleon was the protagonist of (?) Childe Harold's Pilgrimage Canto III, [?April 1817]: 'Sir, In your Journal of 27th. March I perceive an article purporting to be translated from the literary Gazette of Jena, and referring to a recent publication of mine ...'

Unknown
Century:      Reader/Listener/Group: George Gordon Lord Byron      Print: Newspaper

  

Johan Christoph von Schiller : Geisterseher

Byron to John Murray, 2 April 1817, having observed upon preservation of black veil over Falieri's picture, and the staircase on which he was beheaded at the Doge's Palace, Venice: 'This was the thing that first struck my imagination in Venice ... more ... than Schiller's "Armenian" -- a novel which took great hold of me when a boy -- it is also called the "Ghost Seer" ..."

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

 : reviews of Caroline Lamb, Glenarvon, and Byron, Childe Harold Canto III

Byron to John Murray, 2 April 1817: 'There have been two Articles in the Venice papers one a review of C. Lamb's "Glenarvon" ... the other a review of C[hilde] Har[ol]d in whiich it proclaims me the most rebellious and contumacious Admmirer of Buonaparte -- now surviving in Europe; -- both these Articles are translations from the literary Gazette of German Jena ... they are some weeks old ... I have conserved these papers as curiosities.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Newspaper

  

Lord Holland : Some Account of the Life and Writings of Lope Felix de Vega Carpio

Byron to Samuel Rogers, 4 April 1817: 'Will you remember me to Ld. and Lady Holland -- I have to thank the former for a book which I have not yet received -- but expect to reperuse with great pleasure on my return -- viz -- the 2d. Edition of Lope de Vega.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

Jean-Jacques Rousseau : Confessions

Byron to John Murray, 9 April 1817: 'I will tell you something about [The Prisoner of] Chillon. -- A Mr. De Luc ninety years old -- a Swiss -- had it read to him & is pleased with it -- so my Sister writes. -- He said that he was with Rousseau at Chillon -- & that the description is perfectly correct -- but this is not all -- I recollected something of the name & find the following passage in "The Confessions" -- vol.3. page 247. Liv. 8th' [quotes passage mentioning "De Luc pere" and "ses deux fils" as companions on boat trip which took in scenery that inspired descriptions in Julie, and conjectures that this De Luc one of the "fils"]

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

Voltaire : unknown

Byron to John Cam Hobhouse, 14 April 1817: 'I have read a good deal of Voltaire lately ... what I dislike is his extreme inaccuracy ...'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

Walter Scott : Tales of my Landlord

Byron to John Murray, 9 May 1817: 'The "Tales of my Landlord" I have read with great pleasure ...'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

Thomas Moore : Lallah Rookh

Byron to John Murray 9 July 1817: 'I have got the sketch & extracts from Lallah Rookh ... the plan as well as the extract I have seen please me very much indeed ...'

Unknown
Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      

  

Thomas Moore : Lallah Rookh (extracts)

Byron to Thomas Moore, 10 July 1817: '[John] Murray ... has contrived to send me extracts from Lalla Rookh ... They are taken from some magazine, and contain a short outline and quotations from the two first Poems. I am very much delighted with what is before me, and very thirsty for the rest.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Serial / periodical

  

Thomas Moore : Lallah Rookh (extracts)

Byron to John Murray, 15 July 1817: 'I lent [M. G.] Lewis who is at Venice ... your extracts from Lalla Rookh -- & Manuel -- out of contradiction it may be -- he likes the last -- & is not much taken with the first of these performances.'

Century: 1800-1849     Reader/Listener/Group: Matthew Gregory Lewis      Print: Serial / periodical

  

Charles Robert Maturin : Manuel

Byron to John Murray, 15 July 1817: 'I lent [M. G.] Lewis who is at Venice ... your extracts from Lalla Rookh -- & Manuel -- out of contradiction it may be -- he likes the last -- & is not much taken with the first of these performances.'

Unknown
Century: 1800-1849     Reader/Listener/Group: Matthew Gregory Lewis      

  

Thomas Moore : Lallah Rookh

Byron to John Murray, 15 September 1817: 'I have read 'Lallah Rookh' -- but not with sufficient attention yet -- for I ride about -- & lounge -- & ponder & -- two or three other things -- so that my reading is very desultory & not so attentive as it used to be.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

Thomas Moore : [poems]

Byron to John Murray, 15 September 1817, on what he perceives to be inferiority of contemporary authors to Pope: 'I am the more confirmed in this - by having lately gone over some of our Classics - particularly Pope ... I took Moore's poems & my own & some others - & went over them side by side with Pope's - and I was really astonished ... and mortified - at the ineffable distance in point of sense - harmony - effect - & even Imagination Passion - & Invention - between the little Queen Anne's Man - & us of the lower Empire ...'

Unknown
Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      

  

Alexander Pope : [poems]

Byron to John Murray, 15 September 1817, on what he perceives to be inferiority of contemporary authors to Pope: 'I am the more confirmed in this - by having lately gone over some of our Classics - particularly Pope ... I took Moore's poems & my own & some others - & went over them side by side with Pope's - and I was really astonished ... and mortified - at the ineffable distance in point of sense - harmony - effect - & even Imagination Passion - & Invention - between the little Queen Anne's Man - & us of the lower Empire ...'

Unknown
Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      

  

George Gordon Lord Byron : [poems]

Byron to John Murray, 15 September 1817, on what he perceives to be inferiority of contemporary authors to Pope: 'I am the more confirmed in this - by having lately gone over some of our Classics - particularly Pope ... I took Moore's poems & my own & some others - & went over them side by side with Pope's - and I was really astonished ... and mortified - at the ineffable distance in point of sense - harmony - effect - & even Imagination Passion - & Invention - between the little Queen Anne's Man - & us of the lower Empire ...'

Unknown
Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      

  

Samuel Taylor Coleridge : Biographia Literaria

Byron to John Murray, 12 October 1817: 'In Coleridge's life I perceive an attack upon the then Committee of D[rury] L[ane] Theatre - for acting Bertram ... this is not very grateful nor graceful of the worthy auto-biographer [whom Byron had championed] ...'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

Johann Wolfgang von Goethe : Faust

Byron to John Murray, 12 October 1817: 'I heard Mr. Lewis translate verbally some scenes of Goethe's Faust ... last Summer ...'

Unknown
Century: 1800-1849     Reader/Listener/Group: Matthew Gregory Lewis      

  

Aeschylus  : Prometheus

Byron to John Murray, 12 October 1817: 'Of the Prometheus of AEschylus I was passionately fond as a boy - (it was one of the Greek plays we read thrice a year at Harrow) ...'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

Richard Belgrave Hoppner : Elegy

Byron to Richard Belgrave Hoppner, 15 December 1817: 'I think your Elegy a remarkably good one ... I do not know whether you wished me to retain the copy, but I shall retain it till you tell me otherwise; and am very much obliged by the perusal.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Manuscript: Unknown

  

Rev. William Beloe : The Sexagenarian, or Recollections of a Literary Life

Byron to John Murray, 20 February 1818, thanking him for parcel of books: 'The books I have read, or rather am reading -- pray who may be the Sexagenarian -- whose gossip is very amusing ...'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

 : [Reviews]

Byron to John Murray, 20 February 1818, thanking him for parcel of books: 'With the Reviews I have been much entertained -- it requires to be as far from England as I am -- to relish a periodical paper properly ...'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Serial / periodical

  

 : [obituary]

Byron to Samuel Rogers, 3 March 1818: 'I read my death in the papers, which was not true.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Newspaper

  

William Stewart Rose : The Court and Parliament of Beasts, freely translated from the Animali Parlanti of Casti

Byron to John Murray, 25 March 1818: 'Rose's Animali I never saw till a few days ago ...'

Unknown
Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      

  

 : [Italian Gazettes]

Byron to Douglas Kinnaird, 15 July 1818: '... I see by the papers that Captain Lew Chew [ie Captain Sir Murray Maxwell, formerly explorer of the Loo-Choo Islands and now Reform parliamentary candidate] has been well nigh slain by a potatoe -- so the Italian Gazettes have it ...'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Newspaper

  

Walter Scott : Rob Roy

Byron to John Murray, 17 July 1818: 'I have seen one or two late English publications -- which are no great things --except Rob Roy.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

John Cam Hobhouse : Historical Illustrations of the Fourth Canto of Childe Harold

Byron to John Cam Hobhouse, 30 September 1818: "' saw the other day by accident your "Historical &c." -- the Essay [on Italian literature, actually by Ugo Foscolo] is perfect ...'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

 : Review of Leigh Hunt, Foliage

Byron to John Murray, 24 November 1818, explaining reasons for animosity toward Robert Southey: 'I have read his review of Hunt [in the Quarterly Review], where he has attacked Shelley in an oblique and shabby manner.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Serial / periodical

  

Isaac Disraeli : The Literary Character

Byron to John Murray, 24 November 1818, thanking him for books sent (including new edition of Isaac Disraeli, "The Literary Character", in which marginal remarks from Byron in first edition quoted): 'It was not fair in you to show him [Disraeli] my copy of his former one, with all the marginal notes and nonsense made in Greece when I was not two-and-twenty, and which certainly were not meant for his perusal ... I have a great respect for Israeli [sic] and his talents, and have read his works over and over repeatedly ... I don't know a living man's books I take up so often, or lay down so reluctantly, as Israeli's [sic] ...'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

Isaac Disraeli : The Literary Character

Byron to John Murray, 24 November 1818, thanking him for books sent (including new edition of Isaac Disraeli, "The Literary Character", in which marginal remarks from Byron in first edition quoted): 'It was not fair in you to show him [Disraeli] my copy of his former one, with all the marginal notes and nonsense made in Greece when I was not two-and-twenty, and which certainly were not meant for his perusal ... I have a great respect for Israeli [sic] and his talents, and have read his works over and over repeatedly ... I don't know a living man's books I take up so often, or lay down so reluctantly, as Israeli's [sic] ...'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

 : Galignani's newspaper

Byron to John Cam Hobhouse, 12 December 1818, on Hobhouse's election campaign: 'I saw your late Speech in Galignani's newspaper -- & with all the disfiguration & curtailment of the reporter -- it was the best of the day.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Newspaper

  

 : Galignani's Messenger

Byron to the Editor of Galingani's Messenger, 27 April 1819: 'Sir, -- In various numbers of your Journal -- I have seen mentioned a work entitled "The Vampire" with the addition of my name as that of the Author. -- I am not the author and never heard of the work in question until now. In a more recent paper I perceive a formal annunciation of "the Vampire" with the addition of an account of my "residence in the Island of Mitylene" ... which [island] I have occasionaly sailed by ... but where I have never yet resided.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Advertisement, Newspaper

  

Francis Hodgson : The Friends: a Poem

Byron to John Murray, 18 May 1819: 'I have read Parson Hodgson's "Friends" in which he seems to display his knowledge of the Subject by a covert Attack or two on Some of his own.'

Unknown
Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      

  

Ludovico Ariosto : Orlando Furioso

Byron to John Cam Hobhouse, 3 June 1819, from Ferrara: 'In looking over the M.S. of Ariosto today -- I found at the bottom of the page after the last stanza of Canto 44, Orlando Furioso ending with the line "Mi serbo a farsi udie ne l'altro Canto" the follow[ing] autograph in pencil of Alfieri's "Vittorio Alfieri vide e venero" / 8 Giugno 1783. --'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Manuscript: Unknown

  

Count Vittorio Alfieri : [marginalia]

Byron to John Cam Hobhouse, 3 June 1819, from Ferrara: 'In looking over the M.S. of Ariosto today -- I found at the bottom of the page after the last stanza of Canto 44, Orlando Furioso ending with the line "Mi serbo a farsi udie ne l'altro Canto" the follow[ing] autograph in pencil of Alfieri's "Vittorio Alfieri vide e venero" / 8 Giugno 1783. --'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Manuscript: Unknown, marginal note in MS of Ariosto, Orlando Furioso

  

n/a : n/a

Byron to Richard Belgrave Hoppner, 6 June 1819: 'I found ... such a pretty epitaph in the Certosa Cimetery -- or rather two -- one was "Martini Luigi Implora pace." the other -- "Lucrezia Picini Implora eterna qiuete"'

Century: 1800-1849     Reader/Listener/Group: George Gordon, Lord Byron      Manuscript: Unknown, tombstone epitaphs

  

Benvenuto da Imola : Commentary on Dante, Commedia

Byron to Lady Byron, 20 July 1819: 'I tried to discover for Leigh Hunt some traces of Francesca [character in Dante's Inferno] -- but except her father Guido's tomb -- and the mere notice of the fact in the Latin commentary of Benvenuto da Imola in M.S. in the Library -- I could discover nothing for him.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Manuscript: Unknown

  

Madame Germaine de Stael-Holstein : Corinne

Byron to Countess Teresa Guiccioli, 23 August 1819, about her copy of Italian translation of Corinne: 'I have read this book in your garden ... you were absent -- or I could not have read it.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

Charles Dickens : David Copperfield

'George Acorn, growing up in extreme poverty in London's East End, scraped together 31/2 d to buy a used copy of David Copperfield. His parents punished him when they learned he had wasted so much money on a book, but later he read it to them: "And how we all loved it, and eventually, when we got to 'Little Em'ly', how we all cried together at poor old Peggotty's distress. The tears united us, deep in misery as we were ourselves".'

Century: 1850-1899     Reader/Listener/Group: George Acorn      Print: Book

  

Joseph Addison : 

'[Hugh Miller's] literary style was out of date: in 1834 he alluded to "my having kept company with the older English writers - the Addisons, Popes and Robertsons of the last century at a time when I had no opportunity of becoming acquainted with the authors of the present time". Growing up in Cromarty, Miller had access to the substantial personal libraries of a carpenter and a retired clerk, as well as his father (sixty volumes), his uncles (150 volumes) and a cabinet-maker poet (upwards of 100 volumes). These collections offered a broad selection of English essayists and poets - of the Queen Anne period.'

Century: 1800-1849     Reader/Listener/Group: Hugh Miller      Print: Book, Serial / periodical

  

Alexander Pope : 

'[Hugh Miller's] literary style was out of date: in 1834 he alluded to "my having kept company with the older English writers - the Addisons, Popes and Robertsons of the last century at a time when I had no opportunity of becoming acquainted with the authors of the present time". Growing up in Cromarty, Miller had access to the substantial personal libraries of a carpenter and a retired clerk, as well as his father (sixty volumes), his uncles (150 volumes) and a cabinet-maker poet (upwards of 100 volumes). These collections offered a broad selection of English essayists and poets - of the Queen Anne period.'

Century: 1800-1849     Reader/Listener/Group: Hugh Miller      Print: Book

  

Countess Teresa Guiccioli : [letter]

Byron to Countess Teresa Guiccioli, '[After Feb 7, 1820?]' (translated from Italian) : 'I have read the "few lines" of your note with all due attention ...'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Manuscript: Letter

  

[probably William] Robertson : 

'[Hugh Miller's] literary style was out of date: in 1834 he alluded to "my having kept company with the older English writers - the Addisons, Popes and Robertsons of the last century at a time when I had no opportunity of becoming acquainted with the authors of the present time". Growing up in Cromarty, Miller had access to the substantial personal libraries of a carpenter and a retired clerk, as well as his father (sixty volumes), his uncles (150 volumes) and a cabinet-maker poet (upwards of 100 volumes). These collections offered a broad selection of English essayists and poets - of the Queen Anne period.'

Century: 1800-1849     Reader/Listener/Group: Hugh Miller      Print: Book

  

 : 

And a Sermon of Mr. H. Hickman's at Oxford, much moved her (on Isa. 27. 11. It is a people of no understanding, therefore he that made them will not save them, &c.) The Doctrine of Conversion (as I preached it as now in my Treatise of Conversion) was received on her heart as the seal on the wax. Whereupon she presently fell to self-judging, and to frequent prayer, and reading, and serious thoughts of her present state, and her salvation.

Unknown
Century: 1600-1699     Reader/Listener/Group: Margaret Charlton      

  

Walter Scott : [novels]

Byron to William Bankes, 26 February 1820: 'I have more of Scott's novels (for surely they are Scott's) since we met, and am more and more delighted. I think that I even prefer them to his poetry, which ... I redde for the first time in my life in your rooms in Trinity College.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: BookManuscript: Letter

  

Walter Scott : [poems]

Byron to William Bankes, 26 February 1820: 'I have more of Scott's novels (for surely they are Scott's) since we met, and am more and more delighted. I think that I even prefer them to his poetry, which ... I redde for the first time in my life in your rooms in Trinity College.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: BookManuscript: Letter

  

 : [unknown]

When I was at any time from home, she would not pray in the Family, though she could not endure to be without it. She would privately talk to the servants, and read good books to them.

Century: 1600-1699     Reader/Listener/Group: Margaret Baxter      Print: Book

  

Walter Scott : The Bride of Lammermoor

Byron to John Murray, 3 March 1820: 'Pray send me Walter Scott's new novels ... I read some of his former ones at least once a day for an hour or so. The last are too hurried -- he forgets Ravenswood's name ... and he don't make enough of Montrose -- but Dalgetty is excellent ...'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: BookManuscript: Letter

  

Walter Scott : A Legend of Montrose

Byron to John Murray, 3 March 1820: 'Pray send me Walter Scott's new novels ... I read some of his former ones at least once a day for an hour or so. The last are too hurried -- he forgets Ravenswood's name ... and he don't make enough of Montrose -- but Dalgetty is excellent ...'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

 : [newspapers]

Byron to John Cam Hobhouse, 29 March 1820: 'I congratulate you on your change of residence, which I perceive by the papers, took place on the dissolution of King and parliament.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Newspaper

  

 : German periodicals

Byron to Richard Belgrave Hoppner, 25 May 1820: 'A German named Rupprecht has sent me heaven knows why several Deutsche Gazettes of all which I understand neither word nor letter. -- I have sent you the enclosed to beg you to translate to me some remarks -- which appear to be Goethe's upon Manfred -- & if I may judge by two notes of admiration ... and the word "hypocondrisch" are any thing but favourable ...'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Serial / periodical

  

Johann Wolfgang von Goethe : Faust

Byron to John Murray, 7 June 1820: '[Goethe's] Faust I never read -- for I don't know German -- but Matthew Monk Lewis in 1816 at Coligny translated most of it to me viva voce ...'

Century: 1800-1849     Reader/Listener/Group: Matthew Gregory Lewis      Print: Book

  

Thomas Moore : Works

Byron to Thomas Moore, 9 June 1820; 'Galignani has just sent me the Paris edition of your works (which I wrote to order), and I am glad to see my old friends with a French face. I have been skimming and dipping, in and over them, like a swallow, and as pleased as one.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

Thomas Moore : Poems of the Late Thomas Little

Byron to Thomas Moore, 9 June 1820; 'I have just been turning over Little, which I knew by heart in 1803, being then in my fifteenth summer.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

Thomas Moore : Poems of the Late Thomas Little

Byron to Thomas Moore, 9 June 1820; 'I have just been turning over Little, which I knew by heart in 1803, being then in my fifteenth summer.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

Marino Sanuto : "Italian history of the Doges of Venice"

Byron to John Murray, 17 July 1820, on books used in research for Marino Faliero, Doge of Venice: 'I have consulted Sanuto -- Sandi -- Navagero -- & an anonymous Siege of Zara -- besides the histories of Laugier Daru -- Sismondi &c.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

unknown : "Siege of Zara"

Byron to John Murray, 17 July 1820, on books used in research for Marino Faliero, Doge of Venice: 'I have consulted Sanuto -- Sandi -- Navagero -- & an anonymous Siege of Zara -- besides the histories of Laugier Daru -- Sismondi &c.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

Pierre Antoine Daru : unknown

Byron to John Murray, 17 July 1820, on books used in research for Marino Faliero, Doge of Venice: 'I have consulted Sanuto -- Sandi -- Navagero -- & an anonymous Siege of Zara -- besides the histories of Laugier Daru -- Sismondi &c.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

Jean Charles Sismondi : History of the Italian Republics in the Middle Ages

Byron to John Murray, 17 July 1820, on books used in research for Marino Faliero, Doge of Venice: 'I have consulted Sanuto -- Sandi -- Navagero -- & an anonymous Siege of Zara -- besides the histories of Laugier Daru -- Sismondi &c.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

Henry Matthews : Diary of an Invalid

Byron to John Murray, 22 July 1820, about books received: 'the diary of an Invalid good and true bating a few mistakes about "Serventismo" which no foreigner can understand ... without residing years in the country. -- I read that part (translated that is) to some of the Ladies in the way of knowing how far it was accurate and they laughed particularly at the part where he says that "they must not have children by their lover" ...'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

unknown : [books]

Byron to Countess Teresa Guiccioli, on current reading habits, 24 July 1820 (translated from Italian): 'I like sometimes to read one book and sometimes another, a few pages at a time -- and change frequently ...'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

 : Gazette

Byron to Countess Teresa Guiccioli, 24 July 1820 (translated from Italian): '... I read in the Gazette of an Irish lady of 37 who has run away with a young Englishman of 24 ...'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Newspaper

  

Count Giulio Perticari : Dell'amor patrio di Dante

Byron to Countess Teresa Guiccioli, 7 August 1820 (translated from Italian): 'I am reading the second volume of the proposal of that classical cuckold Perticari ...'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

Jane Waldie : Sketches Descriptive of Italy

Byron to John Murray, 29 September 1820: '... on reading more of the 4 volumes on Italy [attacked by Byron in note to Marino Faliero] ... I perceive (horresco referens [Virgil, Aeneid II.204: "I shudder to recall"]) that it is written by a WOMAN!!!'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

John Cam Hobhouse : [speeches]

Byron to Douglas Kinnaird, 26 October 1820: 'I have read lately several speeches of Hobhouse in taverns -- his Eloquence is better than his company.'

Unknown
Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      

  

 : Quarterly Review

Byron to John Murray, 4 November 1820: 'I have read part of the Quarterly just arrived ...'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Serial / periodical

  

Amelia Hutchison Stirling : Monsieur le Comte

'Miss Hutchison Stirling is I believe about to submit to you a little story which I read at her request some time ago and in which I thought there was great promise especially in one character.'

Century: 1850-1899     Reader/Listener/Group: Margaret Oliphant      Manuscript: Book in MS

  

Harriette Cheape : Tea at the Mains

'Is it right to ask who was the author of a very short contribution called I think Tea at the farm, or some such name? ["Tea at the Mains", by Harriette Cheape] It was exceedingly good and true.'

Century: 1850-1899     Reader/Listener/Group: Margaret Oliphant      Print: Serial / periodical

  

Robert Louis Stevenson : Wrecker

'I should like to say my mind about Louis Stevenson's Wrecker and the Naulakhka - both of which are striking instances of the evils of collaboration.'

Century: 1850-1899     Reader/Listener/Group: Margaret Oliphant      Print: Book

  

Rudyard Kipling : Naulakha

'I should like to say my mind about Louis Stevenson's Wrecker and the Naulakhka - both of which are striking instances of the evils of collaboration.'

Century: 1850-1899     Reader/Listener/Group: Margaret Oliphant      Print: Book

  

Sarah Grand : Singularly Deluded

'May I say that the new story in the Magazine begins very well? - the incident is striking and I think quite original, though the name of the story might have been better chosen.'

Century: 1850-1899     Reader/Listener/Group: Margaret Oliphant      Print: Serial / periodical

  

 : St James's

'I see a delightful account of the origin of Bon Gaultier's parody of Locksley Hall in last night's St James's' by Sir Theodore Martin.'

Century: 1850-1899     Reader/Listener/Group: Margaret Oliphant      Print: Newspaper, Serial / periodical

  

Graham Travers : Mona Maclean: Medical Student

'As for Mona Maclean I am afraid I could not say more than that it is a cleverish very youthful book, the author of which if she comes to anything will probably much regret having published it some years back. Marion Crawford's last novel is clever of course as are all his, but not pleasant and very long and dreary I think.'

Century: 1850-1899     Reader/Listener/Group: Margaret Oliphant      Print: Book, Serial / periodical

  

F Marion Crawford : 

'As for Mona Maclean I am afraid I could not say more than that it is a cleverish very youthful book, the author of which if she comes to anything will probably much regret having published it some years back. Marion Crawford's last novel is clever of course as are all his, but not pleasant and very long and dreary I think.'

Century: 1850-1899     Reader/Listener/Group: Margaret Oliphant      Print: Book, Serial / periodical

  

 : 

'I see in the papers that that man Walter Scott is going to bring out shortly a collection of Anglicized versions of early Scotch poetry such as Dunbar, Henryson, &c.'

Century: 1850-1899     Reader/Listener/Group: Margaret Oliphant      Print: Advertisement, Newspaper

  

 : 

'[...] how extremely sorry I am for your great loss in Mr. Henderson. I saw a mention of him [Mr. Henderson] in the Athenaeum last Saturday with the greatest regret'.

Century: 1850-1899     Reader/Listener/Group: Margaret Oliphant      Print: Advertisement, Newspaper, Serial / periodical

  

George T Chesney : Battle of Dorking

'The manager here Mr. Simpson hearing what I said of it [George Chesney's "The Battle of Dorking"] took a proof home at night and while he was still wrapt up in it was startled by his mother a most acute old lady (who had picked up the sheets as he let them fall) exclaiming "Surely George the Germans never were in England"'

Century: 1850-1899     Reader/Listener/Group: [?George] Simpson      Manuscript: Sheet, Proofs of aricle

  

George T Chesney : Battle of Dorking

'I am much mistaken if the appearance of the article 'The Battle of Dorking' does not mark an epoch in the history of the Magazine. Nothing so good has appeared for years. In your place, I should print it as a pamphlet, and circulate it everywhere.'

Century: 1850-1899     Reader/Listener/Group: G.C. Swayne      Print: Serial / periodical

  

 : papers

Byron's Ravenna Journal (4 January-27 February 1821), 4 January 1821: ' ... out of spirits -- read the papers ...'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Newspaper

  

 : [poetry]

Byron's Ravenna Journal (4 January-27 February 1821), 4 January 1821, having remarked how case of murder in papers mentioned use of copy of Richardson's Pamela by grocer as wrapping-paper: 'For my part, I have met with most poetry upon trunks [ie as lining]; so that I am apt to consider the trunk-maker as the sexton of authorship.'

Unknown
Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      

  

Guiseppe Bossi : Del Cenacolo do Leonardo da Vinci OR Delle Opinioni di Leonardo da Vinci

Byron's Ravenna Journal (4 January-27 February 1821), 4 January 1821: 'Came home at eleven [pm] ... Read a Life of Leonardo da Vinci by Rossi [ed. notes that this perhaps misreading of Bossi]...'

Unknown
Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

Walter Scott : Tales of my Landlord (3rd series)

Byron's Ravenna Journal (4 January-27 February 1821), 5 January 1821: 'Read the conclusion, for the fifitieth time (I have read all W. Scott's novels at least fifty times) of the third series of "Tales of my Landlord" ...'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

William Mitford : History of Greece

Byron's Ravenna Journal (4 January-27 February 1821), 5 January 1821: 'Read Mitford's History of Greece -- Xenophon's Retreat of the Ten Thousand.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

Xenophon : Retreat of the Ten Thousand

Byron's Ravenna Journal (4 January-27 February 1821), 5 January 1821: 'Read Mitford's History of Greece -- Xenophon's Retreat of the Ten Thousand.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

Xenophon : Retreat of the Ten Thousand

Byron's Ravenna Journal (4 January-27 February 1821), 5 January 1821: '[after visit to friends at 11pm] Came home -- read the "Ten Thousand" again, and will go to bed.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

Francis Bacon : "apophthegms"

Byron's Ravenna Journal (4 January-27 February 1821), 5 January 1821: 'Ordered Fletcher (at four o'clock this afternoon) to copy out 7 or 8 apophthegms of Bacon, in which I have detected such blunders as a school-boy might detect rather than commit. Such are the sages! What must they be, when such as I can stumble on their mistakes or misstatements?'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Manuscript: Unknown, Copied by William Fletcher (reader's valet).

  

George T Chesney : Battle of Dorking

'"The Battle of Dorking" is written so well that I wd. gladly have written it, supposing that I had the knowledge. This I scarcely ever feel about anything I see in print.'

Century: 1850-1899     Reader/Listener/Group: Richard Doddridge Blackmore      Print: Serial / periodical

  

Francis Bacon : "apophthegms"

Byron's Ravenna Journal (4 January-27 February 1821), 6 January 1821: 'Read Spence's Anecdotes ... Corrected blunders in nine apophthegms of Bacon -- all historical -- and read Mitford's Greece.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Manuscript: Unknown, Copied by William Fletcher (reader's valet).

  

Joseph Spence : Anecdotes

Byron's Ravenna Journal (4 January-27 February 1821), 6 January 1821: 'Read Spence's Anecdotes ... Corrected blunders in nine apophthegms of Bacon -- all historical -- and read Mitford's Greece.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: BookManuscript: Unknown

  

William Mitford : History of Greece

Byron's Ravenna Journal (4 January-27 February 1821), 6 January 1821: Read Spence's Anecdotes ... Corrected blunders in nine apophthegms of Bacon -- all historical -- and read Mitford's Greece.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

Pierre Louis Ginguene : Histoire Litteraire de l'Italie

Byron's Ravenna Journal (4 January-27 February 1821), 6 January 1821: 'Turned to a passage in Guinguene [sic] -- ditto in Lord Holland's Lope de Vega.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

Lord Holland : Lope de Vega

Byron's Ravenna Journal (4 January-27 February 1821), 6 January 1821: 'Turned to a passage in Guinguene [sic] -- ditto in Lord Holland's Lope de Vega.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

William Mitford : History of Greece

Byron's Ravenna Journal (4 January-27 February 1821), 6 January 1821: 'Came home [after going visiting at 8pm], and read Mitford again, and played with my mastiff ...'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

Joseph Spence : Anecdotes

Byron's Ravenna Journal (4 January-27 February 1821), 7 January 1821: 'Read Spence, and turned over Roscoe, to find a passage I have not found. Read the 4th. vol. of W. Scott's second series of "Tales of my Landlord".'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

William Roscoe : The Life of Lorenzo de Medici, called the Magnificent OR The Life and Pontificate of Leo the Tenth

Byron's Ravenna Journal (4 January-27 February 1821), 7 January 1821: 'Read Spence, and turned over Roscoe, to find a passage I have not found. Read the 4th. vol. of W. Scott's second series of "Tales of my Landlord".'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

Walter Scott : Tales of my Landlord (2nd series)

Byron's Ravenna Journal (4 January-27 February 1821), 7 January 1821: 'Read the 4th. vol of W. Scott's second series of "Tales of my Landlord".'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

 : Lugano Gazette

Byron's Ravenna Journal (4 January-27 February 1821), 7 January 1821: 'Dined. Read the Lugano Gazette. Read -- I forget what. At 8 went to conversazione.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Newspaper

  

unknown : unknown

Byron's Ravenna Journal (4 January-27 February 1821), 7 January 1821: 'Dined. Read the Lugano Gazette. Read -- I forget what. At 8 went to conversazione.'

Unknown
Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      

  

unknown : [books]

Byron's Ravenna Journal (4 January-27 February 1821), 7 January 1821: 'It wants half an hour of midnight ... Turned over and over half a score books for the passage in question, and can't find it.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

William Mitford : History of Greece

Byron's Ravenna Journal (4 January-27 February 1821), 8 January 1821: 'Came home [from ?Guicciolis', where visited at 8pm] -- read History of Greece -- beore dinner had read Walter Scott's Rob Roy.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

Walter Scott : Rob Roy

Byron's Ravenna Journal (4 January-27 February 1821), 8 January 1821: 'Came home [from ?Guicciolis', where visited at 8pm] -- read History of Greece -- beore dinner had read Walter Scott's Rob Roy.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

Samuel Johnson : The Vanity of Human Wishes

Byron's Ravenna Journal (4 January-27 February 1821), 9 January 1821: 'Dined. Read Johnson's "Vanity of Human Wishes" ...'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

 : accounts

Byron's Ravenna Journal (4 January-27 February 1821), 10 January 1821: 'Looked over accounts. Read Campbell's Poets -- marked errors of Tom (the author) for correction. Dined ...'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Manuscript: Unknown

  

Thomas Campbell : Specimens of the British Poets (including prefatory Essay on English Poetry)

Byron's Ravenna Journal (4 January-27 February 1821), 10 January 1821: 'Looked over accounts. Read Campbell's Poets -- marked errors of Tom (the author) for correction. Dined ...'

Unknown
Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

Thomas Campbell : Specimens of the British Poets (including prefatory Essay on English Poetry)

Byron's Ravenna Journal (4 January-27 February 1821), 10 January 1821: '[after going out to hear music] Came home -- read. Corrected Tom Campbell's slips of the pen.'

Unknown
Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

various : Lives of poets

Byron's Ravenna Journal (4 January-27 February 1821), 10 January 1821: 'Midnight. I have been turning over different Lives of the Poets.'

Unknown
Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

Alexander Pope : unknown

Byron's Ravenna Journal (4 January-27 February 1821), 10 January 1821: 'Midnight. I have been turning over different Lives of the Poets. I rarely read their works, unless an occasional flight over the classical ones, Pope, Dryden, Johnson, Gray, and those who approach them nearest ...'

Century: 1700-1799 / 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

John Dryden : unknown

Byron's Ravenna Journal (4 January-27 February 1821), 10 January 1821: 'Midnight. I have been turning over different Lives of the Poets. I rarely read their works, unless an occasional flight over the classical ones, Pope, Dryden, Johnson, Gray, and those who approach them nearest ...'

Century: 1700-1799 / 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

Samuel Johnson : unknown

Byron's Ravenna Journal (4 January-27 February 1821), 10 January 1821: 'Midnight. I have been turning over different Lives of the Poets. I rarely read their works, unless an occasional flight over the classical ones, Pope, Dryden, Johnson, Gray, and those who approach them nearest ...'

Century: 1700-1799 / 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      

  

Thomas Gray : unknown

Byron's Ravenna Journal (4 January-27 February 1821), 10 January 1821: 'Midnight. I have been turning over different Lives of the Poets. I rarely read their works, unless an occasional flight over the classical ones, Pope, Dryden, Johnson, Gray, and those who approach them nearest ...'

Century: 1700-1799 / 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

 : letters

Byron's Ravenna Journal (4 January-27 February 1821), 11 January 1821: 'Read the letters ... Dined ...'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Manuscript: Letter

  

 : [Poets]

Byron's Ravenna Journal (4 January-27 February 1821), 11 January 1821: 'Dined ... Went out -- returned ... read Poets, and an anecdote in Spence.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

Joseph Spence : Anecdotes

Byron's Ravenna Journal (4 January-27 February 1821), 11 January 1821: 'Dined ... Went out -- returned ... read Poets, and an anecdote in Spence.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

Thomas Campbell : Specimens of the British Poets (including prefatory Essay on English Poetry)

Byron's Ravenna Journal (4 January-27 February 1821), 11 January 1821: 'In reading, I have just chanced upon an expression of Tom Campbell's; speaking of Collins, he says that "no reader cares any more about the characteristic manners of his Eclogues than about the authenticity of the tale of Troy." 'Tis false ...'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

Anon. : Homer Travestie; Being a new translation of that great poet (1720) OR A Burlesque Translation of Homer (3rd edn of same piece, 1770)

Byron's Ravenna Journal (4 January-27 February 1821), 11 January 1821, on visit to plain of Troy in 1810: ' ... I read "Homer Travestied" (the first twelve books), because [John Cam] Hobhouse and others bored me with their learned localities, and I love quizzing.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

Thomas Campbell : Specimens of the British Poets (including prefatory Essay on English Poetry)

Byron's Ravenna Journal (4 January-27 February 1821), 12 January 1821: 'Read the Poets -- English that is to say -- out of Campbell's edition. There is a good deal of taffeta in some of Tom's prefatory phrases, but his work is good as a whole.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

John Milton : Sabrina Fair

Byron's Ravenna Journal (4 January-27 February 1821), 12 January 1821: 'How strange are my thoughts! -- The reading of the song of Milton, "Sabrina fair" has brought back upon me ... the happiest, perhaps, days of my life ... when living at Cambridge with Edward Noel Long ...'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

Franz Grillparzer : Sappho

Byron's Ravenna Journal (4 January-27 February 1821), 12 January 1821: 'Midnight. Read the Italian translation by Guido Sorelli of the German Grillparzer ...'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

Johann Wolfgang von Goethe : unknown

Byron's Ravenna Journal (4 January-27 February 1821), 12 January 1821: 'I have read ... much less of Goethe, and Schiller, and Wieland, than I could wish. I only know them through the medium of English, French, and Italian translations.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

Schiller : unknown

Byron's Ravenna Journal (4 January-27 February 1821), 12 January 1821: 'I have read ... much less of Goethe, and Schiller, and Wieland, than I could wish. I only know them through the medium of English, French, and Italian translations.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

Christoph Martin Wieland : unknown

Byron's Ravenna Journal (4 January-27 February 1821), 12 January 1821: 'I have read ... much less of Goethe, and Schiller, and Wieland, than I could wish. I only know them through the medium of English, French, and Italian translations.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

William Mitford : History of Greece

Byron's Ravenna Journal (4 January-27 February 1821), 13 January 1821: 'Sketched the outline and Drams. Pers. of an intended tragedy of Sardanapalus ... read over a passage in the ninth vol. octavo of Mitford's Greece, where he rather vindicates the memory of this last of the Assyrians.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

Seneca : tragedies

Byron's Ravenna Journal (4 January-27 February 1821), 14 January 1821: 'Turned over Seneca's tragedies. Wrote the opening lines of the intended tragedy of Sardanapalus.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

Seneca : tragedies

Byron's Ravenna Journal (4 January-27 February 1821), 14 January 1821: 'Read Diodorus Siculus -- turned over Seneca, and some other books.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

Diodorus Siculus : unknown

Byron's Ravenna Journal (4 January-27 February 1821), 14 January 1821: 'Read Diodorus Siculus -- turned over Seneca, and some other books.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

William Mitford : History of Greece

Byron's Ravenna Journal (4 January-27 February 1821), 15 January 1821: '... dined -- dipped into a volume of Mitford's Greece -- wrote part of a scene of "Sardanapalus".'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

n/a : Javanese newspaper

Byron's Ravenna Journal (4 January-27 February 1821), 15 January 1821: "In the year 1814, Moore ... and I were going together, in the same carriage, to dine with Earl Grey ... [John] Murray ... had just sent me a Java gazette ... Pulling it out, by way of curiosity, we found it to contain a dispute ... on Moore's merits and mine."

Century: 1800-1849     Reader/Listener/Group: George Gordon, Lord Byron      Print: Newspaper

  

unknown : unknown

Byron's Ravenna Journal (4 January-27 February 1821), 16 January 1821: 'Read -- rode -- fired pistols -- returned -- dined ...'

Unknown
Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      

  

unknown : [various books]

Byron's Ravenna Journal (4 January-27 February 1821), 17 January 1821: 'Arrived a packet of books from England and Lombardy -- English, Italian, French, and Latin. Read till eight -- went out.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

 : letters

Byron's Ravenna Journal (4 January-27 February 1821), 18 January 1821: '... the post arriving late, did not ride. Read letters ...'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Manuscript: Letter

  

Richard Lovell and Maria Edgeworth : Memoirs

Byron's Ravenna Journal (4 January-27 February 1821), 19 January 1821: 'I have been reading the Life, by himself and daughter, of Mr. R. L. Edgeworth, the father of the Miss Edgeworth.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

Friedrich Melchior Grimm : Correspondence Litteraire

Byron's Ravenna Journal (4 January-27 February 1821), 20 January 1821: 'Rode -- fired pistols. Read from Grimm's Correspondence. Dined ...'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

Friedrich Melchior Grimm : Correspondence Litteraire

Byron's Ravenna Journal (4 January-27 February 1821), 21 January 1821: 'Dined -- visited -- came home -- read. Remarked on an anecdote in Grimm's Correspondence ... [reproduces part of text of vol. VI]'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

unknown : unknown

Byron's Ravenna Journal (4 January-27 February 1821), 23 January 1821: 'Read -- rode -- fired pistols, and returned.'

Unknown
Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      

  

unknown : unknown

Byron's Ravenna Journal (4 January-27 February 1821), 23 January 1821: 'Dined -- read. Went out at eight ...'

Unknown
Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      

  

unknown : unknown

Byron's Ravenna Journal (4 January-27 February 1821), 25 January 1821: 'Answered [John] Murray's letter -- read -- lounged.'

Unknown
Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      

  

Karl Wilhelm Friedrich Schlegel : History of Literature

Byron's Ravenna Journal (4 January-27 February 1821), 28 January 1821 entry: 'Past Midnight. One o' the clock. I have been reading W[ilhelm]. F[riedrich]. S[chlegel] ... till now, and I can make out nothing ... [two paragraphs later] Continuing to read Mr. F[rederick] S[chlegel]. He is not such a fool as I took him for ...'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

Karl Wilhelm Friedrich Schlegel : History of Literature

Byron's Ravenna Journal (4 January-27 February 1821), 29 January 1821 entry: 'Read S[chlegel].'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

Friedrich Melchior Grimm : Correspondence Litteraire

Byron's Ravenna Journal (4 January-27 February 1821), 31 January 1821 entry: 'Midnight. I have been reading Grimm's Correspondence.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

Richard Lovell and Maria Edgeworth : Memoirs

Byron's Ravenna Journal (4 January-27 February 1821), 2 February 1821, on tendency to attacks of thirst: 'I read in Edgeworth's Memoirs of something similar ... in the case of Sir F. B. Delaval ...'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

unknown : unknown

Byron's Ravenna Journal (4 January-27 February 1821), 5 February 1821: ' ... dined -- read -- went out ...'

Unknown
Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      

  

William Lisle Bowles : various

Byron's Ravenna Journal (4 January-27 February 1821), 5 February 1821: 'Read some of Bowles's dispute about Pope, with all the replies and rejoinders. Perceive that my name has been lugged into the controversy ...'

Unknown
Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Serial / periodical

  

Louis Buonaparte : Documents Historiques, et Reflexions sur le Gouvernement de la Hollande

Byron's Ravenna Journal (4 January-27 February 1821), 13 February 1821: 'Today read a little in Louis B.'s Hollande ...'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book, Serial / periodical

  

Walter Scott : Tales of my Landlord

Byron's Ravenna Journal (4 January-27 February 1821), 16 February 1821: 'At nine [pm] went out -- at eleven returned ... Read "Tales of my Landlord" ...'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

Friedrich Melchior Grimm : Correspondence Litteraire

Byron's Ravenna Journal (4 January-27 February 1821), 18 February 1821: 'In turning over Grimm's Correspondence to-day, I found a thought of Tom Moore's in a song of Maupertuis to a female Laplander ...'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

unknown : unknown

Byron's Ravenna Journal (4 January-27 February 1821), 20 February 1821: 'Within these few days I have read, but not written.'

Unknown
Century:      Reader/Listener/Group: George Gordon Lord Byron      

  

 : Roman history

Byron's Ravenna Journal (4 January-27 February 1821), 23 February 1821:'"... rode, &c. -- visited -- wrote nothing -- read Roman History.'

Unknown
Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      

  

 : Italian newspaper

Byron to John Murray, 20 January 1821: 'I have just read in an Italian paper "That Ld. B. has a tragedy coming out" &c. &c ... I do reiterate -- and desire that every thing may be done to prevent it from coming out ...'

Unknown
Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Newspaper

  

William Turner : Journal of a Tour in the Levant

In letter to John Murray of 21 February 1821, Byron makes various comments and corrections, with page references, on William Turner, Journal of a Tour in the Levant (and in particular with regard to swimming the Hellespont, his own attempt being mentioned by Turner), recently sent by Murray.

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: BookManuscript: Letter

  

Walter Scott : [various novels]

Byron to John Murray, 1 March 1821: 'Give my love to Sir W. Scott -- & tell him to write more novels; -- pray send out Waverley and the Guy M[annering] -- and the Antiquary -- It is five years since I have had a copy -- -- I have read all the others forty times.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: BookManuscript: Letter

  

John Wilson Croker : review of John Keats, Endymion

Byron to P. B. Shelley, 26 April 1821, on death of Keats after adverse reviews: 'I read the review of "Endymion" in the Quarterly. It was severe. -- but surely not so severe as many reviews in that and other journals upon others.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Serial / periodical

  

Percy Bysshe Shelley : The Cenci

Byron to P. B. Shelley, 26 April 1821: 'I read [The] Cenci ...'

Unknown
Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      

  

unknown : Roman History

Byron's "Dictionary" (journal), 1 May 1821: 'The moment I could read -- my grand passion was history ... I was particularly taken with the battle near the Lake Regillus in the Roman History -- put into my hands the first.'

Century: 1700-1799     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

Ruddiman : Latin Grammar

Byron's "Dictionary" (journal), 1 May 1821, on studies with tutor (Paterson): 'With him I began Latin in Ruddiman's Grammar ...'

Century: 1700-1799     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

Francis Hodgson : Childe Harold's Monitor, or Lines occasioned by the Last Canto of Childe Harold, including Hints to other Contemporaries

Byron to Francis Hodgson, 12 May 1821; ' ... your two poems [critical of Byron] have been sent. I have read them over (with the notes) with great pleasure. I receive your compliments kindly and your censures temperately ...'

Unknown
Century:      Reader/Listener/Group: George Gordon Lord Byron      

  

Francis Hodgson : Saeculo Mastix, or the Lash of the Age we live in

Byron to Francis Hodgson, 12 May 1821; ' ... your two poems [critical of Byron] have been sent. I have read them over (with the notes) with great pleasure. I receive your compliments kindly and your censures temperately ...'

Unknown
Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      

  

Francis Hodgson : Notes to (?) Childe Harold's Monitor, or Lines Occasioned by the Last Canto of Childe Harold, including Hints to other Contemporaries

Byron to Francis Hodgson, 12 May 1821; 'Two hours after the "Ave Maria", the Italian date of twilight ... I have ... dined, and turned over yr. notes.'

Unknown
Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      

  

Douglas Kinnaird : letter (ie article?)

Byron to Douglas Kinnaird, 29 June 1821: 'Instead of receiving a letter from you per post -- I have been reading one in the papers -- as secondary to Burdett and Canning.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Newspaper

  

J. G. Lockhart : John Bull's Letter to Lord Byron

Byron to John Murray, 29 June 1821: 'I have just read "John Bull's letter" -- it is diabolically well written -- & full of fun and ferocity' [goes on to speculate as to who author might be.]

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      

  

[N. N. A.] anon : [private letter]

Byron to Thomas Moore, 5 July 1821: 'I have had a curious letter to-day from a girl in England ... It is signed simply N. N. A. ... She simply says that she is dying, and that as I had contributed so highly to her existing pleasure, she thought that she might say so ...'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Manuscript: Letter

  

A. A. Watts : series of five articles alleging plagiarism in Byron's works

Byron to Thomas Moore, 2 August 1821: 'You may probably have seen all sorts of attacks upon me in some gazettes in England some months ago. I only saw them, by Murray's bounty, the other day.'

Century:      Reader/Listener/Group: George Gordon Lord Byron      Print: Serial / periodicalManuscript: Letter

  

John Wilson Croker : Adverse review of John Keats, Endymion

Byron to John Murray, 7 August 1821: 'I have just been turning over the homicide review of J. Keats ...'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Serial / periodicalManuscript: Letter

  

Richard Tully : Narrative of a Ten Years' Residence at the Court of Tripoli

Byron to John Murray, 23 August 1821, on sources for descriptions in Don Juan Canto III: 'much of the description of the furniture in Canto 3d. is taken from Tully's Tripoli ... and the rest from my own observation.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: BookManuscript: Letter

  

Octavius Gilchrist : pamphlets

Byron to Octavius Gilchrist, 5 September 1821, acknowledges receipt and reading of three pamphlets (by Gilchrist) relating to Bowles-Pope controversy.

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      

  

 : Books of Old Testament

Byron to John Murray, 9 October 1821, having requested that he send a Bible: 'I am a great reader and admirer of those books -- and had read them through and through before I was eight years old -- that is to say the Old Testament -- for the New struck me as a task -- but the other as a pleasure -- I speak as a boy -- from the recollected impression of that period at Aberdeen in 1796.'

Century: 1700-1799     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

unknown : [reviews]

Byron's "Detached Thoughts" (15 October 1821-18 May 1822), on reading 'reviews', 15 October 1821: ' ... the first I ever read was in 1806-07.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Serial / periodicalManuscript: Letter

  

Aeschylus : Prometheus Bound

Byron's "Detached Thoughts" (15 October 1821-18 May 1822), on Harrow master Dr. Drury: 'My first Harrow verses (that is English as exercises) a translation of a Chorus from "the Prometheus" of Aeschylus -- were received by him but coolly ...'

Century: 1700-1799 / 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: BookManuscript: Letter

  

Henry Fielding : unknown

Byron's "Detached Thoughts" (15 October 1821-18 May 1822), 5 November 1821: 'I have lately been reading Fielding over again.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

Thomas Moore : [letter]

Byron to Thomas Moore, 16 November 1821, on literary ambitions of an Irish visitor, John Taaffe: 'I read a letter of yours to him yesterday, and he begs me to write to you about his Poeshie.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Manuscript: Letter

  

George Gordon Lord Byron : Memoirs

Byron to John Murray, 24 November 1821, regarding his MS Memoirs: 'Is there anything in the M.S.S. that could be personally obnoxious to himself [John Cam Hobhouse]? ... Mr. Kinnaird & others had read them at Paris and noticed none such.'

Century: 1800-1849     Reader/Listener/Group: Douglas Kinnaird      Manuscript: Unknown

  

 : Galignani's Messenger

Byron to John Murray, 4 December 1821: 'By extracts in the English papers in your holy Ally -- Galignani's messenger -- I perceive that the "two greatest examples of human vanity -- in the present age" are firstly "the Ex-Emperor Napoleon" -- and secondly -- "his Lordship the noble poet &c." -- meaning your hunble servant ...'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Newspaper

  

John Sheppard : [unknown]

Byron to John Sheppard, who had sent him a prayer apparently written for him (Byron) by his (Sheppard's) late wife, 8 December 1821: "I have received yr. letter ... the Extract which it contains has affected me ... it would imply a want of all feeling to have read it with indifference ... for whomever it was meant [this apparently uncertain] -- I have read it with all the pleasure which can arise from so melancholy a topic."

Century: 1800-1849     Reader/Listener/Group: George Gordon, Lord Byron      Manuscript: Letter

  

 : advertisement for "Mirandola"

Byron to Bryan Waller Procter, 1822, regarding Procter's drama Mirandola: ' ... "Mirandola" [was] not announced till the winter following [summer 1820]. The first time I saw it mentioned was in a newspaper ...'

Century:      Reader/Listener/Group: George Gordon Lord Byron      Print: Advertisement, Newspaper

  

Robert Southey : letter

Byron to the editor of The Courier, 5 February 1822: 'Sir / -- I have read in your Journal some remarks of Mr. Southey ... which he is pleased to entitle a reply to "a note relating to himself." appending to [Byron's ] the "two Foscari".'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Newspaper

  

Oxoniensis [pseud.] : Remonstrance against Cain

Byron to John Murray, 8 February 1822: 'Attacks upon me were to be expected [following publication of his Biblical drama Cain] -- but I perceive one upon you in the papers which I confess that I did not expect.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Newspaper

  

 : article originally appearing in Blackwood's Edinburgh Magazine, January 1822

Byron to Thomas Moore, 1 March 1822: 'In the impartial Galignani I perceive an extract from Blackwood's Magazine, in which it is said that there are people who have discovered that you and I are no poets.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Newspaper

  

n/a : [English newspaper]

Byron to Edward J. Dawkins, 17 May 1822: "I return you the paper with many thanks for that and your letter. -- It is the first English Newspaper (except Galignani's Parisian English) which I have seen for a long time -- and I was lost in admiration of it's size and volume."

Century: 1800-1849     Reader/Listener/Group: George Gordon, Lord Byron      Print: Newspaper

  

 : 

Byron to John Murray, 26 May 1822, giving directions for burial of his daughter Allegra at Harrow Church: 'Near the door -- on the left as you enter -- there is a monument with a tablet containing these words: "When Sorrow weeps o'er Virtue's sacred dust, Our tears become us, and our Grief is just, Such were the tears she shed, who grateful pays This last sad tribute to her love, and praise." I recollect them (after seventeen years) not from any thing remarkable in them -- but because -- from my seat in the Gallery -- I had generally my eyes turned towards that monument -- as near it as convenient I would wish Allegra to be buried ...'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Manuscript: epitaph

  

Francis Jeffrey : unknown

Byron to Thomas Moore, 8 June 1822: 'I have read the recent article of Jeffrey in a faithful transcription of the impartial Galignani.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Newspaper

  

 : Advertisement for [John Watkins], Memoirs of the Life and Writings of the Right Honourable Lord Byron

Byron to Thomas Moore, 8 August 1822: 'I have not seen the thing you mention [John Watkins, Memoirs of the Life and Writings of the Right Honourable Lord Byron] ... nor have I any desire. The price is, as I saw in some advertisement, fourteen shillings, which is too much to pay for a libel on oneself.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Advertisement

  

 : Lists of subscribers to Irish poor relief funds

Byron to the Rev Thomas Hall, 14 August 1822: 'I have observed in Galignani's paper lists of the Subscribers and Subscriptions for the Irish poor from Florence, but not from Leghorn.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Newspaper

  

Thompson : book of prescriptions

Byron to John Murray, 9 October 1822, on his recent illness (painfully and ineffectually treated by a local doctor): 'At last I seized Thompson's book of prescriptions -- (a donation of yours) and physicked myself with the first dose I found in it ...'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

Harriet Lee : The German's Tale

Byron to Augusta Leigh, 12 December 1822, on the inspiration for his play Werner: 'The Story "the German's tale" [in Sophia and Harriet Lee's Canterbury Tales] from which I took it [ha]d a strange effect upon me when I read it as a boy -- and it has haunted me ever since -- from some singular conformity between it & my ideas.'

Century: 1700-1799 / 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

 : Galignani's Messenger

Byron to John Murray, 25 October 1822, sending back unread Quarterly Review (having decided to read no more reviews): '[Galignani] ... has forwarded a copy of at least one half of it -- in his indefatigable Catch-penny weekly compilation -- and ... I have looked through it...'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Newspaper

  

Count D'Orsay : Journal

Byron to the Earl of Blessington, 5 April 1823: 'I return the C[ount] D'O[rsay]'s journal which is a very extraordinary production ... I know or knew personally most of the personages and societies which he describes -- and after reading his remarks -- have the sensation fresh upon me as if I had seen them yesterday.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Manuscript: Unknown

  

Antoine Francois Sergent-Marceau : Notices Historiques sur le General Marceau

Byron to Madame Sergent-Marceau, 5 May 1823 (translated from Italian): 'no present you might give me would be more welcome than the short work in which the actions of your Brother [General Marceau], whose memory I revere, are so well described. I have read this work with the greatest pleasure ...'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

Benjamin Constant : Adolphe

Byron to the Countess of Blessington, on Benjamin Constant's Adolphe, 6 May 1823: 'The first time I ever read it ... was at the desire of Madame de Stael ...'

Century: 1700-1799 / 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

n/a : The Times

Byron to John Cam Hobhouse, 28 May 1823: "I read your various speeches in the Times."

Century: 1800-1849     Reader/Listener/Group: George Gordon, Lord Byron      Print: Newspaper

  

Henri Beyle : Rome

Byron to Henri Beyle (who later wrote under the name Stendhal), 29 May 1823: 'Of your works I have seen only "Rome", etc., the Lives of Haydn and Mozart, and the brochure on Racine and Shakespeare.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

Henri Beyle : Life of Haydn

Byron to Henri Beyle (who later wrote under the name Stendhal), 29 May 1823: 'Of your works I have seen only "Rome", etc., the Lives of Haydn and Mozart, and the brochure on Racine and Shakespeare.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

Henri Beyle : Life of Mozart

Byron to Henri Beyle (who later wrote under the name Stendhal), 29 May 1823: 'Of your works I have seen only "Rome", etc., the Lives of Haydn and Mozart, and the brochure on Racine and Shakespeare.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

Henri Beyle : essay on Racine and Shakespeare

Byron to Henri Beyle (who later wrote under the name Stendhal), 29 May 1823: 'Of your works I have seen only "Rome", etc., the Lives of Haydn and Mozart, and the brochure on Racine and Shakespeare.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      

  

Amadee Pichot : Essai sur le Genie et le Caractere de Lord Byron par A[madee] P[icho]t

Byron thanks J. J. Coulmann for books sent, July 1823: 'I have also to return thanks to you for having honoured me with your compositions ... As to the Essay, etc., I am obliged to you for the present, although I had already seen it joined to the last edition of the translation. I have nothing to object to it ... though naturally there are ... several errors ...'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

Johann Wolfgang von Goethe : unknown

Byron to Johann Wolfgang von Goethe, 22 July 1823, thanking him for 'lines' forwarded by Charles Sterling and received at Leghorn: ' ... [I] arrived here ... this morning ... here ... I found your lines ... and I could not have had a more favourable Omen or more agreeable surprise than a word from Goethe written by his own hand.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Manuscript: Letter

  

Maria Edgeworth : 'The Purple Jar' in Every Child's Stories

'Rose Macaulay's inner life was fostered from the start by parents who made her earliest years rich with stories and make-believe. "read much aloud to the children", Grace Macaulay records in her diary of 19 November 1887... "(all 5 listening in rapt atention), 'Rosamond and the Purple Jar', Leila or the Island and 'The Wave and the Battlefield' - also 'Holiday House'."'

Century: 1850-1899     Reader/Listener/Group: Grace Macaulay      Print: Book

  

Ann Fraser Tytler : Leila: or, The Island

'Rose Macaulay's inner life was fostered from the start by parents who made her earliest years rich with stories and make-believe. "read much aloud to the children", Grace Macaulay records in her diary of 19 November 1887... "(all 5 listening in rapt atention), 'Rosamond and the Purple Jar', 'Leila or the Island' and 'The Wave and the Battlefield' - also 'Holiday House'."'

Century: 1850-1899     Reader/Listener/Group: Grace Macaulay      Print: Book

  

Catherine Sinclair : Holiday House

'Rose Macaulay's inner life was fostered from the start by parents who made her earliest years rich with stories and make-believe. "read much aloud to the children", Grace Macaulay records in her diary of 19 November 1887... "(all 5 listening in rapt atention), 'Rosamond and the Purple Jar', 'Leila or the Island' and 'The Wave and the Battlefield' - also 'Holiday House'."'

Century: 1850-1899     Reader/Listener/Group: Grace Macaulay      Print: Book

  

 : The Wave and the Battlefield

'Rose Macaulay's inner life was fostered from the start by parents who made her earliest years rich with stories and make-believe. "read much aloud to the children", Grace Macaulay records in her diary of 19 November 1887... "(all 5 listening in rapt atention), 'Rosamond and the Purple Jar', 'Leila or the Island' and 'The Wave and the Battlefield' - also 'Holiday House'."'

Century: 1850-1899     Reader/Listener/Group: Grace Macaulay      Print: Book

  

William Shakespeare : Henry V

'Later in the month (30 November), Grace writes that she is "reading Henry V to M. and R. [Margaret and Rose] in the evenings".'

Century: 1850-1899     Reader/Listener/Group: Grace Macaulay      Print: Book

  

Mary Louisa Molesworth : The Cuckoo Clock

'In September and October [Grace Macaulay] is reading aloud to Margaret (ill with scarlet fever) Mrs Molesworth's The Cuckoo Clock and Charlotte M. Yonge's Chaplet of Pearls and The Heir of Redclyffe'

Century: 1850-1899     Reader/Listener/Group: Grace Macaulay      Print: Book

  

Charlotte M. Yonge : The Chaplet of Pearls

'In September and October [Grace Macaulay] is reading aloud to Margaret (ill with scarlet fever) Mrs Molesworth's The Cuckoo Clock and Charlotte M. Yonge's Chaplet of Pearls and The Heir of Redclyffe'

Century: 1850-1899     Reader/Listener/Group: Grace Macaulay      Print: Book

  

Charlotte M. Yonge : The Heir of Redclyffe

'In September and October [Grace Macaulay] is reading aloud to Margaret (ill with scarlet fever) Mrs Molesworth's The Cuckoo Clock and Charlotte M. Yonge's Chaplet of Pearls and The Heir of Redclyffe'

Century: 1850-1899     Reader/Listener/Group: Grace Macaulay      Print: Book

  

Frederick Marryat : The Settlers in Canada

'[Grace Macaulay's diary] entry for 2 March 1890 records that she "read the boys parts of Settlers at Home and Otto Spectere (sic), all of which Will as well as Aulay much enjoyed".'

Century: 1850-1899     Reader/Listener/Group: Grace Macaulay      Print: Book

  

Wilhelm Hey : Funfzig Fabeln or Noch Funfzig Fabeln

'[Grace Macaulay's diary] entry for 2 March 1890 records that she "read the boys parts of Settlers at Home and Otto Spectere (sic), all of which Will as well as Aulay much enjoyed".'

Century: 1850-1899     Reader/Listener/Group: Grace Macaulay      Print: Book

  

George Eliot : The Mill on the Floss

'On 12 May [1890 Grace Macaulay] recalls that she "read part of Mill on Floss to children in aft, to their delight".'

Century: 1850-1899     Reader/Listener/Group: Grace Macaulay      Print: Book

  

Charles Dickens : 

'Rose... remembers her father reading to them - Dickens, Scott, Robinson Crusoe, Shakespeare, Jane Austen, Meredith, Tom Jones, The Three Musketeers, Don Quixote, and, curiously, The Origin of Species'

Century: 1850-1899     Reader/Listener/Group: George Macaulay      Print: Book

  

Walter Scott : 

'Rose... remembers her father reading to them - Dickens, Scott, Robinson Crusoe, Shakespeare, Jane Austen, Meredith, Tom Jones, The Three Musketeers, Don Quixote, and, curiously, The Origin of Species'

Century: 1850-1899     Reader/Listener/Group: George Macaulay      Print: Book

  

Daniel Defoe : Robinson Crusoe

'Rose... remembers her father reading to them - Dickens, Scott, Robinson Crusoe, Shakespeare, Jane Austen, Meredith, Tom Jones, The Three Musketeers, Don Quixote, and, curiously, The Origin of Species'

Century: 1850-1899     Reader/Listener/Group: George Macaulay      Print: Book

  

William Shakespeare : 

'Rose... remembers her father reading to them - Dickens, Scott, Robinson Crusoe, Shakespeare, Jane Austen, Meredith, Tom Jones, The Three Musketeers, Don Quixote, and, curiously, The Origin of Species'

Century: 1850-1899     Reader/Listener/Group: George Macaulay      Print: Book

  

Jane Austen : 

'Rose... remembers her father reading to them - Dickens, Scott, Robinson Crusoe, Shakespeare, Jane Austen, Meredith, Tom Jones, The Three Musketeers, Don Quixote, and, curiously, The Origin of Species'

Century: 1850-1899     Reader/Listener/Group: George Macaulay      Print: Book

  

George Meredith : 

'Rose... remembers her father reading to them - Dickens, Scott, Robinson Crusoe, Shakespeare, Jane Austen, Meredith, Tom Jones, The Three Musketeers, Don Quixote, and, curiously, The Origin of Species'

Century: 1850-1899     Reader/Listener/Group: George Macaulay      Print: Book

  

Henry Fielding : Tom Jones

'Rose... remembers her father reading to them - Dickens, Scott, Robinson Crusoe, Shakespeare, Jane Austen, Meredith, Tom Jones, The Three Musketeers, Don Quixote, and, curiously, The Origin of Species'

Century: 1850-1899     Reader/Listener/Group: George Macaulay      Print: Book

  

Miguel de Cervantes : Don Quixote

'Rose... remembers her father reading to them - Dickens, Scott, Robinson Crusoe, Shakespeare, Jane Austen, Meredith, Tom Jones, The Three Musketeers, Don Quixote, and, curiously, The Origin of Species'

Century: 1850-1899     Reader/Listener/Group: George Macaulay      Print: Book

  

Alexandre Dumas (pere) : The Three Musketeers

'Rose... remembers her father reading to them - Dickens, Scott, Robinson Crusoe, Shakespeare, Jane Austen, Meredith, Tom Jones, The Three Musketeers, Don Quixote, and, curiously, The Origin of Species'

Century: 1850-1899     Reader/Listener/Group: George Macaulay      Print: Book

  

Charles Darwin : The Origin of Species

'Rose... remembers her father reading to them - Dickens, Scott, Robinson Crusoe, Shakespeare, Jane Austen, Meredith, Tom Jones, The Three Musketeers, Don Quixote, and, curiously, The Origin of Species'

Century:      Reader/Listener/Group: George Macaulay      Print: Book

  

 : [newspapers]

Byron to Scrope Berdmore Davies, 31 July 1810: 'I see by the papers 15th May my Satire [English Bards and Scotch Reviewers] is in a third Edition ...'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Newspaper

  

John Cam Hobhouse : Historical Illustrations of the Fourth Canto of Childe Harold

Byron to Scrope Berdmore Davies, 7 December 1818: 'We have all here been very much pleased with Hobhouse's book on Italy -- some part of it the best he ever wrote ... '

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

 : Critical Review

Byron to Ben Crosby, 1 December 1807: ' ... as to any reviews of my precious Publication [Hours of Idleness] ... I have [seen?] at least a score of one description or another, magazines & c. -- some very favourable, as the Critical, others severe but just enough, one in particular (the Eclectic) quits the work, to criticise the author ...'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Serial / periodical

  

 : The Eclectic Review

Byron to Ben Crosby, 1 December 1807: '... as to any reviews of my precious Publication [Hours of Idleness] ... I have [seen?] at least a score of one description or another, magazines & c. -- some very favourable, as the Critical, others severe but just enough, one in particular (the Eclectic) quits the work, to criticise the author ...'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Serial / periodical

  

William Harness : unknown

Byron to Wililiam Harness, 11 February 1808: 'I ... remember being favoured [while at school] with the perusal of many of your compositions ...'

Century: 1700-1799 / 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Manuscript: Unknown

  

Henry Gally Knight : Alashtar, an Arabian Tale

Byron to Henry Gally Knight, 4 April 1815: 'Dear Knight -- I have read "Alashtar" with attention and great pleasure.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Manuscript: Unknown

  

 : Galignani's Messenger

Byron to Jean Antoine Galignani, 27 April 1819: 'In various numbers of your Journal -- I have seen mentioned a work entitled "the Vampire" with the addition of my name as that of the Author. -- I am not the author ...'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Newspaper

  

 : Galignani's Messenger

Byron to Jean Antoine Galignani, 28 April 1820: 'I perceive in a long advertisement of what you are pleased to call Ld. Byron's works -- the name of an "Ode to the land of the Gaul" -- it is not my production ...'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Newspaper

  

 : review of Byron, The Age of Bronze

Byron to John Hunt, 5 July 1823: 'I have seen the Blackwood [review of The Age of Bronze]: but I still think it a pity to prosecute.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Serial / periodical

  

 : Hellenica Chronica

Byron to the Chronica Greca, 23 May 1824 (translated from Italian): 'I have read for the first time yesterday an article in the Chronica Greca [paper actually entitled the Hellenica Chronica] -- denouncing the Danish Baron Adam Friedel -- who is not here to respond. -- I do not know if this is just but it does not appear to me to be generous.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Newspaper

  

Hall Caine : The Manxman

George Gissing in diary, 9 August 1894: "'Read Hall Caine's 'The Manxman', which has just appeared in 1 vol., instead of 3."

Century: 1850-1899     Reader/Listener/Group: George Gissing      Print: Book

  

 : Chambers's Encyclopedia

On publication of illustrated edition of Chambers's Encyclopedia in 1906: "G. K. Chesterton did not need the incentive of illustrations ... [he] had already 'read whole volues of Chambers's Encyclopedia ...'"

Century: 1850-1899 / 1900-1945     Reader/Listener/Group: Gilbert Keith Chesterton      Print: Book

  

Karl Marx : Das Kapital

"[George Bernard] Shaw had read Marx's Das Kapital (in French translation) and he was converted to socialism ..."

Century: 1850-1899     Reader/Listener/Group: George Bernard Shaw      Print: Book

  

Karl Marx : unknown

'[George] Saintsbury [who became a Tory journalist] read Marx as an undergraduate ...'

Century: 1850-1899     Reader/Listener/Group: George Saintsbury      Print: Book

  

Walter Scott : unknown

'For Hugh Walpole ... Scott was a lifelong passion ... from a subscription library in Durham he proceeded to read all of Scott, who influenced his own first writings.'

Century: 1850-1899 / 1900-1945     Reader/Listener/Group: Hugh Walpole      Print: Book

  

Walter Scott : The Heart of Midlothian

'However many times [Hugh] Walpole read Scott, he never ceased to be moved, as in 1918, when he "read a little Heart of Midlothian and actually wept, at my age too, over Jeanie's meeting with the Queen ..."'

Century: 1900-1945     Reader/Listener/Group: Hugh Walpole      Print: Book

  

various : The Abbotsford Correspondence

'Whatever little agues beset [Hugh] Walpole, there was always a cure in Scott: a cold would send him to bed, where he would happily read the Abbotsford Correspondence or Scott's Journal (1890) ...'

Unknown
Century: 1900-1945     Reader/Listener/Group: Hugh Walpole      Print: Book

  

Walter Scott : Journal

'Whatever little agues beset [Hugh] Walpole, there was always a cure in Scott: a cold would send him to bed, where he would happily read the Abbotsford Correspondence or Scott's Journal (1890) ...'

Century: 1850-1899 / 1900-1945     Reader/Listener/Group: Hugh Walpole      Print: Book

  

Walter Scott : Katherine Christian

'[Hugh] Walpole's last reading of Scott was in the month before his death, when he was endeavouring to finish Katherine Christian (1941).'

Century: 1900-1945     Reader/Listener/Group: Hugh Walpole      Print: Book

  

Walter Scott : Wandering Willie's Tale (in Redgauntlet)

'In his Scrap Book in 1922 ... [George Saintsbury] recorded that he was 'reading for the hundredth time the Short Story of the World -- Scott's "Wandering Willie's Tale".'

Century: 1900-1945     Reader/Listener/Group: George Saintsbury      Print: Book

  

Jane Austen : [novels]

E. M. Forster, "Jane Austen," in Abinger Harvest (1924): 'She is my favourite author! I read and re-read, the mouth open and the mind closed.'

Century: 1850-1899 / 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Charles Dickens : unknown

'Devoted ... was the ritual of Gordon Hewart, who rose to become Lord Chief Justice: he read Dickens every night of his life.'

Century: 1850-1899 / 1900-1945     Reader/Listener/Group: Gordon Hewart      Print: Book

  

 : [series of 'Resolutions' in manuscript, drawn up b

To our young ploughman, who, when I went to him where he was digging in atrench at the foot of the lawn, read the resolutions over carefully, then most reverently uncovering his head, he took the offered pen, and when he had affixed his name, he said 'By God's grace I will keep them'... He became a diligent student of his Bible and theological works; preached the gospel locally for some years in his native land, and then emigrated to Canada...

Century: 1800-1849     Reader/Listener/Group: A Young Ploughman      Manuscript: Sheet

  

Robert Browning : Sordello

'Sordello (1840) was undoubtedly the toughest assignment [of Browning's works]. When Douglas Jerrold venured on it while convalescing, he entered a state of panic that his illness had destroyed his reason; then, having passed the book from his bedside to a visiting friend, who also exhibited utter incomprehension, he collapsed relieved on his pillow with a cry of "Thank God!"!'

Century: 1850-1899 / 1900-1945     Reader/Listener/Group: Douglas Jerrold      Print: Book

  

Thomas Hardy : Tess of the d'Urbervilles

'Margaret Wharton's parents were highly literate, and with their encouragement she entered a teaching training college in 1936, but they taught her nothing about sex: "Though we read books like 'Tess of the d'Urbervilles' and 'Hatter's Castle' both dealing with defloration of innocence and an ultimate baby, we drew no parallels and made no application to ourselves. I even read Radclyffe Hall's classic story of lesbianism, The Well of Loneliness, without having the faintest idea of what it was about'.

Century: 1900-1945     Reader/Listener/Group: Margaret Wharton      Print: Book

  

A.J. Cronin : Hatter's Castle

'Margaret Wharton's parents were highly literate, and with their encouragement she entered a teaching training college in 1936, but they taught her nothing about sex: "Though we read books like 'Tess of the d'Urbervilles' and 'Hatter's Castle' both dealing with defloration of innocence and an ultimate baby, we drew no parallels and made no application to ourselves. I even read Radclyffe Hall's classic story of lesbianism, The Well of Loneliness, without having the faintest idea of what it was about'.

Century: 1900-1945     Reader/Listener/Group: Margaret Wharton      Print: Book

  

Radclyffe Hall : The Well of Loneliness

'Margaret Wharton's parents were highly literate, and with their encouragement she entered a teaching training college in 1936, but they taught her nothing about sex: "Though we read books like 'Tess of the d'Urbervilles' and 'Hatter's Castle' both dealing with defloration of innocence and an ultimate baby, we drew no parallels and made no application to ourselves. I even read Radclyffe Hall's classic story of lesbianism, The Well of Loneliness, without having the faintest idea of what it was about'.

Century: 1900-1945     Reader/Listener/Group: Margaret Wharton      Print: Book

  

Walter Scott : Fortunes of Nigel

'Just a little note of this night. I had been working very hard and came to my room very late and tired, but took up a book, the "Fortunes of Nigel" and read on and on till it was three o'clock in the morning.'

Century: 1850-1899     Reader/Listener/Group: Margaret Oliphant      Print: Book

  

John Ruskin : Praeterita

'After reading at the Athenaeum a section of Ruskin's autobiography, "Praeterita", published in instalments between 1885 and 1889, Grant Duff reflected [in diary for 14 August 1889] that it was "an admirable specimen of its author's merits and defects ..."'

Century: 1850-1899     Reader/Listener/Group: Grant Duff      Print: Serial / periodical

  

 : Review of 'Felix Holt the Radical'

'I think the praise of the "Saturday Review" and the "Times" - evidently both are much dissatisfied with the book [George Eliot's "Felix Holt"] and neither daring to say so, except in the most timid way - proves this conclusively.'

Century: 1850-1899     Reader/Listener/Group: Margaret Oliphant      Print: Newspaper

  

 : Review of 'Felix Holt the Radical'

'I think the praise of the "Saturday Review" and the "Times" - evidently both are much dissatisfied with the book [George Eliot's "Felix Holt"] and neither daring to say so, except in the most timid way - proves this conclusively.'

Century: 1850-1899     Reader/Listener/Group: Margaret Oliphant      Print: Newspaper

  

Voltaire : unknown

... [H. G.] Wells relearnt French by reading Voltaire for himself in the early 1880s and through visits to France ...'

Century: 1850-1899     Reader/Listener/Group: H. G. Wells      Print: Book

  

Charles Dickens : [unknown]

'Theodore Watts-Dunton remembers Algernon Swinburne's fondness for reading aloud during his last years at Watts-Dunton's home: "... he would read for the hour together from Dickens, Lamb, Charles Reade and Thackeray."'

Century: 1850-1899     Reader/Listener/Group: Algernon Swinburne      Print: Unknown

  

Charles Lamb : [unknown]

'Theodore Watts-Dunton remembers Algernon Swinburne's fondness for reading aloud during his last years at Watts-Dunton's home: "... he would read for the hour together from Dickens, Lamb, Charles Reade and Thackeray."'

Century: 1850-1899     Reader/Listener/Group: Algernon Swinburne      Print: Unknown

  

Charles Reade : [unknown]

'Theodore Watts-Dunton remembers Algernon Swinburne's fondness for reading aloud during his last years at Watts-Dunton's home: "... he would read for the hour together from Dickens, Lamb, Charles Reade and Thackeray."'

Century: 1850-1899     Reader/Listener/Group: Algernon Swinburne      Print: Unknown

  

William Makepeace Thackeray : [unknown]

'Theodore Watts-Dunton remembers Algernon Swinburne's fondness for reading aloud during his last years at Watts-Dunton's home: "... he would read for the hour together from Dickens, Lamb, Charles Reade and Thackeray."'

Century: 1850-1899     Reader/Listener/Group: Algernon Swinburne      Print: Unknown

  

Algernon Swinburne : Les Noyades

"In 1862, as a 25-year-old rebel ... [Swinburne] took it on himself to scandalize a dinner party at Fryston. His target was not his host, Richard Monckton Milnes ... Nor was Swinburne particularly showing off for Thackeray, a fellow guest ... His aim was directed more at the rest of the table: Thackeray's two daughters and the new Archbishop of York, William Thomson ... Swinburne read Les Noyades'."

Century: 1850-1899     Reader/Listener/Group: Algernon Swinburne      

  

Algernon Swinburne : unknown

'In 1864 George Du Maurier witnessed ... [a] bravura performance [by Swinburne] at a bachelor party in the studio of the artist Simeon Solomon ... "For three hours he spouted his poetry to us, and it was of a power, beauty and originality unequalled."'

Unknown
Century: 1850-1899     Reader/Listener/Group: Algernon Swinburne      

  

 : Advertisement of book on Disraeli's Life in the Quarterly Review

'I see that a new volume of the Dizzy life is announced.'

Century: 1900-1945     Reader/Listener/Group: Algernon Cecil      Print: Advertisement, Serial / periodical

  

Henry James : What Maisie Knew

' ... in Egypt during the Great War [E. M.] Forster applied himself to read [Henry] James. Struggling with What Maisie Knew (1897), he rather thought that "she is my very limit ..."'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Mary Elizabeth Braddon : Lady Audley's Secret

'[George] Moore pinpointed his ... awakening interest in fiction to overhearing his parents discussing whether Lady Audley murdered her husband. Then aged 11, Moore "took the first opportunity of stealing the novel in question [Lady Audley' s Secret]. I read it eagerly, passionately, vehemently," afterwards progressing to the rest of Braddon's fiction, including The Doctor's Wife, about "a lady who loved Shelley and Byron", which in turn led him to take up those poets ...'

Century: 1850-1899     Reader/Listener/Group: George Moore      Print: Book

  

Mary Elizabeth Braddon : The Doctor's Wife

'[George] Moore pinpointed his ... awakening interest in fiction to overhearing his parents discussing whether Lady Audley murdered her husband. Then aged 11, Moore "took the first opportunity of stealing the novel in question [Lady Audley' s Secret]. I read it eagerly, passionately, vehemently," afterwards progressing to the rest of Braddon's fiction, including The Doctor's Wife, about "a lady who loved Shelley and Byron", which in turn led him to take up those poets ...'

Century: 1850-1899     Reader/Listener/Group: George Moore      Print: Book

  

Percy Bysshe Shelley : unknown

'[George] Moore pinpointed his ... awakening interest in fiction to overhearing his parents discussing whether Lady Audley murdered her husband. Then aged 11, Moore "took the first opportunity of stealing the novel in question [Lady Audley' s Secret]. I read it eagerly, passionately, vehemently," afterwards progressing to the rest of Braddon's fiction, including The Doctor's Wife, about "a lady who loved Shelley and Byron", which in turn led him to take up those poets ...'

Century: 1850-1899     Reader/Listener/Group: George Moore      Print: Book

  

George Gordon, Lord Byron : unknown

'[George] Moore pinpointed his ... awakening interest in fiction to overhearing his parents discussing whether Lady Audley murdered her husband. Then aged 11, Moore "took the first opportunity of stealing the novel in question [Lady Audley' s Secret]. I read it eagerly, passionately, vehemently," afterwards progressing to the rest of Braddon's fiction, including The Doctor's Wife, about "a lady who loved Shelley and Byron", which in turn led him to take up those poets ...'

Century: 1850-1899     Reader/Listener/Group: George Moore      Print: Book

  

Dante Gabriel Rossetti : The King's Tragedy

On visit to 50-year-old Dante Gabriel Rossetti, '[Hall] Caine, half his age, was treated to a reading of "The King's Tragedy" ...'

Unknown
Century: 1850-1899     Reader/Listener/Group: Dante Gabriel Rossetti      

  

Robert Browning : Men and Women

The editor's footnote quotes a letter from Dante Gabriel Rossetti to Ellen Heaton: 24/11/1855 - "Much of my time in Paris was spent with Mr and Mrs Browning, who send you their kind regards. What a glorious book "Men and Women" is!" (Letters written to Ellen Heaton; sold in 1969; whereabouts unknown.)

Century: 1850-1899     Reader/Listener/Group: Dante Gabriel Rossetti      Print: Book

  

Arnold Bennett : Anna of the Five Towns

. . . [George] Sturt, Bennett's supposedly 'aesthetic' critic, was not particularly admiring of 'Anna'[of the Five Towns]; he writes complaining that Bennett makes 'an inventory of the furniture in Anna's kitchen', that his characters don't come alive . . .

Century: 1900-1945     Reader/Listener/Group: George Sturt      Print: Book

  

George Eliot : Felix Holt the Radical

'I have got two copies of "Felix Holt" - the last sent me by Mr Langford [...] I don't think I could say anything satisfactory about it. It leaves an impression on my mind as of "Hamlet" played by six sets of gravediggers. Of course it will be a successful book, but I think chiefly because "Adam Bede" and "Silas Marner" went before it. Now that I have read it, I have given up the idea of reviewing it.'

Century: 1850-1899     Reader/Listener/Group: Margaret Oliphant      Print: Book

  

 : [Advertisement of works by Lamartine]

'A propos of French literature, there is an advertisement of Lamartine in the papers which goes to one's heart, offering, not even by a publisher in his own name a [italics] rabais [end italics] of so many francs on the price of his entire works to anyone who will buy them.'

Century: 1850-1899     Reader/Listener/Group: Margaret Oliphant      Print: Advertisement, Newspaper

  

 : The Times

'Thank you for sending me the "Times" with the review. It is very gracious and good [...] I don't know whether I am alone in thinking so, of if the opinion is general, but it seems to me that the writing of the "Times" just now is wonderfully bad'.

Century: 1850-1899     Reader/Listener/Group: Margaret Oliphant      Print: Newspaper

  

 : Bible

'When I went to read the chapter about the many mansions, even then I seemed to be stifled again'.

Century: 1850-1899     Reader/Listener/Group: Margaret Oliphant      Print: Book

  

Elizabeth Gaskell : Life of Charlotte Bronte

'I was reading of Charlotte Bronte the other day, and could not help comparing myself with the picture more or less as I read. I don't suppose my powers are equal to hers - my work to myself looks perfectly pale and colourless beside hers - but yet I have had far more experience and, I think, a fuller conception of life'.

Century: 1850-1899     Reader/Listener/Group: Margaret Oliphant      Print: Book

  

Swinburne : Threnody

I cut out of a newspaper and put in here a little poem of Swinburne whom I have never loved. It is dated three years ago, yet was published only the other day - for whom, for us? I have read it over and over again, scarcely able to see the words for tears.'

Century: 1850-1899     Reader/Listener/Group: Margaret Oliphant      Print: Newspaper

  

 : [Italian]

'[I] sit through the evening with Denny alone generally, often reading a little Italian'.

Unknown
Century: 1850-1899     Reader/Listener/Group: Margaret Oliphant      

  

Walter Scott : Journal

'What a wonderful record is that journal of Sir Walter's which dear Annie Ritchie has sent me - and with what love one watches everything he does. I have read over and over again what he says of his wife's death. It is so sober, so chastened, so true: "I wonder how I shall do with the thoughts which were hers for thirty years".'

Century: 1850-1899     Reader/Listener/Group: Margaret Oliphant      Print: Book

  

R.T. Davison : Life of Archibald Campbell Tait

'I have found a little, not comfort, but fellowship in reading about Archbishop Tait. I did not like his book. I thought it too personal, too sacred for publication, but now brought down to the very dust, I turned to it with a sense of common suffering'.

Century: 1850-1899     Reader/Listener/Group: Margaret Oliphant      Print: Book

  

John Addington Symonds : Life of Symonds

'I have been reading the life of Mr Symonds, and it makes me almost laugh (though little laughing is in my heart) to think of the strange difference between this prosaic little narrative, all about the facts of a life so simple as mine, and his elaborate self-discussions'.

Century: 1850-1899     Reader/Listener/Group: Margaret Oliphant      Print: Book

  

Edward Bulwer Lytton : Night and Morning

'Since seeing Captain Blackwood yesterday I have read over 'Night and Morning'.

Century: 1850-1899     Reader/Listener/Group: Margaret Oliphant      Print: Book

  

Edward Caird : Sermons

'If you wish me to take up Mr Caird's Sermons I will be glad to do it. I think myself that there is a little want of human experience in them, - the troubles of this life - which one thinks the more of by a natural selfishness when one seems to have a double portion of them.'

Century: 1850-1899     Reader/Listener/Group: Margaret Oliphant      Print: Book

  

 : Athenaeum

We are very curious and interested about "Adam Bede", which we see advertised and criticised in the "Athenaeum".'

Century: 1850-1899     Reader/Listener/Group: Margaret Oliphant      Print: Advertisement, Serial / periodical

  

unknown : Review of Adam Bede

We are very curious and interested about "Adam Bede", which we see advertised and criticised in the "Athenaeum".'

Century: 1850-1899     Reader/Listener/Group: Margaret Oliphant      Print: Serial / periodical

  

 : Blackwood's Magazine

'Thank you very much for the Magazine - I am charmed with "St Stephen's". It is Sir Edward's, of course.'

Century: 1850-1899     Reader/Listener/Group: Margaret Oliphant      Print: Serial / periodical

  

?Edward ?Bulwer Lytton : St Stephen's

'Thank you very much for the Magazine - I am charmed with "St Stephen's". It is Sir Edward's, of course.'

Century: 1850-1899     Reader/Listener/Group: Margaret Oliphant      Print: Serial / periodical

  

A.B. Jameson : Legends of the Saints

'The table is heaped with picture-books, and Maggie, rather sentimental with a bad cold, is reading Mrs. Jameson's Legends of the Saints, so there you have a peep at our interior.'

Century: 1850-1899     Reader/Listener/Group: Maggie Oliphant      Print: Book

  

R.H. Story : 

'I was extremely glad to get your MS [...] I have of course some small criticism to make, but none of importance [...] Is it necessary to mention distinctly Maurice and F.W. Robertson as leaders of the "Advance of Christian Thought"?'

Century: 1850-1899     Reader/Listener/Group: Margaret Oliphant      Manuscript: Sheet, work in MS

  

A.W. Kinglake : Invasion of the Crimea

'I am delighted with Kinglake: has he steered quite clear of action for libel, or is it not within the bounds of possibility that you may be defendants in an imperial place? Such a concentration of suave hatred, malice, and uncharitableness surely never was. The narrative is perfectly delightful.'

Century: 1850-1899     Reader/Listener/Group: Margaret Oliphant      Print: Book

  

Marie Corelli : Ardath

G. H. Hardy on Marie Corelli's Ardath: "'The most striking feature of the book ... is the colossal number of notes of exclamation -- I counted 39 in 3 pages.'"

Century: 1850-1899     Reader/Listener/Group: G. H. Hardy      Print: Book

  

Edward Bulwer Lytton : Essays

'How delightful are Sir Edward's Essays. One seems to see his own special creation, the accomplished man of the world, not entirely worldly, a quintessence of social wisdom and experience, sweetened by imagination'.

Century: 1850-1899     Reader/Listener/Group: Margaret Oliphant      Print: Book

  

Wilkie Collins : The Woman in White

'I must say I think the "Woman in White" a marvel of workmanship. I found it bear a second reading very well, and indeed it was having it thrown in my way for a second time which attracted so strongly my technical admiration'.

Century: 1850-1899     Reader/Listener/Group: Margaret Oliphant      Print: Book

  

Wilkie Collins : The Woman in White

'I must say I think the "Woman in White" a marvel of workmanship. I found it bear a second reading very well, and indeed it was having it thrown in my way for a second time which attracted so strongly my technical admiration'.

Century: 1850-1899     Reader/Listener/Group: Margaret Oliphant      Print: Book

  

David Wingate : My Little Wife

'Now about your literary questions, scoffer! Know that I read everything (except the politics, - I am a Radical, you know) which has the honour of appearing in "Maga" [Blackwood's Magazine]. And I like some of David Wingate's poems very much, other some I don't particularly care for; "My Little Wife" is delightful.'

Century: 1850-1899     Reader/Listener/Group: Margaret Oliphant      Print: Book

  

Marie Corelli : novels

"...Edward [Prince of Wales] invited ... [Marie Corelli] to a luncheon which the future King George V [then Duke of York] also attended, and both told her that they had read all her books."

Century: 1850-1899 / 1900-1945     Reader/Listener/Group: George Duke of York      Print: Book

  

Nat Gould : novels

" ... Gilbert Frankau ... read ... [Nat Gould's novels] while at Eton at the turn of the century ..."

Century: 1850-1899 / 1900-1945     Reader/Listener/Group: Gilbert Frankau      Print: Book

  

Marie Stopes : [book on birth control]

'when Gladys [Teal] took a job at a draper's shop around 1930, a female assistant gave her a Marie Stopes book on birth control , which she gratefully read'.

Century: 1900-1945     Reader/Listener/Group: Gladys Teal      Print: Book

  

Marie Stopes : [book on sex]

'Houseservant Margaret Powell was unusually daring: she left Marie Stopes, along with the Kama Sutra and Havelock Ellis, on the bedside table for her husband. (Eventually, she was forced to conclude that the books went unread, or at least unheeded).'

Century: 1900-1945     Reader/Listener/Group: Margaret Powell      Print: Book

  

Havelock Ellis : [book on sex]

'Houseservant Margaret Powell was unusually daring: she left Marie Stopes, along with the Kama Sutra and Havelock Ellis, on the bedside table for her husband. (Eventually, she was forced to conclude that the books went unread, or at least unheeded).'

Century: 1900-1945     Reader/Listener/Group: Margaret Powell      Print: Book

  

 : Kama Sutra

'Houseservant Margaret Powell was unusually daring: she left Marie Stopes, along with the Kama Sutra and Havellock Ellis, on the bedside table for her husband. (Eventually, she was forced to conclude that the books went unread, or at least unheeded).'

Century: 1900-1945     Reader/Listener/Group: Margaret Powell      Print: Book

  

Elizabeth Barrett Browning : Aurora Leigh

From the editor?s footnote to a letter sent in November 1856: ?In a letter to Miss Heaton, Rossetti was no less enthusiastic: ?No doubt you are revelling, as I am, in Aurora Leigh ? by far the greatest work of its author surely, and almost beyond anything for exhaustless poetic resource.? (Heaton collection: letters written to Ellen Heaton; sold in 1969; whereabouts unknown.

Century: 1850-1899     Reader/Listener/Group: Dante Gabriel Rossetti      Print: Book

  

Robert Louis Stevenson : 

'... King Kalakava [of Hawaii] ... was an avid reader of [R. L.] Stevenson's romances ...'

Century: 1850-1899     Reader/Listener/Group: King Kalakava      Print: Unknown

  

Rudyard and C. R. L. Kipling and Fletcher : A School History of England

'In 1911 E. M. Forster read "with mingled joy and disgust" "A School History of England", which Kipling and C. R. L. Fletcher had just published ...'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

George Moore : Esther Waters

George Gissing, diary entry for 9 December 1894: 'Gloomy day. Read "Esther Waters". Some pathos and power in latter part, but miserable writing.'

Century: 1850-1899     Reader/Listener/Group: George Gissing      Print: Book

  

St Paul : Epistles

'[George Bernard] Shaw was struck when reading St Paul's Epistles by their "inveterate crookedness of mind".'

Century: 1850-1899 / 1900-1945     Reader/Listener/Group: George Bernard Shaw      Print: Book

  

 : The Bible

'[George Bernard] Shaw read the Bible all through; and he was much affected by Bunyan's "Pilgrim's Progress".'

Century: 1850-1899 / 1900-1945     Reader/Listener/Group: George Bernard Shaw      Print: Book

  

John Bunyan : Pilgrim's Progress

'[George Bernard] Shaw read the Bible all through; and he was much affected by Bunyan's "Pilgrim's Progress".'

Century: 1850-1899 / 1900-1945     Reader/Listener/Group: George Bernard Shaw      Print: Book

  

Henry James : The Saloon

'"Why do you want to break men's spirits for?" Shaw asked Henry James after reading his one-act play "The Saloon" in 1909.'

Unknown
Century: 1900-1945     Reader/Listener/Group: George Bernard Shaw      

  

Charlotte M. Yonge : The Heir of Redclyffe

" ... tears filled ... [D. G. Rossetti's] eyes as he read about Guy Morville's death in The Heir of Redclyffe."

Century: 1850-1899     Reader/Listener/Group: Dante Gabriel Rossetti      Print: Book

  

J. Henry Shorthouse : John Inglesant

'One of the privately printed copies [of "John Inglesant" was] ... read by Mrs Humphry Ward and her advocacy persuaded Macmillan's to give it general release.'

Century: 1850-1899     Reader/Listener/Group: Mary Augusta Ward      

  

Plutarch : Lives

'The books which I am at present employed in reading to myself are in English, Plutarch's Lives and Milner's Ecclesiastical History'.

Century: 1800-1849     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Milner : Ecclesiastical History

'The books which I am at present employed in reading to myself are in English, Plutarch's Lives and Milner's Ecclesiastical History'.

Century: 1800-1849     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

 : Xenophon

'In my learning I do Xenophon every day'.

Century: 1800-1849     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Mrs Humphry Ward : 

' ... [Virginia Woolf] was liable to blame Mrs [Humphry] Ward for her own periods of sterility as a writer: "How I dislike writing straight after reading Mrs H. Ward! -- she is as great a menace to health of mind as influenza to the body".'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Homer : The Odyssey

In my learning I do Xenophon every day and twice a week the Odyssey, in which I am classed with Wilberforce.

Century: 1800-1849     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Virgil : 

'We get by heart Greek grammar or Virgil every evening'.

Century: 1800-1849     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Fenelon : Dialogues of the Dead

The books which I am reading to myself are [...] in French, Fenelon's Dialogues of the Dead.'

Century: 1800-1849     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Stephanie-Felicite de Genlis : 

'I shall send you back the volumes of Madame de Genlis's [underline] petits romans [end underline] as soon as possible, and I should be very much obliged for one or two more of them.'

Century: 1800-1849     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

 : Bible

[Every Sunday] 'After breakfast we learn a chapter in the Greek Testament, that is with the aid of our Bibles, and without doing it with a dictionary like other lessons'.

Century: 1800-1849     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

 : 

'We dine almost as soon as we come back, and we are left to ourselves till afternoon church. During this time I employ myself in reading, and Mr Preston lends me any books for which I ask him, so that I am nearly as well off in this respect as at home'.

Century: 1800-1849     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Boccacio : Decameron

'Hear what I have read since I came here. Hear and wonder! I have in the first place read Boccacio's Decameron, a tale of a hundred cantos...'

Century: 1800-1849     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

 : 

'Everything here is going on in the common routine. The only things of peculiar interest are those which we get from the London papers.'

Century: 1800-1849     Reader/Listener/Group: Thomas Babington Macaulay      Print: Newspaper

  

Geoffrey Chaucer : The Canterbury Tales

'Nottinghamshire collier G.A.W. Tomlinson volunteered for repair shifts on weekends, when he could earn time-and-a-half and read on the job. On Sundays, "I sat there on my toolbox, half a mile from the surface, one mile from the nearest church and seemingly hundreds of miles from God, reading the Canterbury Tales, Lamb's Essays, Darwin's Origin of Species, Wilde's Ballad of Reading Gaol, or anything that I could manage to get hold of". That could be hazardous: once, when he should have been minding a set of rail switches, he was so absorbed in Goldsmith's The Deserted Village that he allowed tubs full of coal to crash into empties'.

Century: 1900-1945     Reader/Listener/Group: G.A.W. Tomlinson      Print: Book

  

Charles Lamb : 

'Nottinghamshire collier G.A.W. Tomlinson volunteered for repair shifts on weekends, when he could earn time-and-a-half and read on the job. On Sundays, "I sat there on my toolbox, half a mile from the surface, one mile from the nearest church and seemingly hundreds of miles from God, reading the Canterbury Tales, Lamb's Essays, Darwin's Origin of Species, Wilde's Ballad of Reading Gaol, or anything that I could manage to get hold of". That could be hazardous: once, when he should have been minding a set of rail switches, he was so absorbed in Goldsmith's The Deserted Village that he allowed tubs full of coal to crash into empties'.

Century: 1900-1945     Reader/Listener/Group: G.A.W. Tomlinson      Print: Book

  

Charles Darwin : On the Origin of Species

'Nottinghamshire collier G.A.W. Tomlinson volunteered for repair shifts on weekends, when he could earn time-and-a-half and read on the job. On Sundays, "I sat there on my toolbox, half a mile from the surface, one mile from the nearest church and seemingly hundreds of miles from God, reading the Canterbury Tales, Lamb's Essays, Darwin's Origin of Species, Wilde's Ballad of Reading Gaol, or anything that I could manage to get hold of". That could be hazardous: once, when he should have been minding a set of rail switches, he was so absorbed in Goldsmith's The Deserted Village that he allowed tubs full of coal to crash into empties'.

Century: 1900-1945     Reader/Listener/Group: G.A.W. Tomlinson      Print: Book

  

Oscar Wilde : Ballad of Reading Gaol

'Nottinghamshire collier G.A.W. Tomlinson volunteered for repair shifts on weekends, when he could earn time-and-a-half and read on the job. On Sundays, "I sat there on my toolbox, half a mile from the surface, one mile from the nearest church and seemingly hundreds of miles from God, reading the Canterbury Tales, Lamb's Essays, Darwin's Origin of Species, Wilde's Ballad of Reading Gaol, or anything that I could manage to get hold of". That could be hazardous: once, when he should have been minding a set of rail switches, he was so absorbed in Goldsmith's The Deserted Village that he allowed tubs full of coal to crash into empties'.

Century: 1900-1945     Reader/Listener/Group: G.A.W. Tomlinson      Print: Book

  

Oliver Goldsmith : The Deserted Village

'Nottinghamshire collier G.A.W. Tomlinson volunteered for repair shifts on weekends, when he could earn time-and-a-half and read on the job. On Sundays, "I sat there on my toolbox, half a mile from the surface, one mile from the nearest church and seemingly hundreds of miles from God, reading the Canterbury Tales, Lamb's Essays, Darwin's Origin of Species, Wilde's Ballad of Reading Gaol, or anything that I could manage to get hold of". That could be hazardous: once, when he should have been minding a set of rail switches, he was so absorbed in Goldsmith's The Deserted Village that he allowed tubs full of coal to crash into empties'.

Century: 1900-1945     Reader/Listener/Group: G.A.W. Tomlinson      Print: Book

  

Alfred Lord Tennyson : The Charge of the Light Brigade

'When, during the 1926 miners' strike, [G.A.W. Tomlinson] read 'The Charge of the Light Brigade', an obvious political message "crashed into my mind, mixing together the soldiers of the poem and the men of the pits, I was terribly excited. Why hadn't all the clever people found this out?".'

Century: 1900-1945     Reader/Listener/Group: G.A.W. Tomlinson      Print: Book

  

Karl Marx : Das Kapital

[George Scott disliked the Communism of fellow journalist, Stan] 'He had read Das Kapital (or parts of it) and could talk slickly about dialectical materialism. His own dialectic was derived from Straight and Crooked Thinking, a guide to identifying faulty logic, but he "enjoyed it because it taught him how to twist truth to his own ends...".'

Century: 1900-1945     Reader/Listener/Group: Stan (acquaintance of George Scott)      Print: Book

  

 : Straight and Crooked Thinking

[George Scott disliked the Communism of fellow journalist, Stan] 'He had read Das Kapital (or parts of it) and could talk slickly about dialectical materialism. His own dialectic was derived from Straight and Crooked Thinking, a guide to identifying faulty logic, but he "enjoyed it because it taught him how to twist truth to his own ends...".'

Century: 1900-1945     Reader/Listener/Group: Stan (acquaintance of George Scott)      Print: Book

  

Charlotte Bronte : Jane Eyre

George Smith, A Memoir (London, 1902): 'The MS. of "Jane Eyre" was read by Mr Wiliams ... he brought it to me on a Saturday, and said that he would like me to read it ... after breakfast on Sunday morning I took the MS. of "Jane Eyre" to my little study, and began to read it. The story quickly took me captive. Before twelve o'clock my horse came to the door, but I could not put the book down ... Presently the servant came to tell me that luncheon was ready; I asked him to being me a sandwich and a glass of wine, and still went on with "Jane Eyre" ... before I went to bed that night I had finsihed reading the manuscript.'

Century: 1800-1849     Reader/Listener/Group: George Murray Smith      Manuscript: Unknown

  

Charlotte Bronte : Jane Eyre

J. G. Lockhart to a friend, 29 December 1847: 'I have finished the adventures of Miss Jane Eyre, and think her far the cleverest that was written since Austen and Edgeworth were in their prime.'

Century: 1800-1849     Reader/Listener/Group: John Gibson Lockhart      Print: Book

  

 : Quaker correspondence

'Rereading, some twenty years later, correspondence from the 1650s collected at Swarthmore Hall, [George] Fox crossed out passages he now deemed inappropriate ...'

Century: 1600-1699     Reader/Listener/Group: George Fox      Manuscript: Letter

  

[unknown] : [boys' weeklies]

'George Scott left school and the boys' weeklies behind at fifteen: in barely a year he had absorbed enough Shaw, Wells, Dos Passos and (secondhand) Marx to lecture his parents on the evils of capitalism'.

Century: 1900-1945     Reader/Listener/Group: George Scott      Print: Serial / periodical

  

George Bernard Shaw : [unknown]

'George Scott left school and the boys' weeklies behind at fifteen: in barely a year he had absorbed enough Shaw, Wells, Dos Passos and (secondhand) Marx to lecture his parents on the evils of capitalism'.

Century: 1900-1945     Reader/Listener/Group: George Scott      Print: Book

  

Herbert George Wells : [unknown]

'George Scott left school and the boys' weeklies behind at fifteen: in barely a year he had absorbed enough Shaw, Wells, Dos Passos and (secondhand) Marx to lecture his parents on the evils of capitalism'.

Century: 1900-1945     Reader/Listener/Group: George Scott      Print: Book

  

John Rodrigo Dos Passos : [unknown]

'George Scott left school and the boys' weeklies behind at fifteen: in barely a year he had absorbed enough Shaw, Wells, Dos Passos and (secondhand) Marx to lecture his parents on the evils of capitalism'.

Century: 1900-1945     Reader/Listener/Group: George Scott      Print: Book

  

John Steinbeck : [unknown]

'George Scott left school and the boys' weeklies behind at fifteen: in barely a year he had absorbed enough Shaw, Wells, Dos Passos and (secondhand) Marx to lecture his parents on the evils of capitalism'.

Century: 1900-1945     Reader/Listener/Group: George Scott      Print: Book

  

Thomas Babington Macaulay : Essays

'Girls in the top forms [at Roedean] were allowed to read ... in a small school library ... but ... [Margaret Cole] forfeited that privilege when a sub-prefect reported her for reading Macaulay's "Essays" during preparation time ...'

Century: 1900-1945     Reader/Listener/Group: Margaret Cole      Print: Book

  

 : The Girl's Own Paper

'Margaret Cole read early volumes of "The Girl's Own Paper" belonging to her mother (and found them dated and over-moralistic).'

Century: 1850-1899 / 1900-1945     Reader/Listener/Group: Margaret Cole      Print: Serial / periodical

  

Sarah Lewis : Woman's Mission

In ... [a] letter to Maria Lewis, of September 1840 ... [George Eliot] enthusiastically advised her to 'recommend to all your married friends "Woman's Mission" a 3/6d book and ... the most philosophical and masterly on the subject I ever read or glanced over' ...

Century: 1800-1849     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

 : philosophical texts

'[Mary St Leger Harrison] ... had the run of [Charles] Kingsley [her father]'s library, where she read history, philosophy, and the poets ...'

Century: 1850-1899     Reader/Listener/Group: Mary St Leger Harrison      Print: Book

  

 : poetry

'[Mary St Leger Harrison] ... had the run of [Charles] Kingsley [her father]'s library, where she read history, philosophy, and the poets ...'

Century: 1850-1899     Reader/Listener/Group: Mary St Leger Harrison      Print: Book

  

 : poetry

'[Lady Frances Balfour's] father and mother both read poetry aloud ...'

Century: 1800-1849 / 1850-1899 / 1900-1945     Reader/Listener/Group: George Douglas Campbell      

  

 : poetry

'[Lady Frances Balfour's] father and mother both read poetry aloud ...'

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Elizabeth Georgiana Leveson-Gower      

  

John Foxe : Book of Martyrs

"Angela Brazil ... was considerably disturbed by the pictures in [Foxe's Book of Martyrs]..."

Century: 1850-1899     Reader/Listener/Group: Angela Brazil      

  

John Ruskin : Modern Painters

" .... when ... [Mark Pattison] ... met [Mrs Humphry Ward] as a girl of sixteen ... she was familiar ... with certain pieces of Ruskin's Modern Painters, which she had copied out and carried round with her ..."

Century: 1850-1899     Reader/Listener/Group: Mary Augusta Arnold      Print: Book

  

 : Texts in/on early Spanish

On advice of Mark Pattison, young Mrs Humphry Ward took up study of early Spanish, using Bodleian "'Spanish room'".

Century: 1850-1899     Reader/Listener/Group: Mary Augusta Arnold      Print: Book

  

J. A. Hobson : The Science of Wealth

'... [Margaret Cole's] reading at Girton in the early twentieth century influenced her development as a Socialist ... she was shocked by a comment in J. A. Hobson's "The Science of Wealth" to the effect that a certain number of wageless unemployed was a necessary condition of capitalist industry ... "In this mood of altruistic indignation I picked up H. G. Wells's "New Worlds for Old" -- under the misapprehension that it was another scientific romance like "The First Men in the Moon", which had fascinated me years before -- and tumbled straight into Socialism overnight".'

Century: 1900-1945     Reader/Listener/Group: Margaret Cole      Print: Book

  

H. G. Wells : New Worlds for Old

"... [Margaret Cole's] reading at Girton in the early twentieth century influenced her development as a Socialist ... she was shocked by a comment in J. A. Hobson's The Science of Wealth to the effect that a certain number of wageless unemployed was a necessary condition of capitalist industry ... 'In this mood of altruistic indignation I picked up H. G. Wells's New Worlds for Old -- under the misapprehension that it was another scientific romance like The First Men in the Moon, which had fascinated me years before -- and tumbled straight into Socialism overnight'."

Century: 1900-1945     Reader/Listener/Group: Margaret Cole      Print: Book

  

H. G. Wells : The First Men in the Moon

"... [Margaret Cole's] reading at Girton in the early twentieth century influenced her development as a Socialist ... she was shocked by a comment in J. A. Hobson's The Science of Wealth to the effect that a certain number of wageless unemployed was a necessary condition of capitalist industry ... 'In this mood of altruistic indignation I picked up H. G. Wells's New Worlds for Old -- under the misapprehension that it was another scientific romance like The First Men in the Moon, which had fascinated me years before -- and tumbled straight into Socialism overnight'."

Century: 1900-1945     Reader/Listener/Group: Margaret Cole      Print: Book

  

 : Votes for Women

"A conversion narrative precisely illustrating ... [the] effects of reading in action is told by Margaret Smith, who sceptically bought a copy of Votes for Women around 1909, took it home, and read it straight through: ' ... When I had finished reading that paper I ... realized that I had been a Feminist all my life without knowing it'."

Century: 1900-1945     Reader/Listener/Group: Margaret Smith      Print: Serial / periodical

  

Jane Porter : The Scottish Chiefs

"In Holloway ... ['General' Drummond] read Jane Porter's The Scottish Chiefs and Samuel Smiles's Life and Labour."

Century: 1900-1945     Reader/Listener/Group: General Drummond      Print: Book

  

Samuel Smiles : LIfe and Labour

"In Holloway ... ['General' Drummond] read Jane Porter's The Scottish Chiefs and Samuel Smiles's Life and Labour."

Century: 1900-1945     Reader/Listener/Group: General Drummond      Print: Book

  

 : ['Penny Bloods']

'As a boy George Acorn [an] East Londoner, read "all sorts and conditions of books from 'Penny Bloods' to George Eliot" with "some appreciation of style", enough to recognise the affinities of high and low literature. Thus he discerningly characterised "Treasure Island" as "the usual penny blood sort of story, with the halo of greatness about it".'

Century:      Reader/Listener/Group: George Acorn      Print: Book

  

George Eliot [pseud] : 

'As a boy George Acorn [an] East Londoner, read "all sorts and conditions of books from 'Penny Bloods' to George Eliot" with "some appreciation of style", enough to recognise the affinities of high and low literature. Thus he discerningly characterised "Treasure Island" as "the usual penny blood sort of story, with the halo of greatness about it".'

Century:      Reader/Listener/Group: George Acorn      Print: Book

  

Robert Louis Stevenson : Treasure Island

'As a boy George Acorn [an] East Londoner, read "all sorts and conditions of books from 'Penny Bloods' to George Eliot" with "some appreciation of style", enough to recognise the affinities of high and low literature. Thus he discerningly characterised "Treasure Island" as "the usual penny blood sort of story, with the halo of greatness about it".'

Century:      Reader/Listener/Group: George Acorn      Print: Book

  

[unknown] : [novels]

'As Cornish carpenter George Smith had little access to libraries, he "read every sort of book that came in my way" - novels, history, biblical criticism. He particularly liked mathematics because it was slow reading: "A treatise on algebra or geometry, which cost but a very few shillings, afforded me matter for close study for a year".'

Century: 1800-1849     Reader/Listener/Group: George Smith      Print: Book

  

[unknown] : [history]

'As Cornish carpenter George Smith had little access to libraries, he "read every sort of book that came in my way" - novels, history, biblical criticism. He particularly liked mathematics because it was slow reading: "A treatise on algebra or geometry, which cost but a very few shillings, afforded me matter for close study for a year".'

Century: 1800-1849     Reader/Listener/Group: George Smith      Print: Book

  

[unknown] : [biblical criticism]

'As Cornish carpenter George Smith had little access to libraries, he "read every sort of book that came in my way" - novels, history, biblical criticism. He particularly liked mathematics because it was slow reading: "A treatise on algebra or geometry, which cost but a very few shillings, afforded me matter for close study for a year".'

Century: 1800-1849     Reader/Listener/Group: George Smith      Print: Book

  

[unknown] : [treatises on algebra and geometry]

'As Cornish carpenter George Smith had little access to libraries, he "read every sort of book that came in my way" - novels, history, biblical criticism. He particularly liked mathematics because it was slow reading: "A treatise on algebra or geometry, which cost but a very few shillings, afforded me matter for close study for a year".'

Century: 1800-1849     Reader/Listener/Group: George Smith      Print: Book

  

William Wordsworth : poetry

Stephen Gill, "Copyright and the Publishing of Wordsworth, 1850-1900": "Many eminent Victorians -- George Eliot, Mill, Ruskin, and Tennyson ... read Wordsworth in the collections [of his poetry] published in his lifetime ..."

Century: 1800-1849     Reader/Listener/Group: George Eliot      Print: Book

  

Charles Dickens : David Copperfield

Jonathan Rose, "How Historians Study Reader Response: or, What did Jo Think of Bleak House?": "George Acorn recalled that, growing up in extreme poverty in London's East End, he scraped up 3 1/2d to buy a used copy of David Copperfield. His parents soundly thrashed him when they learned he had wasted so much money on a book, but later he read it to them: "'And how we all loved it ... how we all cried together at poor old Peggotty's distress!'"

Century: 1850-1899     Reader/Listener/Group: George Acorn      Print: Book

  

George Eliot : [unknown]

'George Acorn read George Eliot at age nine, but "solely for the story. I used to skip the parts that moralized, or painted verbal scenery, a practice at which I became very dextrous".'

Century: 1850-1899     Reader/Listener/Group: George Acorn      Print: Book

  

John Milton : 

'George Howell, bricklayer and trade unionist..."read promiscuously. How could it be otherwise? I had no real guide, was obliged to feel my way into light. Yet perhaps there was a guidance, although indefinite and without distinctive aim". Howell groped his way through literature "on the principle that one poet's works suggested another, or the criticisms on one led to comparisons with another. Thus: Milton - Shakespeare; Pope-Dryden; Byron-Shelley; Burns-Scott; Coleridge-Wordsworth and Southey, and later on Spenser-Chaucer, Bryant-Longfellow, and so on". By following these intertextual links, autodidacts could reconstruct the literary canon on their own'.

Century: 1900-1945     Reader/Listener/Group: George Howell      Print: Book

  

William Shakespeare : 

'George Howell, bricklayer and trade unionist..."read promiscuously. How could it be otherwise? I had no real guide, was obliged to feel my way into light. Yet perhaps there was a guidance, although indefinite and without distinctive aim". Howell groped his way through literature "on the principle that one poet's works suggested another, or the criticisms on one led to comparisons with another. Thus: Milton - Shakespeare; Pope-Dryden; Byron-Shelley; Burns-Scott; Coleridge-Wordsworth and Southey, and later on Spenser-Chaucer, Bryant-Longfellow, and so on". By following these intertextual links, autodidacts could reconstruct the literary canon on their own'.

Century: 1900-1945     Reader/Listener/Group: George Howell      Print: Book

  

Alexander Pope : 

'George Howell, bricklayer and trade unionist..."read promiscuously. How could it be otherwise? I had no real guide, was obliged to feel my way into light. Yet perhaps there was a guidance, although indefinite and without distinctive aim". Howell groped his way through literature "on the principle that one poet's works suggested another, or the criticisms on one led to comparisons with another. Thus: Milton - Shakespeare; Pope-Dryden; Byron-Shelley; Burns-Scott; Coleridge-Wordsworth and Southey, and later on Spenser-Chaucer, Bryant-Longfellow, and so on". By following these intertextual links, autodidacts could reconstruct the literary canon on their own'.

Century: 1900-1945     Reader/Listener/Group: George Howell      Print: Book

  

John Dryden : 

'George Howell, bricklayer and trade unionist..."read promiscuously. How could it be otherwise? I had no real guide, was obliged to feel my way into light. Yet perhaps there was a guidance, although indefinite and without distinctive aim". Howell groped his way through literature "on the principle that one poet's works suggested another, or the criticisms on one led to comparisons with another. Thus: Milton - Shakespeare; Pope-Dryden; Byron-Shelley; Burns-Scott; Coleridge-Wordsworth and Southey, and later on Spenser-Chaucer, Bryant-Longfellow, and so on". By following these intertextual links, autodidacts could reconstruct the literary canon on their own'.

Century: 1900-1945     Reader/Listener/Group: George Howell      Print: Book

  

George Gordon, Lord Byron : 

'George Howell, bricklayer and trade unionist..."read promiscuously. How could it be otherwise? I had no real guide, was obliged to feel my way into light. Yet perhaps there was a guidance, although indefinite and without distinctive aim". Howell groped his way through literature "on the principle that one poet's works suggested another, or the criticisms on one led to comparisons with another. Thus: Milton - Shakespeare; Pope-Dryden; Byron-Shelley; Burns-Scott; Coleridge-Wordsworth and Southey, and later on Spenser-Chaucer, Bryant-Longfellow, and so on". By following these intertextual links, autodidacts could reconstruct the literary canon on their own'.

Century: 1900-1945     Reader/Listener/Group: George Howell      Print: Book

  

Percy Bysshe Shelley : 

'George Howell, bricklayer and trade unionist..."read promiscuously. How could it be otherwise? I had no real guide, was obliged to feel my way into light. Yet perhaps there was a guidance, although indefinite and without distinctive aim". Howell groped his way through literature "on the principle that one poet's works suggested another, or the criticisms on one led to comparisons with another. Thus: Milton - Shakespeare; Pope-Dryden; Byron-Shelley; Burns-Scott; Coleridge-Wordsworth and Southey, and later on Spenser-Chaucer, Bryant-Longfellow, and so on". By following these intertextual links, autodidacts could reconstruct the literary canon on their own'.

Century: 1900-1945     Reader/Listener/Group: George Howell      Print: Book

  

Robert Burns : 

'George Howell, bricklayer and trade unionist..."read promiscuously. How could it be otherwise? I had no real guide, was obliged to feel my way into light. Yet perhaps there was a guidance, although indefinite and without distinctive aim". Howell groped his way through literature "on the principle that one poet's works suggested another, or the criticisms on one led to comparisons with another. Thus: Milton - Shakespeare; Pope-Dryden; Byron-Shelley; Burns-Scott; Coleridge-Wordsworth and Southey, and later on Spenser-Chaucer, Bryant-Longfellow, and so on". By following these intertextual links, autodidacts could reconstruct the literary canon on their own'.

Century: 1900-1945     Reader/Listener/Group: George Howell      Print: Book

  

Walter Scott : 

'George Howell, bricklayer and trade unionist..."read promiscuously. How could it be otherwise? I had no real guide, was obliged to feel my way into light. Yet perhaps there was a guidance, although indefinite and without distinctive aim". Howell groped his way through literature "on the principle that one poet's works suggested another, or the criticisms on one led to comparisons with another. Thus: Milton - Shakespeare; Pope-Dryden; Byron-Shelley; Burns-Scott; Coleridge-Wordsworth and Southey, and later on Spenser-Chaucer, Bryant-Longfellow, and so on". By following these intertextual links, autodidacts could reconstruct the literary canon on their own'.

Century: 1900-1945     Reader/Listener/Group: George Howell      Print: Book

  

Samuel Taylor Coleridge : 

'George Howell, bricklayer and trade unionist..."read promiscuously. How could it be otherwise? I had no real guide, was obliged to feel my way into light. Yet perhaps there was a guidance, although indefinite and without distinctive aim". Howell groped his way through literature "on the principle that one poet's works suggested another, or the criticisms on one led to comparisons with another. Thus: Milton - Shakespeare; Pope-Dryden; Byron-Shelley; Burns-Scott; Coleridge-Wordsworth and Southey, and later on Spenser-Chaucer, Bryant-Longfellow, and so on". By following these intertextual links, autodidacts could reconstruct the literary canon on their own'.

Century: 1900-1945     Reader/Listener/Group: George Howell      Print: Book

  

William Wordsworth : 

'George Howell, bricklayer and trade unionist..."read promiscuously. How could it be otherwise? I had no real guide, was obliged to feel my way into light. Yet perhaps there was a guidance, although indefinite and without distinctive aim". Howell groped his way through literature "on the principle that one poet's works suggested another, or the criticisms on one led to comparisons with another. Thus: Milton - Shakespeare; Pope-Dryden; Byron-Shelley; Burns-Scott; Coleridge-Wordsworth and Southey, and later on Spenser-Chaucer, Bryant-Longfellow, and so on". By following these intertextual links, autodidacts could reconstruct the literary canon on their own'.

Century: 1900-1945     Reader/Listener/Group: George Howell      Print: Book

  

Robert Southey : 

'George Howell, bricklayer and trade unionist..."read promiscuously. How could it be otherwise? I had no real guide, was obliged to feel my way into light. Yet perhaps there was a guidance, although indefinite and without distinctive aim". Howell groped his way through literature "on the principle that one poet's works suggested another, or the criticisms on one led to comparisons with another. Thus: Milton - Shakespeare; Pope-Dryden; Byron-Shelley; Burns-Scott; Coleridge-Wordsworth and Southey, and later on Spenser-Chaucer, Bryant-Longfellow, and so on". By following these intertextual links, autodidacts could reconstruct the literary canon on their own'.

Century: 1900-1945     Reader/Listener/Group: George Howell      Print: Book

  

Edmund Spenser : 

'George Howell, bricklayer and trade unionist..."read promiscuously. How could it be otherwise? I had no real guide, was obliged to feel my way into light. Yet perhaps there was a guidance, although indefinite and without distinctive aim". Howell groped his way through literature "on the principle that one poet's works suggested another, or the criticisms on one led to comparisons with another. Thus: Milton - Shakespeare; Pope-Dryden; Byron-Shelley; Burns-Scott; Coleridge-Wordsworth and Southey, and later on Spenser-Chaucer, Bryant-Longfellow, and so on". By following these intertextual links, autodidacts could reconstruct the literary canon on their own'.

Century: 1900-1945     Reader/Listener/Group: George Howell      Print: Book

  

Geoffrey Chaucer : 

'George Howell, bricklayer and trade unionist..."read promiscuously. How could it be otherwise? I had no real guide, was obliged to feel my way into light. Yet perhaps there was a guidance, although indefinite and without distinctive aim". Howell groped his way through literature "on the principle that one poet's works suggested another, or the criticisms on one led to comparisons with another. Thus: Milton - Shakespeare; Pope-Dryden; Byron-Shelley; Burns-Scott; Coleridge-Wordsworth and Southey, and later on Spenser-Chaucer, Bryant-Longfellow, and so on". By following these intertextual links, autodidacts could reconstruct the literary canon on their own'.

Century: 1900-1945     Reader/Listener/Group: George Howell      Print: Book

  

Henry Wadsworth Longfellow : 

'George Howell, bricklayer and trade unionist..."read promiscuously. How could it be otherwise? I had no real guide, was obliged to feel my way into light. Yet perhaps there was a guidance, although indefinite and without distinctive aim". Howell groped his way through literature "on the principle that one poet's works suggested another, or the criticisms on one led to comparisons with another. Thus: Milton - Shakespeare; Pope-Dryden; Byron-Shelley; Burns-Scott; Coleridge-Wordsworth and Southey, and later on Spenser-Chaucer, Bryant-Longfellow, and so on". By following these intertextual links, autodidacts could reconstruct the literary canon on their own'.

Century: 1900-1945     Reader/Listener/Group: George Howell      Print: Book

  

William Cullen Bryant : 

'George Howell, bricklayer and trade unionist..."read promiscuously. How could it be otherwise? I had no real guide, was obliged to feel my way into light. Yet perhaps there was a guidance, although indefinite and without distinctive aim". Howell groped his way through literature "on the principle that one poet's works suggested another, or the criticisms on one led to comparisons with another. Thus: Milton - Shakespeare; Pope-Dryden; Byron-Shelley; Burns-Scott; Coleridge-Wordsworth and Southey, and later on Spenser-Chaucer, Bryant-Longfellow, and so on". By following these intertextual links, autodidacts could reconstruct the literary canon on their own'.

Century: 1900-1945     Reader/Listener/Group: George Howell      Print: Book

  

Robert Louis Stevenson : Treasure Island

[imaginative role play] 'One chauffeur's daughter alternated effortlessly between heroes and heroines: "I have plotted against pirates along with Jim Hawkins and I have trembled with Jane Eyre as the first Mrs Rochester rent her bridal veil in maddened jealousy. I have been shipwrecked with Masterman Ready and on Pitcairn Island with Fletcher Christian. I have been a medieval page in Sir Nigel and Lorna Doone madly in love with 'girt Jan Ridd'".

Century: 1900-1945     Reader/Listener/Group: Margaret Wharton      Print: Book

  

Charlotte Bronte : Jane Eyre

[imaginative role play] 'One chauffeur's daughter alternated effortlessly between heroes and heroines: "I have plotted against pirates along with Jim Hawkins and I have trembled with Jane Eyre as the first Mrs Rochester rent her bridal veil in maddened jealousy. I have been shipwrecked with Masterman Ready and on Pitcairn Island with Fletcher Christian. I have been a medieval page in Sir Nigel and Lorna Doone madly in love with 'girt Jan Ridd'".

Century: 1900-1945     Reader/Listener/Group: Margaret Wharton      Print: Book

  

Frederick Marryat : Masterman Ready, or the Wreck in the Pacific

[imaginative role play] 'One chauffeur's daughter alternated effortlessly between heroes and heroines: "I have plotted against pirates along with Jim Hawkins and I have trembled with Jane Eyre as the first Mrs Rochester rent her bridal veil in maddened jealousy. I have been shipwrecked with Masterman Ready and on Pitcairn Island with Fletcher Christian. I have been a medieval page in Sir Nigel and Lorna Doone madly in love with 'girt Jan Ridd'".

Century: 1900-1945     Reader/Listener/Group: Margaret Wharton      Print: Book

  

[unknown] : [account of Bounty mutiny]

[imaginative role play] 'One chauffeur's daughter alternated effortlessly between heroes and heroines: "I have plotted against pirates along with Jim Hawkins and I have trembled with Jane Eyre as the first Mrs Rochester rent her bridal veil in maddened jealousy. I have been shipwrecked with Masterman Ready and on Pitcairn Island with Fletcher Christian. I have been a medieval page in Sir Nigel and Lorna Doone madly in love with 'girt Jan Ridd'".

Century: 1900-1945     Reader/Listener/Group: Margaret Wharton      Print: Book

  

Arthur Conan Doyle : Sir Nigel

[imaginative role play] 'One chauffeur's daughter alternated effortlessly between heroes and heroines: "I have plotted against pirates along with Jim Hawkins and I have trembled with Jane Eyre as the first Mrs Rochester rent her bridal veil in maddened jealousy. I have been shipwrecked with Masterman Ready and on Pitcairn Island with Fletcher Christian. I have been a medieval page in Sir Nigel and Lorna Doone madly in love with 'girt Jan Ridd'".

Century: 1900-1945     Reader/Listener/Group: Margaret Wharton      Print: Book

  

Richard Doddridge Blackmore : Lorna Doone

[imaginative role play] 'One chauffeur's daughter alternated effortlessly between heroes and heroines: "I have plotted against pirates along with Jim Hawkins and I have trembled with Jane Eyre as the first Mrs Rochester rent her bridal veil in maddened jealousy. I have been shipwrecked with Masterman Ready and on Pitcairn Island with Fletcher Christian. I have been a medieval page in Sir Nigel and Lorna Doone madly in love with 'girt Jan Ridd'".

Century: 1900-1945     Reader/Listener/Group: Margaret Wharton      Print: Book

  

 : Bible

"And how fared the growth of this child's mind the while? Thanks to the care of his mother, who had sent him to the penny school, he had learnt to read, and the desire to read had been awakened. Books, however, were very scarce. The Bible and Bunyan were the principle; he committed many chapters of the former to memory, and accepted all Bunyan's allegory as bona fide history. Afterwards, he obtained access to 'Robinson Crusoe', a few old Wesleyan magazines and some battle histories. These constituted his sole reading, until he came up to London, at the age of fifteen, as an errand boy."

Century: 1800-1849     Reader/Listener/Group: Gerald Massey      Print: Book

  

John Bunyan : Pilgrim's Progress

"And how fared the growth of this child's mind the while? Thanks to the care of his mother, who had sent him to the penny school, he had learnt to read, and the desire to read had been awakened. Books, however, were very scarce. The Bible and Bunyan were the principle; he committed many chapters of the former to memory, and accepted all Bunyan's allegory as bona fide history. Afterwards, he obtained access to 'Robinson Crusoe', a few old Wesleyan magazines and some battle histories. These constituted his sole reading, until he came up to London, at the age of fifteen, as an errand boy."

Century: 1800-1849     Reader/Listener/Group: Gerald Massey      Print: Book

  

Daniel Defoe : Robinson Crusoe

"And how fared the growth of this child's mind the while? Thanks to the care of his mother, who had sent him to the penny school, he had learnt to read, and the desire to read had been awakened. Books, however, were very scarce. The Bible and Bunyan were the principle; he committed many chapters of the former to memory, and accepted all Bunyan's allegory as bona fide history. Afterwards, he obtained access to 'Robinson Crusoe', a few old Wesleyan magazines and some battle histories. These constituted his sole reading, until he came up to London, at the age of fifteen, as an errand boy."

Century: 1800-1849     Reader/Listener/Group: Gerald Massey      Print: Book

  

 : [Wesleyan magazines]

"And how fared the growth of this child's mind the while? Thanks to the care of his mother, who had sent him to the penny school, he had learnt to read, and the desire to read had been awakened. Books, however, were very scarce. The Bible and Bunyan were the principle; he committed many chapters of the former to memory, and accepted all Bunyan's allegory as bona fide history. Afterwards, he obtained access to 'Robinson Crusoe', a few old Wesleyan magazines and some battle histories. These constituted his sole reading, until he came up to London, at the age of fifteen, as an errand boy."

Century: 1800-1849     Reader/Listener/Group: Gerald Massey      Print: Serial / periodical

  

 : [battle histories]

"And how fared the growth of this child's mind the while? Thanks to the care of his mother, who had sent him to the penny school, he had learnt to read, and the desire to read had been awakened. Books, however, were very scarce. The Bible and Bunyan were the principle; he committed many chapters of the former to memory, and accepted all Bunyan's allegory as bona fide history. Afterwards, he obtained access to 'Robinson Crusoe', a few old Wesleyan magazines and some battle histories. These constituted his sole reading, until he came up to London, at the age of fifteen, as an errand boy."

Century: 1800-1849     Reader/Listener/Group: Gerald Massey      Print: Book

  

Marcus Aurelius Antoninus : Meditations

" ... to the coda of his copy of the Meditations of Marcus Aurelius Antoninus, 'depart, therefore, contented and in good humour ...' [Leigh] Hunt courteously adds, 'Thanks, and love to you, excellent Antoninus. L. H. Feb. 7th 1853. His second regular perusal.'"

Century: 1850-1899     Reader/Listener/Group: James Henry Leigh Hunt      Print: Book

  

Thomas Gray : Elegy Written in a Country Churchyard

H. J. Jackson describes and discusses ninth edition copy (1754) of Thomas Gray, Elegy Written in a Country Churchyard annotated (with 'reflective remarks') by owner, General James Wolfe, to whom it was given by his fiancee Katharine Lowther.

Century: 1700-1799     Reader/Listener/Group: General James Wolfe      

  

 : Conversations of Lord Byron with the Countess of Blessington

"Walter Savage Landor's copy of Conversations of Lord Byron with the Countess of Blessington takes issue with Byron's declaration that if they were married, he and the Countess Guiccioli would 'be cited as an instance of conjugal happiness,' by giving the counterevidence of a contemporary: 'yet Trelawney told me he was wearied to death by her fondness --'"

Century: 1800-1849     Reader/Listener/Group: Walter Savage Landor      Print: Book

  

Jane Austen : novels

" ... Macaulay ... did not annotate his copies of Jane Austen except to record the dates of reading and to correct a very small number of typographical errors."

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Lloyd : Lloyd's Penny Times

"And now, for the first time in his life, he met with plenty of books, reading all that came in his way, from 'Lloyd's Penny Times' to Cobbett's Works, 'French without a Master,' together with English, Roman, and Grecian history."

Century: 1800-1849     Reader/Listener/Group: Gerald Massey      Print: Newspaper

  

William Cobbett : Works

"And now, for the first time in his life, he met with plenty of books, reading all that came in his way, from 'Lloyd's Penny Times' to Cobbett's Works, 'French without a Master,' together with English, Roman, and Grecian history."

Century: 1800-1849     Reader/Listener/Group: Gerald Massey      Print: Book

  

 : French without a Master

"And now, for the first time in his life, he met with plenty of books, reading all that came in his way, from 'Lloyd's Penny Times' to Cobbett's Works, 'French without a Master,' together with English, Roman, and Grecian history."

Century: 1800-1849     Reader/Listener/Group: Gerald Massey      Print: Book

  

 : [English history]

"And now, for the first time in his life, he met with plenty of books, reading all that came in his way, from 'Lloyd's Penny Times' to Cobbett's Works, 'French without a Master,' together with English, Roman, and Grecian history."

Century: 1800-1849     Reader/Listener/Group: Gerald Massey      Print: Book

  

 : [Roman history]

"And now, for the first time in his life, he met with plenty of books, reading all that came in his way, from 'Lloyd's Penny Times' to Cobbett's Works, 'French without a Master,' together with English, Roman, and Grecian history."

Century: 1800-1849     Reader/Listener/Group: Gerald Massey      Print: Book

  

 : [Grecian history]

"And now, for the first time in his life, he met with plenty of books, reading all that came in his way, from 'Lloyd's Penny Times' to Cobbett's Works, 'French without a Master,' together with English, Roman, and Grecian history."

Century: 1800-1849     Reader/Listener/Group: Gerald Massey      Print: Book

  

 : [books]

"Now I began to think that the crown of all desire, and the sum of all existence, was to read and get knowledge. Read, read, read! I used to read at all possible times, and in all possible places; up in bed till two or three in the morning, - nothing daunted by once setting the bed on fire. Greatly indebted was I also to the bookstalls, where I have read a great deal, often folding a leaf in a book, and returning the next day to continue the subject; but sometimes the book was gone, and then great was my grief! When out of a situation, I have often gone without a meal to purchase a book."

Century: 1800-1849     Reader/Listener/Group: Gerald Massey      Print: Book

  

 : [books]

"Now I began to think that the crown of all desire, and the sum of all existence, was to read and get knowledge. Read, read, read! I used to read at all possible times, and in all possible places; up in bed till two or three in the morning, - nothing daunted by once setting the bed on fire. Greatly indebted was I also to the bookstalls, where I have read a great deal, often folding a leaf in a book, and returning the next day to continue the subject; but sometimes the book was gone, and then great was my grief! When out of a situation, I have often gone without a meal to purchase a book."

Century: 1800-1849     Reader/Listener/Group: Gerald Massey      Print: Book

  

Tom Paine : The Rights of Man

"As an errand-boy I had, of course, many hardships to undergo, and to bear with much tyranny; and that led me into reasoning upon men and things, the causes of misery, the anomalies of our societary state, politics &tc., and the circle of my being rapidly out-surged. New power came to me with all that I saw and thought and read. I studied political works, - such as Paine, Volney, Howitt, Louis Blanc, &tc, which gave me another element to mould into my verse, though I am convinced that a poet must sacrifice much if he write party-political poetry."

Century: 1800-1849     Reader/Listener/Group: Gerald Massey      Print: Book

  

Volney : 

"As an errand-boy I had, of course, many hardships to undergo, and to bear with much tyranny; and that led me into reasoning upon men and things, the causes of misery, the anomalies of our societary state, politics &tc., and the circle of my being rapidly out-surged. New power came to me with all that I saw and thought and read. I studied political works, - such as Paine, Volney, Howitt, Louis Blanc, &tc, which gave me another element to mould into my verse, though I am convinced that a poet must sacrifice much if he write party-political poetry."

Century: 1800-1849     Reader/Listener/Group: Gerald Massey      Print: Book

  

Howitt : 

"As an errand-boy I had, of course, many hardships to undergo, and to bear with much tyranny; and that led me into reasoning upon men and things, the causes of misery, the anomalies of our societary state, politics &tc., and the circle of my being rapidly out-surged. New power came to me with all that I saw and thought and read. I studied political works, - such as Paine, Volney, Howitt, Louis Blanc, &tc, which gave me another element to mould into my verse, though I am convinced that a poet must sacrifice much if he write party-political poetry."

Century: 1800-1849     Reader/Listener/Group: Gerald Massey      Print: Book

  

Louis Blanc : 

"As an errand-boy I had, of course, many hardships to undergo, and to bear with much tyranny; and that led me into reasoning upon men and things, the causes of misery, the anomalies of our societary state, politics &tc., and the circle of my being rapidly out-surged. New power came to me with all that I saw and thought and read. I studied political works, - such as Paine, Volney, Howitt, Louis Blanc, &tc, which gave me another element to mould into my verse, though I am convinced that a poet must sacrifice much if he write party-political poetry."

Century: 1800-1849     Reader/Listener/Group: Gerald Massey      Print: Book

  

Joseph Milner : History of the Church of Christ

H. J. Jackson notes annotations by Macaulay made in 1836 in his copy of Joseph Milner, History of the Church of Christ; these include: "'You bolt every lie that the Fathers tell as glibly as your Creed'," and "'Here I give in. I have done my best -- But the monotonous absurdity dishonesty & malevolence of this man are beyond me. Nov 13'.'"

Century: 1800-1849     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Le Sage : Gil Blas

'I have likewise read "Gil Blas", with unbounded admiration of the abilities of Le Sage.'

Century: 1800-1849     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Robert Southey : Thalaba

?Malden and I have read Thalaba together, and are proceeding to the Curse of Kehama.?

Century: 1800-1849     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Elizabeth Montague : [essay on Shakespeare]

'I have read the greater part of the History of James I and Mrs. Montagues?s essay on Shakespeare, and a great deal of Gibbon'.

Century: 1800-1849     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

unknown : History of James I

'I have read the greater part of the History of James I and Mrs. Montagues?s essay on Shakespeare, and a great deal of Gibbon'.

Century: 1800-1849     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Edward Gibbon : Decline and Fall of the Roman Empire

'I have read the greater part of the History of James I and Mrs. Montagues?s essay on Shakespeare, and a great deal of Gibbon'.

Century: 1800-1849     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

George Gordon, Lord Byron : Hebrew Melodies

'John Smith, Bob Hankinson, and I, went over the "Hebrew Melodies" together'.

Century: 1800-1849     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Samuel Richardson : Sir Charles Grandison

'In the year 1816 we were at Brighton for the summer holidays, and he read to us "Sir Charles Grandison". It was always habit in our family to read aloud every evening.'

Century: 1800-1849     Reader/Listener/Group: Thomas Babbington Macaulay      Print: Book

  

Walter Scott : Lay of the Last Minstrel

'He [Macaulay] was so fired up with reading Scott?s "Lay" and "Marmion", the former of which he got entirely, and the latter almost entirely, by heart, merely from his delight in reading them, that he determined on writing himself a poem in six cantos which he called the "Battle of Cheviot"'.

Century: 1800-1849     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Walter Scott : Marmion

'He [Macaulay] was so fired up with reading Scott?s "Lay" and "Marmion", the former of which he got entirely, and the latter almost entirely, by heart, merely from his delight in reading them, that he determined on writing himself a poem in six cantos which he called the "Battle of Cheviot?'.

Century: 1800-1849     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Xenophon : Anabasis

[Marginalia in Macaulay's copy of Xenophon's "Anabasis"]: 'Decidedly his best work. Dec 17 1835'

Century: 1800-1849     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Xenophon : Anabasis

[Marginalia] 'Most certainly. February 24, 1837'

Century: 1800-1849     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Xenophon : Anabasis

[Marginalia] 'One of the very first works that antiquity has left us. Perfect in its kind. October 9, 1837'.

Century: 1800-1849     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Plautus : unknown

'I read Plautus four times at Calcutta. The first in November and December 1834. The second in January and the beginning of February 1835'.

Century: 1800-1849     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Plautus : unknown

'I read Plautus four times at Calcutta. The first in November and December 1834 The second in January and the beginning of February 1835 The third on the Sundays from the 24th of May to the 23rd of August 1835'

Century: 1800-1849     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Plautus : unknown

'I read Plautus four times at Calcutta. The first in November and December 1834 The second in January and the beginning of February 1835 The third on the Sundays from the 24th of May to the 23rd of August 1835. The fourth on the Sundays beginning from the 1st of January 1837'.

Century: 1800-1849     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

James Boswell : Life of Johnson

H. J. Jackson discusses Leigh Hunt's responsive annotations, including personal reminiscences and observations, as well as critical remarks, to his copy of James Boswell's Life of Johnson.

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: James Leigh Hunt      Print: Book

  

James Boswell : The Life of Samuel Johnson, LL.D

H. J. Jackson notes John Gibson Lockhart's annotations, including personal reminiscences in response to sections of text, in his copy of James Boswell's Life of Samuel Johnson.

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: John Gibson Lockhart      Print: Book

  

 : Illustrated Chatterton

Thomas Dibdin, in The Bibliomania; or Book-Madness (1809), on "illustration" of printed texts, with annotations and insertions, by readers: "'I almost ridiculed the idea of an ILLUSTRATED CHATTERTON, in this way, till I saw Mr. Haslewood's copy, in twenty-one volumes, which riveted me to my seat!' (pp.64-65)"

Century: 1700-1799 / 1800-1849     Reader/Listener/Group: Thomas Frognall Dibdin      Print: Book

  

Joanna Southcott : The Strange Effects of Faith

H. J. Jackson discusses William George Thompson's annotations to Joanna Southcott, The Strange Effects of Faith (including glosses, and cross-references to the Bible), which Thompson signs and dates "'Easter Day, April 14th, 1811'".

Century: 1800-1849     Reader/Listener/Group: William George Thompson      

  

Henry Blunt : Sermons preached in Trinity Church, Upper Chelsea

[Marginalia]: ms annotations suggest they may be reminders of items used for sermon preparation e.g. p.22 Text = "Sermon II. Forgiveness a present mercy", ms note = "GFI [?] Nov 28th 1847/ April 30th 1848/ April 15 1854/ Oct 19th 1856"; p. 42 - some text has been deleted.

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: clergyman      Print: Book

  

T. J. Mathias : Pursuits of Literature

H. J. Jackson notes annotations by T. B. Macaulay in T. J. Mathias, Pursuits of Literature, including "'Bah!'" "'A contemptible heap of rant & twaddle'" and "'Noisome pedantry'."

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Samuel Estwick : Considerations on the Negroe Cause, Commonly So Called

H. J. Jackson discusses Granville Sharp's "tenacious, rigorous, and expansive" argumentative annotations in anonymous 1772 pro-slavery pamphlet (by "a West Indian plantation owner named Estwick").

Century: 1700-1799     Reader/Listener/Group: Granville Sharp      

  

William Wycherley : Plays

H. J. Jackson notes observations by Leigh Hunt written into back of a copy of William Wycherley's Plays originally belonging to Charles Lamb, as well as other annotations by Hunt and by Lamb.

Century: 1700-1799 / 1800-1849     Reader/Listener/Group: James Leigh Hunt      Print: Book

  

anon : [Deadeye Dick stories]

'A.E. Coppard, a laundrywoman's son who grew up in dire poverty, left school at nine, ascended the ranks of clerkdom and became (at age forty) a professional author. At fourteen he was still enjoying "Deadeye Dick", by twenty he was reading Henry James...He secured a literary education at the Brighton Public Library, and as a professional runner he used prize money to buy Hardy's poems, Shakespeare, Mackail's translation of "The Odyssey", and William Morris's "The Earthly Paradise". In an undemanding job... he read on company time, though there was a row when his supervisor found "Jude the Obscure" on his desk'.

Century: 1850-1899     Reader/Listener/Group: Alfred Edgar Coppard      Print: Serial / periodical

  

Henry James : [unknown]

'A.E. Coppard, a laundrywoman's son who grew up in dire poverty, left school at nine, ascended the ranks of clerkdom and became (at age forty) a professional author. At fourteen he was still enjoying "Deadeye Dick", by twenty he was reading Henry James...He secured a literary education at the Brighton Public Library, and as a professional runner he used prize money to buy Hardy's poems, Shakespeare, Mackail's translation of "The Odyssey", and William Morris's "The Earthly Paradise". In an undemanding job... he read on company time, though there was a row when his supervisor found "Jude the Obscure" on his desk'.

Century: 1850-1899     Reader/Listener/Group: Alfred Edgar Coppard      Print: Book

  

William Shakespeare : [works]

'A.E. Coppard, a laundrywoman's son who grew up in dire poverty, left school at nine, ascended the ranks of clerkdom and became (at age forty) a professional author. At fourteen he was still enjoying "Deadeye Dick", by twenty he was reading Henry James...He secured a literary education at the Brighton Public Library, and as a professional runner he used prize money to buy Hardy's poems, Shakespeare, Mackail's translation of "The Odyssey", and William Morris's "The Earthly Paradise". In an undemanding job... he read on company time, though there was a row when his supervisor found "Jude the Obscure" on his desk'.

Century: 1850-1899 / 1900-1945     Reader/Listener/Group: Alfred Edgar Coppard      Print: Book

  

Homer : Odyssey

'A.E. Coppard, a laundrywoman's son who grew up in dire poverty, left school at nine, ascended the ranks of clerkdom and became (at age forty) a professional author. At fourteen he was still enjoying "Deadeye Dick", by twenty he was reading Henry James...He secured a literary education at the Brighton Public Library, and as a professional runner he used prize money to buy Hardy's poems, Shakespeare, Mackail's translation of "The Odyssey", and William Morris's "The Earthly Paradise". In an undemanding job... he read on company time, though there was a row when his supervisor found "Jude the Obscure" on his desk'.

Century: 1850-1899 / 1900-1945     Reader/Listener/Group: Alfred Edgar Coppard      Print: Book

  

William Morris : The Earthly Paradise

'A.E. Coppard, a laundrywoman's son who grew up in dire poverty, left school at nine, ascended the ranks of clerkdom and became (at age forty) a professional author. At fourteen he was still enjoying "Deadeye Dick", by twenty he was reading Henry James...He secured a literary education at the Brighton Public Library, and as a professional runner he used prize money to buy Hardy's poems, Shakespeare, Mackail's translation of "The Odyssey", and William Morris's "The Earthly Paradise". In an undemanding job... he read on company time, though there was a row when his supervisor found "Jude the Obscure" on his desk'.

Century: 1850-1899 / 1900-1945     Reader/Listener/Group: Alfred Edgar Coppard      Print: Book

  

Thomas Hardy : Jude the Obscure

'A.E. Coppard, a laundrywoman's son who grew up in dire poverty, left school at nine, ascended the ranks of clerkdom and became (at age forty) a professional author. At fourteen he was still enjoying "Deadeye Dick", by twenty he was reading Henry James...He secured a literary education at the Brighton Public Library, and as a professional runner he used prize money to buy Hardy's poems, Shakespeare, Mackail's translation of "The Odyssey", and William Morris's "The Earthly Paradise". In an undemanding job... he read on company time, though there was a row when his supervisor found "Jude the Obscure" on his desk'.

Century: 1850-1899 / 1900-1945     Reader/Listener/Group: Alfred Edgar Coppard      Print: Book

  

Thomas Percy : annotations in Gerard Langbaine, An Account of the English Dramatic Poets (Oxford, 1691)

"One of the interleaved British Library copies of the 1691 edition [of Gerard Langbaine's Account of the English Dramatic Poets] graphically represents the circulation of annotated books in the eighteenth century and the early nineteenth, for it contains not only the notes of the current owner in 1813, John Haslemere, and those of his predecessor Richard Wright, but also notes transcribed from another copy that had been annotated by George Steevens who had himself collected notes from yet another annotated by Thomas Percy and William Oldys."

Century: 1700-1799     Reader/Listener/Group: George Steevens      

  

William Oldys : annotations in Gerard Langbaine, An Account of the English Dramatic Poets (Oxford, 1691)

"One of the interleaved British Library copies of the 1691 edition [of Gerard Langbaine's Account of the English Dramatic Poets] graphically represents the circulation of annotated books in the eighteenth century and the early nineteenth, for it contains not only the notes of the current owner in 1813, John Haslemere, and those of his predecessor Richard Wright, but also notes transcribed from another copy that had been annotated by George Steevens who had himself collected notes from yet another annotated by Thomas Percy and William Oldys."

Century: 1700-1799     Reader/Listener/Group: George Steevens      

  

T. Livii Patavini : Romanae historiae principis, Decades tres cum dimidia

Anthony Grafton, in "Discitur ut agatur: How Gabriel Harvey Read His Livy," notes that in 1590 Gabriel Harvey read Livy's Romanae historiae with reference to passages on it in St Augustine's De Civitate Dei; "Harvey read the City of God not on its own but together with its almost equally vast Renaissance companion, the commentary by Juan Luis Vives ..."

Century: 1500-1599     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

St Augustine : De Civitate Dei

Anthony Grafton, in "Discitur ut agatur: How Gabriel Harvey Read His Livy," notes that in 1590 Gabriel Harvey read Livy's Romanae historiae with reference to passages on it in St Augustine's De Civitate Dei; "Harvey read the City of God not on its own but together with its almost equally vast Renaissance companion, the commentary by Juan Luis Vives ..."

Century: 1500-1599     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Juan Luis Vives : Commentary to St Augustine, De Civitate Dei

Anthony Grafton, in "Discitur ut agatur: How Gabriel Harvey Read His Livy," notes that in 1590 Gabriel Harvey read Livy's Romanae historiae with reference to passages on it in St Augustine's De Civitate Dei; "Harvey read the City of God not on its own but together with its almost equally vast Renaissance companion, the commentary by Juan Luis Vives ..."

Century: 1500-1599     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Lambert Daneau : Politicorum aphorismorum silva

Anthony Grafton, in "Discitur ut agatur: How Gabriel Harvey Read His Livy," notes Harvey's reading of Lambert Daneau's Silva "of political aphorisms" (1583), "a now forgotten work by a Calvinist minister chiefly remembered for his unsuccesful attempts to impose a natural science based on the Bible on the Protestant curriculum, and a church order based on the 'Genevan Inquisition' on the liberal citizens and professors of Leiden." Continues: "Harvey's copy of Daneau has so far evaded discovery, but his references are so frequent and precise as to make it clear that thet were not conventional. He read the work as soon as it appeared, excitedly referring to its newness, and often praised it as a source of pungent and precise political axioms."

Century: 1500-1599 / 1600-1699     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Niccolo Machiavelli : The Art of War

Anthony Grafton, in "Discitur ut agatur: How Gabriel Harvey Read His Livy," notes Harvey's reading, and light annotation, of Niccolo Machiavelli, The Art of War.

Century: 1500-1599 / 1600-1699     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

George Gascoigne : The Posies

[MARGINALIA]:'The discouerie of his mistress, a false diamant. His sicknes, & Jealosie did not help the matter, but did marre all. Woomen loue men: & care not for pore harts, that cannot bestead them. Especially at the returne of his ritual, her Secretarie; it imported him to empooue himself more, then before; & not to languish like a milkstop, or to play the pore snake vpon himself. Ladie Elinor woold haue liked the man and woold haue maintained his possession by force of armes, & with braue encounters beat his enimie owt of the field.'

Century: 1500-1599     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

 : Times Literary Supplement, The

'"Reflection: It is presumably a bad thing to look through articles, reviews, etc. to find one's own name. Yet I often do." And that same week, she is agonizing over "one slight snub" in "The Times Literary Supplement".'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Newspaper, Serial / periodical

  

Walter Scott : [novels]

'it was many, many years before any of us was able to look with unprejudiced eyes at anything Scotch again. Always excepting Scott's novels, which we loved.'

Century: 1900-1945     Reader/Listener/Group: Gwen Raverat      Print: Book

  

William Shakespeare : King Lear

'There were some problems which I never solved in all my youth. For instance, there was Gloucester's Natural Son in King Lear. For if bad Edmund was a Natural Son, presumably Good Edgar must have been an Un-natural son; and what on earth could that be?'

Century: 1900-1945     Reader/Listener/Group: Gwen Raverat      Print: Book

  

Charles Dickens : David Copperfield

'David Copperfield was puzzling, too. He was a 'posthumous child' and was born with a 'caul'. The French dictionary, the only one I had, gave posthumous; posthume, which did not help me much; but for caul it gave fillet, and of course a fillet was a string bag. How very odd. Then someone gave me a present of Esmond; but my mother said I was not to read it, because parts of it were "not very nice". Of course I wanted to find out what was not nice about it; so, by a quibble, I decided that I might read all that I could manage without cutting the pages. With industry and perseverance this meant practically all of it, though the pages were not cut for many a long year. But I could never discover what was wrong with it'.

Century: 1850-1899 / 1900-1945     Reader/Listener/Group: Gwen Raverat      Print: Book

  

William Makepeace Thackeray : Henry Esmond

'David Copperfield was puzzling, too. He was a 'posthumous child' and was born with a 'caul'. The French dictionary, the only one I had, gave posthumous; posthume, which did not help me much; but for caul it gave fillet, and of course a fillet was a string bag. How very odd. Then someone gave me a present of Esmond; but my mother said I was not to read it, because parts of it were 'not very nice'. Of course I wanted to find out what was not nice about it; so, by a quibble, I decided that I might read all that I could manage without cutting the pages. With industry and perseverance this meant practically all of it, though the pages were not cut for many a long year. But I could never discover what was wrong with it'.

Century: 1850-1899 / 1900-1945     Reader/Listener/Group: Gwen Raverat      Print: Book

  

Jane Austen : Emma

'Every time I re-read "Emma" I see more clearly that we must be somehow related to the Knightleys of Donwell Abbey; both dear Mr Knightley and Mr John Knightley seem so familiar and cousinly. Surely no-one, who had not Darwin or Wedgwood blood in their veins, could be as cross as Mr John Knightley... it is obvious, too, that there is some strain of the Woodhouses of Hartfield in us...'

Century: 1900-1945     Reader/Listener/Group: Gwen Raverat      Print: Book

  

Thomas Bewick : 

'It was here, at No. 31, that I discovered Bewick, one afternoon while Aunt Etty was having her rest. I remember lying on the sofa between the dining-room windows with the peacock blue serge curtains, and wishing passionately that I could have been Mrs Bewick.'

Century: 1850-1899 / 1900-1945     Reader/Listener/Group: Gwen Raverat      Print: Book

  

William Wordsworth : Excursion, The

'One would be called upon to read aloud, say, Wordsworth's "Excursion" with her - Wordsworth was her religion - but one was never able to read more than two or three consecutive lines without stopping to discuss exactly what the words meant; or, alternatively, for her to give messages to Janet.'

Century: 1850-1899 / 1900-1945     Reader/Listener/Group: Gwen Raverat      Print: Book

  

 : The Guardian

'My wife read the 20th and 21st numbers of "The Guardian" to me, which I think extremely good, the first of which shows how indispensable a duty forgiveness is and the last how much mankind must be delighted with the prospect of the happiness of a future state.'

Century: 1700-1799     Reader/Listener/Group: Peggy Turner      Print: Serial / periodical

  

Samuel Richardson : Clarissa

'in the even I wrote my London letters... also read the News paper... as I was a writing all the even my wife read "Clarissa Harlowe" to me.'

Century: 1700-1799     Reader/Listener/Group: Peggy Turner      Print: Unknown

  

Samuel Richardson : Clarissa

'My wife read part of "Clarissa Harlowe" to me in the even as I sat a-posting my book.'

Century: 1700-1799     Reader/Listener/Group: Peggy Turner      Print: Book

  

Samuel Richardson : Clarissa

[while he was doing his accounts Turner's wife read aloud to him] 'the moving Scene of the Funeral of Miss Clarissa Harlowe' - "Oh: may the Supreme Being give me Grace to lead my life in such a manner as my Exit may in some respect be like that Divine Creature."

Century: 1700-1799     Reader/Listener/Group: Peggy Turner      Print: Book

  

 :  unknown sermon

'in the Even my Wife and I read part of the Sermon preach'd... at the opening of St Peters Cornhill 1681.'

Unknown
Century: 1700-1799     Reader/Listener/Group: Peggy Turner      

  

 : The Freeholder

'My wife read to me in the Even 4 No. of the Freeholder.'

Century: 1700-1799     Reader/Listener/Group: Peggy Turner      Print: Serial / periodical

  

Samuel Richardson : Clarissa

'In the even my wife finished reading of "Clarissa Harlowe", which I look upon as a very well-wrote thing though it must be allowed it is too prolix. I think the author keeps up the character of every person in all places; and as to the manner of its ending, I like it better than if it had terminated in more happy circumstances.'

Century: 1700-1799     Reader/Listener/Group: Peggy Turner      Print: Book

  

Alexander Macaulay : A dictionary of medicine, designed for popular use

[Marginalia]: p. 465 has a bookmark and marginal mark against item 'Regimen'; opposite the half-title there is reference to another medical work 'An Essay on The Action of Medicines in the system, or: on the Mode in which Therapeutic Agents introduced in the Stomack ... awarded ... Frederick William [Headland] ...'

Century: 1850-1899     Reader/Listener/Group: Magdalene Sharpe Erskine      Print: Book

  

Robert Louis Stevenson : Treasure Island

'I have only now realised that the reason Blind Pew in "Treasure Island" frightened me so extremely was that I gave him the face of our own Blind Man' [seen regularly in Cambridge and looking "most evil"]'

Century: 1850-1899     Reader/Listener/Group: Gwen Raverat      Print: Book

  

William Shakespeare : [Histories]

'The books [Uncle George] read to us were all in the romantic vein: Shakespeare's "Histories", Chaucer, Percy's "Reliques", Scott's novels'.

Century: 1850-1899     Reader/Listener/Group: George Darwin      Print: Book

  

Geoffrey Chaucer : 

'The books [Uncle George] read to us were all in the romantic vein: Shakespeare's "Histories", Chaucer, Percy's "Reliques", Scott's novels'.

Century: 1850-1899     Reader/Listener/Group: George Darwin      Print: Book

  

Walter Scott : [novels]

'The books [Uncle George] read to us were all in the romantic vein: Shakespeare's "Histories", Chaucer, Percy's "Reliques", Scott's novels'.

Century: 1850-1899     Reader/Listener/Group: George Darwin      Print: Book

  

(ed.) Thomas Percy : Reliques of Ancient English Poetry

'The books [Uncle George] read to us were all in the romantic vein: Shakespeare's "Histories", Chaucer, Percy's "Reliques", Scott's novels'.

Century: 1850-1899     Reader/Listener/Group: George Darwin      Print: Book

  

Stendhal (pseud -Marie-Henri Beyle)  : Le Rouge et le Noir

'[Gwen Raverat's father] was disgusted by Stendhal's "Le Rouge et le Noir" when I lent it to him; though I am still surprised that he did not appreciate the romantic fire which lies beneath Julien Sorel's somewhat unscrupulous methods of getting on in the world'.

Century: 1850-1899 / 1900-1945     Reader/Listener/Group: George Darwin      Print: Book

  

Charlotte Mary Yonge : The Daisy Chain

'I could read "The Daisy Chain" or "The Wide Wide World", and just take the religion as the queer habits of those sorts of people, exactly as if I were reading a story about Mohammedans or Chinese'.

Century: 1850-1899 / 1900-1945     Reader/Listener/Group: Gwen Raverat      Print: Book

  

Susan Warner : The Wide Wide World

'I could read "The Daisy Chain" or "The Wide Wide World", and just take the religion as the queer habits of those sorts of people, exactly as if I were reading a story about Mohammedans or Chinese'.

Century: 1850-1899 / 1900-1945     Reader/Listener/Group: Gwen Raverat      Print: Book

  

Robert Browning : Saul

'I learnt with interest all about David and read Browning's "Saul" with "an intelligent scripture mistess".'

Century: 1900-1945     Reader/Listener/Group: Gwen Raverat      Print: Book

  

 : Bible, The

'I learnt with interest all about David and read Browning's "Saul" with "an intelligent scripture mistess".'

Century: 1900-1945     Reader/Listener/Group: Gwen Raverat      Print: Book

  

Arnold Bennett : 'New Age' articles

'[Hugh] Walpole spent all Sunday afternoon at my house in reading Jacob Tonson?s "New Age" articles, which he had asked for. He said it would be ridiculous not to reissue a selection from them as a book.'

Century: 1900-1945     Reader/Listener/Group: Hugh Walpole      Print: Serial / periodical

  

Arnold Bennett : Mr Prohack

'I congratulate you on ?Prohack?. It is brilliant and I have read it with intense admiration.'

Century: 1900-1945     Reader/Listener/Group: Algernon Methuen Marshall      Print: Book

  

'L.' - prob George Henry Lewes  : 

'When we came home I read some of L.'s M.S. aloud.'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Manuscript: Unknown

  

Charles Augustin Sainte Beuve : [unknown]

'We read, wrote and walked a little before dinner. After, I read Sainte Beuve aloud.'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

unknown : 'Kestner letters'

'I read the Kestner letters at Ilmenau.'

Century: 1850-1899     Reader/Listener/Group: George Eliot (pseud)      Print: Unknown

  

Franz Liszt : [account of Der Fliegende Hollander - The Flying Dutchman]

'We set off for Ilmenau by railway. I read Liszt's account of "Der Fliegende Holander" by the way.'

Century: 1850-1899     Reader/Listener/Group: George Eliot (pseud)      Print: Unknown

  

Franz Liszt : [article on Meyerbeer]

'In the morning I partly condensed Liszt's article on Meyerbeer for the Vivian paper. In the evening walked and read aloud the Wahlverwandtschaften.'

Century: 1850-1899     Reader/Listener/Group: George Eliot (pseud)      Manuscript: Unknown

  

Johann Wolfgang von Goethe : Die Wahlverwandtschaften

'In the morning I partly condensed Liszt's article on Meyerbeer for the Vivian paper. In the evening walked and read aloud the Wahlverwandtschaften.'

Century: 1850-1899     Reader/Listener/Group: George Eliot (pseud)      Print: BookManuscript: Unknown

  

Denis Diderot : Le Nevue de Rameau

'G. dined at the Marquis de Ferriere's and I read Rameau's Neffe.'

Century: 1850-1899     Reader/Listener/Group: George Eliot (pseud)      Print: BookManuscript: Unknown

  

Johann Wolfgang von Goethe [probably] : Egmont

'Began to read Egmont after dinner, then "The Hoggarty Diamond".'

Century: 1850-1899     Reader/Listener/Group: George Eliot (pseud)      Print: BookManuscript: Unknown

  

William Makepeace Thackeray : The Great Hoggarty Diamond

'Began to read Egmont after dinner, then "The Hoggarty Diamond".'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

Johann Wolfgang von Goethe : Gross Cophta

'Bad headache all day. Gross Cophta in the evening. Looked through Moore's Life of Sheridan in the morning - a first rate specimen of bad biographical writing'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

Thomas Moore : Memoirs of the Life of Sheridan

'Bad headache all day. Gross Cophta in the evening. Looked through Moore's Life of Sheridan in the morning - a firstrate specimen of bad biographical writing'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

possibly Johann Nikolaus Gotz : [if this Gotz, then poetry]

'I read Gotz in the morning. In the afternoon, Liszt, the Marquis de Ferriere and Mr Marshall sat with us. Walked, read the "Burgergeneral", and chatted with Mr M. again in the evening.'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

Johann Wolfgang von Goethe : Der Burgergeneral

'I read Gotz in the morning. In the afternoon, Liszt, the Marquis de Ferriere and Mr Marshall sat with us. Walked, read the "Burgergeneral", and chatted with Mr M. again in the evening.'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

Benedictus de Spinoza : Ethics

'Began translating Spinoza's Ethics... Read Wilhelm Meister aloud in the evening'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

Johann Wolfgang von Goethe : Wilhelm Meister's Apprenticeship

'Began translating Spinoza's Ethics... Read Wilhelm Meister aloud in the evening'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

Carl Eduard Vehse : Der Hof zu Weimar

'Read Vehse's Weimar in the evening'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

Heinrich Heine : "Donna Clara"

'Fraulein Assing, Varnhagen's niece, lent me a volume of Heine's poems. I read aloud "Donna Clara" and then Wilhelm Meister till 10'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

William Shakespeare : The Merchant of Venice

'I read Wilhelm Meister aloud, and then G. read part of the Merchant of Venice'

Century: 1850-1899     Reader/Listener/Group: George Henry Lewes      Print: BookManuscript: Unknown

  

Heinrich Heine : poems

'I read Heine's poems; wrote a few recollections of Weimar and translated Genealogical Tables of the Goethe family'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

Gotthold Ephraim Lessing : Laocoon: An Essay on the Limits of Painting and Poetry

'Read Laocoon'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

Johann Wolfgang von Goethe : Wilhelm Meister's Apprenticeship

'In the evening we went to Spargnapini's, and had some chocolate and read the papers. G. finished reading allowed (sic) the Merchant of Venice, and I the first vol. of Wilhelm Meister'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

Gotthold Ephraim Lessing : Laocoon: An Essay on the Limits of Painting and Poetry

'Finished Lessing's Laocoon - the most un-German of all German books that I have ever read.The style is strong clear and lively, the thoughts acute and pregnant. It is well adapted to rouse an interest both in the classics and in the study of art'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

William Shakespeare : Romeo and Juliet

'Ill all day and unable to go out. G. finished Romeo and Juliet'.

Century: 1850-1899     Reader/Listener/Group: George Henry Lewes      Print: BookManuscript: Unknown

  

Friedrich Heinrich Jacobi : Briefe Uber Spinoza

'The weather continues disagreeable and the streets dirty. Read Jacobi's Briefe uber Spinoza.'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

Gotthold Ephraim Lessing : Nathan der Weise

'Home for half an hour and read Nathan der Weise'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

William Shakespeare : Julius Caesar

'G. read Julius Caesar aloud, as far as Caesar's appearance in the senate house. Very much struck with the masculine style of this play and its vigorous moderation compared with Romeo and Juliet'.

Century: 1850-1899     Reader/Listener/Group: George Henry Lewes      Print: BookManuscript: Unknown

  

William Shakespeare : Antony and Cleopatra

''Finished Minna von Barnhelm... G. began Antony and Cleopatra'.

Century: 1850-1899     Reader/Listener/Group: George Henry Lewes      Print: BookManuscript: Unknown

  

Gotthold Ephraim Lessing : Minna von Barnhelm

''Finished Minna von Barnhelm... G. began Antony and Cleopatra'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

Johann Wolfgang von Goethe : Italianische Reise

'Began the Italianische Reise.'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

Fanny Lewald : Wandlungen

'Not well in the morning. Finished Fanny Lewald's Wandlungen'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

Johann Wolfgang von Goethe : Italianische Reise

'Read Italianische Reise - Residence in Naples. Pretty passage about a star seen through a chink in the ceiling as he lay in bed. G. read Henry IV'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

William Shakespeare : Henry IV

'Read Italianische Reise - Residence in Naples. Pretty passage about a star seen through a chink in the ceiling as he lay in bed. G. read Henry IV'

Century: 1850-1899     Reader/Listener/Group: George Henry Lewes      Print: BookManuscript: Unknown

  

Johannes Scherr : Geschichte Deutschen Cultur und Sitte'

'I have begun Scherr's Geschichte Deutschen Cultur und Sitte'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

George Henry Lewes : [a farce]

'G went at 8 and I spent the evening alone for the first time since we have been at Berlin. I read G's Farce - Robson's adventure with a Russian Princess'.

Unknown
Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Manuscript: Unknown

  

Euripides  : Iphigenia

'went to dine at the Hotel de l'Europe. I took "Iphigenia" to read. Italianische Reise until Dessoir came. He read us the opening of "Richard the 3rd" and the scene with Lady Anne. Then Shylock, which G. afterwards read... Finished 1st act of "Iphigenia"'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

William Shakespeare : The Merchant of Venice

'went to dine at the Hotel de l'Europe. I took Iphigenia to read. Italianische Reise until Dessoir came. He read us the opening of Richard the 3rd and the scene with Lady Anne. Then Shylock, which G. afterwards read... Finished 1st act of Iphigenia'.

Century: 1850-1899     Reader/Listener/Group: George Henry Lewes      Print: BookManuscript: Unknown

  

William Shakespeare : Henry IV, Part II

'Read Hermann and Dorothea - 4 first books. G read 2nd Part of Henry IV'.

Century: 1850-1899     Reader/Listener/Group: George Henry Lewes      Print: BookManuscript: Unknown

  

Johann Wolfgang von Goethe : Hermann and Dorothea

'Read Hermann and Dorothea - 4 first books. G read 2nd Part of Henry IV'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

various : The Leader

'Bad headache. A regularly wet morning. Read the Athenaeum and Leader and finished Iphigenia'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Serial / periodicalManuscript: Unknown

  

various : Athenaeum

'Bad headache. A regularly wet morning. Read the Athenaeum and Leader and finished Iphigenia'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Serial / periodicalManuscript: Unknown

  

Torquato Tasso : unknown

'Began Tasso aloud. G. read two acts of As You Like It'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

William Shakespeare : As You Like It

'Began Tasso aloud. G. read two acts of As You Like It'.

Century: 1850-1899     Reader/Listener/Group: George Henry Lewes      Print: BookManuscript: Unknown

  

Johann Wolfgang von Goethe : Wilhelm Meister's Wanderjahre

'I began to read aloud the Wanderjahre'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

Heinrich Heine : Die Gotter im Exil

'Read aloud Heine's "Gotter im Exil" and some of his poems. G. read aloud Lear'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

Heinrich Heine : [poems]

'Read aloud Heine's "Gotter im Exil" and some of his poems. G. read aloud Lear'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

William Shakespeare : King Lear

'Read aloud Heine's "Gotter im Exil" and some of his poems. G. read aloud Lear'.

Century: 1850-1899     Reader/Listener/Group: George Henry Lewes      Print: BookManuscript: Unknown

  

Johann Wolfgang von Goethe : [discourse on Shakespeare]

'Came home and copied Goethe's discourse on Shakespeare. Read, at dinner, his wonderful observations on Spinoza. Particularly struck with the beautiful modesty of the passage in which he says he cannot presume to say that he thoroughly understands Spinoza. After coffee read aloud G's M.S. of the Leipsic and beginning of the Strasburg Period. G. finished Lear - sublimely powerful!'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

Johann Wolfgang von Goethe : [on Spinoza]

'Came home and copied Goethe's discourse on Shakespeare. Read, at dinner, his wonderful observations on Spinoza. Particularly struck with the beautiful modesty of the passage in which he says he cannot presume to say that he thoroughly understands Spinoza. After coffee read aloud G's M.S. of the Leipsic and beginning of the Strasburg Period. G. finished Lear - sublimely powerful!'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

George Henry Lewes : [draft of Life of Goethe]

'Came home and copied Goethe's discourse on Shakespeare. Read, at dinner, his wonderful observations on Spinoza. Particularly struck with the beautiful modesty of the passage in which he says he cannot presume to say that he thoroughly understands Spinoza. After coffee read aloud G's M.S. of the Leipsic and beginning of the Strasburg Period. G. finished Lear - sublimely powerful!'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Manuscript: Unknown, MS of Lewes' book

  

William Shakespeare : The Taming of the Shrew

'Christmas day. Miserably wet... Taming of the Shrew'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

Heinrich Heine : De l'Allemagne

'read Heine's "Allemagne" in the German edition'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

Johann Wolfgang von Goethe : Dichtung und Wahrheit

'Read at dinner Goethe's account of his relations with Herder at Strasburg in Dichtung und Warheit. Continued aloud Heine's Salon. G. read Knight's studies of Shakspeare. Twaddling in the extreme'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

Heinrich Heine : Der Salon

'Read at dinner Goethe's account of his relations with Herder at Strasburg in Dichtung und Warheit. Continued aloud Heine's Salon. G. read Knight's studies of Shakspeare. Twaddling in the extreme'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

Thomas [?] Knight : [studies of Shakespeare]

'Read at dinner Goethe's account of his relations with Herder at Strasburg in "Dichtung und Warheit". Continued aloud Heine's "Salon". G. read Knight's studies of Shakspeare. Twaddling in the extreme'.

Century: 1850-1899     Reader/Listener/Group: George Henry Lewes      Print: BookManuscript: Unknown

  

William Shakespeare : Coriolanus

'Began Stahr's "Torso"... G read "Coriolanus". I read some of "Stahr" to him, but we found it too long wided a style for reading aloud'

Century: 1850-1899     Reader/Listener/Group: George Henry Lewes      Print: BookManuscript: Unknown

  

Adolf Stahr : Torso: Kunst, K?nstler, und Kunstwerken der Alten

'Began Stahr's "Torso"... G read "Coriolanus". I read some of "Stahr" to him, but we found it too long wided a style for reading aloud'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

Heinrich Heine : [on German philosophy]

'Read Heine in the evening - on German Philosophy'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

William Shakespeare : Twelfth Night

'G. read some of "Twelfth Night", but his head got bad and he was obliged to leave off'

Century: 1850-1899     Reader/Listener/Group: George Henry Lewes      Print: BookManuscript: Unknown

  

Johann Wolfgang von Goethe : Maxims, in Wilhelm Meisters Wanderjahre

'Read Goethe's "Maxims in the Wanderjahre". Then we compared several scenes of "Hamlet" in Schlegel's translation with the original. It is generally very close and often admirably done but Shakespeare's strong concrete language is almost always weakened'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

William Shakespeare : Hamlet

'Read Goethe's "Maxims in the Wanderjahre". Then we compared several scenes of "Hamlet" in Schlegel's translation with the original. It is generally very close and often admirably done but Shakespeare's strong concrete language is almost always weakened'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

William Shakespeare : Hamlet, translated into German by Schlegel

'Read Goethe's Maxims in the Wanderjahre. Then we compared several scenes of Hamlet in Schlegel's translation with the original. It is generally very close and often admirably done but Shakespear's strong concrete language is almost always weakened'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

[Dr] Fischer : [a pamphlet]

'Read Dr Fischer's pamphlet'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Manuscript: Unknown

  

George Henry Lewes : book in MS, perhaps his Life of Goethe

'Staid at home this evening and read G's M.S. Book 3. Took a little walk under the Linden and afterwards read Twelfth Night'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Manuscript: Unknown, book M.S.

  

William Shakespeare : Twelfth Night

'Staid at home this evening and read G's M.S. Book 3. Took a little walk under the Linden and afterwards read Twelfth Night'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

William Shakespeare : Measure for Measure

'Read Hamburgische Briefe at dinner about Voltaire's Merope. Read G's MS. Measure for Measure'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

unknown : Hamburgische Briefe

'Read Hamburgische Briefe at dinner about Voltaire's Merope. Read G's MS. Measure for Measure'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: UnknownManuscript: Unknown

  

Johann Wolfgang von Goethe : West-Ostliche Divan

'Finished the poetry of the West-Ostliche Divan'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

William Shakespeare : A Midsummer Night's Dream

'Not well. G began Midsummer Night's Dream. I went to bed early.'

Century: 1850-1899     Reader/Listener/Group: George Henry Lewes      Print: BookManuscript: Unknown

  

Johann Wolfgang von Goethe : Faust

'Tried reading the 2nd part of Faust aloud, but gave it up, as it was too difficult for G. to follow it rapidly enough. Read a little of Gervinus on Shakespeare, but found it unsatisfactory. Read some of Stahr's "Ein Jahr in Italien". The description of Florence excellent'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

Adolf Stahr : Ein Jahr in Italien

'Tried reading the 2nd part of Faust aloud, but gave it up, as it was too difficult for G. to follow it rapidly enough. Read a little of Gervinus on Shakespeare, but found it unsatisfactory. Read some of Stahr's "Ein Jahr in Italien". The description of Florence excellent'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

Georg Gottfried Gervinus : [on Shakespeare]

'Tried reading the 2nd part of Faust aloud, but gave it up, as it was too difficult for G. to follow it rapidly enough. Read a little of Gervinus on Shakespeare, but found it unsatisfactory. Read some of Stahr's "Ein Jahr in Italien". The description of Florence excellent'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

Johann Wolfgang von Goethe : Romische Elegien

'Read the wondrously beautiful "Romische Elegien" again and some of the Venetian epigrams. G. began Winter's Tale'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

Johann Wolfgang von Goethe : Venetian Epigrams

'Read the wondrously beautiful "Romische Elegien" again and some of the Venetian epigrams. G. began Winter's Tale'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

William Shakespeare : A Winter's Tale

'Read the wondrously beautiful "Romische Elegien" again and some of the Venetian epigrams. G. began Winter's Tale'.

Century: 1850-1899     Reader/Listener/Group: George Henry Lewes      Print: BookManuscript: Unknown

  

Johann Wolfgang von Goethe : "Zuegnung", "Gedichte", Ballads

'In the evening... read the "Zueignung" to the "Gedichte" and several of the Ballads'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

Karl Eduard Vehse : probably Geschichte der deutschen H?fe seit der Reformation

'Read... two first vols. of Vehse. Called at Vehse's for the other volumes'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

William Shakespeare : Richard III

'G. read Richard III'.

Century: 1850-1899     Reader/Listener/Group: George Henry Lewes      Print: BookManuscript: Unknown

  

Thomas Babington Macaulay : History of England

'In the evening began Macaulay's History of England. Richard III and G's M.S. on Goethe's scientific labours'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

George Henry Lewes : part of the MS of his Life of Goethe

'In the evening began Macaulay's History of England. Richard III and G's M.S. on Goethe's scientific labours'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Manuscript: Unknown, MS of book

  

Nathaniel Wraxall : Historical Memoirs

'Looked through Wraxall's Memoirs'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

George Henry Lewes : MS of his Life of Goethe

'Read G.'s MS. of Friendship between Schiller and Goethe'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Manuscript: Unknown, MS of book

  

William Shakespeare : Venus and Adonis

'read... Shakspeare's (sic) Venus and Adonis'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

William Shakespeare (and others) : The Passionate Pilgrim

'I read Shakspeare's (sic) "Passionate Pilgrim" at breakfast and found a sonnet in which he expresses admiration of Spenser (Sonnet VIII)... I must send word of this to G. who has written in his Goethe that Shakspeare has left no line in praise of a contemporary. [inserted later: (G. writes that this sonnet is Barnwell's)]'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

William Shakespeare : Two Gentlemen of Verona

'After dinner read "Two Gentlemen of Verona" and some of the "Sonnets". That play disgusted me more than ever in the final scene where Valentine on Proteus' mere begging pardon where he has no longer any hope of gaining his ends, says: "All that was mine in Silvia I give the"! - Silvia standing by'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

William Shakespeare : Sonnets

'After dinner read "Two Gentlemen of Verona" and some of the "Sonnets". That play disgusted me more than ever in the final scene where Valentine on Proteus' mere begging pardon where he has no longer any hope of gaining his ends, says: "All that was mine in Silvia I give the"! - Silvia standing by'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

William Shakespeare : The Tempest

'Read Shakspeare's (sic) Sonnets and part of "Tempest"'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

[various] : The Leader

'Read "Leader" and Scherr'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Serial / periodicalManuscript: Unknown

  

William Shakespeare : Macbeth

'Read "Macbeth".'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

William Shakespeare : Romeo and Juliet

'Read "Romeo and Juliet"'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

anon  : Nibelungen Lied

'Read the "Leader" and the "Nibelungen Lied"'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

[n/a] : The Athenaeum

'Read "Athenaeum"'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Serial / periodicalManuscript: Unknown

  

[n/a] : The Contemporary Literature

'Read article on Dryden in W.R. and looked through the "Contemporary Literature"'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: UnknownManuscript: Unknown

  

unknown : [article on Dryden in W.R. - a periodical?]

'Read article on Dryden in W.R. and looked through the "Contemporary Literature"'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: UnknownManuscript: Unknown

  

Johannes Scherr : [perhaps] Geschichte der englischen Literatur?

'Read Scherr on the Ritterlich-romantische Literatur'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

Johan Wolfgang von Goethe : Reineke Fuchs

'Began "Reineke Fuchs"'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

Eberhard Schrader : [German Mythology]

'Began Schrader's German Mythology'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

Herbert Spencer : The Genesis of Science

'Read Schrader. Spinoza. Leader and Athenaeum. "Genesis of Science". Gibbon.'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: BookManuscript: Unknown

  

William Shakespeare : Henry V

'Read Henry V and Henry VIII'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: BookManuscript: Unknown

  

William Shakespeare : Henry VIII

'Read Henry V and Henry VIII'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: BookManuscript: Unknown

  

William Shakespeare : Henry VI, parts 1, 2 and 3

'Still feverish and unable to fix my mind steadily on reading or writing. Read the 1st, 2nd and 3rd parts of Henry VI, and began Richard II'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: BookManuscript: Unknown

  

William Shakespeare : Richard II

'Still feverish and unable to fix my mind steadily on reading or writing. Read the 1st, 2nd and 3rd parts of Henry VI, and began Richard II'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: BookManuscript: Unknown

  

Cumming : unknown

'Began... to read Cumming for article in Westminster'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: BookManuscript: Unknown

  

Homer  : Iliad, book II

'We are reading in the evenings now, Sydney Smith's letters, Boswell, Whewell's "History of Inductive Sciences", "the Odyssey" and occasionally Heine's "Reisebilder". I began the second Book of "the Iliad" in Greek this morning'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

George Sand : Lucrezia Floriani

'Headache. Read "Lucrezia Floriani". We are reading White's "History of Selborne" in the evening'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Sophocles : Antigone

'Began the Antigone, read Von Bohlen on Genesis, and Swedenborg'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Book

  

P. von Bohlen : Genesis

'Began the Antigone, read Von Bohlen on Genesis, and Swedenborg'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Book

  

Emanuel Swedenborg : unknown

'Began the Antigone, read Von Bohlen on Genesis, and Swedenborg'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Book

  

George Meredith : The Shaving of Shagpat: An Arabian Entertainment

'Read the Shaving of Shagpat'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Book

  

Charles Kingsley : The Greek Heroes

'Read Kingsley's Greek Heroes'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Book

  

Karl Friedrich August Kahnis : [history of German Protestantism - title unclear]

'finished Kahnis' History of German Protestantism'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Book

  

William Heinrich (?) Riehl : unknown

'Began to read Riehl, on which I am to write an article for the Westminster'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Book

  

David Masson : [essay on the Life of Chatterton]

'In the evenings I have been reading Masson's Essays - "The Three Devils" and Chatterton's Life - and this evening I have read some of Trench's Calderon'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Unknown

  

David Masson : 'The Three Devils'

'In the evenings I have been reading Masson's Essays - "The Three Devils" and Chatterton's Life - and this evening I have read some of Trench's Calderon'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Unknown, probably inbook publ. 1856

  

Richard Chenevix Trench : An essay on the life and genius of Calder?n,: With translations from his Life's a dream and Great theatre of the world

'In the evenings I have been reading Masson's Essays - "The Three Devils" and Chatterton's Life - and this evening I have read some of Trench's Calderon'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Book

  

Pierre Beaumarchais : M?moires contre Goezman

'I am reading in the evenings the Memoirs of Beaumarchais and Milne Edwards's Zoology'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Henri Milne-Edwards : [work on Zoology]

'I am reading in the evenings the Memoirs of Beaumarchais and Milne Edwards's Zoology'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Henri Milne-Edwards : [work on Zoology]

'I have continued reading Milne-Edwards aloud, and have also read Harriet Martineau's article on Missions in the "Westminster", and one or two articles in the "National". Reading to myself Harvey's "Sea-side Book", and "The Lover's Seat".'

Century: 1850-1899     Reader/Listener/Group: George Eliot (pseud)      Print: Book

  

Harriet Martineau : [article on Missions in the Westminster Review]

'I have continued reading Milne-Edwards aloud, and have also read Harriet Martineau's article on Missions in the "Westminster", and one or two articles in the "National". Reading to myself Harvey's "Sea-side Book", and "The Lover's Seat".'

Century: 1850-1899     Reader/Listener/Group: George Eliot (pseud)      Print: Serial / periodical

  

various : [articles in the National]

'I have continued reading Milne-Edwards aloud, and have also read Harriet Martineau's article on Missions in the "Westminster", and one or two articles in the "National". Reading to myself Harvey's "Sea-side Book", and "The Lover's Seat".'

Century: 1850-1899     Reader/Listener/Group: George Eliot (pseud)      Print: Serial / periodical

  

W.H. Harvey : The Sea-side Book

'I have continued reading Milne-Edwards aloud, and have also read Harriet Martineau's article on Missions in the "Westminster", and one or two articles in the "National". Reading to myself Harvey's "Sea-side Book", and "The Lover's Seat".'

Century: 1850-1899     Reader/Listener/Group: George Eliot (pseud)      Print: Book

  

unknown : The Lover's Seat

'I have continued reading Milne-Edwards aloud, and have also read Harriet Martineau's article on Missions in the "Westminster", and one or two articles in the "National". Reading to myself Harvey's "Sea-side Book", and "The Lover's Seat".'

Century: 1850-1899     Reader/Listener/Group: George Eliot (pseud)      Print: Book

  

Jean Louis Armand de Quatrefages de Breau : [zoology]

'have now taken up Quatrefages again.'

Century: 1850-1899     Reader/Listener/Group: George Eliot (pseud)      Print: Book

  

Honore de Balzac : The Rise and Fall of Cesar Birotteau

'Finished Cesar Birotteau aloud.'

Century: 1850-1899     Reader/Listener/Group: George Eliot (pseud)      Print: Book

  

Sophocles  : Ajax

'Began the "Ajax" of Sophocles. Also Miss Martineau's "History of the Peace."'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Harriet Martineau : History of the Peace: Being a History of England from 1816 to 1854

'Began the Ajax of Sophocles. Also Miss Martineau's History of the Peace'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Edmund Burke : Reflections on the Revolution in France

'Reading Burke's "Reflections on French Revolution" and "Mansfield Park" in the evenings.'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Jane Austen : Mansfield Park

'Reading Burke's "Reflections on French Revolution" and "Mansfield Park" in the evenings.'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Sara Hennell : Christianity and Infidelity

'I wrote to Sara, also, this morning telling her my impressions from her book just published - "Christianity and Infidelity".'

Century: 1850-1899     Reader/Listener/Group: George Eliot (pseud)      Print: Book

  

Agnes Catlow : Popular Field Botany

'I began to read Miss Catlow's "Botany".'

Century: 1850-1899     Reader/Listener/Group: George Eliot (pseud)      Print: Book

  

Sophocles  : Oedipus Rex

'We are reading Carlyle's "Cromwell" and "Aurora Leigh" again in the evenings. I am still in the "Oedipus Tyrannus", with Shelley's Poems and snatches of "Natural History".'

Century: 1850-1899     Reader/Listener/Group: George Eliot (pseud)      Print: Book

  

Percy Bysshe Shelley : [Poems]

'We are reading Carlyle's "Cromwell" and "Aurora Leigh" again in the evenings. I am still in the "Oedipus Tyrannus", with Shelley's Poems and snatches of "Natural History".'

Century: 1850-1899     Reader/Listener/Group: George Eliot (pseud)      Print: Book

  

Elizabeth Gaskell : Life of Charlotte Bronte

'In the evening I began the "Life of Charlotte Bronte" aloud. Deeply interesting.'

Century: 1850-1899     Reader/Listener/Group: George Eliot (pseud)      Print: Book

  

John William Draper : Human Physiology

'I have begun Draper's "Physiology", too but rarely have spirit and clearness of brain for it'.

Century: 1850-1899     Reader/Listener/Group: George Eliot (pseud)      Print: Book

  

Jane Austen : Emma

'read "Emma" in the evening.'

Century: 1850-1899     Reader/Listener/Group: George Eliot (pseud)      Print: Book

  

George Eliot (pseud) : Janet's Repentance

'read G. the three first chapters of "Janet's Repentance".'

Century: 1850-1899     Reader/Listener/Group: George Eliot (pseud)      Manuscript: MS of own work

  

Aeschlyus  : Agamemnon

'began Aeschlyus - "Agamemnon"'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Henry Thomas Buckle : History of Civilization in England

'Finished Buckle's "History of Civilization in England" vol. I which I began a fortnight ago.'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Bernard de Montfaucon : Antiquity explained, and represented in sculptures, by the learned Father Montfaucon, translated into English by David Humphreys

[Marginalia]: very brief annotations, bookmarks and marginal marks, indicating active use when on visit to Paris. Also has several tiny samples of fabric pinned into inside back cover with some notes eg "'ong gloves 2-16'.

Century: 1800-1849     Reader/Listener/Group: Magdalene Erskine      Print: Book

  

Wilhelm Heinrich Riehl : Die Familie

'We have been reading the last two evenings, the Christmas number of "Household Words" - "Perils of Certain English Prisoners" - by Wilkie Collins and Dickens. I am reading "Die Familie" by Riehl, forming the third volume of the series, the two first of which "Land und Volk" and "Die Burgerliche Gesellschaft", I reviewed for the Westminster'.

Century: 1850-1899     Reader/Listener/Group: George Eliot (pseud)      Print: Book

  

Wilhelm Heinrich Riehl : Land Und Volk

'We have been reading the last two evenings, the Christmas number of "Household Words" - "Perils of Certain English Prisoners" - by Wilkie Collins and Dickens. I am reading "Die Familie" by Riehl, forming the third volume of the series, the two first of which "Land und Volk" and "Die Burgerliche Gesellschaft", I reviewed for the Westminster'.

Century: 1850-1899     Reader/Listener/Group: George Eliot (pseud)      Print: Book

  

Wilhelm Heinrich Riehl : Die Burgerliche Gesellschaft

'We have been reading the last two evenings, the Christmas number of "Household Words" - "Perils of Certain English Prisoners" - by Wilkie Collins and Dickens. I am reading "Die Familie" by Riehl, forming the third volume of the series, the two first of which "Land und Volk" and "Die Burgerliche Gesellschaft", I reviewed for the Westminster'.

Century: 1850-1899     Reader/Listener/Group: George Eliot (pseud)      Print: Book

  

George Eliot (pseud.) : Adam Bede

'Read my new story to G. this evening as far as the end of the third chapter. He praised it highly... I am in the Choephorae now. In the evenings we are reading "History of Thirty Years' Peace" and Beranger. Throughly disappointed in Beranger'.

Century: 1850-1899     Reader/Listener/Group: George Eliot (pseud)      Manuscript: MS of own novel

  

Aeschlyus : Choephorae

'Read my new story to G. this evening as far as the end of the third chapter. He praised it highly... I am in the Choephorae now. In the evenings we are reading "History of Thirty Years' Peace" and Beranger. Throughly disappointed in Beranger'.

Century: 1850-1899     Reader/Listener/Group: George Eliot (pseud)      Print: Book

  

anon.  : [review of Eliot's book, in "The Times"]

'G. returned from Vernon Hill, and I read to him, after the review of my book in the "Times", the delicious scenes at Tetterby's with the "Moloch of a baby" in "the Haunted Man".'.

Century: 1850-1899     Reader/Listener/Group: George Eliot (pseud)      Print: Newspaper

  

Charles Dickens : The Haunted Man

'G. returned from Vernon Hill, and I read to him, after the review of my book in the "Times", the delicious scenes at Tetterby's with the "Moloch of a baby" in "the Haunted Man".'.

Century: 1850-1899     Reader/Listener/Group: George Eliot (pseud)      Print: Unknown, could have been book or serial

  

Aeschlyus : Eumenides

'I have begun the Eumenides, having finished the Choephorae. We are reading Wordsworth in the evenings - at least G. is reading him to me'.

Century: 1850-1899     Reader/Listener/Group: George Eliot (pseud)      Print: Book

  

William Wordsworth : 

'I have begun the Eumenides, having finished the Choephorae. We are reading Wordsworth in the evenings - at least G. is reading him to me'.

Century: 1850-1899     Reader/Listener/Group: George Henry Lewes      Print: Book

  

Harriet Martineau : History of the Thirty Years Peace

'Gave up Miss Martineau's "History" last night after reading some hundred pages in the second volume. She has a sentimental, rhetorical style in this history which is fatiguing and not instructive. But her history of the Reform Movement is very interesting'.

Century: 1850-1899     Reader/Listener/Group: George Eliot (pseud)      Print: Book

  

William Wordsworth : Excursion, The

'G. has finished "the Excursion", which repaid us for going to the end by an occasional fine passage even to the last.'

Century: 1850-1899     Reader/Listener/Group: George Henry Lewes      Print: Book

  

Aeschlyus [?] : Prometheus

'The "Prometheus" in the morning'.

Century: 1850-1899     Reader/Listener/Group: George Eliot (pseud)      Print: Book

  

Horace : The Art of Poetry an Epistle to the Pisos

'I finished this morning Horace's "Epistle to the Pisos", which I have been reading at intervals.'

Century: 1850-1899     Reader/Listener/Group: George Eliot (pseud)      Print: Book

  

Thomas Carlyle : Frederick the Great

'I have begun Carlyle's "Life of Frederic the Great".'

Century: 1850-1899     Reader/Listener/Group: George Eliot (pseud)      Print: Book

  

unknown  : [review in Times of G.H. Lewes' "Sea-side Studies"]

'Read the article in yesterday's "Times" on George's Sea-side Studies - highly gratifying... G. is reading to me Michelet's book "De l'Amour".'

Century: 1850-1899     Reader/Listener/Group: George Eliot (pseud)      Print: Newspaper

  

James Duncan : Scotch itinerary, containing the roads through Scotland on an new plan, with copious observations for the entertainment of travellers, The

Related ms notes laid into book - two small notes about distances, properties, owners, and other features either on specific local journeys e.g. Cupar to Perth, dated '10 Dec 1816' or in an area 'Southside of the Tay'.

Century: 1800-1849     Reader/Listener/Group: Agnes Halkerston      Print: Book

  

Flouren : [probably Eloge Historique de Baron Cuvier]

'Spent the morning in Bale, chiefly under the chestnut trees near the Cathedral, I reading aloud Flouren's sketch of Cuvier's labours.'

Century: 1850-1899     Reader/Listener/Group: George Eliot (pseud)      Print: Book

  

Auguste Comte : Catechism Of Positive Religion, The

'We have just finished reading aloud "Pere Goriot" - a hateful book... I have been reading lately and have nearly finished Comte's "Catechism". We have also read aloud "Tom Brown's School Days" with much disappointment. It is an unpleasant, unveracious book'.

Century: 1850-1899     Reader/Listener/Group: George Eliot (pseud)      Print: Book

  

Thomas a Kempis : Imitation of Christ, The (?)

'I am reading Thomas a Kempis.'

Century: 1850-1899     Reader/Listener/Group: George Eliot (pseud)      Print: Book

  

John Bunyan : unknown

'I am reading old Bunyan again after the long lapse of years, and am profoundly struck with the true genius manifested in the simple, vigorous, rhythmic style.'

Century: 1850-1899     Reader/Listener/Group: George Eliot (pseud)      Print: Book

  

unknown : [Life of Francois de Sales]

'A dense fog and a sense of ailing kept me indoors. I read the life of Francois de Sales.'

Century: 1850-1899     Reader/Listener/Group: George Eliot (pseud)      Print: Book

  

Margot Asquith : Diaries

Margot Asquith in footnote to letter to her from Henry James of 9 April 1915, in praise of her diary, in Margot Asquith: An Autobiography (1922), 70-73: 'Out of all my diaries I have hardly been able to quote fifty pages, for on re-reading them I find they are not only full of Cabinet secrets but jerky, disjointed and dangerously frank.'

Century: 1900-1945     Reader/Listener/Group: Margot Asquith      Manuscript: Codex

  

Mariano Vasi : Itineraire instructif de Rome ancienne et moderne ?

[Marginalia]: marginal marks (*) and dates throughout the guidebook, with v.2 more heavily marked than v.1.: eg. p.376-7 against the text line 'L'Eglise de St. Francois' is the ms note 'Jan 30 again'.

Century: 1800-1849     Reader/Listener/Group: Magdalene Erskine      Print: Book

  

Jane Austen : Mansfield Park

'Edward & George. - Not liked it near so well as P.& P. - Edward admired Fanny - George disliked her. - George interested by nobody but Mary Crawford. - Edward pleased with Henry C. - Edmund objected to, as cold & formal. - Henry C.'s going off with Mrs R. - at such a time, when so much in love with Fanny, thought unnatural by Edward.'

Century: 1800-1849     Reader/Listener/Group: George Knight      Print: Book

  

Jane Austen : Mansfield Park

'My Mother - not liked it so well as P. & P. - Thought Fanny insipid. Enjoyed Mrs. Norris.'

Century: 1800-1849     Reader/Listener/Group: Cassandra Leigh Austen      Print: Book

  

Jane Austen : Mansfield Park

'Mrs Augusta Bramstone - owned that she thought S & S. - and P. & P. downright nonsense, but expected to like M.P. better, & having finished the 1st vol. - flattered herself that she had got through the worst.'

Century: 1800-1849     Reader/Listener/Group: Augusta Bramstone      Print: Book

  

James Hall : Travels in Scotland, by an unusual route: with a trip to the Orkneys and Hebrides: containing hints and improvements in agriculture and commerce...

[Marginalia]: marginal marks (x, }, |) plus occasional comments, either single words or short notes eg: p. 74 after the text 'His wit seemed to be incorporated with his very turn of thinking and manner of viewing arguments and objects' is followed by the ms note 'This I can aver; which dis...[?] one often. I love instantaneous wit! not wit, like forced asparagus at Christmas!'; p. 167 after the text 'A person, it seems, was carrying, from the east coast of Fife, an hundred rabbits, to occupy a warren in the West Highlands' is the ms note 'a very drole adventure'.

Century: 1800-1849     Reader/Listener/Group: George Pitts      Print: Book

  

Jane Austen : Emma

'My Mother - thought it more entertaining than M.P. - but not so interesting as P.& P. - No characters in it equal to Ly Catherine & Mr Collins.'

Century: 1800-1849     Reader/Listener/Group: Cassandra Leigh Austen      Print: Book

  

Jane Austen : Pride and Prejudice

'I haven't any right to criticise books and I don't often do it except when I hate them. I often want to criticise Jane Austen, but her books madden me so that I can't conceal my frenzy from the reader; and therefore I have to stop every time I begin. Every time I read "Pride and Prejudice" I want to dig her up and hit her over the skull with her own shin-bone.'

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Samuel Langhorne Clemens      Print: Book

  

Jane Austen : Pride and Prejudice

'Edward & George. - Not liked it ["Mansfield Park"] near so well as P. & P.'

Century: 1800-1849     Reader/Listener/Group: George Knight      Print: Book

  

Jane Austen : Pride and Prejudice

'My Mother - not liked it "[Mansfield Park"] so well as P. & P.'

Century: 1800-1849     Reader/Listener/Group: Cassandra Leigh Austen      Print: Book

  

Jane Austen : Pride and Prejudice

'Mrs Augusta Bramstone - owned that she thought S & S. - and P. & P. downright nonsense.'

Century: 1800-1849     Reader/Listener/Group: [Mrs] Augusta Bramstone      Print: Book

  

Jane Austen : Sense and Sensibility

'Mrs Augusta Bramstone - owned that she thought S & S. - and P. & P. downright nonsense.'

Century: 1800-1849     Reader/Listener/Group: [Mrs] Augusta Bramstone      Print: Book

  

[unknown] : [unknown]

[description of work while employed as an apprentice at the warehouse of Mr Tait, proprietor of 'Tait's Edinburgh Magazine'] 'This accomplished, my next duties were to sweep the floor and dust the counter and desks in the front shop, in the course of which an occasional brief pause on my work was made that I might take a peep at the contents of some book, the title of which took my fancy.'

Century: 1800-1849     Reader/Listener/Group: James Glass Bertram      Print: Book

  

[unknown] : [various English periodicals]

'At the beginning of each month, too, there fell to be collected from the various agents a large number of English magazines for Mr Tait's customers, as also a few copies of "Blackwood"; and at the contents of some of those I often contrived to get a surreptitious "read".'

Century: 1800-1849     Reader/Listener/Group: James Glass Bertram      Print: Serial / periodical

  

[n/a] : Blackwood's Edinburgh Magazine

'At the beginning of each month, too, there fell to be collected from the various agents a large number of English magazines for Mr Tait's customers, as also a few copies of "Blackwood"; and at the contents of some of those I often contrived to get a surreptitious "read".'

Century: 1800-1849     Reader/Listener/Group: James Glass Bertram      Print: Serial / periodical

  

G H Girle : [memoirs]

'Mr Girle wrote a history of his blue coat days, which he was anxious should appear in "Tait", and one day, at his request, I carried the MS to the warehouse, but it did not appear in the magazine. He read it, however, to the boys of "George Heriot's Hospital", of which great institution he was one of the "Governors" and it was printed for private circulation.'

Century: 1800-1849     Reader/Listener/Group: G H Girle      Manuscript: Sheet, Unpublished memoirs

  

William Cobbett : Advice to young men

'Much is being said and written now-a-days about the influence of books on the formation of character; let me therefore mention that my prime favourites while at Tait's were "Cobbett's advice to young men", and Charles Knight's "Pursuit of knowledge under difficulties"; which I read over and over again with great zest, and, I hope, much benefit. As a matter of course, I also read "Tait's Magazine" regularly, making myself familiar with its contents even before publication; the elaborate reviews of many of the best books of the period affording me the opportunity of picking up a considerable amount of useful information. Curiously enough, the reading of the "Waverley novels" was to me a task of difficulty; and I am ashamed to say that I have only read few of them, "Guy Mannering", "The Heart of Midlothian", "The Bride of Lammermoor" and "St Ronan's Well". "Waverley", although attempted more than once, failed to attract.'

Century: 1800-1849     Reader/Listener/Group: James Glass Bertram      Print: Book

  

George L. Craik : Pursuit of knowledge under difficulties

'Much is being said and written now-a-days about the influence of books on the formation of character; let me therefore mention that my prime favourites while at Tait's were "Cobbett's advice to young men", and Charles Knight's "Pursuit of knowledge under difficulties"; which I read over and over again with great zest, and, I hope, much benefit. As a matter of course, I also read "Tait's Magazine" regularly, making myself familiar with its contents even before publication; the elaborate reviews of many of the best books of the period affording me the opportunity of picking up a considerable amount of useful information. Curiously enough, the reading of the "Waverley novels" was to me a task of difficulty; and I am ashamed to say that I have only read few of them, "Guy Mannering", "The Heart of Midlothian", "The Bride of Lammermoor" and "St Ronan's Well". "Waverley", although attempted more than once, failed to attract.'

Century: 1800-1849     Reader/Listener/Group: James Glass Bertram      Print: Book

  

William Tait : Tait's Edinburgh Magazine

'Much is being said and written now-a-days about the influence of books on the formation of character; let me therefore mention that my prime favourites while at Tait's were "Cobbett's advice to young men", and Charles Knight's "Pursuit of knowledge under difficulties"; which I read over and over again with great zest, and, I hope, much benefit. As a matter of course, I also read "Tait's Magazine" regularly, making myself familiar with its contents even before publication; the elaborate reviews of many of the best books of the period affording me the opportunity of picking up a considerable amount of useful information. Curiously enough, the reading of the "Waverley novels" was to me a task of difficulty; and I am ashamed to say that I have only read few of them, "Guy Mannering", "The Heart of Midlothian", "The Bride of Lammermoor" and "St Ronan's Well". "Waverley", although attempted more than once, failed to attract.'

Century: 1800-1849     Reader/Listener/Group: James Glass Bertram      Print: Serial / periodical

  

Walter Scott : Guy Mannering

'Much is being said and written now-a-days about the influence of books on the formation of character; let me therefore mention that my prime favourites while at Tait's were "Cobbett's advice to young men", and Charles Knight's "Pursuit of knowledge under difficulties"; which I read over and over again with great zest, and, I hope, much benefit. As a matter of course, I also read "Tait's Magazine" regularly, making myself familiar with its contents even before publication; the elaborate reviews of many of the best books of the period affording me the opportunity of picking up a considerable amount of useful information. Curiously enough, the reading of the "Waverley novels" was to me a task of difficulty; and I am ashamed to say that I have only read few of them, "Guy Mannering", "The Heart of Midlothian", "The Bride of Lammermoor" and "St Ronan's Well". "Waverley", although attempted more than once, failed to attract.'

Century: 1800-1849     Reader/Listener/Group: James Glass Bertram      Print: Book

  

Walter Scott : The Heart of Midlothian

'Much is being said and written now-a-days about the influence of books on the formation of character; let me therefore mention that my prime favourites while at Tait's were "Cobbett's advice to young men", and Charles Knight's "Pursuit of knowledge under difficulties"; which I read over and over again with great zest, and, I hope, much benefit. As a matter of course, I also read "Tait's Magazine" regularly, making myself familiar with its contents even before publication; the elaborate reviews of many of the best books of the period affording me the opportunity of picking up a considerable amount of useful information. Curiously enough, the reading of the "Waverley novels" was to me a task of difficulty; and I am ashamed to say that I have only read few of them, "Guy Mannering", "The Heart of Midlothian", "The Bride of Lammermoor" and "St Ronan's Well". "Waverley", although attempted more than once, failed to attract.'

Century: 1800-1849     Reader/Listener/Group: James Glass Bertram      Print: Book

  

Walter Scott : The Bride of Lammermoor

'Much is being said and written now-a-days about the influence of books on the formation of character; let me therefore mention that my prime favourites while at Tait's were "Cobbett's advice to young men", and Charles Knight's "Pursuit of knowledge under difficulties"; which I read over and over again with great zest, and, I hope, much benefit. As a matter of course, I also read "Tait's Magazine" regularly, making myself familiar with its contents even before publication; the elaborate reviews of many of the best books of the period affording me the opportunity of picking up a considerable amount of useful information. Curiously enough, the reading of the "Waverley novels" was to me a task of difficulty; and I am ashamed to say that I have only read few of them, "Guy Mannering", "The Heart of Midlothian", "The Bride of Lammermoor" and "St Ronan's Well". "Waverley", although attempted more than once, failed to attract.'

Century: 1800-1849     Reader/Listener/Group: James Glass Bertram      Print: Book

  

Walter Scott : St Ronan's Well

'Much is being said and written now-a-days about the influence of books on the formation of character; let me therefore mention that my prime favourites while at Tait's were "Cobbett's advice to young men", and Charles Knight's "Pursuit of knowledge under difficulties"; which I read over and over again with great zest, and, I hope, much benefit. As a matter of course, I also read "Tait's Magazine" regularly, making myself familiar with its contents even before publication; the elaborate reviews of many of the best books of the period affording me the opportunity of picking up a considerable amount of useful information. Curiously enough, the reading of the "Waverley novels" was to me a task of difficulty; and I am ashamed to say that I have only read few of them, "Guy Mannering", "The Heart of Midlothian", "The Bride of Lammermoor" and "St Ronan's Well". "Waverley", although attempted more than once, failed to attract.'

Century: 1800-1849     Reader/Listener/Group: James Glass Bertram      Print: Book

  

Walter Scott : Waverley

'Much is being said and written now-a-days about the influence of books on the formation of character; let me therefore mention that my prime favourites while at Tait's were "Cobbett's advice to young men", and Charles Knight's "Pursuit of knowledge under difficulties"; which I read over and over again with great zest, and, I hope, much benefit. As a matter of course, I also read "Tait's Magazine" regularly, making myself familiar with its contents even before publication; the elaborate reviews of many of the best books of the period affording me the opportunity of picking up a considerable amount of useful information. Curiously enough, the reading of the "Waverley novels" was to me a task of difficulty; and I am ashamed to say that I have only read few of them, "Guy Mannering", "The Heart of Midlothian", "The Bride of Lammermoor" and "St Ronan's Well". "Waverley", although attempted more than once, failed to attract.'

Century: 1800-1849     Reader/Listener/Group: James Glass Bertram      Print: Book

  

John Galt : Lives of the players

'The novels of John Galt were always much to my taste. I fancy I have read every book that came from his pen, including his "Lives of the players", and once every year I peruse "Sir Andrew Wyllie"; also that most realistic production, the "Annals of the Parish": both books undeserving of the neglect which has befallen them.'

Century: 1800-1849     Reader/Listener/Group: James Glass Bertram      Print: Book

  

John Galt : Sir Andrew Wyllie

'The novels of John Galt were always much to my taste. I fancy I have read every book that came from his pen, including his "Lives of players", and once every year I peruse "Sir Andrew Wyllie"; also that most realistic production, the "Annals of the Parish": both books undeserving of the neglect which has befallen them.'

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: James Glass Bertram      Print: Book

  

John Galt : Annals of the Parish

'The novels of John Galt were always much to my taste. I fancy I have read every book that came from his pen, including his "Lives of players", and once every year I peruse "Sir Andrew Wyllie"; also that most realistic production, the "Annals of the Parish": both books undeserving of the neglect which has befallen them.'

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: James Glass Bertram      Print: Book

  

Samuel Smiles : [biographies of men]

'As an apprentice I was a subscriber to the Mechanic's Library, from which I borrowed a great supply of books - my tastes lying largely in the direction of biography ... series of books of Mr Smiles, is still worth the attention of young men in search of wholesome reading.'

Century: 1800-1849     Reader/Listener/Group: James Glass Bertram      Print: Book

  

James Lackington : [autobiography]

'Another book I read with much zest was the autobiography of Lackington, the bookseller, a copy of which amusing and instructive work I still possess and read occasionally.'

Century: 1800-1849     Reader/Listener/Group: James Glass Bertram      Print: Book

  

James Hogg : Shepherd's Calendar

'In Mr Tait's warehouse I read Hogg's "Shepherd's Calendar" and some of his poems also, while, at various times, many opportunities of hearing much about him.'

Century: 1800-1849     Reader/Listener/Group: James Glass Bertram      Print: Book

  

[n/a] : Bentley's Miscellany

'I pursued a similar plan with others of the magazines whenever I got a chance, especially "Bentley's Miscellany", which contained in my young days "Jack Sheppard".'

Century: 1800-1849     Reader/Listener/Group: James Glass Bertram      Print: Serial / periodical

  

Robert Chambers : Chambers's Journal

'One Saturday afternoon in the summer of 1838, whilst crossing Brumsfield links on my way home to Morningside, endeavouring as I walked over the grass to read a story in one of the volumes of "Chambers's Journal", then of a somewhat unwielding size, I was stopped by two gentlemen, one of whom asked what I was reading...'

Century: 1800-1849     Reader/Listener/Group: James Glass Bertram      Print: Serial / periodical

  

William Harrison Ainsworth : Jack Sheppard

'I pursued a similar plan with others of the magazines whenever I got a chance, especially "Bentley's Miscellany", which contained in my young days "Jack Sheppard".'

Century: 1800-1849     Reader/Listener/Group: James Glass Bertram      Print: Serial / periodical

  

Mrs Johnstone : The Schoolmaster

'When, in the course of a year or two, we removed to the vicinity of Edinburgh, matters in respect of books brightened a little. I then obtained access to a greater variety, and, as I well remember, greatly enjoyed reading some numbers of a periodical called "The Schoolmaster", edited by Mr Johnstone, or, to speak more correctly, by Mrs Johnstone.'

Century: 1800-1849     Reader/Listener/Group: James Glass Bertram      Print: Serial / periodical

  

Paul Johann Ludwig von Heyse : "Vier Neue Novellen"

'I have read aloud this evening the last of Heyse's "Vier neue Novellen".'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Unknown

  

Henri Marc-Bonnet : "Histoire des Ordres Religieux"

'Finished reading the four last volumes of the "Histoire des Ordres Religieux". Began "La Beata", a story of Florentine life by T.A. Trollope. I am also reading Sachetti's Novelle, and Sismondi's History of the Italian Republics'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Book

  

T.A. Trollope : La Beata

'Finished reading the four last volumes of the "Histoire des Ordres Religieux". Began "La Beata", a story of Florentine life by T.A. Trollope. I am also reading Sachetti's Novelle, and Sismondi's History of the Italian Republics'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Book

  

Franco Sachetti : Novelle

'Finished reading the four last volumes of the "Histoire des Ordres Religieux". Began "La Beata", a story of Florentine life by T.A. Trollope. I am also reading Sachetti's Novelle, and Sismondi's History of the Italian Republics'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Book

  

Jean Charles L?onard de Sismondi : History of the Italian Republics

'Finished reading the four last volumes of the "Histoire des Ordres Religieux". Began "La Beata", a story of Florentine life by T.A. Trollope. I am also reading Sachetti's Novelle, and Sismondi's History of the Italian Republics'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Book

  

Marco Lastri : L'Osservatore Fiorentino

'Desultory morning, from feebleness of head. Osservatore Fiorentino and Tenneman's Manual of Philosophy'.

Century: 1850-1899     Reader/Listener/Group: George Eliot      Print: Book

  

W.G. Tenneman : Manual of the History of Philosophy

'Desultory morning, from feebleness of head. Osservatore Fiorentino and Tenneman's Manual of Philosophy'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Book

  

unknown : Le Moyen Age Illustre

'Read "Le Moyen Age", chiefly on Popular superstitions; looking also through other parts to see if it is worth while for me to keep the work.'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Book

  

unknown : [article in the Athenaeum]

'Read, in the Athenaeum, an interesting article on Bishop Colenso's (of Natal), Letter to the Archbishop of Canterbury on the toleration of Polygamy in converts to Christianity. In the evening read the "Monks of the West".'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Serial / periodical

  

Charles Montalambert : The Monks of the West

'Read, in the Athenaeum, an interesting article on Bishop Colenso's (of Natal), Letter to the Archbishop of Canterbury on the toleration of Polygamy in converts to Christianity. In the evening read the "Monks of the West".'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Book

  

Audin de Rians : [Introduction to Savonarola's Poems]

'Read the Introduction to Savonarola's poems, by Audin de Rians, "The Spectator" and the "Athenaeum"'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Unknown

  

[n/a] : The Spectator

'Read the Introduction to Savonarola's poems, by Audin de Rians, "The Spectator" and the "Athenaeum"'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Serial / periodical

  

[n/a] : The Athenaeum

'Read the Introduction to Savonarola's poems, by Audin de Rians, "The Spectator" and the "Athenaeum"'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Serial / periodical

  

Auguste Comte : [on the Middle Ages]

'Read Comte on the Middle Ages'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

[n/a] : Cornhill Magazine

'Read the "Cornhill" and "Orley Farm"'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Serial / periodical

  

Anthony Trollope : Orley Farm

'Read the "Cornhill" and "Orley Farm", as distraction under a bad headache'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Ernest Renan : ?tudes d?histoire religieuse

'In the evening read Renan "Etudes d'Histoire Religieuse" aloud to G.'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Virgil : Eclogues

'Began Virgil's "Eclogues" again'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Johann Buhle : Textbook on the History of Philosophy

'began Buhle's "History of Modern Philosophy"'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

George Henry Lewes : [MS article on Mad Dogs]

'Read... G's article on Mad Dogs which he was going to send to Edinburgh'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Manuscript: Sheet, MS of article

  

Henry Hallam : [perhaps The View of the State of Europe during the Middle Ages]

'Read Hallam on the study of Roman law in the Middle Ages'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

Edward Gibbon : [on revival of Greek learning]

'Read Gibbon on the revival of Greek learning'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: UnknownManuscript: Unknown

  

Girolamo Savonarola : [Sermons]

'Savonarola's Sermons'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

Girolamo Savonarola : Discourse on Government

'Before breakfast I have been reading Savonarola's "Discourse on Government", and have looked into his Sermons on the Epistle of John and the Psalm Quam Bonus'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Girolamo Savonarola : [Sermon on the Epistle of John]

'Before breakfast I have been reading Savonarola's "Discourse on Government", and have looked into his Sermons on the Epistle of John and the Psalm Quam Bonus'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Girolamo Savonarola : [Sermon on Psalm Quam Bonus]

'Before breakfast I have been reading Savonarola's "Discourse on Government", and have looked into his Sermons on the Epistle of John and the Psalm Quam Bonus'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Marco Lastri : L'Osservatore Fiorentino

'Began Lastri - "Osservatore Fiorentino" - this morning, intending to go regularly through it'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Anton Francesco Doni : I Marmi

'Looked into the "Marmi" of Doni... read Saccheti and Bocaccio's capital story of Fra Cipolla - one of his few good stories - and the Little Hunchback in the Arabian Nights, which is still better. Read Nardi in the evening'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Book

  

Giovanni Boccaccio : [story of Fra Cipolla, from Decameron]

'Looked into the "Marmi" of Doni... read Saccheti and Boccaccio's capital story of Fra Cipolla - one of his few good stories - and the Little Hunchback in the Arabian Nights, which is still better. Read Nardi in the evening'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Book

  

anon : Arabian Nights, story of the Little Hunchback

'Looked into the "Marmi" of Doni... read Saccheti and Boccaccio's capital story of Fra Cipolla - one of his few good stories - and the Little Hunchback in the Arabian Nights, which is still better. Read Nardi in the evening'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Book

  

Jacopo Nardi (probably) : unknown

'Looked into the "Marmi" of Doni... read Saccheti and Boccaccio's capital story of Fra Cipolla - one of his few good stories - and the Little Hunchback in the Arabian Nights, which is still better. Read Nardi in the evening'.

Century: 1850-1899     Reader/Listener/Group: George Eliot      Print: Book

  

Edward Bulwer Lytton : Rienzi

'I have begun Bulwer's Rienzi, wishing to examine his treatment of an historical subject'.

Century: 1850-1899     Reader/Listener/Group: George Eliot      Print: Book

  

William Roscoe : Life of Lorenzo de Medici

'Read Roscoe's Life of Lorenzoi de Medici. Headache still. Read some of Sachetti's stories and spent the evening alone with G.'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Book

  

Francesco Sachetti : [stories]

'Read Roscoe's Life of Lorenzoi de Medici. Headache still. Read some of Sachetti's stories and spent the evening alone with G.'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Book

  

William Roscoe : Life of Lorenzo de Medici

'Continued Roscoe, with much disgust at his shallowness and folly'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Book

  

Burlamacchi : Life of Savonarola

'Read again Burlamacchi's Life of Savonarola'.

Century: 1850-1899     Reader/Listener/Group: George Eliot      Print: Book

  

[probably] Luigi Pulci : [if this Pulci, poetry]

'began Pulci'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Book

  

Giovanni (?) Villani : Life of Savonarola [in his Cronica?]

'Began again the Life of Savonarola by Villani. Read of "Ecstasy".'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Book

  

Giuseppe Zirardini [probably] : Tesoro dei Novellieri Italiani scelti dal decimoterzo al decimonono secolo

'Looked into the Novellieri Scelti'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Book

  

Anna Jameson : Sacred and Legendary Art

'Read Mrs Jameson's "Legendary Art".'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Book

  

Marullus : unknown

'began Marullus. In the evening read Pettigrew on Medical Superstitions.'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Book

  

Joseph Pettigrew : Medical Superstitions

'began Marullus. In the evening read Pettigrew on Medical Superstitions.'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Book

  

Girolamo Tiraboschi : [probably] Storia della letteratura italiana

'Read Tiraboschi and Rock's Hierurgia'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Book

  

Girolamo Tiraboschi : [probably] Storia della letteratura italiana

'Read Tiraboschi on the Discovery of Ancient MSS., and Manni, Vite etc.'

Century: 1850-1899     Reader/Listener/Group: George Eliot      Print: Book

  

Daniel Rock : Hierurgia or the Holy Sacrifice of the Mass

'Read Tiraboschi and Rock's Hierurgia'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Book

  

Manni : [Life of Burchiello]

'Read... Manni's Life of Burchiello, copying extracts'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Book

  

Anna Jameson : Sacred and Legendary Art

'copied out the Lives of some saints from Mrs Jameson'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Book

  

unknown : [article in the National]

'I was better in the evening and read aloud to G. an article in National on the discoveries of Bunsen and Kirchoff'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Serial / periodical

  

Daniel Rock :  Hierurgia Or The Holy Sacrifice Of The Mass

'wrote out the Ecclesiastical Vestments from Rock'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Book

  

Anna Jameson : Legends Of The Monastic Orders As Represented In The Fine Arts

'During our stay [in Malvern] I read Mrs Jameson's book on the Legends of the Monastic orders... and began Marchese's Storia di San Marco'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Book

  

Marchese : Storia di San Marco

'During our stay [in Malvern] I read Mrs Jameson's book on the Legends of the Monastic orders... and began Marchese's Storia di San Marco'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Book

  

unknown : [article on Mormons in Westminster Review]

'Not well in the evening so that I read nothing but an article on the Mormons in the W.R.'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Serial / periodical

  

unknown : Archivo Storico

'Looked into the Archivo Storico and Read some "Ricordi", and "Lives" by Vespasiano'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Unknown

  

Vespasiano da Bisticci : [probably] Vite di uomini illustri del secolo XV,

'Looked into the Archivo Storico and Read some "Ricordi", and "Lives" by Vespasiano'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Book

  

Pierre Louis Ginguene : unknown

'Read Ginguene in the evening'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Book

  

Charles Lewes : [compositions]

'In the evening I read aloud Charlie's compositions, which show very good sense in their effort to arrive at exactness of expression about common things'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Manuscript: Unknown, compositions

  

unknown : Nerli

'Read Nerli'.

Century: 1850-1899     Reader/Listener/Group: George Eliot      Print: Book

  

Francois Pierre Guillaume Guizot : [probably] The History of France from the Earliest Times to the Year 1789

'Read a chapter on the Roma Law in the Middle Ages in Guizot's History of Civilisation in France'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Book

  

Niccolo Machiavelli : The Prince (probably)

'Looked through Machiavelli's works'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Book

  

Pasquale Villari : unknown

'Read Villari, making chronological notes. Then Muratori on Proper Names'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Book

  

Ludovico Antonio Muratori : unknown

'Read Villari, making chronological notes. Then Muratori on Proper Names'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Book

  

Poliziano : Letters

'Began Politian's letters, and read Giannotti on the Government of Florence'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Donato Giannotti : Della repubblica fiorentina

'Began Politian's letters, and read Giannotti on the Government of Florence'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

[unknown] : Blackwood's Edinburgh Magazine

'In the evening read the Newspaper and an article on Renan in "Blackwood"'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Serial / periodical

  

[n/a] : [Newspaper]

'In the evening read the Newspaper and an article on Renan in "Blackwood"'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Newspaper

  

Cicero : De Officiis

'Read Cicero "de Officiis" and began Petrarch's letters'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Francesco Petrarch : [Letters]

'Read Cicero "de Officiis" and began Petrarch's letters'

Century: 1850-1899     Reader/Listener/Group: George Eliot      Print: Book

  

John Selden : Titles of Honour

'to the London Library where I looked through Selden's "Titles of Honour"'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Amans-Alexis Monteil : [presumably one of his works on history of French civilisation]

'In the evening read Monteil - a marvellous book: crammed with erudition, yet not dull or tiresome'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Michelangelo Buonarotti the Younger : La Tancia

'Read "La Tancia", and Gingenue, Roman Epic'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Pierre Louis Ginguene : [possibly] Histoire litteraire d'Italie

'Read "La Tancia", and Gingenue, Roman Epic'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

George Lillie Craik : History of English Literature and the English Language

'I read Craik's "History of English Literature"... up to end of XVth Century'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Juvenal : [a satire]

'This week I have read a satire of Juvenal, some of Cicero's "De Officiis", part of Epictetus' Enchiridion, two cantos of Pulci, part of the Canti Carnascialeschi, and finished Manni's Veglie Piacevole, besides looking up various things in the classical antquities and peeping into Theocritus'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Epictetus : Enchiridion

'This week I have read a satire of Juvenal, some of Cicero's "De Officiis", part of Epictetus' Enchiridion, two cantos of Pulci, part of the Canti Carnascialeschi, and finished Manni's Veglie Piacevole, besides looking up various things in the classical antquities and peeping into Theocritus'

Century: 1850-1899     Reader/Listener/Group: George Eliot      Print: Book

  

Luigi Pulci : [unknown]

'This week I have read a satire of Juvenal, some of Cicero's "De Officiis", part of Epictetus' Enchiridion, two cantos of Pulci, part of the Canti Carnascialeschi, and finished Manni's Veglie Piacevole, besides looking up various things in the classical antquities and peeping into Theocritus'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

[unknown] : Canti Carnascialeschi

'This week I have read a satire of Juvenal, some of Cicero's "De Officiis", part of Epictetus' Enchiridion, two cantos of Pulci, part of the Canti Carnascialeschi, and finished Manni's Veglie Piacevole, besides looking up various things in the classical antquities and peeping into Theocritus'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Manni : Veglie Piacevole

'This week I have read a satire of Juvenal, some of Cicero's "De Officiis", part of Epictetus' Enchiridion, two cantos of Pulci, part of the Canti Carnascialeschi, and finished Manni's Veglie Piacevole, besides looking up various things in the classical antquities and peeping into Theocritus'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Theocritus : [unknown]

'This week I have read a satire of Juvenal, some of Cicero's "De Officiis", part of Epictetus' Enchiridion, two cantos of Pulci, part of the Canti Carnascialeschi, and finished Manni's Veglie Piacevole, besides looking up various things in the classical antquities and peeping into Theocritus'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Juvenal : [Sixth Satire]

'Read Epictetus, and the sixth satire of Juvenal, with part of a vol. of the Osservatore Fiorentino'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Marco Lastri : Osservatore Fiorentino

'Read Epictetus, and the sixth satire of Juvenal, with part of a vol. of the Osservatore Fiorentino'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Goldwin Smith : [answer to Mansel]

'In the evening read Goldwin Smith's answer to Mansel'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Bekker (or Becker?) : Charikles

''In the evening Bekker's Charikles'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Benedetto Varchi : [History of Florence]

'began the IXth chapter of Varchi in which he gives an account of Florence'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Humphrey Hody : De Graecis Illustribus

'There came from the library Hody de Graecis Illustribus, in which I looked at the life of Marullus...'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Scipioni Ammirato : Famiglie Nobili Fiorentini

'Went to the British Museum. Found some details in Ammirato's Famiglie Nobili Fiorentini... In the evening I read Muratori on the Confraternita'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Ludovico Antonio Muratori : [unknown, on the Confraternita]

'Went to the British Museum. Found some details in Ammirato's "Famiglie Nobili Fiorentini"... In the evening I read Muratori on the Confraternita'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Franco Sachetti : [probably] Novelle

'Read Sachetti and the Letters of Filelfo'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Francesco Filelfo : [Letters]

'Read Sachetti and the Letters of Filelfo'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Benedetto Varchi : [History of Florence]

'In the evening looked over the 9th book of Varchi again'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Girolamo Savonarola : De Veritate Profetica

'Read half through the dialogue de Veritate Profetica'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Conyers Middleton : Dr. Middleton's Letter From Rome, Showing an Exact Conformity Between Popery and Paganism

'Read through Middleton's Letter from Rome'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Girolamo Savonarola : Compendium Revelationum

'Read the "Compendium Revelationum"'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Arnold Hermann Ludwig Heeren : [on the XVth Century]

'Read... Heeren on the XVth Century'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Poliziano : Lamia

'Read Politian's Lamia'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Malmantile : [unknown]

'Read the Malmantile'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Luigi Pulci : [unknown -novel]

'Read Sacchetti, and Luigi Pulci's novel, and part of Lasca's story of Lorenzo and the Medico Manente'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Antonio Francesco Grizzini (pseud. Lasca) : [possibly a story from Le Cene]

'Read Sacchetti, and Luigi Pulci's novel, and part of Lasca's story of Lorenzo and the Medico Manente'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Emile Du Bois Reymond : [book on Johannes Mueler]

'Read passage from Du Bois Reymond's book on Johannes Mueller, a propos of visions. Finished Libro 1 of Machiavelli's Istorie. Read "Blackwood"'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Niccolo Machiavelli : Istorie fiorentine

'Read passage from Du Bois Reymond's book on Johannes Mueller, a propos of visions. Finished Libro 1 of Machiavelli's Istorie. Read "Blackwood"'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

[n/a] : Blackwood's Edinburgh Magazine

'Read passage from Du Bois Reymond's book on Johannes Mueller, a propos of visions. Finished Libro 1 of Machiavelli's Istorie. Read "Blackwood"'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Serial / periodical

  

Charlotte Mew : The Farmer's Bride

'[Sydney] Cockerell [...] busied himself with sending "The Farmer's Bride" to everyone he could think of [...] Wilfred Scawen Blunt [...] found the situations in Charlotte [Mew]'s poems puzzling and questioned their "sexual sincerity". Siegfried Sassoon was captivated at once and remained her faithful reader always. A. E. Housman [...] liked the little book, although he complained [in letter of 9 September 1918] that, like most female poets, Miss Mew put in ornament that did not suit the speaker.'

Century: 1900-1945     Reader/Listener/Group: Siegfried Sassoon      Print: Book

  

Samuel Warren : Diary of a late physician

'When in my early apprentice days I was first enabled to dip into the pages of "Maga", its chief attraction was the later series of "The Diary of a late physician". I greatly enjoyed the papers, and also, later on, the same author's story of "Ten Thousand a Year". [when the journal came out] I would sit on the steps [of George Street] for nearly an hour engrossed by the perusal of some interesting portion of its pages, munching at the same time my dinner of bread-and-cheese. The pages of the copies of the magazine in my custody as collector were, of course, uncut, but having as many as eight or ten in my charge, I managed without it being discovered to cut open one leaf in each of the numbers in order to master the narrative.'

Century: 1800-1849     Reader/Listener/Group: James Glass Bertram      Print: Serial / periodical

  

Samuel Warren : Ten thousand a year

'When in my early apprentice days I was first enabled to dip into the pages of "Maga", its chief attraction was the later series of "The Diary of a late physician". I greatly enjoyed the papers, and also, later on, the same author's story of "Ten Thousand a Year". [when the journal came out] I would sit on the steps [of George Street] for nearly an hour engrossed by the perusal of some interesting portion of its pages, munching at the same time my dinner of bread-and-cheese. The pages of the copies of the magazine in my custody as collector were, of course, uncut, but, having as many as eight or ten in my charge, I managed without its being discovered to cut open one leaf in each of the numbers in order to master the narrative.'

Century: 1800-1849     Reader/Listener/Group: James Glass Bertram      Print: Serial / periodical

  

Charlotte Mew : "Sea Love"

'Siegfried Sassoon [...] bought [Sydney] Cockerell the first number of [Harold] Monro's new shilling magazine, "The Monthly Chapbook". On the last page was Charlotte [Mew]'s "Sea Love", certainly a new poem, which delighted both of them (and delighted [Thomas] Hardy too when it arrived at Max Gate).'

Century: 1900-1945     Reader/Listener/Group: Siegfried Sassoon      Print: Serial / periodical

  

Charlotte Mew : "Madeleine in Church"

'Louis Untermeyer [an American poet] [...] had [...] been carried away by "Madeleine[in Church]" when Siegfried Sassoon read it to him [in 1920]'.

Unknown
Century: 1900-1945     Reader/Listener/Group: Siegfried Sassoon      

  

[unknown] : [chronicle of conquest of the Morea]

'Looked at the chronicle of the conquest of the Morea yesterday, and into Finlay's "History of Medieval Greece".'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

George Finlay : A History of Greece

'Looked at the chronicle of the conquest of the Morea yesterday, and into Finlay's "History of Medieval Greece"'

Century: 1850-1899     Reader/Listener/Group: George Eliot      Print: Book

  

Niccolo Machiavelli : La Mandragola

'Finished "La Mandragola", second time reading for the sake of Florentine expressions, and began "La Calandra"'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Bernardo Dovizi da Bibbiena : La Calandra

'Finished "La Mandragola", second time reading for the sake of Florentine expressions, and began "La Calandra"'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

George Eliot (pseud.) : Romola

'I read to G. the Proem and opening scene of my novel and he expressed great delight in them'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Manuscript: Sheet, MS of novel

  

Luigi Pulci : [probably] Morgante

'At present I am running along with Pulci, and have got interested in the paladins, but find him less full of point and idiom than I expected after the first Canto or two.'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

John Stuart Mill : Conquest in America, The

'Today we have been to the London Library and I have read J. Mill's article on "The American Conquest".'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

Heinrich von Sybel : History and Literature of the Crusades

'In the evening I read aloud von Sybel's Lectures on the Crusades'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

Elizabeth Barrett Browning : Casa Guidi Windows

'I have lately read again with great delight Mrs Browning's "Casa Guidi Windows". It contains amongst other admirable things a very noble expression of what I believe to be the true relation of the religious mind to the Past.'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

Alexandre Dumas (pere) : The Count of Monte Cristo

[at Englefield Green] 'I have finished Pulci there, and read aloud the "Chateau D'If" to G.'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

unknown : [books on medieval Greece]

'I have been lately reading some books on the medieval condition of Greece, sent by Mr Clark from Cambridge, and this morning not being well enough to write I have been running through Wordsworth's "Greece" and studying the geography'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

Christopher Wordsworth : Greece

'I have been lately reading some books on the medieval condition of Greece, sent by Mr Clark from Cambridge, and this morning not being well enough to write I have been running through Wordsworth's "Greece" and studying the geography'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

Jean Marie Napol?on D?sir Nisard : Poetes Latins de la Decadence

'Read Juvenal this morning, and Nisard - "Poetes Latins de la Decadence" in the evening'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

Juvenal : [unknown]

'Read Juvenal this morning, and Nisard - "Poetes Latins de la Decadence" in the evening'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

Meiner : [lives of Politian and Pico della Mirandola]

'today I have been reading a book often referred to by Hallam: Meiner's "Lives of Picus von Mirandola and Politian". They are excellent. They have German industry and are succinctly and clearly written'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

Girolamo Savonarola : Processi

'Reading once again the "Processi" of Savonarola and Vol. III of Boccaccio'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

Giovanni Boccaccio : Decameron

'Reading once again the "Processi" of Savonarola and Vol. III of Boccaccio'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

Niccolo Machiavelli : Il Principe

'Began "Il Principe".'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

Poliziano : Stanze

'Read the "Orfeo" and "Stanze" of Poliziano. The latter are wonderfully fine for a youth of 16. They contain a description of a Palace of Venus which seems the suggestion of Tennyson's "Palace of Art" in many points'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

Poliziano : Orfeo

'Read the "Orfeo" and "Stanze" of Poliziano. The latter are wonderfully fine for a youth of 16. They contain a description of a Palace of Venus which seems the suggestion of Tennyson's "Palace of Art" in many points'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

Dante Alighieri : Purgatorio

'Reading the "Purgatorio" again, and the "Compendium Revelationum" of Savonarola'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

Girolamo Savonarola : Compendium Revelationum

'Reading the "Purgatorio" again, and the "Compendium Revelationum" of Savonarola'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

George Eliot (pseud.) : Romola

'Read aloud what I had written of Part IX to George, and he to my surprize entirely approved it'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Manuscript: Sheet, MS of novel

  

George Henry Lewes : Aristotle, a Chapter from the History of Science

'I am now in the middle of G's "Aristotle", which gives me great delight'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Manuscript: Sheet, prob. in MS as publ. 1864

  

Theodor Mommsen : [one of his Roman history works]

'Reading Mommsen and Story's "Roba di Roma". Also Liddell's "Rome", for a narrative to accompany Mommsen's analysis'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

William Wetmore Story : Roba di Roma

'Reading Mommsen and Story's "Roba di Roma". Also Liddell's "Rome", for a narrative to accompany Mommsen's analysis'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Henry George Liddell : A History of Rome

'Reading Mommsen and Story's "Roba di Roma". Also Liddell's "Rome", for a narrative to accompany Mommsen's analysis'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Edward Gibbon : Decline and Fall of the Roman Empire

'Reading Gibbon Vol 1 in connection with Mosheim. Read about the Dionysia. Also Gieseler, on the condition of the world at the appearance of Christianity'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Johann Lorenz von Mosheim [possibly] : [unknown]

'Reading Gibbon Vol 1 in connection with Mosheim. Read about the Dionysia. Also Gieseler, on the condition of the world at the appearance of Christianity'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Johann Karl Ludwig Gieseler : [unknown]

'Reading Gibbon Vol 1 in connection with Mosheim. Read about the Dionysia. Also Gieseler, on the condition of the world at the appearance of Christianity'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

George Eliot (pseud.) : The Spanish Gipsy

'Read my 2nd Act to George. It is written in verse - my first serious attempt at blank verse. G. praises and encourages me'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Manuscript: Sheet, MS of own work

  

[probably] William Prescott : [unknown]

'I read Prescott again and made notes'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

Aeschlyus : [unknown]

'Reading Aeschlyus, "Theatre of the Greeks", Klein's "History of the Drama" etc.'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

Philip Wentworth Buckham : Theatre of the Greeks

'Reading Aeschlyus, "Theatre of the Greeks", Klein's "History of the Drama" etc.'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

Julius Leopold Klein : Geschichte des Dramas

'Reading Aeschlyus, "Theatre of the Greeks", Klein's "History of the Drama" etc.'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

Samuel Bamford : Passages in the Life of a Radical

'Finished Bamford's "Passages from the life of a Radical". Have just begun again Mill's "Political Economy", and Comte's "Social Science" in Miss Martineau's edition'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

John Stuart Mill : Principles of Political Economy

'Finished Bamford's "Passages from the life of a Radical". Have just begun again Mill's "Political Economy", and Comte's "Social Science" in Miss Martineau's edition'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

Auguste Comte : The Positive Philosophy of Auguste Comte

'Finished Bamford's "Passages from the life of a Radical". Have just begun again Mill's "Political Economy", and Comte's "Social Science" in Miss Martineau's edition'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

[n/a] : Annual Register, The

'Finished "Annual Register" for 1832. Reading Blackstone'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Serial / periodicalManuscript: Unknown

  

[possibly] William Blackstone : [Commentaries on the laws of England?]

'Finished "Annual Register" for 1832. Reading Blackstone'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

unknown : [English history in reign of George III]

'Reading English History, Reign of George III. Shakespeare's King John.'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: BookManuscript: Unknown

  

William Shakespeare : King John

'Reading English History, Reign of George III. Shakespeare's King John.'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: BookManuscript: Unknown

  

Aeschylus : unknown

'Read Aeschylus before breakfast'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: BookManuscript: Unknown

  

George Henry Lewes : [article on Grote's Plato]

'in the evening I read G.'s article on Grote's Plato'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Manuscript: Unknown, ms of article

  

Aeschylus : Agamemnon

'Finished the Agamemnon, 2nd time.'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: BookManuscript: Unknown

  

Th?odore Claude Henri vicomte Hersart de la Villemarqu : Contes populaires des anciens Bretons

'I have been reading Villemarque's "Contes populaires des Anciens Bretons".'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: BookManuscript: Unknown

  

Felicia Dorothea Browne : War and Peace -- A Poem. Written at the age of Fifteen

'[in 1811] Reginald Heber reads and praises "War and Peace".'

Unknown
Century: 1800-1849     Reader/Listener/Group: Reginald Heber      

  

Lady Caroline Lamb : [letters and verses]

'I must tell you that Lord Byron said Mrs Lee [Augusta Leigh?] & Lady Byron had read all my letters [and] verses'.

Century: 1800-1849     Reader/Listener/Group: Augusta Leigh      Manuscript: Unknown

  

Fawcett : Economic Condition of the Working Classes

'I have been reading Fawcett's Economic condition of the Working Classes, Mill's Liberty, looking into Strauss's Second Life of Jesus, and reading Neale's History of the Puritans of which I have reached the fourth volume'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

John Stuart Mill : On Liberty

'I have been reading Fawcett's Economic condition of the Working Classes, Mill's Liberty, looking into Strauss's Second Life of Jesus, and reading Neale's History of the Puritans of which I have reached the fourth volume'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Book

  

David Friedrich Strauss : Life of Jesus [second version]

'I have been reading Fawcett's Economic condition of the Working Classes, Mill's Liberty, looking into Strauss's Second Life of Jesus, and reading Neale's History of the Puritans of which I have reached the fourth volume'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Book

  

unknown Neale : History of the Puritans

'I have been reading Fawcett's Economic condition of the Working Classes, Mill's Liberty, looking into Strauss's Second Life of Jesus, and reading Neale's History of the Puritans of which I have reached the fourth volume'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Book

  

 : Bible

'Reading the Bible'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Book

  

Henry Hallam : The View of the State of Europe during the Middle Ages

'began Hallam's Middle Ages'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Book

  

Thomas Babington Macaulay :  [perhaps] History of England [?]

'This evening read again Macaulay's Introduction'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Book

  

John Stuart Mill : A System of Logic

'I am reading Mill's Logic again, Theocritus still, and English History and Law'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Book

  

Theocritus : unknown

'I am reading Mill's Logic again, Theocritus still, and English History and Law'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Book

  

unknown : [English History and Law]

'I am reading Mill's Logic again, Theocritus still, and English History and Law'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Book

  

George Eliot (pseud.) : Felix Holt

'Read my MS to George up to p.468. He was delighted with it'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Manuscript: Unknown, MS of own novel

  

Friedrich Bouterwek : Geschichte der neuern Poesie und Beredsamkeit [vol on Spanish literature]

'I have taken up the idea of my drama, "The Spanish Gipsy" again, and am reading on Spanish subjects - Bouterwek, Sismondi, Depping, Llorente etc'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: BookManuscript: Unknown

  

Jean Charles L?onard de Sismondi : [unknown - on Spain]

'I have taken up the idea of my drama, "The Spanish Gipsy" again, and am reading on Spanish subjects - Bouterwek, Sismondi, Depping, Llorente etc'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: BookManuscript: Unknown

  

Georges Bernard Depping : [unknown - on Spain]

'I have taken up the idea of my drama, "The Spanish Gipsy" again, and am reading on Spanish subjects - Bouterwek, Sismondi, Depping, Llorente etc'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: BookManuscript: Unknown

  

Juan Antonio Llorente : [Spanish history]

'I have taken up the idea of my drama, "The Spanish Gipsy" again, and am reading on Spanish subjects - Bouterwek, Sismondi, Depping, Llorente etc'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: BookManuscript: Unknown

  

Georges Depping : Juifs au Moyen Age

'Finished Depping's "Juifs au Moyen Age". Reading Chaucer, to study English. Also, reading on acoustics, musical instruments etc'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: BookManuscript: Unknown

  

Geoffrey Chaucer : [unknown]

'Finished Depping's "Juifs au Moyen Age". Reading Chaucer, to study English. Also, reading on acoustics, musical instruments etc'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: BookManuscript: Unknown

  

unknown : [works on music and acoustics]

'Finished Depping's "Juifs au Moyen Age". Reading Chaucer, to study English. Also, reading on acoustics, musical instruments etc'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: BookManuscript: Unknown

  

Ernest Renan : Histoire g?n?rale et syst?me compar? des langues s?mitiques

'Reading Renan's Histoire des Langues Semitiques. Ticknor's Spanish Literature'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: BookManuscript: Unknown

  

George Ticknor : History of Spanish Literature

'Reading Renan's Histoire des Langues Semitiques. Ticknor's Spanish Literature'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: BookManuscript: Unknown

  

Cornewall Lewis : Astronomy of the Ancients

'I have been reading Cornewall Lewis's Astronomy of the Ancients, Ockley's History of the Saracens, Astronomical Geography, and Spanish Ballads on Bernardo del Carpio'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: BookManuscript: Unknown

  

Simon Ockley : History of the Saracens

'I have been reading Cornewall Lewis's Astronomy of the Ancients, Ockley's History of the Saracens, Astronomical Geography, and Spanish Ballads on Bernardo del Carpio'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: BookManuscript: Unknown

  

unknown : [books on Astronomical Geography]

'I have been reading Cornewall Lewis's Astronomy of the Ancients, Ockley's History of the Saracens, Astronomical Geography, and Spanish Ballads on Bernardo del Carpio'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: BookManuscript: Unknown

  

unknown : [ballads on Bernardo del Carpio]

'I have been reading Cornewall Lewis's Astronomy of the Ancients, Ockley's History of the Saracens, Astronomical Geography, and Spanish Ballads on Bernardo del Carpio'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: BookManuscript: Unknown

  

unknown : Los Judios en Espana

'Reading "Los Judios en Espana", "Percy's Reliques", "Isis", occasionally aloud'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: BookManuscript: Unknown

  

Thomas Percy (ed.) : Reliques of Ancient English Poetry

'Reading "Los Judios en Espana", "Percy's Reliques", "Isis", occasionally aloud'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: BookManuscript: Unknown

  

unknown : Isis

'Reading "Los Judios en Espana", "Percy's Reliques", "Isis", occasionally aloud'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: BookManuscript: Unknown

  

Homer : Iliad

'Reading the Iliad, book III'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: BookManuscript: Unknown

  

William Henry Prescott : History of Ferdinand and Isabella, The

'Began again Prescott's Ferdinand and Isabella'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: BookManuscript: Unknown

  

Ernest Renan : Averroes et l'Averroisme

'Finished reading "Averroes and l'Averroisme", and "Les Medecins Juifs". Reading "First Principles".'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: BookManuscript: Unknown

  

Eliakim Carmoly : Histoire des M?decins Juifs

'Finished reading "Averroes and l'Averroisme", and "Les Medecins Juifs". Reading "First Principles".'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: BookManuscript: Unknown

  

unknown : First Principles

'Finished reading "Averroes and l'Averroisme", and "Les Medecins Juifs". Reading "First Principles".'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: BookManuscript: Unknown

  

George Henry Lewes : [letter]

'I walked to Grossmutter's and read her a letter of G's'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Manuscript: Letter

  

Salomon Munk : Melanges de Philosophie Juive et Arabe

'Reading Munk, Melanges de Philosophie juive et arabe'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Book

  

unknown Guillemin : [presumably astronomy text]

'Finished Guillemin on the Heavens'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Book

  

John Lubbock : Prehistoric Times

'Reading Lubbock's Prehistoric Ages'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Book

  

Lucretius : De Rerum Natura

'Reading; First book of Lucretius, 6th book of the Iliad; Samson Agonistes, Warton's History of English Poetry; Grote 2nd vol; Marcus Aurelius; Vita Nuova; vol IV, Chapter 1 of the Politique positive; Guest on English Rhythms, Maurice's Lectures on Casuistry'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Book

  

Homer : Iliad

'Reading; First book of Lucretius, 6th book of the Iliad; Samson Agonistes, Warton's History of English Poetry; Grote 2nd vol; Marcus Aurelius; Vita Nuova; vol IV, Chapter 1 of the Politique positive; Guest on English Rhythms, Maurice's Lectures on Casuistry'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Book

  

John Milton : Samson Agonistes

'Reading; First book of Lucretius, 6th book of the Iliad; Samson Agonistes, Warton's History of English Poetry; Grote 2nd vol; Marcus Aurelius; Vita Nuova; vol IV, Chapter 1 of the Politique positive; Guest on English Rhythms, Maurice's Lectures on Casuistry'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Book

  

Thomas Warton : History of English Poetry, The

'Reading; First book of Lucretius, 6th book of the Iliad; Samson Agonistes, Warton's History of English Poetry; Grote 2nd vol; Marcus Aurelius; Vita Nuova; vol IV, Chapter 1 of the Politique positive; Guest on English Rhythms, Maurice's Lectures on Casuistry'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Book

  

George Grote : unknown

'Reading; First book of Lucretius, 6th book of the Iliad; Samson Agonistes, Warton's History of English Poetry; Grote 2nd vol; Marcus Aurelius; Vita Nuova; vol IV, Chapter 1 of the Politique positive; Guest on English Rhythms, Maurice's Lectures on Casuistry'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Book

  

Marcus Aurelius : unknown

'Reading; First book of Lucretius, 6th book of the Iliad; Samson Agonistes, Warton's History of English Poetry; Grote 2nd vol; Marcus Aurelius; Vita Nuova; vol IV, Chapter 1 of the Politique positive; Guest on English Rhythms, Maurice's Lectures on Casuistry'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Dante Alighieri : La Vita Nuova

'Reading; First book of Lucretius, 6th book of the Iliad; Samson Agonistes, Warton's History of English Poetry; Grote 2nd vol; Marcus Aurelius; Vita Nuova; vol IV, Chapter 1 of the Politique positive; Guest on English Rhythms, Maurice's Lectures on Casuistry'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Book

  

Auguste Comte : Syst?me de politique positive

'Reading; First book of Lucretius, 6th book of the Iliad; Samson Agonistes, Warton's History of English Poetry; Grote 2nd vol; Marcus Aurelius; Vita Nuova; vol IV, Chapter 1 of the Politique positive; Guest on English Rhythms, Maurice's Lectures on Casuistry'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Book

  

Edwin Guest : History of English Rhythms, A

'Reading; First book of Lucretius, 6th book of the Iliad; Samson Agonistes, Warton's History of English Poetry; Grote 2nd vol; Marcus Aurelius; Vita Nuova; vol IV, Chapter 1 of the Politique positive; Guest on English Rhythms, Maurice's Lectures on Casuistry'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Book

  

Frederick Denison Maurice : Conscience: Lectures On Casuistry

'Reading; First book of Lucretius, 6th book of the Iliad; Samson Agonistes, Warton's History of English Poetry; Grote 2nd vol; Marcus Aurelius; Vita Nuova; vol IV, Chapter 1 of the Politique positive; Guest on English Rhythms, Maurice's Lectures on Casuistry'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Book

  

unknown : [philology books]

'have been reading a little on philology, have finished the 24th book of the Iliad, the first book of the Faery Queene, Clough's poems, and a little about Etruscan things in Mrs Grey and Dennis. Aloud to G. I have been reading some Italian, Ben Jonson's Alchemist and Volpone, and Bright's speeches, which I am still reading - besides the first four cantos of Don Juan'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Book

  

Homer : Iliad

'have been reading a little on philology, have finished the 24th book of the Iliad, the first book of the Faery Queene, Clough's poems, and a little about Etruscan things in Mrs Grey and Dennis. Aloud to G. I have been reading some Italian, Ben Jonson's Alchemist and Volpone, and Bright's speeches, which I am still reading - besides the first four cantos of Don Juan'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Book

  

Edmund Spenser : Faerie Queene, The

'have been reading a little on philology, have finished the 24th book of the Iliad, the first book of the Faery Queene, Clough's poems, and a little about Etruscan things in Mrs Grey and Dennis. Aloud to G. I have been reading some Italian, Ben Jonson's Alchemist and Volpone, and Bright's speeches, which I am still reading - besides the first four cantos of Don Juan'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Book

  

[Mrs] Grey : [Etruscan subjects]

'have been reading a little on philology, have finished the 24th book of the Iliad, the first book of the Faery Queene, Clough's poems, and a little about Etruscan things in Mrs Grey and Dennis. Aloud to G. I have been reading some Italian, Ben Jonson's Alchemist and Volpone, and Bright's speeches, which I am still reading - besides the first four cantos of Don Juan'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Book

  

George Dennis : Cities and Cemeteries of Etruria, The

'have been reading a little on philology, have finished the 24th book of the Iliad, the first book of the Faery Queene, Clough's poems, and a little about Etruscan things in Mrs Grey and Dennis. Aloud to G. I have been reading some Italian, Ben Jonson's Alchemist and Volpone, and Bright's speeches, which I am still reading - besides the first four cantos of Don Juan'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Book

  

Ben Jonson : Alchemist, The

'have been reading a little on philology, have finished the 24th book of the Iliad, the first book of the Faery Queene, Clough's poems, and a little about Etruscan things in Mrs Grey and Dennis. Aloud to G. I have been reading some Italian, Ben Jonson's Alchemist and Volpone, and Bright's speeches, which I am still reading - besides the first four cantos of Don Juan'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Book

  

Ben Jonson : Volpone

'have been reading a little on philology, have finished the 24th book of the Iliad, the first book of the Faery Queene, Clough's poems, and a little about Etruscan things in Mrs Grey and Dennis. Aloud to G. I have been reading some Italian, Ben Jonson's Alchemist and Volpone, and Bright's speeches, which I am still reading - besides the first four cantos of Don Juan'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Book

  

John Bright : [Speeches]

'have been reading a little on philology, have finished the 24th book of the Iliad, the first book of the Faery Queene, Clough's poems, and a little about Etruscan things in Mrs Grey and Dennis. Aloud to G. I have been reading some Italian, Ben Jonson's Alchemist and Volpone, and Bright's speeches, which I am still reading - besides the first four cantos of Don Juan'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Book

  

George Gordon Lord Byron : Don Juan

'have been reading a little on philology, have finished the 24th book of the Iliad, the first book of the Faery Queene, Clough's poems, and a little about Etruscan things in Mrs Grey and Dennis. Aloud to G. I have been reading some Italian, Ben Jonson's Alchemist and Volpone, and Bright's speeches, which I am still reading - besides the first four cantos of Don Juan'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Book

  

John Bright : [4th speech on India]

'In the evening read aloud Bright's 4th speech on India, and a story in Italian. In the spectator some interesting facts about loss of memory, and "double life". In the Revue des Cours a lecture by Sir W. Thomson of Edinburgh on the retardation of the earth's motion round its axis'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Book

  

unknown : [Italian story]

'In the evening read aloud Bright's 4th speech on India, and a story in Italian. In the spectator some interesting facts about loss of memory, and "double life". In the Revue des Cours a lecture by Sir W. Thomson of Edinburgh on the retardation of the earth's motion round its axis'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Book

  

unknown : Spectator, The

'In the evening read aloud Bright's 4th speech on India, and a story in Italian. In the spectator some interesting facts about loss of memory, and "double life". In the Revue des Cours a lecture by Sir W. Thomson of Edinburgh on the retardation of the earth's motion round its axis'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Serial / periodical

  

W Thomson : [essay in Revue des Cours]

'In the evening read aloud Bright's 4th speech on India, and a story in Italian. In the spectator some interesting facts about loss of memory, and "double life". In the Revue des Cours a lecture by Sir W. Thomson of Edinburgh on the retardation of the earth's motion round its axis'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Serial / periodical

  

Alessandro Manzoni : I Promessi Sposi

'Aloud [these past two days] I have read Bright's speeches and "I promessi sposi". To myself I have read Mommsen's Rome'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Book

  

Theodor Mommsen : History of Rome

'Aloud [these past two days] I have read Bright's speeches and "I promessi sposi". To myself I have read Mommsen's Rome'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Book

  

Matthew Arnold : [poems]

'The last few days I have been looking through Matthew Arnold's poems, and find his earlier ones very superior to the later'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

John Bright : [speech on Ireland and Church Establishment]

'In the evening I read aloud a short speech of Bright's on Ireland, delivered 20 years ago, in which he insists that nothing will be a remedy for the woes of that country unless the Church Establishment be annulled: after the lapse of 20 years the measure is going to be adopted. Then I read aloud a bit of the "Promessi Sposi", and afterwards the "Spectator", in which there is a deservedly high appreciation of Lowell's Poems'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

[n/a] : Spectator, The

'In the evening I read aloud a short speech of Bright's on Ireland, delivered 20 years ago, in which he insists that nothing will be a remedy for the woes of that country unless the Church Establishment be annulled: after the lapse of 20 years the measure is going to be adopted. Then I read aloud a bit of the "Promessi Sposi", and afterwards the "Spectator", in which there is a deservedly high appreciation of Lowell's Poems'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Serial / periodical

  

[unknown] : Seraphime

'G. finished reading "Seraphime" aloud to me'.

Century: 1850-1899     Reader/Listener/Group: George Henry Lewes      Print: Unknown

  

Hermann von Helmholtz : [book on music]

'I am reading about plants, and Helmholtz on music'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

[unknown] : [books on plants]

'I am reading about plants, and Helmholtz on music'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Lucretius : De Rerum Natura

'Finished my readings in Lucretius. Reading Victor Hugo's "L'Homme qui rit". Also the Frau von Hillern's novel "Ein Arzt der Seele".'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Victor Hugo : L'Homme Qui Rit

'Finished my readings in Lucretius. Reading Victor Hugo's "L'Homme qui rit". Also the Frau von Hillern's novel "Ein Arzt der Seele".'

Century: 1850-1899     Reader/Listener/Group: George Eliot      Print: Book

  

Willhelmine von Hillern : Ein Arzt der Seele

'Finished my readings in Lucretius. Reading Victor Hugo's "L'Homme qui rit". Also the Frau von Hillern's novel "Ein Arzt der Seele".'

Century: 1850-1899     Reader/Listener/Group: George Eliot      Print: Book

  

Jean Marie Napol?on D?sir Nisard : Histoire de la litt?rature fran?aise

'Began Nisard's History of French Literature - Villehardouin, Joinville, Froissart, Christine de Pisan, Philippe de Comines, Villon'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

[unknown] : Ancient Geography

'Read the articles Phoenicia and Carthage in Ancient Geography. Looked into Smith's "Universal History" again for Carthaginian religion. Looked into Sismondi's "Litterature du Midi", for Roman de Rose, and ran through the first chapter, about the formation of the Romance Languages. Read about the Thallogens and Acrogens in "the Vegetable World". Drayton's Nymphidia - a charming poem. A few pages of his Polyolbion. Re-read Grote v-vii on Sicilian affairs down to rise of Dionysius'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Smith : Universal History

'Read the articles Phoenicia and Carthage in Ancient Geography. Looked into Smith's "Universal History" again for Carthaginian religion. Looked into Sismondi's "Litterature du Midi", for Roman de Rose, and ran through the first chapter, about the formation of the Romance Languages. Read about the Thallogens and Acrogens in "the Vegetable World". Drayton's Nymphidia - a charming poem. A few pages of his Polyolbion. Re-read Grote v-vii on Sicilian affairs down to rise of Dionysius'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Jean Charles L?onard de Sismondi : Litt?rature du midi de l'Europe

'Read the articles Phoenicia and Carthage in Ancient Geography. Looked into Smith's "Universal History" again for Carthaginian religion. Looked into Sismondi's "Litterature du Midi", for Roman de Rose, and ran through the first chapter, about the formation of the Romance Languages. Read about the Thallogens and Acrogens in "the Vegetable World". Drayton's Nymphidia - a charming poem. A few pages of his Polyolbion. Re-read Grote v-vii on Sicilian affairs down to rise of Dionysius'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

[unknown] : Vegetable World, The

'Read the articles Phoenicia and Carthage in Ancient Geography. Looked into Smith's "Universal History" again for Carthaginian religion. Looked into Sismondi's "Litterature du Midi", for Roman de Rose, and ran through the first chapter, about the formation of the Romance Languages. Read about the Thallogens and Acrogens in "the Vegetable World". Drayton's Nymphidia - a charming poem. A few pages of his Polyolbion. Re-read Grote v-vii on Sicilian affairs down to rise of Dionysius'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Michael Drayton : Nymphidia, The Court of Fairy

'Read the articles Phoenicia and Carthage in Ancient Geography. Looked into Smith's "Universal History" again for Carthaginian religion. Looked into Sismondi's "Litterature du Midi", for Roman de Rose, and ran through the first chapter, about the formation of the Romance Languages. Read about the Thallogens and Acrogens in "the Vegetable World". Drayton's Nymphidia - a charming poem. A few pages of his Polyolbion. Re-read Grote v-vii on Sicilian affairs down to rise of Dionysius'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Michael Drayton : Polyolbion

'Read the articles Phoenicia and Carthage in Ancient Geography. Looked into Smith's "Universal History" again for Carthaginian religion. Looked into Sismondi's "Litterature du Midi", for Roman de Rose, and ran through the first chapter, about the formation of the Romance Languages. Read about the Thallogens and Acrogens in "the Vegetable World". Drayton's Nymphidia - a charming poem. A few pages of his Polyolbion. Re-read Grote v-vii on Sicilian affairs down to rise of Dionysius'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

George Grote : [probably] History of Greece

'Read the articles Phoenicia and Carthage in Ancient Geography. Looked into Smith's "Universal History" again for Carthaginian religion. Looked into Sismondi's "Litterature du Midi", for Roman de Rose, and ran through the first chapter, about the formation of the Romance Languages. Read about the Thallogens and Acrogens in "the Vegetable World". Drayton's Nymphidia - a charming poem. A few pages of his Polyolbion. Re-read Grote v-vii on Sicilian affairs down to rise of Dionysius'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Louis Reybaud : Etudes sur les r?formateurs ou socialistes modernes

'Read Reybaud's book on Les Reformateurs Modernes'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

[unknown] : [on Charles Fourier and Robert Owen, Utopian Socialists]

'I read about Fourier and Owen'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Unknown

  

Plato : Republic

'Read Plato's Republic, in various parts... In the evening I read Nisard, and Littre on Comte'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Emile Littre : [on Comte]

'Read Plato's Republic, in various parts... In the evening I read Nisard, and Littre on Comte'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Theocritus : 22nd Idyll

'[in the past week I have read] part of 22nd Idyll of Theocritus, Sainte Beuve aloud to G. two evenings... Monday evening [was occupied] with looking through Dickson's Fallacies of the Faculty'.

Century: 1850-1899     Reader/Listener/Group: George Eliot      Print: Book

  

Charles Augustine Sainte-Beuve : [unknown]

'[in the past week I have read] part of 22nd Idyll of Theocritus, Sainte Beuve aloud to G. two evenings... Monday evening [was occupied] with looking through Dickson's Fallacies of the Faculty'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Samuel Dickson : Fallacies of the Faculty: With the Chrono-Thermal System of Medicine

'[in the past week I have read] part of 22nd Idyll of Theocritus, Sainte Beuve aloud to G. two evenings... Monday evening [was occupied] with looking through Dickson's Fallacies of the Faculty'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

William Shakespeare : Sonnets

'Yesterday, sitting in Thornie's room I read through all Shakespeare's sonnets'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Pierre Victor Renouard : History of Medicine

'I am reading Renouard's "History of Medicine"'

Century: 1850-1899     Reader/Listener/Group: George Eliot      Print: Book

  

unknown : [Encyclopaedia re medical colleges]

'I have achieved little during the last week except reading on medical subjects - Encyclopaedia about the medical colleges - Culen's life - Russell's Heroes of Medicine etc. I have also read Aristophaes Ecclesiazusae, and Macbeth'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

unknown : [Life of or by William Cullen]

'I have achieved little during the last week except reading on medical subjects - Encyclopaedia about the medical colleges - Cullen's life - Russell's Heroes of Medicine etc. I have also read Aristophaes Ecclesiazusae, and Macbeth'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Rutherford Russell : History and Heroes of Medicine

'I have achieved little during the last week except reading on medical subjects - Encyclopaedia about the medical colleges - Cullen's life - Russell's Heroes of Medicine etc. I have also read Aristophaes Ecclesiazusae, and Macbeth'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Aristophanes : Ecclesiazusae

'I have achieved little during the last week except reading on medical subjects - Encyclopaedia about the medical colleges - Cullen's life - Russell's Heroes of Medicine etc. I have also read Aristophaes Ecclesiazusae, and Macbeth'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

William Shakespeare : Macbeth

'I have achieved little during the last week except reading on medical subjects - Encyclopaedia about the medical colleges - Cullen's life - Russell's Heroes of Medicine etc. I have also read Aristophaes Ecclesiazusae, and Macbeth'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Bekker : Charikles

'Finished studying again Bekker's "Charikles" yesterday'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

John Mandeville (pseud.) : Travels

'I am reading Maundeville's "Travels".'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Max Muller : History of Ancient Sanskrit Literature

'I have read rapidly through Max Muller's History of Sanskrit Literature and am now reading Lecky's "History of Morals". I have also finished H. Spencer's last number of his Psychology'.

Century: 1850-1899     Reader/Listener/Group: George Eliot      Print: Book

  

William Lecky : History of European Morals from Augustus to Charlemagne

'I have read rapidly through Max Muller's History of Sanskrit Literature and am now reading Lecky's "History of Morals". I have also finished H. Spencer's last number of his Psychology'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Herbert Spencer : [probably] Principles of Psychology, The

'I have read rapidly through Max Muller's History of Sanskrit Literature and am now reading Lecky's "History of Morals". I have also finished H. Spencer's last number of his Psychology'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Serial / periodical

  

Charles Dickens : Edwin Drood

'I read aloud No. 3 of "Edwin Drood".'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud.]      Print: Serial / periodical

  

[probably] Dante Gabriel Rossetti : [poems]

'In the evening, G. being very weary, I read him some of Rossetti's poems'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

William Mason : Poems (third volume)

The Dowager Lady Spencer to Mary Berry, from Nuneham (seat of George Simon, second Earl of Harcourt), 21 August 1799: 'Have you ever seen the 3d vol. of Mason's Poems, published two years ago? I never did till I came here; and I have found some sweet things in them, which I have been reading this morning in the flower-garden facing the cinerary urn Lord Harcourt has erected to his memory [goes on to transcribe final six lines of sonnet written by Mason 'in his 70th year'].'

Century: 1700-1799     Reader/Listener/Group: G., Dowager Lady Spencer      Print: Book

  

William R. Grove : On the Correlation of Physical Forces

'I began Grove on the Correlation of the Physical Forces, needing to read it again with new interests after the lapse of years'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

John Gibson Lockhart : Memoirs of the Life of Sir Walter Scott

'Aloud I read the concluding part of Walter Scott's "Life" which we had begun at Harrogate, two volumes of Froude's "History of England", and Comte's correspondence with Valat'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

James Anthony Froude : History of England

'Aloud I read the concluding part of Walter Scott's "Life" which we had begun at Harrogate, two volumes of Froude's "History of England", and Comte's correspondence with Valat'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Auguste Comte : [correspondence with Valat]

'Aloud I read the concluding part of Walter Scott's "Life" which we had begun at Harrogate, two volumes of Froude's "History of England", and Comte's correspondence with Valat'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Johann Wolfgang Goethe : Wilhelm Meister's Apprenticeship

'I am reading Wolfe's Prolegomena to Homer. In the evening aloud, Wilhelm Meister again!'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Friedrich August Wolf : Prolegomena ad Homerum

'I am reading Wolf's Prolegomena to Homer. In the evening aloud, Wilhelm Meister again!'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Jean Paul (pseud.) : Leben des Quintus Fixlein

'Reading Quintus Fixlein aloud to G. in the evening. Grote on Sicilian history'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

George Grote : [on Sicilian History]

'Reading Quintus Fixlein aloud to G. in the evening. Grote on Sicilian history'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Aristotle : Poetics

'I am just finishing again Aristotle's Poetics which I first read in 1856'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

George Henry Lewes : "Principles of Success in Literature

'Began to read "Principles of Success in Literature".'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

George Henry Lewes : [Social Function...]

'Read M.S. 'Social Function' and Physical Basis'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Manuscript: Unknown

  

George Henry Lewes : Physical Basis of Mind, The

'Read M.S. 'Social Function' and Physical Basis'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

 : [journal by either Eliot or G.H. Lewes]

'Read Physical Basis - and dear Journal of our Seaside Work'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Manuscript: Unknown, journal

  

George Henry Lewes : [journal, 1874]

'Wrote memories and lived with him all day. Read in his diary 1874 - "Wrote verses to Polly - Wrote verses on Polly".'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Manuscript: Unknown, journal

  

George Henry Lewes : [various works Eliot was revising]

'Began Revision of Problem II. Revised Introduction. Finished 2nd reading of Psychological Principles'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Manuscript: Unknown

  

George Henry Lewes : Spanish Drama, The

'Read my darling's book on the Spanish Drama'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

George Henry Lewes : [first article on Goethe]

'Read my darling's first article on Goethe'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: UnknownManuscript: Unknown

  

George Henry Lewes : [probably] Problems of Life and Mind; Third Series: Mind as a Function of Organism

'Reading Problem III'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Manuscript: Unknown

  

unknown : Times, The

'unable to read anything except "Times".'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: NewspaperManuscript: Unknown

  

W. Kingdom Clifford : First and Last Castrophe, The

'Read Clifford's First and Last Catastrophe'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

John Stuart Mill : [on socialism]

'Read J.S. Mill on Socialism'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

Herbert Spencer : Principles of Psychology

'Read Spencer's Psychology'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

unknown : [on colour sense]

'read on the colour-sense'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

Hugo Magnus : Die Geschichtliche Entwickelung des Farbensinnes

'Read Magnus on the Farbensinn'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

Allen Grant : Colour Sense: its Origin and Development, The

'[Trubner] brought Allen Grant's volume on the Colour Sense, of which I read the early chapters in the Evening'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: BookManuscript: Unknown

  

George Henry Lewes : [on language]

'read my darling's M.S. on Language'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Manuscript: Unknown

  

Alexander Bain : [on nervous mechanism]

'Read Bain on the Nervous mechanism - and looked for comparison into Foster's'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Foster : [on nervous mechanism]

'Read Bain on the Nervous mechanism - and looked for comparison into Foster's'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

George Henry Lewes : [article on Philosophy in France]

'Made list of his articles, and read His article on Philosophy in France, 1843'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Unknown

  

Alexander (perhaps) Ellis (perhaps) : [perhaps] On the Laws of Operation, and the Systematization of Mathematics

'Re-read "Laws of Operation".'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Unknown

  

Alexander Herzen : La Condizione fisica della Coscienza

'Read Herzen's "La Condizione fisica della Coscienza", sent to me at my request, because it criticizes my darling's standpoint'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Unknown

  

Homer : Iliad

[Read] 'Iliad in Munro's edition'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

George Henry Lewes : [essay on Dwarfs and Giants]

'Read 'Dwarfs and Giants' with which many memories are connected of far off Richmond Days'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Unknown

  

Alexander Bain (?) : unknown

'Read Homer, Bain, St Beuve'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Unknown

  

Charles Augustin Sainte Beuve : unknown

'Read Homer, Bain, St Beuve'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Homer : [book IV - of Iliad?]

'Homer IV. Foster, Physiology'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Michael Foster :  Textbook of Physiology

'Homer IV. Foster, Physiology'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

George Grote : [probably] History of Greece

'Grote on the Sophists - then History of Philosophy to compare'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

George Henry Lewes : Biographical History of Philosophy, A

'Grote on the Sophists - then History of Philosophy to compare'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

George Henry Lewes : Life and Works of Goethe, The

'History of Philosophy. Pollock's Sketch of Clifford. Life of Goethe. Homer'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Frederick Pollock : [biographical sketch of W.K. Clifford]

'History of Philosophy. Pollock's Sketch of Clifford. Life of Goethe. Homer'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Edward Caird : [probably] Social Philosophy and Religion of Comte, The

'History of Philosophy. Pollock's Sketch of Clifford. Life of Goethe. Homer'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

George Henry Lewes : Life and Works of Goethe

'Finished reading "Life and Works of Goethe" with great admiration and delight.'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Sully : [article on G.H. Lewes]

'Read Mr Sully's proof of his article on my darling for the New Quarterly, and wrote to him'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Manuscript: proof of article

  

Voltaire (pseud.) : Candide

'Finished Voltaire's Candide again after many years' interval'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Plato : Republic,The

'Reading Plato - Republic'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Merritt (Mrs) : [recollections of her husband]

'Read [Mrs Merritt's] recollections of Mr Merritt.'

Unknown
Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      

  

unknown : Hebrew texts

[Read] 'Hebrew and Algebra'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

unknown : [Algebra]

[Read] 'Hebrew and Algebra'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Dante Alighieri : Purgatorio

[Read] 'Purgatorio'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

George Grote : History of Greece

'Read Grote on the Sophists'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

George Henry Lewes : [letters to George Eliot]

'I read his letters, and packed them together, to be buried with me. Perhaps that will happen before next November'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Manuscript: Letter

  

Albrecht Weber : History of Indian Literature, The

'Finished Weber's Indian Literature'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Monier Monier Williams : [presumably work on Sanskrit]

'Finished Monier Williams'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

George John Romanes : Candid Examination of Theism, A

[Read] 'Romanes, 'Theism'. Tiele, History of Religions. Odyssey.'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Cornelis Petrus Tiele : Outlines of the History of Religion

[Read] 'Romanes, 'Theism'. Tiele, History of Religions. Odyssey.'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Homer : Odyssey

[Read] 'Romanes, 'Theism'. Tiele, History of Religions. Odyssey.'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Geoffrey Chaucer : Canterbury Tales, The

[Read] 'Chaucer's Prologue'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

John Hill Burton : history of the reign of Queen Anne, A

[Read] 'Burton's Queen Anne'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Frances Anne Kemble : Records of a Girlhood

'Finished Fanny Kemble's Records of a girlhood'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

unknown : [Jewish chronicles]

'Read a heap of Jewish Chronicles'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Unknown

  

anon. : Hebrew Migration from Egypt, The

'Read "Hebrew Migration" - an anonymous book, very well done - arguing that Mount Sinai is in Idumaea and is identical with Mount Hor'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

anon. : Prose Edda, The

'Finished Prose Edda, etc. Akkadians. Malthus.'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Thomas Malthus : unknown

'Finished Prose Edda, etc. Akkadians. Malthus.'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Victor Hugo : Ruy Blas

'Read Ruy Blas aloud. Afterwards saw three acts'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

[probably] Archibald Henry Sayce : [if this Sayce then work of Assyriology]

[Read] 'Sayce and Promessi Sposi'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Alessandro Manzoni : I Promessi Sposi

[Read] 'Sayce and Promessi Sposi'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Jean Le Rond D'Alembert : Discours pr?liminaire de l'Encyclop?die

'Finished the Discours Preliminaire'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Auguste Comte : [unknown]

'Read Comte and began Hermann and Dorothea'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Johann Wolfgang von Goethe : Hermann and Dorothea

'Read Comte and began Hermann and Dorothea'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Alfred Lord Tennyson : [poems including 'The First Quarrel']

'Read Tennyson's new vol. of poems and particularly like "The first Quarrel".'

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Margaret Oliphant : My faithful Johnny

'Read "My faithful Johnny" in the Cornhill'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Serial / periodical

  

Miguel de Cervantes : Don Quixote

'after dinner began Duffield's translation of Don Quixote and Myers' Wordsworth'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Frederic William Henry Myers : Wordsworth

'after dinner began Duffield's translation of Don Quixote and Myers' Wordsworth'.

Century: 1850-1899     Reader/Listener/Group: George Eliot [pseud]      Print: Book

  

Madame du Deffand : Letters (2 vols)

M. G. Lewis to Lady Charlotte Bury, 9 December 1810: 'I have galloped through two volumes of Madame du Deffand's Letters, and with much amusement, though the anecdotes are in themselves of no great value'.

Century: 1800-1849     Reader/Listener/Group: M. G. Lewis      Print: Book

  

Alexander Pope : Epistle to Dr Arbuthnot

'In a 1735 letter to Lady Hertford, [Elizabeth Singer] Rowe observes that the "Epistle to Dr Arbuthnot" "Seems to be writ with a malice more than human, and has surely something infernal in it. It is surprising, that a man can divest himself of the tender sentiments of nature so far, as deliberately to give anguish and confusion to beings of his own kind".'

Century: 1700-1799     Reader/Listener/Group: Elizabeth Singer Rowe      Print: Unknown

  

John Locke : Treatise on the Reasonableness of Christianity

[Letter from Lord Byron to Annabella Milbanke, Feb 15 1814]. 'In my letter of ye 12th in answer to your last I omitted to say that I have not for several years looked into the tract of Locke's which you mention - but I have redde it formerly, though I fear to little purpose since it is forgotten. - & have always understod that and Butler's Analogy to be the best treatises of the kind... Of the Scriptures themselves I have ever been a reader and admirer as compositions, particularly the Arab-Job - and parts of Isaiah - and the Song of Deborah'.

Century: 1800-1849     Reader/Listener/Group: George Gordon, Lord Byron      Print: Book

  

Joseph Butler : Analogy of Religion

[Letter from Lord Byron to Annabella Milbanke, Feb 15 1814]. 'In my letter of ye 12th in answer to your last I omitted to say that I have not for several years looked into the tract of Locke's which you mention - but I have redde it formerly, though I fear to little purpose since it is forgotten. - & have always understod that and Butler's Analogy to be the best treatises of the kind... Of the Scriptures themselves I have ever been a reader and admirer as compositions, particularly the Arab-Job - and parts of Isaiah - and the Song of Deborah'.

Century: 1800-1849     Reader/Listener/Group: George Gordon, Lord Byron      Print: Book

  

[n/a] : Bible

[Letter from Lord Byron to Annabella Milbanke, Feb 15 1814]. 'In my letter of ye 12th in answer to your last I omitted to say that I have not for several years looked into the tract of Locke's which you mention - but I have redde it formerly, though I fear to little purpose since it is forgotten. - & have always understod that and Butler's Analogy to be the best treatises of the kind... Of the Scriptures themselves I have ever been a reader and admirer as compositions, particularly the Arab-Job - and parts of Isaiah - and the Song of Deborah'.

Century: 1800-1849     Reader/Listener/Group: George Gordon, Lord Byron      Print: Book

  

J.C. de Sismondi : history of the Italian republics;: Being a view of the origin, progress, and fall of Italian freedom, A

[Letter from Byron to Annabella Milbanke, Aug 25th 1814]. 'You can hardly have a better modern work than Sismondi's, but he has since published another on the Literature of Italy, Spain &c., which I would willingly recommend... on my return to London I would gladly forward it... Gibbon is well worth a hundred perusals. Watson's Philip of Spain, and Coxe's Spain and Austria are dry enough; but there is some advantage to be extracted even from them. Vertot's Revolutions (but writes not history but romance). The best thing of that kind I met by accident at Athens in a Convent Library in old and not "very choice Italian". I forget the title - but it was a history in some thirty tomes of all Conjurazioni whatsoever from Catiline's down to Count Fiesco of Lavagna's in Genoa and Braganza's in Lisbon. I read it through (having nothing else to read) & having nothing to compare it withal, thought it perfection'.

Century: 1800-1849     Reader/Listener/Group: George Gordon, Lord Byron      Print: Book

  

Jean Charles de Sismondi : Litt?rature du midi de l'Europe

[Letter from Byron to Annabella Milbanke, Aug 25th 1814]. 'You can hardly have a better modern work than Sismondi's, but he has since published another on the Literature of Italy, Spain &c., which I would willingly recommend... on my return to London I would gladly forward it... Gibbon is well worth a hundred perusals. Watson's Philip of Spain, and Coxe's Spain and Austria are dry enough; but there is some advantage to be extracted even from them. Vertot's Revolutions (but writes not history but romance). The best thing of that kind I met by accident at Athens in a Convent Library in old and not "very choice Italian". I forget the title - but it was a history in some thirty tomes of all Conjurazioni whatsoever from Catiline's down to Count Fiesco of Lavagna's in Genoa and Braganza's in Lisbon. I read it through (having nothing else to read) & having nothing to compare it withal, thought it perfection'.

Century: 1800-1849     Reader/Listener/Group: George Gordon, Lord Byron      Print: Book

  

Edward Gibbon : Decline and Fall of the Roman Empire

[Letter from Byron to Annabella Milbanke, Aug 25th 1814]. 'You can hardly have a better modern work than Sismondi's, but he has since published another on the Literature of Italy, Spain &c., which I would willingly recommend... on my return to London I would gladly forward it... Gibbon is well worth a hundred perusals. Watson's Philip of Spain, and Coxe's Spain and Austria are dry enough; but there is some advantage to be extracted even from them. Vertot's Revolutions (but writes not history but romance). The best thing of that kind I met by accident at Athens in a Convent Library in old and not "very choice Italian". I forget the title - but it was a history in some thirty tomes of all Conjurazioni whatsoever from Catiline's down to Count Fiesco of Lavagna's in Genoa and Braganza's in Lisbon. I read it through (having nothing else to read) & having nothing to compare it withal, thought it perfection'.

Century: 1800-1849     Reader/Listener/Group: George Gordon, Lord Byron      Print: Book

  

Watson : [book on Philip of Spain]

[Letter from Byron to Annabella Milbanke, Aug 25th 1814]. 'You can hardly have a better modern work than Sismondi's, but he has since published another on the Literature of Italy, Spain &c., which I would willingly recommend... on my return to London I would gladly forward it... Gibbon is well worth a hundred perusals. Watson's Philip of Spain, and Coxe's Spain and Austria are dry enough; but there is some advantage to be extracted even from them. Vertot's Revolutions (but writes not history but romance). The best thing of that kind I met by accident at Athens in a Convent Library in old and not "very choice Italian". I forget the title - but it was a history in some thirty tomes of all Conjurazioni whatsoever from Catiline's down to Count Fiesco of Lavagna's in Genoa and Braganza's in Lisbon. I read it through (having nothing else to read) & having nothing to compare it withal, thought it perfection'.

Century: 1800-1849     Reader/Listener/Group: George Gordon, Lord Byron      Print: Book

  

William Coxe : History of the House of Austria

[Letter from Byron to Annabella Milbanke, Aug 25th 1814]. 'You can hardly have a better modern work than Sismondi's, but he has since published another on the Literature of Italy, Spain &c., which I would willingly recommend... on my return to London I would gladly forward it... Gibbon is well worth a hundred perusals. Watson's Philip of Spain, and Coxe's Spain and Austria are dry enough; but there is some advantage to be extracted even from them. Vertot's Revolutions (but writes not history but romance). The best thing of that kind I met by accident at Athens in a Convent Library in old and not "very choice Italian". I forget the title - but it was a history in some thirty tomes of all Conjurazioni whatsoever from Catiline's down to Count Fiesco of Lavagna's in Genoa and Braganza's in Lisbon. I read it through (having nothing else to read) & having nothing to compare it withal, thought it perfection'.

Century: 1800-1849     Reader/Listener/Group: George Gordon, Lord Byron      Print: Book

  

William Coxe : Memoirs of the Bourbon Kings of Spain

[Letter from Byron to Annabella Milbanke, Aug 25th 1814]. 'You can hardly have a better modern work than Sismondi's, but he has since published another on the Literature of Italy, Spain &c., which I would willingly recommend... on my return to London I would gladly forward it... Gibbon is well worth a hundred perusals. Watson's Philip of Spain, and Coxe's Spain and Austria are dry enough; but there is some advantage to be extracted even from them. Vertot's Revolutions (but writes not history but romance). The best thing of that kind I met by accident at Athens in a Convent Library in old and not "very choice Italian". I forget the title - but it was a history in some thirty tomes of all Conjurazioni whatsoever from Catiline's down to Count Fiesco of Lavagna's in Genoa and Braganza's in Lisbon. I read it through (having nothing else to read) & having nothing to compare it withal, thought it perfection'.

Century: 1800-1849     Reader/Listener/Group: George Gordon, Lord Byron      Print: Book

  

Rene Aubert de Vertot : [book(s) on Revolutions]

[Letter from Byron to Annabella Milbanke, Aug 25th 1814]. 'You can hardly have a better modern work than Sismondi's, but he has since published another on the Literature of Italy, Spain &c., which I would willingly recommend... on my return to London I would gladly forward it... Gibbon is well worth a hundred perusals. Watson's Philip of Spain, and Coxe's Spain and Austria are dry enough; but there is some advantage to be extracted even from them. Vertot's Revolutions (but writes not history but romance). The best thing of that kind I met by accident at Athens in a Convent Library in old and not "very choice Italian". I forget the title - but it was a history in some thirty tomes of all Conjurazioni whatsoever from Catiline's down to Count Fiesco of Lavagna's in Genoa and Braganza's in Lisbon. I read it through (having nothing else to read) & having nothing to compare it withal, thought it perfection'.

Century: 1800-1849     Reader/Listener/Group: George Gordon, Lord Byron      Print: Book

  

[unknown] : [30 vol. History of 'Conjurazioni]

[Letter from Byron to Annabella Milbanke, Aug 25th 1814]. 'You can hardly have a better modern work than Sismondi's, but he has since published another on the Literature of Italy, Spain &c., which I would willingly recommend... on my return to London I would gladly forward it... Gibbon is well worth a hundred perusals. Watson's Philip of Spain, and Coxe's Spain and Austria are dry enough; but there is some advantage to be extracted even from them. Vertot's Revolutions (but writes not history but romance). The best thing of that kind I met by accident at Athens in a Convent Library in old and not "very choice Italian". I forget the title - but it was a history in some thirty tomes of all Conjurazioni whatsoever from Catiline's down to Count Fiesco of Lavagna's in Genoa and Braganza's in Lisbon. I read it through (having nothing else to read) & having nothing to compare it withal, thought it perfection'.

Century: 1800-1849     Reader/Listener/Group: George Gordon, Lord Byron      Print: Book

  

Robert Southey : Roderick

[Letter from Byron to Anabella Milbanke, 28 Nov 1814]. 'I think Southey's "Roderick" as near perfection as poetry can be - which considering how I dislike that school I wonder at. However, so it is. If he had never written anything else, he might safely stake his fame on the last of the Goths'.

Century: 1800-1849     Reader/Listener/Group: George Gordon, Lord Byron      Print: Book

  

Walter Scott : Lord of the Isles

'they read books together and discussed them; Scott's "Lord of the Isles" was sent to Byron by Murray. It they did not only discuss, for he pointed out to her, "with a miserable smile", the description of the wayward bridegroom'.

Century: 1800-1849     Reader/Listener/Group: George Gordon, Lord Byron      Print: Book

  

unknown Darwin : [article on 'Diseased Volition']

'He was reading an article by Darwin on Diseased Volition'

Century: 1800-1849     Reader/Listener/Group: George Gordon, Lord Byron      Print: Unknown

  

John Henry, Cardinal Newman : [theological works]

'Brooks loved literature, and during their long walks together he introduced Willie to the most important contemporary English writers: the theological works of Cardinal Newman, the witty novels of George Meredith, the "Imaginary Portraits" of Pater, the rapturous poetry of Swinburne and Fitzgerald's sensual translation of "The Rubaiyat of Omar Khayyam".'

Century: 1850-1899     Reader/Listener/Group: John Ellingham Brooks      Print: Book

  

George Meredith : [unknown]

'Brooks loved literature, and during their long walks together he introduced Willie to the most important contemporary English writers: the theological works of Cardinal Newman, the witty novels of George Meredith, the "Imaginary Portraits" of Pater, the rapturous poetry of Swinburne and Fitzgerald's sensual translation of "The Rubaiyat of Omar Khayyam".'

Century: 1850-1899     Reader/Listener/Group: John Ellingham Brooks      Print: Book

  

Walter Pater : Imaginary Portraits

'Brooks loved literature, and during their long walks together he introduced Willie to the most important contemporary English writers: the theological works of Cardinal Newman, the witty novels of George Meredith, the "Imaginary Portraits" of Pater, the rapturous poetry of Swinburne and Fitzgerald's sensual translation of "The Rubaiyat of Omar Khayyam".'

Century: 1850-1899     Reader/Listener/Group: John Ellingham Brooks      Print: Book

  

Algernon Charles Swinburne : [unknown]

'Brooks loved literature, and during their long walks together he introduced Willie to the most important contemporary English writers: the theological works of Cardinal Newman, the witty novels of George Meredith, the "Imaginary Portraits" of Pater, the rapturous poetry of Swinburne and Fitzgerald's sensual translation of "The Rubaiyat of Omar Khayyam".'

Century: 1850-1899     Reader/Listener/Group: John Ellingham Brooks      Print: Book

  

Edward Fitzgerald (trans.) : Rubaiyat of Omar Khayyam, The

'Brooks loved literature, and during their long walks together he introduced Willie to the most important contemporary English writers: the theological works of Cardinal Newman, the witty novels of George Meredith, the "Imaginary Portraits" of Pater, the rapturous poetry of Swinburne and Fitzgerald's sensual translation of "The Rubaiyat of Omar Khayyam".'

Century: 1850-1899     Reader/Listener/Group: John Ellingham Brooks      Print: Book

  

Geoffrey Chaucer : Works

Extracted by G. C. Moore Smith from J. O. Halliwell-Phillipps, "Memoranda on the Tragedy of Hamlet"(1879): 'There was once in existence a copy of Speght's edition of Chaucer, 1598, with manuscript notes by Gabriel Harvey, one of those notes being in the following terms: -- "The younger sort take much delight in Shakespear's Venus and Adonis, but his Lucrece and his tragedy of Hamlet Prince of Denmark have it in them to please the wiser sort."'

Century: 1500-1599 / 1600-1699     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

 : Roman texts

'In ["Ciceronianus" (published 1577; delivered c.1575)] [...] Harvey says he has been for nearly twenty weeks in his Tusculan villa, i.e. at his father's house in Saffron Walden, assiduously studying not only the greatest of the old Roman writers, but renaissance writers such as Sturm, Manutius, Osorius, Sigonius and Buchanan. He had given more time to Cicero than to all the rest put together, yet sometimes he had dropped Cicero on Friendship to take up Osorius on Glory'.

Century: 1500-1599     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Sturm : unknown

'In ["Ciceronianus" (published 1577; delivered c.1575)] [...] Harvey says he has been for nearly twenty weeks in his Tusculan villa, i.e. at his father's house in Saffron Walden, assiduously studying not only the greatest of the old Roman writers, but renaissance writers such as Sturm, Manutius, Osorius, Sigonius and Buchanan. He had given more time to Cicero than to all the rest put together, yet sometimes he had dropped Cicero on Friendship to take up Osorius on Glory'.

Century: 1500-1599     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Manutius  : unknown

'In ["Ciceronianus" (published 1577; delivered c.1575)] [...] Harvey says he has been for nearly twenty weeks in his Tusculan villa, i.e. at his father's house in Saffron Walden, assiduously studying not only the greatest of the old Roman writers, but renaissance writers such as Sturm, Manutius, Osorius, Sigonius and Buchanan. He had given more time to Cicero than to all the rest put together, yet sometimes he had dropped Cicero on Friendship to take up Osorius on Glory'.

Century: 1500-1599     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Osorius  : unknown

'In ["Ciceronianus" (published 1577; delivered c.1575)] [...] Harvey says he has been for nearly twenty weeks in his Tusculan villa, i.e. at his father's house in Saffron Walden, assiduously studying not only the greatest of the old Roman writers, but renaissance writers such as Sturm, Manutius, Osorius, Sigonius and Buchanan. He had given more time to Cicero than to all the rest put together, yet sometimes he had dropped Cicero on Friendship to take up Osorius on Glory'.

Century: 1500-1599     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Sigonius  : unknown

'In ["Ciceronianus" (published 1577; delivered c.1575)] [...] Harvey says he has been for nearly twenty weeks in his Tusculan villa, i.e. at his father's house in Saffron Walden, assiduously studying not only the greatest of the old Roman writers, but renaissance writers such as Sturm, Manutius, Osorius, Sigonius and Buchanan. He had given more time to Cicero than to all the rest put together, yet sometimes he had dropped Cicero on Friendship to take up Osorius on Glory'.

Century: 1500-1599     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Buchanan : unknown

'In ["Ciceronianus" (published 1577; delivered c.1575)] [...] Harvey says he has been for nearly twenty weeks in his Tusculan villa, i.e. at his father's house in Saffron Walden, assiduously studying not only the greatest of the old Roman writers, but renaissance writers such as Sturm, Manutius, Osorius, Sigonius and Buchanan. He had given more time to Cicero than to all the rest put together, yet sometimes he had dropped Cicero on Friendship to take up Osorius on Glory'.

Century: 1500-1599     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Cicero  : Works including On Friendship

'In ["Ciceronianus" (published 1577; delivered c.1575)] [...] Harvey says he has been for nearly twenty weeks in his Tusculan villa, i.e. at his father's house in Saffron Walden, assiduously studying not only the greatest of the old Roman writers, but renaissance writers such as Sturm, Manutius, Osorius, Sigonius and Buchanan. He had given more time to Cicero than to all the rest put together, yet sometimes he had dropped Cicero on Friendship to take up Osorius on Glory'.

Century: 1500-1599     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Osorius  : Works including On Glory

'In ["Ciceronianus" (published 1577; delivered c.1575)] [...] Harvey says he has been for nearly twenty weeks in his Tusculan villa, i.e. at his father's house in Saffron Walden, assiduously studying not only the greatest of the old Roman writers, but renaissance writers such as Sturm, Manutius, Osorius, Sigonius and Buchanan. He had given more time to Cicero than to all the rest put together, yet sometimes he had dropped Cicero on Friendship to take up Osorius on Glory'.

Century: 1500-1599     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Sambucus  : Ciceronianus

'There had been a time when [...] [Gabriel Harvey] had been a pure Ciceronian [...] He had then come across the "Ciceronianus" of Sambucus -- that had led him to the "Ciceronianus" of Ramus [...] He now read Caesar, Varro, Sallust, Livy, Pliny and Columella, and found merits in all.'

Century: 1500-1599     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Ramus  : Ciceronianus

'There had been a time when [...] [Gabriel Harvey] had been a pure Ciceronian [...] He had then come across the "Ciceronianus" of Sambucus -- that had led him to the "Ciceronianus"of Ramus [...] He now read Caesar, Varro, Sallust, Livy, Pliny and Columella, and found merits in all.'

Century: 1500-1599     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Caesar  : unknown

'There had been a time when [...] [Gabriel Harvey] had been a pure Ciceronian [...] He had then come across the "Ciceronianus" of Sambucus -- that had led him to the "Ciceronianus"of Ramus [...] He now read Caesar, Varro, Sallust, Livy, Pliny and Columella, and found merits in all.'

Century: 1500-1599     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Varro  : unknown

'There had been a time when [...] [Gabriel Harvey] had been a pure Ciceronian [...] He had then come across the "Ciceronianus" of Sambucus -- that had led him to the "Ciceronianus"of Ramus [...] He now read Caesar, Varro, Sallust, Livy, Pliny and Columella, and found merits in all.'

Century: 1500-1599     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Sallust  : unknown

'There had been a time when [...] [Gabriel Harvey] had been a pure Ciceronian [...] He had then come across the "Ciceronianus" of Sambucus -- that had led him to the "Ciceronianus"of Ramus [...] He now read Caesar, Varro, Sallust, Livy, Pliny and Columella, and found merits in all.'

Century: 1500-1599     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Livy  : unknown

'There had been a time when [...] [Gabriel Harvey] had been a pure Ciceronian [...] He had then come across the "Ciceronianus" of Sambucus -- that had led him to the "Ciceronianus"of Ramus [...] He now read Caesar, Varro, Sallust, Livy, Pliny and Columella, and found merits in all.'

Century: 1500-1599     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Pliny  : unknown

'There had been a time when [...] [Gabriel Harvey] had been a pure Ciceronian [...] He had then come across the "Ciceronianus" of Sambucus -- that had led him to the "Ciceronianus"of Ramus [...] He now read Caesar, Varro, Sallust, Livy, Pliny and Columella, and found merits in all.'

Century: 1500-1599     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Columella  : unknown

'There had been a time when [...] [Gabriel Harvey] had been a pure Ciceronian [...] He had then come across the "Ciceronianus" of Sambucus -- that had led him to the "Ciceronianus"of Ramus [...] He now read Caesar, Varro, Sallust, Livy, Pliny and Columella, and found merits in all.'

Century: 1500-1599     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Desiderius Erasmus : Parabolae

'[Gabriel] Harvey no doubt has the incident [of Philip, Lord Surrey's 'attempts [...] on the virtue' of Harvey's sister Mercy, c. Christmas 1574] in mind when in his copy of Erasmus' "Parabolae" to the words "stultus magnifica fortuna iniucunda", he adds the notes, "you knowe, who vsed to write: 'Vnhappy Philip'."'

Century: 1500-1599     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

anon : Howleglas

'Two days after being elected to his fellowship at Trinity Hall, Harvey [...] received from [Spenser] the copy of "Howleglas" now in the Bodleian, in which he wrote the following note, now partly obliterated: '"This Howletglasse, with Skoggin, Skelton, and L[a]zarillo, giuen me at London, of Mr. Spensar xx Decembris [15]78 on condition [that I] shoold bestowe ye reading of them oue[r] before ye first of January [imme]diatly ensuing: otherwise to forfeit unto him my Lucian jn fower uolumes. Whereupon I was ye rather jnduced to trifle away so many howers, as were jdely ouerpassed in running thorowgh ye [foresai]d foolish bookes: wherein methoug[ht] not all fower togither seemed comparable for s[utt]le and crafty feates with Jon Miller, whose witty shiftes, & practises ar reported amongst Skeltons Tales.'

Century: 1500-1599     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Skoggin : unknown

'Two days after being elected to his fellowship at Trinity Hall, Harvey [...] received from [Spenser] the copy of "Howleglas" now in the Bodleian, in which he wrote the following note, now partly obliterated: '"This Howletglasse, with Skoggin, Skelton, and L[a]zarillo, giuen me at London, of Mr. Spensar xx Decembris [15]78 on condition [that I] shoold bestowe ye reading of them oue[r] before ye first of January [imme]diatly ensuing: otherwise to forfeit unto him my Lucian jn fower uolumes. Whereupon I was ye rather jnduced to trifle away so many howers, as were jdely ouerpassed in running thorowgh ye [foresai]d foolish bookes: wherein methoug[ht] not all fower togither seemed comparable for s[utt]le and crafty feates with Jon Miller, whose witty shiftes, & practises ar reported amongst Skeltons Tales.'

Century: 1500-1599     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

John Skelton : unknown

'Two days after being elected to his fellowship at Trinity Hall, Harvey [...] received from [Spenser] the copy of "Howleglas" now in the Bodleian, in which he wrote the following note, now partly obliterated: '"This Howletglasse, with Skoggin, Skelton, and L[a]zarillo, giuen me at London, of Mr. Spensar xx Decembris [15]78 on condition [that I] shoold bestowe ye reading of them oue[r] before ye first of January [imme]diatly ensuing: otherwise to forfeit unto him my Lucian jn fower uolumes. Whereupon I was ye rather jnduced to trifle away so many howers, as were jdely ouerpassed in running thorowgh ye [foresai]d foolish bookes: wherein methoug[ht] not all fower togither seemed comparable for s[utt]le and crafty feates with Jon Miller, whose witty shiftes, & practises ar reported amongst Skeltons Tales.'

Century: 1500-1599     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Lazarillo : unknown

'Two days after being elected to his fellowship at Trinity Hall, Harvey [...] received from [Spenser] the copy of "Howleglas" now in the Bodleian, in which he wrote the following note, now partly obliterated: '"This Howletglasse, with Skoggin, Skelton, and L[a]zarillo, giuen me at London, of Mr. Spensar xx Decembris [15]78 on condition [that I] shoold bestowe ye reading of them oue[r] before ye first of January [imme]diatly ensuing: otherwise to forfeit unto him my Lucian jn fower uolumes. Whereupon I was ye rather jnduced to trifle away so many howers, as were jdely ouerpassed in running thorowgh ye [foresai]d foolish bookes: wherein methoug[ht] not all fower togither seemed comparable for s[utt]le and crafty feates with Jon Miller, whose witty shiftes, & practises ar reported amongst Skeltons Tales.'

Century: 1500-1599     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

 : Cyvile and uncyvile Lyfe

Gabriel Harvey's Commonplace Book (Add.Ms., 32, 494 British Museum) contains transcribed quotations from "Cyvile and uncyvile Lyfe" (1579).

Century: 1500-1599 / 1600-1699     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Cicero : Topica

In a 1573 letter, Gabriel Harvey 'alludes to his study of Cicero's [italics]Topica[end italics], of the German philologist Hegendorff's writings on law logic, and of the first book of the [italics]Institutes[end italics].'

Century: 1500-1599     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Hegendorff : Writings on law

In a 1573 letter, Gabriel Harvey 'alludes to his study of Cicero's "Topica", of the German philologist Hegendorff's writings on law logic, and of the first book of the "Institutes".'

Century: 1500-1599     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

unknown : Institutes

In a 1573 letter, Gabriel Harvey 'alludes to his study of Cicero's [italics]Topica[end italics], of the German philologist Hegendorff's writings on law logic, and of the first book of the [italics]Institutes[end italics].'

Century: 1500-1599     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

S. Stefano Guazzo : Civil Conversation

'[Gabriel Harvey] bought and studied Guazzo's [italics]Civil Conversation[end italics] in the early 1580s.'

Century: 1500-1599     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Baldassare Castiglione : The Book of the Courtier

'[Gabriel Harvey's] marginalia show that he studied Castiglione [...] with considerable care [...] In 1572 he acquired [Thomas] Hoby's translation of Castiglione's [italics]Courtier[end italics] and annotated it copiously.'

Century: 1500-1599     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Aristotle  : Organon

'In 1568 [Gabriel] Harvey purchased a copy of Aristotle's "Organon"; in 1572 he was given a copy of Aristotle's "Rhetoric". Both Greek texts were copiously annotated and thus indicate that they were carefully studied.'

Century: 1500-1599     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Aristotle  : Rhetoric

'In 1568 [Gabriel] Harvey purchased a copy of Aristotle's "Organon"; in 1572 he was given a copy of Aristotle's "Rhetoric". Both Greek texts were copiously annotated and thus indicate that they were carefully studied.'

Century: 1500-1599 / 1600-1699     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Audomarus Talaeus : Academia

'About 1570 [Gabriel] Harvey purchased and read the [italics]Academia[end italics] of Audomarus Talaeus, a close associate and disciple of [Peter] Ramus in his programme of teaching reform.'

Century: 1500-1599 / 1600-1699     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Desiderius Erasmus : Parabolae

'[Erasmus's "Parabolae"] was acquired by [Gabriel] Harvey in 1566, read by him at some time thereafter, and was re-read in September of 1577.'

Century: 1500-1599     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Desiderius Erasmus : Parabolae

'[Erasmus's "Parabolae"] was acquired by [Gabriel] Harvey in 1566, read by him at some time thereafter, and was re-read in September of 1577.'

Century: 1500-1599     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

unknown : Italian grammars

'From [...] [1578] [Gabriel] Harvey bought and studied a number of Italian grammars and texts, also some in French and some in Spanish.'

Century: 1500-1599 / 1600-1699     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

unknown : Spanish grammars

'From [...] [1578] [Gabriel] Harvey bought and studied a number of Italian grammars and texts, also some in French and some in Spanish.'

Century: 1500-1599 / 1600-1699     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

unknown : French grammars

'From [...] [1578] [Gabriel] Harvey bought and studied a number of Italian grammars and texts, also some in French and some in Spanish.'

Century: 1500-1599 / 1600-1699     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Lord Henry Howard, Earl of Northampton : A Defensative against the poyson of supposed prophesies

'Throughout [Gabriel] Harvey's copy of [Lord Henry Howard's "A Defensative against the poyson of supposed prophesies"] are underlinings and comments [on the necessity of patience, Howard's work having contained attacks on Harvey's astrologer brother]'.

Century: 1500-1599 / 1600-1699     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Jacob Hugkel : Semeiotice

'In 1584 [Gabriel Harvey] had acquired [...] Hugkel's "Semeiotice", 1560, a medical text which bases its diagnoses on Galenic theory and the four humours [...] The inscription on the title-page [...] suggests Harvey's dissatisfaction with his progress in medicine. He writes in Latin that the volume has not yet been (adequately) read, for its contents are not yet at his fingertips.'

Century: 1500-1599 / 1600-1699     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

anon : Broadsheet listing merchandise (including pharmaceuticals) of John Hester

'One of [Gabriel] Harvey's leisure time interests in London at this time [1580s] is suggested by an interesting broadsheet with his signature dated "1588", some manuscript underlinings of various items, and brief comments. The broadsheet lists the pharmaceuticals and chemicals which can be obtained at the shop of John Hester, "practitioner in the art of Distillation"'.

Century: 1500-1599     Reader/Listener/Group: Gabriel Harvey      Print: Advertisement, Broadsheet

  

Desiderius Erasmus : Works

'[Gabriel] Harvey's favourite books were read and annotated a number of times [...] at the conclusion of [his Erasmus] is a large inscription which reads: "Relegi mense Septembri. 1577: Gabriel Harveius".'

Century: 1500-1599     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Livy  : Works

'[Gabriel] Harvey's Livy folio has marginalia from persusals in 1568, 1580, and 1590.'

Century: 1500-1599     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Livy  : Works

'[Gabriel] Harvey's Livy folio has marginalia from persusals in 1568, 1580, and 1590.'

Century: 1500-1599     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Livy  : Works

'[Gabriel] Harvey's Livy folio has marginalia from persusals in 1568, 1580, and 1590.'

Century: 1500-1599     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Frontinus  : The stratagemes

'In [Gabriel] Harvey's copy of Frontinus, there is evidence of an initial reading in 1578 with marginalia from this period as well as from 1580 and 1588.'

Century: 1500-1599     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Frontinus  : The stratagemes

'In [Gabriel] Harvey's copy of Frontinus, there is evidence of an initial reading in 1578 with marginalia from this period as well as from 1580 and 1588.'

Century: 1500-1599     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Frontinus  : The stratagemes

'In [Gabriel] Harvey's copy of Frontinus, there is evidence of an initial reading in 1578 with marginalia from this period as well as from 1580 and 1588.'

Century: 1500-1599     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Thomas Wilson : The arte of Rhetorike, for the use of all such as are studious of Eloquence

'In the preface to Thomas Wilson's "The arte of Rhetorike, for the use of all such as are studious of Eloquence" (1567), the text recounts God's granting the gift of eloquence [to men] [...] Next to this passage Harvey inscribes his symbol for eloquence, the planetary sign of Mercury.'

Century: 1500-1599 / 1600-1699     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Thomas Blundevill : The foure chiefest Offices belonging to Horsemanship

'[In Gabriel Harvey's methods of annotation] Succinct captions of one or two words placed in the margin often summarize a fairly lengthy textual discussion, e.g., in Thomas Blundevill's "The foure chiefest Offices belonging to Horsemanship" (1580) [...] On fol.5r Harvey inscribes at the top "How the Rider ought to sitt in his Saddle" [...] and on fol.51v he summarizes with the inscription, "[italics]The parts of the bit[end italics]: as they ar termed by their [italics]proper names[end italics]. Italics indicate Harvey's underlinings.'

Century: 1500-1599 / 1600-1699     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

A. P. Gasser : Historiarum, et Chronicorum Totius Mundi Epitome

'In A. P. Gasser's "Historiarum, et Chronicorum Totius Mundi Epitome" (1538) purchased by [Gabriel] Harvey in 1576, are brief manuscript characterizations [by Harvey] of some of the historical figures mentioned.'

Century: 1500-1599 / 1600-1699     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

George North : Description of Swedland, Gotland, and Finland

'In George North's "Description of Swedland, Gotland, and Finland" (1561), on sig.G2r next to a textual discussion of the "Swecian Language" and a copy of "The Lordes Prayer" in Swedish, Harvey adds: "The same radical of owre Inglish, & Scottish, notwithstanding sundrie dialects, or idioms, even amongst owrselves".'

Century: 1500-1599 / 1600-1699     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Lodovico Domenichi : Facetie, motti, et burle

'Lodovico Domenichi's "Facetie, motti, et burle" (1571) [an Italian collection of short miscellaneous observations and anecdotes] [...] stimulated Harvey to jot down [in its wide margins] a variety of musings and random philosophical reflections.'

Century: 1500-1599 / 1600-1699     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

John Hart : An Orthographie

'An annotated copy of John Hart's "Orthographie" which undoubtedly belonged to [Gabriel] Harvey [...] is replete with his comments on spellings and punctuations [...] On sig. Diiir where the text states "a writing is corrupted when any worde or sillable hath more letters, than are used of voyces in the pronunciation" Harvey cites as examples: "Comptroller, Bloudde, Adde, Speake".'

Century: 1500-1599 / 1600-1699     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Battista Guarini : Il Pastor Fido

'In Battista Guarini's "Il Pastor Fido" (1591) [Gabriel] Harvey sometimes places a tiny letter symbol above a textual passage and an explanatory note or translation in the margin text to a notation of the same tiny letter.'

Century: 1500-1599 / 1600-1699     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Sacchi de Platina : Hystoria de Vitis pontificum

'At the end of Sacchi de Platina's "Hystoria de Vitis pontificum" (c.1505) [Gabriel] Harvey adds his index of Popes and page references.'

Century: 1500-1599 / 1600-1699     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

G. Breule : Praxis Medicinae Theorica

'In [Gabriel Harvey's copy of] G. Breule's "Praxis Medicinae Theorica" (1585) on the front flyleaf is a manuscript index of various medical problems, together with page references.'

Century: 1500-1599 / 1600-1699     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Joannis Foorth : Synopsis Politica

Virginia F. Stern notes annotations made by Gabriel Harvey in his copy of Joannis Foorth, "Synopsis Politica"(1582).

Century: 1500-1599 / 1600-1699     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

John Florio : Florio his first fruites: a perfect induction to the Italian and English tongues

'The date "1580" is inscribed by [Gabriel] Harvey on sig.Ss3v of the Florio volume ["First Fruites" (1578)] at the "Finis" of the major portion of the text.'

Century: 1500-1599     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Niccolo Machiavelli : Discorsi ("First Decade")

'Despite [Gabriel] Harvey's dissatisfaction with his progress in Italian, in 1580 he managed to read the "First Decade" of Machiavelli's "Discorsi"'.

Century: 1500-1599     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Francois Rabelais : unknown

'Although he read Rabelais and several other French authors in the original, it is unlikely that [Gabriel] Harvey's mastery of this language approached that of Italian'.

Century: 1500-1599 / 1600-1699     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Antonio de Corro : Spanish Grammer

'In the early 1590s [Gabriel Harvey] studied Spanish with the aid of Antonio de Corro's "Spanish Grammer" (1590) and Richard Perceval's "Bibliotheca Hispanica"(1591), an English, Spanish, Latin dictionary printed as an adjunct to Corro's grammar.'

Century: 1500-1599     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Richard Perceval : Bibliotheca Hispanica

'In the early 1590s [Gabriel Harvey] studied Spanish with the aid of Antonio de Corro's "Spanish Grammer" (1590) and Richard Perceval's "Bibliotheca Hispanica"(1591), an English, Spanish, Latin dictionary printed as an adjunct to Corro's grammar.'

Century: 1500-1599     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

John Astley : The Art of Riding

'On sig. AIv of [John] Blundevill, ["The fower chiefest offices belonging to Horsemanship"], [Gabriel] Harvey inscribes: "I use Mr Astley [John Astley's "The Art of Riding"(1584)], for the compendious, & fine Art: and Mr Blundevill for the larger & fuller Discourses upon the Art"'.

Century: 1500-1599     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Niccolo Machiavelli : The Arte of Warre

'[One] branch of [Gabriel] Harvey's marginalia [...] has to do with his study of the techniques of warfare. Extensive notes in this area are found in his copies of [...] Machiavelli (Peter Whitehorne's 1573 translation of the "Arte of Warre"), and Whitehorne's "Certaine wayes for the ordering of Soldiours" (1574).'

Century: 1500-1599     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Peter Whitehorne : Certain wayes for the ordering of Soldiours

'[One] branch of [Gabriel] Harvey's marginalia [...] has to do with his study of the techniques of warfare. Extensive notes in this area are found in his copies of [...] Machiavelli (Peter Whitehorne's 1573 translation of the "Arte of Warre"), and Whitehorne's "Certaine wayes for the ordering of Soldiours" (1574).'

Century: 1500-1599     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Vegetius  : unknown

Gabriel Harvey's favourite authors on warfare, listed in his copy of Machiavelli, "The Arte of Warre", after 1595: 'Mie principal Autors for Warr, after much reading, & long consideration: [...] For the Art, Vegetius, Machiavel & Sutcliff: for Stratagems, Gandino, & Ranzovius: for Fortification, Pyrotechnie, & engins, Tetti, & Digges [Stratioticos]: for the old Roman most worthie Discipline & Action, Caesar: for the new Spanish, & Inglish excellent Discipline & Action, Sir Ro[ger]: Williams.'

Century: 1500-1599 / 1600-1699     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Sutcliff : unknown

Gabriel Harvey's favourite authors on warfare, listed in his copy of Machiavelli, "The Arte of Warre", after 1595: 'Mie principal Autors for Warr, after much reading, & long consideration: [...] For the Art, Vegetius, Machiavel & Sutcliff: for Stratagems, Gandino, & Ranzovius: for Fortification, Pyrotechnie, & engins, Tetti, & Digges [Stratioticos]: for the old Roman most worthie Discipline & Action, Caesar: for the new Spanish, & Inglish excellent Discipline & Action, Sir Ro[ger]: Williams.'

Century: 1500-1599 / 1600-1699     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Heinrich Rantzau : Commentarius Bellicus ... praecepta, consilia et stratagemata

Gabriel Harvey's favourite authors on warfare, listed in his copy of Machiavelli, "The Arte of Warre", after 1595: 'Mie principal Autors for Warr, after much reading, & long consideration: [...] For the Art, Vegetius, Machiavel & Sutcliff: for Stratagems, Gandino, & Ranzovius: for Fortification, Pyrotechnie, & engins, Tetti, & Digges [Stratioticos]: for the old Roman most worthie Discipline & Action, Caesar: for the new Spanish, & Inglish excellent Discipline & Action, Sir Ro[ger]: Williams.'

Century: 1500-1599 / 1600-1699     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Marco Antonio Gandino : unknown

Gabriel Harvey's favourite authors on warfare, listed in his copy of Machiavelli, "The Arte of Warre", after 1595: 'Mie principal Autors for Warr, after much reading, & long consideration: [...] For the Art, Vegetius, Machiavel & Sutcliff: for Stratagems, Gandino, & Ranzovius: for Fortification, Pyrotechnie, & engins, Tetti, & Digges [Stratioticos]: for the old Roman most worthie Discipline & Action, Caesar: for the new Spanish, & Inglish excellent Discipline & Action, Sir Ro[ger]: Williams.'

Century: 1500-1599 / 1600-1699     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Carlo Theti : unknown

Gabriel Harvey's favourite authors on warfare, listed in his copy of Machiavelli, "The Arte of Warre", after 1595: 'Mie principal Autors for Warr, after much reading, & long consideration: [...] For the Art, Vegetius, Machiavel & Sutcliff: for Stratagems, Gandino, & Ranzovius: for Fortification, Pyrotechnie, & engins, Tetti, & Digges [Stratioticos]: for the old Roman most worthie Discipline & Action, Caesar: for the new Spanish, & Inglish excellent Discipline & Action, Sir Ro[ger]: Williams.'

Century: 1500-1599 / 1600-1699     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Digges Stratioticos : unknown

Gabriel Harvey's favourite authors on warfare, listed in his copy of Machiavelli, "The Arte of Warre", after 1595: 'Mie principal Autors for Warr, after much reading, & long consideration: [...] For the Art, Vegetius, Machiavel & Sutcliff: for Stratagems, Gandino, & Ranzovius: for Fortification, Pyrotechnie, & engins, Tetti, & Digges [Stratioticos]: for the old Roman most worthie Discipline & Action, Caesar: for the new Spanish, & Inglish excellent Discipline & Action, Sir Ro[ger]: Williams.'

Century: 1500-1599 / 1600-1699     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Sir Roger Williams : unknown

Gabriel Harvey's favourite authors on warfare, listed in his copy of Machiavelli, "The Arte of Warre", after 1595: 'Mie principal Autors for Warr, after much reading, & long consideration: [...] For the Art, Vegetius, Machiavel & Sutcliff: for Stratagems, Gandino, & Ranzovius: for Fortification, Pyrotechnie, & engins, Tetti, & Digges [Stratioticos]: for the old Roman most worthie Discipline & Action, Caesar: for the new Spanish, & Inglish excellent Discipline & Action, Sir Ro[ger]: Williams.'

Century: 1500-1599 / 1600-1699     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Joannis de Sacrobosco : Textus de Sphaera

'Early examples of [Gabriel Harvey's] marginalia in [the fields of cosmology and astronomy] are found in the large 1527 folio containing Sacrobosco's "Textus de Sphaera", Bonetus's "Annuli ... super astrologiam" [...] and Euclid's first book of geometry translated into Latin by Boethius. On the title-page is Harvey's signature and the date "1580", which seems to have been the period for many of his annotations in this volume.'

Century: 1500-1599     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Bonetus de Lates : Annuli ... super astrologiam

'Early examples of [Gabriel Harvey's] marginalia in [the fields of cosmology and astronomy] are found in the large 1527 folio containing Sacrobosco's "Textus de Sphaera", Bonetus's "Annuli ... super astrologiam" [...] and Euclid's first book of geometry translated into Latin by Boethius. On the title-page is Harvey's signature and the date "1580", which seems to have been the period for many of his annotations in this volume.'

Century: 1500-1599     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Euclid  : First book of geometry

'Early examples of [Gabriel Harvey's] marginalia in [the fields of cosmology and astronomy] are found in the large 1527 folio containing Sacrobosco's "Textus de Sphaera", Bonetus's "Annuli ... super astrologiam" [...] and Euclid's first book of geometry translated into Latin by Boethius. On the title-page is Harvey's signature and the date "1580", which seems to have been the period for many of his annotations in this volume.'

Century: 1500-1599     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

John Blagrave : The Mathematical Jewel, Shewing the making, and most excellent use of a singuler Instrument so called ... The use of which Jewel ... leadeth ... through the whole Artes of Astronomy, Cosmography, Geography, Topography, Navigation, Longitudes ...

'Next to [John] Balgrave's modest prefatory poem [in "The Mathematical Jewel" (1585)] "The Authour in his own defence", [Gabriel] Harvey comments: "An Youth, & no University-man. The more shame for sum Doctors of Universities, that may learn of him".'

Century: 1500-1599     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Luca Gaurico : Tractatus Astrologicus

'Luca Gaurico's "Tractatus Astrologicus" is a work giving horoscopes and brief descriptions of noted persons and of city-states and towns, each being illustrated by an astrological diagram. [Gabriel] Harvey read and annotated this volume in 1580'.

Century: 1500-1599     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Eunapius  : unknown

'The marginalia [dating from late 1570s-c.1608] on fol.3v [of Lodovico Domenichi, "Facetie, motti et burle, di diversi signori et persone private" (1571)] record Eutrapelus's [i.e Gabriel Harvey's] reading: '"What kinds of unique authors does Eutrapelus read daily? Eunapius, with Tacitus, Philostratus with Julian, Zwinger's "Theatre" with Gandino, Bartas with Rabelais, Theocritus's "Idyll I" with the epitaphs of Bion and Adonis. Three heroic shields (Homer, Hesiod, Virgil) with the "seventh day" of Bartas, Solomon's "Song of Songs" with the Behemoth of Job and the Leviathan"' (translated from Latin).

Century: 1500-1599 / 1600-1699     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Tacitus  : unknown

'The marginalia [dating from late 1570s-c.1608] on fol.3v [of Lodovico Domenichi, "Facetie, motti et burle, di diversi signori et persone private" (1571)] record Eutrapelus's [i.e Gabriel Harvey's] reading: '"What kinds of unique authors does Eutrapelus read daily? Eunapius, with Tacitus, Philostratus with Julian, Zwinger's "Theatre" with Gandino, Bartas with Rabelais, Theocritus's "Idyll I" with the epitaphs of Bion and Adonis. Three heroic shields (Homer, Hesiod, Virgil) with the "seventh day" of Bartas, Solomon's "Song of Songs" with the Behemoth of Job and the Leviathan"' (translated from Latin).

Century: 1500-1599 / 1600-1699     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Philostratus  : unknown

'The marginalia [dating from late 1570s-c.1608] on fol.3v [of Lodovico Domenichi, "Facetie, motti et burle, di diversi signori et persone private" (1571)] record Eutrapelus's [i.e Gabriel Harvey's] reading: '"What kinds of unique authors does Eutrapelus read daily? Eunapius, with Tacitus, Philostratus with Julian, Zwinger's "Theatre" with Gandino, Bartas with Rabelais, Theocritus's "Idyll I" with the epitaphs of Bion and Adonis. Three heroic shields (Homer, Hesiod, Virgil) with the "seventh day" of Bartas, Solomon's "Song of Songs" with the Behemoth of Job and the Leviathan"' (translated from Latin).

Century: 1500-1599 / 1600-1699     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Julian  : unknown

'The marginalia [dating from late 1570s-c.1608] on fol.3v [of Lodovico Domenichi, "Facetie, motti et burle, di diversi signori et persone private" (1571)] record Eutrapelus's [i.e Gabriel Harvey's] reading: '"What kinds of unique authors does Eutrapelus read daily? Eunapius, with Tacitus, Philostratus with Julian, Zwinger's "Theatre" with Gandino, Bartas with Rabelais, Theocritus's "Idyll I" with the epitaphs of Bion and Adonis. Three heroic shields (Homer, Hesiod, Virgil) with the "seventh day" of Bartas, Solomon's "Song of Songs" with the Behemoth of Job and the Leviathan"' (translated from Latin).

Century: 1500-1599 / 1600-1699     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Theodore Zwinger : Theatrum

'The marginalia [dating from late 1570s-c.1608] on fol.3v [of Lodovico Domenichi, "Facetie, motti et burle, di diversi signori et persone private" (1571)] record Eutrapelus's [i.e Gabriel Harvey's] reading: '"What kinds of unique authors does Eutrapelus read daily? Eunapius, with Tacitus, Philostratus with Julian, Zwinger's "Theatre" with Gandino, Bartas with Rabelais, Theocritus's "Idyll I" with the epitaphs of Bion and Adonis. Three heroic shields (Homer, Hesiod, Virgil) with the "seventh day" of Bartas, Solomon's "Song of Songs" with the Behemoth of Job and the Leviathan"' (translated from Latin).

Century: 1500-1599 / 1600-1699     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Guillaume de Saluste du Bartas : unknown

'The marginalia [dating from late 1570s-c.1608] on fol.3v [of Lodovico Domenichi, "Facetie, motti et burle, di diversi signori et persone private" (1571)] record Eutrapelus's [i.e Gabriel Harvey's] reading: '"What kinds of unique authors does Eutrapelus read daily? Eunapius, with Tacitus, Philostratus with Julian, Zwinger's "Theatre" with Gandino, Bartas with Rabelais, Theocritus's "Idyll I" with the epitaphs of Bion and Adonis. Three heroic shields (Homer, Hesiod, Virgil) with the "seventh day" of Bartas, Solomon's "Song of Songs" with the Behemoth of Job and the Leviathan"' (translated from Latin).

Century: 1500-1599 / 1600-1699     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Theocritus  : "Idyll I"

'The marginalia [dating from late 1570s-c.1608] on fol.3v [of Lodovico Domenichi, "Facetie, motti et burle, di diversi signori et persone private" (1571)] record Eutrapelus's [i.e Gabriel Harvey's] reading: '"What kinds of unique authors does Eutrapelus read daily? Eunapius, with Tacitus, Philostratus with Julian, Zwinger's "Theatre" with Gandino, Bartas with Rabelais, Theocritus's "Idyll I" with the epitaphs of Bion and Adonis. Three heroic shields (Homer, Hesiod, Virgil) with the "seventh day" of Bartas, Solomon's "Song of Songs" with the Behemoth of Job and the Leviathan"' (translated from Latin).

Century: 1500-1599 / 1600-1699     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Bion  : epitaphs

'The marginalia [dating from late 1570s-c.1608] on fol.3v [of Lodovico Domenichi, "Facetie, motti et burle, di diversi signori et persone private" (1571)] record Eutrapelus's [i.e Gabriel Harvey's] reading: '"What kinds of unique authors does Eutrapelus read daily? Eunapius, with Tacitus, Philostratus with Julian, Zwinger's "Theatre" with Gandino, Bartas with Rabelais, Theocritus's "Idyll I" with the epitaphs of Bion and Adonis. Three heroic shields (Homer, Hesiod, Virgil) with the "seventh day" of Bartas, Solomon's "Song of Songs" with the Behemoth of Job and the Leviathan"' (translated from Latin).

Century: 1500-1599 / 1600-1699     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Adonis  : epitaphs

'The marginalia [dating from late 1570s-c.1608] on fol.3v [of Lodovico Domenichi, "Facetie, motti et burle, di diversi signori et persone private" (1571)] record Eutrapelus's [i.e Gabriel Harvey's] reading: '"What kinds of unique authors does Eutrapelus read daily? Eunapius, with Tacitus, Philostratus with Julian, Zwinger's "Theatre" with Gandino, Bartas with Rabelais, Theocritus's "Idyll I" with the epitaphs of Bion and Adonis. Three heroic shields (Homer, Hesiod, Virgil) with the "seventh day" of Bartas, Solomon's "Song of Songs" with the Behemoth of Job and the Leviathan"' (translated from Latin).

Century: 1500-1599 / 1600-1699     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Homer  : unknown

'The marginalia [dating from late 1570s-c.1608] on fol.3v [of Lodovico Domenichi, "Facetie, motti et burle, di diversi signori et persone private" (1571)] record Eutrapelus's [i.e Gabriel Harvey's] reading: '"What kinds of unique authors does Eutrapelus read daily? Eunapius, with Tacitus, Philostratus with Julian, Zwinger's "Theatre" with Gandino, Bartas with Rabelais, Theocritus's "Idyll I" with the epitaphs of Bion and Adonis. Three heroic shields (Homer, Hesiod, Virgil) with the "seventh day" of Bartas, Solomon's "Song of Songs" with the Behemoth of Job and the Leviathan"' (translated from Latin).

Century: 1500-1599 / 1600-1699     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Hesiod  : unknown

'The marginalia [dating from late 1570s-c.1608] on fol.3v [of Lodovico Domenichi, "Facetie, motti et burle, di diversi signori et persone private" (1571)] record Eutrapelus's [i.e Gabriel Harvey's] reading: '"What kinds of unique authors does Eutrapelus read daily? Eunapius, with Tacitus, Philostratus with Julian, Zwinger's "Theatre" with Gandino, Bartas with Rabelais, Theocritus's "Idyll I" with the epitaphs of Bion and Adonis. Three heroic shields (Homer, Hesiod, Virgil) with the "seventh day" of Bartas, Solomon's "Song of Songs" with the Behemoth of Job and the Leviathan"' (translated from Latin).

Century: 1500-1599 / 1600-1699     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Virgil  : unknown

'The marginalia [dating from late 1570s-c.1608] on fol.3v [of Lodovico Domenichi, "Facetie, motti et burle, di diversi signori et persone private" (1571)] record Eutrapelus's [i.e Gabriel Harvey's] reading: '"What kinds of unique authors does Eutrapelus read daily? Eunapius, with Tacitus, Philostratus with Julian, Zwinger's "Theatre" with Gandino, Bartas with Rabelais, Theocritus's "Idyll I" with the epitaphs of Bion and Adonis. Three heroic shields (Homer, Hesiod, Virgil) with the "seventh day" of Bartas, Solomon's "Song of Songs" with the Behemoth of Job and the Leviathan"' (translated from Latin).

Century: 1500-1599 / 1600-1699     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Solomon  : The Song of Songs

''The marginalia [dating from late 1570s-c.1608] on fol.3v [of Lodovico Domenichi, "Facetie, motti et burle, di diversi signori et persone private" (1571)] record Eutrapelus's [i.e Gabriel Harvey's] reading: '"What kinds of unique authors does Eutrapelus read daily? Eunapius, with Tacitus, Philostratus with Julian, Zwinger's "Theatre" with Gandino, Bartas with Rabelais, Theocritus's "Idyll I" with the epitaphs of Bion and Adonis. Three heroic shields (Homer, Hesiod, Virgil) with the "seventh day" of Bartas, Solomon's "Song of Songs" with the Behemoth of Job and the Leviathan"' (translated from Latin).

Century: 1500-1599 / 1600-1699     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Barnabe Barnes : Parthenophil and Parthenope. Sonnettes, madrigals, elegies and odes.

'On sig. A2 of "A New Letter of Notable Contents" (1593) [Gabriel] Harvey refers to [Barnabe Barnes, "Parthenophil and Parthenophe" as one of the recently-read books received from [John] Wolfe [publisher for whom Harvey acted as reader].'

Century: 1500-1599     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Joannes Boccatius : Compendium Romanae historiae, oppido quam succintum, & jam primum in lucem editum

Virginia F. Stern notes 'a few MS. notes and underlinings' in Gabriel Harvey's copy of Joannes Boccatius, "Compendium Romanae historiae" (1535).

Century: 1500-1599 / 1600-1699     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

William Bourne : A Regiment for the Sea, Containing verie necessarie matters for all sorts of men and travailers; whereunto is added an Hydrographicall discourse touching the five severall passages to Cattay

Virginia F. Stern notes that, in Gabriel Harvey's copy of William Bourne, "A Regiment for the Sea" (1592; inscribed 1594 by Harvey), 'brown crayon-like horizontal markings emphasize various topics'.

Century: 1500-1599 / 1600-1699     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

George Buchanan : Ane admonition direct to the trew Lordis mantenaris of the Kingis Graces Authoritie M.G.B. ... accordyng to the Scottish copie Printed at Strivilyng by Robert Lekpreuik

Virginia F. Stern notes 'Many underlinings and MS. notes' in Gabriel Harvey's copy of George Buchanan, "Ane admonition direct to the trew Lordis mantenaris of the Kingis Graces Authoritie" (1571), as well as comment '"A fine Discourse of Buchanan, but bitter in his Invective veine"'.

Century: 1500-1599 / 1600-1699     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Cicero : M. Tul. Ciceronis ad C. Trebatium Iurisconsultum Topica; Audomari Talaei praelectionibus explicata, ad Carolum Borbonium Cardinalem Vindocinum

Virginia F. Stern notes that 1550 copy of Cicero contains 'Many of [Gabriel], Harvey's annotations, some in [February] 1570 and some in 1579.'

Century: 1500-1599     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Cicero : M. Tul. Ciceronis ad C. Trebatium Iurisconsultum Topica; Audomari Talaei praelectionibus explicata, ad Carolum Borbonium Cardinalem Vindocinum

Virginia F. Stern notes that 1550 copy of Cicero contains 'Many of [Gabriel], Harvey's annotations, some in [February] 1570 and some in 1579.'

Century: 1500-1599     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Cicero : M. Tullii Ciceronis Epistolae Ad Atticum. Ad M. Brutum, Ad Quinctum Fratrem, Cum correctionibus Pauli Manutii

Virginia F. Stern notes that in Gabriel Harvey's 1563 copy of Cicero, "Epistolae ad Atticum" 'The glossary is divided [by Harvey, using characteristic shorthand symbols as well as Latin] into eight portions for daily reading [...] A number of Harvey's signatures and copious annotations throughout the volume.'

Century: 1500-1599 / 1600-1699     Reader/Listener/Group: Gabriel Harvey      Print: Book

  

Felicia Dorothea Browne Hemans : Bring flowers

[Transcribed into a ms volume] Title 'Lines by Mrs Hemans'; Text 'Bring flowers, young flowers, for the festal board/ To wreathe the cup ere the wine is poured;/ Bring flowers! they are springing in wood and vale,/ Their breath floats out on the southern gale; ...' [total = 6 x 6 lines verses]

Century: 1800-1849     Reader/Listener/Group: Magdalene Sharpe- Erskine      Print: Unknown

  

Anonymous : The season of death

[Item transcribed into commonplace book]: Title = 'The season of death' Text = 'Leaves have their time to fall/ And flowers to wither at the north wind's breath/And stars to set - but all/ Thou hast all seasons for thine own, oh Death ...' (total - 5 x 4 line verses)

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Magdalene Sharpe- Erskine      Print: Unknown

  

Felicia Hemans : The voice of spring

[Item transcribed into a commonplace book]: Title = 'The Voice of Spring'; Text = 'I come, I come ! ye have call'd me long;/ I come o'er the mountains with light and song!/ Ye may trace my steps o'er the wakening earth,/ By the winds which tell of the violet's birth ...' (total = 7 x 6 line verses)

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Magdalene Sharpe- Erskine      Print: Unknown

  

George Gordon, Lord Byron : When coldness wraps this suffering clay

[Item transcribed into a commonplace book]: Title = 'Strangers by Lord Byron'; Text = 'When coldness wraps this suffering clay/ Ah! whither strays the immortal mind?/ It cannot die, it cannot stay/ But leaves its darken'd dust behind ...' [total = 4 x 8 line verses]

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Magdalene Sharpe- Erskine      Print: Unknown

  

Anon : Epitaph on an Idiot

[Item transcribed into a commonplace book]: Title = 'Epitaph on an idiot'; Text = 'If innocence has its reward in heaven/ And God but little asks, where little's given/The wise Creator has for thee in store/ Great joys!-what wise man can ask more?'

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Magdalene Sharpe- Erskine      Print: Unknown

  

[Thomas] [Moore] : [The Blue Stocking]

[Item transcribed into a commonplace book]: Untitled; Text = 'To sigh, yet feel no pain; /To weep - yet scarce know why/ To sport an hour with Beauty's chain/ Then throw it idly be ... ' [total = 2 x 10 line verses]

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Magdalene Sharpe- Erskine      Print: Unknown

  

[George Gordon, Lord] [Byron] : [Don Juan - Canto the Third]

[Item transcribed into a commonplace book]: Untitled; Text = 'Marriage from love, like vinegar from wine/ A sad, sour, sober beverage - by time/ Is sharpen'ed from its high celestial flavour/ Down to a very homely household savour'

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Magdalene Sharpe- Erskine      Print: Unknown

  

[James?] Beresford : [On vaccination]

[Item transcribed into a commonplace book]: Title = 'On vaccination'; Text [prose followed by verse] = 'A Mr Stewart writing on the Cowpax talks/ gravely of a most horrible case of vaccination/ viz, of a child who in consepquence of it, ran upon/ all fours, bellowing like a cow and butting/ like a bull thus reallizing (says the author/ who quotes the above) the apprehensions of/ the author of Vaccine Phantasmogoria and who exclaims/ O Mosely thy books mighty phantasies rousing/ Full oft make me quake for my heart's dearest treasures/ ...' [total = 2 x 4 line verses]

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Magdalene Sharpe- Erskine      Print: Unknown

  

[James?] Montgomery : Night

[Item transcribed into a commonplace book]: Title = 'Night'; Text 'Night is the time for rest/ How sweet, when labors close/ To gather round an aching breast/ The curtain of repose ...'[total= 6x 6line verses]

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Magdalene Sharpe- Erskine      Print: Unknown

  

Anon : Epitaph on a tomb in Melrose Abbey

[Transcription from a commonplace book]: Title = 'Epitaph on a tomb in Melrose Abbey'; text [4 lines] = 'The yerthe walketh on ye earthe glyttering lyke golde/ The yerthe goeth to ye yerthe sooner than it wolde/ The yerthe buildeth upon the yerthe castelles & towers/ the yerthe sayeth to the yerthe, all things are ours'

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Magdalene Sharpe- Erskine      Print: Unknown

  

Anon : [Translation of an Arabic Ode]

[Transcription from a commonplace book]: [Title]'Translation of an Arabic Ode'; [text]'When mortal hands thy peace destroy/ Or strive to ease thy woes/ Will thou to man impute the joy/ To man ascribe the cause ...'[total = 3 x 4 line verses]

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Magdalene Sharpe- Erskine      Print: Unknown

  

Anon : [The Ton]

[Transcription from a commonplace book]: [Title]'The Ton'; [Text] 'I ask not L ...[?] wealth or power/ A Gascoigne's face, a Pulteney's dower/ I ask not wit nor even sense/ I scorn content and innocence/The gift I ask can these forestall/ It aids, improves, implies them all/Then good or bad, or right or wrong/ Grant me ye Gods! - to be the Ton! ...' [Total = 30 lines]

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Magdalene Sharpe- Erskine      Print: Unknown

  

[Robert] [Burns] : [Lady Mary Anne]

[Transcription from a commonplace book]: [Untitled]; [Text = prose introduction followed by verse] 'During the troubles in the reign of Charles 1st, a/ country girl came up to London in search of a place as/ servant maid ... Lady Mary Anne was a flower in the dew/ Sweet was its smell and bonnie was its hue ...' [total = 1p. of prose and 2x 4 line verses)

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Magdalene Sharpe- Erskine      Print: Unknown

  

Anon : [unknown]

[Transcription from a commonplace book]: [Untitled]; [Text] 'Farewell, oh farewell; my heart it is sair/ Farewell oh farewell; I shall see him nae mair/ Lang lang was he mine, lang lang but nae mair/ I ?. ?. , but my heart it is sair ...'[total = 10 lines]

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Magdalene Sharpe- Erskine      Print: Unknown

  

Anon : Ode to the closing year

[Transcription from a commonplace book]: [Title] 'Ode to the closing year'; [Text] 'Oh why should I attempt to ring/The knell of Time in sorrowing tone / Or sadly tune my lyre to sing/ A requiem to the year that's gone? ...' [total = 24 lines of verse followed by 1.5 pp of related prose]

Century: 1800-1849     Reader/Listener/Group: Magdalene Sharpe- Erskine      Print: Serial / periodical

  

George Gordon, Lord Byron : The Bride of Abydos

'I received the Books, & among them the Bride of Abydos. It is very, very beautiful.'

Century: 1800-1849     Reader/Listener/Group: George Canning      Print: BookManuscript: Unknown

  

Anon : Lines addressed to a Lady who had suffered much and long affliction

[Item transcribed into a commonplace book]: [Title] 'Lines addressed to a Lady who had suffered much and long affliction'; [Text] 'Reviewing June's perennial flight/ We mark some lovely hours/ Like stars amidst a stormy night/ Or winter blooming flowers ...; 1st In happier hours my pleasure all day/ Was to rove with the thoughtless and dance with the gay/ Through life as I sported no clouds could I see/ And the hearts that were gayest were dearest to me/ But now in affliction how chang'd is the view/ Tho' gay hearts are many sincere ones are few. 2nd Tho' some come around us to laugh and to jest/ In sickness or sorrow they shrink from the test/ ... 3rd But thou in my sorrow still faithfully came/ And tho' I am alter'd, I find you the same...' [total = 2 x 4 line verses followed by 3 x 6 lines verses labelled '1st', '2nd', '3rd']

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Magdalene Sharpe- Erskine      Print: Unknown

  

[Felicia Dorothea Browne] [Hemans] : The grave of a poetess

[Item transcribed into a commonplace book]: [Title] 'The grave of a poetess (Mrs` Tighe at Woodstock near Kilkenny)'; [text] 'I stood beside thy lowly grave;/ Spring-odours breath'd around/ And music, in the river-wave/ pass'd with a lulling sound ...' [total = 13 x 4 lines verses]

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Magdalene Sharpe- Erskine      Print: Unknown

  

[Anne Gabriel] [De Querlon]? : [Adieu]

[Item transcribed into a commonplace book]: [Title] 'Mary, Queen of Scots' farewell to France'; [text] 'Adieu, plaisant pays de France/ O ma patrie/ La plus cherie/ Qui a nourri ma jeune enfance ......' [total = 13 x 4 lines verses]

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Magdalene Sharpe- Erskine      Print: Unknown

  

Dr Clark : [unknown]

[Item transcribed into a commonplace book]: [Title] 'England'; [text] 'The late excellent Dr Clark thus apostrophizes his/ native country in the last volume of his travels & few/ men have seen more of the world'. 'Oh England! decent abode of comfort and /cleanliness, & decorum! Oh blessed assylum of all/ that is worth having upon earth ? Where'er I roam, whatever realms I see/ My heart, untravelled, fondly turns to thee' [total =15 lines of extract with 3 lines of introduction. The final two lines are from 'The traveller' by Oliver Goldsmith. It is uinclear whether they are in Clark's text or are added]

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Magdalene Sharpe- Erskine      Print: Unknown

  

Letitia Elizabeth Landon : The record

[Item transcribed into a commonplace book]: [Title] 'The Record'; [text] 'He sleeps, his head upon his sword/ His soldier's cloak a shroud/ His churchyard is the open field/ Three times it has been ploughed... L.E.L.' [total =9 x 4 line verses]

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Magdalene Sharpe- Erskine      Print: Unknown

  

Maria Tighe : The lily

[Item transcribed into a commonplace book]: [Title] 'The Lily'; [text] 'How withered, perished seems the form/ Of you obscure unsightly root/Yet from the blight of wintry storm/ It hides secure the precious fruit/ ... (Mrs Tighe)' [total = 40 lines]

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Magdalene Sharpe- Erskine      Print: Unknown

  

George Croly : Evening's daughter

[Item transcribed into a commonplace book]: [Title] 'Evening's daughter'; [text] 'Come, evening gale! The crimson rose/ Is drooping for thy sigh of dew/ The Hyacinth woos thy kiss to close/ In slumber sweet its eye of blue ... (Croly)' [total = 3 x 4 line verses]

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Magdalene Sharpe- Erskine      Print: Unknown

  

Letitia Elizabeth Landon : The Troubadour [extract]

[Item transcribed into a commonplace book]: [Title] 'From the Troubadour by L.E.L.'; [text] 'A poetical sketch of a picture by Howard/ the subject - fairies on the sea shore./ First fairy/ My home & haunt are in every leaf/ Whose life is a summer day , bright & brief/ I live in the depths of the tulip's bower/ I drink the dew of the citrus flower/ ...'[total = 4 verses of 10,10,8,12 lines with chorus]

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Magdalene Sharpe- Erskine      Print: Unknown

  

Anon : [On Friendship]

[Item transcribed into a commonplace book]: [Title] 'On Friendship'; [Text] 'There are different modes of obligation and/ different avenues to our gratitude and favour - A man/may lend his countenance who will not part/ with his money...' [total = 43 lines of prose followed by three related quotes, one French, two are anonymous, the third is by "THe judicious Hooker" ie Richard Hooker?]

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Magdalene Sharpe- Erskine      Print: Unknown

  

H. Smith : Country and Town

[Item transcribed into a commonplace book]: [Title] 'Country and Town [by] H. Smith'; [Text] 'Horrid, in country shades to dwell!/ One positively might as well/ be buried in the quarries/ No earthly object to be seen/ but cows and geese upon the green/ As sung by Captain Morris...' [total = 6 x 6 line verses]

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Magdalene Sharpe- Erskine      Print: Unknown

  

Alphonse Marie Louis de Lamartine : [L'Homme]

[Item transcribed into a commonplace book]: Title 'Address to Lord Byron by Dr Lamartine'; [Text] 'Toi, dont le monde encore ignore le vrai nom/ Esprit mysterieux, mortel ou demon/...' [total = 58 lines]

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Magdalene Sharpe- Erskine      Print: Unknown

  

Anon : Lines on Home

[Item transcribed into a commonplace book]: Title 'Lines on Home'; [Text] 'That is not home, where day by day/ I wear the busy hours away/That is not home where lonely night/ Prepares me for the toils of light/ ...' [total = 36 lines]

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Magdalene Sharpe- Erskine      Print: Unknown

  

Henry Neele : The comet

[Item transcribed into a commonplace book]: Title 'The Comet'; [Text] 'O'er the blue heavens majestic & alone/ He treads [?], as treads a monarch towards his throne/ Darkness her leaden sceptre lifts, in vain,/ Crushed and consumed beneath his fiery ?/ [by] Henry Neele' [total = 26 lines]

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Magdalene Sharpe- Erskine      Print: Unknown

  

Thomas Moore : [unknown]

[Item transcribed into a commonplace book]: [ Untitled]; [Text] 'In the morning of life when its cares are unknown/ and its pleasures in all their new lustre begin/ When we live in a bright beaming world of our own/ And the light that surrounds us is all from within/ ... [by] Moore' [total = 3 x 8 line verses]

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Magdalene Sharpe- Erskine      Print: Unknown

  

Felicia Dorothea Browne Hemans : The illuminated city

[Item transcribed into a commonplace book]: [Title] 'The Illuminated City' ; [Text] 'The hills all glow'd with a festive light/ For the Royal city rejoiced by night/ ... [by] Mrs Hemans' [total = 5 x 8 line verses]

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Magdalene Sharpe- Erskine      Print: Unknown

  

Felicia Dorothea Browne Hemans : The forest sanctuary

[Item transcribed into a commonplace book]: [Title] 'From the Forest Sanctuary'; [Text] 'But the dark hours wring forth the hidden might/ Which hath lain bedded in the silent soul/ A treasure all undreamed of ; - as the night/ ... [by] Mrs Hemans' [total = 8 x 9 line verses, probably not a continuous extract]

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Magdalene Sharpe- Erskine      Print: Unknown

  

Anon : [unknown]

[Item transcribed into a commonplace book]: [Untitled] ; [Text] 'Que fais tu la seul et reveur?/ Je m'entretiens avec moi meme;/ Ah prends garde un peril extreme/ De causes avec un flatteur'

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Magdalene Sharpe- Erskine      Print: Unknown

  

[unknown] : Poesie di Ossian

[Item transcribed into a commonplace book]: [Title] 'Poesie di Ossian [by] Cartoue'; [Text] 'O tu che luminoso erri e rotundo/ ...'; [total = 37 lines]

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Magdalene Sharpe- Erskine      Print: Unknown

  

[Mary] [Tighe] : The old Maid's prayer to Diana

[Item transcribed into a commonplace book]: [Title] 'The old Maid's prayer to Diana'; [Text] 'Since thou and the stars, my dear goddess decree/ That Old Maid as I am, an Old Maid I must be;/ O, hear the petition I offer to thee/ For to hear it must be my endeavour/ ...'; [total = 5 x 8 line verses]

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Magdalene Sharpe- Erskine      Print: Unknown

  

[Robert] [Pollock] : The Course of Time [extract]

[Item transcribed into a commonplace book]: [Title] 'Lord Byron ? From "The Course of Time"'; [Text] '... He touched his harp and nations heard, entranced/ As some vast river of unfailing source/ Rapid, exhaustless, deep, his number flowed/ And op'ed new fountains in the human heart...'; [total = 86 lines]

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Magdalene Sharpe- Erskine      Print: Unknown

  

Anon : The Dead and the Living [extract]

[Item transcribed into a commonplace book]: [Title] 'Genius ? From "The Dead and the Living"'; [Text] 'Oh genius thou bright emanation of the/ Divinity, thou brilliant struggler from another/ world! - daily daily doth thou present to us a striking/ exemplification that man was created in the image / of His Maker ?'; [total = 37 lines]

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Magdalene Sharpe- Erskine      Print: Unknown

  

William Wordsworth : [The force of prayer; or, the founding of Bolton Abbey]

[Item transcribed into a commonplace book]: [Untitled] ; [Text] 'And the lady prayed in heaviness/ That looked not for relief/ But slowly did her succour come/ And a patience to her grief? Wordsworth'; [8 lines ie last 2 verses only]

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Magdalene Sharpe- Erskine      Print: Unknown

  

Thomas Moore : My Birthday

[Item transcribed into a commonplace book]: [Title] 'My Birthday [by] Moore'; [Text] 'My Birthday! what a different sound/ That word had in my youthful years!/ And how each time the day comes round/ Less and less white[?] the ? appears/ ?'; [total = 28 lines]

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Magdalene Sharpe- Erskine      Print: Unknown

  

Thomas Moore : To my mother

[Item transcribed into a commonplace book]: [Title] 'To my mother [by] Moore'; [Text] 'They tell us of an Indian tree/ Which howso'er the sun and sky/ May tempt its boughs to wander free/ And shoot and blossom wide and high?'; [total = 12 lines plus a 2 line quote]. [Quote Titled] 'Comfort for the loss of Friends'; [Text] 'My gems are fast falling away, but I do hope & trust/ it is because "God is making up his jewels"/ Charles Wolfe'

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Magdalene Sharpe- Erskine      Print: Unknown

  

Anon : Resignation

[Item transcribed into a commonplace book]: [Title] 'Resignation'; [Text] 'Be hushed each sigh whose murmering moan/ Of endless woe complains/ Be mine in patient hope alone/To hear what Heaven ordains...'; [total = 12 lines]

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Magdalene Sharpe- Erskine      Print: Unknown

  

Joseph Addison : [Spare Time]

[Item transcribed into a commonplace book]: [Untitled] ; [Text] 'There is another kind of virtue/ that may find employment for those retired hours/ in which we are altogether left to ourselves, and/ destitute of company & conversation... Addison'; [total = 20 lines]

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Magdalene Sharpe- Erskine      Print: Unknown

  

Anon : Journal of an Annuyee

[Item transcribed into a commonplace book]: [Title] 'Journal of an Annuyee' ; [Text] 'Is it sorrow which makes our experience = it is/ sorrow which teaches us to feel properly for ourselves/ and others - We must feel deeply before we can/ think rightly. It is not in the storms and tempests/ of passion, we can reflect - but afterwards ...'; [total = 10 lines]

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Magdalene Sharpe- Erskine      Print: Unknown

  

Anon : [unknown]

[Item transcribed into a commonplace book]: [Untitled];[Text] 'Souls of the just! whose truth and love,/ Like light and warmth once liv'd below/ Where have ye ta'en your flight above/ Leaving life's vale in wintry woe/ ...'; [total = 2 x 8 line verses]

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Magdalene Sharpe- Erskine      Print: Unknown

  

[Robert] Southey : [The curse of Kehama, canto X]

[Item transcribed into a commonplace book]: [Untitled]; [Text]'They sin who tell us love can die/ With life all other passions fly/ All others are but vanity/ Earthly these passions, as of earth/ They perish where they have their birth/ ?' [total = 20 lines]

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Magdalene Sharpe- Erskine      Print: Unknown

  

[Walter] [Scott] : [The monastery]

[Item transcribed into a commonplace book]: [Untitled]; [Text]'There are those to whom a sense of religion/ has come in storm and tempest, there are those/ whom it has summoned amid scenes of vanity/ there are those too who have heard "its still small voice"/ Amid rural leisure & placid contentment ?' [total = 10 lines]

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Magdalene Sharpe- Erskine      Print: Unknown

  

[Felicia Dorothea Browne] [Hemans] : [Kindred hearts]

[Item transcribed into a commonplace book]: [Untitled]; [Text]' ?Oh! ask not, hope not thou too much/ of sympathy below/ For are the hearts whence one same touch/ Bids the sweet fountains flow/ ?' [total = 16 lines but not a continuous extract]

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Magdalene Sharpe- Erskine      Print: Unknown

  

John Malcolm : [untitled]

[Item transcribed into a commonplace book]: [Untitled]; [Text] 'Oh that I had the wings of a dove/ that I might flee away and be at rest/ So prayed the Psalmist to be free/ From mortal bond and earthly thrall/ And such, or soon, or late, shall be/ Full oft the heart breathed [?] prayer of all/ ?' [total = 4 x 8 lines verses follow the 2 line quote]

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Magdalene Sharpe- Erskine      Print: Unknown

  

[Anon] : Matilde a novel

[Item transcribed into a commonplace book]: [Untitled]; [Text]' "La Belle France" has no more pretensions to beauty/ than the majority of her daughters. Like many of/ them she has not a single good feature in her face,/but unlike them she does not even do her best ??' [total = 18 lines]

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Magdalene Sharpe- Erskine      Print: Unknown

  

[Anon] : [untitled]

[Item transcribed into a commonplace book]: [Untitled]; [Text]' Count oe'r the days whose happy flight/ Is shared with those we love/ Like stars amid a stormy night/ Alas! how few they prove ?' [total = 2 x 8 line verses]

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Magdalene Sharpe- Erskine      Print: Unknown

  

Felicia Dorothea Browne Hemans : [untitled]

[Item transcribed into a commonplace book]: [Untitled]; [Text]' ? Now I feel/ What high prerogatives belong to Death/ He hath a deep, though voiceless eloquence, /To which I leave my ? His solemn veil/ ... Mrs Hemans' [total = 12 lines]

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Magdalene Sharpe- Erskine      Print: Unknown

  

G.I. C..... : The Eve of the Battle

[Item transcribed into a commonplace book]: [Title] 'The Eve of the Battle'; [Text] 'Before tomorrow's sun/ dispels the gloomy night/ The din of war will have begun/ The horrors of the fight ?G.I.C.' [total = 24 lines]

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Magdalene Sharpe- Erskine      Print: Unknown

  

[Anon] : A Highland Salute to the Queen

[Item transcribed into a commonplace book]: [Title] 'A Highland Salute to the Queen/ Air Roderigh Vich Alpine dhu, ho! Ieroe!'; [Text] 'Long life to our Queen who in beauty advances/ To the refuge of freedom, the home of the fair/ Each true Highland bosom with loyalty dances/ From Drummond to Taymouth - from ? to Blair/ ...' [total = 5 x 10 line verses]

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Magdalene Sharpe- Erskine      Print: Unknown

  

[Anon] : The Star of Missions

[Item transcribed into a commonplace book]; [Title] "The Star of Missions"; [Text] "Behold the Mission Star's soul gladdening ray/ Which o'er the nations sheds a beam of day;/ While glad salvation speeds her life fraught ?/ Borne by the Gospel's herald wheels afar;/ ... " [Total = 7 x 6 line verses]

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Magdalene Sharpe- Erskine      Print: Unknown

  

[Anon] : unknown

[Item transcribed into a commonplace book]; [Untitled]; [Text] "Qu'est ce qui fait le bonheur ou le malheur/ de notre vie? C'est notre caractere, c'est la/ maniere ? nous voyons les choses, /? " [Total = 17 lines]

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Magdalene Sharpe- Erskine      Print: Unknown

  

Innes[?] : Lines on Mountghaine [?]

[Item transcribed into a commonplace book]; [Title] "Lines on Mountghaine[?] by Innes[?], Mrs Gordon's butler"; [Text] "Hail beauteous spot of Nature's earth/ Arrayed in robes of richest dress/ In gorgeous splendour showing forth/ Preeminence in loveliness/... " [Total = 9 x 6 line verses]

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Magdalene Sharpe- Erskine      Print: Unknown

  

Luis Baylon : Farewell to the Year

[Item transcribed into a commonplace book]: [Title] 'Farewell to the Year/ by Luis Baylon [?], translated by J.G. Lockhart'; [Text] 'Hark friends! It strikes -the year's last hour/ a solemn sound to hear/Come fill the cup and let us pour/ Our blessing on the parting year/ ...'; [Total = 5 x 10 line verses]

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Magdalene Sharpe- Erskine      Print: Unknown

  

[Maria] Abdy : Worsted work

[Item transcribed into a commonplace book]: [Title] 'Worsted Work'; [Text] 'Oh! Talk not of it lightly in an tone of scornful mirth/ It brings to me glad visions of the calm and quiet hearth/ Of seasons of retirement from the world's obtrusive eyes/ Of freedom from absorbing toils - of dear domestic ties/ ... Mrs Abdy'; [Total = 9 x 4 line verses]

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Magdalene Sharpe- Erskine      Print: Unknown

  

M. Vicary : Lines

[Item transcribed into a commonplace book]: [Title] 'Lines/ by the Rev. M. Vicary'; [Text] 'There is a bark [?] unseen [?] in which we glide/ Above the billows of life's stormy sea/ As bouyant as the sea-bird on the tide/ Though dangers thicken round from ... as free/ ... [?]'; [Total = 6 x 4 line verses]

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Magdalene Sharpe- Erskine      Print: Unknown

  

[Anon] : The dead friend

[Item transcribed into a commonplace book]: [Title] 'The dead friend'; [Text] 'Not to the grave, not to the grave, my soul/ Descend to contemplate/ The form that once was dear!/ ?not on thoughts so loathly horrible/ ...'; [Total = 40 lines]

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Magdalene Sharpe- Erskine      Print: Unknown

  

John Mackintosh : Adieu

[Item transcribed into a commonplace book]: [Title] 'Adieu/ John Mackintosh/ The earnest student'; [Text] 'Adieu to God what words can else express/ The parting, and the prayer that soars to heaven/ When two fond hearts, long link'd in ternderness/ By the decree of fate at length are riven/ ...'; [Total = 12 lines]

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Magdalene Sharpe- Erskine      Print: Unknown

  

[Elizabeth Rundle] [Charles] : To one at rest

[Item transcribed into a commonplace book]: [Title] 'To one at rest/ by the author of/ the Three Wakings'; [Text] 'And needest thou our prayers no more, Safe folded mid the blest/ How changed are thou since last we met, To keep the day of rest/ Young with the youth of angels; Wise with the growth of years/ For we have passed since thou has gone, A week of many tears/ ...24th Sept 1871'; [Total = 11 lines]

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Magdalene Sharpe- Erskine      Print: Unknown

  

Anonymous : [untitled]

[Item transcribed into a commonplace book]: [Untitled]; [Text] 'Weep not, tho' lonely and wild be thy path/ And the storm may be gathering round/ There is one ! who can shield from the hurricane's wrath/ and that one! may for ever be found;/ ... (Anonymous)'; [Total = 3 x 8 line verses]

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Magdalene Sharpe- Erskine      Print: Unknown

  

James Hogg : [poems]

'In Mr Tait's warehouse I read Hogg's "Shepherd's Calendar" and some of his poems also, while, at various times, many opportunities of hearing much about him.'

Century: 1800-1849     Reader/Listener/Group: James Glass Bertram      Print: Unknown

  

[n/a] : Blackwood's Edinburgh Magazine

'When in my early apprentice days I was first enabled to dip into the pages of "Maga", its chief attraction was the later series of "The Diary of a late physician". I greatly enjoyed the papers, and also, later on, the same author's story of "Ten Thousand a Year". [when the journal came out] I would sit on the steps [of George Street] for nearly an hour engrossed by the perusal of some interesting portion of its pages, munching at the same time my dinner of bread-and-cheese. The pages of the copies of the magazine in my custody as collector were, of course, uncut, but, having as many as eight or ten in my charge, I managed without its being discovered to cut open one leaf in each of the numbers in order to master the narrative.'

Century: 1800-1849     Reader/Listener/Group: James Glass Bertram      Print: Serial / periodical

  

Thomas Paine : The Rights of Man

'One afternoon his eye caught Paine's "Rights of Man", and he picked it up and began to study it intently. Absorbed, he "continued reading for half an hour", the bookseller's son remembered'

Century: 1700-1799     Reader/Listener/Group: King George III      Print: Book

  

Dr Edward Jenner : pamphlet on the cow pox

'We had a very pleasant day on monday at Ashe [...] There was a whist & a casino table, & six outsiders. - Rice & Lucy made love, Mat: Robinson fell asleep, James and Mrs Augusta alternately read Dr Jenner's pamphlet on the cow pox, & I bestowed my company by turns on all.'

Century: 1800-1849     Reader/Listener/Group: Augusta Bramston      

  

George Gordon, Lord Byron : 'To A Lady Weeping'

'To a Lady Weeping "Weep, daughter of a royal line..."'

Unknown
Century: 1800-1849     Reader/Listener/Group: George or Edward Carey      Print: Unknown

  

George Gordon, Lord Byron : Lines Written Beneath A Picture

'Written Beneath a Picture' 'Dear object of defeated care!/...' 'R.G.C. 1835'

Unknown
Century: 1800-1849     Reader/Listener/Group: 'R.G.C.'      Print: Unknown

  

George Gordon, Lord Byron : On Being Asked What Was the "Origin of Love"

'On being asked what was the "Origin of Love"' 'The "Origin of Love! - ah why/That question cruel ask of me/...' [minor differences from the original]

Unknown
Century: 1800-1849     Reader/Listener/Group: Edward or George Carey      Print: Unknown

  

Thomas Moore : 'They Tell us of An Indian Tree' OR 'To My Mother'

'They tell us of an Indian tree/...'

Unknown
Century: 1800-1849     Reader/Listener/Group: Margaret Maingay [?]      Print: Unknown

  

George Gordon, Lord Byron : To [George, Earl Delawarr]

'Friendship' 'O yes I will own we were dear to one another/...' [Oh! Yes, I will own we were dear to each other/...' - Byron's original text]

Unknown
Century: 1800-1849     Reader/Listener/Group: Margaret Maingay [?]      Print: Unknown

  

Josiah Conder : Home

'To... ...' 'There are who strangely love to roam/And find in wildest haunts their home/...' ['Home' ll. 13-22]

Unknown
Century: 1800-1849     Reader/Listener/Group: Margaret Maingay [probably]      Print: Unknown

  

Horatio Forbes Brown : John Addington Symonds: A Biography Compiled from

'I have been reading the Life of Mr Symond, and it makes me almost laugh (though there is little laughing in my heart) to think of the strange difference between this prosaic little narrative,all about the facts of a life so simple, and his elaborate self- discussions.'

Century: 1850-1899     Reader/Listener/Group: Margaret Oliphant      Print: Book

  

Caroline Anne Bowles : Autumn Flowers

'On seeing some Autumn Flowers' 'Those few pale autumn flowers, How beautiful they are!...' 'L.G. Feb 1831'

Unknown
Century: 1800-1849     Reader/Listener/Group: 'L.G.'      

  

Livy (Titus Livius)  : History of Rome Book XIII

'My journey lay over the field of Thrasymenus, and as soon as the sun rose, I read Livy's description of the scene [...] I was exactly in the situation of the consul, Flaminus - completely hid in the morning fog...So that I can truly say that I have seen precisely what the Roman army saw on that day.'

Century: 1800-1849     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

John Aikin : Evenings at Home

'We have heard a boy of nine years old, who had never been taught elocution by any reading-master, read simple, pathetic passages, and natural dialogues in "Evenings at Home" in a manner which would have made even Sterne's critic forget his stop-watch.'

Century: 1700-1799     Reader/Listener/Group: [ a boy known to Maria Edgeworth      Print: Book

  

Jane Austen : Pride and Prejudice

'Our 2d evening's reading to Miss Benn had not pleased me so well, but I beleive [sic] something must be attributed to my Mother's too rapid way of getting on - & tho' she perfectly understands the Characters herself, she cannot speak as they ought. - Upon the whole however I am quite vain enough & well satisfied enough...'

Century: 1800-1849     Reader/Listener/Group: Cassandra Leigh Austen      Print: Book

  

Lewis Goldings : Jewish Problem

'But, and it is a big but, I am aware that this opinion has been formed only by reading such books as Louis Goldings' "Jewish Problem", and by making a conscious effort to be fair.'

Century: 1900-1945     Reader/Listener/Group: Geoffrey Gorer      Print: Book

  

Hernan Cortes : Cartas de relacion [??]

'a very dry day. I have nothing to say. Wrote to Fries and read "The Discovery of America" by Cortes'.

Century: 1700-1799     Reader/Listener/Group: Eugenia Wynne      Print: Unknown

  

William Beckford : Vathek

'Mama read the beginning of "Wateck" to us. I fell asleep'.

Century: 1700-1799     Reader/Listener/Group: Agathe Wynne      Print: Unknown

  

Stephanie Felicite, Comtesse de Genlis : L'amour maternelle

'After supper [Mama] read us "L'amour maternelle" of Mde. de Genlis.'

Century: 1700-1799     Reader/Listener/Group: Agathe Wynne      Print: Unknown

  

Stephanie Felicite, Comtesse de Genlis : Zelie

'Mama read the story of Mde. de Genlis to us that is called "Zelie" or the "Ingenue" it is very fine. I like it the best of all the pieces by that author.'

Century: 1700-1799     Reader/Listener/Group: Agathe Wynne      Print: Unknown

  

[unknown] : L'Ami des Enfants

'I worked till supper with [Madame de Bombelles] whilst Mama read something from "L'Ami des Enfants".'

Century: 1700-1799     Reader/Listener/Group: Agathe Wynne      Print: Serial / periodical

  

Moliere [pseud.] : Les Precieuses Ridicules

[Betsey]:'The gazettes from France were read this evening there was nothing remarquable in them. We began again "Les Precieuses Ridicules" but had no time to for supper was called'. [Eugenia]: 'In the evening the Paris papers were read I did not give them any attention then we began to reread for Madame de Bombelles "Les Precieuses Ridicules" which was interrupted by supper'

Century: 1700-1799     Reader/Listener/Group: Eugenia Wynne      Print: Unknown

  

J.W. Marriott : One Act Plays of Today

'Friday, 1st January, Completed my paper on Mazzini. Read: ?One Act Plays of today? 2nd vol. (Harrap) ?Autocrat of the Breakfast table? (O.W.Holmes).'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Rudyard Kipling : Plain Tales from the Hills

'Saturday, 2nd January, Letter from Neill at Grimsby, Ontario: no other address. Nothing for Mother. Read: ?Plain Tales from the Hills? (R.Kipling)'.

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Niccolo Machiavelli : History of Florence

'Thursday, 7th January, Offered Pat 19th January or 16th March for his friend?s lecture. Smith does not expect to leave for the Coast until about October. He expects to go with Adams. Read: ?History of Florence? ( Machiavelli)'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Belfort Bax : Essays on Socialism

'Saturday, 9th January, Mother tells me Hanley is to write a thesis on ?An Unemployed Man in January 1926?. Talking with Mother re Cambridge Economics. Advertising is not now purely a competitive weapon but is used mainly by the Monopolists to keep people reminded of their particular line of goods. Otherwise they might discover how much there is that they could very well do without. Read: ?Essays on Socialism? (Belfort Bax)'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

J. Ramsay Macdonald : Socialism: Critical and Constructive

'Saturday, 16th January, Left letter at Beechcroft for Milligan re continuance of Discussion Group through the summer. Also re donation from Club and Mr. Milligan?s date on syllabus. Read ? ?Socialism: Critical and Constructive? (J.R. McDonald)'.

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Henrik Ibsen : Peer Gynt

'Wednesday, 27th January, Smith spoke of having wished to be a school master. He would like, even now, to get a bursary to Oxford or Cambridge. We talked of the difficulty which the universities are said to find in filling up these studentships. Smith ascribed it mainly to economic reasons, family demands, the insufficiency of the allowances etc? Why is it a constant of history that the older generation must fail to make provision for the changed requirements of the younger. Read - ?Peer Gynt? (Ibsen)'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Leonard Merrick : A Chair on the Boulevard

'Thursday,28th January, ?Peer Gynt? is good stuff. I hope the Beechcroft Players tackle it some time. Though I suppose it has been done too often. In any case Bensham have done it and Beechcroft must set the pace, not follow the lead. Read ? ?A chair on the Boulevard? (L. Merrick)'.

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Henrik Ibsen : Brand

'Friday, 29th January, I do not like ?Brand?. A religion that takes no account of actuality is no use to humanity. And, after all I think that religion was made for man, and not man made for religion. Christ is dead, and infinitely more use as a tradition than in life. Christ was not like Brand ? he pitied humanity. Brand is inclined, if not to sneer, at least, to treat with impatience the odd ways of man. Read - ?Brand? (Ibsen)'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

unknown : [humorous poetry]

'Sunday, 31st January, Discussion group ? Readings from Humorous Poetry. A rubber of whist.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Isaac Walton : The Compleat Angler

'Wednesday, 3rd February, Reading ?The Compleat Angler? (I. Walton). This your real ?open air? book. It is so quaint and so nice in these shallow times that it is one long delight.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Robert Herrick : unknown

'Monday, 8th February, Gave the Anno Domini a miss. Tired. Reading Herrick. Also Oppenheim ?The Great Impersonation?. How efficiently this stuff is written. Exciting.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

E. Phillips Oppenheim : The Great Impersonation

'Monday, 8th February, Gave the Anno Domini a miss. Tired. Reading Herrick. Also Oppenheim ?The Great Impersonation?. How efficiently this stuff is written. Exciting.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Herman Melville : Omoo

'Wednesday, 10th February, Wrote to Mr Robinson and to Mr. D. Paterson re lecture dates. Read ?Omoo? (Melville)'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Matthew Prior : Shorter Poems

'Thursday, 11th February, Spent evening at home . Edie painting poppy heads for someone. This modern idea may sound interesting in a few years ? when the fashion has passed. Elections in both Warbreck and Walton ? busy at Committee rooms. Read ? ?Shorter Poems? (Matthew Prior) I like the light epigrammatic stuff in this book, but I could not get wildly excited over it like Pat [George Eric Paterson, friend of Moore's] ? but then no one can emulate the wild abandon of Pat?s enthusiasms. In any case he certainly understands Matt. and his contemporaries better than I do.' [Matthew Prior, 1664-1721 - Poet, politician and diplomat. As ambassador to Paris negotiated the Treaty of Utrecht 1713, popularly known as 'Matt's peace'. Subsequently impeached and imprisoned. On release, his poems were published in 1717].

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Guy de Maupassant : Notre Coeur

'Saturday,13th February, Read ?Notre Coeur? (Guy de Maupassant)'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

William Makepeace Thackeray : Barry Lindon

'Monday, 15th February, Thackeray?s descriptions of high life, and, more especially of army conditions, are magnificent. I would like to give a paper on this aspect of Thackeray?s writing, or, indeed, on this book. Wrote to Eric Barber re Scarborough Camp. Read - ?Barry Lindon? (W. M. Thackeray)'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Hilaire Belloc : Path to Rome

'Friday, 19th February, Last night?s meeting was a drawn battle. The ?wants? and the ?don?t wants? did an immense amount of talking, and were theatrical than they ever manage to be on stage. Milligan and Mother stuck their tongues in their cheeks and waited ? until a plan was formulated which while presenting some outward appearance of novelty will leave essentials much as they were. Read ? ?Path to Rome? (H. Belloc)'.

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Henry James : The American

'Sunday, 21st February, Discussion group ? nothing doing ? arrived late. Members busy with a game in which, with the help of a pin and a newspaper they lost or won pennies. Whisper it not in Gath ? I joined in and ? extreme of immorality ? lost ! Read ? ?The American? (Henry James)'.

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

J.J. Bell : Thread o' Scarlet

'Sunday, 28th February, Discussion Group ? We read four plays from which we intend to choose our programme for the summer and next year: ? Thread o? Scarlet? (J. J. Bell) ? A night in the sun? (Dunsany) ? The Monkey?s Paw? (W. W. Jacobs) ?The rising of the moon? ( Lady Gregory) Read ? ?The Four Georges? (W. Thackeray)'.

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Dunsany : A Night in the Sun

'Sunday, 28th February, Discussion Group ? We read four plays from which we intend to choose our programme for the summer and next year: ? Thread o? Scarlet? (J. J. Bell) ? A night in the sun? (Dunsany) ? The Monkey?s Paw? (W. W. Jacobs) ?The rising of the moon? ( Lady Gregory) Read ? ?The Four Georges? (W. Thackeray)'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

W.W. Jacobs : The Monkey's Paw

'Sunday, 28th February, Discussion Group ? We read four plays from which we intend to choose our programme for the summer and next year: ? Thread o? Scarlet? (J. J. Bell) ? A night in the sun? (Dunsany) ? The Monkey?s Paw? (W. W. Jacobs) ?The rising of the moon? ( Lady Gregory) Read ? ?The Four Georges? (W. Thackeray)'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Lady Gregory : The Rising of the Moon

'Sunday, 28th February, Discussion Group ? We read four plays from which we intend to choose our programme for the summer and next year: ? Thread o? Scarlet? (J. J. Bell) ? A night in the sun? (Dunsany) ? The Monkey?s Paw? (W. W. Jacobs) ?The rising of the moon? ( Lady Gregory) Read ? ?The Four Georges? (W. Thackeray)'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

William Makepeace Thackeray : The Four Georges

'Sunday, 28th February, Discussion Group ? We read four plays from which we intend to choose our programme for the summer and next year: ? Thread o? Scarlet? (J. J. Bell) ? A night in the sun? (Dunsany) ? The Monkey?s Paw? (W. W. Jacobs) ?The rising of the moon? ( Lady Gregory) Read ? ?The Four Georges? (W. Thackeray)'.

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Villehardouin : Memoirs of the Crusades

'Tuesday, 2nd March, Club ? Mr Graham White?s lecture postponed. Members went into the Local History Society?s meeting, except the Committee which met to discuss entertaining activities. B. Lear and Will Evans are taking over the dramatics leaving Vin Roper and I to organise the Concert Party. Read ? ?Memories of the Crusades? (Villehardouin et Joinville)'.

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Oliver Wendell Holmes : The Autocrat of the Breakfast Table

'Friday, 5th March, I worked late tonight which allowed me to get in a nice little talk with Pat on the value of the classic books of criticism, as apart from their literary value. It was my opinion that in nearly all cases, as the minds of readers has evolved with the changing times so the light in which the classic must be viewed has altered and therefore old criticism must, in nearly every case be superseded. At least, as regards the ?human? as distinct from the literary element in the book. I feel that we cannot ever completely reconstruct the life of a past age or enter into the minds of people who lived in other times. Pat remarked that he was constantly struck by the little progress made in thought and the things of the mind. Read ? ?The Autocrat of the breakfast table? (O. W. Holmes).'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Rupert Brooke : Poems

'Monday, 8th March, Heavy day. Discussed the famous Parkin speech on Welsh sportsmanship, and the Glamorgan president?s reply. I think that such generalisations as that Nation is unsporting are merely vulgar exhibitions of sloppy thinking. Read ? ?Poems? (Rupert Brook)'.

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Jonathan Swift : Journal to Stella

'Tuesday, 9th March, Club ? ?Currency and Unemployment? - Arthur Robinson. The finest lecture of the year. Mr. Robinson gave an introductory explanation of money and credit, and then discussed the most important of the modern schools of Financial and Economist thought. His view, and the point of the lecture, was that a managed currency could be used alleviate, and perhaps cure, the present state of affairs ? the internal trade crisis and the principle problem ? unemployment. Smith off work today. Read ? ?Journal to Stella? (Swift)'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

William Shakespeare : Hamlet

'Sunday, 14th March, Discussion Group ? ?Stunt? rehearsal. Also 1st rehearsal of ?Good Friday? which will draw half our members. Reading ?Hamlet" ? the first time I have read it with any attempt at real comprehension.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Jonathan Swift : Journal to Stella

'Wednesday, 17th March, Last rehearsal. Things are in trim now I think. I prepared the programme. I think it O. K. though the humour is hardly my line ? ?De Heiny and his Piccadilly Orchestra?, for example, as the Mayor?s name ? Mr. Bill Sticker? (a hit at R. P. Fletcher). The use of the stage trap as a tunnel entrance is an idea. Read ? ?Journal to Stella? (Swift).'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Hilaire Belloc : The Eye-Witness

'Monday, 22nd March, Read ? ?The eye ? witness? (H. Belloc).'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Serial / periodical

  

Joseph Conrad : Almayer's Folly

'Wednesday, 24th March, Today would have been deadly dull but for the Lincoln. Queer how so many of us get caught up in these periodical excitements. I neither know anything or care anything about horse-racing, yet I was looking for a news-boy to know the winner within five minutes of it?s being run. Power of the Press. ?King of Clubs? 100 ? 1, with Donoghue ???? Preparing this evening for Club annual meeting. Read ? ?Almayer?s Folly? (J. Conrad) - Smith?s book. A dismal soul ? Conrad.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Alphonse Daudet : Tartarin sur les Alpes

'Sunday, 28th March, Discussion Group ? annual meeting. Read ? ?Tartarin sur les Alpes? (Daudet).'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Edmond Holmes : The Tragedy of Education

'Monday, 29th March, A 21st birthday party at the Roberts?. Pleaded illness and got off. My clothes will hardly do. Bought Ira ?Far from the Madding Crowd?. Wrote Adana people re printing press. Have decided on a course for the Club next year ? ?The English Historical Novel??a study of English history, manners and institutions. A lot can be done with this if the books are carefully chosen. Read -- ?the Tragedy of Education (Edmond Holmes)'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Honore de Balzac : La Peau de Chagrin

'Tuesday, 30th March, Club ? Annual meeting. All officers re-elected except Will Evans who stood down. The Players are taking up all his time. Bal. Lear takes his place. I look forward to a record year. We have adopted the course on the ?English Historical Novel? for our programme and intend to vary this on alternate weeks with single lectures, debates etc ? Read -- ?La Peau de Chagrin? etc, (Balzac)'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Robert Southey : Life of Nelson

'Friday, 2nd April, Walking over the Walton Hall Housing Estate. The spread of the city goes on apace. I find myself hoping that someday the grass will grow again over the site of so much ugliness. Talking of ugliness, nothing adds so much to its horror as monotony. Here are embryo slums, unless trees and gardens save them. Read ? ?The life of Nelson? (Southey)'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

William Shakespeare : As you Like it

'Monday, 5th April, I am cast for Amieus in ?As you like it?. I was looking over my script today. Not very much but nice. ?Under the Greenwood Tree? and ?Blow, blow thou Winter Wind? are my songs. I shall enjoy it.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Daniel Defoe : Journal of the Plague Year

'Wednesday, 7th April, Spent the evening writing. Cutting my cigarettes to one if it has any bearing on my ill-health. Read ? ?Journal of the Plague Year? (Defoe)'.

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

J.B. Priestley : Figures in Modern Literature

'Saturday, 11th April, Mother is still rather poorly. Dad has been before the beaks ! Short weight. The unchanging Dad. Clean forgets to send the wagon over the weighing machine. He was stopped before he had sold anything. Hard lines on the good old family name. The joke would have been complete if mother had been on the bench. Read ? ?Figures in Modern Literature? (J. B. Priestley)'.

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

William Makepeace Thackeray : English Humourists of the Eighteenth Century

'Tuesday, 13th April, Madge intending to call, decided to go to the Settlement to see Algy and his players. The rehearsal fell through however owing to the Settlement being crowded. Postponed to Friday. I walked down to the Ferry with Bal Lear, talking about the merits of the ?Observer? and Garvin?s leaders. The beautiful weather which has lasted, unbroken, for three weeks came to an end today. It looks as though summer had set in. Read ? ?English Humourists? (W. M. Thackeray)'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

unknown : unknown

'Wednesday, 21st April, Re my songs - I might do worse than listen in to the Shakespeare celebrations broadcast on Friday. I might get an idea from the London highbrows. At home reading'.

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

 : Manchester Guardian

'Thursday, 20th May The office has returned, for its diversion, to County Cricket and the Tests. Pat is an inexhaustible treasury of lore and anecdote on the subject. He talks of Noble, Clem Hill, Mc Claren, W.G.Lockwood? as I would talk of Holls and Tate. We all read ?Cricketer? (Neville Cardus) in the ?Manchester Guardian?.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Newspaper

  

 : Manchester Guardian

'Friday 28th May The Lloyd George ? Asquith split is a few days old now and it is easy to see that Lloyd George has come out on top. The ?Guardian? ?. ?New Statesman? etc. are with him and seem to consider Asquith?s letter was prompted by personal antipathy. The trouble has arisen over George?s critical attitude towards the Government during the General Strike and his contributions to the American Press on the subject.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Newspaper

  

 : New Statesman

'Friday 28th May The Lloyd George ? Asquith split is a few days old now and it is easy to see that Lloyd George has come out on top. The ?Guardian? ?. ?New Statesman? etc. are with him and seem to consider Asquith?s letter was prompted by personal antipathy. The trouble has arisen over George?s critical attitude towards the Government during the General Strike and his contributions to the American Press on the subject.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Newspaper

  

Sinclair Lewis : Our Mr Wrenn

'Thursday 3rd June ?Our Mr Wrenn? (Sinclair Lewis) I feel crushed with the amount of spare time work I have on hand but life is nothing without the fight. I feel I am slipping too much into cricket, and taking life too easily. Mr Milligan has asked me again to organise a Peace Week meeting on the 19th !!!' [Sinclair Lewis, the son of a doctor, was born in Minnesota in 1885. He entered Yale University in 1903 but left three years later to join Englewood, the socialist colony founded by the writer Upton Sinclair. In 1908 Lewis moved to New York where he became a freelance writer. His first novel, Hike and the Aeroplane was published in 1912 ? He died in Rome in 1951].

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Sinclair Lewis : Martin Arrowsmith

'Friday 4th June ?Martin Arrowsmith? (Sinclair Lewis). How many of my own questionings, disillusionments and hungerings are illustrated in this book. It has given me one of the worst fits of depression I ever suffered from. With the certainty I feel of being equal to big things, my inability to fight the circumstances that prevent me studying and preparing myself, makes me ache. Economics, literature, drama, social reform are only so many words to me, and yet I know that I could, with courage, make myself both an educated man and a social teacher. Well, I will try again.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

H.G. Wells : Short History of the World

'Sunday 20th June ? Short History of the World? - (H.G. Wells)'.

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Bret Harte : Jack Hamlin's Mediation

'Tuesday 22nd June ?Jack Hamlin?s Mediation?etc.. (Bret Harte) Wednesday 23rd June A quiet day today and then last thing, neurotic attack. Went and joined the Library today. They are hopelessly deficient in good stuff, either old or new, but still they carry lots of books otherwise inaccessible to me.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

R.H. Mottram : The Spanish Farm

'Thursday 24th June. ?The Spanish Farm? ? (R.H. Mottram). Our ?Robin Hood? Pageant tonight (250 present). I see the ?Daily Post? criticism on poor casting. Quite right too.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

 : Daily Post

'Thursday 24th June ?The Spanish Farm? ? (R.H. Mottram) Our ?Robin Hood? Pageant tonight (250 present). I see the ?Daily Post? criticism on poor casting. Quite right too.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Newspaper

  

Percy Wyndham Lewis : At the Sign of the Black Moon

'Saturday 26th June ?At the Sign of the Black Moon? ? (Wyndham-Lewis)'.

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Rose Macaulay : Orphan Island

'Wednesday 30th June. ?Orphan Island? ? (Rose Macaulay). Looked after the infants today while Teddie went to work. Then a walk in the evening and bringing my arrears of writing up to date. We must look Dad up tomorrow, he will be lonely and depressed.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Rose Macaulay : Orphan Island

'Thursday 1st July This has been one of those demoralising days when a late rising leaves one unable to make any use of the shortened day. We should have gone to see Dad but left it too late. However, I have finished ?Orphan Island? and so added a rich recollection to my sum of experience. It is a great book. Really Great. The whole idea is inimitably that of the author of ?Told by an Idiot?. Rose Macauley?s chief charm is the delightful sustained humour of her prose. Every word is charmingly quiet and sweet, and yet how devastating the satire and the irony. What a pity. I have to admit to being so hopelessly ?orphan? since she finds so little in them but noise and sentiment.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Arnold Bennett : Mr Prohack

'Friday 2nd July Teddie and I have managed to get up this morning. Here it is 10.30 and we have tidied up washed the supper dishes and I am waiting for breakfast reading Bennett?s ? Mr Prohack?. We got over to see Dad. He was not in but he left a note for me and we found him at the big Gilmore house cutting down the timber. There being no coal he has managed to purchase some of the timber in the garden as the house has been bought by the corporation as a housing site. He has to cut his wood down roots and all ? haul it to the yard, saw it and load it before it is ready for sale.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Arnold Bennett : Mr Prohack

'Monday 5th July I finished ?Mr Prohack? last night. A fine book but I did not take to Mrs P. nor even to Mr Bennett?s views on the feminine. I do not quarrel with them. I am not qualified to do so, knowing little of women, but if his representations are correct ? well, I hate the thought, it makes me a gloomy pessimist. Therefore I don?t think them correct.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

May Sinclair : Mr Waddington of Wyck

'Tuesday 6th July. ?Mr Waddington of Wyck? ? (May Sinclair). Back to the office today and find that young Reid has done pretty well. Kept my work fairly up-to-date. He has also kept quiet re-meeting my family last week. Smith is back too, after a quiet fortnight and he recommends Louis Golding to me. He (Smith) is reading ?Sicilian Noon?. I must try also that thing I have heard so much about ?Lolly Willowes? by Sylvia Townsend Warner. '

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

J.B. Priestley : The English Comic Character

'Wednesday 7th July. ?The English Comic Character? - (J.B.Priestley)'.

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

St Francis of Assissi : Little Flowers of St Francis

'Thursday 8th July I am enjoying ? between books - the ?Everyman? ?Little Flowers of St. Francis?, and find it very lovely if at times a little amusing. Cannot however stomach the bodily uncleanness of the ?out and out? Franciscans. It does not read well. The miracles are often very beautiful and often rather funny.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

William Shakespeare : Henry IV

'Saturday 10th July ?Henry IV? ? (Shakespeare ? bought it yesterday, Temple 2 vols)'.

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Sylvia Townsend Warner : Lolly Willowes

'Tuesday 12th July. I do not like ?Lolly Willowes?. [...] I do not like these fantastic things which suggest that they have something to tell which one is too stupid to discover. I am not stupid, and if a writer deliberately sets out either to obscure or to deliberately draw red-herrings across the track of analysis, then it is the author?s fault if the reader?s ideas do not coincide with the writer?s intentions. I do not know what ?Lolly Willowes? ?means?. If it is about witchcraft or the witch temperament or a peculiar eccentricity of outlook which may be termed the witch mind, well and good, But the fantastic flickering style of the prose, whilst delightful to read as poetic word sequences, annoys me when I desire to know how far the author desires to be taken simply and literally, and know the reader is expected to gather the point of the book or to exercise his own fancy on it. I can however understand the queer blurred effect of the world as seen by the reader through the heroine?s eyes. I have felt the world about me in similarly usual fashion, but what has this to do with witchcraft: Indigestion possibly.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

William Pett Ridge : Story Teller in London

'Monday 19th July ?Story teller in London? ? (Pett Ridge) This book is of the type that I enjoy when easy reading is the mood. To make almost personal acquaintance with famous personages, bohemians, politicians, writers, bon viveurs through the medium of the pen of an acquaintance. I like Ridge. I think he is undoubtedly the great Cockney of his generation and his description of office and suburban life are what I myself dream of as the pinnacle of literary perfection, which I would like to rise to. It appears he is quite a public man in South London and a Philanthropist.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Reg Berkeley : Unparliamentary papers

'Thursday 22nd July. ?Unparliamentary Papers? (Reg Berkeley). I am on my own in the luncheon hours now and find it difficult to escape boredom. I am as fond of conversation, provided it is not merely aimless, that to have to confine myself solely to reading and lonely observation is rather tiresome. I have had a rather jolly trip round the book-stalls today, though, and had I been other than broke, might have picked up one or two bargains.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Rebecca West : Return of the Soldier

'Sunday 25th July. ?Return of the Soldier? - (Rebecca West). A very sad book. The hero is rather imbecile as interpreted by the woman character who tells the story.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Benjamin Disraeli : Sybil

'Thursday 29th July ?Sybil? ? (Disraeli) [...] I went to see Mother tonight and completed the preliminary draft for my syllabus on the Historical novel.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

unknown : [Economics textbook]

'Friday 30th July. Had luncheon in the office today and stayed in reading my Economics. I am doing it more systematically this time. I hope I shall be able to keep it up as I know I shall find it interesting once I break through the crust of introductory chapters. When I have done a little of this groundwork it will make me able to understand and appreciate more exactly the work modern economists ? Keynes, Marshall, Webb, etc? This is an old ambition of mine. I hope to stagger through Marx some day.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Charles Dickens : Nicholas Nickleby

'Saturday 31st July. ?Nicholas Nickleby? - (Charles Dickens)'.

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Walter Jerrold : A Book of Famous Wits

'Sunday 1 August. ?A Book of Famous Wits? ? (Walter Jerrold). To see Smith with Monica. He comes home this weekend and seems quite normal and comfortable. I took some books with me and recommended the ?Stickit Minister? to him.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

unknown : unknown

'Monday 2nd August. We did not go out today, it being Bank Holiday. We stayed in, had a nice quiet day with some music, some reading, talk and smokes. Very satisfactory. There is a story in the book I am reading at present which I found interesting as seeming to point to Waterloo Bridge having been, before, a subject of just such controversy as rages round it at present. Story goes as follows ? It being remarked that some people were opposed to the building of Waterloo Bridge because it would spoil the river. Luttrell (a social figure of the late XVIIIth century) exclaimed, ?By Gad Sir, if a few very sensible people had been attended to, we should still be champing acorns. What amuses me is that people are now opposing the alteration and enlargement of the present structure on the grounds that its destruction will spoil the river!'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Hilaire Belloc : Pongo and the Bull

'Tuesday 3rd August. ?Pongo and the Bull? ? ( Belloc)'.

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

George Moore : The Untilled Field

'Saturday 7th August ?The Untilled Field? ? (George Moore)'.

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

H.W. Nevinson : Between the Acts

'Monday 9th August. ?Between the Acts? ? (H.W. Nevinson). Pat is away now and we are feeling the pinch already. I have got a batch of my syllabus correspondence away, thank goodness. I still cannot find a good book dealing with the period of the VII and VIII Henries. It is curious since it was a period of great change and development, much active and intellectual life and considerable alteration in the manner of life of our people. No good novelist seems to have treated of it, however.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

J.H. Shorthouse : John Inglesant

'Monday 16th August ?John Inglesant? ? (J.H. Shorthouse). I finished Sybil and think it certainly is a fine book for our syllabus purposes.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Benjamin Disraeli : Sybil

'Monday 16th August ?John Inglesant? ? (J.H. Shorthouse). I finished Sybil and think it certainly is a fine book for our syllabus purposes.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Walter Besant : For Faith and Freedom

'Thursday 19th August ?For faith and Freedom? ? (Walter Besant)'.

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Edna Lyall : To Right the Wrong

'Monday 23rd August I was more than usually disgusted with the ?Mail? for blatantly howling of our ?recovery of the Ashes? on a poster. On the street of one poor game out of five! A result due to our refusal to play them out. ?To Right the Wrong? ( Edna Lyall)' .

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

 : Daily Mail

'Monday 23rd August I was more than usually disgusted with the ?Mail? for blatantly howling of our ?recovery of the Ashes? on a poster. On the street of one poor game out of five! A result due to our refusal to play them out. ?To Right the Wrong? ( Edna Lyall)' .

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Newspaper

  

 : Courier

'Tuesday 24 August The ?Courier? poster today says ?World mourns Rudolph Valentino? ! It makes me glad he is dead, since he has become a tool whereby the press can reduce such a bulk of the public into maundering, talk-fed imbeciles.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Poster

  

Alexander Pope : The Dunciad

'Thursday 26th August Pope?s ?Dunciad? This is a week of work. Real graft. Diaries, even of small sketchy nature as this must remain to some extent neglected. One easily fills the spaces of course. But there is not the energy for choosing the peculiarity of the day?s happenings on thought, that will make the entry worth while.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

William Makepeace Thackeray : Esmond

'Friday 27th August I bought ?Esmond? and ?Westward Ho!? today and started to read the former. Why is Thackeray suffering from a decline? He is the best of them, easily. What novelist is there to rival him in the nineteenth century? Dickens, perhaps, in greatness, but there is no comparison between their writings, they are so completely different from each other. There is no standard, and no need for one. I picked up for 6 cent. a little ?Selected works of Pope. With the ?Dunciad? ?The Rape of the Lock?, ?Essay on Critism?? Fine!'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Walter Scott : The Fortunes of Nigel

'Thursday 2nd September ?Fortunes of Nigel? (Walter Scott)'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Thomas de Quincey : Confessions of an English Opium Eater

'Tuesday 7th September ?English Opium Eater? (De Quincey)'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Charles Kingsley : The Heroes

'Friday 10th September Today my friend Pat bought Kingsley?s ?Heroes? for Monica. I am reading it myself and then it goes away, to be out on her shelf, which I am planning with some thought, and, I hope, taste for childish requirements. It would make a nice subject for an essay. Teddie and I already have following for our childrens? bookshelf ? Kinsgley?s ?Heroes?, ?Alice in Wonderland? and ?Through the Looking Glass?. A complete ?Hans Andersen? also a selection, beautifully illustrated by Dulac Lamb?s ?Tales from Shakespeare? and Hope-Moncrieff?s ?Classic Myth and Legend?. It is a fairly good beginning.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

James Branch Cabell : Jurgen

'Sunday 12th September ?Jurgen? (James Branch Cabell)'.

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

C.E.M. Joad : Thrasymachus

'Monday 13th September ?Thrasymachus? (C.E.M. Joad)'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Xenophon/Plato : Socratic Discourses

'Saturday 18th September ?Socratic Discourses? Plato & Xenophon (Everyman) I have had the companion ?Five Dialogues on Poetic Inspiration? for a long time and was glad to spot this'.

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Ashley Thorndike (ed.) : Minor Elizabethan Drama

'Monday 20th September ?Minor Elizabethan Drama? (Everyman)'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

"Bartimeus" : The Long Trick

Sunday 26th September ?The Long Trick?, - ?Bartimeus? A delightfully quiet day at home. Reading and writing. Had an hour or two at the piano and showed form. I like ?Bartimeus? ? in the mood. He is delightfully humorous in a somewhat lugubrious manner.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Walter Scott : Ivanhoe

'Thursday 30th September ?Ivanhoe? (Walter Scott) Late work still the order of the ? night. All is still confusion and chaos. My life at present is a tale of mugging away at my desk. I read a book on my way down town. Have a little brisk conversation with Smith in the luncheon hour ? if he is in town, or a walk round the book shops if he is not. Another little talk with Pat over our evening coffee. A few laughs during the day at Blowers? profanity or Lauson?s buffoonery. Then home to a meal, a short read, a little writing and bed. I seldom see the children except on Sundays.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

unknown : The Golden Glory

'Monday 4th October ?The Golden Glory? ( ? ) A great yarn this.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Charles Kingsley : Westward Ho!

'Monday 11th October ?Westward Ho!? (Charles Kingsley)'.

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Tobias Smollett : Roderick Random

'Thursday 14th October ?Roderick Random? (T. Smolett)'.

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

H.G. Wells : The New Machiavelli

'Friday 15th October. Bought ?The Picture of Dorian Grey? in the Paris edition and the ?New Machiavelli? Benn?s new uniform edition of Wells. The latter are easily the most beautiful cheap editions I have seen and I intend to get the pick of them. ?Kipps? next and ?Mr Polly?. Monday 18th October. ?The New Machiavelli? (H.G. Wells).'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

H.G. Wells : The New Machiavelli

'Wednesday 20th October. Rehearsal ? ?Brothers B.?. Did not go to rehearsal but went home to have a quiet evening and read ?Machiavelli?. Some day I must put my thoughts on this book on to paper. I feel at present as though it might help me very materially in some respects, on my own path in life. I think in the sex problem the hero is somewhat similar in make-up to myself. Whilst his intellectual activities are but my own magnified. This, I will qualify and explain to myself when I finish the book.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Henry N. Brailsford : War of Steel and Gold

'Wednesday 3rd November. ?War of Steel and Gold? ? (Henry. N. Brailsford).'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

May Sinclair : The Tree of Heaven

'Saturday 6th November. ?The Tree of Heaven? - (May Sinclair). Bad day on the Round, but Dad has done well. Mother is ill and expect to have to go to hospital. We yarned about the Aldermania elections. If the Labour Party in Birkenhead watch their step they will have a majority after the Alderman elections.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

J. Maynard Keynes : The End of Laissez Faire

Monday 6th November. ?The End of Laissez-Faire? - J. M. Keynes. Busy today as usual. My latest book,[Keynes] is very interesting; it is quite a declaration of belief and gives some typically tentative and nervous signs of Keynes position. I think he realises that his attitude requires considerable modification. He has found and knows the truth, but is afraid to realise it. He tries to cover it up from himself by ineffectual qualifications.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Thomas de Quincey : Confessions of an English Opium Eater

'Thursday 11th November. ?Opium-eater? again.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

 : New Leader

'Saturday 20th November. I do not care much for the new form of the ?New Leader?. It is the useless hopeless propagandist rag. It is a shame, when under Brailsford it was one of the finest political reviews in the country.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Serial / periodical

  

Edward Gibbon : Decline and Fall of the Roman Empire

'Sunday 28th November ?Decline and fall? (Edward Gibbon).'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Edward Gibbon : Decline and Fall of the Roman Empire

'Tuesday 7th December. "Decline and Fall? ? Vol. 2'.

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

W.W. Jacob : The Castaways

'Thursday 9th December. ?The Castaways? ? (W.W. Jacob)'.

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Victor MacClure : The Boost of the Golden Snail: A Fantasy of London

'Monday 13th December ?The Boost of the Golden Snail? ? (Macclure)'.

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Sabine Baring-Gould : Cheap Jack Zita

'Tuesday 14th December. ?Cheap Jack Zita? (Baring Gould)'.

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Eugene Labiche : Le Voyage de M. P?rrichon

'Friday 17th December. French Class again tonight. I don?t know whether they liked me last time. Took Mother?s class. Only 3 present. Rather jolly. I think I could teach French if I did a little preliminary grinding at grammar. They are doing Themoin?s method and reading ?Le Voyage de M. P?rrichon?. I?d like to do this on the stage. I don?t know of anything quite so funny in English drama.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Charles John Cutcliffe Wright Hyne : The Rev. Captain Kettle

'Saturday 18th December. ?Rev. Captain Kettle? ? (Hyne)'.

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Romain Rolland : Au dessus de la m?l

'Monday 20th December ?Au dessus de la m?l?e? ? (Romain Rolland). This is the first time I have managed to get hold of this book. Mother was very friendly with Madeleine Rolland, the author?s sister, during our stay in Paris, during the war. I find it interesting, but only as a good sketch of fine pacifist thought, but even more as a vivid reproduction of that almost forgotten period ? the war ? and the extraordinary chaos in which mind and intellect were swallowed up over three quarters of Europe.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Romain Rolland : Au dessus de la m?l

'Wednesday 22 December. I have just finished ?Au dessus de la M?l?e?. It revives all my anger at the treacherous laziness of those who experienced the war, in failing to preach the gospel of ?never? again. Why, why do we let the governments go on? Secret diplomacy, concession hunting, financial wrangling. Calculated ?inspiring? of the press. It is horrible. I used to believe the Press to be sincere, if misguided. But I have been reading the ?Mail? lately, and the easily recognizable note of sincerity is absolutely lacking.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Edward Whymper : Scrambles among the Alps

'Saturday 25th December. ?Scrambles among the Alps? (Whymper) Trying to get the proper atmosphere in a snow-less Christmas. Certainly, if any book could give it, it is this one. Today has been rather a bore. The usual heavyweight dinner made everybody too somnolent to allow of any attempt at enjoyment. So we slept and read and ate and ? finally ? slept.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Mary Johnston : By Order of the Company

'Monday 27th December. ?By Order of the Company? (Johnston)'.

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Rudyard Kipling : Plain Tales from the Hills

[List of books read in 1926] '"Autocrat of the Breakfast Table" (Holmes), "Plain Tales from the Hills" (Kipling), "History of Florence" (Machiavelli), "Essays in Socialism" (Belfort Bax), "Socialism: Critical and Constructive" (J.R. Macdonald), "Trimblerigg" (L. Houseman), "Peer Gynt" (Ibsen), "A Chair on the Boulevard" (L. Merrick), "Brand" (Ibsen), "The Long Roll" (M. Johnston), "Compleat Angler" (I. Walton), "Omoo" (H. Melville), "Shorter Poems" (M. Prior), "Notre Coeur" (G. de Maupassant), "Barry Lindon" (Thackeray), "Path to Rome" (Belloc), "The Americans" (Henry James), "Four Georges" (Thackeray), "Memoirs of the Crusades" (Villehardouin & de Joinville), "Journal to Stella" (Swift), "Hamlet" (Temple Shakespeare), "The Eye Witness" (Belloc), "Almayer's Folly" (Conrad), "Tartarin sur les Alpes" (Daudet), "The Tragedy of Education" (Edmond Holmes), "La Peur de Chagrin" etc (Balzac), "Life of Nelson" (Southey), "Les Fr?quentations de Maurice" (Sidney Place), "Journal of the Plague Year" (Defoe), "Figures in Modern Literature" (J.B. Priestley), "English Humourists" (Thackeray), "Frank Mildmay" (Marryat), "Polar Exploration" (Buck), "Cricket and Cricketers" (Philip [illegible]), "The Sowers" ([illegible]), "Our Mr Wrenn" (Sinclair Lewis), "Martin Arrowsmith" (ditto), "Short History of the World" (H.G. Wells), "Jack Hamlin's Mediation" etc (Bret Harte), "At the Sign of the Blue Boar" (Wyndham Lewis), "Orphan Island" (Rose Macaulay), "The Spanish Farm" (R.H. Mottram), "Mr Prohack" (Arnold Bennett), "Told by an Idiot" (Rose Macaulay), "Mr Waddington of Wyck" (May Sinclair), "English Comic Characters" (J.B. Priestley), "Henry IV" (Temple Shakespeare), "Lolly Willowes" ( ? ) [Sylvia Townsend Warner]'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

H.G. Wells : A Modern Utopia

'1st January- Saturday I have made no New Year resolutions, and so have none to keep. This might, thus, be an exemplary year for me, from my contrarily carrying-out all the resolutions I have not formed. ?A modern utopia? ( H.G. Wells ).'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Harold Brighouse : Captain Shapely

'4th January ? Tuesday. ?Captain Shapely? Harold Brighouse. A well- written yarn this. Very, very entertaining, and in a style I like. No superfluous verbiage.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Gerald Moore : [list of books read in 1926]

'5th January ? Wednesday. I have taken out a list of the books I read last year; they total 83. Not so bad, considering that I always read the books I start on.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

J.H. Shorthouse : John Inglesant

'11th January, Tuesday. ?John Inglesant? ? (J. H. Shorthouse). I notice a report of a speech by Dr. Norwood in this morning?s Liverpool Post. I am amazed to note how he seems to take war in China for granted, as merely inevitable and spends his time appealing to the Powers ?not to gather in a spirit of spoliation?, after the conflict! Already! And this, from a leading Pacifist, and League of Nations speaker. How can it be thought surprising, that the ordinary people, spending too much time earning their bread and butter to allow of deep thought, should succumb easily to waves of jingoism, when the prophet and leaders themselves, the most steady of the press, the most earnest of clerics are already braying compromise, within ten years of the World War.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

 : Liverpool Post

'11th January, Tuesday. ?John Inglesant? ? (J. H. Shorthouse). I notice a report of a speech by Dr. Norwood in this morning?s Liverpool Post. I am amazed to note how he seems to take war in China for granted, as merely inevitable and spends his time appealing to the Powers ?not to gather in a spirit of spoliation?, after the conflict! Already! And this, from a leading Pacifist, and League of Nations speaker. How can it be thought surprising, that the ordinary people, spending too much time earning their bread and butter to allow of deep thought, should succumb easily to waves of jingoism, when the prophet and leaders themselves, the most steady of the press, the most earnest of clerics are already braying compromise, within ten years of the World War.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Newspaper

  

J.H. Shorthouse : John Inglesant

'13th January, Thursday. ?John Inglesant? ( J.H.Shorthouse). I am re-reading this, not only because it is one of the most wonderful books I have come across, but because the wonderful earnestness of it, and the vision of life it gives me, inspire me in my own small concerns. I wonder if I myself, am doing a measurable good in my activities?'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Sidney and Beatrice Webb : The Decay of Capitalist Civilisation

'18th January, Tuesday. ?The Decay of Capitalist Civilisation? (S & B Webb) I was up till late last night finishing my paper for Wednesday.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

George Eric Paterson : poems [unspecified]

'20th January, Thursday. Pat has given me a number of his poems for the ?Two Houses?. [a magazine of which Gerald Moore was the editor] I had to smile at finding again the classic influence which inspires his every thought. He writes in the style of a man whose reading lies in the works of Shakespeare, Milton and the Golden Age.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Manuscript: Sheet

  

H.G. Wells : The Dream

'30th January, Sunday. I had to stay at home today to do my washing for the forthcoming week, and to put the rooms to rights. ?The Dream? (H.G. Wells).'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Israel Zangwill : King of the Schnorres

'2nd February, Wednesday. I have been reading Zangwills, ?King of the Schnorres? and some other yarns of his. He is a most ingenious, and a most humorous writer. He is another of those authors who make me wonder why the ordinary reader wastes time on cheap rubbish. Here is a book, one of hundreds, which is as entertaining, as quick moving, and dramatic as any one can desire, and yet I doubt if it can hold place with B.M. Bower, Ethel M. Dell, Elinor Glyn, Zane Grey and the other tripe-mongers.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

 : Roll of Honour of soldiers killed in the First World War

'6th February, Sunday. We paid a visit to the church. As usual, it being a familiar object to me, I have taken little notice of it, and never been inside it. It is of course a very old foundation, but the present fabric is quite modern. Considering its appearance of size from the outside, mainly due I think to the very tall, square tower, it is a remarkably small church. Extremely simple, in fact quite plain, apart from some carved woodwork. The one feature which we found noteworthy was the two rolls of honour, commemorative of those who fell in the great war. The one, an ornate brass reserved for commissioned officers, the other of plain wood badly carved with the names of privates and non-coms. Oh, the Lessons of the Great War!'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book, Plaque

  

 : Advertisements in French

'18th February, Thursday. The packet steamed into the harbour backwards. Another rush across the quay and through the Customs Shed ? pas d?emb?tements ? and, having found and bagged our sets, we had a twenty minutes stroll on the platform. And oh, the fun of it! Listening to the talking and shouting in French, reading the notices and advertisements, noticing again the queer lowness of the platforms and the two or three steps up to the train. Then away to Paris through the flats of the Pas de Calais.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Advertisement

  

 : menu in French

'19th February, Saturday. The Governor having gone off at one for a tour round the sights with Mr Leclerege, I had the afternoon to myself. I luncheoned with Uhlig and Frorup at the restaurant Marre, rue d?Hauteville, and began my re-education in menu reading. Took to ?vin rouge? again very naturally!'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: menu

  

H.G. Wells : The Invisible Man

'23rd February, Wednesday. This evening after dinner, I flitted from the splendour of the ?Grand? to the hospital-coldness of the little Hotel Cronstadt in the Quartier Convention. Wrote to Teddie and Mother. In bed I read a French translation of Well?s ?Invisible Men?. Which is about all the literature Muggridge possesses, and then went to sleep very willingly, being horribly homesick. I am so alone in this vast city.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

 : Le Sourire

'26th February, Saturday. Finally, succumbing to a morbid desire to get away from people I went off ?home? and read till dinner time. Muggridge having lent me a few numbers of ?Le Sourire?, I went steadily through the lot, with, I?m sure, typically British enjoyment of Gallic humour. I suppose I shall shake off this feeling of ?surreptitiousness? of ?shamefacedness?. I hope so, it?s so damnably idiotic and smug'.

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Serial / periodical

  

Claude Farr?re : Les Civilis

'17th March, Thursday. The books in my room are an interesting lot, and I will be able to resume reading. I have almost given it up since I came to France. Now, to bed. I will start with ?Les Civilis?s? by Claude Farr?re, it looks light and bright enough to start on.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Anatole France : Jocaste et le Chat Maigre

'19th March, Saturday. Spent the afternoon reading and lounging. [...] ?Jocaste? and ?Le Chat Maigre? A. France.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

V. Marguerite : La Gar?onne

'29th March, Tuesday. ?La Gar?onne? V. Marguerite. 30th March, Wednesday. These last few days I have been reading Marguerite?s ?La Gar?onne?. I am disappointed. Instead of an exciting chronicle of debauchery, full of hints on sex-relationship, I find it simply a rather vigorous, but incurably sentimental treatise on Malthusianism. One or two of its scenes are realistic in the strictest sense, but for the rest, his heroine is a most romantic young lad who finishes up by falling in love properly and setting up in matrimony. But then I have always found the French sentimental.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Emile Zola : Une Page d'Amour

'15th September 1928. Reading Zola today (Une Page D?Amour). A book surprisingly different from, and somehow weaker than ?La Terre?, but also one of the Rougon Macquard series. It seems to be only a sort of sketched-in incident, a bit of relief to the greater volumes. A great book, none the less, and a little less strained in the stressing of the hastily obvious. Zola is too inclined to describe to his readers certain habits of mankind, which they know quite as well as he. He does not seem to understand that it is just this fact that causes the less ?realist? author to leave them out.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Cecil Chesterton : History of the United States

'16th September 1928 I am now re-reading Chesterton?s ?History of the United States?. I have never been able to acquire the habit of taking notes when reading a book, even such a student?s book as this really is, but I think I will try and do so for once. The book is, of course, to a great extent the expression of a personal view, but much of the thought it contains as I think extremely true and valuable. I like it generally speaking.' I find it agrees with my own conception of American racial temperament and American institutions, while the descriptive history is vivid and exciting. A very jolly book. I do not think Cecil Chesterton a great writer, but he is a hard and coherent thinker, and has a flair for infusing movement and life into his book.

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

 : Le Journal

'17th September 1928. The Geneva conference between the six powers has ended in the happy decision that the Rhineland evacuation question may now be discussed. Good God. What have they been doing all these years? The session of the league has been so overshadowed by this vicious and farcical conference that it has hardly appeared in the press, and not at all in the paper I have been buying the last few days ? ?Le Journal?. The end is not far off. I suppose the League will exist until the next war breaks it, but its power is ebbing fast. In fact, from a diplomatic viewpoint it is dead. What a chance has been lost, and how culpable are those statesmen who by this attitude and their actions have willed it so.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Newspaper

  

W.W. Jacobs : The Castaways

'17th September 1928. [...] The new piece by Maurice Rostand is getting a very favourable press and I would like to see it. It is entitled ?Napoleon IV? and is about Prince Louis-Napol?on who was killed in the Zulu war. I always remember him as the very fat man in one of mother?s picture books. When I was very young he afforded me much amusement. I have been reading Jacobs between chapters of American history. ?Deep Waters? and ?The Castaways? ?.. (W. W. Jacobs)'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

W.W. Jacobs : Deep Waters

'17th September 1928. [...] The new piece by Maurice Rostand is getting a very favourable press and I would like to see it. It is entitled ?Napoleon IV? and is about Prince Louis-Napol?on who was killed in the Zulu war. I always remember him as the very fat man in one of mother?s picture books. When I was very young he afforded me much amusement. I have been reading Jacobs between chapters of American history. ?Deep Waters? and ?The Castaways? ?.. (W. W. Jacobs)'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Cecil Chesterton : The History of the United States

'17th September 1928. [...] The new piece by Maurice Rostand is getting a very favourable press and I would like to see it. It is entitled ?Napoleon IV? and is about Prince Louis-Napol?on who was killed in the Zulu war. I always remember him as the very fat man in one of mother?s picture books. When I was very young he afforded me much amusement. I have been reading Jacobs between chapters of American history. ?Deep Waters? and ?The Castaways? ?.. (W. W. Jacobs)'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Fyodor Dostoevsky : Crime and Punishment

'19th September 1928 (Wednesday) I have got nearly all my books home from the office now. It is a lengthy job, bringing them in two?s and threes, but I have had enough of lugging suitcases full of books. Nothing in the papers today except ?last words? on the ?6? power conference. ?Le Crime et le Chatiment? - (Dostoivesky); translated Victor D?r?ly'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

 : Le Journal

'20th September 1928 (Thursday). I note that one of the Swiss Cantons has passed a law enforcing the sterilisation of ?mentals?, this brings a long discussed question on to the tapis (carpet), and perhaps we shall now have a proper expression of opinion from the experts as to the practicality of such a measure. An article by a doctor in the ?Journal? states that the medical opinion is ?against? it being a doctor?s duty not to accept the defeat that such a measure implies but to work for a destruction of the evil by purely curative means. And meantime, humanity?'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Newspaper

  

Rudyard Kipling : Letters of Travel

'22nd September 1928 (Saturday). I have started to read Kipling?s ?Letters of travel? again. I am very fond of this book although the slabs of jaunty, impatient, imperialism become rather monotonous. Still, the splendid descriptive power that the book betokens, make it excellent reading. The ?sentiments? are too well known, and too familiar to jar now to any appreciable degree. It is a curious contrast that in a book very slight in itself, with little thread or cohesion, the phrasing should be so powerful. I suppose Kipling?s long experience in ballad-mongering stands him in good stead.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

 : The New York American

'22nd September 1928 (Saturday). The cat is out of the bag over the Anglo-French naval pact. One of the Hearst papers, ?The New York American? has got hold of a letter from the Quai d?Orsay to the Embassies in which it appears quite clearly that the pact is merely an agreement between France and England to terms regarding limitation, ruling out further discussion of the different view point held by the States. Naturally, the States regard this as a hostile move, particularly in view of the stupid secrecy of it. Their cruiser programme suspended a year ago at the beginning of the discussion is now to be proceeded with, and the ?Big Navy Group? will be crowing.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Newspaper

  

Thomas Vladesco : [article on Henrik Ibsen]

'28th September 1928 (Friday). I have been reading an article on Ibsen by Thomas Vladesco in the ?Mercure de France?. The writer sets out to prove Ibsen a bon bourgeois, a person with a wholesome respect for human institutions who merely created ?characters? and balanced individualisms. Whilst to my mind, thus denuding Ibsen of all the greatness, which the world has attributed to him, the writer claims rather to be clearing him of false and foul charges of anarchism, so heightening his renown by a purification of his ideas and intentions. The article is a rank failure. The writer proves nothing, ?clears? Ibsen of all sorts of ?charges? which no thinking reader makes against him, and gives him a philosophy, small, and shallow, which a most superficial acquaintance with his work would show to be untrue of the dramatist. Even the oft repeated claim that he belauds individualism is unsound. What Ibsen does do is to show in ?Peer Gynt? and in ?Brand? that both by individualistic and by self-effacing methods of life man fails to attain the goal. Man?s end is failure (though perhaps a great failure). He sets the question and there leaves it. Ibsen is a questioner. In that, Shaw goes beyond him, for Shaw has always an answer though it is Shaw?s answer.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Newspaper

  

Romain Rolland : Jean Christophe

'30th September 1928 (Sunday) We saw the Clichy party to their tram, then [illegible] Henry and I had a coffee at the Express du Havre and finally parted for home at 11.45. A good day. I brought away the 1st book of Romain Rolland?s ?Jean Christophe? and devoured half of it before going to sleep.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Romain Rolland : Jean Christophe

'1st October 1928 (Monday). Dug further into ?Jean Christophe? in the Luncheon hour. Am thoroughly enjoying this great book. I hope the other volumes are as good as ?L?Aube? though Mme. Bisseux thinks not. ?Jean Christophe? (1st ?L?Aube?) Romain Rolland'.

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Romain Rolland : Jean Christophe

'2nd September 1928 (Tuesday) Sunday?s ?Observer? suggests a clean break with the line of diplomatic action brought to light by the revelations regarding the Anglo-French naval pact. Even the old ?Observer? admits that England has only just missed dealing the foulest blow at the cause of international peace since the war. America is wholly on the qui vive now especially as the Presidential elections are in full swing and the pact is getting the fullest possible publicity. It is curious that their note on the subject should be so restrained. Either they are in earnest in their pacifist pretensions or they are so sure of the failure of any negotiation that they are willing to risk a big bluff. England has not come off very well out of either the League session or the Pact fiasco so let?s hope that Chamberlain?s diplomacy has suffered a final setback. [...] Finished Rolland?s book.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

 : The Observer

'2nd September 1928 (Tuesday) Sunday?s ?Observer? suggests a clean break with the line of diplomatic action brought to light by the revelations regarding the Anglo-French naval pact. Even the old ?Observer? admits that England has only just missed dealing the foulest blow at the cause of international peace since the war. America is wholly on the qui vive now especially as the Presidential elections are in full swing and the pact is getting the fullest possible publicity. It is curious that their note on the subject should be so restrained. Either they are in earnest in their pacifist pretensions or they are so sure of the failure of any negotiation that they are willing to risk a big bluff. England has not come off very well out of either the League session or the Pact fiasco so let?s hope that Chamberlain?s diplomacy has suffered a final setback. [...] Finished Rolland?s book.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Newspaper

  

Rudyard Kipling : Letters of Travel

'3rd October 1928 (Wednesday). Late to work, naturally. Although tired, put in a good day?s work and returned home hungry as a hunter. Finished ?Letters of Travel? which has been hanging fire. To bed early.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Nikolay Vasilevich Gogol : Taras Boulba

'6th October 1928 (Saturday). So I finish my day, after an abundant dinner reading ?Taras Boulba? (Gogol) - translated by A. Potogky- Stchekotikhina. Scripta Manent Edition.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Leo Tolstoy : unknown

'Saturday 13th October 1928. After dinner went with Mme. and George to Romainville to hear Georges Pioch on Tolsto?. [...] Queerly enough, though Pioch himself is a Tolstoyan and though his speech showed the bias, it seemed to strengthen the instinctive dislike, which I feel for Tolstoy the man. I can admire and be troubled by his theories. I can find his works wonderful, and yet I dislike Tolstoy. His personal arrogance, his obvious sense of superiority to all the individuals with whom he comes in contact does not square with his humility in face of that which are abstractions ? the People. Again, he is too much the propagandist. He squares the circle too perfectly. He seems drunk with logic in his propagandist books. These things always make me suspicious. I do not believe that life can be simplified like that, that it can be governed by half a dozen rules of conduct. I believe that life is essentially a thing of endless complication, endless contradiction, a machinery of compromises, a picture composed of endlessly varied halftones. It is probable that I do not properly appreciate the Tolstoyan argument, but so far as my comprehension permits and my own knowledge, I am no Tolstoyan.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Romain Rolland : Vie de Tolstoy

'Monday, 15th October 1928 ?Vie de Tolstoy? (Romain Rolland)'.

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

H. Barbusse : La Clart

'24th October 1928. Late to work. Hurried letter from mother asking me to obtain for her 10 copies of ?la Vie Litt?raire? (Cours Moyen). The publishers are Alcyde Picard, and mother gave me his address as 18, rue Soufflot. On my going there, however, I found that his address is actually rue Hautefeuille. [...] I got the books and posted them off although the money was only sufficient for seven and I could not supplement it being ?a sec?. ?La Clart?? (H. Barbusse)'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Serial / periodical

  

Claude Anet : La Rive d?Asie

'27th October 1928 (Saturday) ?La Rive d?Asie? (Claude Anet)'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

 : Birkenhead Advertiser

'30th October 1928. I received my first parcel of papers from Mother today. The ?Birkenhead Advertiser?, the ?New Leader?. How funny the Advertiser seems to me reading it in the atmosphere of this great city. These columns of local gossip, and the accounts of football matches between such teams as the Cement Works and the Municipal employees. How do we manage to take ourselves so seriously.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Newspaper

  

 : New Leader

'30th October 1928. I received my first parcel of papers from Mother today. The ?Birkenhead Advertiser?, the ?New Leader?. How funny the Advertiser seems to me reading it in the atmosphere of this great city. These columns of local gossip, and the accounts of football matches between such teams as the Cement Works and the Municipal employees. How do we manage to take ourselves so seriously.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Newspaper

  

George Bernard Shaw : Back to Methuselah

'1st January 1929 (Tuesday) In the eveningthe usual German sing-song. I to bed early. Re-reading ?Back to Methuselah?. ?Back to Methuselah? (George Bernard Shaw)'.

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

George Bernard Shaw : Back to Methuselah

'4th January 1929. ?Back to Methuselah?. G. B. Shaw'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

W.J. Locke : [?] The Usurper

'6th January 1929. After tea Mrs Webster started knitting a jumper and we ?boys? read. My literature was a book by W. J. Locke, the title of which slips my mind (a fair index to the books worth), but I think it was ?The outcast?.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

John Galsworthy : Beyond

'7th January 1929 Monday. This evening reading a book bought from Raincy, and writing to Teddie. ?Beyond? Galsworthy.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

John Galsworthy : Beyond

'8th January 1929 ?Beyond? is a charming book. Sad both in its story and in the writer?s outlook, it is yet most delightful reading, and a most beautiful argument. It is a story of love and marriage, that has but few bright spots in the actual events of the narrative, and yet would make anyone long to love in the heroic, ?int?grale? manner of its heroine. To be either the subject or the object of such a passion would make a full life, with reference to the years of its duration.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Henry Bordeaux : Robe de Laine

'12th January 1929. During the afternoon I read Bordeaux?s ?Robe de laine?, but not with much enjoyment. I do not care for Bordeaux though I do not know why.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

 : Excelsior

'13th February 1929 I note from ?Excelsior? that the ?Kings? or their representatives, the princes and princesses allied to the French Royal house have arrived at the Palais d?Orl?ans in Palermo for the marriage of the Princesse Fran?oise. What a game. It must be far more amusing to be a wealthy exile than a crowned king. This is the one-time home of Louis ? Philippe. Much in the papers today about the agreement between Mussolini and the Pope. The ?Era Nouvelle? sees in it a recognition by the Pope of Fascism. A deadly alliance. '

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Newspaper

  

Arthur W. Pollitt : The Enjoyment of Music

'16th February 1929. ?Appreciation of music? (Pollitt)'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Romain Rolland : Les Amis

'17th February 1929 (Sunday). After a long and very cosy dinner I started for home. I missed the train owing to my having to climb the great gate as B. had forgotten his key. Stayed in a little caf? until 11.35, and then home very tired. I brought away (Jean Christophe)? ?Les Amis?. This is the second of this series which I have read.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Romain Rolland : Les Amis

'24th February 1929 (Sunday) Finished reading ?Les Amis? before luncheon. Rolland is the most ?beautiful? writer I know and this book is as good as his best. I would like to have all his works and to read the whole of this ?Jean Christophe? series. After luncheon I read ?Dorian Gray? for a while, then a light tea, and off to Levallois. Stopped at Gare St. Lazare for my papers, ?Le Temps?, ?Observer? and ?Monde?.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Oscar Wilde : The Portrait of Dorian Gray

'24th February 1929 (Sunday) Finished reading ?Les Amis? before luncheon. Rolland is the most ?beautiful? writer I know and this book is as good as his best. I would like to have all his works and to read the whole of this ?Jean Christophe? series. After luncheon I read ?Dorian Gray? for a while, then a light tea, and off to Levallois. Stopped at Gare St. Lazare for my papers, ?Le Temps?, ?Observer? and ?Monde?.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

 : Le Temps

'25th February 1929 (Monday). Still at home, but hope to return to work tomorrow. A quiet day, reading the papers, and writing a little. The ?Temps? has an editorial on the ?expos?? of Bulgarian foreign policy made by Mr Burcof to the Sobrani?. The main text is, of course, the Serbo-Bulgar rapprochement. It is amusing to note how the ?Temps? applauds the movement for Balkan solidarity as a check on the dividing intrigues of certain foreign influence. Said influences probably Italy, Germany and perhaps Russia. No mention of France?s intensive campaign to establish a preponderating ?influence? in furtherance of her encirclement policy against Germany, and the creation of a counter-balance to the growing force of Italy.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Newspaper

  

 : Le Journal

'26th February 1929. No paper today owing to state of finances. From Friday?s ?Journal? I note that the historic Tacna and Arica dispute has been settled. Peru takes Tacna and Chili Arica. Why couldn?t they have thought of that in 1883? Each wanted all, presumably, and hang on in hopes of getting it. Alsace Loraine, Schlewig, Upper Silesia ? all the same old story.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Newspaper

  

 : Le Matin

'27th February 1929. Paris is having a gay old time following the dispute between the luck of the press and M. Coty. Yesterday, Coty came out with a four column poster the size of a house triumphing over a verdict in the courts. Today the ?Matin? replies in kind. I love this French poster warfare. The ?Matin?s? claim that Coty must subsidise his paper in order to sell at 10c sounds rather more than reasonable, but for the ?Matin? to complain about subsidised newspapers is rather cheek if certain generally accepted rumours are to be believed. Still he has a neck to demand that the rest of the press come down to his price. Every one has not a huge private fund from which to stand the losses of a big newspaper. The ?Matin? says that the English National Citizens Union have passed a resolution asking the Government to legislate for the sterilisation of ?mentals? and incurables. So it has got as far as popular politics. Something will be done yet.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Newspaper

  

 : [Road sign]

'3rd March 1929. At Montmartre. I promised to conduct the latest pensionnaires over Montmartre when they first arrived. Foreigners are always in a hurry to see Montmartre. So today we went up to the Place Pigalle and examined the boulevard exteriors from the ?Abbaie? to Weppler?s. Afterwards up the rue Lepic, where I related what I know of the street?s gruesome past, by the Moulin de la Galette to the Place du Tertre. From the front of the Sacr? Coeur we endeavoured to see something of the famous view but there was too much mist. We laughed at the notice to motorists ?Ralentissez; attention aux Petits Poulbots?. (Slow down, watch out for the Petit Poulbots). [Francisque Poulbot is one of the most famous French illustrators, especially illustrators of children. Poulbot is particularly known for his drawings of Paris street urchins. Poulbot loved to draw these children as shameless, and often malicious jokesters. Most of his work was published in the 1900s-30s]

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Road sign

  

Pierre Benoit : Atlandide

'5th March 1929. Papers from mother, with an account of the opening of the new girls? Secondary school. A very fine building. Photo of mother as one of the council notables. Finished ?Atlandide? (Pierre B?noit). It is a good story, excellently told, and an immense improvement on Rider Haggard.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Maxime  : La M?re

'7th March 1929. Reading ?La M?re? (Gorki).'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

 : [newspapers]

'12th March 1929 Wrote to mother; read my week?s papers and extracted cuttings.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Newspaper

  

Maxime Gorki : La M?re

'14th March 1929 ?They have used God Himself to cheer us! They have clothed him in lies and calumny to kill our souls?. (Gorki ? ?La M?re?) Just what have our Woodbine Willis meant in the face of this? [...] Gorki?s book would make most wonderful propaganda. Its simple beauty, idealistic appeal, and homely actuality would make it another ?Pilgrims Progress? or ?Uncle Tom?s Cabin? with the worker in England. Why not a cheap library of such books run by the I.L.P. [Independent Labour Party]? A Socialist Everyman? ?Pelagn?e knew people who had freed themselves from hate and rapacity; she understood that if the number of these people increased, the black and terrible face of life would become more kindly and simple, finer and brighter?.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Walt Whitman : Song of the Open Road

'14th March 1929. I had the ?Open Road? in my pocket, and we [G.M. and a friend, Miss Mundel] read bits together, and talked of ?Wander-thirst?, of Stevenson, of gardens, of tobacco, and (with E.V.L. in our minds) of ?Punch?. I recommended some of the glorious days I have passed in the country beyond St. Cloud with this book for company, and recited Stevenson?s ?Requiem? which Miss M?ndel liked and copied. The Websters gave me three numbers of ?Punch? for my week-end reading.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Brooks : unknown

'15th March 1929 Miss M?ndel and I inspect my little library. We read some Brooks, Kipling, Holmes, Artemus Ward, de Quincey -- in short, a browse. We looked at ?Phiz? illustrations to ?Sketches by Boz? and she talked of Wilhelm Busch as the greatest of German pencil artists.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Rudyard Kipling : unknown

'15th March 1929 Miss M?ndel and I inspect my little library. We read some Brooks, Kipling, Holmes, Artemus Ward, de Quincey -- in short, a browse. We looked at ?Phiz? illustrations to ?Sketches by Boz? and she talked of Wilhelm Busch as the greatest of German pencil artists.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Oliver Wendell Holmes : unknown

'15th March 1929 Miss M?ndel and I inspect my little library. We read some Brooks, Kipling, Holmes, Artemus Ward, de Quincey -- in short, a browse. We looked at ?Phiz? illustrations to ?Sketches by Boz? and she talked of Wilhelm Busch as the greatest of German pencil artists.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Artemus Ward : unknown

'15th March 1929 Miss M?ndel and I inspect my little library. We read some Brooks, Kipling, Holmes, Artemus Ward, de Quincey -- in short, a browse. We looked at ?Phiz? illustrations to ?Sketches by Boz? and she talked of Wilhelm Busch as the greatest of German pencil artists.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Thomas de Quincey : Confessions of an English Opium Eater

'15th March 1929 Miss M?ndel and I inspect my little library. We read some Brooks, Kipling, Holmes, Artemus Ward, de Quincey -- in short, a browse. We looked at ?Phiz? illustrations to ?Sketches by Boz? and she talked of Wilhelm Busch as the greatest of German pencil artists.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Charles Dickens : Sketches by Boz

'15th March 1929 Miss M?ndel and I inspect my little library. We read some Brooks, Kipling, Holmes, Artemus Ward, de Quincey -- in short, a browse. We looked at ?Phiz? illustrations to ?Sketches by Boz? and she talked of Wilhelm Busch as the greatest of German pencil artists.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

 : [newspapers]

'17th March 1929 (Sunday). Slept until 12 ! In the afternoon read my papers and ?Punch?. Everyone out, drawn by the splendid weather.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Newspaper

  

 : Punch, or the London Charivari

'17th March 1929 (Sunday). Slept until 12 ! In the afternoon read my papers and ?Punch?. Everyone out, drawn by the splendid weather.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Serial / periodical

  

Maxime Gorki : La M?re

'20th March 1929. Finished ?La M?re? (Gorki)'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Anatole France : Le Petit Pierre

'21st March 1929. ?Le Petit Pierre? (Anatole France).'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Edmond Goncourt : La Faustin

'23rd March 1929 (Saturday). Bought a ?Monde?, a ?Canard Enchain??, and Goncourt?s ?La Faustin? then spent the afternoon reading. ? La Faustin? (Edmond Goncourt)'.

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

 : [newspapers]

'24th March 1929 (Sunday). Delicious morning. We breakfasted in the garden, and after, while the Th?ologues retire upstairs to study the Epistle to the Romans. Melle M?ndel and I stayed outside, she reading ?La Faustin?, and I studying the week?s papers. I have had no English papers for two weeks, nor any news of mother.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Newspaper

  

Elizabeth Missing Sewell : Stories on the Lord's Prayer

Elizabeth Missing Sewell, on the start of her writing career: 'I began "Amy Herbert"-- I scarcely know why -- only I had been reading some story of Mrs. Sherwood's, which struck me as having pretty descriptions, and I fancied I could write something of the same kind; and as a matter of curiosity I determined to make the attempt. I read both the few chapters of the intended tract ["Stories on the Lord's Prayer"], and the beginning of "Amy Herbert"to my sisters, and they liked them'.

Century: 1800-1849     Reader/Listener/Group: Elizabeth Missing Sewell      Manuscript: Unknown

  

Elizabeth Missing Sewell : Amy Herbert

Elizabeth Missing Sewell, on the start of her writing career: Elizabeth Missing Sewell, on the start of her writing career: 'I began "Amy Herbert"-- I scarcely know why -- only I had been reading some story of Mrs. Sherwood's, which struck me as having pretty descriptions, and I fancied I could write something of the same kind; and as a matter of curiosity I determined to make the attempt. I read both the few chapters of the intended tract ["Stories on the Lord's Prayer"], and the beginning of "Amy Herbert"to my sisters, and they liked them'.

Century: 1800-1849     Reader/Listener/Group: Elizabeth Missing Sewell      Manuscript: Unknown

  

Elizabeth Missing Sewell : Stories on the Lord's Prayer

Elizabeth Missing Sewell, on the anonymity of her first publication ("Stories on the Lord's Prayer", serialised in "The Cottager's Monthly Visitor" in 1840): 'I did not give my name, and no one knew anything about it, except my mother and sisters. I have often vexed myself since -- thinking that I did not tell my father -- but I had a dread of any person talking to me about my writing, and I knew that if he was pleased he would not be able to keep himself from telling me so. I was reading the little book aloud to my mother one evening when he was in the room, and not being well was lying on the sofa half asleep, as I thought; but he listened, and I think was interested, for he asked me what I was reading. I forget exactly what answer I made, but it certainly was not that I was reading anything of my own, and so I lost the opportunity of giving him pleasure.'

Century: 1800-1849     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Unknown

  

Thomas Hood : 'We watched her breathing through the night --'

Describing the terminal illness of a friend in her "Autobiography", Elizabeth Missing Sewell reproduces four stanzas from Thomas Hood, 'We watched her breathing through the night --'

Unknown
Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Elizabeth Missing Sewell      

  

Elizabeth Missing Sewell : The Earl's Daughter

'[italics]The Earl's Daughter[end italics] was [...] begun before my mother's death, and I read part of it to her, but she saw from the beginning that it was likely to be sad, and I think it rather oppressed her. [italics]Margaret Percival[end italics] I read to her entirely, and also a portion of [italics]Laneton Parsonage[end italics], and I remember being obliged to assure her that Alice Lennox (in the latter tale) when taken ill would not die, she took such a vivid interest in the story -- which was only completed after her death.'

Century: 1800-1849     Reader/Listener/Group: Elizabeth Missing Sewell      Manuscript: Unknown

  

Elizabeth Missing Sewell : Margaret Percival

'[italics]The Earl's Daughter[end italics] was [...] begun before my mother's death, and I read part of it to her, but she saw from the beginning that it was likely to be sad, and I think it rather oppressed her. [italics]Margaret Percival[end italics] I read to her entirely, and also a portion of [italics]Laneton Parsonage[end italics], and I remember being obliged to assure her that Alice Lennox (in the latter tale) when taken ill would not die, she took such a vivid interest in the story -- which was only completed after her death.'

Unknown
Century: 1800-1849     Reader/Listener/Group: Elizabeth Missing Sewell      

  

Elizabeth Missing Sewell : Laneton Parsonage

'[italics]The Earl's Daughter[end italics] was [...] begun before my mother's death, and I read part of it to her, but she saw from the beginning that it was likely to be sad, and I think it rather oppressed her. [italics]Margaret Percival[end italics] I read to her entirely, and also a portion of [italics]Laneton Parsonage[end italics], and I remember being obliged to assure her that Alice Lennox (in the latter tale) when taken ill would not die, she took such a vivid interest in the story -- which was only completed after her death.'

Century: 1800-1849     Reader/Listener/Group: Elizabeth Missing Sewell      Manuscript: Unknown

  

Bernardin de St Pierre : Paul et Virginie

'I read for the second time a novel that Madame de B. brought for us, "Paul and Virginia", that is charming, but though I was told I would weep many tears in reading it I did not shed a single one. I reread it thinking perhaps to have read it too fast the first time, but although the second time it did not interest me less than the first, it did not make me weep. It is of no use to say this is a sign of insensibility. If they will teach me to cry when I will and then everything will melt me and make me cry, for after all I am a woman as they are'.

Century: 1700-1799     Reader/Listener/Group: Eugenia Wynne      Print: Book

  

John Shore : [elegies on deaths of wife and child]

'I read several elegies today, two of Shore the one on the death of his wife, the other on the loss of his child. His tale of woe is expressed in the most moving and natural fashion, and though you greatly admire the poet yet you must yield to the soft and sympathising composition of the widowed Husband and childless father. It is not so when you read Lord Littleton's complaint on his Lady's death, the poetry is beautiful but less natural, less moving. He boasts with his grief, and indulges himself some digressions which show his extended knowledge but are not natural, I think, to a mind wholly occupied with despair'.

Century: 1700-1799     Reader/Listener/Group: Eugenia Wynne      Print: Unknown

  

William Henry Lyttelton : [probably] A Monody to the Memory of lady Lyttelton. Written in the Year 1747

'I read several elegies today, two of Shore the one on the death of his wife, the other on the loss of his child. His tale of woe is expressed in the most moving and natural fashion, and though you greatly admire the poet yet you must yield to the soft and sympathising composition of the widowed Husband and childless father. It is not so when you read Lord Littleton's complaint on his Lady's death, the poetry is beautiful but less natural, less moving. He boasts with his grief, and indulges himself some digressions which show his extended knowledge but are not natural, I think, to a mind wholly occupied with despair'.

Century: 1700-1799     Reader/Listener/Group: Eugenia Wynne      Print: Unknown

  

William Robertson : The History of Scotland during the Reigns of Queen Mary and of King James VI till his Accession to the Crown of England

'Rain again and rain forever. I read a great deal of Robertson's "History of Scotland". I cannot forgive Elizabeth's behaviour and though Mary's is very shameful yet I cannot help feeling a sort of partiality for her, a partiality which is a tribute that I pay to her endless misfortunes and which prompts me to think that if Elizabeth had sought protection in Mary's arms she would have found a sure azylum and a hasty succour there. Robertson in giving Mary's character, perfectly expressed what you must feel in reading her history. "You throw a veil over her frailties and faults, and approve of your tears as if they were shed for an object who drew much nearer to protection".'

Century: 1700-1799     Reader/Listener/Group: Eugenia Wynne      Print: Book

  

[n/a] : [English newspapers]

'I read in the English newspapers an attempt has been made against the life of Louis XVIII as this unfortunate Prince was retiring from the armee of Conde... [the full story is then summarised, with no reaction]'

Century: 1700-1799     Reader/Listener/Group: Eugenia Wynne      Print: Newspaper

  

Christoph Martin Wieland : Agathon

'I read a great deal of "Agathon" a very fine German novel taken from a grecian manuscript written by Wieland. It is very interesting and expressed with equal grace, elegance and nature. One thing which shows that no man is free of a vanity in which he seeks to hide is that the Author takes every opportunity to mention himself and appears afraid that "Agathon" should make you forget Weiland'.

Century: 1700-1799     Reader/Listener/Group: Eugenia Wynne      Print: Book

  

John Henry Newman : Obedience, the remedy for religious perplexity

From Elizabeth Missing Sewell's Journal, 20 June 1845: 'The Meyricks have been here today. Mr. Meyrick told Edwards [Sewell's brother] there was no doubt that Newman is going over to Rome, which agrees but little with an observation made by Dr. Pusey to G. F. a short time since that no one could know how devoted a servant of the Church Newman was till after his death. The Church though may mean the Catholic or Universal Church, and so Rome may be included. It is a horrid, startling notion, but a sermon of Newman's I was reading to-night would be a great safeguard against being led into mischief by it. "Obedience, the remedy for religious perplexity."'

Century: 1800-1849     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Book

  

unknown : Article on the Jesuits

From Elizabeth Missing Sewell's Journal, 21 October 1845: 'Some of us went for a lovely walk yesterday by the sea cliffs of St. Lawrence. Mr. Edgar Estcourt [...] talked to me a little about William [Sewell]'s novel [italics]Hawkstone[end italics], doubting the fact told me about the Jesuits, and wishing they could be tried in a court of justice; and afterwards he gave me an article about them in the [italics]Oxford and Cambridge Review[end italics], most laudatory of them, and of Ignatius Loyola, and very condemnatory of Luther. It had no effect upon me however. There is too much of the partisan style about it, and it is too bombastic, and contains few facts....'

Century: 1800-1849     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Serial / periodical

  

 : The Oxford and Cambridge Review

From Elizabeth Missing Sewell's Journal, 21 October 1845: 'Some of us went for a lovely walk yesterday by the sea cliffs of St. Lawrence. Mr. Edgar Estcourt [...] talked to me a little about William [Sewell]'s novel [italics]Hawkstone[end italics], doubting the fact told me about the Jesuits, and wishing they could be tried in a court of justice; and afterwards he gave me an article about them in the [italics]Oxford and Cambridge Review[end italics], most laudatory of them, and of Ignatius Loyola, and very condemnatory of Luther. It had no effect upon me however. There is too much of the partisan style about it, and it is too bombastic, and contains few facts....'

Century: 1800-1849     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Serial / periodical

  

Cecilia Tilley : Chollerton

From Elizabeth Missing Sewell's Journal, September 1846: 'We went into London one day [...] Burns's is a dull shop decidedly. You see the same books time after time [...] It is an inconvenient shop too. No place to sit down at, and the books crowded too close to the door. I took up [italics]Chollerton[end italics] (a Church tale) and skimmed parts through the uncut leaves and was not fascinated. It seemed strained and the fasting was brought forward prominently, and there seemed too much womanish humility.'

Century: 1800-1849     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Book

  

Harriet Martineau : Tales on the Game Laws

From Elizabeth Missing Sewell's Journal, 26 November 1846: 'I read nothing scarcely [...] Miss Martineau's [italics]Tales on the Game Laws[end italics] I began, but they are so dull to me that I have scarcely patience to finish. The thing I like about them is their fairness. The rich people are not all wretches, though Miss Martineau's sympathies are evidently with the poor.'

Century: 1800-1849     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Unknown

  

Alison : accounts of Napoleon's battles

From Elizabeth Missing Sewell's Journal, 31 December 1846: 'I read a little now, and am almost afraid I am learning to do without reading. Napoleon's battles in Alison's history are so dreadfully dry, after one has been writing and working all day.'

Century: 1800-1849     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Unknown

  

 : Life of Southey

From Elizabeth Missing Sewell's Journal, 19 [sic: should be 13] August 1850, during stay with the Rev. G. Cooke, Cubington: 'I have been reading [italics]Southey's Life[end italics]; it does me a great deal of good. His life in a book [...] [has] helped me more than any sermon. Southey's hard work and pecuniary anxieties come home to me. His plodding on, longing to be free; and yet his perfect contentment.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Unknown

  

John Ruskin : Lectures on Architecture and Painting

From Elizabeth Missing Sewell's Journal, 14 August 1850: 'Ruskin's [italics]Lectures on Architecture and Painting[end italics] which I have been reading, interest and please me immensely. They certainly are dogmatical. They are disfigured by exaggerated tirades against Romanism, but they are full of wonderful thought, and an intense feeling for truth'.

Century: 1850-1899     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Book

  

unknown : An Authentic Sketch of the life and public services of His Excellency Sir Charles Theophilus Metcalfe, Bart., KCB etc (second volume)

From Elizabeth Missing Sewell's Journal, 19 February 1856: 'I came here [Bournemouth] for a fortnight and have stayed a month. I have written a little, and read a good deal, -- the second volume of [italics]Sir Charles Metcalfe's Life[end italics], which makes me look upon him as more of a hero than many whom Carlyle would worship; and [italics]Hypatia[end italics] and two sermons of Dr. Pusey's against Germanism, and part of [italics]Hero Worship[end italics], to say nothing of pamphlets and magazines, and a diligent study of [italics]The Times[end italics] every evening.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Book

  

Pusey : two sermons

From Elizabeth Missing Sewell's Journal, 19 February 1856: 'I came here [Bournemouth] for a fortnight and have stayed a month. I have written a little, and read a good deal, -- the second volume of [italics]Sir Charles Metcalfe's Life[end italics], which makes me look upon him as more of a hero than many whom Carlyle would worship; and [italics]Hypatia[end italics] and two sermons of Dr. Pusey's against Germanism, and part of [italics]Hero Worship[end italics], to say nothing of pamphlets and magazines, and a diligent study of [italics]The Times[end italics] every evening.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Unknown

  

Thomas Carlyle : Heroes and Hero-Worship

From Elizabeth Missing Sewell's Journal, 19 February 1856: 'I came here [Bournemouth] for a fortnight and have stayed a month. I have written a little, and read a good deal, -- the second volume of [italics]Sir Charles Metcalfe's Life[end italics], which makes me look upon him as more of a hero than many whom Carlyle would worship; and [italics]Hypatia[end italics] and two sermons of Dr. Pusey's against Germanism, and part of [italics]Hero Worship[end italics], to say nothing of pamphlets and magazines, and a diligent study of [italics]The Times[end italics] every evening.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Book

  

 : pamphlets

From Elizabeth Missing Sewell's Journal, 19 February 1856: 'I came here [Bournemouth] for a fortnight and have stayed a month. I have written a little, and read a good deal, -- the second volume of [italics]Sir Charles Metcalfe's Life[end italics], which makes me look upon him as more of a hero than many whom Carlyle would worship; and [italics]Hypatia[end italics] and two sermons of Dr. Pusey's against Germanism, and part of [italics]Hero Worship[end italics], to say nothing of pamphlets and magazines, and a diligent study of [italics]The Times[end italics] every evening.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Missing Sewell      

  

 : magazines

From Elizabeth Missing Sewell's Journal, 19 February 1856: 'I came here [Bournemouth] for a fortnight and have stayed a month. I have written a little, and read a good deal, -- the second volume of [italics]Sir Charles Metcalfe's Life[end italics], which makes me look upon him as more of a hero than many whom Carlyle would worship; and [italics]Hypatia[end italics] and two sermons of Dr. Pusey's against Germanism, and part of [italics]Hero Worship[end italics], to say nothing of pamphlets and magazines, and a diligent study of [italics]The Times[end italics] every evening.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Serial / periodical

  

 : The Times

From Elizabeth Missing Sewell's Journal, 19 February 1856: 'I came here [Bournemouth] for a fortnight and have stayed a month. I have written a little, and read a good deal, -- the second volume of [italics]Sir Charles Metcalfe's Life[end italics], which makes me look upon him as more of a hero than many whom Carlyle would worship; and [italics]Hypatia[end italics] and two sermons of Dr. Pusey's against Germanism, and part of [italics]Hero Worship[end italics], to say nothing of pamphlets and magazines, and a diligent study of [italics]The Times[end italics] every evening.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Serial / periodical

  

Charles Kingsley : Hypatia

From Elizabeth Missing Sewell's Journal, 19 February 1856: 'I came here [Bournemouth] for a fortnight and have stayed a month. I have written a little, and read a good deal, -- the second volume of [italics]Sir Charles Metcalfe's Life[end italics], which makes me look upon him as more of a hero than many whom Carlyle would worship; and [italics]Hypatia[end italics] and two sermons of Dr. Pusey's against Germanism, and part of [italics]Hero Worship[end italics], to say nothing of pamphlets and magazines, and a diligent study of [italics]The Times[end italics] every evening.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Book

  

St Paul : Epistle to the Hebrews

From Elizabeth Missing Sewell's Journal, 19 February 1856: 'I was reading to-day the 5th chapter of the epistle to the Hebrews. I have taken this epistle for a particular study this Lent. It is a great favourite of mine. In so many ways it comes home to one's everyday trials and needs. Thinking of my birthday [19 February] threw me back into the past, and the description of our Lord having been made perfect through suffering seemed to harmonise with the great lesson which I suppose we all learn as we go on in life, that whatever we have done, or said, or thought, which may be in any way of value [...] is the fruit of suffering.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Book

  

Elizabeth Gaskell : Life of Charlotte Bronte

From Elizabeth Missing Sewell's Journal, 'Tuesday Evening, 9th June [1857]': 'I have just finished Mrs. Gaskell's [italics]Life of Miss Bronte[end italics]. Years ago, when [italics]Jane Eyre[end italics] came out I read it. People said it was coarse, and I felt it was, but I felt also that the person who wrote it was not necessarily coarse-minded, that the moral of the story was intended to be good; but that it failed in detail. The life is intensely, painfully interesting. A purer, more high-minded person it seems there could scarcely be, wonderfully gifted, and with a man's energy and power of will and passionate impulse; and yet gentle and womanly in all her ways [goes on to reflect upon Bronte's depressive temperament, and to characterise her religious feeling as 'abstract belief not personal love']'.

Century: 1850-1899     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Book

  

Charlotte Bronte : Jane Eyre

From Elizabeth Missing Sewell's Journal, 'Tuesday Evening, 9th June [1857]': 'I have just finished Mrs. Gaskell's [italics]Life of Miss Bronte[end italics]. Years ago, when [italics]Jane Eyre[end italics] came out I read it. People said it was coarse, and I felt it was, but I felt also that the person who wrote it was not necessarily coarse-minded, that the moral of the story was intended to be good; but that it failed in detail. The life is intensely, painfully interesting. A purer, more high-minded person it seems there could scarcely be, wonderfully gifted, and with a man's energy and power of will and passionate impulse; and yet gentle and womanly in all her ways [goes on to reflect upon Bronte's depressive temperament, and to characterise her religious feeling as 'abstract belief not personal love']'.

Century: 1850-1899     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Book

  

Charles de Remusat : 'French Essays on Literature'

From Elizabeth Missing Sewell's Journal, 28 January [?1865]: 'I am reading [italics]French Essays on Literature[end italics] [sic] -- so clever they are! Charles de Remusat describes the French of the eighteenth century as "Des gens qui ne lisaient qu'afin de pouvoir parler". Could anything be more apt?'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Book

  

Jean Baptiste Henri-Dominique Lacordaire : Conferences de Notre Dame de Paris

From Elizabeth Missing Sewell's Journal, 7 November 1868: 'Began Lacordaire's [italics]Conferences de Notre Dame[end italics]. He starts with premises open to much discussion, and all his arguments fall to the ground unless one can accept the premises.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Book

  

anon : slip of paper printed with news of declaration of war [?between France and Prussia]

From Elizabeth Missing Sewell's Journal, 15 July 1870, from Eisenach: 'War [apparently the Franco-Prussian war] is actually declared. We heard the news this morning as we were at breakfast in the [italics]Salle[end italics]. Some one (I think it was the master of the hotel) came up and laid before me a printed slip of paper. I had just been talking about railway trains, and thought this had something to do with them. When I read it you can understand the surprise.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Missing Sewell      Print: loose slip of paper

  

Richard Rowe : Episodes in an Obscure Life

From Elizabeth Missing Sewell's Journal, 15 August 1871, during visit to friends at Ashbourne Green, Derbyshire: 'I have been reading [italics]Episodes of an Obscure Life[end italics] [sic], and have made up my mind that I know as little of the life of the East End of London, or rather of the lives of the people, as I do of those of the angels. Write, or think, or work, as one may, there are thousands one could never reach, simply because one could not understand them.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Unknown

  

 : The Times

Eleanor L. Sewell, niece of Elizabeth Missing Sewell, in chapter 21 of [italics]The utobiography of Elizabeth Missing Sewell[end italics]: 'Miss Sewell's arduous life-work came to an end [...] in 1890, and from that year to 1897 she kept up many outside activities [...] keenly interested in events of the day, reading the [italics]Times[end italics] aloud in the evening or some book of note.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Newspaper

  

unknown : ['books of note']

Eleanor L. Sewell, niece of Elizabeth Missing Sewell, in chapter 21 of [italics]The utobiography of Elizabeth Missing Sewell[end italics]: 'Miss Sewell's arduous life-work came to an end [...] in 1890, and from that year to 1897 she kept up many outside activities [...] keenly interested in events of the day, reading the [italics]Times[end italics] aloud in the evening or some book of note.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Book

  

Thomas Skinner Surr : A Winter in London, or Sketches of Fashion

'I have finished "A Winter in Town", and think that if it was written in two volumes instead of three it would be a very good Novel - Some of the characters such as the Duchess of Devonshire, Duchess of Girdon, and Sir Walter Farquhar are admirably delineated in it'.

Century: 1800-1849     Reader/Listener/Group: Eugenia Wynne      Print: Book

  

Anna Laetitia Barbauld : 'Eyes, and No Eyes; or, The Art of Seeing'

From Letter V, "Letters on Daily Life": 'I wonder whether you ever met with an old-fashioned story called "Eyes and no Eyes." It was written, I think, by Mrs. Barbauld. I read it when I was a child. It went to show that two persons going for a walk through the same fields might return home with totally different impressions made upon them.'

Century: 1800-1849     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Book

  

Fanny Kemble : Autobiography

From Letter VIII, [italics]Letters on Daily Life[end italics]: 'In what spirit of self-denial, and with what noble motives acting can be undertaken as a profession, we have all learnt lately by the publication of Mrs. Fanny Kemble's autobiography [...] certainly after reading it I do not think any one can say that acting is incompatible with the highest womanly dignity, and most sincere religious purpose.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Book

  

Trench : sonnet opening 'Thou cam'st not to thy place by accident'

In Letter XI, "Letters on Daily Life", Elizabeth Missing Sewell reproduces a sonnet by 'Archbishop Trench' opening 'Thou cam'st not to thy place by accident / It is the very place God meant for thee,' with the remark that this poem 'has often been a help to me when I have felt inclined to wish my position other than it is.'

Unknown
Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Elizabeth Missing Sewell      

  

?Maria ?Edgeworth : 'To-morrow'

In Chapter XII [sic], "Letters on Daily Life": 'In my young days we used to read Miss Edgeworth's story of "To-morrow", in which the procrastinator gives the history of the misfortunes that his habit has involved him in, and breaks off abruptly, leaving it to his editor to say that the story was to be finished [italics]to-morrow[end italics]. I don't know that the tale actually prevented me from procrastinating when I was a child, but it imprinted firmly in my mind that procrastination was a dangerous fault, and the impression has remained with me and been very useful ever since.'

Century: 1800-1849     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Book

  

Jane Taylor : The Contributions of Q.Q.

In Letter XXI, "Letters on Daily Life" (addressed to 'C___'), on the correspondent's supposedly having mentioned to her her feeling that 'government of the thoughts' was 'an impossibility': 'I can recollect the book which first brought to me the conviction that such mental control was a duty. It was a volume of short essays and stories, called [italics]The Contributions of Q.Q.[end italics], by Jane Taylor, the well-known author of [italics]Hymns for Infant Minds[end italics]. It brought me a new idea just at the time when I most needed the help [...] I am glad to be able to acknowledge thankfully the aid that this old-fashioned, book, with its quaint title, afforded me.'

Century: 1800-1849     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Book

  

[n/a] : Bible

'One berth was occupied by George Day... He appeared to be always humble, always contented and resigned, always grateful to God for the abundance of His mercies, frequently praying, or reading, or listening to his Bible.'

Century: 1800-1849     Reader/Listener/Group: George Day      Print: Book

  

Robert Louis Stevenson : The Master of Ballantrae

On one occasion, he came to me, flourishing a paper wildly in the air...I thought he had suddenly inherited a fortune, or that something of an extreme value had fallen in his way. 'What in heaven's name is it?' I asked. 'This, my friend. For years a certain critic has practically damned my works - said there was nothing really in them - and now this person, whose ability I have always admired despite the fact that I have suffered, has declared: "Stevenson has at last produced one of the best books of the season, and the claim of his friends seems fully justified, for the work is full of genius."' His face was all aglow with feverish excitement. 'Who is this wonderful critic, Stevenson, whose praise you so enjoy? And what bitter things has he said of you before?' 'We will drop the severe things, Moors. You would never guess, if I gave you all morning, who it is who has at last admitted me to be in the front rank of my profession. It is Mrs Oliphant, my dear sir - Mrs Oliphant!'

Century: 1850-1899     Reader/Listener/Group: Margaret Oliphant      Print: Book, Serial / periodical

  

n/a] : [newspaper]

'I left Ecclefechan on the evening of Tuesday the 19th Decr on the top of the Glasgow Mail. Little occurred worthy of notice, till on my arrival in Moffatt, I discovered among my fellow travellers, along with three Lancashire cotton men, a pure species of popinjay - of whom all I can now say, is that he was much shocked at seeing [no] "roasbeef fo suppa" and expressed his grief and surprise by several nondescript interjections; that he was unable to determine whether the fowl on the table was a tame duck or wild, and thereupon "did patiently incline" to the reasonings of an ancient Scottish gourmand who at length succeeded in settling his mind upon this important subject; and that upon my inquiriing after the news of the paper which he was reading, he informed me that the Aachodoocs had returned to England, and that (this he preluded by three nods of satisfaction) the Prince Regent was gone to Brighton.'

Century: 1800-1849     Reader/Listener/Group: Unknown 'Scottish Gourmand'      Print: Newspaper

  

Giovanni Perrone : Catechismi intorno al Protestantesimo ed alla Chiesa Cattolica

In letter to 'My Dear ----,' E. M. Sewell reproduces several passages (in English translation) from Giovanni Perrone, "Catechismi intorno al Protestanteismo ed alla Chiesa Cattolica" (1861), following remark: 'An Italian catechism, published some years ago, has lately been reprinted, in which the people are warned against the insidious heresies of Protestantism generally, and of the English in particular. The lies it contains send one into fits of laughter.' [Discussion of text continued after examples].

Century: 1850-1899     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Book

  

unknown : Pamphlet on the Chiesa Evangelica

Elizabeth Missing Sewell, in letter to 'My Dear _____', from Florence, May 1861: 'A pamphlet [on the Chiesa Evangelica] which has been lent me, giving an account of its formation, plainly owns that it does not pretend to be a regular church.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Missing Sewell      

  

Mary Russell Mitford : Rienzi

Elizabeth Missing Sewell, describing travel from Pisa toward Spezzia in letter of 5 June 1861 to 'My Dear _____', headed 'Bugiasta or Pagiastra, or something of the kind; but we can't quite make out where we are, only it is half-way between Spezzia and Sestri, and on the road to Genoa.': 'We started after six [am], M and myself on the outside seat [?of coach]. What with pleasant conversation, the reading of "Rienzi" and the newspaper, and occasional little naps, I managed to spend an agreeable day.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Book

  

 : newspaper

Elizabeth Missing Sewell, describing travel from Pisa toward Spezzia in letter of 5 June 1861 to 'My Dear _____', headed 'Bugiasta or Pagiastra, or something of the kind; but we can't quite make out where we are, only it is half-way between Spezzia and Sestri, and on the road to Genoa.': 'We started after six [am], M and myself on the outside seat [?of coach]. What with pleasant conversation, the reading of "Rienzi" and the newspaper, and occasional little naps, I managed to spend an agreeable day.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Newspaper

  

anon : [novel]

'When we arrived at Turin, we had no hope of being present at a sitting of Parliament, but our Sicilian friend [a friend of Cavour and acquaintance of Garibaldi, previously encountered by Sewell in a railway carriage], who had promised to call upon us, came [...] to bring us tickets of admission for Monday [...] He was as voluble and excited as before, and produced a novel which he had lately written, and which he begged us to accept. A most remarkable production it was, as I found when I read it! ___ the Pope, Antonelli, and Lamorciere, being brought in by name, and made to take part in a plot of atrocious and not very readable wickedness.'

Unknown
Century: 1850-1899     Reader/Listener/Group: Elizabeth Missing Sewell      

  

Sinclair Lewis : Dodsworth

'I am well into ?Dodsworth? and am liking it. It is very interesting though I find that Lewis has rather a ?green?, a youthful way of talking about Europe which makes the book read rather like a first novel. The American touch, of course. It is rather painful to read, though. Fran is altogether too infuriating, too cold-bloodedly dishonoured. For she doesn?t believe her own talk however Lewis may be eager at odd moments to think her rather a poor little thing. It is great reading, though. Why does he not put in a little more about the contrasting women, the real, honest, dignified, courageous person that some women do manage to be ? ???.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Sinclair Lewis : Dodsworth

'I still like ?Dodsworth?, and now am a little sorry for Mrs. She certainly does seem to lose herself and he is something of a dunderhead though he is so honest and well meaning. If she were more honest with herself, and had more of his normal sort of simplicity she would do better for herself and perhaps get more out of him. She has him scared stiff.'

Century: 1900-1945     Reader/Listener/Group: Gerald Moore      Print: Book

  

Elizabeth Gaskell : Cranford

Mrs Hugh Fraser, describing life at the select girls' boarding school she attended, run by Elizabeth Missing Sewell and her sisters at Bonchurch, Isle of Wight: 'the only unpleasant incident of my whole stay in Bonchurch was connected with the evening readings. The book in question was "Cranford," and we were all electrified when Aunt Elizabeth [the pupils' name for Sewell] came to a full stop in the beginning of the part where the nephew plays a practical joke -- something connected with a baby -- on the old ladies. "I will leave this out," said Miss Sewell, looking quite stern. The she turned the page and took up the story further on. [goes on to relate how a new girl who was caught looking for the offending passage in the book was subsequently expelled]'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Book

  

Susan Glaspell : Road to the Temple

'Yes I know Sudermann ? his play ?Magda? was one of Mrs Pat. Campbell?s great parts ? and I believe he was the author of a book called ?The Song of Songs? that Billie Wood lent me ? and that I was shocked to find you reading. I have just got through Susan Glaspell?s ?Road to the Temple?, and C.E.Montague?s ?Right off the Map?. For lighter reading I?ve had Rose Macauley?s ? Keeping up Appearances?, and I?m reading all sorts of things about Shelley for my possible literature class. The present one is ?Shelley and the Unromantics?. The author lives in Birkenhead.'

Century: 1900-1945     Reader/Listener/Group: Winifred Agnes Moore      Print: Book

  

C.E. Montague : Right off the Map

'Yes I know Sudermann ? his play ?Magda? was one of Mrs Pat. Campbell?s great parts ? and I believe he was the author of a book called ?The Song of Songs? that Billie Wood lent me ? and that I was shocked to find you reading. I have just got through Susan Glaspell?s ?Road to the Temple?, and C.E.Montague?s ?Right off the Map?. For lighter reading I?ve had Rose Macauley?s ? Keeping up Appearances?, and I?m reading all sorts of things about Shelley for my possible literature class. The present one is ?Shelley and the Unromantics?. The author lives in Birkenhead.'

Century: 1900-1945     Reader/Listener/Group: Winifred Agnes Moore      Print: Book

  

Rose Macauley : Keeping Up Appearances

'Yes I know Sudermann ? his play ?Magda? was one of Mrs Pat. Campbell?s great parts ? and I believe he was the author of a book called ?The Song of Songs? that Billie Wood lent me ? and that I was shocked to find you reading. I have just got through Susan Glaspell?s ?Road to the Temple?, and C.E.Montague?s ?Right off the Map?. For lighter reading I?ve had Rose Macauley?s ? Keeping up Appearances?, and I?m reading all sorts of things about Shelley for my possible literature class. The present one is ?Shelley and the Unromantics?. The author lives in Birkenhead.'

Century: 1900-1945     Reader/Listener/Group: Winifred Agnes Moore      Print: Book

  

Olwen Ward Campbell : Shelley and the Unromantics

'Yes I know Sudermann ? his play ?Magda? was one of Mrs Pat. Campbell?s great parts ? and I believe he was the author of a book called ?The Song of Songs? that Billie Wood lent me ? and that I was shocked to find you reading. I have just got through Susan Glaspell?s ?Road to the Temple?, and C.E.Montague?s ?Right off the Map?. For lighter reading I?ve had Rose Macauley?s ? Keeping up Appearances?, and I?m reading all sorts of things about Shelley for my possible literature class. The present one is ?Shelley and the Unromantics?. The author lives in Birkenhead.'

Century: 1900-1945     Reader/Listener/Group: Winifred Agnes Moore      Print: Book

  

Hermann Sudermann : The Song of Songs

'Yes I know Sudermann ? his play ?Magda? was one of Mrs Pat. Campbell?s great parts ? and I believe he was the author of a book called ?The Song of Songs? that Billie Wood lent me ? and that I was shocked to find you reading. I have just got through Susan Glaspell?s ?Road to the Temple?, and C.E.Montague?s ?Right off the Map?. For lighter reading I?ve had Rose Macauley?s ? Keeping up Appearances?, and I?m reading all sorts of things about Shelley for my possible literature class. The present one is ?Shelley and the Unromantics?. The author lives in Birkenhead.'

Century: 1850-1899 / 1900-1945     Reader/Listener/Group: Winifred Agnes Moore      Print: Book

  

Carl Van Vechten : Nigger Heaven

'Harold gave me the ?Definitive Edition? of the Week-end Book for Xmas. It has drawings by Rutherston, and will be very precious I understand as a first edition. Will Wood left me a Tauchnitz edition of ?Nigger Heaven? by a coloured writer Carl Van Vechten. ?Nigger Heaven? is Haarlem ? a New York district mostly inhabited by coloured people. One does not like American ?last living? any the better for being black rather than white ? and there is very little else to it, except one or two less mentionable points of biological interest whose significance, if grasped, might shake the complacency of the more stupid whites.'

Century: 1900-1945     Reader/Listener/Group: Winifred Agnes Moore      Print: Book

  

Rebecca West : The Strange Necessity

'I have been reading a very fine essay by Rebecca West, ?The Strange Necessity?. It is on the nature of Art ? and even Robert Lynd considers it difficult. I?ve just finished my second reading ? and will go through it again to copy out definitions. She has really a first class mind.'

Century: 1900-1945     Reader/Listener/Group: Winifred Agnes Moore      Print: Book

  

Oswald Spengler : Decline of the West

'I?m glad you like the Shaw. Stanley bought me one of the early editions ? I haven?t read it through yet ? I?m trying to get through Spengler?s second volume of The Decline of the West. Have just finished ? Du cot? de chez Swann?. By the way let me know a list of good modern French novels ? especially novels of ideas ? the Catholic movement, the socialists, etc?'

Century: 1900-1945     Reader/Listener/Group: Winifred Agnes Moore      Print: Book

  

Marcel Proust : Du Cote de Chez Swann

'I?m glad you like the Shaw. Stanley bought me one of the early editions ? I haven?t read it through yet ? I?m trying to get through Spengler?s second volume of The Decline of the West. Have just finished ? Du cot? de chez Swann?. By the way let me know a list of good modern French novels ? especially novels of ideas ? the Catholic movement, the socialists, etc?'

Century: 1900-1945     Reader/Listener/Group: Winifred Agnes Moore      Print: Book

  

Erich Maria Remarque : All Quiet on the Western Front

'I also have been reading ?All Quiet?. Stanley and I stood for an hour outside my hotel at midnight in Southampton Row ? and rowed about it.'

Century: 1900-1945     Reader/Listener/Group: Winifred Agnes Moore      Print: Book

  

Julian Benda : Belphegor

'I am at present reading Julian Benda?s ?Belphegor?, a plea for a return to intellectual standards as against the Bergson, R?guy, Claudel, crowd ? and I?m with him all the time. You should try to get his ?La trahison des clercs? ? it has a great vogue here. It?s a book I should like to have myself, in French.'

Century: 1900-1945     Reader/Listener/Group: Winifred Agnes Moore      Print: Book

  

 : [French newspapers]

'I am really set up with these books, and ?Les Nouvelles?. I do no other reading ? for it keeps up my language and keeps me more than abreast of current thought ? for England is always behind chronologically in Philosophy though she is alright when she starts.'

Century: 1900-1945     Reader/Listener/Group: Winifred Agnes Moore      Print: Newspaper

  

unknown : Mahatma Gandhi

'I am really appreciating all the books and seem at the moment to be reading only French. I have not by any means exhausted them yet. ?Mahatma Gandhi? I am reading at the moment, but someone yesterday lent me Katherine Mayo?s ?Mother India?, and all my thoughts are boulevers?es [upset] by the horrors she pictures.

Century: 1900-1945     Reader/Listener/Group: Winifred Agnes Moore      Print: Book

  

Katherine Mayo : Mother India

'I am really appreciating all the books and seem at the moment to be reading only French. I have not by any means exhausted them yet. ?Mahatma Gandhi? I am reading at the moment, but someone yesterday lent me Katherine Mayo?s ?Mother India?, and all my thoughts are boulevers?es [upset] by the horrors she pictures.

Century: 1900-1945     Reader/Listener/Group: Winifred Agnes Moore      Print: Book

  

unknown : Oakroyd

'I?m so glad you got your books. But I knew as far as a ?yarn? was concerned it was your book. Oakroyd is a masterpiece.'

Century: 1900-1945     Reader/Listener/Group: Winifred Agnes Moore      Print: Book

  

 : [French newspapers]

'I enjoy thoroughly ?Les Nouvelles? ? it is most useful to me also ? and ?Gringoire? is good for me ? it tempers my Francophile complex. I have not yet had time to complete ?Le Blois Vert?, in this rush. But I must tell you that my little collection of French books is my most cherished possession.'

Century: 1900-1945     Reader/Listener/Group: Winifred Agnes Moore      Print: Newspaper

  

Theodore de Banville : Gringoire

'I enjoy thoroughly ?Les Nouvelles? ? it is most useful to me also ? and ?Gringoire? is good for me ? it tempers my Francophile complex. I have not yet had time to complete ?Le Blois Vert?, in this rush. But I must tell you that my little collection of French books is my most cherished possession.'

Century: 1900-1945     Reader/Listener/Group: Winifred Agnes Moore      Print: Book

  

unknown : Le Blois Vert

'I enjoy thoroughly ?Les Nouvelles? ? it is most useful to me also ? and ?Gringoire? is good for me ? it tempers my Francophile complex. I have not yet had time to complete ?Le Blois Vert?, in this rush. But I must tell you that my little collection of French books is my most cherished possession.'

Century: 1900-1945     Reader/Listener/Group: Winifred Agnes Moore      Print: Book

  

Margaret Steen : Matador

'The book will give me the greatest delight. I am getting a bit past ?yarns? ? but I enjoyed ?Matador? because it is quite a document on Spain to day and apparently written on the spot. I believe Margaret Steen is a Liverpool woman and she is credited as a careful writer. I must try for ?Stallion? which made a big noise last year. But ?Tu viens? [Are you coming] seems to be the kind of thing I turn to best ? observation of life without the painted veil of fiction.'

Century: 1900-1945     Reader/Listener/Group: Winifred Agnes Moore      Print: Book

  

Oliver Onions : The Open Secret

'One must know Hemingway if one is to understand post war writing. I read too ?The Open Secret?. Oliver Onions was a great favourite of mine once. He was a past master of the topical novel.'

Century: 1900-1945     Reader/Listener/Group: Winifred Agnes Moore      Print: Book

  

John Maynard Keynes : The General Theory of Employment, Interest and Money

'I am busy also getting through the Keynes book, and chuckling over the fact that he wrote this book to make clear that Cambridge and London were a bit archaic as to the fundamentals of their economics. I stood for an hour arguing the main thesis (of course not worked out) with Harold one night at Euston. He had to walk home to Battersea Park in consequence. A year or so before I had covered reams with letters of vituperation against Prof: Pigou, till Stanley became furious ? also on the point. I don?t think it should need so large a book to get it over, I am also going to read Dodsworth when Gerry isn?t looking.'

Century: 1900-1945     Reader/Listener/Group: Winifred Agnes Moore      Print: Book

  

Arthur Cecil Pigou : unknown

'I am busy also getting through the Keynes book, and chuckling over the fact that he wrote this book to make clear that Cambridge and London were a bit archaic as to the fundamentals of their economics. I stood for an hour arguing the main thesis (of course not worked out) with Harold one night at Euston. He had to walk home to Battersea Park in consequence. A year or so before I had covered reams with letters of vituperation against Prof: Pigou, till Stanley became furious ? also on the point. I don?t think it should need so large a book to get it over, I am also going to read Dodsworth when Gerry isn?t looking.'

Century: 1900-1945     Reader/Listener/Group: Winifred Agnes Moore      Print: Book

  

Montague : D?senchantement

'I?m so glad that ?D?senchantement? pleases you. Apart from the subject Montague writes so beautifully ? and to me it was wonderful to see in print for the first time ? all the wretched facts that were ordinary knowledge to you and me when we returned from the war.'

Century: 1900-1945     Reader/Listener/Group: Winifred Agnes Moore      Print: Book

  

Gabouis : Perfide Albion ? Entente Cordial

'I have just read Gabouis ?Perfide Albion ? Entente Cordial?, quite good and informative ? this in English from the local library, and in French ?Les Anges Noirs? de Mauriac. Also Alexander Werth?s ?Before Munich? and a collection of the speeches of Daladier 1934 ? 1940, (these in English). At the moment I have ?Rond Point des Champs Elys?es? de Paul Maraud, and ?The French at Home? of Philip Carr.'

Century: 1900-1945     Reader/Listener/Group: Winifred Agnes Moore      Print: Book

  

Francois Mauriac : Les Anges Noirs

'I have just read Gabouis ?Perfide Albion ? Entente Cordial?, quite good and informative ? this in English from the local library, and in French ?Les Anges Noirs? de Mauriac. Also Alexander Werth?s ?Before Munich? and a collection of the speeches of Daladier 1934 ? 1940, (these in English). At the moment I have ?Rond Point des Champs Elys?es? de Paul Maraud, and ?The French at Home? of Philip Carr.'

Century: 1900-1945     Reader/Listener/Group: Winifred Agnes Moore      Print: Book

  

Alexander Werth : Before Munich

'I have just read Gabouis ?Perfide Albion ? Entente Cordial?, quite good and informative ? this in English from the local library, and in French ?Les Anges Noirs? de Mauriac. Also Alexander Werth?s ?Before Munich? and a collection of the speeches of Daladier 1934 ? 1940, (these in English). At the moment I have ?Rond Point des Champs Elys?es? de Paul Maraud, and ?The French at Home? of Philip Carr.'

Century: 1900-1945     Reader/Listener/Group: Winifred Agnes Moore      Print: Book

  

Deladier : [collection of speeches]

'I have just read Gabouis ?Perfide Albion ? Entente Cordial?, quite good and informative ? this in English from the local library, and in French ?Les Anges Noirs? de Mauriac. Also Alexander Werth?s ?Before Munich? and a collection of the speeches of Daladier 1934 ? 1940, (these in English). At the moment I have ?Rond Point des Champs Elys?es? de Paul Maraud, and ?The French at Home? of Philip Carr.'

Century: 1900-1945     Reader/Listener/Group: Winifred Agnes Moore      Print: Book

  

Paul Maraud : Rond Point des Champs Elys?es

'I have just read Gabouis ?Perfide Albion ? Entente Cordial?, quite good and informative ? this in English from the local library, and in French ?Les Anges Noirs? de Mauriac. Also Alexander Werth?s ?Before Munich? and a collection of the speeches of Daladier 1934 ? 1940, (these in English). At the moment I have ?Rond Point des Champs Elys?es? de Paul Maraud, and ?The French at Home? of Philip Carr.'

Century: 1900-1945     Reader/Listener/Group: Winifred Agnes Moore      Print: Book

  

Philip Carr : The French at Home

'I have just read Gabouis ?Perfide Albion ? Entente Cordial?, quite good and informative ? this in English from the local library, and in French ?Les Anges Noirs? de Mauriac. Also Alexander Werth?s ?Before Munich? and a collection of the speeches of Daladier 1934 ? 1940, (these in English). At the moment I have ?Rond Point des Champs Elys?es? de Paul Maraud, and ?The French at Home? of Philip Carr.'

Century: 1900-1945     Reader/Listener/Group: Winifred Agnes Moore      Print: Book

  

unknown : Life of Turgot

'I am very busy with small things ? but am hoping to keep more to my books in future. I am making a really exhaustive study of France ? something fundamental I mean. At present I am going through a life of Turgot ? the latest, and a book on ?French Civilisation; Foundations to end of Middle Ages? by Albert Guerard.'

Century: 1900-1945     Reader/Listener/Group: Winifred Agnes Moore      Print: Book

  

Albert Guerard : French Civilisation; Foundations to end of Middle Ages

'I am very busy with small things ? but am hoping to keep more to my books in future. I am making a really exhaustive study of France ? something fundamental I mean. At present I am going through a life of Turgot ? the latest, and a book on ?French Civilisation; Foundations to end of Middle Ages? by Albert Guerard.'

Century: 1900-1945     Reader/Listener/Group: Winifred Agnes Moore      Print: Book

  

unknown : Life of Orage

'For relief I have had a life of Orage ? by someone who evidently had a great admiration for him, but only knew him personally during the last phase ? the ?New English Weekly? time. But it was competent and pleased me well, because it left out all the chit-chat about women etc, which was always superfluous when Orage was in question. He seemed to me a man, one of the few, (your father was really another) who could quite well have dispensed with women altogether, except in the most obvious way, and of course women like me, like men of that type, as we also can stand alone (yes, really, I can ? but I am not the better for it ? it arouses in me my old sense of arrogant detachment which I am inclined to think is sinful).'

Century: 1900-1945     Reader/Listener/Group: Winifred Agnes Moore      Print: Book

  

Ford Madox Ford : Provence

'To return to my reading at the moment ? I have another book of Ford Madox Ford?s ? oh ! a lovely one, called ?Provence?. He died this year ? how sad he must have been in poor old London. But all you loved best in Provence comes out in that book ? and in the end the author says we must come back to it, learn to plant our cabbages ? and to cook them ? or we are doomed. How I regret that I could not send you that book ? but alas !! By the way I sent a ?Pied Piper? for Shirley. I hope it arrives.'

Century: 1900-1945     Reader/Listener/Group: Winifred Agnes Moore      Print: Book

  

A.L. Bacharach : The Musical Companion

'Stanley sent me a wonderful book of Gollanzc ?The Musical Companion? edited by Bacharach. Did you meet Bacharach ever? Perhaps not. He was one of the ?New Age? crowd I met in the wonderful Easter Week of 1917 ? just before we went to France. He is at the London Schl of Econ: now, but then he seemed to be just doing journalism and a bit of W.E.A. work. This book is jolly for me. Its just a straightforward manual of music ? and fills in all the gaps of one?s knowledge that get in the way when trying to listen intelligently.'

Century: 1900-1945     Reader/Listener/Group: Winifred Agnes Moore      Print: Book

  

Leon Daudet : Clemenceau

'Now about my reading, -- I have L?on Daudet?s ?Clemenceau?. The book is more interesting to me for the light it throws on L?on Daudet than on its subject ? a person (Clemenceau) that I find thoroughly repugnant. I suppose I ought to read Ren? Benjamin?s ?life?, as I heard him lecture on it at Bordeaux, but certainly I do not find the ?Tiger? a pleasant person in any way at all. But I find Daudet rather attractive, and indeed surprisingly reasonable in his criticism of people whose politics must have been the opposite of his own. The exception is Briand, but I cannot imagine any human being so disgusting as the person described by Daudet under that name ? it is impossible. Malvy and Caillaux also get it hot. But there are descriptions of the Goncourt group which I liked very much, and altogether I enjoyed the ?Frenchness? of the writer.'

Century: 1900-1945     Reader/Listener/Group: Winifred Agnes Moore      Print: Book

  

Havelock Ellis : From Rousseau to Proust

'I have just completed Havelock Ellis? ?From Rousseau to Proust?, a kind of psychological survey of the ?subjective? writers of the period between the two named. It was excellent ? you know I am a classic ? so I naturally admire a critic who makes all the ?back to nature? people abnormals, and their genius merely Peter Parishness to the nth: I think you have heard me say that many times in one form or another. The best thing in the book however, was an appreciation of ?The Grand Meaulnes?. The essay appeared originally as an introduction to the English translation of the book, and really is a fine bit of work. I am going to try and find the book if possible. It is called ?The Wanderer?.'

Century: 1900-1945     Reader/Listener/Group: Winifred Agnes Moore      Print: Book

  

D.W. Brogan : The Development of Modern France

'Of course I read a great deal. I still continue my studies of French historical development. I have the best new book there is; ?The Development of Modern France? (1870 ? 1939) by D W Brogan, Fellow of Peterhouse and professor of Political Science in the University of Cambridge. It is a great book, and I am learning about many people who were formerly just streets to me. Remember rue Albert de Mun, I now find Albert to have been quite a sizeable person. You remember I expressed in my last letter my dislike of Clemenceau as biographed by L?on Daudet. Such mention as I find of him in this book up to the moment, (?L?Affaire?) still seem to make him pretty dingy, as Harold would say I shall have to read it several times, (the book I mean). For light relief I have Edna Ferber?s autobiography ?A Peculiar Treasure?. It is specially worth while, a plain straight record of a real hard worker, thrilled with her job, and wanting nothing else. She has written the book stressing always that she is a Jew and this gives of course, an added interest to the work. If it comes your way, its worth reading.'

Century: 1900-1945     Reader/Listener/Group: Winifred Agnes Moore      Print: Book

  

Edna Ferber : A Peculiar Treasure

'Of course I read a great deal. I still continue my studies of French historical development. I have the best new book there is; ?The Development of Modern France? (1870 ? 1939) by D W Brogan, Fellow of Peterhouse and professor of Political Science in the University of Cambridge. It is a great book, and I am learning about many people who were formerly just streets to me. Remember rue Albert de Mun, I now find Albert to have been quite a sizeable person. You remember I expressed in my last letter my dislike of Clemenceau as biographed by L?on Daudet. Such mention as I find of him in this book up to the moment, (?L?Affaire?) still seem to make him pretty dingy, as Harold would say I shall have to read it several times, (the book I mean). For light relief I have Edna Ferber?s autobiography ?A Peculiar Treasure?. It is specially worth while, a plain straight record of a real hard worker, thrilled with her job, and wanting nothing else. She has written the book stressing always that she is a Jew and this gives of course, an added interest to the work. If it comes your way, its worth reading.'

Century: 1900-1945     Reader/Listener/Group: Winifred Agnes Moore      Print: Book

  

Lindley Murray : English grammar

'When I first ventured to write a sentence for publication, having a deep sense of my profound ignorance of the rules of punctuation, I applied myself to the study of Lindley Murray's grammar -- then the one accepted authority for English people. He gave seventeen rules for the right placing of the comma, and I thought it my duty to endeavour to master them. But my patience did not hold out [...] I threw aside the seventeen rules of punctuation, and in their stead placed on one mental page the simple definitions of the respective values of periods, colons, semi-colons, and commas which I had learnt as a child, and then took which ever common sense and observation pointed out as suitable to my purpose; and in the end I found that I had escaped any special criticism.'

Century: 1800-1849     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Book

  

William Pinnock : Catechism

Elizabeth Missing Sewell recalls her studies to the age of thirteen: 'As regards history, I had learnt absolutely perfectly the chief events in the reigns of the English kings given in Pinnock's Catechism, and could go through the dates without a mistake.'

Century: 1800-1849     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Book

  

 : New Testament Gospels

Elizabeth Missing Sewell recalls her studies to the age of thirteen: 'The Gospels were as familiar to me as the Lord's Prayer and the Catechism; almost too familiar, indeed, for I read them day after day as a lesson, and thus in a certain degree lost the sense of their meaning.'

Century: 1800-1849     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Book

  

St Matthew : Matthew 2:1

'It had [...] been a favourite idea of my mother's that her girls should learn Latin, and she engaged an old schoolmaster living in a back street in our native town to give my eldest sister and myself lessons when we were about ten and eight years of age [...] But the lessons did not last long. The tears I shed over the difficulties of the first verse of the second chapter of the Gospel of St. Matthew, which was the material for our first Latin lesson, were so bitter that they were too much for my mother's tender heart, and I was allowed to give up the study [...] The failure of this attempt, which was never renewed, has been a regret to me all my life.'

Century: 1800-1849     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Book

  

Mangall : Questions

Elizabeth Missing Sewell recalls studies at the second school she attended (to the age of 15): 'Our subjects of study included -- besides English history and exercises in grammar -- lessons in mythology and upon the English Constitution learnt by heart from Mangall's Questions, the outlines of the rise of nations, with Roman, Grecian, and French history (the latter read in French), Mrs. Marcet's Conversations on Chemistry and Political Economy, and Joyce's Scientific Dialogues.'

Century: 1800-1849     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Book

  

unknown : [texts on French history]

Elizabeth Missing Sewell recalls studies at the second school she attended (to the age of 15): 'Our subjects of study included -- besides English history and exercises in grammar -- lessons in mythology and upon the English Constitution learnt by heart from Mangall's Questions, the outlines of the rise of nations, with Roman, Grecian, and French history (the latter read in French), Mrs. Marcet's Conversations on Chemistry and Political Economy, and Joyce's Scientific Dialogues.'

Century: 1800-1849     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Book

  

Mrs Marcet : Conversations on Chemistry

Elizabeth Missing Sewell recalls studies at the second school she attended (to the age of 15): 'Our subjects of study included -- besides English history and exercises in grammar -- lessons in mythology and upon the English Constitution learnt by heart from Mangall's Questions, the outlines of the rise of nations, with Roman, Grecian, and French history (the latter read in French), Mrs. Marcet's Conversations on Chemistry and Political Economy, and Joyce's Scientific Dialogues.'

Century: 1800-1849     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Book

  

Mrs Marcet : Conversations on Political Economy

Elizabeth Missing Sewell recalls studies at the second school she attended (to the age of 15): 'Our subjects of study included -- besides English history and exercises in grammar -- lessons in mythology and upon the English Constitution learnt by heart from Mangall's Questions, the outlines of the rise of nations, with Roman, Grecian, and French history (the latter read in French), Mrs. Marcet's Conversations on Chemistry and Political Economy, and Joyce's Scientific Dialogues.'

Century: 1800-1849     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Book

  

Joyce : Scientific Dialogues

Elizabeth Missing Sewell recalls studies at the second school she attended (to the age of 15): 'Our subjects of study included -- besides English history and exercises in grammar -- lessons in mythology and upon the English Constitution learnt by heart from Mangall's Questions, the outlines of the rise of nations, with Roman, Grecian, and French history (the latter read in French), Mrs. Marcet's Conversations on Chemistry and Political Economy, and Joyce's Scientific Dialogues.'

Century: 1800-1849     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Book

  

Lady Barker : Letters from New Zealand

From Elizabeth Missing Sewell's recommendations of non-fictional works 'which I can guarantee myself' in 'Hints on Reading': 'Lady Barker's Letters from New Zealand almost everyone knows. They are lively and graphic. I suspect, from what I have heard from my New Zealand friends, that they are rather highly coloured, but they give a very vivid impression of the pleasures and toils of life in the Antipodes, and are good for reading aloud.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Book

  

George Kennan : Tent Life in Siberia

From Elizabeth Missing Sewell's recommendations of non-fictional works 'which I can guarantee myself' in 'Hints on Reading': 'Tent Life in Siberia. -- Not a very new book, but interesting from its account of northern scenery and civilization.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Book

  

J. A. Froude : Short Essays on Great Subjects

From Elizabeth Missing Sewell's recommendations of non-fictional works 'which I can guarantee myself' in 'Hints on Reading': 'Froude's Short Essays on Great Subjects. -- I mention this book with a certain reservation, because, with all my admiration of Mr. Froude's talents, I certainly do not agree with him in principle [...] "Calvinism" appears to me to be about anything but Calvinism. It is rather an exposition of Mr. Froude's Protestant view of Christianity; but it is interesting and suggestive. Several of the other essays are on the colonial policy of England, and will be chiefly attractive to those who have colonial sympathies; but they are very clever.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Book

  

Count Beugnot : Memoirs

From Elizabeth Missing Sewell's recommendations of non-fictional works 'which I can guarantee myself' in 'Hints on Reading': 'Count Beugnot's Memoirs I have been reading in the original, and I have come to the conclusion that the book is likely to be more agreeable to an English reader in the English dress which Miss Yonge has given it. So much of it refers to individuals and politics exclusively French; but in any form it must be interesting at this time, when France is, as it was then, undergoing a process of re-construction.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Book

  

Frederick William Robinson : Christie's Faith

From Elizabeth Missing Sewell's recommendations of works 'which I can guarantee myself' in 'Hints on Reading': 'Christie's Faith, by the author of "Owen, a Waif," is a novel which I can guarantee myself. The scenes are not laid in a very elevated class of life, and some are extremely painful, but there is a noble religious tone throughout the book which carries one through all. If I were inclined to criticise, I should say that the author does not understand women as well as he does men, and one scene, in which a so-called lady offers to be the wife of a man much her inferior in position, would in other hands have been very unpleasant. As it is, it is merely unnatural. The author's sympathies are evidently not with the English Church, but he is no way antagonistic to it.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Book

  

J. G. Sharp : Culture and Religion

From Elizabeth Missing Sewell's recommendations of non-fictional works 'which I can guarantee myself' in 'Hints on Reading': 'Culture and Religion, by J. G. Sharp, is a delightful little book, which should be read and thought over till it is fully mastered.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Book

  

[n/a] : Bible

The Weekly Return of Lessons repeated by Prisoners at Reading Gaol from 25 May to 1 June 1850. (Report of the schoolmaster to the gaol chaplain). G.N.: 'Repeat the 22nd verse of the 6th chapter of St John.'

Century: 1850-1899     Reader/Listener/Group: G.N.      Print: Book

  

[n/a] : Bible

The Weekly Return of Lessons repeated by Prisoners at Reading Gaol from 25 May to 1 June 1850. (Report of the schoolmaster to the gaol chaplain). G.B.: 'Repeat the Collect and 14th verse of 6th, and 7th and 20th verses of 8th chpter of St Matthew'

Century: 1850-1899     Reader/Listener/Group: G.B.      Print: Book

  

[n/a] : Bible

The Weekly Return of Lessons repeated by Prisoners at Reading Gaol from 25 May to 1 June 1850. (Report of the schoolmaster to the gaol chaplain). G.G.: 'Repeat the Collect and 15th and 16th, also 14th verse of 17th chapter of St John.'

Century: 1850-1899     Reader/Listener/Group: G.G.      Print: Book

  

[n/a] : Bible

The Weekly Return of Lessons repeated by Prisoners at Reading Gaol from 25 May to 1 June 1850. (Report of the schoolmaster to the gaol chaplain). G.D.: 'Repeat the Collect and 13th and 14th chapters of St Luke.'

Century: 1850-1899     Reader/Listener/Group: G.D.      Print: Book

  

[n/a] : Bible

The Weekly Return of Lessons repeated by Prisoners at Reading Gaol from 25 May to 1 June 1850. (Report of the schoolmaster to the gaol chaplain). G.M.: 'Repeat the Collect, the Epistles of Titus and Philemon, and 3rd chapter of Hebrews.'

Century: 1850-1899     Reader/Listener/Group: G.M.      Print: Book

  

[n/a] : Bible

The Weekly Return of Lessons repeated by Prisoners at Reading Gaol from 25 May to 1 June 1850. (Report of the schoolmaster to the gaol chaplain). G.R.: 'Repeat the Collect and 12th verse of 1st chapter of 2nd Epistle of Corinthians.'

Century: 1850-1899     Reader/Listener/Group: G.R.      Print: Book

  

[n/a] : Bible

The Weekly Return of Lessons repeated by Prisoners at Reading Gaol from 25 May to 1 June 1850. (Report of the schoolmaster to the gaol chaplain). W.G.: 'Repeat the Collect and 2nd, 3rd and 4th chapters of St Matthew.'

Century: 1850-1899     Reader/Listener/Group: W.G.      Print: Book

  

[unknown] : [unknown]

S.G., transport convict writing from Portsmouth: 'During my stay at Pentonville I was, comparatively speaking, comfortable ... Mr Kingsmill was particularly kind in lending me some excellent books, in which I took great delight.'

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: S.G.      Print: Book

  

[n/a] : Bible

Extract from schoolmaster's journal: G.B., aged 30: 'on his admission, began by repeating several of the Psalms; he then commenced the gospel of St John, and repeated a chapter everyday till it was finished, when he was taken off to do some prison work, but subsequently resumed, and continuously repeating a chapter, sometimes two, of other portions daily. The schoolmaster thinks this man will have committed to memory the whole of the New Testament before the termination of his imprisonment, and there are, at present in the gaol, he asserts, five others who have nearly accomplished the same task.'

Century: 1800-1849     Reader/Listener/Group: G.B.      Print: Book

  

[n/a] : Bible

Accounts of prisoners: 'G.B., 30, Reg. no 388. - A convicted felon, who had been in another prison for a similar offence. When committed appeared hardened and very unpromising, but now shews decided improvement of disposition and character. Has been in prison nine months, and has committed to memory the whole of the New Testament, as far as the Epistle to the Hebrews.'

Century: 1800-1849     Reader/Listener/Group: G.B.      Print: Book

  

[n/a] : Bible

Accounts of prisoners: G.B., 30, Reg. no. 388: 'This prisoner was convicted and sentenced to 12 months' imprisonment. His conduct has been very pleasing. He continues to speak with much thankfulness of the provision made for his mental and moral improvement. He has repeated portions of the Old Testament and nearly the whole of the New Testament.'

Century: 1800-1849     Reader/Listener/Group: G.B.      Print: Book

  

Charlotte Anley : Miriam; Or, the Power of Truth

Elizabeth Barrett to Henrietta Moulton-Barrett, from Eastnor Castle, 23-24 February 1827: 'As we were going down the stairs yesterday Lady M. said to me -- "I am reading a little book now called "Miriam"-- if you should happen to meet with it you will find in its early part, one page which puts me strongly in mind of you -- of your character -- but you shall not see it [italics]here[end italics]." I did not know what to say, but felt very uncomfortable & looked very foolish -- promising myself to lay hold of "Miriam" & of Lady Margaret's opinion respecting me, at the first opportunity.'

Century: 1800-1849     Reader/Listener/Group: Lady Margaret Maria Cocks      Print: Book

  

St Chrysostom : 'In Epistolarum primam ad Corinthos'

Elizabeth Barrett to Hugh Stuart Boyd, 16 January 1830: 'Chrysostom has been staggering me lately by his commentary on those passages of the Epistles to the Corinthians, which relate to the Lord's Supper. I have felt every now & then, that he [italics]must[end italics] hold transubstantiation, -- & then I look at your pencil marks upon those very passages, & recollect your opinion of his holding no such doctrine -- & then I am in perplexity'.

Century: 1700-1799 / 1800-1849     Reader/Listener/Group: Hugh Stuart Boyd      Print: Book

  

Sir Edward Coke : unknown

Elizabeth Barrett to Mary Russell Mitford, 17 June 1839: 'I mean to make an extract of your legal admirations and send them to my brother George who begins his circuits next year as a BARRISTER!! I shall be curious to observe how his enthusiasm for his profession, which actually set him down to read Coke among this exquisite scenery, when he came down with me last year [...] will bear up under the infliction.'

Century: 1800-1849     Reader/Listener/Group: George Goodin Moulton-Barrett      Print: Book

  

Robert Browning : Paracelsus

Walter Savage Landor to Robert Browning, c.18 March 1840: 'Three days have nearly slipped by me since I received your poem [Sordello] [...] You much overrate my judgement, but whatever it is, you shall have it, before I have redd it so often as I redd Paracelsus.'

Century: 1800-1849     Reader/Listener/Group: Walter Savage Landor      Print: Book

  

Elizabeth Barrett : 'The Legend of the Browne Rosarie'

Arabella Moulton-Barrett to Samuel Moulton-Barrett, 15 August 1839: 'Georgie [brother] is at Torquay, & he wrote out and sent to me the other day, Ba's ballad, unknown to her -- & by doing so, Papa says he has committed a breach of morality & he refuses to read it. I, not being quite so strict, have read it & am quite overflowing with gratitude to George for being so very IMMORAL -- It is most beautiful [...] but SO horrible [...] my hair felt inclined to turn [italics]upward[end italics] as I read it!'

Century: 1800-1849     Reader/Listener/Group: George Goodin Moulton-Barrett      Manuscript: Unknown

  

Mary Russell Mitford : Tragedies

'Madam, Having understood from a friend that you wished to obtain the words of "The Bann of the Church of the German Empire," I take the liberty of sending them to you [...] You will find it in "Les Anecdotes Germaniques," page 151, and as I have experienced so much pleasure from the perusal and representation of your beautiful tragedies, I shall have great satisfaction in being of the smallest use to you.'

Century: 1800-1849     Reader/Listener/Group: G.E. Lynch Cotton      Print: Book

  

Andre-Guillaume Contant-d'Orville : Les Anecdotes Germaniques

'Madam, Having understood from a friend that you wished to obtain the words of "The Bann of the Church of the German Empire," I take the liberty of sending them to you [...] You will find it in "Les Anecdotes Germaniques," page 151, and as I have experienced so much pleasure from the perusal and representation of your beautiful tragedies, I shall have great satisfaction in being of the smallest use to you.'

Century: 1800-1849     Reader/Listener/Group: G.E. Lynch Cotton      Print: Book

  

Dr. Channing : Sermons

'I send you with this all Dr. Channing's works, and the little series of four small volumes, in whcih Miss Sedgwick's "Home" is to be found, and I send them very gladly, both because I think them good and because the last of them, "Gleams of Truth", is a practical illustration of the principles touching the relations of the more favoured and less favoured classes of society, which are so ably and so beautifully set forth in the separate sermon of Dr. Channing which I send with them.'

Century: 1800-1849     Reader/Listener/Group: George Ticknor      Print: Book

  

Catharine M Sedgwick : Hope

'I send you with this all Dr. Channing's works, and the little series of four small volumes, in whcih Miss Sedgwick's "Home" is to be found, and I send them very gladly, both because I think them good and because the last of them, "Gleams of Truth", is a practical illustration of the principles touching the relations of the more favoured and less favoured classes of society, which are so ably and so beautifully set forth in the separate sermon of Dr. Channing which I send with them.'

Century: 1800-1849     Reader/Listener/Group: George Ticknor      Print: Book

  

 : The Times

'There was one [thought like a hornet] zooming in The Times this morning - a woman's voice saying, "Women have not a word to say in politics".'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Newspaper

  

Mary Shelley : Rambles in Germany and Italy in 1840, 1842, and 1843

'I am really frightened when I think that you are reading my book critically - It seems to me such a wretched piece of work - written much of it in a state of pain that makes me look at its pages now as if written in a dream. The second volume only tells anything new - I fear I shall be very much ashamed of it' [letter to Leigh Hunt]

Century: 1800-1849     Reader/Listener/Group: Leigh Hunt      Print: Book

  

Elizabeth Barrett : 'Some Account of the Greek Christian Poets'

Elizabeth Barrett to Hugh Stuart Boyd, 2 April 1842: 'As to your kind desire to hear whatever in the way of favorable remark I have gathered for fruit of my papers [on the Greek Christian poets], I put on a veil and tell you that Mr Kenyon thought it well done altho' "labor thrown away from the unpopularity of the subject" -- that Miss Mitford was very much pleased [...] that Mrs Jamieson read them "with great pleasure" unconsciously of the author, -- & that Mr Horne the poet & Mr Browning the poet were not behind in approbation! Mr Browning is said to be learned in Greek [...] & of Mr Horne I should suspect something similar. Miss Mitford & Mrs Jamieson altho' very gifted & highly cultivated women are not Graecians & therefore judge the papers simply as English compositions. 'The single unfavorable opinion is Mr Hunter's who thinks that the criticisms are not given with either sufficient seriousness or diffidence, & that there is a painful sense of effort through the whole.'

Century: 1800-1849     Reader/Listener/Group: Richard Hengist Horne      Print: Serial / periodical

  

Elizabeth Barrett : 'Some Account of the Greek Christian Poets'

Elizabeth Barrett to Hugh Stuart Boyd, 2 April 1842: 'As to your kind desire to hear whatever in the way of favorable remark I have gathered for fruit of my papers [on the Greek Christian poets], I put on a veil and tell you that Mr Kenyon thought it well done altho' "labor thrown away from the unpopularity of the subject" -- that Miss Mitford was very much pleased [...] that Mrs Jamieson read them "with great pleasure" unconsciously of the author, -- & that Mr Horne the poet & Mr Browning the poet were not behind in approbation! Mr Browning is said to be learned in Greek [...] & of Mr Horne I should suspect something similar. Miss Mitford & Mrs Jamieson altho' very gifted & highly cultivated women are not Graecians & therefore judge the papers simply as English compositions. 'The single unfavorable opinion is Mr Hunter's who thinks that the criticisms are not given with either sufficient seriousness or diffidence, & that there is a painful sense of effort through the whole.'

Century: 1800-1849     Reader/Listener/Group: George Barrett Hunter      Print: Serial / periodical

  

William Pinnock : [?] Catechism of the History of England

'we learned Pinnock's Catechisms of History and Geography, and parsed sentences grammatically. For religious instruction we read portions of the Old Testament, and the Gospels, and Acts of the Apostles in a class every day, using Mrs Trimmer's "Selections"; and on Sundays we repeated the Collect and learned Watts's hymns, besides going through the Church Catechism. We also had Crossman's Catechism given us as an explanation of the Church Catechism'

Century: 1800-1849     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Book

  

William Pinnock : Catechism of Geography; being an easy Introduction to the Knowledge of the World

'we learned Pinnock's Catechisms of History and Geography, and parsed sentences grammatically. For religious instruction we read portions of the Old Testament, and the Gospels, and Acts of the Apostles in a class every day, using Mrs Trimmer's "Selections"; and on Sundays we repeated the Collect and learned Watts's hymns, besides going through the Church Catechism. We also had Crossman's Catechism given us as an explanation of the Church Catechism'

Century: 1800-1849     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Book

  

Sarah Trimmer : Abridgement of Scripture History, consisting of Lessons selected from the Old Testament, for the Use of Schools and Families

'we learned Pinnock's Catechisms of History and Geography, and parsed sentences grammatically. For religious instruction we read portions of the Old Testament, and the Gospels, and Acts of the Apostles in a class every day, using Mrs Trimmer's "Selections"; and on Sundays we repeated the Collect and learned Watts's hymns, besides going through the Church Catechism. We also had Crossman's Catechism given us as an explanation of the Church Catechism'

Century: 1800-1849     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Book

  

[n/a] : Church Catechism

'we learned Pinnock's Catechisms of History and Geography, and parsed sentences grammatically. For religious instruction we read portions of the Old Testament, and the Gospels, and Acts of the Apostles in a class every day, using Mrs Trimmer's "Selections"; and on Sundays we repeated the Collect and learned Watts's hymns, besides going through the Church Catechism. We also had Crossman's Catechism given us as an explanation of the Church Catechism'

Century: 1800-1849     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Book

  

[n/a] : Book of Isaiah

'whilst yet in the nursery, I learned the greater portion of the first chapter of Isaiah, and can repeat it to this day. No one told me to do so, or even knew that I had done it. The beauty of the language, the exquisite musical rhythm of the sentences caught my ear, but I had little perception of anything beyond.'

Century: 1800-1849     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Book

  

Joseph Addison : Spectator

'My chief acquaintance with the writers of the eighteenth century is derived from reading to Aunt Lyddy papers in the "Spectator" and "The Rambler", Mason's plays, Addison's "Cato" etc. This we were often called upon to do when we were invited to dine with Aunt Clarke'.

Century: 1800-1849     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Serial / periodical, possibly bound as a book

  

Samuel Johnson : Rambler, The

'My chief acquaintance with the writers of the eighteenth century is derived from reading to Aunt Lyddy papers in the "Spectator" and "The Rambler", Mason's plays, Addison's "Cato" etc. This we were often called upon to do when we were invited to dine with Aunt Clarke'.

Century: 1800-1849     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Serial / periodical, possibly bound as a book

  

Mason : [Plays]

'My chief acquaintance with the writers of the eighteenth century is derived from reading to Aunt Lyddy papers in the "Spectator" and "The Rambler", Mason's plays, Addison's "Cato" etc. This we were often called upon to do when we were invited to dine with Aunt Clarke'.

Century: 1800-1849     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Book

  

Joseph Addison : Cato

'My chief acquaintance with the writers of the eighteenth century is derived from reading to Aunt Lyddy papers in the "Spectator" and "The Rambler", Mason's plays, Addison's "Cato" etc. This we were often called upon to do when we were invited to dine with Aunt Clarke'.

Century: 1800-1849     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Book

  

Gottfried August Burger : Lenore

'My first sight of German letters, and my first wish to know the language, was gained from being allowed to look at a beautiful copy of Burger's "Lenore", illustrated by striking line engravings, and having the German on one page and the English translation on the other.'

Century: 1800-1849     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Book

  

[n/a] : Book of Judges

'[I] had made myself miserable, after reading about Jephtha's vow, because I imagined that every time the thought of making a vow came into my head I had actually made it and was bound to keep it.'

Century: 1800-1849     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Book

  

Walter Scott : Lady of the Lake, The

'We learned passages from the best authors, and my delight in Walter Scott made me add to the regular lesson large portions of "The Lady of the Lake" which are fresh in my memory at this moment'.

Century: 1800-1849     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Book

  

[n/a] : Bible

'Everything in the Bible that was at all perplexing was turned into a stumbling-block, and came before me, not only during the reading of the Scriptures but at all times. I tried to reason against the difficulties, but that only increased the evil'.

Century: 1800-1849     Reader/Listener/Group: Eliazbeth Missing Sewell      Print: Book

  

Matthew Henry : Communicant's Companion

'Miss Aldridge gave us Henry's "Communicant's Companion" - a fearful book filled with questions which it would have taken months to answer - and I tried to find time for self-examination out of school hours, and at first thought myself obliged to answer every question, and at last gave up the attempt in despair. my own sense told me it was in vain'.

Century: 1800-1849     Reader/Listener/Group: Eliazbeth Missing Sewell      Print: Book

  

William Russell : History of Modern Europe

'I used to study by myself, for I knew that I was wofully ignorant. Such books as Russell's "History of Modern Europe" and Robertson's "Charles the Fifth", I read, and also Watts on the "Improvement of the Mind", and I plodded through an Italian history of the Venetian Doges, lent me by an intimate and valued friend of my father, Mr Turnbull'.

Century: 1800-1849     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Book

  

William Robertson : History of the Reign of Charles the Fifth

'I used to study by myself, for I knew that I was wofully ignorant. Such books as Russell's "History of Modern Europe" and Robertson's "Charles the Fifth", I read, and also Watts on the "Improvement of the Mind", and I plodded through an Italian history of the Venetian Doges, lent me by an intimate and valued friend of my father, Mr Turnbull'.

Century: 1800-1849     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Book

  

Isaac Watts : Improvement of the Mind, The

'I used to study by myself, for I knew that I was wofully ignorant. Such books as Russell's "History of Modern Europe" and Robertson's "Charles the Fifth", I read, and also Watts on the "Improvement of the Mind", and I plodded through an Italian history of the Venetian Doges, lent me by an intimate and valued friend of my father, Mr Turnbull'.

Century: 1800-1849     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Book

  

[unknown] : [History of Venetian Doges]

'I used to study by myself, for I knew that I was wofully ignorant. Such books as Russell's "History of Modern Europe" and Robertson's "Charles the Fifth", I read, and also Watts on the "Improvement of the Mind", and I plodded through an Italian history of the Venetian Doges, lent me by an intimate and valued friend of my father, Mr Turnbull'.

Century: 1800-1849     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Book

  

Miguel de Cervantes : Don Quixote

'I taught myself besides to read Spanish - for having found a Spanish "Don Quixote" lying about, which no-one claimed, I took possession of it, bought a grammar and dictionary, and set to work to master the contents of the book which I knew so well by name'.

Century: 1800-1849     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Book

  

[unknown] : [a Spanish grammar]

'I taught myself besides to read Spanish - for having found a Spanish "Don Quixote" lying about, which no-one claimed, I took possession of it, bought a grammar and dictionary, and set to work to master the contents of the book which I knew so well by name'.

Century: 1800-1849     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Book

  

[unknown] : [a Spanish dictionary]

'I taught myself besides to read Spanish - for having found a Spanish "Don Quixote" lying about, which no-one claimed, I took possession of it, bought a grammar and dictionary, and set to work to master the contents of the book which I knew so well by name'.

Century: 1800-1849     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Book

  

[unknown] : [Linnaean botany book]

'The elements of botany on the Linnaean system was another of my attempted acquirements, but I am afraid my studies were very superficial: I knew nothing perfectly, but I read everything that came in my way. There was an excellent town library in Newport, from which I could get any good modern works; and, besides the graver literature, I had always some lighter book on hand, and especially delighted in Walter Scott's novels and poetry. Byron, too, was a great favourite'

Century: 1800-1849     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Book

  

Walter Scott : [unknown]

'The elements of botany on the Linnaean system was another of my attempted acquirements, but I am afraid my studies were very superficial: I knew nothing perfectly, but I read everything that came in my way. There was an excellent town library in Newport, from which I could get any good modern works; and, besides the graver literature, I had always some lighter book on hand, and especially delighted in Walter Scott's novels and poetry. Byron, too, was a great favourite'

Century: 1800-1849     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Book

  

George Gordon, Lord Byron : [unknown]

'The elements of botany on the Linnaean system was another of my attempted acquirements, but I am afraid my studies were very superficial: I knew nothing perfectly, but I read everything that came in my way. There was an excellent town library in Newport, from which I could get any good modern works; and, besides the graver literature, I had always some lighter book on hand, and especially delighted in Walter Scott's novels and poetry. Byron, too, was a great favourite'

Century: 1800-1849     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Book

  

Walter Scott : Paul's Letters to his Kinsfolk

'We were at the old vicarage, which had then only one sitting room, or at least only one which we could use, for the floor of the other room was covered with Mr Heathcote's books. They were very kindly left for our use, and I made an acquaintance with Sir Walter Scott's "Paul's Letters to his Kinsfolk", and read Shakespeare to Ellen, and led a quiet life, seeing no one'.

Century: 1800-1849     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Book

  

William Shakespeare : [unknown]

'We were at the old vicarage, which had then only one sitting room, or at least only one which we could use, for the floor of the other room was covered with Mr Heathcote's books. They were very kindly left for our use, and I made an acquaintance with Sir Walter Scott's "Paul's Letters to his Kinsfolk", and read Shakespeare to Ellen, and led a quiet life, seeing no one'.

Century: 1800-1849     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Book

  

Laetitia Hawkins : Countess and Gertrude, The; or, Modes of Discipline

'The only gleam of romance I had in connection with the place [a house in John St, Bedford Row, London] was derived from the fact that the large bare house reminded me of a description of one like it in an old novel by Miss Hawkins - "The Countess and Gertrude".'

Century: 1800-1849     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Book

  

Joseph Butler : Analogy of Religion, Natural and Revealed, to the Constitution and Course of Nature

'My mind also had become much quieted and strengthened by the reading of Butler's "Analogy", which I had always heard mentioned with admiration, and which I stumbled upon, as it seemed accidentally (though doubtless it was a Providential help sent me), while we were spending a few days at the Hermitage. I took it up first for curiosity, and read it through nearly, but not quite to the end; feeling very much afraid all the time that some one would inquire into my studies, and being greatly humiliated by an observation made by William, who one day found me with it in my hand. His surprised tone as he exclaimed, "You can't understand that", made me shrink into my shell of reserve, and for years I never owned to anyone that Butler's "Analogy" had been to me, as it has been to hundreds, the stay of a troubled intellect and a weak faith'.

Century: 1800-1849     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Book

  

John Henry Newman : Tracts for the Times

'I had seen some numbers of "Tracts for the Times" lying on the counter in a bookseller's shop in Newport, and they had excited my curiosity, and led to inquiry; and, as my brother William's opinions had by that time become marked, he soon succeeded in indoctrinating us all with them. A very great comfort it certainly was to myself to have my ideas cleared upon subjects which had long been floating about in my brain, and worrying me almost without my knowing it. Especially it was a relief to me to find great earnestness and devotion in a system which allowed of reserve in expression, and did not make the style of conversation, which I had met with in the only definitely religious tales I had read, a necessary part of Christianity. Mrs Sherwood's "Tales" and others of a similar kind, described children as quoting texts, and talking of their feelings in an unnatural way, or what seemed to me unnatural; and I had really suffered so much at school from things said to me which jarred upon my taste that it was perfect rest to be able to talk upon religious subjects without hearing or using cant phrases'.

Century: 1800-1849     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Book

  

Mary Martha Sherwood : [Tales]

'I had seen some numbers of "Tracts for the Times" lying on the counter in a bookseller's shop in Newport, and they had excited my curiosity, and led to inquiry; and, as my brother William's opinions had by that time become marked, he soon succeeded in indoctrinating us all with them. A very great comfort it certainly was to myself to have my ideas cleared upon subjects which had long been floating about in my brain, and worrying me almost without my knowing it. Especially it was a relief to me to find great earnestness and devotion in a system which allowed of reserve in expression, and did not make the style of conversation, which I had met with in the only definitely religious tales I had read, a necessary part of Christianity. Mrs Sherwood's "Tales" and others of a similar kind, described children as quoting texts, and talking of their feelings in an unnatural way, or what seemed to me unnatural; and I had really suffered so much at school from things said to me which jarred upon my taste that it was perfect rest to be able to talk upon religious subjects without hearing or using cant phrases'.

Century: 1800-1849     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Book

  

Elizabeth Missing Sewell : Stories on the Lord's Prayer

'I read both the few chapters of the intended tract, and the beginning of "Amy Herbert" to my sisters, and they liked them'.

Century: 1800-1849     Reader/Listener/Group: Elizabeth Missing Sewell      Manuscript: Unknown

  

Elizabeth Missing Sewell : Amy Herbert

'I read both the few chapters of the intended tract, and the beginning of "Amy Herbert" to my sisters, and they liked them'.

Century: 1800-1849     Reader/Listener/Group: Elizabeth Missing Sewell      Manuscript: Unknown

  

Charlotte Yonge : Daisy Chain, The

'In 1840 Miss Yonge was a bright attractive girl, at least ten years younger than myself and very like her own Ethel in "The Daisy Chain". Great interest was expressed by her and her mother in Mrs Mozley (Cardinal Newman's sister), the author of a tale called the "Fairy Bower", which had appeared shortly before. It was the precursor of the many tales, illustrative of the Oxford teaching, that were written at this period, and which were hailed with special satisfaction by young people, who turned fom the texts, and prayers, and hymns, which Mrs Sherwood had introduced into her stories, and yet needed something higher in tone than Miss Edgeworth's morality'.

Century: 1800-1849     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Book

  

Elizabeth Missing Sewell : Stories on the Lord's Prayer

'I was reading the little book aloud to my mother one evening when he was in the room, and not being well was lying on the sofa half asleep, as I thought; but he listened, and I think was interested, for he asked me what I was reading. I forget exactly what answer I made, but it certainly was not that I was reading anything of my own, and so I lost the opportunity of giving him pleasure'.

Century: 1800-1849     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Book

  

Mary Martha Sherwood : [Tales based on Church Catechism]

'The idea of connecting it ["Laneton Parsonage", by Sewell] with the Church Catechism had been originally suggested to me by Mrs Sherwood's stories on the same subject, which in my childhood had been a great source of Sunday amusement'.

Century: 1800-1849     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Book

  

Elizabeth Missing Sewell : Earl's Daughter, The

'"The Earl's Daughter" was also begun before my mother's death, and I read part of it to her, but she saw from the beginning that it was likely to be sad, and I think it rather oppressed her. "Margaret Percival" I read to her entirely, and also a portion of "Laneton Parsonage", and I remember being obliged to reassure her that Alice Lennox (in the latter tale) when taken ill would not die, she took such a vivid interest in the story - which was only completed after her death'.

Century: 1800-1849     Reader/Listener/Group: Elizabeth Missing Sewell      Manuscript: Unknown

  

Elizabeth Missing Sewell : Margaret Percival

'"The Earl's Daughter" was also begun before my mother's death, and I read part of it to her, but she saw from the beginning that it was likely to be sad, and I think it rather oppressed her. "Margaret Percival" I read to her entirely, and also a portion of "Laneton Parsonage", and I remember being obliged to reassure her that Alice Lennox (in the latter tale) when taken ill would not die, she took such a vivid interest in the story - which was only completed after her death'.

Century: 1800-1849     Reader/Listener/Group: Elizabeth Missing Sewell      Manuscript: Unknown

  

Elizabeth Missing Sewell : Laneton parsonage

'"The Earl's Daughter" was also begun before my mother's death, and I read part of it to her, but she saw from the beginning that it was likely to be sad, and I think it rather oppressed her. "Margaret Percival" I read to her entirely, and also a portion of "Laneton Parsonage", and I remember being obliged to reassure her that Alice Lennox (in the latter tale) when taken ill would not die, she took such a vivid interest in the story - which was only completed after her death'.

Century: 1800-1849     Reader/Listener/Group: Elizabeth Missing Sewell      Manuscript: Unknown

  

John Henry Newman : [a sermon]

'The Church though may mean the Catholic or Universal Church and so Rome may be included. It is a horrid, startling notion, but a sermon of Newman's I was reading to-night would be a great safeguard against being led into mischief by it, "Obedience, the remedy for religious pereplexity".'

Century: 1800-1849     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Book

  

[unknown] : Life of Stephen Langton

'We had a wet day yesterday, and amused ourselves with reading aloud "The Life of Stephen Langton" in "The Lives of the English Saints" (These lives were small biographies written by the more extreme members of the Oxford party.) It is well written and interesting, but I cannot go with it Thomas a Becket is no saint to my mind, and I dislike the uncalled-for hits at the Reformation'. [text in parenthesis added by the author or editor, it is unclear which, when turning journal text into publishable material]

Century: 1800-1849     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Book

  

Cecilia Frances Tilley : Chollerton: A tale of our own times

'I took up "Chollerton" (a Church tale) and skimmed parts through the uncut leaves and was not fascinated. It seemed strained and the fasting was brought forward prominently, and there seemed too much womanish humility. In one place the authoress cannot follow a young clergman, by description, in his feelings, or intrude "into that sacred edifice which formerly a woman's foot was forbidden to profane". This is, if I remember rightly, the drift of the observation, and really my humility cannot reach that depth. I think I [italics] can [end italics] imagine something of what a clergyman might feel, and I should never consider it an intrusion to go wherever men go, taking them as men. Of course the altar is different; but there the distinction is not between men and women, but between God and man'.

Century: 1800-1849     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Book

  

Harriet Martineau : Forest and Game-Law Tales

'I read nothing scarcely, all my spare time being given to German exercises. Miss Martineau's "Tales on the Game Laws" I began, but they are so dull to me that I have scarcely patience to finish. The thing I like about them is their fairness. The rich people are not all wretches,though Miss Martineau's sympathies are evidently with the poor'.

Century: 1800-1849     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Book

  

Archibald Alison : History of Europe from the Fall of Napoleon in MDCCCXV to the Accession of Louis Napoleon in MDCCCLII

'I read a little now, and am almost afraid I am learning to do without reading. Napoleon's battles in Alison's history are so dreadfully dry, after one has been writing and working all day.'

Century: 1800-1849     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Book

  

Robert Southey : Life and Correspondence of Robert Southey

'I have been reading "Southey's Life"; it does me a great deal of good. His life in a book and Mrs Charles Worsley's in actuality, have helped me more than any sermon. Southey's hard work and pecuniary anxieties come home to me'.

Century: 1850-1899     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Book

  

John Ruskin : Lectures on Architecture and Painting

'Ruskin's "Lectures on Architecture and Painting" which I have been reading, interest and please me immensely. They certainly are dogmatical. They are disfigured by exaggerated tirades against Romanism, but they are full of wonderful thought, and an intense feeling for truth, which must have an effect, one would think, upon those who read, or who have heard them'.

Century: 1850-1899     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Book

  

J.W. Kaye : Life and correspondence of Charles, Lord Metcalfe

'I have written a little, and read a good deal, - the second volume of "Sir Charles Metcalfe's Life", which makes me look upon him as more of a hero than many whom Carlyle would worship; and "Hypatia" and two sermons of Dr Pusey's against Germanism, and part of "Hero Worship", to say nothing of pamphlets and magazines, and a diligent study of "The Times" every evening. "Hypatia" is a marvel; very painful because it gives such a miserable view of Christianity in those days. In striving to be true, the description seems as if it must be untrue, even by its own acknowledgment. There must have been self-denial and faith, and charity working beneath those turbulent outward scenes. Yet it gives one no sympathy with philosophy. Mrs Meyrick and I both agree that "Pelagia" wins our affection much more than "Hypatia".'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Book

  

Charles Kingsley : Hypatia - or New Foes with an Old Face

'I have written a little, and read a good deal, - the second volume of "Sir Charles Metcalfe's Life", which makes me look upon him as more of a hero than many whom Carlyle would worship; and "Hypatia" and two sermons of Dr Pusey's against Germanism, and part of "Hero Worship", to say nothing of pamphlets and magazines, and a diligent study of "The Times" every evening. "Hypatia" is a marvel; very painful because it gives such a miserable view of Christianity in those days. In striving to be true, the description seems as if it must be untrue, even by its own acknowledgment. There must have been self-denial and faith, and charity working beneath those turbulent outward scenes. Yet it gives one no sympathy with philosophy. Mrs Meyrick and I both agree that "Pelagia" wins our affection much more than "Hypatia".'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Book

  

Edward Bouverie Pusey : [Sermons]

'I have written a little, and read a good deal, - the second volume of "Sir Charles Metcalfe's Life", which makes me look upon him as more of a hero than many whom Carlyle would worship; and "Hypatia" and two sermons of Dr Pusey's against Germanism, and part of "Hero Worship", to say nothing of pamphlets and magazines, and a diligent study of "The Times" every evening. "Hypatia" is a marvel; very painful because it gives such a miserable view of Christianity in those days. In striving to be true, the description seems as if it must be untrue, even by its own acknowledgment. There must have been self-denial and faith, and charity working beneath those turbulent outward scenes. Yet it gives one no sympathy with philosophy. Mrs Meyrick and I both agree that "Pelagia" wins our affection much more than "Hypatia".'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Book

  

Thomas Carlyle : Heroes and Hero Worship and the Heroic in History

'I have written a little, and read a good deal, - the second volume of "Sir Charles Metcalfe's Life", which makes me look upon him as more of a hero than many whom Carlyle would worship; and "Hypatia" and two sermons of Dr Pusey's against Germanism, and part of "Hero Worship", to say nothing of pamphlets and magazines, and a diligent study of "The Times" every evening. "Hypatia" is a marvel; very painful because it gives such a miserable view of Christianity in those days. In striving to be true, the description seems as if it must be untrue, even by its own acknowledgment. There must have been self-denial and faith, and charity working beneath those turbulent outward scenes. Yet it gives one no sympathy with philosophy. Mrs Meyrick and I both agree that "Pelagia" wins our affection much more than "Hypatia".'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Book

  

[n/a] : Times, The

'I have written a little, and read a good deal, - the second volume of "Sir Charles Metcalfe's Life", which makes me look upon him as more of a hero than many whom Carlyle would worship; and "Hypatia" and two sermons of Dr Pusey's against Germanism, and part of "Hero Worship", to say nothing of pamphlets and magazines, and a diligent study of "The Times" every evening. "Hypatia" is a marvel; very painful because it gives such a miserable view of Christianity in those days. In striving to be true, the description seems as if it must be untrue, even by its own acknowledgment. There must have been self-denial and faith, and charity working beneath those turbulent outward scenes. Yet it gives one no sympathy with philosophy. Mrs Meyrick and I both agree that "Pelagia" wins our affection much more than "Hypatia".'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Newspaper

  

[unknown] : [pamphlets and magazines]

'I have written a little, and read a good deal, - the second volume of "Sir Charles Metcalfe's Life", which makes me look upon him as more of a hero than many whom Carlyle would worship; and "Hypatia" and two sermons of Dr Pusey's against Germanism, and part of "Hero Worship", to say nothing of pamphlets and magazines, and a diligent study of "The Times" every evening. "Hypatia" is a marvel; very painful because it gives such a miserable view of Christianity in those days. In striving to be true, the description seems as if it must be untrue, even by its own acknowledgment. There must have been self-denial and faith, and charity working beneath those turbulent outward scenes. Yet it gives one no sympathy with philosophy. Mrs Meyrick and I both agree that "Pelagia" wins our affection much more than "Hypatia".'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Missing Sewell      Print: Serial / periodical

  

Caroline Elizabeth Sarah Norton : poems

Richard Hengist Horne to Elizabeth Barrett, 27 January 1844: 'Do you know Mrs Norton's poetry? Much I have seen, I thought very good of its kind. More high-minded in its personal aggrievedness, and less reproachful & vindictive than Ld Byron.'

Unknown
Century: 1800-1849     Reader/Listener/Group: Richard Hengist Horne      

  

Wiliam Carleton : 'tales' (extracts)

Richard Hengist Horne to Elizabeth Barrett, letter postmarked 15 February 1844: 'Do you happen to know anything of the Irish tales of Carlton [sic]? Some [italics]extracts[end italics] I have seen I think excellent.'

Century: 1800-1849     Reader/Listener/Group: Richard Hengist Horne      Print: Unknown

  

Richard Hengist Horne : A New Spirit of the Age

Richard Hengist Horne to Elizabeth Barrett, 10 June 1844: 'Leigh Hunt has shown me his copy [of A New Spirit of the Age] all marked through. He has marked with great admiration various passages written violently of by [italics]others[end italics].'

Century: 1800-1849     Reader/Listener/Group: Leigh Hunt      Print: Book

  

 : notice of marriage of Robert and Elizabeth Barrett Browning

'[Henry Fothergill Chorley] had seen a notice of the Brownings' marriage that appeared in the 28 September 1846 issue of Galignani's Messenger, an English-language newspaper started in Paris by Giovanni Galignani (1757-1821) and his English wife in 1814. The notice read: "R. Browning, Jun., Esq., of Hatcham, to Elizabeth Barrett, daughter of E. M. Barrett, Esq., of Wimpole Street."'

Century: 1800-1849     Reader/Listener/Group: Henry Fothergill Chorley      Print: Newspaper

  

Robert Browning : Pauline, a Fragment of a Confession

Dante Gabriel Rossetti to Robert Browning, 17 October 1847: 'It is now two or three months ago that I met, at the British Museum, with a Poem published in 1833, entitled "Pauline, a Fragment of a Confession," which elicited my warm admiration, and which, having failed in an attempt to procure a copy at the publisher's, I have since transcribed. It seems to me, in reading this beautiful composition, that it presents a noticeable analogy in style and feeling to your first acknowledged work, "Paracelsus": so much so indeed as to induce a suspicion that it might actually be written by yourself [goes on, very formally, to ask whether this is the case].'

Century: 1800-1849     Reader/Listener/Group: Dante Gabriel Rossetti      Print: Book

  

unknown : unknown [novels]

'The other main diversions of the voyage resolved themselves into reading unimportant novels aloud, by pairs, on the deck, and gambling in the smoking-room.'

Century: 1850-1899     Reader/Listener/Group: George Warrington Steevens      Print: Book

  

Christopher Marlowe : Doctor Faustus

Virginia Stephen to Thoby Stephen, 2 November 1901: 'I have been reading Marlow [sic], and I was so much more impressed by him than I should be, that I read Cymbeline just to see if there mightnt be more in the great William than I supposed. And I was quite upset! Really and truly I am now let in to [the] company of worshippers -- though I still feel a little oppressed by his -- greatness I suppose [...] I read Dr Faustus, and Edward II -- I thought them very near the great man -- with more humanity I should say -- not all on such a grand tragic scale [comments further on points of comparison and contrast between Shakespeare and Marlowe].'

Century: 1900-1945     Reader/Listener/Group: Virginia Stephen      Print: Book

  

Christopher Marlowe : Edward II

Virginia Stephen to Thoby Stephen, 2 November 1901: 'I have been reading Marlow [sic], and I was so much more impressed by him than I should be, that I read Cymbeline just to see if there mightnt be more in the great William than I supposed. And I was quite upset! Really and truly I am now let in to [the] company of worshippers -- though I still feel a little oppressed by his -- greatness I suppose [...] I read Dr Faustus, and Edward II -- I thought them very near the great man -- with more humanity I should say -- not all on such a grand tragic scale [comments further on points of comparison and contrast between Shakespeare and Marlowe].'

Century: 1900-1945     Reader/Listener/Group: Virginia Stephen      Print: Book

  

William Shakespeare : Cymbeline

Virginia Stephen to Thoby Stephen, 2 November 1901: 'I have been reading Marlow [sic], and I was so much more impressed by him than I should be, that I read Cymbeline just to see if there mightnt be more in the great William than I supposed. And I was quite upset! Really and truly I am now let in to [the] company of worshippers -- though I still feel a little oppressed by his -- greatness I suppose [...] I read Dr Faustus, and Edward II -- I thought them very near the great man -- with more humanity I should say -- not all on such a grand tragic scale [comments further on points of comparison and contrast between Shakespeare and Marlowe].'

Century: 1900-1945     Reader/Listener/Group: Virginia Stephen      Print: Book

  

 : eighteenth-century texts

Virginia Stephen to Violet Dickinson, 1 October 1905: 'We have had visitors for the last 4 weeks [...] I have written quite a lot [...] Also I have read a good deal, mostly 18th century'.

Century: 1900-1945     Reader/Listener/Group: Virginia Stephen      Print: Book

  

Walter Savage Landor : Pericles and Aspasia

'[Virginia Stephen] was reading Walter Savage Landor's Pericles and Aspasia (1836), and writing, as was her habit during this time [Spring 1906], a description of her surroundings (unpublished).'

Century: 1900-1945     Reader/Listener/Group: Virginia Stephen      Print: Book

  

Virginia Stephen : short stories

'In her role as literary mentor, Madge [Vaughan] had been reading some of Virginia's short narratives, all apparently lost, unless one was "Phyllis and Rosamond", dated June 1906'.

Century: 1900-1945     Reader/Listener/Group: Madge Vaughan      Manuscript: Unknown

  

Ernest Renan : Cahiers de Jeunesse

Virginia Stephen to Violet Dickinson, 25 December 1906: 'I am reading now a book by Renan called his Memories of Childhood [Cahiers de Jeunesse, 1906]: O my word it is beautiful -- like the chime of silver bells [...] I think it a virtue in the French language that it submits to prose, whereas English curls and knots and breaks off in short spasms of rage. Also I am reading my dear Christina Rossetti [...] the first of our English poetesses [...] Then I am reading your Keats, with the pleasure of one handling great luminous stones. I rise and shout in ecstacy, and my eyes brim with such pleasure that I must drop the book and gaze from the window. It is a beautiful edition.'

Century: 1900-1945     Reader/Listener/Group: Virginia Stephen      Print: Book

  

Christina Rossetti : poems

Virginia Stephen to Violet Dickinson, 25 December 1906: 'I am reading now a book by Renan called his Memories of Childhood [Cahiers de Jeunesse, 1906]: O my word it is beautiful -- like the chime of silver bells [...] Also I am reading my dear Christina Rossetti [...] the first of our English poetesses [...] Then I am reading your Keats, with the pleasure of one handling great luminous stones. I rise and shout in ecstacy, and my eyes brim with such pleasure that I must drop the book and gaze from the window. It is a beautiful edition.'

Century: 1900-1945     Reader/Listener/Group: Virginia Stephen      Print: Book

  

John Keats : poems

Virginia Stephen to Violet Dickinson, 25 December 1906: 'I am reading now a book by Renan called his Memories of Childhood [Cahiers de Jeunesse, 1906]: O my word it is beautiful -- like the chime of silver bells [...] Also I am reading my dear Christina Rossetti [...] the first of our English poetesses [...] Then I am reading your Keats, with the pleasure of one handling great luminous stones. I rise and shout in ecstacy, and my eyes brim with such pleasure that I must drop the book and gaze from the window. It is a beautiful edition.'

Century: 1900-1945     Reader/Listener/Group: Virginia Stephen      Print: Book

  

John Keats : poems

Virginia Stephen to Violet Dickinson, ?30 December 1906: 'I have been reading Keats most of the day. I think he is about the greatest of all [...] I like cool Greek Gods, and amber skies, and shadow like running water, and all his great palpable words -- symbols for immaterial things.'

Century: 1900-1945     Reader/Listener/Group: Virginia Stephen      Print: Book

  

Henry James : The American Scene

Virginia Stephen to Clive Bell, 18 August 1907: 'I am reading Henry James on America; and feel myself as one embalmed in a block of smooth amber: it is not unpleasant, very tranquil, as a twilight shore -- but such is not the stuff of genius: no, it should be a swift stream.'

Century: 1900-1945     Reader/Listener/Group: Virginia Stephen      Print: Book

  

G. E. Moore : Principia Ethica

Virginia Stephen to Clive Bell, 19 August 1908: 'I split my head over Moore every night, feeling ideas travelling to the remotest part of my brain, and setting up a feeble disturbance, hardly to be called thought. It is almost a physical feeling, as though some little coil of brain unvisited by any blood so far, and pale as wax, had got a little life into it at last, but had not strength to keep it.'

Century: 1900-1945     Reader/Listener/Group: Virginia Stephen      Print: Book

  

 : 'new novels'

Virginia Woolf, on her honeymoon, to Lytton Strachey, 1 September 1912: 'You can't think with what a fury we fall on printed matter, so long denied us by our own writing! I read 3 new novels in two days: Leonard waltzed through the Old Wives Tale like a kitten after its tail: after this giddy career I have now run full tilt into Crime et Chatiment, fifty pages before tea, and I see there are only 800; so I shall be through in no time. It is directly obvious that he [Dostoevsky] is the greatest writer ever born'.

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Fyodor Dostoevsky : Crime and Punishment

Virginia Woolf, on her honeymoon, to Lytton Strachey, 1 September 1912: 'You can't think with what a fury we fall on printed matter, so long denied us by our own writing! I read 3 new novels in two days: Leonard waltzed through the Old Wives Tale like a kitten after its tail: after this giddy career I have now run full tilt into Crime et Chatiment, fifty pages before tea, and I see there are only 800; so I shall be through in no time. It is directly obvious that he [Dostoevsky] is the greatest writer ever born'.

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

George Meredith : letters

Virginia Woolf to Violet Dickinson, 11 April 1913: '[italics]I've[end italics] never met a writer who didn't nurse enormous vanity, which at last made him unapproachable like Meredith whose letters I am reading -- who seems to me as hard as an old crab at the bottom of the sea'.

Unknown
Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      

  

Clive Bell : Art

'Clive Bell's Art had been published in February 1914. It propounded the concept of "Significant form", but Virginia [Woolf], reading it in the midst of her [mental] illness, did not much appreciate it.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Henry James : 'works'

Virginia Woolf to Lytton Strachey, 22 October 1915: 'I should think I had read 600 books since we met. Please tell me what merit you find in Henry James. I have disabused Leonard [Woolf, husband] of him; but we have his works here, and I read, and can't find anything but faintly tinged rose water, urbane and sleek, but vulgar, and pale as Walter Lamb. Is there really any sense in it? I admit I can't be bothered to snuff out his meaning when it's very obscure. I am beginning the Insulted and Injured [Dostoevsky, 1862]; which sweeps me away. Have you read it.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Fyodor Dostoevsky : The Insulted and Injured

Virginia Woolf to Lytton Strachey, 22 October 1915: 'I should think I had read 600 books since we met. Please tell me what merit you find in Henry James. I have disabused Leonard [Woolf, husband] of him; but we have his works here, and I read, and can't find anything but faintly tinged rose water, urbane and sleek, but vulgar, and pale as Walter Lamb. Is there really any sense in it? I admit I can't be bothered to snuff out his meaning when it's very obscure. I am beginning the Insulted and Injured [Dostoevsky, 1862]; which sweeps me away. Have you read it.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Thomas Carlyle : Past and Present

Virginia Woolf to Margaret Llewelyn Davies, 23 January 1916: 'I've been reading Carlyle's Past and Present [1843], and wondering whether all his rant has made a scrap of difference practically [...] I become steadily more feminist, owing to the Times, which I read at breakfast and wonder how this preposterous masculine fiction [the war] keeps going a day longer -- without some vigorous young woman pulling us together and marching through it'.

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

 : The Times

Virginia Woolf to Margaret Llewelyn Davies, 23 January 1916: 'I've been reading Carlyle's Past and Present [1843], and wondering whether all his rant has made a scrap of difference practically [...] I become steadily more feminist, owing to the Times, which I read at breakfast and wonder how this preposterous masculine fiction [the war] keeps going a day longer -- without some vigorous young woman pulling us together and marching through it'.

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Newspaper

  

Sophocles  : Electra

Virginia Woolf to Saxon Sydney-Turner, 25 February 1918: 'Asheham is very lovely at the moment. I started upon Sophocles the day after we came -- the Electra, which has made me plan to read all Greek straight through [...] I found great consolation during the influenza in the works of Leonard Merrick, a poor unappreciated second-rate pot-boiling writer of stories about the stage, whom I deduce to be a negro, mulatto, or quadroon; at any rate he has a grudge against the world, and might have done much better if he hadn't at the age of 20 married a chorus girl, had by her 15 coffee coloured brats and lived for the rest of the time in a villa in Brixton, where he ekes out his living by giving lessons in elocution to the natives'.

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Leonard Merrick : 

Virginia Woolf to Saxon Sydney-Turner, 25 February 1918: 'Asheham is very lovely at the moment. I started upon Sophocles the day after we came -- the Electra, which has made me plan to read all Greek straight through [...] I found great consolation during the influenza in the works of Leonard Merrick, a poor unappreciated second-rate pot-boiling writer of stories about the stage, whom I deduce to be a negro, mulatto, or quadroon; at any rate he has a grudge against the world, and might have done much better if he hadn't at the age of 20 married a chorus girl, had by her 15 coffee coloured brats and lived for the rest of the time in a villa in Brixton, where he ekes out his living by giving lessons in elocution to the natives'.

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

William Shakespeare : Measure for Measure

Virginia Woolf to Saxon Sydney-Turner, 25 February 1918: 'I daresay you share my feeling that Asheham is the best place in the world for reading Shakespeare. Asheham is very lovely at the moment [...] I've been sitting in the garden all the afternoon, reading Measure for Measure, looking at the trees, and thinking as much of you as of anything.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

 : classical Greek literature

Virginia Woolf to Lytton Strachey, 12 October 1918: 'I read the Greeks, but I am extremely doubtful whether I understand anything they say; also I have read the whole of Milton, without throwing any light upon my own soul, but that I rather like. Don't you think it very queer though that he entirely neglects the human heart? Is that the result of writing one's masterpiece at the age of 50?'

Century: 1850-1899 / 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

John Milton : complete works

Virginia Woolf to Lytton Strachey, 12 October 1918: 'I read the Greeks, but I am extremely doubtful whether I understand anything they say; also I have read the whole of Milton, without throwing any light upon my own soul, but that I rather like. Don't you think it very queer though that he entirely neglects the human heart? Is that the result of writing one's masterpiece at the age of 50?'

Century: 1850-1899 / 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Ethel Smyth : Impressions that Remained (vol. 2)

Virginia Woolf to Lytton Strachey, 30 November 1919: 'I'm in the 2nd vol. of Ethel Smyth. I think she shows up triumphantly, through sheer force of honesty. It's a pity she can't write; for I don't suppose one could read it again. But it fascinates me all the same. I saw her at a concert two days ago -- striding up the gangway in coat and skirt and spats and talking at the top of her voice [...] she keeps up the figure of the nineties to perfection. Of course the book is the soul of the nineties.'

Century: 1850-1899 / 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Walter Scott : The Bride of Lammermoor

Virginia Woolf to Molly MacCarthy, 20 June 1921: 'I am reading the Bride of Lammermoor -- by that great man Scott: and Women in Love by D. H. Lawrence, lured on by the portrait of Ottoline [Morrell] which appears from time to time [...] There is no suspense or mystery: water is all semen: I get a little bored, and make out the riddles too easily. Only this puzzles me: what does it mean when a woman [Gudrun] does eurythmics in front of a herd of Highland cattle?'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

D. H. Lawrence : Women in Love

Virginia Woolf to Molly MacCarthy, 20 June 1921: 'I am reading the Bride of Lammermoor -- by that great man Scott: and Women in Love by D. H. Lawrence, lured on by the portrait of Ottoline [Morrell] which appears from time to time [...] There is no suspense or mystery: water is all semen: I get a little bored, and make out the riddles too easily. Only this puzzles me: what does it mean when a woman [Gudrun] does eurythmics in front of a herd of Highland cattle?'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Katherine Mansfield : Bliss

Virginia Woolf to Janet Case, 20 March 1922: 'Literature still survives. I've not read K. Mansfield [The Garden Party], and don't mean to. I've read Bliss; and it was so brilliant, -- so hard, and so shallow, and so sentimental that I had to rush to the bookcase for something to drink. Shakespeare, Conrad, even Virginia Woolf.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Marcel Proust : A l'ombre des jeunes filles en fleurs

Virginia Woolf to Roger Fry, 6 May 1922: 'I have the most violent cold in the whole parish. Proust's fat volume comes in very handy. Last night I started on vol 2 [A l'Ombre des jeunes filles en fleurs] of him (the novel) and propose to sink myself in it all day [...] Oh if I could write like that! I cry. And at the moment such is the astonishing vibration and saturation and intensification that he produces -- theres [sic] something sexual in it -- that I feel I [italics]can[end italics] write like that, and seize my pen and then I [italics]can't[end italics] write like that. Scarcely anyone so stimulates the nerves of language in me: it becomes an obsession. But I must return to Swann.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Rebecca West : The Judge

Virginia Woolf to Ottoline Morrell, 18 August 1922: 'Poor Rebecca West's novel bursts like an over stuffed sausage. She pours it all in; and one is covered with flying particles; indeed I had hastily to tie the judge tight and send it back to Mudies [Library] half finished. But this irreticence does not make me think any the worse of her human qualities [...] I do admire poor old Henry [James], and actually read through the Wings of a Dove [1902] last summer, and thought it such an amazing acrobatic feat, partly of his, partly of mine, that I now look upon myself and Henry James as partners in merit. I made it all out. But I felt very ill for some time afterwards. I am now reading Joyce, and my impression, after 200 out of 700 pages, is that the poor young man has got the dregs of a mind compared even with George Meredith. I mean if you could weigh the meaning on Joyces [sic] page it would be about 10 times as light as on Henry James'.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Henry James : The Wings of a Dove

Virginia Woolf to Ottoline Morrell, 18 August 1922: 'Poor Rebecca West's novel bursts like an over stuffed sausage. She pours it all in; and one is covered with flying particles; indeed I had hastily to tie the judge tight and send it back to Mudies [Library] half finished. But this irreticence does not make me think any the worse of her human qualities [...] I do admire poor old Henry [James], and actually read through the Wings of a Dove [1902] last summer, and thought it such an amazing acrobatic feat, partly of his, partly of mine, that I now look upon myself and Henry James as partners in merit. I made it all out. But I felt very ill for some time afterwards. I am now reading Joyce, and my impression, after 200 out of 700 pages, is that the poor young man has got the dregs of a mind compared even with George Meredith. I mean if you could weigh the meaning on Joyces [sic] page it would be about 10 times as light as on Henry James'.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

James Joyce : Ulysses

Virginia Woolf to Ottoline Morrell, 18 August 1922: 'Poor Rebecca West's novel bursts like an over stuffed sausage. She pours it all in; and one is covered with flying particles; indeed I had hastily to tie the judge tight and send it back to Mudies [Library] half finished. But this irreticence does not make me think any the worse of her human qualities [...] I do admire poor old Henry [James], and actually read through the Wings of a Dove [1902] last summer, and thought it such an amazing acrobatic feat, partly of his, partly of mine, that I now look upon myself and Henry James as partners in merit. I made it all out. But I felt very ill for some time afterwards. I am now reading Joyce, and my impression, after 200 out of 700 pages, is that the poor young man has got the dregs of a mind compared even with George Meredith. I mean if you could weigh the meaning on Joyces [sic] page it would be about 10 times as light as on Henry James'.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Marcel Proust : 

Virginia Woolf to Mary Hutchinson, c. 18 April 1923: 'I am reading Proust, I am reading Rimbaud. I am longing to write.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Rimbaud  : 

Virginia Woolf to Mary Hutchinson, c. 18 April 1923: 'I am reading Proust, I am reading Rimbaud. I am longing to write.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Virginia Woolf : Mrs Dalloway

Virginia Woolf to Gwen Raverat, 11 March 1925: 'I don't think you would believe how it moves me that you and Jacques should have been reading Mrs Dalloway, and liking it. I'm awfully vain I know; and I was on pins and needles about sending it to Jacques; and now I feel exquisitely relieved; not flattered: but one does want that side of one to be acceptable'.

Century: 1900-1945     Reader/Listener/Group: Gwen Raverat      Print: Unknown, In proof copy

  

Walter Raleigh : Letters

Virginia Woolf to Vita Sackville-West, 17 February 1926: 'Why are all professors of English literature ashamed of English literature? Walter Raleigh calls Shakespeare "Billy Shaxs" -- Blake, "Bill" -- a good poem "a bit of all right." This shocks me. I've been reading his letters.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

V. Sackville-West : Knole and the Sackvilles

Virginia Woolf to Vita Sackville-West, 9 October 1927: 'I am reading Knole and The Sackvilles. Dear me; you know a lot: you have a rich dusky attic of a mind.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Marcel Proust : 

Virginia Woolf to Vita Sackville-West, 30 August 1928: 'I am happy because it is the loveliest August [...] I read Proust, Henry James, Dostoevsky'.

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Henry James : 

Virginia Woolf to Vita Sackville-West, 30 August 1928: 'I am happy because it is the loveliest August [...] I read Proust, Henry James, Dostoevsky'.

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Fyodor Dostoevsky : 

Virginia Woolf to Vita Sackville-West, 30 August 1928: 'I am happy because it is the loveliest August [...] I read Proust, Henry James, Dostoevsky'.

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Honore de Balzac : 

Virginia Woolf to Vita Sackville-West, 8 January 1929: 'I've been reading Balzac, and Tolstoy. Practically every scene in Anna Karenina is branded on me, though I've not read it for 15 years.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Leo Tolstoy : 

Virginia Woolf to Vita Sackville-West, 8 January 1929: 'I've been reading Balzac, and Tolstoy. Practically every scene in Anna Karenina is branded on me, though I've not read it for 15 years.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Leo Tolstoy : Anna Karenina

Virginia Woolf to Vita Sackville-West, 8 January 1929: 'I've been reading Balzac, and Tolstoy. Practically every scene in Anna Karenina is branded on me, though I've not read it for 15 years.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Ronald Firbank : 

Virginia Woolf to Mary Hutchinson, 6 May 1929: 'We are down here [Monks House, Rodmell] to see about making a new room -- this we have been seeing about for 3 months now, and not a stone is laid. But when the stones are laid you will have to brave the eternal sea mist and south west gale and come here. I should provide you with the works of Ronald Firbank which I am reading with some unstinted pleasure'.

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Rebecca West : Harriet Hume

Virginia Woolf to Vita Sackville-West, 17 September 1929: 'I've only read 30 pages of Rebecca [West] [...] I agree that the convention is tight and affected and occasionally foppish beyond endurance, but then it is a convention and she does it deliberately, and it helps her to manufacture some pretty little China ornaments for the mantelpiece. One could read some of it again'.

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Somerset Maugham : Cakes and Ale

Virginia Woolf to Vanessa Bell, 8 November 1930: 'We had a terrific visitation from Hugh Walpole. If you want a book from the Times, get Cakes and Ale by Somerset Maugham. All London is ringing with it. For there poor Hugh [Walpole] is most cruelly and maliciously at the same time unmistakably and amusingly caricatured [as Alroy Kear]. He was sitting on his bed with only one sock on when he opened it. There he sat with only one sock on till 11 next morning reading it [...] He almost wept in front of Hilda Matheson, Vita [Sackville-West] and Clive [Bell], in telling us. And he couldn't stop. Whenever we changed the conversation he went back.'

Century: 1900-1945     Reader/Listener/Group: Hugh Walpole      Print: Book

  

D. H. Lawrence : Sons and Lovers

Virginia Woolf to Ethel Smyth, 20 April 1931: 'I'm reading Lawrence, Sons and Lovers, for the first time'.

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Stella Benson : 

Virginia Woolf to Ethel Smyth, 20 April 1931: 'Stella Benson I don't read because what I did read seemed to me all quivering -- saccharine with sentimentality; brittle with the kind of wit that makes sentiment freezing: But I'll try again'.

Unknown
Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      

  

Princess Daisy of Pless : From My Private Diary

Virginia Woolf to Vita Sackville-West, 24 May 1931: 'I've wasted 4 days when I wanted to write. And I've spent them partly reading Princess Daisy of Pless, speculating upon her real character and life and longing for a full account of them from you -- who appear in a footnote as a distinguished author. What a chance the British aristocracy had and lost -- I mean if they'd only grafted brains on to those splendid bodies and wholesome minds -- for I can't help liking her, in her wild idiocy, and her frankness "7 days late -- can it be a child --" seems to me the highest human quality, if it werent [sic] combined with a housemaids [sic] sensibility and the sentimentality of a Surbiton cook.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

George Eliot : Middlemarch

Virginia Woolf to Hugh Walpole, 8 November 1931: 'I'm reading Middlemarch with even greater pleasure than I remembered: and Ford M. Ford's memoirs [Thus to Revisit] -- fascinating, and even endearing; but I long to know the truth about him'.

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Ford Madox Ford : Thus to Revisit

Virginia Woolf to Hugh Walpole, 8 November 1931: 'I'm reading Middlemarch with even greater pleasure than I remembered: and Ford M. Ford's memoirs [Thus to Revisit] -- fascinating, and even endearing; but I long to know the truth about him'.

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

William Shakespeare : As You Like It

Virginia Woolf to Lytton Strachey, 10 December 1931: 'I read As you like it the other day and was almost sending you a wire to ask what is the truth about Jacques -- What is it? His last speech reads so very odd.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Elizabeth Bowen : 

Virginia Woolf to Vita Sackville-West, 18 October 1932: 'My Elizabeth [Bowen] comes to see me, alone, tomorrow. I rather think, as I told you, that her emotions sway in a certain way [...] I'm reading her novel to find out. Whats so interesting is when one uncovers an emotion that the person themselves, I should say herself, doesn't suspect. And its a sort of duty dont you think -- revealing peoples true selves to themselves?'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Axel Munthe : The Story of San Michele

Virginia Woolf to Ethel Smyth, c.28 December 1932: 'D'you know I get such a passion for reading sometimes its like the other passion -- writing -- only the wrong side of the carpet [...] this passion, which has been so well advised, lands me tonight in a book like the reek of stale cabbage and cheap face powder -- a book called The Story of San Michele by [Axel] Munthe [1929] [...] A book more porous with humbug, reeking more suddenly with insincerity, I've never read. I'm at page 50 [...] And I'm reading Stella Benson [Tobit Transplanted (1931)]: with pleasure'.

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Stella Benson : Tobit Transplanted

Virginia Woolf to Ethel Smyth, c.28 December 1932: 'D'you know I get such a passion for reading sometimes its like the other passion -- writing -- only the wrong side of the carpet [...] this passion, which has been so well advised, lands me tonight in a book like the reek of stale cabbage and cheap face powder -- a book called The Story of San Michele by [Axel] Munthe [1929] [...] A book more porous with humbug, reeking more suddenly with insincerity, I've never read. I'm at page 50 [...] And I'm reading Stella Benson [Tobit Transplanted (1931)]: with pleasure'.

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Virginia Woolf : The Waves

'Hugh Walpole's The Apple Tree, a volume of reminiscences, was published for Christmas 1932. The first words of the book are: "There is a fearful passage in Virginia Woolf's beautiful and mysterious book The Waves, which when I read it, gave me an acute shock of unanticipated reminiscence." He then quotes a long passage in which he found his title: "The apple-tree leaves became fixed in the sky; the moon glared."'

Century: 1900-1945     Reader/Listener/Group: Hugh Walpole      Print: Book

  

James Joyce : short story

Virginia Woolf to Quentin Bell, 26 July 1933: 'I'm sending you a book of short stories; one -- by [James] Joyce -- seems to me very good. The others Ive not read.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Quentin Bell : letter

Virginia Woolf to Quentin Bell, 26 November 1933: 'I read your letter with great pleasure in Time and Tide; it seemed to me put with masterly brevity; most true.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Serial / periodical

  

 : report of death of Sir George Duckworth

Virginia Woolf to Vanessa Bell, 3 May 1934: 'We only got the Times yesterday and read about George [Duckworth]. Well, there's nothing much to be said at this distance, in the wilds of Kerry. Poor old creature -- I wonder what happened and why he was at Freshwater [...] here we are a great deal further and wilder than if in Italy or Greece. We only see Irish papers, now and then; there are no towns, only an occasional small fishing village and as we changed our plans, all our letters have gone wrong. It was mere chance we found a copy of the Times lying about.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Newspaper

  

Marcel Proust : 

Virginia Woolf to Ethel Smyth, 21 May 1934: 'So I came back lit the fire; and read Proust, which is of course so magnificent that I cant write myself within its arc'.

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Edith Wharton : A Backward Glance

Virginia Woolf to Ethel Smyth, 21 May 1934: 'I lit the fire and read Mrs Wharton; Memoirs and she knew Mrs Hunter [Ethel's sister], and probably you. Please tell me some time what you thought of her. Theres the shell of a distinguished mind; I like the way she places colour in her sentences, but I vaguely surmise that theres something you hated and loathed in her.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

 : The Bible

Virginia Woolf to Ethel Smyth, 8 January 1935: 'We had a children's party and I judged the clothes. All the mothers gazed, and I felt like -- who's the man in the bible --? Which by the way, I have bought and am reading. And Renan. And the New Testament; so don't call me heathen in future.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Ernest Renan : St Paul

Virginia Woolf to Ethel Smyth, 8 January 1935: 'We had a children's party and I judged the clothes. All the mothers gazed, and I felt like -- who's the man in the bible --? Which by the way, I have bought and am reading. And Renan. And the New Testament; so don't call me heathen in future.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

 : New Testament

Virginia Woolf to Ethel Smyth, 8 January 1935: 'We had a children's party and I judged the clothes. All the mothers gazed, and I felt like -- who's the man in the bible --? Which by the way, I have bought and am reading. And Renan. And the New Testament; so don't call me heathen in future.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Charles Dickens : David Copperfield

Virginia Woolf to Hugh Walpole, 8 February 1936: 'I'm reading David Copperfield for the 6th time with almost complete satisfaction. I'd forgotten how magnificent it is [...] So enthusiastic am I that I've got a new life of him [Dickens]: which makes me dislike him as a human being.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Thomas Wright : Life of Charles Dickens

'In Thomas Wright's Life of Charles Dickens (1935), Virginia [Woolf] had read about the novelist's affair with the actress Frances Eleanor Ternan, which lasted many years and contributed to his estrangement from his wife.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Sidonie-Gabrielle Colette : Sido

'Virginia [Woolf] read at least three of Colette's books, two of autobiography (Mes Apprentissages, 1934, Sido, 1929), and one of fiction (Duo, 1934), and the two writers sent each other messages through mutual friends.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

William Wordsworth : The Prelude

Virginia Woolf to Ethel Smyth, 18 September 1936: 'The Prelude. Have you read it lately? Do you know, it's so good, so succulent, so suggestive, that I have to hoard it, as a child keeps a crumb of cake? And then people say he's dull!'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

George Sand : Memoires (vol 5)

Virginia Woolf to Lady Ottoline Morrell, 27 June 1937: 'If you want sheer joy read [Congreve]; if you dont want anything so ecstatic, but broad and mellow and satisfactory, try the Memoires of George Sand. 10 little volumes; I'm in the 5th, and find it absorbing'.

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Thomas Babington Macaulay : unknown

Virginia Woolf to Leonard Woolf, 14 July 1936: 'A very good, though very dull day. No headache this morning, brain rather active in fact: but didn't write -- did nothing but lie in bed and read Macaulay.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Bernard Mandeville : The Fable of the Bees; or, Private Vices, Publick Benefits

Virginia Woolf to Vita Sackville-West, 3 May 1938: 'I am reading for the first time a book which I think a very good book -- Mandeville's Fable of the bees [1714].'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Lady Frederick Cavendish : The Diary of Lady Frederick Cavendish

Virginia Woolf to Ethel Smyth, 29 August 1938: 'Just finished Lady Fred Cavendish's diaries: no vigour, no insight, no originality. All as drab and dowdy as Mabel's Sunday best (Mabel is our maid of all work.) [...] And such damned condescension to artists. Yet all else is fine flowing and thoroughbred - only the mind cluttered with curtains and ferns.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Geoffrey Chaucer : unknown

Virginia Woolf to May Sarton, 2 February 1939: 'I have been so steeped in modern manuscripts that I was losing all sense that one differed from another. I am reading Chaucer and hope in a year to have recovered my palate.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Shena, Lady Simon : paper on women and war

Virginia Woolf to Shena, Lady Simon, 22 January 1940: 'I've had too many distractions to write [...] But not too many to read your paper. I find it useful, suggestive, and sound. I agree with most of your arguments [...] do cast your mind further that way: about sharing life after the war: about pooling men's and women's work: about the possibility, if disarmament comes, of removing men's disabilities. Can one change sex characteristics? How far is the women's movement a remarkable experiment in that transformation? Mustn't our next task be the emancipation of man?'

Unknown
Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      

  

Winifred Holtby : study on Virginia Woolf

Virginia Woolf to Ethel Smyth, 1 February 1940: 'I'd like to look at South Riding [...] W[inifred]. H[oltby]. was a barrel organ writer [...] I'm judging WH only on her journalism [...] and the book on me, which I felt to be a painstaking effort rather to clear up her own muddles than to get the hang of mine. But I didnt want to be written about (not personally) and so never did more than whip through it with one eye shut.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Edmund Burke : unknown

Virginia Woolf to Ethel Smyth, 1 February 1940: 'Reading Burke. Reading Gide.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Andre Gide : unknown

Virginia Woolf to Ethel Smyth, 1 February 1940: 'Reading Burke. Reading Gide.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Samuel Taylor Coleridge : unknown

Virginia Woolf to Ethel Smyth, 17 May 1940: 'D'you know what I find? -- reading a whole poet is consoling: Coleridge I bought in an old type copy tarnished cover, yellow and soft: and I began, and went on, and skipped the high peaks, and gradually climbed to the top of his pinnacle, by a winding unknown way.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Benedict Nicolson : letter to Virginia Woolf

Virginia Woolf to Benedict Nicolson, 13 August 1940: '[opens] Just as I began to read your letter, an air raid warning sounded. I'll put down the reflections that occurred to me, as honestly as I can, as you put down your reflection of reading my life of Roger Fry while giving air raid alarms at Chatham [goes on to describe thoughts on reading letter, looking up at raiders overhead, etc].'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Manuscript: Letter

  

Vita Sackville-West : Seducers in Ecuador

'I like the story very very much - in fact, I began reading it after you left...went out for a walk, thinking of it all the time, and came back and finished it, being full of a particular kind of interest which I daresay has something to do with its being the sort of thing I should like to write myself.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Manuscript: Unknown

  

Walter Scott : Guy Mannering

Saturday 2 January 1915: 'I read Guy Mannering upstairs for 20 minutes'.

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Fyodor Dostoevsky : The Idiot

Tuesday 19 January 1915: 'I'm reading The Idiot. I cant bear the style of it very often; at the same time, he seems to me to have the kind of vitality in him that Scott had; only Scott merely made superb ordinary people, & D. creates wonders, with very subtle brains, & fearful sufferings. Perhaps the likeness to Scott partly consists in the loose, free & easy, style of the translation. I am also reading Michelet, plodding through the dreary middle ages; & Fanny Kemble's Life. Yesterday in the train I read The Rape of the Lock, which seems to me "supreme" -- almost superhuman in its beauty & brilliancy -- you really can't believe such things are written down.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Jules Michelet : Histoire de France

Tuesday 19 January 1915: 'I'm reading The Idiot. I cant bear the style of it very often; at the same time, he seems to me to have the kind of vitality in him that Scott had; only Scott merely made superb ordinary people, & D. creates wonders, with very subtle brains, & fearful sufferings. Perhaps the likeness to Scott partly consists in the loose, free & easy, style of the translation. I am also reading Michelet, plodding through the dreary middle ages; & Fanny Kemble's Life. Yesterday in the train I read The Rape of the Lock, which seems to me "supreme" -- almost superhuman in its beauty & brilliancy -- you really can't believe such things are written down.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Fanny Kemble : 'Life'

Tuesday 19 January 1915: 'I'm reading The Idiot. I cant bear the style of it very often; at the same time, he seems to me to have the kind of vitality in him that Scott had; only Scott merely made superb ordinary people, & D. creates wonders, with very subtle brains, & fearful sufferings. Perhaps the likeness to Scott partly consists in the loose, free & easy, style of the translation. I am also reading Michelet, plodding through the dreary middle ages; & Fanny Kemble's Life. Yesterday in the train I read The Rape of the Lock, which seems to me "supreme" -- almost superhuman in its beauty & brilliancy -- you really can't believe such things are written down.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Alexander Pope : The Rape of the Lock

Tuesday 19 January 1915: 'I'm reading The Idiot. I cant bear the style of it very often; at the same time, he seems to me to have the kind of vitality in him that Scott had; only Scott merely made superb ordinary people, & D. creates wonders, with very subtle brains, & fearful sufferings. Perhaps the likeness to Scott partly consists in the loose, free & easy, style of the translation. I am also reading Michelet, plodding through the dreary middle ages; & Fanny Kemble's Life. Yesterday in the train I read The Rape of the Lock, which seems to me "supreme" -- almost superhuman in its beauty & brilliancy -- you really can't believe such things are written down.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Alexander Pope : Essay on Criticism

Wednesday 20 January 1915: 'I read Essay upon Criticism waiting for my train at Hammersmith. The classics make the time pass much better than the Pall Mall Gazette.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Alexander Pope : Epistle to Dr Arbuthnot

Thursday 21 January 1915: 'I went to the London Library [...] Here I read Gilbert Murray on Immortality, got a book for L[eonard]. & so home, missing my train, & reading the Letter to Arbuthnot on Hammersmith Station.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Gilbert Murray : unknown

Thursday 21 January 1915: 'I went to the London Library [...] Here I read Gilbert Murray on Immortality, got a book for L[eonard]. & so home, missing my train, & reading the Letter to Arbuthnot on Hammersmith Station.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Leslie Stephen : critical work on Pope

Monday 25 January 1915: 'I have been very happy reading father on Pope, which is very witty & bright -- without a single dead sentence in it.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Leonard Woolf : The Wise Virgins, A Story of Words, Opinions, and a Few Emotions

Sunday 31 January 1915: 'After tea [...] I started reading The Wise Virgins, & I read it straight on until bedtime, when I finished it. My opinion is that it is a remarkable book; very bad in parts; first rate in others. A writer's book, I think, because only a writer perhaps can see why the good parts are so very good, & why the bad parts aren't very bad [...] I was made very happy by reading this: I like the poetic side of L. & it gets a little smothered in Blue-books, & organisations.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Manuscript: Unknown

  

Jules Michelet : Histoire de France

Sunday 14 February 1915: 'I am now reading a later volume of Michelet, which is superb, & the only tolerable history.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

 : The Times

Friday 2 November 1917: 'I find it impossible to read after a railway journey; I cant open Dante or think of him without a shudder -- the cause being I think partly the enormous numbers of newspapers I've been reading in. Lottie [servant] brought me all the Times's which have accumulated [during absence].'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Newspaper

  

Rosalind Murray : The Leading Note

Monday 12 November 1917: 'I went to Mudies, & got The Leading Note, in order to examine into R.T. more closely [...] I came home with my book, which does not seem a very masterly performance after Turgenev, I suppose; but if you dont get your touches in the right place the method is apt to be sketchy & empty.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Dante Alighieri : Purgatorio

Wednesday 5 December 1917: 'L[eonard]. reading Life of Dilke [...] I'm past the middle of Purgatorio, but find it stiff, the meaning more than the language, I think.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

unknown : 'book on Children & Sex'

Friday 7 December 1917: 'I ended my afternoon in one of the great soft chairs at Gordon Square [...] I sat alone for 20 minutes, reading a book on Children & Sex.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Leo Tolstoy : unknown

Sunday 6 January 1918: 'Gerald [Shove] read Tolstoy the other day, & determined to give up tobacco, but now argues that Tolstoy's commands were for men of looser life than he, so that he may smoke cigarettes.'

Century: 1900-1945     Reader/Listener/Group: Gerald Shove      Print: Book

  

Elizabeth Barrett Browning : Aurora Leigh

'Many thanks for your delightful letter. I am glad you are in the midst of delightful scenery and Aurora Leigh.'

Century: 1850-1899     Reader/Listener/Group: Richard Reginald Harding      Print: Book

  

George Crabbe : unknown

'In bed I have been fuming over your assumption that my liking for the poet Crabbe is avowed. I assure you I bought a copy out of my own pocket money before you were weaned. What's more, I have read Peter Grimes I daresay 6 times in 10 years; "But he has no compassion in his grave" - That is where that comes from. There is also a magnificent description of wind among bulrushes which I will show you if you will come here.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Ezra Pound : Gaudier-Brzeska. A Memoir

10 December 1917: 'My afternoon was very nearly normal; to Mudies, tea in an A.B.C. reading a life of Gaudier Brzeska'.

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

 : newspapers

24 January 1918: 'To the Club, where I found Lytton by himself, & not feeling inclined for talk we read our papers near together.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Newspaper

  

John, Viscount Morley : unknown

2 March 1918: '[On 19 February] we went to Asheham [...] I saw no-one; for 5 days I wasn't in a state for reading [due to influenza]; but I did finally read Morley & other books; but reading when done to kill time has a kind of drudgy look in it [...] One day I sat in the garden reading Shakespeare; I remember the ecstacy'.

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

William Shakespeare : unknown

2 March 1918: '[On 19 February] we went to Asheham [...] I saw no-one; for 5 days I wasn't in a state for reading [due to influenza]; but I did finally read Morley & other books; but reading when done to kill time has a kind of drudgy look in it [...] One day I sat in the garden reading Shakespeare; I remember the ecstacy'.

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

William Wordsworth : 'Lines Written in Early Spring, 1798'

5 April 1918: 'Off we went to Asheham on Thursday [21 March] [...] my memory is most centred upon an afternoon reading in the garden. I happened to read Wordsworth; the poem which ends "what man has made of man".'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Marcel Proust : Du Cote de chez Swann

18 April 1918: 'I went to Guildford. I don't see how to put 3 or 4 hours of Roger's conversation into the rest of this page [...] it was about all manner of things [...] Occasionally he read a quotation from a book by Proust (whose name I've forgotten), & then from his translation [of the Lysistrata]'.

Century: 1900-1945     Reader/Listener/Group: Roger Fry      Print: Book

  

Aristophanes  : Lysistrata

18 April 1918: 'I went to Guildford. I don't see how to put 3 or 4 hours of Roger's conversation into the rest of this page [...] it was about all manner of things [...] Occasionally he read a quotation from a book by Proust (whose name I've forgotten), & then from his translation [of the Lysistrata]'.

Century: 1900-1945     Reader/Listener/Group: Roger Fry      Manuscript: Unknown

  

 : notice of death of Sarah Emily Duckworth

27 June 1918: 'At the Club yesterday I picked up the Times & read of Aunt Minna's death 2 days ago at Lane End [...] She was in her 91st year. A more composed, & outwardly useless life one can't imagine [...] I saw her a few weeks ago, apparently unaware of death, taking her house for 4 years further, & saying precisely what she'd said at any time -- about good & bad novels [goes on to reminisce further about aunt]'.

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Newspaper

  

George Otto Trevelyan : The Life and Letters of Lord Macaulay

2 July 1918: 'I was reading Macaulay's Life over my tea [...] when Mrs Woolf [husband's sister-in-law] was announced.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Thomas de Quincey : Impassioned Prose

'...I'm sitting in an old silk petticoat at the moment with a hole in it, and the top part of another dress with a hole in it, and the wind is blowing through me, and I'm reading de Quincey, and Richardson, and again de Quincey- again de Quincey because I'm in the middle of writing about him, and my God Vita, if you happen to know do wire what's the essential difference between prose and poetry - It cracks my poor brain to consider.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

William Michael Rossetti : Memoir of Christina Rossetti

Editor's note reads 'V[irginia] W[oolf] must have been reading William Michael Rossetti's 1904 edition of The Poetical Works of Christina Georgina Rossetti, to which he added a "compendious Memoir of her uneventful and rather secluded life."' See Additional Comments.

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Katherine Mansfield : 'Bliss'

7 August 1918: 'Our excitement [has been] the return of the servants from Lewes last night, with [...] the English review for me, with [...] Katherine Mansfield on Bliss. I threw down Bliss with the exclamation, "She's done for!" Indeed I don't see how much faith in her as as woman or writer can survive that sort of story [...] her mind is a very thin soil, laid an inch or two upon very barren rock [...] she is content with superficial smartness; & the whole conception is poor, cheap, not the vision, however imperfect, of an interesting mind. She writes badly too. And the effect was as I say, to give me an impression of her callousness & hardness as a human being. I shall read it again; but I dont suppose I shall change.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Serial / periodical

  

unknown : life of Byron

7 August 1918: 'I was very glad to go on with my Byron [...] I'm amused to find how easily I can imagine the effect he had upon women [goes on to comment further upon Byron's life, letters, and poetry]'.

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Vita Sackville-West : Passenger to Teheran

'The whole book is full of nooks and corners which I enjoy exploring. Sometimes one wants a candle in one's hand though - That's my only criticism - you've left (I daresay in haste) one or two dangling dim places....'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Manuscript: Sheet, Earlier in the letter Virginia Woolf describes the form of the text she read as 'the second batch of proofs'.

  

Virginia Woolf : To the Lighthouse

'"I'm in the middle of the Lighthouse, ekeing it out so that it will last. Why doesn't she publish a book every day? and what fun to be in at the birth of books quite as important as Jane Austen. She is a genius and I would carry a thousand hair-shedding dogs to the gates of Hell for her did she wish it!"'

Century: 1900-1945     Reader/Listener/Group: Hugh Walpole      Print: Book

  

 : The Times

'The day before I left I read in the Times that I had won the most insignificant and ridiculous of prizes but I have heard nothing more; so it may be untrue.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Newspaper

  

Leonard Woolf : Empire and Commerce in Africa. A Study in Economic Imperialism

7 January 1920: 'Reading Empire & Commerce to my genuine satisfaction, with an impartial delight in the closeness, passion & logic of it; indeed its a good thing now & then to read one's husband's work attentively.'

Unknown
Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      

  

Roger Fry : autobiographical essay

6 March 1920: 'On Thursday, dine with the MacCarthys, & the first Memoir Club meeting [hosted by MacCarthys]. A highly interesting occasion. Seven people read -- & Lord knows what I didnt read into their reading. Sydney [Waterlow] [...] signified as much by reading us a dream [...] altogether a queer, self-conscious, self analytic performance [...] Clive purely objective; Nessa starting matter of fact: then overcome by the emotional depths to be traversed; & unable to read aloud what she had written. Duncan fantastic & tongue -- not tied -- tongue enchanted. Molly literary about tendencies & William Morris, carefully composed at first, & even formal: suddenly saying "Oh this is absurd -- I can't go on" shuffling all her sheets; beginning on the wrong page; firmly but waveringly, & carrying through to the end [...] Roger well composed; story of a coachman who stole geraniums & went to prison.'

Century: 1900-1945     Reader/Listener/Group: Roger Fry      Manuscript: Unknown

  

 : Notice of birth of Mark Arnold-Foster

20 April 1920: 'Saw the birth of Ka's son in the Times this morning, & feel slightly envious all day in consequence.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Newspaper

  

Miguel de Cervantes : Don Quixote

Tuesday 10 August 1920: 'Reading Don Q. still -- I confess rather sinking in the sand -- rather soft going [...] but he has the loose, far scattered vitality of the great books, which keeps me going'.

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Sophocles  : Trachiniae

Thursday 19 August 1920: 'Yesterday [...] read [Sophocles'] Trachiniae with comparative ease -- always comparative -- oh dear me!'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Katherine Mansfield : unknown

Tuesday 25 January 1921: 'K. M. (as the papers call her) swims from triumph to triumph in the reviews; save that [J. C.] Squire doubts her genius -- so, I'm afraid, do I. These little points, though so cleanly collected, don't amount to much, I think. I read her at the Club last night'.

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Unknown

  

Thomas Carlyle : 'reminiscences'

Friday 15 April 1921: 'I have been lying recumbent all day reading Carlyle, and now Macaulay, first to see if Carlyle wrote better than Lytton [Strachey], then to see if Macaulay sells better. Carlyle (reminiscences) is more colloquial and scrappy than I remembered, but he has his merits. -- more punch in his phrase than in Lytton's.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Thomas Babington Macaulay : unknown

Friday 15 April 1921: 'I have been lying recumbent all day reading Carlyle, and now Macaulay, first to see if Carlyle wrote better than Lytton [Strachey], then to see if Macaulay sells better. Carlyle (reminiscences) is more colloquial and scrappy than I remembered, but he has his merits. -- more punch in his phrase than in Lytton's.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Kenneth Burke : 'The Modern English Novel Plus' (review of Virginia Woolf, NIght and Day, and The Voyage Out

Sunday 15 May 1921: 'I read 4 pages of sneer & condescending praise of me in the Dial the other day. Oddly enough, I have drawn the sting of it by deciding to print it among my puffs, where it will come in beautifully. The Dial is everything honest & vigorous & advanced; so I ought to feel crushed.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Serial / periodical

  

Henry James : The Wings of a Dove

Monday 12 September 1921: 'I have finished the Wings of the Dove, & make this comment. His [Henry James's] manipulations become so elaborate towards the end that instead of feeling the artist you merely feel the man who is posing the subject. And then I think he loses the power to feel the crisis. He becomes merely excessively ingenious [goes on to comment further on text].'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Katherine Mansfield : stories

Thursday 15 September 1921: 'I have been dabbling in K.M.'s stories, & have to rinse my mind -- in Dryden? Still, if she were not so clever she coudn't be so disagreeable.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Unknown

  

Clive Bell : [journalism]

Monday 6 February 1922: 'What a sprightly journalist Clive Bell is! I have just read him, & see how my sentences would have to be clipped to march in time with his.'

Unknown
Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      

  

Herman Melville : Moby Dick

Tuesday 14 February 1922: 'I am reading [in convalescence, following week of illness] Moby Dick: Princesse de Cleves; Lord Salisbury; Old Mortality; Small Talk at Wreyland; with an occasional bite at the Life of Lord Tennyson, of Johnson; & anything else I find handy. But this is all dissipated & invalidish. I can only hope that like dead leaves they may fertilise my brain.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Madame de La Fayette : La Princesse de Cleves

Tuesday 14 February 1922: 'I am reading [in convalescence, following week of illness] Moby Dick: Princesse de Cleves; Lord Salisbury; Old Mortality; Small Talk at Wreyland; with an occasional bite at the Life of Lord Tennyson, of Johnson; & anything else I find handy. But this is all dissipated & invalidish. I can only hope that like dead leaves they may fertilise my brain.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Walter Scott : Old Mortality

Tuesday 14 February 1922: 'I am reading [in convalescence, following week of illness] Moby Dick: Princesse de Cleves; Lord Salisbury; Old Mortality; Small Talk at Wreyland; with an occasional bite at the Life of Lord Tennyson, of Johnson; & anything else I find handy. But this is all dissipated & invalidish. I can only hope that like dead leaves they may fertilise my brain.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Lady Gwendolyn Cecil : The Life of Robert, Marquis of Salisbury

Tuesday 14 February 1922: 'I am reading [in convalescence, following week of illness] Moby Dick: Princesse de Cleves; Lord Salisbury; Old Mortality; Small Talk at Wreyland; with an occasional bite at the Life of Lord Tennyson, of Johnson; & anything else I find handy. But this is all dissipated & invalidish. I can only hope that like dead leaves they may fertilise my brain.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Cecil Torr : Small Talk at Wreyland (vol 1 and/or 2)

Tuesday 14 February 1922: 'I am reading [in convalescence, following week of illness] Moby Dick: Princesse de Cleves; Lord Salisbury; Old Mortality; Small Talk at Wreyland; with an occasional bite at the Life of Lord Tennyson, of Johnson; & anything else I find handy. But this is all dissipated & invalidish. I can only hope that like dead leaves they may fertilise my brain.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

unknown : Life of Tennyson

Tuesday 14 February 1922: 'I am reading [in convalescence, following week of illness] Moby Dick: Princesse de Cleves; Lord Salisbury; Old Mortality; Small Talk at Wreyland; with an occasional bite at the Life of Lord Tennyson, of Johnson; & anything else I find handy. But this is all dissipated & invalidish. I can only hope that like dead leaves they may fertilise my brain.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

unknown : Life of [?Samuel] Johnson

Tuesday 14 February 1922: 'I am reading [in convalescence, following week of illness] Moby Dick: Princesse de Cleves; Lord Salisbury; Old Mortality; Small Talk at Wreyland; with an occasional bite at the Life of Lord Tennyson, of Johnson; & anything else I find handy. But this is all dissipated & invalidish. I can only hope that like dead leaves they may fertilise my brain.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Thomas Love Peacock : Nightmare Abbey

Wednesday 15 February 1922: 'Of my reading I will now try to make some note. 'First Peacock; Nightmare Abbey, & Crotchet Castle. Both are so much better than I remember. Doubtless, Peacock is a taste acquired in maturity. When I was young, reading him in a railway carriage in Greece, sitting opposite Thoby [Woolf, reader's brother], I remember, who pleased me immensely by approving my remark that Meredith had got his women from Peacock [...] And now more than anything I want beautiful prose [...] And I enjoy satire more. I like the scepticism of his mind more [...] And then they're so short; & I read them in little yellowish perfectly appropriate first editions. 'The masterly Scott has me by the hair once more. Old Mortality. I'm in the middle; & have to put up with some dull sermons; but I doubt he can be dull, because everything is so much in keeping [goes on to comment further on text]'.

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Thomas Love Peacock : Crotchet Castle

Wednesday 15 February 1922: 'Of my reading I will now try to make some note. 'First Peacock; Nightmare Abbey, & Crotchet Castle. Both are so much better than I remember. Doubtless, Peacock is a taste acquired in maturity. When I was young, reading him in a railway carriage in Greece, sitting opposite Thoby [Woolf, reader's brother], I remember, who pleased me immensely by approving my remark that Meredith had got his women from Peacock [...] And now more than anything I want beautiful prose [...] And I enjoy satire more. I like the scepticism of his mind more [...] And then they're so short; & I read them in little yellowish perfectly appropriate first editions. 'The masterly Scott has me by the hair once more. Old Mortality. I'm in the middle; & have to put up with some dull sermons; but I doubt he can be dull, because everything is so much in keeping [goes on to comment further on text]'.

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Walter Scott : Old Mortality

Wednesday 15 February 1922: 'Of my reading I will now try to make some note. 'First Peacock; Nightmare Abbey, & Crotchet Castle. Both are so much better than I remember. Doubtless, Peacock is a taste acquired in maturity. When I was young, reading him in a railway carriage in Greece, sitting opposite Thoby [Woolf, reader's brother], I remember, who pleased me immensely by approving my remark that Meredith had got his women from Peacock [...] And now more than anything I want beautiful prose [...] And I enjoy satire more. I like the scepticism of his mind more [...] And then they're so short; & I read them in little yellowish perfectly appropriate first editions. 'The masterly Scott has me by the hair once more. Old Mortality. I'm in the middle; & have to put up with some dull sermons; but I doubt he can be dull, because everything is so much in keeping [goes on to comment further on text]'.

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Thomas Love Peacock : unknown

Wednesday 15 February 1922: 'Of my reading I will now try to make some note. 'First Peacock; Nightmare Abbey, & Crotchet Castle. Both are so much better than I remember. Doubtless, Peacock is a taste acquired in maturity. When I was young, reading him in a railway carriage in Greece, sitting opposite Thoby [Woolf, reader's brother], I remember, who pleased me immensely by approving my remark that Meredith had got his women from Peacock [...] And now more than anything I want beautiful prose [...] And I enjoy satire more. I like the scepticism of his mind more [...] And then they're so short; & I read them in little yellowish perfectly appropriate first editions. 'The masterly Scott has me by the hair once more. Old Mortality. I'm in the middle; & have to put up with some dull sermons; but I doubt he can be dull, because everything is so much in keeping [goes on to comment further on text]'.

Century: 1900-1945     Reader/Listener/Group: Virginia Stephen      Print: Book

  

George Gordon, Lord Byron : Lord Byron's Correspondence

Saturday 18 February 1922: 'According to the papers, the cost of living is now I dont know how much lower than last year [...] You cant question Nelly [Woolf's cook] much without rubbing a sore. She threatens at once to send up a cheap meal [...] Not a very grievous itch; & quelled by the sight of the new Byron letters just come from Mudie's [library].'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Madame de la Fayette : La Princesse de Cleves

Saturday 18 February 1922: 'I want to read Byron's Letters, but I must go on with La Princesse de Cleves. This masterpiece has long been on my conscience. Me to talk of fiction & not to have read this classic! But reading classics is generally hard going. Especially classics like this one, which are classics because of their perfect taste, shapeliness, composire, artistry [...] I think the beauty very great, but hard to appreciate [comments further on text].'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

 : The New Statesman

Saturday 18 February 1922: 'Within the last few minutes I have skimmed the reviews in the New Statesman; between coffee & cigarette I read the Nation: now the best brains in England (metaphorically speaking) sweated themselves for I dont know how many hours to give me this brief condescending sort of amusement [...] Reviews seem to me more & more frivolous.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Serial / periodical

  

 : The Nation

Saturday 18 February 1922: 'Within the last few minutes I have skimmed the reviews in the New Statesman; between coffee & cigarette I read the Nation: now the best brains in England (metaphorically speaking) sweated themselves for I dont know how many hours to give me this brief condescending sort of amusement [...] Reviews seem to me more & more frivolous.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Serial / periodical

  

Johann Wolfgang von Goethe : Wilhelm Meister's Apprenticeship

'Jack tells me you are reading Meister: this surprises me; if I did not recollect your love for me, I shoudl not be able to account for it.'

Century: 1800-1849     Reader/Listener/Group: Margaret A. Carlyle      Print: Book

  

unknown : [ms novel]

'I'm reading an Oxford undergraduate ms novel, and his hero says "Do you know these lines from The Land, the finest poem, by far the finest of our living poets -" but for all that, we shan't publish him.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Manuscript: Codex

  

Sophocles  : unknown

Tuesday 31 August 1920: 'Finished Sophocles this morning -- read mostly at Asheham.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Samuel Taylor Coleridge : unknown

Sunday 5 December 1920: 'My brain is tired of reading Coleridge. Why do I read Coleridge? It is partly the result of Eliot [i.e. The Sacred Wood] whom I've not read; but L[eonard]. has & reviewed & praised into the bargain.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Edmund Gosse : Books on the Table

Wednesday 10 August 1921: 'I may well ask, what is truth? And I cant ask it in my natural tones, since my lips are wet with Edmund Gosse. How often have I said that I would never read anyone before beginning to write? The book came at breakfast, & I fell. He is one of the respectables [...] But how low in tone it all is -- purred out by the firesides of Dowagers. That is not quite true, seeing that he has some sturdiness, some independence, & some love of letters. The peculiar combination of suavity, gravity, malignity, & common sense always repels me.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Leigh Hunt : The Autobiography of Leigh Hunt

[Following transcription of two substantial paragraphs, in which Leigh Hunt describes Coleridge] '[this] is all I can take the trouble to quote from Leigh Hunt's memoirs vol 2 page 223, supposing I should want to cook this up again somewhere. L.H. was our spiritual grandfather, a free man [...] These free, vigorous spirits advance the world, & when one lights on them in the strange waste of the past one says Ah you're my sort -- a great compliment.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Julien Benda : unknown

18 December 1921: 'Roger's visit [on 17 December] went off specially well [...] Roger had Benda in his pocket & read a passage aloud'.

Century: 1900-1945     Reader/Listener/Group: Roger Fry      Print: Book

  

James Joyce : Ulysses

Wednesday 16 August 1922: 'I have read 200 pages [of Ulysses] so far -- not a third; & have been amused, stimulated, charmed interested by the first 2 or 3 chapters -- to the end of the Cemetery scene; & then puzzled, bored, irritated, & disillusioned as by a queasy undergraduate scratching his pimples [...] An illiterate, underbred book it seems to me: the book of a self-taught working man, & we all know how distressing they are, how egotistic, insistent, raw, striking, & ultimately nauseating [...] I may revise this later. I do not compromise my critical sagacity. I plant a stick in the ground to mark page 200.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Gilbert Seldes : Review of James Joyce, Ulysses

Thursday 7 September 1922: 'L[eonard]. put into my hands a very intelligent review of Ulysses, in the American Nation, which, for the first time, analyses the meaning, & certainly makes it much more impressive than I judged.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Serial / periodical

  

James Joyce : Ulysses

Wednesday 6 September 1922: 'I finished Ulysses, & think it a mis-fire. Genius it has I think; but of the inferior water. The book is diffuse. It is brackish. It is pretentious. It is underbred, not only in the obvious sense, but in the literary sense [...] I'm reminded all the time of some callow board school boy [...] full of wits & powers, but so self-conscious & egotistical that he loses his head, becomes extravagant, mannered, uproarious, ill at ease, makes kindly people feel sorry for him, & stern ones merely annoyed; & one hopes he'll grow out of it; but as Joyce is 40 this scarcely seems likely. I have not read it carefully; & only once; & it is very obscure; so no doubt I have scamped the virtue of it more than is fair.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Ben Jonson : Epicoene, or The Silent Woman

Saturday 17 March 1923: 'Written, for a wonder, at 10 o'clock at night [...] my brain saturated with the Silent Woman. I am reading her because we now read plays at 46 [Gordon Square].'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Elizabeth Gaskell : Wives and Daughters

Thursday 30 Auguust: 'My goodness, the wind! Last night we looked at the meadow trees, flinging about [...] I read such a white dimity rice puddingy chapter of Mrs Gaskell in the gale "Wives and Daughters"'.

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

unknown : '18th Century prose'

Friday 15 August 1924: 'When I was 20 I liked 18th Century prose; I liked Hakluyt, Merimee. I read masses of Carlyle, Scott's life & letters, Gibbon, all sorts of two volume biographies, & Shelley.'

Century: 1900-1945     Reader/Listener/Group: Virginia Stephen      Print: Book

  

Richard Hakluyt : unknown

Friday 15 August 1924: 'When I was 20 I liked 18th Century prose; I liked Hakluyt, Merimee. I read masses of Carlyle, Scott's life & letters, Gibbon, all sorts of two volume biographies, & Shelley.'

Century: 1900-1945     Reader/Listener/Group: Virginia Stephen      Print: Book

  

Prosper Merimee : unknown

Friday 15 August 1924: 'When I was 20 I liked 18th Century prose; I liked Hakluyt, Merimee. I read masses of Carlyle, Scott's life & letters, Gibbon, all sorts of two volume biographies, & Shelley.'

Century: 1900-1945     Reader/Listener/Group: Virginia Stephen      Print: Book

  

Thomas Carlyle : unknown

Friday 15 August 1924: 'When I was 20 I liked 18th Century prose; I liked Hakluyt, Merimee. I read masses of Carlyle, Scott's life & letters, Gibbon, all sorts of two volume biographies, & Shelley.'

Century: 1900-1945     Reader/Listener/Group: Virginia Stephen      Print: Book

  

Walter Scott : Letters

Friday 15 August 1924: 'When I was 20 I liked 18th Century prose; I liked Hakluyt, Merimee. I read masses of Carlyle, Scott's life & letters, Gibbon, all sorts of two volume biographies, & Shelley.'

Century: 1900-1945     Reader/Listener/Group: Virginia Stephen      Print: Book

  

J. G. Lockhart : Life of Walter Scott

Friday 15 August 1924: 'When I was 20 I liked 18th Century prose; I liked Hakluyt, Merimee. I read masses of Carlyle, Scott's life & letters, Gibbon, all sorts of two volume biographies, & Shelley.'

Century: 1900-1945     Reader/Listener/Group: Virginia Stephen      Print: Book

  

Edward Gibbon : unknown

Friday 15 August 1924: 'When I was 20 I liked 18th Century prose; I liked Hakluyt, Merimee. I read masses of Carlyle, Scott's life & letters, Gibbon, all sorts of two volume biographies, & Shelley.'

Century: 1900-1945     Reader/Listener/Group: Virginia Stephen      Print: Book

  

unknown : biographical works

Friday 15 August 1924: 'When I was 20 I liked 18th Century prose; I liked Hakluyt, Merimee. I read masses of Carlyle, Scott's life & letters, Gibbon, all sorts of two volume biographies, & Shelley.'

Century: 1900-1945     Reader/Listener/Group: Virginia Stephen      Print: Book

  

Percy Bysshe Shelley : unknown

Friday 15 August 1924: 'When I was 20 I liked 18th Century prose; I liked Hakluyt, Merimee. I read masses of Carlyle, Scott's life & letters, Gibbon, all sorts of two volume biographies, & Shelley.'

Century: 1900-1945     Reader/Listener/Group: Virginia Stephen      Print: Book

  

Ethel M. Dell : unknown

Sunday 17 May 1925: 'Yesterday we had tea with Margaret in her new house [...] She is severe to Lilian [Harris, her companion], who [...] is not allowed to plant flowers, she said bitterly, because it worries Margaret, & so nothing is done to the garden, which too worries Margaret. For these worries, she takes Ethel M. Dell & Dickens.'

Century: 1900-1945     Reader/Listener/Group: Margaret Caroline Llewelyn Davies      Print: Book

  

Charles Dickens : unknown

Sunday 17 May 1925: 'Yesterday we had tea with Margaret in her new house [...] She is severe to Lilian [Harris, her companion], who [...] is not allowed to plant flowers, she said bitterly, because it worries Margaret, & so nothing is done to the garden, which too worries Margaret. For these worries, she takes Ethel M. Dell & Dickens.'

Century: 1900-1945     Reader/Listener/Group: Margaret Caroline Llewelyn Davies      Print: Book

  

Vita Sackville-West : On the Lake

Monday 21 December 1925: 'I read her [Vita Sackville-West's] poem; which is more compact, better seen & felt than anything yet of hers.'

Unknown
Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      

  

Virginia Woolf : 1923 diary

Saturday 27 February 1926: 'Mrs. Webb's book has made me think a little what I could say of my own life. I read some of 1923 this morning, being headachy again'.

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Manuscript: Unknown

  

Beatrice Webb : My Apprenticeship

Saturday 27 February 1926: 'Mrs. Webb's book has made me think a little what I could say of my own life. I read some of 1923 this morning, being headachy again'.

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Leo Tolstoy : Anna Karenina

Wednesday 24 March 1926: 'These disjointed reflections I scribble on a divine, if gusty, day; being about, after reading Anna Karenina, to dine at a pot-house with Rose Macaulay -- not a cheerful entertainment; but an experience perhaps.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

unknown : novels

Saturday 27 March 1926: '[Gerald Gould] reads novels incessantly; got a holiday 3 years ago, & prided himself on reading nothing but Tchekhov'.

Century: 1900-1945     Reader/Listener/Group: Gerald Gould      Print: Book

  

Anton Chekhov : unknown

Saturday 27 March 1926: '[Gerald Gould] reads novels incessantly; got a holiday 3 years ago, & prided himself on reading nothing but Tchekhov'.

Century: 1900-1945     Reader/Listener/Group: Gerald Gould      Print: Book

  

Gerard Manley Hopkins : [manuscripts]

Thursday 1 July: '[in library of Robert Bridges, during visit to Morrell family at Garsington] I asked to see the Hopkins manuscripts; & sat looking at them with that gigantic grasshopper Aldous [Huxley] folded up in a chair close by.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Manuscript: Unknown

  

Maurice Baring : C

'Owing to his giving me the books, am now reading C by M. Baring. I am surprised to find it as good as it is. But how good is it? Easy to say it is not a great book. But what qualities does it lack? That it adds nothing to one's vision of life, perhaps. Yet it is hard to find a serious flaw.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Vita Sackville-West : Collected Poems

'And the book came. And I've read one or two of the new ones. And I liked them yes - I liked the one to Enid Bagnold; and I think I see how you may develop differently.'

Unknown
Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      

  

Kenneth Clark : unknown

'I've been walking on the marsh and found a swan sitting in a Saxon grave. This made me think of you. Then I came back and read about Leonardo - Kenneth Clark - good I think: this also made me think of you.'

Unknown
Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      

  

Vita Sackville-West : Country Notes

'I've not read it (and I dont suppose you'd care a damn to know what I thought, if I thought about it considered as a work of art - or would you?) - but I dipped in and read about Saulieu and the fair and the green glass bottle....I shall keep it by my bed, and when I wake in the night - so, I shant use it as a soporific, but as a sedative: a dose of sanity and sheep dog in this scratching, clawing, and colding universe....'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Robert Bridges : unknown

Saturday 31 July [entry headed 'My Own Brain,' and beginning 'Here is a whole nervous breakdown in miniature']: 'A desire to read poetry set in on Friday. This brings back a sense of my own individuality. Read some Dante & Bridges, without troubling to understand, but got pleasure from them.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Unknown

  

Dante Alighieri : unknown

Saturday 31 July [entry headed 'My Own Brain,' and beginning 'Here is a whole nervous breakdown in miniature']: 'A desire to read poetry set in on Friday. This brings back a sense of my own individuality. Read some Dante & Bridges, without troubling to understand, but got pleasure from them.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Geoffrey Scott : The Architecture of Humanism. A Study in the History of Taste

Tuesday 28 September 1926: 'Intense depression: I have to confess that this has overcome me several times since September 6th [...] Somehow, my reading had lapsed [...] One night I got hold of Geoffrey Scott's book on Architecture, & a little spark of motive power awoke in me. This is a warning, then; never to cease the use of the brain.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

V. Sackville-West : Passenger to Teheran

Saturday 12 February 1927: 'Vita's prose is too fluent. I've been reading it, & it makes my pen run. When I've read a classic, I am curbed & -- not castrated; no, the opposite; I cant think of the word at the moment. 'Had I been writing P[assenger] to T[eheran] I should have run off whole pools of this coloured water; & then (I think) found my own method of attack [...] Were I writing travels I should wait till some angle emerged: & go for that. The method of writing smooth narrative cant be right; things dont happen in one's mind like that. But she is very skilful & golden voiced.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Maurice Baring : unknown

Saturday 18 June 1927: 'I read -- any trash. Maurice Baring; sporting memoirs.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

unknown : 'sporting memoirs'

Saturday 18 June 1927: 'I read -- any trash. Maurice Baring; sporting memoirs.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

 : Notice of death of the Hon. Philip Charles Thomson Ritchie

Tuesday 20 September 1927: 'I opened the Morning Post & read the death of Philip Ritchie [...] I think for the first time, I felt this death leaves me an elderly laggard; makes me feel I have no right to go on; as if my life was at the expense of his. And I had not been kind; not asked him to dinner & so on.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Newspaper

  

William Shakespeare : Othello

Tuesday 24 April 1928: 'I was reading Othello last night, & was impressed by the volley & volume & tumble of his words: too many I should say, were I reviewing for the Times [goes on to comment further on Shakespeare] [...] I've read only French for 4 weeks.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

unknown : French texts

Tuesday 24 April 1928: 'I was reading Othello last night, & was impressed by the volley & volume & tumble of his words: too many I should say, were I reviewing for the Times [goes on to comment further on Shakespeare] [...] I've read only French for 4 weeks.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Lytton Strachey : Elizabeth and Essex

Sunday 25 November 1928: 'I took Essex & Eth (Lytton's) down [to Rodmell] to read, & Lord forgive me! -- find it a poor book. I have not finished it, and am keeping it to see if my [text ends]'.

Unknown
Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      

  

Samuel Butler : Notebooks

Monday 2 September 1929: 'I have just read a page or two out of Samuel Butler's notebooks to take the taste of Alice Meynell's life out of my mouth. One rather craves brilliance & cantankerousness. Yet I am interested; a little teased by the tight airless Meynell style; & then I think what they had that we had not -- some suavity & grace, certainly [comments further on Meynell's work, life and personality] [...] When one reads a life one often compares one's own life with it. And doing this I was aware of some sweetness & dignity in those lives compared with ours [...] Yet in fact their lives would be intolerable -- so insincere, so elaborate; so I think [goes on to comment further on Meynell family, and others' reminiscences of them]'.

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Viola Meynell : Alice Meynell. A Memoir

Monday 2 September 1929: 'I have just read a page or two out of Samuel Butler's notebooks to take the taste of Alice Meynell's life out of my mouth. One rather craves brilliance & cantankerousness. Yet I am interested; a little teased by the tight airless Meynell style; & then I think what they had that we had not -- some suavity & grace, certainly [comments further on Meynell's work, life and personality] [...] When one reads a life one often compares one's own life with it. And doing this I was aware of some sweetness & dignity in those lives compared with ours [...] Yet in fact their lives would be intolerable -- so insincere, so elaborate; so I think [goes on to comment further on Meynell family, and others' reminiscences of them]'.

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Elizabeth Jenkins : Virginia Water

Wednesday 23 October 1929: 'Since I have been back [apparently to London, from Sussex home] I have read Virginia Water (a sweet white grape); God; -- all founded, & teased & spun out upon one quite simple & usual psychological experience; but the mans no poet & cant make one see; all his sentences are like steel lines on an engraving. I am reading Racine, have bought La Fontaine, & so intend to make my sidelong approach to French literature, circling & brooding'.

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

John Middleton Murry : God: an Introduction to the Science of Metabiology

Wednesday 23 October 1929: 'Since I have been back [apparently to London, from Sussex home] I have read Virginia Water (a sweet white grape); God; -- all founded, & teased & spun out upon one quite simple & usual psychological experience; but the mans no poet & cant make one see; all his sentences are like steel lines on an engraving. I am reading Racine, have bought La Fontaine, & so intend to make my sidelong approach to French literature, circling & brooding'.

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Jean Racine : 

Wednesday 23 October 1929: 'Since I have been back [apparently to London, from Sussex home] I have read Virginia Water (a sweet white grape); God; -- all founded, & teased & spun out upon one quite simple & usual psychological experience; but the mans no poet & cant make one see; all his sentences are like steel lines on an engraving. I am reading Racine, have bought La Fontaine, & so intend to make my sidelong approach to French literature, circling & brooding'.

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Augustine Biirrell : ?Collected Essays, 1880-1920

Monday 18 November 1929: '[following argument with cook] My mind is like a gum when an aching tooth has been drawn. I am having a holiday -- reading old Birrell'.

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

George Puttenham : The Arte of English Poesie

'V[irginia] W[oolf] made notes (see Holograph Reading Notes, vols XI and XII in the Berg Collection) on George Puttenham's The Arte of English Poesie (1589); on William Webbe's A Discourse of English Poetrie (1586) -- both in Constable's English reprints of 1895; and on Gabriel Harvey's Works, ed. A. B. Grosart, 1884; his Commonplace Book, ed. G. C. Moore Smith, 1913; and his Letter Book, 1573-1580, ed. E. J. L. Scott, 1884.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

William Webbe : A Discourse of English Poetrie

'V[irginia] W[oolf] made notes (see Holograph Reading Notes, vols XI and XII in the Berg Collection) on George Puttenham's The Arte of English Poesie (1589); on William Webbe's A Discourse of English Poetrie (1586) -- both in Constable's English reprints of 1895; and on Gabriel Harvey's Works, ed. A. B. Grosart, 1884; his Commonplace Book, ed. G. C. Moore Smith, 1913; and his Letter Book, 1573-1580, ed. E. J. L. Scott, 1884.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Gabriel Harvey : Works

'V[irginia] W[oolf] made notes (see Holograph Reading Notes, vols XI and XII in the Berg Collection) on George Puttenham's The Arte of English Poesie (1589); on William Webbe's A Discourse of English Poetrie (1586) -- both in Constable's English reprints of 1895; and on Gabriel Harvey's Works, ed. A. B. Grosart, 1884; his Commonplace Book, ed. G. C. Moore Smith, 1913; and his Letter Book, 1573-1580, ed. E. J. L. Scott, 1884.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Gabriel Harvey : Commonplace Book

'V[irginia] W[oolf] made notes (see Holograph Reading Notes, vols XI and XII in the Berg Collection) on George Puttenham's The Arte of English Poesie (1589); on William Webbe's A Discourse of English Poetrie (1586) -- both in Constable's English reprints of 1895; and on Gabriel Harvey's Works, ed. A. B. Grosart, 1884; his Commonplace Book, ed. G. C. Moore Smith, 1913; and his Letter Book, 1573-1580, ed. E. J. L. Scott, 1884.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Gabriel Harvey : Letter Book, 1573-1580

'V[irginia] W[oolf] made notes (see Holograph Reading Notes, vols XI and XII in the Berg Collection) on George Puttenham's The Arte of English Poesie (1589); on William Webbe's A Discourse of English Poetrie (1586) -- both in Constable's English reprints of 1895; and on Gabriel Harvey's Works, ed. A. B. Grosart, 1884; his Commonplace Book, ed. G. C. Moore Smith, 1913; and his Letter Book, 1573-1580, ed. E. J. L. Scott, 1884.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Richard Hakluyt : unknown

Sunday 8 December 1929: 'It was the Elizabethan prose writers I loved first & most wildly, stirred by Hakluyt, which father lugged home [from library] for me [...] He must have been 65; I 15 or 16, then; & why I dont know, but I became enraptured, though not exactly interested, but the sight of the large yellow page entranced me. I used to read it & dream of those obscure adventurers, & no doubt practised their style in my copy books. I was then writing a long picturesque essay upon the Christian religion, I think; called Religio Laici, I believe [...] & I also wrote a history of Women; & a history of my own family -- all very longwinded & El[izabe]than in style.'

Century: 1850-1899     Reader/Listener/Group: Virginia Stephen      Print: Book

  

 : 'Lord Chaplin's life'

Sunday 26 January 1930: 'We have been at Rodmell [...] At night I read Lord Chaplin's life.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

E. F. Benson : Dodo

Monday 3 March 1930: 'Rodmell again [...] Suppose health were shown on a thermometer I have gone up 10 degrees since yesterday, when I lay, mumbling the bones of Dodo: if it had bones'.

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Molly Hamilton : unknown

Monday 3 March 1930: 'Molly Hamilton writes a d----d bad novel. She has the wits to construct a method of telling a story; & then heaps it with the dreariest, most confused litter of old clothes. When I stop to read a page attentively I am shocked by the dishabille of her English. It is like hearing cooks & scullions chattering; she scarcely articulates [...] And the quality of the emotion is so thick & squab, the emotions of secondrate women painters, of spotted & pimpled young men'.

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Dante Alighieri : Inferno

Wednesday 20 August 1930: 'I am reading Dante, & I say, yes, this makes all writing unnecessary [...] I read the Inferno for half an hour at the end of my own page [of current work]: & that is the place of honour'.

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Rosamund Lehmann : A Note in Music

Thursday 28 August 1930: 'I am reading R. Lehmann, with some interest & admiration -- she has a clear hard mind, beating up now & again to poetry; but I am as usual appalled by the machinery of fiction: its much work for little result. Yet I see no other outlet for her gifts.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Dante Alighieri : La Divina Commedia

Wednesday 24 September 1930: 'I am reading Dante; & my present view of reading is to elongate immensely. I take a week over one canto. No hurry.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Daniel Defoe : A Tour through the Whole Island of Great Britain

Saturday 27 December 1930: 'We came down [to Rodmell] on Tuesday, & next day my cold was the usual influenza, & I am in bed with the usual temperature [...] I moon torpidly through book after book: Defoe's Tour; Rowan's auto[biograph]y; Benson's Memoirs; Jeans; in the familiar way [...] Oh & I've read Q[ueen]. V[ictoria]'s letters [...] Q.V. entirely unaesthetic; a kind of Prussian competence, & belief in herself her only prominences [...] Knew her own mind. But the mind radically commonplace.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Archibald Hamilton Rowan : The Autobiography of Archibald Hamilton Rowan

Saturday 27 December 1930: 'We came down [to Rodmell] on Tuesday, & next day my cold was the usual influenza, & I am in bed with the usual temperature [...] I moon torpidly through book after book: Defoe's Tour; Rowan's auto[biograph]y; Benson's Memoirs; Jeans; in the familiar way [...] Oh & I've read Q[ueen]. V[ictoria]'s letters [...] Q.V. entirely unaesthetic; a kind of Prussian competence, & belief in herself her only prominences [...] Knew her own mind. But the mind radically commonplace.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

E. F. Benson : As We Were: A Victorian Peep-Show

Saturday 27 December 1930: 'We came down [to Rodmell] on Tuesday, & next day my cold was the usual influenza, & I am in bed with the usual temperature [...] I moon torpidly through book after book: Defoe's Tour; Rowan's auto[biograph]y; Benson's Memoirs; Jeans; in the familiar way [...] Oh & I've read Q[ueen]. V[ictoria]'s letters [...] Q.V. entirely unaesthetic; a kind of Prussian competence, & belief in herself her only prominences [...] Knew her own mind. But the mind radically commonplace.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

James Jeans : unknown

Saturday 27 December 1930: 'We came down [to Rodmell] on Tuesday, & next day my cold was the usual influenza, & I am in bed with the usual temperature [...] I moon torpidly through book after book: Defoe's Tour; Rowan's auto[biograph]y; Benson's Memoirs; Jeans; in the familiar way [...] Oh & I've read Q[ueen]. V[ictoria]'s letters [...] Q.V. entirely unaesthetic; a kind of Prussian competence, & belief in herself her only prominences [...] Knew her own mind. But the mind radically commonplace.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

The Rev. John Skinner : The Journal of a Somerset Rector

Saturday 27 December 1930: 'We came down [to Rodmell] on Tuesday, & next day my cold was the usual influenza, & I am in bed with the usual temperature [...] I moon torpidly through book after book: Defoe's Tour; Rowan's auto[biograph]y; Benson's Memoirs; Jeans; in the familiar way. The parson -- Skinner -- who shot himself emerges like a bloody sun in a fog. a book worth perhaps looking at again in a clearer mood [goes on to remark further on this text] [...] Oh & I've read Q[ueen]. V[ictoria]'s letters [...] Q.V. entirely unaesthetic; a kind of Prussian competence, & belief in herself her only prominences [...] Knew her own mind. But the mind radically commonplace.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Queen Victoria : Letters

Saturday 27 December 1930: 'We came down [to Rodmell] on Tuesday, & next day my cold was the usual influenza, & I am in bed with the usual temperature [...] I moon torpidly through book after book: Defoe's Tour; Rowan's auto[biograph]y; Benson's Memoirs; Jeans; in the familiar way [...] Oh & I've read Q[ueen]. V[ictoria]'s letters [...] Q.V. entirely unaesthetic; a kind of Prussian competence, & belief in herself her only prominences [...] Knew her own mind. But the mind radically commonplace.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

 : Bible

' Before starting on the march we attended a service in the Mission Church[...].[Hugh]Ruttledge read the first lesson and [E.O.]Shebbeare the second; it was impressive to hear them clattering up the slippery aisle in their nailed boots.'

Century: 1900-1945     Reader/Listener/Group: Hugh Ruttledge      Print: Book

  

D. H. Lawrence : Sons and Lovers

Monday 20 April 1931: 'Arrived [at La Rochelle] at 7.30 -- so quick one drives: I forgot our 2 punctures. One at Thouart [Thouars]; kept us, as the man did not mend it while we lunched. I read Sons & Lovers [by D. H. Lawrence], every word.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

D. H. Lawrence : The Man Who Died

Thursday 28 May 1931: 'Disappointed, reading lightly through, by The man who died, D.H.L.'s last. Reading Sons and Lovers first, then the last I seem to span the measure of his powers & trace his decline. A kind of Guy Fawkes dressing up grew on him it seems, in spite of the lovely silver-bright writing here & there: something sham. Making himself into a God, I suppose.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

George Gordon, Lord Byron : Don Juan

Tuesday 7 July 1931: 'I am reading Don Juan; & dispatch a biography every two days.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

unknown : biographies

Tuesday 7 July 1931: 'I am reading Don Juan; & dispatch a biography every two days.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Hugh Walpole : Judith Paris

Tuesday 1 September 1931: 'And so a few days of bed & headache & overpowering sleep, sleep descending inexorable as I tried to read Judith Paris, then Ivanhoe. A note on Judith Paris: its a London museum book. Hugh bouncing with spurious enthusiasm -- a collection of keepsakes bright beads -- unrelated. Why? No central feeling anywhere [...] All a trivial litter of bright objects to be swept up. 'Scott: a note. A pageant. And I know the man [Locksley] (I forget his name) will hit the mark. So I'm not excited. Almost incredible that my father [Leslie Stephen, in Hours in a Library vol. 1 p.158] shd. have taken this scene seriously. But I think some roots. A perfectly desire surely to amuse, now & then ruffled (but oh how seldom!) by some raid from the sub-conscious -- only in the humour tho. Rowena, Rebecca, hairdressers ornaments -- Madame Tussaud sham jewels [...] But I think I trust him & like him better than Hugh. Question of morality. That we are all moralists; with a temporary standard.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Walter Scott : Ivanhoe

Tuesday 1 September 1931: 'And so a few days of bed & headache & overpowering sleep, sleep descending inexorable as I tried to read Judith Paris, then Ivanhoe. A note on Judith Paris: its a London museum book. Hugh bouncing with spurious enthusiasm -- a collection of keepsakes bright beads -- unrelated. Why? No central feeling anywhere [...] All a trivial litter of bright objects to be swept up. 'Scott: a note. A pageant. And I know the man [Locksley] (I forget his name) will hit the mark. So I'm not excited. Almost incredible that my father [Leslie Stephen, in Hours in a Library vol. 1 p.158] shd. have taken this scene seriously. But I think some roots. A perfectly desire surely to amuse, now & then ruffled (but oh how seldom!) by some raid from the sub-conscious -- only in the humour tho. Rowena, Rebecca, hairdressers ornaments -- Madame Tussaud sham jewels [...] But I think I trust him & like him better than Hugh. Question of morality. That we are all moralists; with a temporary standard.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Virginia Woolf : The Waves

'G. L. Dickinson wrote to V[irginia] W[oolf] in praise of The Waves on 23 October [1931], and again, after re-reading, on 13 November 1931.'

Century: 1900-1945     Reader/Listener/Group: Goldsworthy Lowes Dickinson      Print: Book

  

Virginia Woolf : The Waves

'G. L. Dickinson wrote to V[irginia] W[oolf] in praise of The Waves on 23 October [1931], and again, after re-reading, on 13 November 1931.'

Century: 1900-1945     Reader/Listener/Group: Goldsworthy Lowes Dickinson      Print: Book

  

Goethe : Faust

25 December 1931: 'After writing the last page, Nov. 16th, I could not go on writing without a perpetual headache; & so took a month lying down; have not written a line; have read Faust, Coningsby &c.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Benjamin Disraeli : Coningsby

25 December 1931: 'After writing the last page, Nov. 16th, I could not go on writing without a perpetual headache; & so took a month lying down; have not written a line; have read Faust, Coningsby &c.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

H. G. Wells : The Science of Life

Tuesday 2 February 1932: 'I am reading Wells' science of life, & have reached the hen that became a cock or vice versa.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

H. G. Wells : The Work, Wealth, and Happiness of Mankind

Thursday 11 February 1932: 'My mind is set running upon A Knock on the Door (whats its name?) owing largely to reading "Wells on Woman" -- how she must be ancillary & decorative in the world of the future, because she has been tried, in 10 years, & has not proved anything.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Max Eastman : The Literary Mind: Its Place in an Age of Science

Sunday 8 May 1932: 'I've scarcely read [on holiday in Greece] [...] only Roger's Eastman, & Wells, & Murry.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

H. G. Wells : unknown

Sunday 8 May 1932: 'I've scarcely read [on holiday in Greece] [...] only Roger's Eastman, & Wells, & Murry.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

John Middleton Murry : unknown

Sunday 8 May 1932: 'I've scarcely read [on holiday in Greece] [...] only Roger's Eastman, & Wells, & Murry.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Jean-Jacques Rousseau : unknown

Wednesday 11 May: 'again this heroism in the attempt at pen & ink: but I am tired of reading Rousseau: it is 6 o'clock [...] we are shaking & rattling through Lombardy towards the Alps [on way back from holiday in Greece]'.

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Alexis de Tocqueville : Souvenirs

In Diary of Virginia Woolf, facing page on which entry for 20 August 1932 and beginning of entry for 2 September written: 'Reading this August: Souvenirs de Tocqueville Any number of biographies -- Coleridge -- one or two poems. Lord Kilbracken memoirs. Shaw Pen portraits. Ainslie memoirs. Vita's novel [...] Nothing much good -- except de T: Coleridges letters; but failed to finish the 2nd vol.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Lord Kilbracken : Reminiscences

In Diary of Virginia Woolf, facing page on which entry for 20 August 1932 and beginning of entry for 2 September written: 'Reading this August: Souvenirs de Tocqueville Any number of biographies -- Coleridge -- one or two poems. Lord Kilbracken memoirs. Shaw Pen portraits. Ainslie memoirs. Vita's novel [...] Nothing much good -- except de T: Coleridges letters; but failed to finish the 2nd vol.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

George Bernard Shaw : Pen Portraits and Reviews

In Diary of Virginia Woolf, facing page on which entry for 20 August 1932 and beginning of entry for 2 September written: 'Reading this August: Souvenirs de Tocqueville Any number of biographies -- Coleridge -- one or two poems. Lord Kilbracken memoirs. Shaw Pen portraits. Ainslie memoirs. Vita's novel [...] Nothing much good -- except de T: Coleridges letters; but failed to finish the 2nd vol.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Douglas Ainslie : Adventures Social and Literary

In Diary of Virginia Woolf, facing page on which entry for 20 August 1932 and beginning of entry for 2 September written: 'Reading this August: Souvenirs de Tocqueville Any number of biographies -- Coleridge -- one or two poems. Lord Kilbracken memoirs. Shaw Pen portraits. Ainslie memoirs. Vita's novel [...] Nothing much good -- except de T: Coleridges letters; but failed to finish the 2nd vol.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

V. Sackville-West : 'novel'

In Diary of Virginia Woolf, facing page on which entry for 20 August 1932 and beginning of entry for 2 September written: 'Reading this August: Souvenirs de Tocqueville Any number of biographies -- Coleridge -- one or two poems. Lord Kilbracken memoirs. Shaw Pen portraits. Ainslie memoirs. Vita's novel [...] Nothing much good -- except de T: Coleridges letters; but failed to finish the 2nd vol.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Samuel Taylor Coleridge : poems

In Diary of Virginia Woolf, facing page on which entry for 20 August 1932 and beginning of entry for 2 September written: 'Reading this August: Souvenirs de Tocqueville Any number of biographies -- Coleridge -- one or two poems. Lord Kilbracken memoirs. Shaw Pen portraits. Ainslie memoirs. Vita's novel [...] Nothing much good -- except de T: Coleridges letters; but failed to finish the 2nd vol.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Samuel Taylor Coleridge : letters

In Diary of Virginia Woolf, facing page on which entry for 20 August 1932 and beginning of entry for 2 September written: 'Reading this August: Souvenirs de Tocqueville Any number of biographies -- Coleridge -- one or two poems. Lord Kilbracken memoirs. Shaw Pen portraits. Ainslie memoirs. Vita's novel [...] Nothing much good -- except de T: Coleridges letters; but failed to finish the 2nd vol.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

D. H. Lawrence : The Letters of D. H. Lawrence

Sunday 2 October 1932: 'I am [...] reading DHL. with the usual sense of frustration. Not that he & I have too much in common -- the same pressure to be ourselves: so that I dont escape when I read him; am surfeited [...] What I enjoy (in the Letters) is the sudden visualisation [...] but I get no satisfaction from his explanations of what he sees [goes on to comment further on text]'.

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Elizabeth Wright : The Life of Joseph Wright (vol 1)

Wednesday 13 July 1932: 'Old Joseph Wright & Lizzie Wright are people I respect. Indeed I do hope the 2nd vol. will come this morning. He was a maker of dialect dixeries: he was a workhouse boy [...] And he married Miss Lea a clergyman's daughter. And I've just read their love letters with respect [goes on to comment further on text].'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

R. Barry O'Brien : The Life of Charles Stuart Parnell

Sunday 15 January 1933: 'I am reading Parnell.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Henry James : The Sacred Fount

Sunday 14 May 1933: 'I am reading -- skipping -- the Sacred Fount [by Henry James] -- about the most inappropriate of all books for this din -- sitting by the open window, looking across heads & heads & heads -- all Siena parading in gray & pink & the cars hooting. How finely run along all those involuted thread [in James]? I dont -- thats the answer. I let 'em break. I only mark that the sign of a masterly writer is the power to break his mould callously [goes on to comment further on James].'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Thomas Creevey : The Creevey Papers

Sunday 21 May 1933: 'Tonight sitting at the open window of a secondrate inn in Draguignan [...] I dip into Creevey; L[eonard]. into Golden Bough.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

William Shakespeare : Henry IV Part 1

Monday 26 June 1933: 'The present moment. 7 o'clock on June 26th: [...] I after reading Henry 4 Pt one saying whats the use of writing; reading, imperfectly, a poem by Leopardi'.

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Leopardi : [poem]

Monday 26 June 1933: 'The present moment. 7 o'clock on June 26th: [...] I after reading Henry 4 Pt one saying whats the use of writing; reading, imperfectly, a poem by Leopardi'.

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

unknown : 'French poetry'

Thursday 6 July 1933: 'Dinner at Roger's yesterday [...] Roger reading French poetry to Mrs Q[uennell]. & Gloria [Georgia].'

Century: 1900-1945     Reader/Listener/Group: Roger Fry      Print: Book

  

Virginia Woolf : diaries

Friday 7 July 1933: 'Being headachy [...] I have spent the whole morning reading old diaries, and am now (10 to 1) much refreshed. This is by way of justifying these many written books [...] The diary amuses me.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Manuscript: Unknown

  

Florence Hardy : Life of Thomas Hardy

Wednesday 26 July 1933: 'When I cant write of a morning -- as now -- I try to tune myself on other books: couldnt settle on any save T. Hardy's life just now. Rather to my liking.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Geoffrey Cust Faber : A Character Study of the Oxford Movement

Saturday 12 August 1933: 'I've been reading Faber on Newman; compared his account of a nervous breakdown; the refusal of some part of the mechanism; is that what happens to me? Not quite. Because I'm not evading anything. I long to write The Pargiters [work in progress]. No. I think the effort to live in 2 spheres: the novel; & life is a strain'.

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Turgenev : unknown

Wednesday 16 August 1933: 'I want to discuss Form, having been reading Turgenev [goes on to make remarks on this topic]'.

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Arsene Houssaye : Confessions

Thursday 24 August 1933: 'I have spent the morning reading the Confessions of Arsene Houssaye left here yesterday by Clive [Bell].'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Vera Brittain : Testament of Youth

Satirday 2 September 1933: 'I am reading with extreme greed a book by Vera Britain [sic], called The Testament of Youth. Not that I much like her. A stringy metallic mind, with I suppose, the sort of taste I should dislike in real life. But her story, told in detail, without reserve, of the war, & how she lost lover & brother, & dabbled her hands in entrails [as nurse] [...] runs rapidly, vividly across my eyes. A very good book of its sort. The new sort, the hard anguished sort, that I could never write [comments further] [...] I give her credit for having lit up a long passage to me at least. I read & read & read & neglect Turgenev & Miss [Ivy] C[ompton]. Burnett.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Margot Oxford : More Memories

23 September 1933: 'I am reading Margot [Oxford] -- "V W our greatest English authoress;" Molly Hamilton on Webbs: & Turgenev.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Mary Agnes Hamilton : Sidney and Beatrice Webb

23 September 1933: 'I am reading Margot [Oxford] -- "V W our greatest English authoress;" Molly Hamilton on Webbs: & Turgenev.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Marguerite Steen : Hugh Walpole: A Study

5 October 1933: 'I spent yesterday in bed; headache; infinite weariness up my back; clouds forming in my neck; half asleep; through the rift reading Steen (author of Stallion) on Hugh Walpole. My word -- how Hugh can let that rotten pear lie on his name God knows.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

 : announcement of death of Stella Benson

Thursday 7 December 1933: 'I was walking through Leicester Sqre -- how far from China -- just now when I read Death of noted Novelist on the poster. And I thought of Hugh Walpole. But it is Stella Benson [...] I did not know her, but have a sense of those fine patient eyes; the weak voice; the cough; the sense of oppression. She sat on the terrace with me at Rodmell [Woolf's country residence]. And now, so quickly, it is gone, what might have been a friendship [reflects further on acquaintanceship with Benson] [...] How mournful the afternoon seems, with the newspaper carts dashing away up Kingsway "Death of Noted Novelist" on the placard [...] Why not my name on the posters?'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Poster

  

Andrew Marvell : unknown

Tuesday 16 January: 'I have let all this time -- 3 weeks at Monks [House, Sussex residence] -- slip because I was there so divinely happy & pressed with ideas [...] So I never wrote a word of farewell to the year [...] nothing about the walks I had ever so far into the downs; or the reading -- Marvell of an evening, & the usual trash.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Arthur Young : Travels in France during the Years 1787, 1788, and 1789

Tuesday 30 January 1934: 'Yesterday I went to Shapland about my watch bracelet [...] came back; sat; talked; Julian [Bell, nephew] came to tea; read Young;s French travels'.

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Arthur Young : Travels in France during the Years 1787, 1788, and 1789

Wednesday 14 February: '10 days recumbent [with headache], sleeping, dreaming, dipping into oh dear how many different books, how capriciously: Thackeray, Young's travels in France [...] then a book a day from the Times [Book Club], Berners, Selincourt & a stout life by Neale of Q. Elizabeth which pretending to impartiality emphasises the double chin & the wig of Mary at the critical moment: a fig for impartial & learned historians! All men are liars.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Arthur Young : Travels in France during the Years 1787, 1788, and 1789

Wednesday 14 February: '10 days recumbent [with headache], sleeping, dreaming, dipping into oh dear how many different books, how capriciously: Thackeray, Young's travels in France [...] then a book a day from the Times [Book Club], Berners, Selincourt & a stout life by Neale of Q. Elizabeth which pretending to impartiality emphasises the double chin & the wig of Mary at the critical moment: a fig for impartial & learned historians! All men are liars.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

William Makepeace Thackeray : unknown

Wednesday 14 February: '10 days recumbent [with headache], sleeping, dreaming, dipping into oh dear how many different books, how capriciously: Thackeray, Young's travels in France [...] then a book a day from the Times [Book Club], Berners, Selincourt & a stout life by Neale of Q. Elizabeth which pretending to impartiality emphasises the double chin & the wig of Mary at the critical moment: a fig for impartial & learned historians! All men are liars.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Lord Berners : First Childhood

Wednesday 14 February: '10 days recumbent [with headache], sleeping, dreaming, dipping into oh dear how many different books, how capriciously: Thackeray, Young's travels in France [...] then a book a day from the Times [Book Club], Berners, Selincourt & a stout life by Neale of Q. Elizabeth which pretending to impartiality emphasises the double chin & the wig of Mary at the critical moment: a fig for impartial & learned historians! All men are liars.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Ernest de Selincourt : Dorothy Wordsworth

Wednesday 14 February: '10 days recumbent [with headache], sleeping, dreaming, dipping into oh dear how many different books, how capriciously: Thackeray, Young's travels in France [...] then a book a day from the Times [Book Club], Berners, Selincourt & a stout life by Neale of Q. Elizabeth which pretending to impartiality emphasises the double chin & the wig of Mary at the critical moment: a fig for impartial & learned historians! All men are liars.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

J. E. Neale : Queen Elizabeth

Wednesday 14 February: '10 days recumbent [with headache], sleeping, dreaming, dipping into oh dear how many different books, how capriciously: Thackeray, Young's travels in France [...] then a book a day from the Times [Book Club], Berners, Selincourt & a stout life by Neale of Q. Elizabeth which pretending to impartiality emphasises the double chin & the wig of Mary at the critical moment: a fig for impartial & learned historians! All men are liars.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

William Shakespeare : Pericles

Saturday 21 July 1934: 'I am reading Sh[akespea]re plays the fag end of the morning. Have read, Pericles, Titus Andronicus, & Coriolanus.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

William Shakespeare : Titus Andronicus

Saturday 21 July 1934: 'I am reading Sh[akespea]re plays the fag end of the morning. Have read, Pericles, Titus Andronicus, & Coriolanus.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

William Shakespeare : Coriolanus

Saturday 21 July 1934: 'I am reading Sh[akespea]re plays the fag end of the morning. Have read, Pericles, Titus Andronicus, & Coriolanus.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

T. S. Eliot : The Rock. A Pageant Play

'T. S. Eliot's The Rock. A Pageant Play had been performed at Sadler's Wells Theatre 28 May-9 June [1934] in aid of the Forty-Five Churches Fund of the Diocese of London, and was published at the same time. V[irginia] W[oolf] only read it, and expressed her views in a letter to Stephen Spender'.

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Guy de Maupassant : Une Vie

Tuesday 21 August 1934: 'I read Une Vie last night, & it seemed to me rather marking time & watery -- heaven help me -- in comparison [to last chapter of own work in progress]'.

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Ex-Detective Sergeant B. Leeson : Lost London. The Memoirs of an East End Detective

Thursday 30 August 1934: 'No letters at all this summer. But there will be many next year, I predict. And I dont mind; the day, yesterday to be exact, being so triumphant: writing: the walk; reading, Leeson, a detective, Saint Simon, Henry James' preface to P. of a Lady -- very clever, [word illegible] but one or two things I recognise: then Gide's Journal, again full of startling recollection -- things I cd have said myself.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Saint-Simon : Memoirs

Thursday 30 August 1934: 'No letters at all this summer. But there will be many next year, I predict. And I dont mind; the day, yesterday to be exact, being so triumphant: writing: the walk; reading, Leeson, a detective, Saint Simon, Henry James' preface to P. of a Lady -- very clever, [word illegible] but one or two things I recognise: then Gide's Journal, again full of startling recollection -- things I cd have said myself.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Henry James : Preface, Portrait of a Lady

Thursday 30 August 1934: 'No letters at all this summer. But there will be many next year, I predict. And I dont mind; the day, yesterday to be exact, being so triumphant: writing: the walk; reading, Leeson, a detective, Saint Simon, Henry James' preface to P. of a Lady -- very clever, [word illegible] but one or two things I recognise: then Gide's Journal, again full of stratling recollection -- things I cd have said myself.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Andre Gide : Pages de Journal, 1929-1932

Thursday 30 August 1934: 'No letters at all this summer. But there will be many next year, I predict. And I dont mind; the day, yesterday to be exact, being so triumphant: writing: the walk; reading, Leeson, a detective, Saint Simon, Henry James' preface to P. of a Lady -- very clever, [word illegible] but one or two things I recognise: then Gide's Journal, again full of stratling recollection -- things I cd have said myself.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

William Shakespeare : Troilus and Cressida

Tuesday 2 October 1934: 'Books read or in reading [over summer 1934]: Sh[akespea]re. Troilus. Pericles. Taming of Shrew. Cymbeline. Maupassant. de Vigny. only scraps [the four French authors grouped by bracket in MS] St Simon. Gide. Library books: Powys Wells Lady Brooke. Prose. Dobree. Alice James.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

William Shakespeare : Pericles

Tuesday 2 October 1934: 'Books read or in reading [over summer 1934]: Sh[akespea]re. Troilus. Pericles. Taming of Shrew. Cymbeline. Maupassant. de Vigny. only scraps [the four French authors grouped by bracket in MS] St Simon. Gide. Library books: Powys Wells Lady Brooke. Prose. Dobree. Alice James.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

William Shakespeare : The Taming of the Shrew

Tuesday 2 October 1934: 'Books read or in reading [over summer 1934]: Sh[akespea]re. Troilus. Pericles. Taming of Shrew. Cymbeline. Maupassant. de Vigny. only scraps [the four French authors grouped by bracket in MS] St Simon. Gide. Library books: Powys Wells Lady Brooke. Prose. Dobree. Alice James.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

William Shakespeare : Cymbeline

Tuesday 2 October 1934: 'Books read or in reading [over summer 1934]: Sh[akespea]re. Troilus. Pericles. Taming of Shrew. Cymbeline. Maupassant. de Vigny. only scraps [the four French authors grouped by bracket in MS] St Simon. Gide. Library books: Powys Wells Lady Brooke. Prose. Dobree. Alice James.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Guy de Maupassant : unknown

Tuesday 2 October 1934: 'Books read or in reading [over summer 1934]: Sh[akespea]re. Troilus. Pericles. Taming of Shrew. Cymbeline. Maupassant. de Vigny. only scraps [the four French authors grouped by bracket in MS] St Simon. Gide. Library books: Powys Wells Lady Brooke. Prose. Dobree. Alice James.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Charles de Vigny : unknown

Tuesday 2 October 1934: 'Books read or in reading [over summer 1934]: Sh[akespea]re. Troilus. Pericles. Taming of Shrew. Cymbeline. Maupassant. de Vigny. only scraps [the four French authors grouped by bracket in MS] St Simon. Gide. Library books: Powys Wells Lady Brooke. Prose. Dobree. Alice James.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Saint-Simon : Memoirs

Tuesday 2 October 1934: 'Books read or in reading [over summer 1934]: Sh[akespea]re. Troilus. Pericles. Taming of Shrew. Cymbeline. Maupassant. de Vigny. only scraps [the four French authors grouped by bracket in MS] St Simon. Gide. Library books: Powys Wells Lady Brooke. Prose. Dobree. Alice James.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Andre Gide : unknown

Tuesday 2 October 1934: 'Books read or in reading [over summer 1934]: Sh[akespea]re. Troilus. Pericles. Taming of Shrew. Cymbeline. Maupassant. de Vigny. only scraps [the four French authors grouped by bracket in MS] St Simon. Gide. Library books: Powys Wells Lady Brooke. Prose. Dobree. Alice James.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

John Cowper Powys : Autobiography

Tuesday 2 October 1934: 'Books read or in reading [over summer 1934]: Sh[akespea]re. Troilus. Pericles. Taming of Shrew. Cymbeline. Maupassant. de Vigny. only scraps [the four French authors grouped by bracket in MS] St Simon. Gide. Library books: Powys Wells Lady Brooke. Prose. Dobree. Alice James.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

H. G. Wells : Experiment in Autobiography

Tuesday 2 October 1934: 'Books read or in reading [over summer 1934]: Sh[akespea]re. Troilus. Pericles. Taming of Shrew. Cymbeline. Maupassant. de Vigny. only scraps [the four French authors grouped by bracket in MS] St Simon. Gide. Library books: Powys Wells Lady Brooke. Prose. Dobree. Alice James.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Sylvia Leonora Brook, Ranee of Sarawak : Good Morning and Good Night

Tuesday 2 October 1934: 'Books read or in reading [over summer 1934]: Sh[akespea]re. Troilus. Pericles. Taming of Shrew. Cymbeline. Maupassant. de Vigny. only scraps [the four French authors grouped by bracket in MS] St Simon. Gide. Library books: Powys Wells Lady Brooke. Prose. Dobree. Alice James.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Bonamy Dobree : Modern Prose Style

Tuesday 2 October 1934: 'Books read or in reading [over summer 1934]: Sh[akespea]re. Troilus. Pericles. Taming of Shrew. Cymbeline. Maupassant. de Vigny. only scraps [the four French authors grouped by bracket in MS] St Simon. Gide. Library books: Powys Wells Lady Brooke. Prose. Dobree. Alice James.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Alice James : Alice James: Her Brothers -- Her Journal

Tuesday 2 October 1934: 'Books read or in reading [over summer 1934]: Sh[akespea]re. Troilus. Pericles. Taming of Shrew. Cymbeline. Maupassant. de Vigny. only scraps [the four French authors grouped by bracket in MS] St Simon. Gide. Library books: Powys Wells Lady Brooke. Prose. Dobree. Alice James.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

James Thomson : The Seasons

Sunday 14 October 1934: 'I cant write. When will my brain revive? in 10 days I think. And it can read admirably. I began [Thomson's] The Seasons last night; after Eddie [Sackville-West]'s ridiculous rhodomontade -- or so I judge it [...] a vast book called The Sun in Capricorn: a worthless book I think [...] No. I don't like him. Trash & tarnish; and this morbid silliness.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Edward Sackville-West : The Sun in Capricorn

Sunday 14 October 1934: 'I cant write. When will my brain revive? in 10 days I think. And it can read admirably. I began [Thomson's] The Seasons last night; after Eddie [Sackville-West]'s ridiculous rhodomontade -- or so I judge it [...] a vast book called The Sun in Capricorn: a worthless book I think [...] No. I don't like him. Trash & tarnish; and this morbid silliness.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

unknown : life of James Boswell

Monday 15 October 1934, during period of depression: 'I am as slack as a piece of macaroni: & in this state cant shake off a blackness, a blankness. Now (10 to 1) after writing & beginning to read an old life of Boswell I feel the wheels grinding.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Virginia Woolf : diaries

Wednesday 17 October 1934: 'I am so sleepy. Is this age? I cant shake it off. And so gloomy. Thats [writing] the end of the book [The Years]. I looked up past diaries -- a reason for keeping them -- & found the same misery after Waves.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Manuscript: Unknown

  

Sophocles  : Antigone

Monday 29 October 1934: 'Reading Antigone. How powerful that spell is still -- Greek. Thank heaven I learnt it young -- an emotion different from any other.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

H. G. Wells : Experiment in Autobiography

Wednesday 21 November 1934: 'I am reading, with interest & distaste, Wells'.

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Ernest Renan : St Paul

Tuesday 1 January 1935: 'I had a lovely old years walk yesterday [...] & then in to Lewes to take the car to Martins [garage], & then home, & read St Paul & the papers [...] I am reading the Acts of the Apostles. At last I am illuminating that dark spot in my reading.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

 : newspapers

Tuesday 1 January 1935: 'I had a lovely old years walk yesterday [...] & then in to Lewes to take the car to Martins [garage], & then home, & read St Paul & the papers [...] I am reading the Acts of the Apostles. At last I am illuminating that dark spot in my reading.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Newspaper

  

 : Acts of the Apostles

Tuesday 1 January 1935: 'I had a lovely old years walk yesterday [...] & then in to Lewes to take the car to Martins [garage], & then home, & read St Paul & the papers [...] I am reading the Acts of the Apostles. At last I am illuminating that dark spot in my reading.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Edmund Spenser : The Faerie Queene

Wednesday 23 January 1935: 'I am reading the Faery Queen [sic] -- with delight. I shall write about it.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Chateaubriand : unknown

Monday 11 March 1935: 'I am reading Chateaubriand; & to my joy find I can read an Italian novel for pleasure, currently, easily.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

unknown : 'Italian novel'

Monday 11 March 1935: 'I am reading Chateaubriand; & to my joy find I can read an Italian novel for pleasure, currently, easily.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Vittorio Alfieri : unknown

Sunday 14 April 1935: 'Now for Alfieri & Nash & other notables: so happy I was reading alone last night [...] I read Annie S. Swan on her life with considerable respect. Almost always this comes from an Au[tobiograph]y: a liking, at least some imaginative stir: for no doubt her books, which she cant count, & has no illusions about, but she cant stop telling stories, are wash, pigs, hogs -- any wash you choose. But she is a shrewd capable old woman.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

John Summerson : John Nash, Architect to King George IV

Sunday 14 April 1935: 'Now for Alfieri & Nash & other notables: so happy I was reading alone last night [...] I read Annie S. Swan on her life with considerable respect. Almost always this comes from an Au[tobiograph]y: a liking, at least some imaginative stir: for no doubt her books, which she cant count, & has no illusions about, but she cant stop telling stories, are wash, pigs, hogs -- any wash you choose. But she is a shrewd capable old woman.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Annie S. Swan : My Life

Sunday 14 April 1935: 'Now for Alfieri & Nash & other notables: so happy I was reading alone last night [...] I read Annie S. Swan on her life with considerable respect. Almost always this comes from an Au[tobiograph]y: a liking, at least some imaginative stir: for no doubt her books, which she cant count, & has no illusions about, but she cant stop telling stories, are wash, pigs, hogs -- any wash you choose. But she is a shrewd capable old woman.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Stephen Spender : The Destructive Element

Saturday 20 April 1935: 'The scene has now changed to Rodmell [...] Good Friday was a complete fraud -- rain & more rain. I tried walking along the bank [...] Then I came home & read -- Stephen Spender [The Destructive Element] [...] It has considerable swing & fluency; & some general ideas; but peters out in the usual litter of an undergraduates table [discusses text further]'.

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Howard Overing Sturgis : Belchamber

'Belchamber (1904) by Howard ("Howdie") Overing Sturgis (1855-1920), a prosperous American expatriate, has for its principal character "Sainty" -- the Marquis and Earl of Belchamber. V[rginia] W[oolf] read the "World's Classics" edition of 1935, with an introduction by Gerard Hopkins which draws a portrait of the author.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

D. H. Lawrence : Aaron's Rod

Thursday 9 May 1935: 'Sitting in the sun outside the German Customs. A car with the swastika on the back window has just passed into Germany. L[eonard]. is in the customs. I am nibbling at Aaron's Rod [by D. H. Lawrence, 1922]. Ought I to go in and see what is happening? A fine dry windy morning. The Dutch Customs took 10 seconds. This has taken 10 minutes already.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Katherine Mansfield : The Letters of Katherine Mansfield

Sunday 26 May 1935: 'I'm writing at Aix-en-Provence on a Sunday evening [...] I'm dipping into K.M.'s letters, Stendhal on Rome [...] Cant formulate a phrase for K.M. All I think a little posed & twisted by illness & [John Middleton] Murry; but agonised, & at moments that direct flick at the thing seen which was her gift.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Stendhal  : 'on Rome'

Sunday 26 May 1935: 'I'm writing at Aix-en-Provence on a Sunday evening [...] I'm dipping into K.M.'s letters, Stendhal on Rome [...] Cant formulate a phrase for K.M. All I think a little posed & twisted by illness & [John Middleton] Murry; but agonised, & at moments that direct flick at the thing seen which was her gift.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Ruth Gruber : Virginia Woolf: A Study

Friday 31 May 1935: 'Some good German woman sends a pamphlet on me, into which I couldnt resist looking, though nothing so much upsets & demoralises as this looking at ones face in the glass. And a German glass produces an extreme diffuseness & complexity so that I cant get either praise or blame but must begin twisting among long words.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      

  

Emily Hilda Young : Miss Mole

Thursday 29 August 1935: 'Reading Miss Mole, Abbe Dunnet (good), an occasional bite at Hind & Panther'.

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Abbe Dunnet : unknown

Thursday 29 August 1935: 'Reading Miss Mole, Abbe Dunnet (good), an occasional bite at Hind & Panther'.

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

John Dryden : The Hind and the Panther

Thursday 29 August 1935: 'Reading Miss Mole, Abbe Dunnet (good), an occasional bite at Hind & Panther'.

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

John Dryden : The Hind and the Panther

Saturday 31 August 1935: 'Read Hind & Panther. D.H.L. by E. (good) & slept.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Jessie Chambers : D. H. Lawrence: A Personal Record

Saturday 31 August 1935: 'Read Hind & Panther. D.H.L. by E. (good) & slept.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

John Bailey : John Bailey, 1864-1931, Letters and Diaries

Saturday 7 September 1935: 'A heavenly quiet morning reading Alfieri by the open window & not smoking [...] I've stopped 2 days now The Years [novel in progress]:& feel the power to settle, calmly & firmly on books coming back at once. John Bailey's life, come today, makes me doubt though -- what? Everything [...] I've only just glanced & got the smell of Lit. dinner. Lit. Sup, Lit this that & the other -- & the one remark to the effect that Virginia Woolf, of all people, has been given Cowper by Desmond [MacCarthy], & likes it! I, who read Cowper when I was 15 -- d----d nonsense.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Vittorio Alfieri : unknown

Saturday 7 September 1935: 'A heavenly quiet morning reading Alfieri by the open window & not smoking [...] I've stopped 2 days now The Years [novel in progress]:& feel the power to settle, calmly & firmly on books coming back at once. John Bailey's life, come today, makes me doubt though -- what? Everything [...] I've only just glanced & got the smell of Lit. dinner. Lit. Sup, Lit this that & the other -- & the one remark to the effect that Virginia Woolf, of all people, has been given Cowper by Desmond [MacCarthy], & likes it! I, who read Cowper when I was 15 -- d----d nonsense.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

William Cowper : unknown

Saturday 7 September 1935: 'A heavenly quiet morning reading Alfieri by the open window & not smoking [...] I've stopped 2 days now The Years [novel in progress]:& feel the power to settle, calmly & firmly on books coming back at once. John Bailey's life, come today, makes me doubt though -- what? Everything [...] I've only just glanced & got the smell of Lit. dinner. Lit. Sup, Lit this that & the other -- & the one remark to the effect that Virginia Woolf, of all people, has been given Cowper by Desmond [MacCarthy], & likes it! I, who read Cowper when I was 15 -- d----d nonsense.'

Century: 1850-1899     Reader/Listener/Group: Virginia Stephen      Print: Book

  

William Congreve : Love for Love

Friday 13 September 1935: 'Reading Love for Love, Life of Anthony Hope, &c.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Sir Charles Mallett : Anthony Hope and His Books

Friday 13 September 1935: 'Reading Love for Love, Life of Anthony Hope, &c.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

John Ford : The Lover's Melancholy

[?] Sunday 29 September 1935: 'Yesterday I [...] read the Lovers Melancholy & skimmed the top of the words; & want to go on reading things miles away -- beautiful hard words. remote. Not Mrs Easdale, who is silly, egotistic, sloppy, & very conventional. I am shocked to find Rodmell patched onto those pages.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Mrs Easdale : Middle Age: 1885-1932

[?] Sunday 29 September 1935: 'Yesterday I [...] read the Lovers Melancholy & skimmed the top of the words; & want to go on reading things miles away -- beautiful hard words. remote. Not Mrs Easdale, who is silly, egotistic, sloppy, & very conventional. I am shocked to find Rodmell patched onto those pages.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

 : Star

Thursday 14 March 1915: 'If I'd written this diary last night which I was too excited to do, I should have left a row of question marks at the end. What excited me was the evening paper. After printing [for Hogarth Press] all afternoon I went out later, bought a Star, looked at it casually under the public House lamp, & read that the Prime Minister needed our prayers. We were faced with momentous decisions [...] We evolved from this an offer of peace to France: but it appears to be only L[loyd]. G[eorge].'s way of whipping up his gallery. Anyhow, I was whipped.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Newspaper

  

John Milton : Paradise Lost

Tuesday 10 September 1918: 'Though I am not the only person in Sussex who reads Milton, I mean to write down my impressions of Paradise Lost [...] Impressions fairly well describes the sort of thing left in my mind. I have left many riddles unread. I have slipped on too easily to taste the full flavour [goes on to describe and discuss in detail] [...] But how smooth, strong & elaborate it all is! What poetry!'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Virginia Woolf : Diary

Sunday 20 April 1919: 'In the idleness which succeeds [writing] any long article [...] I got out this diary, & read as one always does read one's own writing, with a kind of guilty intensity. I confess that the rough & random style of it, often so ungrammatical, & crying for a word altered, afflicted me somewhat. I am trying to tell whichever self it is that reads this hereafter that I can write very much better [...] And now I may add my little compliment to the effect that it has a slapdash & vigour, & sometimes hits an unexpected bulls eye [goes on to discuss further reasons for, and artistic benefits of, keeping diary].'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Manuscript: Codex

  

Sir Thomas Browne : unknown

Thursday 12 September 1919: 'Writing has been done under difficulties. I was making way with my new experiment, when I came up against Sir Thomas Browne, & found I hadn't read him since I used to dip & duck & be bored & somewhow [sic -- misprint?] enchanted hundreds of years ago. Therefore I had to break off, send for his books (by the way, I have read him fairly often, now I come to think of it) & start little stories.'

Century: 1850-1899 / 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Mrs Humphry Ward : A Writer's Recollections

Sunday 21 September 1919: 'By paying 5/ I have become a member of the Lewes public library. It is an amusing place -- full of old ghosts; books half way to decomposition [...] I could not resist Mrs Ward, & I stand in her unconscionably long hours, as if she were a bath of tepid water that one lacks the courage to leave [goes on to comment further on Ward's autobiography].'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Mrs Humphry Ward : A Writer's Recollections

'A Writer's Recollections, by Mrs Humphry Ward, had been published in the autumn of 1918. V[irginia] W[oolf] had read it then'.

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Henry Festing Jones : Samuel Butler, Author of Erewhon (1835-1902): A Memoir

Sunday 28 December 1919, following illness with influenza: 'I've read two vast volumes of the Life of Butler; & am racing through Greville Memoirs -- both superbly fit for illness. Butler has the effect of paring the bark off feelings: all left a little raw, but vivid -- a lack of sap though [goes on to comment further on Butler and his biographer, Henry Festing Jones]]'.

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Charles Greville : Memoirs

Sunday 28 December 1919, following illness with influenza: 'I've read two vast volumes of the Life of Butler; & am racing through Greville Memoirs -- both superbly fit for illness. Butler has the effect of paring the bark off feelings: all left a little raw, but vivid -- a lack of sap though [goes on to comment further on Butler and his biographer, Henry Festing Jones]'.

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Thomas Hardy : The Trumpet-Major

Sunday 5 January 1936: 'My head is quiet today, soothed by reading the Trumpet Major last night'.

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

George Borrow : Wild Wales

Sunday 11 January 1936: 'A very fine day [...] I read Borrow's Wild Wales, into which I can plunge head foremost [...] then [...] to tea with Nessa [sister] [...] Home, & dine alone, & sleep over Mr Clarkson's memoirs. He had a sexual kink, & a passion for fish'.

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Harry J. Greenwall : The Strange Life of Willy Clarkson

Sunday 11 January 1936: 'A very fine day [...] I read Borrow's Wild Wales, into which I can plunge head foremost [...] then [...] to tea with Nessa [sister] [...] Home, & dine alone, & sleep over Mr Clarkson's memoirs. He had a sexual kink, & a passion for fish'.

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Charles Dickens : David Copperfield

Tuesday 25 February 1936: 'I've had headaches. Vanquish them by lying still & binding books & reading D. Copperfield.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Peter Quennell : Byron. The Years of Fame

Saturday 29 February 1936: 'I read Quennel [sic] on Byron: dont like that young mans clever agile thin blooded mind'.

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Gustave Flaubert : letters

Sunday 21 June 1936, during composition of The Years: 'A very strange, most remarkable summer [...] I am learning my craft in the most fierce conditions. Really reading Flaubert's letters I hear my own voice cry out Oh art! Patience. Find him consoling, admonishing.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Sir Thomas Browne : letters

Friday 27 November 1936: 'Dined alone, read Sir T. Browne's letters.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Colette  : Mes Apprentisages

Wednesday 24 February 1937: 'Started reading French again: Misanthrope & Colette's memoirs given me last summer by Janie [Jane-Simone Bussy]: when I was in the dismal drowse & cdn't fix on that or anything.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Moliere  : Le Misanthrope

Wednesday 24 February 1937: 'Started reading French again: Misanthrope & Colette's memoirs given me last summer by Janie [Jane-Simone Bussy]: when I was in the dismal drowse & cdn't fix on that or anything.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Leo Tolstoy : What Then Must We Do?

Monday 8 March 1937: 'What I noticed on the walk to Cockfosters [on 6 March] were: [records various observations] [...] then the tramps [...] The middle aged woman was trying to make a fire: a man in townish clothes was lying on his side in the grass [...] When we [Woolf and husband Leonard] came back after an hour the woman had got the fire to burn [...] She was cutting a slice of bread off a loaf, but there was no butter. At night it became very cold, & as we sat down to our duck L. said he wondered how they [s]pent the night. I said probably they go to the workhouse. This fitted in well with What shall we do then, wh. I read in the train. But incidentally I'm not so much impressed as I expected by it. Vivid, but rather wordy so far.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Howard Spring : review of Virginia Woolf, The Years

Friday 19 March 1937: '"They" say almost universally that The Years is a masterpiece [...] The praise chorus began yesterday: by the way I was walking in Covent Garden & found St Pauls, CG for the first time [...] then went to Burnets [of Garrick St.] [...] bought the E. Standard & found myself glorified as I read it in the Tube.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Newspaper

  

Walter Scott : Waverley; or, 'Tis Sixty Years Since

'[Scott] denies "Waverly" [sic] which it behoves him to do for a while at least; indeed I do not think he will ever acknowledge it; but with regard to the author there is not and cannot be a doubt remaining - the internal evidence is of itself sufficient - it may be practical enough to imitate either your lordship or him for a few verses but that the same turn of thought characters and expression in a word that the whole structure of mind sholud so exactly coinincide in two distinct individuals is not in nature. - By the by this seems to have brought a curious fact to light. I heard Ballantyne with my own ears attest when Waverly went first to the press which is now a long while ago that it was by the author of "The Bridal of Triermain" who in all the surmises [italics] had never yet been named [end italics] What are we to think here my Lord? However I like Waverly exceedingly and never was more diverted than by some of the pictures there of Scottish manners and I am much pleased to hear you commend it'.

Century: 1800-1849     Reader/Listener/Group: George Gordon, Lord Byron      Print: Book, Serial / periodical

  

Honore de Balzac : unknown

Sunday 4 April 1937: 'Reading Balzac with great pleasure. Novel reading power is coming back.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

George Sand : Elle et Lui

Tuesday 25 May 1937, in account of travels in France, 7-23 May 1937: 'At Rodez the best hotel in the world [...] Reading Elle et Lui, a very good best seller [by George Sand]. Cant stop reading.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Guy Chapman : Beckford

Tuesday 25 May 1937, in account of travels in France, 7-23 May 1937: 'Reading Beckford by [Guy] Chapman [1937] -- but why write about this cold egotist? this nugatory man?'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

James Hogg : Three Perils of Man, The

'To my utter mortification and dissappointment I have this day received a letter from my Bookseller refusing my new work on his usual terms of publishing with me. For what? Because forsooth I copy his own words "Though it displays great originality of thought and a good deal of fancy it is of that cast that must draw down comparisons with the romances of the author of Waverly [sic] and manifestly to its disadvantage these being made the criterion of judging of merit therefore he is sorry &c." but the truth is I believe he found I was going to press too hard for money at too early a date'.

Century: 1800-1849     Reader/Listener/Group: George Boyd      Manuscript: Unknown

  

Honore de Balzac : unknown

Thursday 15 April 1937: 'Reading Balzac: reading A. Birrell's memoirs'.

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Augustine Birrell : Things Past Redress

Thursday 15 April 1937: 'Reading Balzac: reading A. Birrell's memoirs'.

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Francois-Rene Vicomte de Chateaubriand : unknown

Tuesday 30 November 1937: 'Reading Chateaubriand now, bought in 6 fine vols for one guinea at Cambridge'.

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

unknown : Greek verse

Sunday, 19 June 1937, during holiday to Scotland and Border country: 'I have been reading translations of Greek verse, and thinking idly.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Queenie Leavis : Review of Virginia Woolf, Three Guineas

Thursday 1 September 1937: 'A violent attack on 3 Gs in Scrutiny by Q. Leavis. I dont think it gave me an entire single thrill of horror. And I didnt read it through [...] But I read eno' to see that it was all personal - about Queenie's own grievances & retorts to my snubs.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Serial / periodical

  

Madame de Sevigne : unknown

Thursday 22 September 1938: 'I was just getting into the old, very old, rhythm of regular reading, first this book then that [...] bowls 5 to 6.30: then Madame de Sevigne; get dinner 7.30 [...] read Siegfried Sassoon; & so to bed at 11.30 or so.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Siegfried Sassoon : unknown

Thursday 22 September 1938: 'I was just getting into the old, very old, rhythm of regular reading, first this book then that [...] bowls 5 to 6.30: then Madame de Sevigne; get dinner 7.30 [...] read Siegfried Sassoon; & so to bed at 11.30 or so.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Geoffrey Chaucer : unknown

Tuesday 15 November 1938: 'My one quiet evening since Thursday. Read Chaucer.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

T. S. Eliot : valedictory editorial article

Tuesday 17 January 1939: 'Yesterday I went to the London Library [...] read Tom [Eliot]'s swan song in the Criterion [...] home & read Delacroix journals; about whiich I could write: I mean the idea is that its among the painters not the writers one finds stability, consolation. This refers to a sentence of his about the profundity of the painter's meaning; & how a writer always superficialises.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Serial / periodical

  

Eugene Delacroix : Journal de Eugene Delacroix

Tuesday 17 January 1939: 'Yesterday I went to the London Library [...] read Tom [Eliot]'s swan song in the Criterion [...] home & read Delacroix journals; about whiich I could write: I mean the idea is that its among the painters not the writers one finds stability, consolation. This refers to a sentence of his about the profundity of the painter's meaning; & how a writer always superficialises.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Virginia Woolf : Diary (17 May 1932)

Thursday 9 February 1939: 'Looking at my old Greek diary I was led to speculate [...] I won't budge from the scheme there (1932) laid down for treating decline of fame. To accept; then ignore; & always venture further.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Manuscript: Unknown

  

Percy Bysshe Shelley : Mont Blanc

Tuesday 28 February 1939: 'I have just read [Shelley's] Mont Blanc, but cant make it "compose": clouds perpetually over lapping [sic]. If a new poem, what should I say? I think a great idea somewhere; but the language so nebulous, or rather words overlapping, like ripples, each effacing the other, partly: & a general confusion results.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

T. S. Eliot : The Family Reunion

Thursday 16 March 1939: 'Yesterday in Bond Street where I finally did lay out £10 on clothes, I saw a crowd round a car, & on the back seat was a Cheetah with a chain round his loins. I also found a presentation copy of Tom's Family Reunion; & sucked no pleasure from the first pages.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

T. S. Eliot : The Family Reunion

Wednesday 22 March 1939: 'Tom sent me his play, Family Reunion. No, it don't do. I read it over the week end. It starts theories. But no... You see the experiment with stylised chatter isnt successful. he's a lyric not a dramatic. But here theres no free lyricism. is caught back by the character [...] A clever beginning, & some ideas; but they spin out: & nothing grips: all mist -- a failure: a proof hes not a dramatist. A monologist.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Sir Edward Marsh : A Number of People

Wednesday 22 March 1939: 'Reading Eddie Marsh.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Charles Dickens : unknown

Tuesday 11 April 1939: 'I am reading Dickens; by way of a refresher. how he lives; not writes: both a virtue & a fault. Like seeing something emerge; without containing mind. Yet the accuracy & even sometimes the penetration [...] Also I'm reading Rochefoucauld.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Rochefoucauld : unknown

Tuesday 11 April 1939: 'I am reading Dickens; by way of a refresher. how he lives; not writes: both a virtue & a fault. Like seeing something emerge; without containing mind. Yet the accuracy & even sometimes the penetration [...] Also I'm reading Rochefoucauld.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Charles Dickens : unknown

Thursday 13 April 1939: 'I read about 100 pages of Dickens yesterday, & see something vague about the drama & fiction: how the emphasis, the caricature of these innumerable scenes, forever formng character, descend from the stage.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Adolf Hitler : Speech denouncing 1935 Anglo-German Naval Agreement and 1934 German-Polish Non-Agression Pact

Saturday 29 April 1939: 'Yesterday I went out [...] to walk in London [makes various observations] [...] So into Cannon St. Bought a paper with Hitler's speech. Read it on top of Bus. Inconclusive -- cut up in Stop Press. Everyone reading it -- even newspaper sellers, a great proof of interest [...] Read Chaucer. Enjoyed it.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Newspaper

  

Geoffrey Chaucer : unknown

Saturday 29 April 1939: 'Yesterday I went out [...] to walk in London [makes various observations] [...] So into Cannon St. Bought a paper with Hitler's speech. Read it on top of Bus. Inconclusive -- cut up in Stop Press. Everyone reading it -- even newspaper sellers, a great proof of interest [...] Read Chaucer. Enjoyed it.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Blaise Pascal : unknown

Thursday 13 July 1939: 'A bad morning [...] 2 hours at M[ecklenburgh]S[quare].[...] A grim thought struck me: wh. of these rooms shall I die in? Which is going to be the scene of some -- oh no, I wont write out the tragedy that has to be acted there [...] So I read Pascal & Pater & wrote letters & cooked dinner & did my embroidery. But couldnt sleep sound.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Walter Pater : unknown

Thursday 13 July 1939: 'A bad morning [...] 2 hours at M[ecklenburgh]S[quare].[...] A grim thought struck me: wh. of these rooms shall I die in? Which is going to be the scene of some -- oh no, I wont write out the tragedy that has to be acted there [...] So I read Pascal & Pater & wrote letters & cooked dinner & did my embroidery. But couldnt sleep sound.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Andre Gide : Andre Gide's Journal 1885-1939

Friday 28 July 1939: 'Reading Gide's diaries, recommended by poor death mask Eddie [Sackville-West]. An interesting knotted book. Its queer that diaries now pullulate. No one can settle to a work of art. Comment only.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Theophrastus  : 'Characters'

Monday 11 September 1939: 'I have just read 3 or 4 Characters of Theophrastus, stumbling from Greek to English, & may as well make a note of it. Trying to anchor my mind on Greek. Rather successful.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Sigmund Freud : unknown

Saturday 2 December 1939: 'Began reading Freud last night; to enlarge the circumference. to give my brain a wider scope: to make it objective, to get outside. Thus defeat the shrinkage of age. Always take on new things.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Sigmund Freud : unknown

Friday 8 December 1939: 'Shopping -- tempted to buy jerseys & so on. I dislike this excitement. yet enjoy it. Ambivalence as Freud calls it. (I'm gulping up Freud).'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Sigmund Freud : Group Psychology

Sunday 17 December 1939: 'We ate too much hare pie last night; & I read Freud on Groups [...] I'm reading Ricketts diary -- all about the war the last war; & the Herbert diaries & ... yes, Dadie's Shakespeare, & notes overflow into my 2 books.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Charles Ricketts : Self-Portrait, Taken from the Letters & Journals of Charles Ricketts, RA

Sunday 17 December 1939: 'We ate too much hare pie last night; & I read Freud on Groups [...] I'm reading Ricketts diary -- all about the war the last war; & the Herbert diaries & ... yes, Dadie's Shakespeare, & notes overflow into my 2 books.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Lord Herbert : Letters and Diaries of Henry, Tenth Earl of Pembroke and his Circle, 1734-80

Sunday 17 December 1939: 'We ate too much hare pie last night; & I read Freud on Groups [...] I'm reading Ricketts diary -- all about the war the last war; & the Herbert diaries & ... yes, Dadie's Shakespeare, & notes overflow into my 2 books.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

William Shakespeare : The Ages of Man: Shakespeare's Image of Man and Nature

Sunday 17 December 1939: 'We ate too much hare pie last night; & I read Freud on Groups [...] I'm reading Ricketts diary -- all about the war the last war; & the Herbert diaries & ... yes, Dadie's Shakespeare, & notes overflow into my 2 books.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Samuel Taylor Coleridge : 

'I have brought Coleridge with me, & am [italics] doing [end italics] him & Wordsworth [-] [italics] fit place for the latter! [end italics]

Century: 1800-1849     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

William Wordsworth : 

'I have brought Coleridge with me, & am [italics] doing [end italics] him & Wordsworth [-] [italics] fit place for the latter! [end italics]

Century: 1800-1849     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

George Gordon, Lord Byron : 

'I have done all my [italics] composition [end italics] of Ld B -, & done Crabbe outright since you left & got up Dryden & Pope - so now I'm all clear & straight before me.'

Century: 1800-1849     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

George Crabbe : 

'I have done all my [italics] composition [end italics] of Ld B -, & done Crabbe outright since you left & got up Dryden & Pope - so now I'm all clear & straight before me.'

Century: 1800-1849     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

Alexander Pope : 

'I have done all my [italics] composition [end italics] of Ld B -, & done Crabbe outright since you left & got up Dryden & Pope - so now I'm all clear & straight before me.'

Century: 1800-1849     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

John Dryden : 

'I have done all my [italics] composition [end italics] of Ld B -, & done Crabbe outright since you left & got up Dryden & Pope - so now I'm all clear & straight before me.'

Century: 1800-1849     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

Wiiliam Howitt : 

'[She thanks them for the great pleasure two of their works had given her 'by their charming descriptions of natural scenery and the thoughts and feelings arising from the happy circumstances of rural life'.] [Editors' gloss on contents of part of this letter to William and Mary Howitt]

Century: 1800-1849     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

Holland : [Exercise book]

'We are 'here today, & gone tomorrow', as the fat scullion maid said in some extract in Holland's Exercise book.'

Century: 1800-1849     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

Alfred, Lord Tennyson : 'Deserted House, The'

'I like your expression of 'an unwritten tragedy'. It quite answers to the sadness which fills my heart as I look on some of those deserrted old halls. Do they not remind you of Tennyson's 'Deserted House' - 'Life and thought are gone away', &c.'

Century: 1800-1849     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

Robert Southey : Doctor, The

'All this has done me good like the word in 'The Doctor &c', which relieved the author so much.' ['all this' refers to a rhapsodic description of alpine scenery encountered on a recent trip]

Century: 1800-1849     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

 : 

'After breakfast we read, sauntered in the beautiful garden, called on the Howitts, shopped (so amusing) received callers, listened to Thekla's magnificent playing-'

Century: 1800-1849     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

Harriet Martineau : Hour and the Man, The

'I have just finished Miss Martineau's new romance. Toussaint the hero is a magnificent character, - and all connected with his personal private character is very interesting, & the conversations (where we may suppose she speaks herself) are just like those in Deerbrook very interesting. The [italics] story [end italics] is too like reading a history - one knows all along how it must end, - & there's a map at the beginning [italics] like [end italics] a history.'

Century: 1800-1849     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

Harriet Martineau : Deerbrook

'I have just finished Miss Martineau's new romance. Toussaint the hero is a magnificent character, - and all connected with his personal private character is very interesting, & the conversations (where we may suppose she speaks herself) are just like those in Deerbrook very interesting. The [italics] story [end italics] is too like reading a history - one knows all along how it must end, - & there's a map at the beginning [italics] like [end italics] a history.'

Century: 1800-1849     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

 : 

'All morng [sic] we sat with books in our hands but not reading much, only talking. After lunch (at 12) I went out with the girls - round the grounds - a good long walk; and then into the lane up to the village, which is very pretty. Then home, read loitered and talked till dinner time (6 o' clock)'

Century: 1800-1849     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

Charlotte Bronte : Jane Eyre

'Read 'Jane Eyre', it is an uncommon book. I don't know if I like or dislike it. I take the opposite side to the person I'm talking with always in order to hear some convincing arguments to clear up my opinions. Tell me what Crix thinks - everybody's opinions'

Century: 1800-1849     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

 : [advertisement for 'Mary Barton' in Edinburgh Review]

'Shall you have any objection to the name of 'Stephen Berwick' as that of the author of 'Mary Barton' which I have just seen advertised in the new Edinburgh'.

Century: 1800-1849     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Serial / periodical

  

Catherine Crowe : Susan Hopley

'I don't think one does [italics] admire [end italics] (it is far too good a word to be used on the subject) 'Susan Hopley'; it is a series of most unnatural adventures, naturally told, in a common-place way; but some people can't even be common-place naturally. They just interest one in certain states of the mind in which one is too lazy for thought or any high feeling, and only [italics] up [end italics] to being a bit occupied by scenes passed before you without much connexion, like those unrolling views we show children. Oh dear!'

Century: 1800-1849     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

 : Times, The

'I envy you the "Times"; - it's very unprincipled and all that, but the most satisfactory newspaper going. Now is not that sentence unbecoming in a minister's wife?'

Century: 1800-1849     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Newspaper

  

Walter Scott : Kenilworth

'I had the Sunday School girls here last Sunday, and Susanna came to help me, and I thought we went off gloriously, only - (everything has its only) - in repeating our subjects of conversation, I named an accidental five minutes conversation with one or two of the girls about Sir Walter Scott's novels (apropos of a picture of Queen Elizabeth, via 'Kenilworth', &c.) and Mrs J.J. Tayler is shocked at such a subject of conversation on a Sunday,- so there I am in a scrape'

Century: 1800-1849     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

Elizabeth Gaskell : Mary Barton

'In looking over the book I see numerous errors regarding the part written in the Lancashire dialect; 'gotten' should always be 'getten'; &c. - In the midst of all my deep & great annoyance, Mr Carlyle's letter has been most valuable; and has given me almost the only unmixed pleasure I have yet received from MB.'

Century: 1800-1849     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

Thomas Carlyle : [letter approving 'Mary Barton']

'In looking over the book I see numerous errors regarding the part written in the Lancashire dialect; 'gotten' should always be 'getten'; &c. - In the midst of all my deep & great annoyance, Mr Carlyle's letter has been most valuable; and has given me almost the only unmixed pleasure I have yet received from MB.'

Century: 1800-1849     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Manuscript: Letter

  

John Forster : Life and Times of Oliver Goldsmith, The

'Who writes the literary reviews in the Examiner? I hoped Mr Forster, because I was so much delighted with Oliver Goldsmith's life, and (long ago) with the Lives of the Statesmen &c; but people say he no longer writes the literary articles.'

Century: 1800-1849     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

John Forster : Lives of the Statesmen of the Commonwealth

'Who writes the literary reviews in the Examiner? I hoped Mr Forster, because I was so much delighted with Oliver Goldsmith's life, and (long ago) with the Lives of the Statesmen &c; but people say he no longer writes the literary articles.'

Century: 1800-1849     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

John Forster : [review, probably in 'The Examiner' of 'Mary Barton']

'I try and find out the places where Mr Forster said I strained after common-place materials for effect, till the whole book dances before my eyes as a commonplace piece of effect'

Century: 1800-1849     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Serial / periodical

  

Thomas Carlyle : [encouraging letter about 'Mary Barton']

'I had a letter from Carlyle, and when I am over-filled with thoughts arising from this book, I put it all aside, (or [italics] try [end italics] to put it aside,) and think of his last sentence - 'May you live long to write good books, or do silently good actions which in my sight is far more indispensable'.'

Century: 1800-1849     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Manuscript: Letter

  

Thomas Carlyle : [article in 'London Examiner' on Chas Buller]

'Did you read a little piece of Carlyles on the death of Charles Buller, that appeared about a month ago in the London Examiner? I never heard of Chas Buller before; but was struck with the beautiful testimonial after his death; I think I can remember the exact words of one part - 'And in his patience with the much that he could not do, let us grant there was something very beautiful too'.'

Century: 1800-1849     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Serial / periodical

  

John Stuart Mill : Autobiography

Wednesday 3 January 1940: 'I have just put down Mill's autobiography, after copying certain sentences in the volume I call, deceptively, the Albatross.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Winifred Holtby : South Riding

Friday 9 February 1940: 'For some reason hope has revived. Now what served as bait? [...] I think it was largely reading Stephen [Spender]'s autobiography [published Spring 1940 by Woolf's Hogarth Press] [...] its odd -- reading that & South Riding both mint new, give me a fillip after all the evenings I grind at Burke & Mill. A good thing to read one's contemporaries, even rapid twinkling slice of life novels like poor W.H.'s.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Edmund Burke : unknown

Friday 9 February 1940: 'For some reason hope has revived. Now what served as bait? [...] I think it was largely reading Stephen [Spender]'s autobiography [published Spring 1940 by Woolf's Hogarth Press] [...] its odd -- reading that & South Riding both mint new, give me a fillip after all the evenings I grind at Burke & Mill. A good thing to read one's contemporaries, even rapid twinkling slice of life novels like poor W.H.'s.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

anon  : mock epitaph for Virginia Woolf

Thursday 7 March 1940: 'A fortnight -- well on Saturday it will be a fortnight -- with influenza [...] before getting into bed that bitter [previous Saturday] afternoon I read my epitaph -- Mrs W. died so soon, in the N.S. & was pleased to support that dismissal very tolerably [...] And read all Havelock Ellis, a cautious cumulative, teased & tired book; too pressed down with that very common woman, Edith [Lees, Ellis's wife]: so I judged her, but she was life to him [...] He's honest & clear but thick [illegible] & too like the slow graceful Kangaroo with its cautious soft leaps. But thats much due to influenza.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Serial / periodical

  

Henry Havelock Ellis : My Life

Thursday 7 March 1940: 'A fortnight -- well on Saturday it will be a fortnight -- with influenza [...] before getting into bed that bitter [previous Saturday] afternoon I read my epitaph -- Mrs W. died so soon, in the N.S. & was pleased to support that dismissal very tolerably [...] And read all Havelock Ellis, a cautious cumulative, teased & tired book; too pressed down with that very common woman, Edith [Lees, Ellis's wife]: so I judged her, but she was life to him [...] He's honest & clear but thick [illegible] & too like the slow graceful Kangaroo with its cautious soft leaps. But thats much due to influenza.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

A. B. Goldenveizer : Talks with Tolstoi

Thursday 22 March 1940: 'I read Tolstoy at Breakfast -- Goldenweiser, that I translated with Kot in 1923 & have almost forgotten. Always the same reality -- like touching an exposed electric wire. Even so imperfectly conveyed -- his rugged short cut mind -- to me the most, not sympathetic, but inspiring, rousing, genius in the raw [...] I remember that was my feeling about W. & Peace, read in bed at Twickenham. Old [Sir George] Savage [doctor] picked it up. "Splendid stuff!" & Jean [Thomas, owner of nursing home] tried to admire what was a revelation to me. Its directness, its reality. Yet he's against photographic realism.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Leo Tolstoy : War and Peace

Thursday 22 March 1940: 'I read Tolstoy at Breakfast -- Goldenweiser, that I translated with Kot in 1923 & have almost forgotten. Always the same reality -- like touching an exposed electric wire. Even so imperfectly conveyed -- his rugged short cut mind -- to me the most, not sympathetic, but inspiring, rousing, genius in the raw [...] I remember that was my feeling about W. & Peace, read in bed at Twickenham. Old [Sir George] Savage [doctor] picked it up. "Splendid stuff!" & Jean [Thomas, owner of nursing home] tried to admire what was a revelation to me. Its directness, its reality. Yet he's against photographic realism.'

Century: 1900-1945     Reader/Listener/Group: Virginia Stephen      Print: Book

  

Jane Austen : Sense and Sensibility

Sunday 31 March 1940: 'S[ense]. & S[ensibility]. all scenes. very sharp. Surprises. masterly [...] Very dramatic. Plot from the 18th Century. Mistressly in her winding up. No flagging [...] And the love so intense, so poignant [makes few further comments, in same note form] Elinor I suppose Cassandra: Marianne Jane, edited.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

William Wordsworth : letters

Wednesday 29 May 1940: 'Reading masses of Coleridge & Wordsworth letters of a night -- curiously untwisting & burrowing into that plaited nest [...] Reading Thomas A'Quinas [sic] [1933] by Chesterton. His skittish over ingenious mind makes one shy (like a horse). Not straightforward, but has a good engine in his head.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Samuel Taylor Coleridge : letters

Wednesday 29 May 1940: 'Reading masses of Coleridge & Wordsworth letters of a night -- curiously untwisting & burrowing into that plaited nest [...] Reading Thomas A'Quinas [sic] [1933] by Chesterton. His skittish over ingenious mind makes one shy (like a horse). Not straightforward, but has a good engine in his head.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

G. K. Chesterton : Thomas Aquinas

Wednesday 29 May 1940: 'Reading masses of Coleridge & Wordsworth letters of a night -- curiously untwisting & burrowing into that plaited nest [...] Reading Thomas A'Quinas [sic] [1933] by Chesterton. His skittish over ingenious mind makes one shy (like a horse). Not straightforward, but has a good engine in his head.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Honore de Balzac : unknown

Friday 31 May 1940: 'Began Balzac, Vautrin.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

William Wordsworth : letters

Thursday 13 June 1940: '[Lord] Haw-Haw, objectively announcing defeat -- victory on his side of the line, that is -- again & again, left us about as down as we've yet been. We sat silent in the 9 o'clock dusk; & L. could only with difficulty read Austen Chamberlain. I found the Wordsworth letters my only drug.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Percy Bysshe Shelley : unknown

Saturday 22 June 1940: 'On the down at Bugdean I found some green glass tubes [...] And I read my Shelley at night. How delicate & pure & musical & uncorrupt he & Coleridge read, after the left wing group [...] how they compact; & fuse, & deepen.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Samuel Taylor Coleridge : Biographia Literaria

Friday 5 July 1940: 'Why should I be bothering myself with Coleridge I wonder -- Biog. Lit. & then with father's essay on Coleridge, this fine evening, when the flies are printing their little cold feet on my hands? It was in order to give up thinking about economy'.

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Sir Leslie Stephen : essay on Coleridge

Friday 5 July 1940: 'Why should I be bothering myself with Coleridge I wonder -- Biog. Lit. & then with father's essay on Coleridge, this fine evening, when the flies are printing their little cold feet on my hands? It was in order to give up thinking about economy'.

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

 : Scrutiny

Wednesday 28 August 1940: 'I should say, to placate V[irginia].W[oolf]. when she wishes to know what was happening in Aug. 1940 -- that the air raids are now at their prelude. Invasion, if it comes, must come within 3 weeks [...] We've not had our raid yet, we say. Two in London. One caught me in the L[ondon]. Library. There I sat reading in Scrutiny that Mrs W[oolf]. after all was better than the young. At this I was pleased.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Serial / periodical

  

Madame de Sevigne : letters

Saturday 14 September 1940: 'I am reading Sevigne: how recuperative last week [during heavy air raids]; gone stale a little with that mannered & sterile Bussy now. Even through the centuries his acid dandified somehow supercilious well what? -- cant find the word -- this manner of his, this character penetrates; & moreover reminds me of someone I dislike [...] Theres a ceremony in him that reminds me of Tom [ie T. S. Eliot]. Theres a parched artificial cruelty'.

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Henry Williamson : Goodbye West Country

Saturday 14 September 1940: 'I am reading Sevigne: how recuperative last week [during heavy air raids]; gone stale a little with that mannered & sterile Bussy now [...] I'm reading Henry Williamson. Again I dislike him.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Henry Williamson : Goodbye West Country

Monday 16 September 1940: 'Have been dallying with Mr Williamson's Confessions, appalled by his ego centricity [...] He cant move an inch from the glare of his own personality -- his fame. And I've never read one of those immortal works.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

F. L. Lucas : Studies French and English

Tuesday 17 September 1940: 'Yesterday in the Public Library I took down a book of Peter Lucas's criticism [...] London Library atmosphere effused. Turned me against all lit crit [...] Is all lit. crit. that kind of exhausted air? -- book dust, London Library, air. Or is it only that F.L.L[ucas] is a second hand, frozen fingered, university specialist, don trying to be creative, don all stuffed with books, writer? Would one say the same of the Common Reader [by Woolf]? I dipped for 5 minutes & put the book back depressed.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Jules Michelet : Histoire de France

Saturday 21 September 1940: 'I have forced myself to overcome my rage at being beaten at Bowls & my fulminations against Nessa [for issuing invitation to Igor and Helen Anrep] by reading Michelet'.

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Jules Michelet : Histoire de France vol.15

Saturday 26 October 1940: '"The complete Insider" -- I have just coined this title to express my feeling towards George Trevelyan; who has just been made Master of Trinity: whose history of England I began after tea (throwing aside Michelet vol.15) with a glorious sense of my own free & easiness in writing now) [...] I like outsiders better. Insiders write a colourless English. They are turned out by the University machine.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

G. M. Trevelyan : History of England

Saturday 26 October 1940: '"The complete Insider" -- I have just coined this title to express my feeling towards George Trevelyan; who has just been made Master of Trinity: whose history of England I began after tea (throwing aside Michelet vol.15) with a glorious sense of my own free & easiness in writing now) [...] I like outsiders better. Insiders write a colourless English. They are turned out by the University machine.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

E. F. Benson : Final Edition, an Informal Autobiography

Friday 1 November 1940: 'My Times book this week is E. F. Benson's last autobigraphy [...] I learn there the perils of glibness.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Virginia Woolf : 'The Leaning Tower'

Friday 15 November 1940: 'I had a gaping raw wound too reading my essay in N.W. Why did I? Why come to the top when I suffer so in that light?'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Herbert Read : Annals of Innocence and Experience

Friday 15 November 1940: 'I am reading Read's Aut[obiograph]y: a tight packed unsympathetic mind, all good cabinet making.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Herbert Read : Annals of Innocence and Experience

Monday 18 November 1940: 'These queer little sand castles, I was thinking; I was finishing Herbert Read's autobiography this morning at breakfast. Little boys making sand castles. This refers to H. Read; Tom Eliot; Santayana; Wells. Each is weathertight, & gives shelter to the occupant. I think I can follow Read's building; so far as one can follow what one cannot build. But I am the sea which demolishes these castles [...] meaning that owing to Read's article on Roger [Fry, or Woolf's biography of Fry], his self that built the castle is to me destructive of its architecture [comments further] [...] I am carrying on, while I read, the idea of women discovering, like the 19th century rationalists, agnostics, that man is no longer God. My position, ceasing to accept the religion, is quite unlike Read's, Wells', Tom's, or Santayana's. It is essential to remain outside; & realise my own beliefs: or rather not to accept theirs.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Matthew Arnold : Thyrsis

Sunday 29 December 1940: 'I detest the hardness of old age --I feel it. I rasp. I'm tart. 'The foot less prompt to meet the morning dew, The heart less bounding at emotion new, And hope, once crush'd, less quick to spring again. 'I actually opened Matthew Arnold & copied these lines [from "Thyrsis"]. While doing so, the idea came to me that why I dislike, & like, so many things idiosyncratically now, is because of my growing detachment from the hierarchy, the patriarchy [...] I am I; & must follow that furrow, not copy another. That is the only justification for my writing & living.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

anon : account of the Great Fire of London

Wednesday 1 January 1941: 'On Sunday night, as I was reading about the great fire, in a very accurate detailed book, London was burning. 8 of my city churches destroyed, & the Guildhall. This belongs to last year.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Desmond MacCarthy : Drama

Thursday 9 January 1941: 'Desmond's book has come. Dipping I find it small beer. Too Irish, too confidential, too sloppy & depending upon the charm of the Irish voice. Yet I've only dipped, I say to quiet my critical conscience, which wont let me define things so easily.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Andre Gide : La Porte Etroite

Monday 20 January 1941: 'Reading Gide. La Porte Etroite [1909] feeble, slaty, sentimental.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

William Shakespeare : Cymbeline

'I have been reading Marlow, and I was so much more impressed by him than I thought I should be, that I read Cymbeline just to see if there mightn't be more in the great William than I supposed. And I was quite upset! Really and truly I am now let in to [the] company of worshippers-though I still feel a little oppressed by his-greatness I suppose. I shall want a lecture when I see you; to clear up some points about the Plays. I mean about the characters. Why aren't they more human? Imogen and Posthumous and Cymbeline-I find them beyond me-Is this my feminine weakness in the upper region?'

Century: 1900-1945     Reader/Listener/Group: Virginia Stephen      Print: Book

  

Christopher Marlowe : Dr Faustus

'Tomorrow I go on to Ben Jonson, but I shan't like him as much as Marlow. I read Dr Faustus...'

Century: 1900-1945     Reader/Listener/Group: Virginia Stephen      Print: Book

  

Christopher Marlowe : Edward II

'Tomorrow I go on to Ben Jonson, but I shan't like him as much as Marlow. I read Dr Faustus, and Edward II...'

Century: 1900-1945     Reader/Listener/Group: Virginia Stephen      Print: Book

  

Sam Greg : [remarks on Gaskell's 'Mary Barton']

'I have many things I should like to say to the writer of the remarks on 'Mary Barton' which Miss Mitchell has sent me, and which I conjecture were written by your husband? Those remarks and the note which accompanied have given me great and real pleasure. I have heard much about the disapproval which Mr Greg's family have felt with regard to 'M.B.', and have heard of it with so much regret that I am particularly glad that Mr Sam Greg does not participate in it.'

Century: 1800-1849     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Manuscript: Unknown

  

Arthur Hugh Clough : Ambarvalia

'I send you back 'Ambarvalia' with many thanks; I am also much obliged to you for sending me Mr Espinasse's prospectus, which had before excited my attention'.

Century: 1800-1849     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

Francis Espinasse : [prospectus]

'I send you back 'Ambarvalia' with many thanks; I am also much obliged to you for sending me Mr Espinasse's prospectus, which had before excited my attention'.

Century: 1800-1849     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Unknown

  

 : [review of 'Margaret, a tale of the Real and the Ideal']

'My copy of 'Margaret' is in such demand since the review in the Athenaeum; it is pledged 3 deep'.

Century: 1800-1849     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Serial / periodical

  

Sylvester Judd : Margaret, a Tale of the Real and the Ideal

'My copy of 'Margaret' is in such demand since the review in the Athenaeum; it is pledged 3 deep'.

Century: 1800-1849     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

Charles Dickens : David Copperfield

'I think I have behaved most abominably in never taking any notice of your great kindness in sending me David Copperfield, and your note. Oh, dear! I have been so whirled about {against} since I saw you last that I hardly know what to write. I do so like D. Copperfield; and it was a charming liberty you took in sending it.'

Century: 1800-1849     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Serial / periodical

  

Alexander Crawford, Lord Lindsay : Lives of the Lindsays; Or, A memoir of the houses of Crawford and Balcarres

'If you want an agreeable book, read 'Lives of the Lindsays'.

Century: 1800-1849     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

John Henry Newman : [possibly] Discourses to Mixed Congregations

'Suffice it to say that its who can revere Mr Newman most with Mr Darbishire, the Winkworths and myself, the book is absolutely simply the utterance of the man'.

Century: 1800-1849     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

Charlotte Bronte : Shirley

'Do you know Dr Epps - I think you do - ask him to tell you who wrote Jane Eyre and Shirley,- <...> Do tell me who wrote Jane Eyre'

Century: 1800-1849     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

Charles Kingsley : 

'I mean to copy you out some lines of my [italics] hero [end italics], Mr Kingsley'

Century: 1800-1849     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

Geraldine Jewsbury : [unknown review]

'[italics] Is [end italics] Miss Jewsbury's review shallow? It looked to me very deep, but then I know I'm easily imposed upon in the metaphysical line, and could no more attempt to write such an article than fly'

Century: 1800-1849     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Serial / periodical

  

John Henry Newman : [Sermons]

'I am going through a course of John Henry Newman's Sermons.'

Century: 1800-1849     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

Alfred, Lord Tennyson : [Poems]

''Tennyson' has arrived safe, without a shadow of damage and thanks without end for it. I have been half-opening the pretty golden leaves, and peeping here and there at old favourites since it came. But I have shut it up close again, that it may all properly stick togeher like a new bound book, before I take it to Bamford'

Century: 1800-1849     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

Maggie Bell : [MS. novel]

'Miss Maggie Bell has sent me [a] MS. novel to look over, - she is a nice person, and I know I once wanted to help sorely'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Manuscript: Unknown

  

W.C. DeVane : [review of Browning's 'Christmas Eve and Easter-Day']

'I have not read that poem of R. Brownings. I saw the review in the Examiner, (no end of thanks to you for the said,) but don't think I've fairly read it yet!'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Serial / periodical

  

Charlotte Bronte : Shirley

'I think I told you that I disliked a good deal in the plot of Shirley, but the expression of her own thoughts in it is so true and brave, that I greatly admire her.'

Century: 1800-1849     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

Caroline Emelia Stephen : Passages in the life of a Daughter at Home

'Do you know a little book written by a daughter of Sir Jas Stephens, called 'Passages in the life of a Daughter at Home'? It is very painful, and from the impression of pain which, despite its happy ending, it leaves upon one I think it must want some element of peace, but still it is very true, and [italics] very [end italics] suggestive; and a description to the life of the trials of many single women, who waken up some morning to the sudden feeling of the [italics] purposelessness [italics] (is there such a word) of their life. Do read it if it comes yr way.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

Frederick Denison Maurice : [Sermon on 'Religion versus God']

'But I think you are probably seeing more of what has never fallen in my way exactly, but of what I read of in that striking and curious sermon of Mr Maurice's, entitled 'Religion versus God'. In which he spoke of the falseness of that religious spirit which led people to disregard those nearest to them, to wound or leave those whom God had placed around and about and dependent on them, in search of some new sphere of action.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Unknown

  

Thomas Carlyle : Sartor Resartus

'I never cd enter into Sartor Resartus, but I brought away one sentence which does capitally for a reference when I get perplexed sometimes. 'Do the duty that lies nearest to thee'.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

John Ruskin : Modern Painters

'After breakfast we went on the Lake; and Miss B and I agreed in thinking Mr Moseley a good goose; in liking Mr Newman's soul, - in liking Modern Painters, and the idea of the Seven Lamps'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

John Ruskin : Modern Painters

'I am very happy nevertheless making flannel petticoats; and reading Modern painters'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

 : Leader, The

'from an accidental copy of the Leader I learn that a fourth edition [of Mary Barton] is coming out'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Serial / periodical

  

 : Atlas, The [review of Gaskell's 'The Moorland Cottage']

'Thank you for the Atlas. The Guardian (Puseyite) has been very busy praising M[oorland] C[ottage] too. I hope the Times will be so kind as to leave it alone; for I think it would be a disgrace to be praised by the man who wrote that review of Mr Thackeray. Dr Whewell wrote that review in Fraser I believe; and I have received a very complimentary note from him as well'.

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Serial / periodical

  

 : Guardian, The [review of Gaskell's 'The Moorland Cottage']

'Thank you for the Atlas. The Guardian (Puseyite) has been very busy praising M[oorland] C[ottage] too. I hope the Times will be so kind as to leave it alone; for I think it would be a disgrace to be praised by the man who wrote that review of Mr Thackeray. Dr Whewell wrote that review in Fraser I believe; and I have received a very complimentary note from him as well'.

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Serial / periodical

  

William Whewell : Fraser's Magazine [review of Gaskell's 'The Moorland Cottage']

'Thank you for the Atlas. The Guardian (Puseyite) has been very busy praising M[oorland] C[ottage] too. I hope the Times will be so kind as to leave it alone; for I think it would be a disgrace to be praised by the man who wrote that review of Mr Thackeray. Dr Whewell wrote that review in Fraser I believe; and I have received a very complimentary note from him as well'.

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Serial / periodical

  

 : Times, The [review of a Thackeray book, perhaps Pendennis]

'Thank you for the Atlas. The Guardian (Puseyite) has been very busy praising M[oorland] C[ottage] too. I hope the Times will be so kind as to leave it alone; for I think it would be a disgrace to be praised by the man who wrote that review of Mr Thackeray. Dr Whewell wrote that review in Fraser I believe; and I have received a very complimentary note from him as well'.

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Newspaper

  

John Ruskin : Seven Lamps of Architecture, The

'She [Gaskell's daughter 'Meta' or Margaret Emily] is [italics] quite [end italics] able to appreciate any book I am reading. Ruskin's Seven Lamps of Architecture for the last instance'.

Century: 1850-1899     Reader/Listener/Group: Margaret Emily Gaskell      Print: Book

  

John Ruskin : Seven Lamps of Architecture, The

'She [Gaskell's daughter 'Meta' or Margaret Emily] is [italics] quite [end italics] able to appreciate any book I am reading. Ruskin's Seven Lamps of Architecture for the last instance'.

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

Catherine Cuthbertson : Santo Sebastiano: or, The Young Protector

'What novel did you choose (in default of one from me,) for your confinement reading. I am afraid you did not get hold of the Young Protector; it is too old a book to be met with easily'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

H. Morley : Palissy the Potter

'Wm brought me Bernard Palissy, but it so happened I had not a moment of time for reading except one day, when I got very interested in four or 5 chapters, & then the book had to go back'.

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

 : North British Review [review of Gaskell's 'Ruth']

'The "North British Review"had a [italics] delicious [end italics] review of "Ruth" in it. Who the deuce could have written it? It is so truly religious, it makes me swear with delight. I think it is one of the Christian Socialists, but I can't make out which. I must make Will find out'.

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Serial / periodical

  

 : Literary Gazette [review of Gaskell's 'Ruth']

'Spectator, Lity Gazette, Sharp's Mag; Colborn have all abused it ['Ruth'] as roundly as may be. Litery Gazette in every form of abuse 'insufferably dull' 'style offensive from affectation' 'deep regret that we and all admirers of Mary Barton must feel at the author's loss of reputation' 'Thoroughly commonplace' etc., etc. I don't know of a newspaper which has praised it but the Examiner, wh. was bound to for Chapman's sake - and that's [italics] that [end italics] and be hanged to it.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Serial / periodical

  

 : [various periodicals: reviews of Gaskell's 'Ruth']

'Spectator, Lity Gazette, Sharp's Mag; Colborn have all abused it ['Ruth'] as roundly as may be. Litery Gazette in every form of abuse 'insufferably dull' 'style offensive from affectation' 'deep regret that we and all admirers of Mary Barton must feel at the author's loss of reputation' 'Thoroughly commonplace' etc., etc. I don't know of a newspaper which has praised it but the Examiner, wh. was bound to for Chapman's sake - and that's [italics] that [end italics] and be hanged to it.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Serial / periodical

  

 : [letter of a 'First Hand']

'Yes! I did read that letter of 'First Hand'; - those letters inded, and I liked the whole tone and mode of expression so much that I was thoroughly glad to see how people came forwards to set her up in her scheme.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Unknown

  

Thomas Hood : 'Lady's Dream, The'

'Do you know that little poem of Hood's called [']the Lady's Dream'; because it is so true what he says about evil being done by [italics] want of thought [end italics].'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Unknown

  

Charlotte Bronte : Villette

'The difference between Miss Bronte and me is that she puts all her naughtiness into her books, and I put all my goodness. I am sure that she works off a great deal that is morbid [italics] into [end italics] her writing, and [italics] out [end italics] of her life; and my books are so far better than I am that I often feel ashamed of having written them and as if I were a hypocrite. However I was not going to write of myself but of Villette. I don't agree with you that {it is} one cannot forget that it is a 'written book'. My interpretation of it is this. I believe it to be a very correct account of one part of her life; which is very vivid & distinct in her remembrance, with all the feelings that were called out at that period, forcibly present in her mind whenever she recurs to the recollection of it. I imagine she [italics] could [end italics] not describe it {with} in the manner in which she would pass through it [italics] now [end italics], as her present self; but in looking back upon it all the passions & suffering, & deep despondency of that old time come back upon her. Some of this notion of mine is founded entirely on imagination; but some of it rests on the fact that many times over I recognized incidents of which she had told me as connected with that visit to Brussels. Whatever truth there may be in this conjecture of mine there can be no doubt that the book is wonderfully clever; that it reveals depths in her mind, aye and in her [italics] heart [end italics] too which I doubt if ever any one has fathomed.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

Joseph Kay : Condition of Poor Children in English and German Towns

'I do not know Mr Joseph Kay's address or I should have written to thank him for his valuable and most interesting pamphlet on the Condition and Education of English children as compared with Germans; I believe his address was signed at the end of the preface, but this book was borrowed from me as soon as I had read it, & has not yet been returned'.

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      

  

 : Examiner [review of Thackeray's 'Henry Esmond']

'she [Charlotte Bronte] was very angry indeed with that part of the Examiner review of Esmond (I had forgotten it) which said his [Thackeray's] works would not live; and asked me if I knew you had written it. I wish you could have heard how I backed away from the veiled prophet, and how vehemently I disclaimed ever even having conjectured anything about any article in the Examiner'.

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Serial / periodical

  

Frederick Perthes : Memoirs of Frederick Perthes or Literary, Religious and Political Life in Germany from 1789 to 1848

'Are you inclined to see the MS of a translation from the German done by my friend Miss Winkworth ('Life of Niebuhr') and her sister. They have together translated all that is yet published of the autobiographical life of Perthes; no, I see it is not [italics] all [end italics] translated - they have stopped, when we novelists do - at the end of the adventures, & when Perthes is re-instated in his business, & in a fair way of doing well for himself. You probably know enough of his history &c to enable you in some measure to judge for yourself of the kind of book it is. A young German bourgeois, who makes his own way from nothing to a station of great wealth & influence both commercial & political: (he was a bookseller, &c) the personal story is very interesting & includes an account of the French occupation of Hamburgh &c.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Manuscript: Unknown

  

James Crossley : 'Edmund Burkke and the Annual Register'

In looking over the bound vol. of 'Notes and Queries' for the first half of 1851, I find a paper by you entitled 'Edmund Burke and the Annual Register' [Gaskell then provides James Crossley with some more information on this subject].'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Serial / periodical

  

Mrs Granville : [tales]

'She [a Mrs Granville, nee Wheler] had been a great friend of the Miss Porters (Jane and Anna Maria) in girlhood; and it was perhaps owing to their example that she had taken up the business of writing novels (at 10£ each) for the Minerva Press. I saw some of her tales, which were harmless enough, a weak dilution of Miss Porters in style and plot'.

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

John Tupling : Folious appearances. a consideration on our ways of lettering books

'I have thanked you (mentally) very much for Folious Appearances, the humour, strength - and even affectation of which I like exceedingly. What is the name of the man, again?'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

 : Times, The [review of H.F. Chorley's play 'The Duchess Eleanor']

'I wanted to see the Duchess Eleanor ever since I read that review - criticism - whatever you call it in the Times, long before I had the slightest suspicion it was yours; & more than suspicion I have not had till now'.

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Newspaper

  

William Gaskell : Lectures on the Lancashire Dialect

'I have sent your letter on to my husband by this post; but I must just say a very hearty thank you for the pleasure I know it will give him. It will come to him at the same time as my little confession of having thought his lectures worthy of your reading. I have been very much interested by your remarks which {are} will be of course still more interesting to one capable of entering into their full value'.

Unknown
Century: 1850-1899     Reader/Listener/Group: Walter Savage Landor      

  

Henry Morley : 'Brother Mieth and his Brothers'

'I have a friend who was educated at Nieuwied, - & who is just crazy about 'Brother Mieth'. First she made me write to Mr Wills, and ask who wrote it; and now, as much would ever have more, she wants me to ask you if Brother Mieth was not Brother Andrup - (Anthrup?) and if you were there at the time of his death; and if you, like her, got a piece of wood shaving out of the bed on which he lay and kept it for a relic? and if you heard his Leben read? - and - and - I don't know how many more questions, all hinging on the one supposition that Brother Mieth was Brother Andrup - It is a charming paper, I, the exoteric may say. But she will hardly allow that I [italics] can [end italics] recognise it's merits, and has gone off upon Neuwied ever since, taking the bit between her teeth. Would you be so kind as to stop her with a hair of the dog that bit her, & give us all another paper on Neuwied in some shape. That reading the Diary & the confessions of sins over the coffin must have been most striking. I don't know half enough about the Moravians.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Serial / periodical

  

Anna Jameson : Commonplace Book of Thoughts, A

'Here is the beautiful Commonplace book awaiting me on my return home! And I give it a great welcome you may be sure; and turn it over, & peep in, and read a sentence and shut it up to think over it's graceful suggestive wisdom in something of the 'gourmet' spirit of a child with an eatable dainty; which child, if it have the proper artistic sensuality of childhood, first looks it's cake over to appreciate the full promise of it's appearance, - next, snuffs up it's fragrance, - and gets to a fair & complete mouth-watering before it plunges into the first [italics] bite [end italics]. I do like your book. I liked it before, - I like it better now - it is like looking into deep clear water, - down below at every instant of prolonged gaze, one sees some fresh beauty or treasure of clear white pebble, or little shady nooks for fish to lurk in, or delicate water weds. Thank you for it. I do value it'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

 : Household Words [?]

'I was exceedingly interested and touched by that Soldier's Story. It is very 'war-music'al, & comes in beautifully just at this time.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Serial / periodical

  

Charlotte Bronte : Shirley

'I have looked for Mr Macarthey's character in Shirley, and I find it exactly corresponds with what you have told me of Mr Nicholls, & also with what she herself has said to me before now. Yet it shows something fine in him to have been able to appreciate her.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

William Fairbairn : [remarks on 'North and South']

'Your kind and racy critiques both give me pleasure and do me good; that is to say, your praise gives me pleasure because it is so sincere and judicious that I value it; and your fault-finding does me good because it always makes me [italics] think [end italics]'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Manuscript: Letter

  

Charlotte Bronte : [letters to Ellen Nussey]

'I have read [italics] once [end italics] over all the letters you so kindly entrusted me with, and I don't think even you, her most cherished friend, could wish the impression on me to be different from what it is, that she was one to study the path of duty well, and, having ascertained what it was right to do, to follow out her idea strictly. They gave me a very beautiful idea of her character'.

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Manuscript: Letter

  

Charles Dickens : Little Dorrit

'in the 'bus I sate next to somebody, whose face I thought I knew, & then I made out it was only that he was very like Mr Hensleigh Wedgwood; however he read 'Little-Dorrit' & I read it over his shoulder. Oh Polly! he was such a slow reader, you'll sympathise, Meta won't, my impatience at his never getting to the bottom of the page so we only got to the end of the page. We only read the first two chapters, so I never found out who 'Little Dorrit' is [Gaskell then summarises what happens in these chapters] By this time we got to Knutsford, & my friend got out, & now that I saw him no longer in profile but full-faced I recognized Mr Seymour, & was sorry I had not moved'.

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Serial / periodical

  

Charlotte Bronte : [letters to W.S. Williams]

'I am extremely obliged to you for the pacquet of Miss Bronte's letters which I found here on my return home, too late for Friday's post for me to acknowledge them. I have read them hastily over and I like the tone of them very much; it is curious how much the spirit in which she writes varies according to the correspondent whom she was addressing, I imagine. I like the series of letters which you have sent better than any other excepting one that I have seen. The subjects too are very interesting; how beautifully she speaks (for instance) of her wanderings on the moor after her sister's death.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Manuscript: Letter

  

 : [book on Yorkshire]

'I am sending by the same post as this letter, the book on Yorkshire, you were so very kind as to lend me. I cannot tell you how much use it has been to me; my paper marks, which I found had not been taken out of the book, before it was packed up, will, in a small degree, show you how much I have had to refer to in it'.

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

Charlotte Bronte : [manuscripts]

'[Having visited Haworth, Gaskell acquired MSS of 'The Professor', 'Emma'], & by far the most extraordinary of all, a packet about the size of a lady's travelling writing case, full of paper books of different sizes, from the one I enclose upwards to the full 1/2 sheet size, but all in this indescribably fine writing. - Mr Gaskell says they would make more than 50 vols of print, - but they are the wildest & most incoherent things, as far as we have examined them, [italics] all [end italics] purporting to be written, or addressed to some member of the Wellesley family. They give one the idea of creative power carried to the verge of insanity. Just lately Mr M Milnes gave me some MS. of Blake's, the painters to read, - & the two MSS (his & C.B.'s) are curiously alike. But what I want to know is if a photograph could be taken to give some idea of the finness of the writing'.

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Manuscript: books

  

William Blake : [manuscripts]

'[Having visited Haworth, Gaskell acquired MSS of 'The Professor', 'Emma'], & by far the most extraordinary of all, a packet about the size of a lady's travelling writing case, full of paper books of different sizes, from the one I enclose upwards to the full 1/2 sheet size, but all in this indescribably fine writing. - Mr Gaskell says they would make more than 50 vols of print, - but they are the wildest & most incoherent things, as far as we have examined them, [italics] all [end italics] purporting to be written, or addressed to some member of the Wellesley family. They give one the idea of creative power carried to the verge of insanity. Just lately Mr M Milnes gave me some MS. of Blake's, the painters to read, - & the two MSS (his & C.B.'s) are curiously alike. But what I want to know is if a photograph could be taken to give some idea of the finness of the writing'.

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Manuscript: Unknown

  

Charlotte Bronte : Professor, The

'I have read the Professor, - I don't see the objections to its publication that I apprehended, - or at least only such, as the omissions of three or four short ppassages not altogether amounting to a page, - would do away with. I don't agree with Sir James that 'the publication of this book would add to her literary fame' - I think it inferior to all her published works - but I think it a very curious link in her literary history, as showing the [italics] promise [end italics] of much that was afterwards realized.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Manuscript: Unknown

  

R. H. Tawney : 

Sunday 3 September 1939: 'This is I suppose certainly the last hour of peace. The time limit is out at 11. P[rime]M[inister] to broadcast at 11.15 [makes various brief observations] [...] I believe little exact notes are more interesting than reflections -- the only reflection is that this is bosh & stuffing compared with the reality of reading say Tawney [...] One's too tired, emotionally, to read a page. I tried Tawney last night -- cd'nt concentrate [...] Its now about 10.33.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Francis Steegmuller : Flaubert and Madame Bovary. A Double Portrait

Friday 6 October 1939: 'I compose articles on Lewis Carroll & read a great variety of books -- Flaubert's life, R[oger Fry].'s lectures, out at last, a life of Erasmus & Jacques Blanche.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Jacques Emile Blanche : More Portraits of a Lifetime, 1918-38

Friday 6 October 1939: 'I compose articles on Lewis Carroll & read a great variety of books -- Flaubert's life, R[oger Fry].'s lectures, out at last, a life of Erasmus & Jacques Blanche.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Roger Fry : Last Lectures

Friday 6 October 1939: 'I compose articles on Lewis Carroll & read a great variety of books -- Flaubert's life, R[oger Fry].'s lectures, out at last, a life of Erasmus & Jacques Blanche.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

 : 'life of Erasmus'

Friday 6 October 1939: 'I compose articles on Lewis Carroll & read a great variety of books -- Flaubert's life, R[oger Fry].'s lectures, out at last, a life of Erasmus & Jacques Blanche.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Charles Dickens : Little Dorrit

Wednesday 25 October 1939: 'As a journalist I'm in demand [...] To relax I read Little Dorrit [...] Gerald Heard's book spun me to distraction last night. So good & suggestive & firm for 200 pages: then a mere bleat bitter repetition contorsion [sic] & inversion [...] he's nothing to offer, once he's done his historical accounting.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Gerald Heard : Pain, Sex and Time: A New Outlook on Evolution and the Future of Man

Wednesday 25 October 1939: 'As a journalist I'm in demand [...] To relax I read Little Dorrit [...] Gerald Heard's book spun me to distraction last night. So good & suggestive & firm for 200 pages: then a mere bleat bitter repetition contorsion [sic] & inversion [...] he's nothing to offer, once he's done his historical accounting.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

 : [verses]

'I return to you these verses (of which I have taken a copy) with many thanks. I am always glad of your scraps of intelligence, which come, with their pleasant [italics] London-taste [end italics], most acceptably into my Manchester life. These verses in particular are extremely humorous & characteristic'.

Unknown
Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      

  

Charlotte Bronte : Professor, The

'I dreaded lest the Prof: should involve anything with M. Heger - I had heard her say it related to her Brussels life, - & I thought if he were again brought before the public, what would he think of me? [Gaskell goes on to say that her fears were not fulfilled] so on that ground there would be no objection to publishing it. I don't think it will add to her reputation, - the interest will arise from its being the work of so remarkable a mind. It is an autobiography of a man the English Professor at a Brussels school, - there are one or two remarkable portraits - the most charming woman she ever drew, and a glimpse of that woman as a mother - very lovely; otherwise little or no story; & disfigured by more coarseness - & profanity in quoting texts of Scripture disagreeably than in any of her other works.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Manuscript: Unknown

  

 : Examiner, The

'I looked in last week's Examiner thinking there [italics] might [end italics] be an advertisement of the Professor. When do you think it will be out?'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Serial / periodical

  

Charlotte Bronte : Professor, The

'The Professor is curious as indicating strong character & rare faculties on the part of the author; but not interesting as a story. And yet there are parts one would not lose - a lovely female character - & glimpses of home & family life in the latter portion of the tale. - But oh! I wish Mr Nicholls wd have altered more!'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      

  

William Fairbairn : [letter offering his opinion of Gaskell's biography of Charlotte Bronte]

'I don't think you know how much good your letter did me. In the first place I was really afraid that you did not like my book, because I had never received your usual letter of criticism; and in the second, it was the one sweet little drop of honey that the postman had brought me for some time, as, on the average, I had been receiving three letters a day for above a fortnight, finding great fault with me (to use a [italics] mild [end italics] expression for the tone of their compliments) for my chapter about the Cowan Bridge School.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Manuscript: Letter

  

E.B. Eastwick ['ed'] : Autobiography of Lutfullah, a Mohammedan gentleman : and his translations with his fellow-creatures

'I received your books last night quite safely, and plunged into 'Lutfullah' with great interest, being prepared to like it from the notice in the Athenaeum. The Bombay Q. Review looks good too, and I hit upon a lively paper describing the Overland journey, which fell in well with the direction of my curiosity'.

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

 : Bombay Quarterly Review

'I received your books last night quite safely, and plunged into 'Lutfullah' with great interest, being prepared to like it from the notice in the Athenaeum. The Bombay Q. Review looks good too, and I hit upon a lively paper describing the Overland journey, which fell in well with the direction of my curiosity'.

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Serial / periodical

  

 : Athenaeum [review of Eastwick's 'Lutfullah']

'I received your books last night quite safely, and plunged into 'Lutfullah' with great interest, being prepared to like it from the notice in the Athenaeum. The Bombay Q. Review looks good too, and I hit upon a lively paper describing the Overland journey, which fell in well with the direction of my curiosity'.

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Serial / periodical

  

Currer Bell [pseud.] : Poems by Currer, Ellis, and Acton Bell

'I thank you too for C.E. and A. Bell's poems (my copy has never turned up)'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

 : Times, The

'People say, the Times leading the van, that the news is quite as good as can be expected &c &c &c.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Newspaper

  

John W. Kaye : [possibly] Administration of the East India Company, The

'we, as a family, are going through a whole course of Indian literature - Kaye and Malcolm to wit; but I am afraid I read it for duty's sake, without taking as much interest as I ought to do, in all the out-of-the-way names & places, none of which give me any distinct idea'.

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

John Malcolm : [possibly] Government of India, The

'we, as a family, are going through a whole course of Indian literature - Kaye and Malcolm to wit; but I am afraid I read it for duty's sake, without taking as much interest as I ought to do, in all the out-of-the-way names & places, none of which give me any distinct idea'.

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

 : Homeward Mail, The

'I am very very much obliged to you for sending us the Homeward Mail. We read it from end to end; title page, & printer's name'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Newspaper, Serial / periodical

  

Francis James Child : Ballads

'Is Mr Child married? I am always wanting to write & thank him for his Ballads, which I delight in' [she then deprecates her own letter writing style and says she is put off by the thought of having to write 'properly']

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

Charles Eliot Norton : [articles in the 'Atlantic Monthly' on India and an exhibition]

'I mean to read the Atlantic soon; I find 2 numbers, one from you with names of authors, for the which thank you; the second no. has no such names, - & I'll tell you what I've read & liked. Your paper on India, - but then that was not fair, because I knew it was yours, - Floyd Ireson's ride VERY much. Turkey tracts, - yes, I did, & I just defy you, if you said you didn't; and Florentine Mosaics. I cd not read the other story, - and I did not care for Carlyle. I liked yr paper in the first no. on our Exhibition - only there [italics] was [end italics] one Duccio da Siena, & you say there was not.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Serial / periodical

  

Thomas Carlyle : [article in the 'Atlantic Monthly']

'I mean to read the Atlantic soon; I find 2 numbers, one from you with names of authors, for the which thank you; the second no. has no such names, - & I'll tell you what I've read & liked. Your paper on India, - but then that was not fair, because I knew it was yours, - Floyd Ireson's ride VERY much. Turkey tracts, - yes, I did, & I just defy you, if you said you didn't; and Florentine Mosaics. I cd not read the other story, - and I did not care for Carlyle. I liked yr paper in the first no. on our Exhibition - only there [italics] was [end italics] one Duccio da Siena, & you say there was not.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Serial / periodical

  

 : Atlantic Monthly

'I mean to read the Atlantic soon; I find 2 numbers, one from you with names of authors, for the which thank you; the second no. has no such names, - & I'll tell you what I've read & liked. Your paper on India, - but then that was not fair, because I knew it was yours, - Floyd Ireson's ride VERY much. Turkey tracts, - yes, I did, & I just defy you, if you said you didn't; and Florentine Mosaics. I cd not read the other story, - and I did not care for Carlyle. I liked yr paper in the first no. on our Exhibition - only there [italics] was [end italics] one Duccio da Siena, & you say there was not.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Serial / periodical

  

George Eliot [pseud.] : Scenes from Clerical Life

'Read 'Scenes of Clerical Life', published in Blackwood, for [italics] this [end italics] year, - I shd think they began as early as Janry or February - They are a discovery of my own, & I am so proud of them. [italics] Do [end italics] read them. I have not a notion who wrote them'.

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Serial / periodical

  

Richard Monckton Milnes : 'Lucknow'

'Thanks for telling me about the articles. I always like to read anything of your writing, even when it is not of such supreme interest as 'Lucknow' because your style (may I say it?) has such a great charm for me. It is such pure beautiful English. I had heard of the forthcoming article on Buckle, without knowing whom it was by. Thank you for telling me'.

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Unknown

  

 : Atlantic Monthly

'Thank you very much for your list of authors. You may think how we [italics] savoured [end italics] the papers on the Catacombs. Marianne & Meta always write the names opposite the articles in the Atlantic'.

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Serial / periodical, Unknown

  

William Elder : Biography of Elisha Kent Kane

'I don't like American biographies. Dr Kane's life is [italics] murdered [end italics], - and why do you give us all those speeches & obsequy things at the end? it is very ungrateful of me to say this, for Mr Elder sent it me. Next - who is Mr Parton who writes biographies on your side of the water? Barnom, & Aaron Burr - the first I literally [italics] could not [end italics] read, just for the want of any moral feeling at all in it, - the last I have just read, because I wanted to get some knowledge of American society in the last centy & beginning of this, - and to know who Aaron Burr was? There is just the same, or worse, want of any idea of simply [sic] right or wrong, - but I don't come out clear as to what [italics] could [end italics] have been Aaron B's [italics] real [end italics] character'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

James Parton : Life and Times of Aaron Burr, The

'I don't like American biographies. Dr Kane's life is [italics] murdered [end italics], - and why do you give us all those speeches & obsequy things at the end? it is very ungrateful of me to say this, for Mr Elder sent it me. Next - who is Mr Parton who writes biographies on your side of the water? Barnom, & Aaron Burr - the first I literally [italics] could not [end italics] read, just for the want of any moral feeling at all in it, - the last I have just read, because I wanted to get some knowledge of American society in the last centy & beginning of this, - and to know who Aaron Burr was? There is just the same, or worse, want of any idea of simply [sic] right or wrong, - but I don't come out clear as to what [italics] could [end italics] have been Aaron B's [italics] real [end italics] character'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

James Parton : [Life of Barnum]

'I don't like American biographies. Dr Kane's life is [italics] murdered [end italics], - and why do you give us all those speeches & obsequy things at the end? it is very ungrateful of me to say this, for Mr Elder sent it me. Next - who is Mr Parton who writes biographies on your side of the water? Barnom, & Aaron Burr - the first I literally [italics] could not [end italics] read, just for the want of any moral feeling at all in it, - the last I have just read, because I wanted to get some knowledge of American society in the last centy & beginning of this, - and to know who Aaron Burr was? There is just the same, or worse, want of any idea of simply [sic] right or wrong, - but I don't come out clear as to what [italics] could [end italics] have been Aaron B's [italics] real [end italics] character'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

Francis Henry Egerton : Apercu Historique et genealogique

'Can you tell me anything of a book, published or rather printed, by the late Earl of Bridgewater at his press in Paris. It was in the French language - & contained all the Egerton traditions, and papers relating to the Lord Chancellor Egerton. The Egertons of [italics] Tatton [end italics] know nothing of it. I do not know the present Lord Ellesmere well enough to ask him.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

[n/a] : [advertisement for the 'Psychological' magazine]

'I see in an advertisement of the contents of a Magazine (the Psychological) of which I believe you are the Editor, a paper on Charlotte Bronte. Having a very strong interest in the subject I should particularly wish to see that number and if you would kindly direct it to be forwarded to me, I would return the publisher the amount in postage stamps.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Advertisement

  

Hendschel : Telegraph

[having been given a rum and peppermint liqueur for a migraine] 'We went to the Railway waiting-room, which was all quiet and nicely-lighted up; so Flossy began to read a book she had brought with her; and I got Hendschel's Telegraph (the German Bradshaw) off the table, and began to puzzle out my train to Strasbourg to meet Louy, - when, lo & behold, Flossy whispered to me, me, smelling of rum - that Mr Bosanquet had come in! I tucked my head down over my book, & told F.E. to take no notice; but he drew nearer and nearer, pretending to look at the affiches on the walls, until at last he came close, & said 'Mrs G. can I assist you in making out yr train'...'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

Christian Karl Josias Bunsen : Lyra Germanica

'you will receive a Lyra Germanica from me the day after you get this letter, - I always wanted you to have it, & wished for your appreciation of Kate Winkworth's translation when we were at Heidelberg'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

Florence Nightingale : Notes on Matters affecting the Health, Efficiency, and Hosptal Administration of the British Army

'I read the [italics] Subsidiary Notes [end italics] first. It was so interesting I could not leave it. I finished it at one long morning sitting - hardly stirring between breakfast and dinner. I cannot tell you how much I like it, and for such numbers of reasons. First, because you know of a varnish that is as good or better than black-lead for grates (only I wonder what it is). Next, because of the little sentences of real deep wisdom which from their depth and true foundation may be real helps in every direction and to every person; and for the quiet continual devout references to God which make the book a holy one'.

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

Mr Aide : Rita

'I tell [Mr Aide] my "honest opinion" of his [italics] first [end italics] volume at any rate: It introduces one just exactly into the kid of disrepuble [sic] society one keeps clear of with such scrupulous care in real life, - it is not merely [italics] one [end italics] character that is none of the best, - but every one we get a glimpse of is the same description of person. I don't think it is "corrupting" but it is disagreeable, - a sort of dragging one's peticoats through mud. I wish the little gentleman, - who really seems more than commonly good (for a man, - begging your & your son's pardon) had not written this book; because it gives one a sort of distrust of his previous life.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

George Eliot [pseud.] : Amos Barton

'I am going to make a request to you, Sir, which is of a slightly impudent nature. It is, that you will be so good as to give me a copy of "Adam Bede", - and I advance three pretexts for asking this favour from you. Firstly my delight in the book; and in the "Stories from Clerical Life", ever since the first part of "Amos Barton" in Blackwood. It almost seems presumptuous in me to express all the admiration I feel; you might be tempted to quote Dr Johnson'.

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Serial / periodical

  

George Eliot [pseud.] : Adam Bede

'I am going to make a request to you, Sir, which is of a slightly impudent nature. It is, that you will be so good as to give me a copy of "Adam Bede", - and I advance three pretexts for asking this favour from you. Firstly my delight in the book; and in the "Stories from Clerical Life", ever since the first part of "Amos Barton" in Blackwood. It almost seems presumptuous in me to express all the admiration I feel; you might be tempted to quote Dr Johnson'.

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

[unknown] : Blackwood's Magazine

'I'll change my tactics [from trying to persuade Blackwood to give her a copy of "Adam Bede" out of generosity] and say you owe me compensation for an article {of} under which if the wit had been a tithe equal to the wish to abuse I might have winced with pain. As it was I only felt indignant at the bad spirit in which the review of my Life of Charlotte Bronte was written, & half inclined to offer my services to Mr Aytoun the next time he wished to have an article written which should point out with something like keen and bitter perception the short-comings of my books'.

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Serial / periodical

  

George Eliot [pseud.] : Adam Bede

'I received the copy of "Adam Bede" which you were so kind as to send me quite safely; and I am very much obliged to you for it. - I thoroughly admire this writer's works - (I do not call him Mr Elliot, because I know that such is not his real name.) I was brought up in Warwickshire, and recognize the county in every description of natural scenery. I am thoroughly obliged to you for giving it to me; it is a book that it is a real pleasure to have, and if for every article in your Magazine, abusive of me, you will only be so kind as to give me one of the works of the author of "Scenes from Clerical Life", I shall consider myself your debtor'. [Later on the same page, Gaskell says 'One of Mrs Poyser's speeches is as good as a fresh blow of sea-air; and yet {it} she is a true person, and no caricature']

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

[unknown] : [American cookery books]

'Yes! I found the American cookery books here when we got home, (Decr 20th) and many many thanks. we can't understand all the words used - because, you see, [italics] we [end italics] speak English, - but we have made some capital brown bread and several other good things, by the help of them'.

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

[unknown] : [unknown]

'Meta is turning out such a noble beautiful character - Her intellect and her soul, (or wherever is the part in which piety & virtue live) are keeping pace, as they should do - She works away at German & Greek - reads carefully many books, - with a fineness of perception & relish which delights me...'

Century: 1850-1899     Reader/Listener/Group: Margaret Emily Gaskell      Print: Book

  

[unknown] : [unknown]

'I forgot to tell you that Meta reads with & teaches Elliot every night'

Century: 1850-1899     Reader/Listener/Group: Margaret Emily Gaskell      Print: Book

  

Arthur Penrhyn Stanley : Three Introductory Lectures on the study of Ecclesiastical History

'Read Arthur Stanley's Three Introductory Lectures on the Study of Ecclesiastical History Parker Oxford - price [italics] perhaps [ed italics] 2s-6d, not more. I do so like them and so does Meta. And Dasent's Norse Tales, which are charming, & the introduction best of all and "Adam Bede" - you read Scenes from Clerical Life? did you not?'

Century: 1850-1899     Reader/Listener/Group: Margaret Emily Gaskell      Print: Book

  

Arthur Penrhyn Stanley : Three Introductory Lectures on the study of Ecclesiastical History

'Read Arthur Stanley's Three Introductory Lectures on the Study of Ecclesiastical History Parker Oxford - price [italics] perhaps [ed italics] 2s-6d, not more. I do so like them and so does Meta. And Dasent's Norse Tales, which are charming, & the introduction best of all and "Adam Bede" - you read Scenes from Clerical Life? did you not?)'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

G.W. Dasent : Popular Tales from the Norse

'Read Arthur Stanley's Three Introductory Lectures on the Study of Ecclesiastical History Parker Oxford - price [italics] perhaps [ed italics] 2s-6d, not more. I do so like them and so does Meta. And Dasent's Norse Tales, which are charming, & the introduction best of all and "Adam Bede" - you read Scenes from Clerical Life? did you not?'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

[n/a] : Times, The

'Our Times of today - well of yesterday - well, tomorrow it will be of some day in dream land, for I am past power of counting - Our Times of today has taken away my breath - Who, What, Wherefore, Why - oh! do be a woman, and give me all possible details - Never mind the House of Commons: it can keep - but my, our, curiosity CAN'T-'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Newspaper

  

Herbert Grey : Three Paths, The

'As you ask me for my opinion I shall try and give it as truly as I can; otherwise it will be of no use [...] In the first place you say you do not call The 3 paths a novel; but the work is in the form which always assumes that name, nor do I think it is one to be quarrelled with. I suppose you mean that you used the narrative form merely to {convey} introduce certain opinions & thoughts. If so you had better have condensed them into the shape of an Essay. Those in Friends in Council &c. are admirable examples of how much may be said on both sides of any question without any {dogma} decision being finally arrived at, & certainly without any dogmatism. [Gaskell then discusses the merits of the concise essay form] But I believe in spite of yr objection to the term 'novel' you do wish to 'narrate', - and I believe you can do it if you try, - but I think you must observe what is [italics] out [end italics] of you, instead of examining what is [italics] in [end italics] you. [Gaskell explains the merits of this at length]. Just read a few pages of De Foe &c - and you will see the healthy way in which he sets [italics] objects [end italics] not [italics] feelings [end italics] before you. [She advises Grey to use what he observes through every day contact with real people] Think if you can not imagine a complication of events in their life which would form a good plot. (Your plot in The Three paths is very poor; you have not thought enough about it - simply used it as a medium. [She discusses the advantages of tight plotting and advises] Don't intrude yourself into your description. If you but think eagerly of your story till [italics] you see it in action [end italics], words, good simple strong words will come. [she then criticises his overuse of epithets, overlong conversations and allusions, concluding] You see I am very frank-spoken. But I believe you are worth it.'

Unknown
Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      

  

Arthur Helps : Friends in Council

'As you ask me for my opinion I shall try and give it as truly as I can; otherwise it will be of no use [...] In the first place you say you do not call The 3 paths a novel; but the work is in the form which always assumes that name, nor do I think it is one to be quarrelled with. I suppose you mean that you used the narrative form merely to {convey} introduce certain opinions & thoughts. If so you had better have condensed them into the shape of an Essay. Those in Friends in Council &c. are admirable examples of how much may be said on both sides of any question without any {dogma} decision being finally arrived at, & certainly without any dogmatism. [Gaskell then discusses the merits of the concise essay form] But I believe in spite of yr objection to the term 'novel' you do wish to 'narrate', - and I believe you can do it if you try, - but I think you must observe what is [italics] out [end italics] of you, instead of examining what is [italics] in [end italics] you. [Gaskell explains the merits of this at length]. Just read a few pages of De Foe &c - and you will see the healthy way in which he sets [italics] objects [end italics] not [italics] feelings [end italics] before you. [She advises Grey to use what he observes through every day contact with real people] Think if you can not imagine a complication of events in their life which would form a good plot. (Your plot in The Three paths is very poor; you have not thought enough about it - simply used it s a medium. [She discusses the advantages of tight plotting and advises] Don't intrude yourself into your description. If you but think eagerly of your story till [italics] you see it in action [end italics], words, good simple strong words will come. [she then criticises his overuse of epithets, overlong conversations and allusions, concluding] You see I am very frank-spoken. But I believe you are worth it.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

Daniel Defoe : [unknown]

'As you ask me for my opinion I shall try and give it as truly as I can; otherwise it will be of no use [...] In the first place you say you do not call The 3 paths a novel; but the work is in the form which always assumes that name, nor do I think it is one to be quarrelled with. I suppose you mean that you used the narrative form merely to {convey} introduce certain opinions & thoughts. If so you had better have condensed them into the shape of an Essay. Those in Friends in Council &c. are admirable examples of how much may be said on both sides of any question without any {dogma} decision being finally arrived at, & certainly without any dogmatism. [Gaskell then discusses the merits of the concise essay form] But I believe in spite of yr objection to the term 'novel' you do wish to 'narrate', - and I believe you can do it if you try, - but I think you must observe what is [italics] out [end italics] of you, instead of examining what is [italics] in [end italics] you. [Gaskell explains the merits of this at length]. Just read a few pages of De Foe &c - and you will see the healthy way in which he sets [italics] objects [end italics] not [italics] feelings [end italics] before you. [She advises Grey to use what he observes through every day contact with real people] Think if you can not imagine a complication of events in their life which would form a good plot. (Your plot in The Three paths is very poor; you have not thought enough about it - simply used it s a medium. [She discusses the advantages of tight plotting and advises] Don't intrude yourself into your description. If you but think eagerly of your story till [italics] you see it in action [end italics], words, good simple strong words will come. [she then criticises his overuse of epithets, overlong conversations and allusions, concluding] You see I am very frank-spoken. But I believe you are worth it.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

[unknown] : [unknown]

'[Meta] has a little orphan boy to teach French to, reads with Elliot every night, etc: etc: and has always more books she [is] wanting to read than she can get through, being a very slow reader.'

Century: 1850-1899     Reader/Listener/Group: Margaret Emily Gaskell      Print: Book

  

Robert Chambers : Domestic Annals of Scotland: from the reformation to the revolution

'Reading your Domestic Annals of Scotland, warms up all my old Scottish blood, - and makes me wish heartily that our four girls could see something of Scotland'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

[n/a] : Times, The

'Oh Mr Bosanquet, did you see William Arnold's death in the Times? - but you did not know him, - you remember he wrote Oakfield, - and married somebody within a fortnight after first seeing her, - or some such rash proceeding'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Newspaper

  

Henrietta Jenkin : Cousin Stella

'You never no, [italics] never [end italics] - sent a more acceptable present than Cousin Stella & The Fool of Quality, - and that irrespective of their several merits. But books are books here [they are in rural Dumfriesshire and feel cut off from the world] I am sorry to say Meta lies at this present moment fast asleep with Cousin Stella in her hand; but that is the effect of bathing and an eight mile walk; not of the book itself. I know & like the Fool of Quality of old. I was brought up by old uncles & aunts, who had all old books, and very few new ones; and I used to delight in the Fool of Quality, & have hardly read it since.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

Henrietta Jenkin : Cousin Stella

'You never no, [italics] never [end italics] - sent a more acceptable present than Cousin Stella & The Fool of Quality, - and that irrespective of their several merits. But books are books here [they are in rural Dumfriesshire and feel cut off from the world] I am sorry to say Meta lies at this present moment fast asleep with Cousin Stella in her hand; but that is the effect of bathing and an eight mile walk; not of the book itself. I know & like the Fool of Quality of old. I was brought up by old uncles & aunts, who had all old books, and very few new ones; and I used to delight in the Fool of Quality, & have hardly read it since.'

Century: 1850-1899     Reader/Listener/Group: Margaret Emily Gaskell      Print: Book

  

Henry Brooke : Fool of Quality, The

'You never no, [italics] never [end italics] - sent a more acceptable present than Cousin Stella & The Fool of Quality, - and that irrespective of their several merits. But books are books here [they are in rural Dumfriesshire and feel cut off from the world] I am sorry to say Meta lies at this present moment fast asleep with Cousin Stella in her hand; but that is the effect of bathing and an eight mile walk; not of the book itself. I know & like the Fool of Quality of old. I was brought up by old uncles & aunts, who had all old books, and very few new ones; and I used to delight in the Fool of Quality, & have hardly read it since.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

John Stuart Mill : On Liberty

'after reading the dedication of your Essay on Liberty I can understand how any word expressing a meaning only conjectured that was derogatory to your wife would wound you most deeply. And therefore I now write to express my deep regret that you received such pain through me.' [Gaskell is referring to the printing of a letter about John Stuart Mill's future wife in her Life of Charlotte Bronte, to which he had reacted angrily].

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

George Eliot [pseud.] : Adam Bede

'Please say [if Marian Evans is really the author of Adam Bede...] It is a noble grand book, whoever wrote it, - but Miss Evans' life taken at the best construction, does so jar against the beautiful book that one cannot help hoping against hope'.

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

William Wordsworth : Excursion, The

'I think that if you can get hold of a portable 'Excursion' it is a capital book to have with you; also that vol (1st second, [italics] or [end italics] third, I forget whh) of de Quincey's Miscellanies that relates to the Lakes, - places & people as they were in his day. Try for this last, if you don't get it elsewhere at Mrs Nicholson's circulating library at Ambleside'.

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

Thomas de Quincey : Miscellanies

'I think that if you can get hold of a portable 'Excursion' it is a capital book to have with you; also that vol (1st second, [italics] or [end italics] third, I forget whh) of de Quincey's Miscellanies that relates to the Lakes, - places & people as they were in his day. Try for this last, if you don't get it elsewhere at Mrs Nicholson's circulating library at Ambleside'.

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

Harriet Martineau : Complete Guide to the English Lakes

'To go back to books. H. Martineau's is, I think, the best guide book [to the Lakes].'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

William White : Travel in Northumberland and the Border

'I have been reading White's Northumberland, so I knew Carter Fell, & all your tour like old familiar names, when I met them in yr letter.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

Nathaniel Hawthorne : Marble Faun, The

'Do [italics] you [end italics] know what Hawthorne's tale is about? [italics] I [end italics] do; and I think it will perplex the English public pretty considerably.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

Arthur Penrhyn Stanley : Historical Memorials of Canterbury

'(do you know how [italics] very [end italics] beautiful that Cathedral [at Canterbury] is, & do you know Arthur Stanley's memorials of Canterbury?)'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

George Eliot [pseud.] : Janet's Repentance

'I think I have a feeling that it is not worth while trying to write, while there are such books as Adam Bede & Scenes from Clerical Life - I set "Janet's Repentance" above all, still.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book, Serial / periodical

  

Ellen Raynard : Missing Link, The; or Bible Women In The Homes Of The London Poor

'Thank you very much for sending me the Missing Link, and remembering my wish to know more about "Marian" [Evans]. The book came in the middle of a storm of wind & rain on Saturday Evening, and I began to read it, and pretty nearly finished it before I went to bed. It is very interesting, - and is indeed the discovery of the "Missing Link".'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

George Eliot [pseud.] : Scenes from Clerical Life

'Since I heard, from authority, that you were the author of Scenes from "Clerical Life" and "Adam Bede", I have read them again; and I must, once more, tell you how earnestly fully, and humbly I admire them. I never read anything so complete, and beautiful in fiction, in my whole life before. [She then writes a bit about the imposture of Mr Liggins as the books' author, concluding] I should not be quite true in my ending, if I did not say before I concluded that I wish you [italics] were [end italics] Mrs Lewes. However, that can't be helped, as far as I can see, and one must not judge others. Once more, thanking you most gratefully for having written all - Janet's Repentance perhaps most especially of all, - (& may I tell you how I singled out the 2nd No of Amos Barton in Blackwood, & went plodging through our Manchester Sts to get every number, as soon as it was accessible from the Portico reading table - )'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book, Serial / periodical

  

George Eliot [pseud.] : Adam Bede

'Since I heard, from authority, that you were the author of Scenes from "Clerical Life" and "Adam Bede", I have read them again; and I must, once more, tell you how earnestly fully, and humbly I admire them. I never read anything so complete, and beautiful in fiction, in my whole life before. [She then writes a bit about the imposture of Mr Liggins as the books' author, concluding] I should not be quite true in my ending, if I did not say before I concluded that I wish you [italics] were [end italics] Mrs Lewes. However, that can't be helped, as far as I can see, and one must not judge others. Once more, thanking you most gratefully for having written all - Janet's Repentance perhaps most especially of all, - (& may I tell you how I singled out the 2nd No of Amos Barton in Blackwood, & went plodging through our Manchester Sts to get every number, as soon as it was accessible from the Portico reading table - )'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book, Serial / periodical

  

George Eliot [pseud.] : 'Amos Barton'

'Since I heard, from authority, that you were the author of Scenes from 'Clerical Life' and 'Adam Bede', I have read them again; and I must, once more, tell you how earnestly fully, and humbly I admire them. I never read anything so complete, and beautiful in fiction, in my whole life before. [She then writes a bit about the imposture of Mr Liggins as the books' author, concluding] I should not be quite true in my ending, if I did not say before I concluded that I wish you [italics] were [end italics] Mrs Lewes. However, that can't be helped, as far as I can see, and one must not judge others. Once more, thanking you most gratefully for having written all - Janet's Repentance perhaps most especially of all, - (& may I tell you how I singled out the 2nd No of Amos Barton in Blackwood, & went plodging through our Manchester Sts to get every number, as soon as it was accessible from the Portico reading table - )'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Serial / periodical

  

Francis Mahoney : [Inaugural Ode for the Cornhill Magazine in the persona of 'Father Prout']

'thanks [...] most especially for those brilliant lines of Father Prout's; how we did delight in them, and how I should like to have written them. I think our Magazine promises to be a famous success; and I enjoy - now you know [italics] you [end italics] did, so you need not look moral - the Saturday's cutting up of 'Dead [?heart]; - oh [italics] how [end italics] stupid it was. - I don't think we shall ever be so stupid.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Serial / periodical

  

Francis Mahoney : [Saturday Review - review of the play 'Dead Heart']

'thanks [...] most especially for those brilliant lines of Father Prout's; how we did delight in them, and how I should like to have written them. I think our Magazine promises to be a famous success; and I enjoy - now you know [italics] you [end italics] did, so you need not look moral - the Saturday's cutting up of 'Dead[?heart]; - oh [italics] how [end italics] stupid it was. - I don't think we shall ever be so stupid.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Serial / periodical

  

Anthony Trollope : Framley Parsonage

'I extremely like & admire Framley Parsonage, - & the Idle Boy; and the Inaugural address. I like Lovel the Widower, only (perhaps because I am stupid,) it is a little confusing on account of its discursiveness, - and V's verses; and oh shame! I have not read the sensible & improving articles.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Serial / periodical

  

William Makepeace Thackeray : Lovel the Widower

'I extremely like & admire Framley Parsonage, - & the Idle Boy; and the Inaugural address. I like Lovel the Widower, only (perhaps because I am stupid,) it is a little confusing on account of its discursiveness, - and V's verses; and oh shame! I have not read the sensible & improving articles.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Serial / periodical

  

[n/a] : Cornhill Magazine

'I extremely like & admire Framley Parsonage, - & the Idle Boy; and the Inaugural address. I like Lovel the Widower, only (perhaps because I am stupid,) it is a little confusing on account of its discursiveness, - and V's verses; and oh shame! I have not read the sensible & improving articles.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Serial / periodical

  

Charles Dickens : All the Year Round [article]

'In last week's No of All the Year Round is a repudiation (by Mr Dickens,) of having intended Leigh Hunt by Harrold Skimpole'.

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Serial / periodical

  

Madame Mohl : [review of Mme Lenorment's 'Souvenirs et Correspondance de Madame Recamier]

'I ought to have told you that my dear Madame Mohl was the author of that Recamier article, - stay, I'll put her letter in, - I know I can trust you, - and we are just off to Church. [italics] Please [end italics] return it; it will explain that what you have is the National R. article as it was [italics] first written [end italics] - twice as long as it was when printed, - [italics] she [end italics] thinks the best part was taken out'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Serial / periodical

  

Henrietta Camilla Jenkin : Cousin Stella

'Mr & Mrs Clarke & Ly Coltman were all full of "Cousin Stella" & I had quite a reflected lustre from the fact that I knew & could tell them all about the authoress'.

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

Anthony Trollope : Framley Parsonage

'I wish Mr Trollope would go on writing Framley Parsonage for ever. I don't see any reason why it should ever come to an end, and every one I know is always dreading the [italics] last [end italics] number. I hope he will make the jilting of Griselda a long while a-doing.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Serial / periodical

  

[n/a] : Annual Register

'Oh! [italics] please [end italics] ask the Tutor not to trouble humself or his friends about the press-gang affair. The Annual Register has been [italics] carefully [end italics] looked over [italics] months [end italics] ago, & it is of no use going over the ground again'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Serial / periodical

  

[unknown] : Melle Mori

'Do you know by whom 'Melle Mori' is written?' [Gaskell asks George Smith the same question the same day - p.605]

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

Charles Eliot Norton : New Life of Dante, An Essay with Translations

'my beautiful Vita Nuova, which only came yesterday, but which was more identified with [italics] you [end italics] and Italy than anything else; & which I so wished to have of my own, & in print, ever since you let me read it in MS. Thank you so [italics] very [end italics] much for it. I do so value it.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Manuscript: Unknown

  

George Eliot [pseud] : Mill on the Floss, The

'only think of having the Mill on the Floss the second day of publication, & of my very own. I think it is so kind of you, & am so greedy to read it I can scarcely be grateful enough to write this letter'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

[unknown] : [anthology of laudatory sonnets]

'Now I had a vol: of poems sent me the other day, full of sonnets to Dickens, Carlyle &c &c - [italics] such [end italics] bad ones; & the parcel contains this book sent to her 'from the author', & my own dear precious sonnet.' [Gaskell then transcribes the sonnet, beginning 'Sweet Vocalist; the Nightingale of sound!', asking smith - facetiously? - if he would like it for the Cornhill]

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

[unknown] : London Guardian

'I read them an account of the Ammergau Play, out of the London Guardian that Mr Maltby had lent me; & I think they will both go to one of the Septr Representations'.

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Newspaper

  

[n/a] : [German/English dictionary]

'we set out on an enquiring expedition, first to yr pastry cook's, where I got a dictionary, and found my words'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

[n/a] : [Manchester newspaper]

'I saw in one of our Manchester papers yesterday what I am delighted to learn, that you are the Rector of Lincoln's.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Newspaper

  

John Ruskin : Modern Painters

'I suspect that Meta has taken up either the 5th vol. of Modern Painters, or Tyndall on Glaciers, both of which books she is reading now, and Florence is probably reading the 'Amber-Witch'.'

Century: 1850-1899     Reader/Listener/Group: Margaret Emily Gaskell      Print: Book

  

John Tyndall : Glaciers of the Alps, The

'I suspect that Meta has taken up either the 5th vol. of Modern Painters, or Tyndall on Glaciers, both of which books she is reading now, and Florence is probably reading the 'Amber-Witch'.'

Century: 1850-1899     Reader/Listener/Group: Margaret Emily Gaskell      Print: Book

  

Charles Eliot Norton : Notes of Travel and Study in Italy

'that brings me to say how very much I enjoyed during Meta's invalid days reading again & with deliberation your Art & Study in Italy, - thank you [italics] so [end italics] much for it'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

Edward Wilberforce : 'Purgatory'

'do you ever see Fraser's Magazine. If you do I wish you would look back to the number for (say either) August, Sepr, or Octr, 1860 for a short poem by 'Edward Wilberforce' the young man we all used to meet in Rome; a very odd-looking, and as [italics] we [end italics] thought conceited person. But the poem tho' unpleasing from it's subject - which some people would say 'removes it from the province of art', - (and then where would Dante go?) is very strong & fine, so much more so than I should have expected from the author.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Serial / periodical

  

[n/a] : Fraser's Magazine

'do you ever see Fraser's Magazine. If you do I wish you would look back to the number for (say either) August, Sepr, or Octr, 1860 for a short poem by 'Edward Wilberforce' the young man we all used to meet in Rome; a very odd-looking, and as [italics] we [end italics] thought conceited person. But the poem tho' unpleasing from it's subject - which some people would say 'removes it from the province of art', - (and then where would Dante go?) is very strong & fine, so much more so than I should have expected from the author.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Serial / periodical

  

Henry Vaughan : Silex Scintillans

'I do [italics] not [end italics] know all Henry Vaughan's poems, - I know well 'They are all gone into &c', and parts of Silex Scintillans.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

Henry Vaughan : They are all gone into the world of light

'I do [italics] not [end italics] know all Henry Vaughan's poems, - I know well 'They are all gone into &c', and parts of Silex Scintillans.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

[n/a] : [newspaper acconts of events in America in run up to Civil War]

'You will see we gain - 'we' the English generally, our information from The Times; and I know that Russell's writing is Panorama painting; but still these three particulars alluded to above (3-months' service men leaving, - major leaving with wounded colonel, - New York enthusiasm) seem generally accepted as [italics] facts [end italics] by all papers.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Newspaper

  

Charles Eliot Norton : [paper on 'The Advantages of Defeat]

'I have been so ungrateful in never thanking you for your last - and for that [italics] beautiful] end italics] noble paper of yours on the Advantages of Defeat, - a paper which I have circulated far & wide among my friends, - and I only wish I had more of the same kind to show, - in order to make us English know you Americans better.'

Unknown
Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      

  

Nathaniel Hawthorne : Marble Faun, The

'['After Hawthorne's romance had come out she expresses to her friends her supposition that they will have read, as every one in England had, the "Cleopatra chapter", and assures them that she is proud of being able to say to people that she had been acquainted from the first with the statue commemmorated']' Letter reproduced in this edition from a printed source which gives this precis.

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

Marie de Rabutin-Chantal, Marquise de Sevigne : [Letters]

'(I think what gave me the start [ on wanting to write a life of Mme de Sevigne] was the meeting with a supposed-to-be well-educated young lady who knew nothing about Madame de Sevigne, who had been like a well-known friend to me all my life.)'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

Hamilton Aide : Carr of Carrlyon

'all this time I have never thanked you for Mr Aide's book. But at first I was ill (whh made the gift all the more valuable;) and then I thought I would read it first: and very pleasant it was to be carried out of murky smoky Manchester into something so purely Italian as the beginning is, - it is a regular atmosphere of Italy; I like the story much the best of any of his, don't you?'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

Frederick Harrison : [MS of impressions of manufacturing districts of Lancashire and Yorkshire]

'I have dipped into Mr Harrison; in fact almost read it, here & there in bits - I feel as if in one or two places I could have told him more, or set him to rights; but there is an immense deal of truth in the whole, especially considering that it was gathered by one man in the short space of 3 weeks'.

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Manuscript: Unknown

  

William Wetmore Story : Cleopatra

'I hope that you will not measure my gratitude to you for so kindly sending the Cleopatra-poem, by my promptitude in writing to thank you for it. Please accept now my best thanks for it. I admired it as a whole quite as much as I had expected to do from the extracts that I had seen in the reviews. Cleopatra seems to be the special means of inspiration for Mr Story, for I think he has never in sculpture equlled his marble Cleopatra; and certainly this poem is by far the finest that he has ever written. Thanking you again for the pleasure I had in reading it'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Manuscript: Unknown

  

Elizabeth C. Akers : Two Summers

'Thank you so much for sending us those loose sheets of newspaper extracts. Who wrote [italics] Two Summers [end italics], a poem in the September No of the Atlantic, 1862.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Serial / periodical

  

[n/a] : [American newspaper extracts]

'Thank you so much for sending us those loose sheets of newspaper extracts. Who wrote [italics] Two Summers [end italics], a poem in the September No of the Atlantic, 1862.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Newspaper

  

[n/a] : [Report of the Sanitary Commission]

'How [italics] very [end italics] interesting the report of the Sanitary Commission is? it tells one so very much one wanted to know.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Unknown

  

[n/a] : Atlantic Monthly

'I want you to tell me what Genl Butler really is - whether an "Our Hero" as a paper in the Atlantic called him; or an [italics] over [enditalics]-stern & violent man?'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Serial / periodical

  

Oliver Wendell Holmes : [poem]

'I was so sorry to see that Dr Wendell Holmes called England "The Lost Leader". - I went & read the poem to Meta, who did not know it; - & we did so grieve!'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Unknown

  

Alexander Pope : [Letters]

'You remember Stanton Harcourt - in Pope's Letters'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

John Addington Symonds : Thoughts on Xmas. In Florence, 1863

'on their wedding journey they [John Symonds and Catherine North] have been writing a paper on Christmas, - which looks to me [italics] very [end italics] clever, & Mr Symonds wants to know if it can go into the Cornhill for January'.

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Manuscript: Unknown

  

James Russell Lowell : Fireside Travels

'Will you ask Mr Lowell if he would [italics] give [end italics] me his Fireside Travels, with his writing inside? I was so entirely delighted with that book, and should [italics] so [end italics] like to have it [italics] from him [end italics].'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

Charles Lever : Tony Butler

'I have beguiled myself into forgetfulness of my own story by reading "Tony Butler" - it is so clear! - and Lowell's "Fireside Travels".'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

Maggie Elliott : [story with title like 'Jem']

'Why don't you ask Miss (Maggie) Elliott to write you a novel? 6 Grosvenor Crescent - daughter of the Dean of Bristol - author of "Jem" (something) - the Dale Boy, in the Febry or March No of 1864 Fraser's Magazine - She would do it well.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Serial / periodical

  

Elizabeth Gaskell : Cranford

'about "Cranford" I am so much pleased you like it. It is the only one of my own books that I can read again; - but when I am ailing or ill, I take "Cranford" and - I was going to say, [italics] enjoy [end italics] it! (but that would not be pretty!) laugh over it afresh! [...] I am so glad your mother likes it too! [Gaskell then relates an anecdote that she 'dared not' put in the book]'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

Elizabeth Gaskell : Cranford

'about "Cranford" I am so much pleased you like it. It is the only one of my own books that I can read again; - but when I am ailing or ill, I take "Cranford" and - I was going to say, [italics] enjoy [end italics] it! (but that would not be pretty!) laugh over it afresh! [...] I am so glad your mother likes it too! [Gaskell then relates an anecdote that she 'dared not' put in the book]'

Century: 1850-1899     Reader/Listener/Group: Margaret Ruskin      Print: Book

  

 : [reviews of 'The Gayworthys' by Mrs ADT Whitney]

'are you in a generous humour, and will you give me "the Gayworthys" - I am so delighted with all the specimens I see in reviews.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Serial / periodical

  

[unknown] : [book on portraits of Dante]

'[she thanks the Nortons for a photograph of Lincoln and] 'the delicious book on the portraits of Dante which it is a pleasure even to open, - it, - & the faces themselves seem to carry one so [italics] up [end italics] into a ["]purer aether, a diviner air".'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

James R. Lowell : Fireside Travels

'You can't think how much I shall value Fireside Travels, (which only reached me during this past week,) now that I have got it of my "very very own" (as the children say,) and with that charming little bit of writing from you at the beginning. I don't mean that I did not delight in the book from the very first time I read a page in it; but the sense of property in it gives a double value, and the sense of successful beggary is very charming, though perhaps I ought to be ashamed. Only I am [italics] not [end italics], because I [italics] am [end italics] successful. I have known you so long! I knew serious poems of yours long ago, - twenty years or so; but my personal knowledge of you began in Rome 1857, - when (did you know it?) you and one other went about with the dear Storys, and me and mine up and down Rome [in the sense, it seems, that Charles Eliot Norton spoke much of Lowell - this is elaborated on...] Well then the Bigelow papers - I think I could stand a Civil Service Examination in them; and we had three copies of our own, till a little daughter married, and carried off one.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

James R. Lowell : [poems]

'You can't think how much I shall value Fireside Travels, (which only reached me during this past week,) now that I have got it of my "very very own" (as the children say,) and with that charming little bit of writing from you at the beginning. I don't mean that I did not delight in the book from the very first time I read a page in it; but the sense of property in it gives a double value, and the sense of successful beggary is very charming, though perhaps I ought to be ashamed. Only I am [italics] not [end italics], because I [italics] am [end italics] successful. I have known you so long! I knew serious poems of yours long ago, - twenty years or so; but my personal knowledge of you began in Rome 1857, - when (did you know it?) you and one other went about with the dear Storys, and me and mine up and down Rome [in the sense, it seems, that Charles Eliot Norton spoke much of Lowell - this is elaborated on...] Well then the Bigelow papers - I think I could stand a Civil Service Examination in them; and we had three copies of our own, till a little daughter married, and carried off one.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Unknown

  

James R. Lowell : Biglow Papers, The

'You can't think how much I shall value Fireside Travels, (which only reached me during this past week,) now that I have got it of my "very very own" (as the children say,) and with that charming little bit of writing from you at the beginning. I don't mean that I did not delight in the book from the very first time I read a page in it; but the sense of property in it gives a double value, and the sense of successful beggary is very charming, though perhaps I ought to be ashamed. Only I am [italics] not [end italics], because I [italics] am [end italics] successful. I have known you so long! I knew serious poems of yours long ago, - twenty years or so; but my personal knowledge of you began in Rome 1857, - when (did you know it?) you and one other went about with the dear Storys, and me and mine up and down Rome [in the sense, it seems, that Charles Eliot Norton spoke much of Lowell - this is elaborated on...] Well then the Bigelow papers - I think I could stand a Civil Service Examination in them; and we had three copies of our own, till a little daughter married, and carried off one.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

[n/a] : Pall Mall Gazette

'the P.M.Gs came all safe, & right, and are such a pleasure! they come [italics] through [end italics] Paris, and [italics] are [end italics] opened; but not considered objectionable I suppose.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Newspaper

  

Euripides : The Bacchae

'Baccae [sic] is far and away the best play of Euripides I have read.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Julia Mary Cartwright Ady : The Life and Works of Edward Burne-Jones, bart.

'I am just finishing the Life of B[urne-]. J[ones]. which begins to bore me slightly-not the Life, which is excellent, but the man.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Alice Stopford Green : Town Life in the Fifteenth Century

'I am reading, 'Your Life in 15 Century' Mrs J. R. Green.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

J.W. Mackail : Life of William Morris

'I am reading, ... "Life" of William Morris.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Austen Henry Layard : Nineveh

'I am reading, ... Layard's Nineveh.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

unknown : [History of Music]

'I am reading, ... "History of Music."'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Rhoda Broughton : Not Wisely but Too Well

'I am reading, ... "Not Wisely but too Well" by Miss Rhoda Broughton.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

 : The Windsor Magazine: An Illustrated Monthly for Men and Women

'I am reading, ... 2 bound volumes of the Windsor Magazine which I hire for 2d a week, a ridiculously cheap price.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Serial / periodical

  

Henry James : The Golden Bowl

'...- I spend 5 days of precious time toiling through Henry James' subtleties for Mrs Lyttleton, and write a very hardworking review for her...'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

William Cox Bennett : Baby May and Other Poems on Infants

'Allow me, Sir, to return you my best thanks for your Lyrical ballad, "The Triumph for Salamis", which I have just received. It [italics] looks [end italics] most tempting, and I mean to take it with me to Bolton Abbey, whither I am on the point of going. But independently of the intrinsic value of the poem, there is the great pleasure of receiving marks of approbation and sympathy from distant and unknown friends; (and such I may call you, may I not?) especially from one, first known to me through "Baby May" two or three years ago, but every poem of whose has made me feel to know and like him better and better.'

Unknown
Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      

  

William Cox Bennett : Triumph for Salamis, the: a lyrical ballad

'Allow me, Sir, to return you my best thanks for your Lyrical ballad, "The Triumph for Salamis", which I have just received. It [italics] looks [end italics] most tempting, and I mean to take it with me to Bolton Abbey, whither I am on the point of going. But independently of the intrinsic value of the poem, there is the great pleasure of receiving marks of approbation and sympathy from distant and unknown friends; (and such I may call you, may I not?) especially from one, first known to me through "Baby May" two or three years ago, but every poem of whose has made me feel to know and like him better and better.'

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      

  

Julius Hare : Guesses at Truth

'I have got the "Guesses at Truth", & thank you for them darling'.

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

[n/a] : Inquirer, The

'Can you tell who wrote the Review of Miss Martineau's letters in the (this week's) Inquirer signed I.R.'.

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Serial / periodical

  

[n/a] : Times, The

'All we know as yet is from the TIMES, speaking of deaths from cholera in 5th reg. "Senior Captain Duckworth dead". "Poor Capt Duckworth much lamented both by officers and men". That is all we know at present'.

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Newspaper

  

Charlotte Bronte : [letters]

'From what I can judge from the letters Mr Nicholls has entrusted me with, her [Charlotte Bronte's] very earliest way of expressing herself must have been different to common'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: NewspaperManuscript: Letter

  

Charlotte Bronte : [letters]

'The letters Mr Smith does send principally relate to the other Bronte's transactions with Newby, or else they are (very clever) criticism on Thackeray, man and writings.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Manuscript: Letter

  

Ellen Nussey : [account of Anne Bronte's death]

'Mama is so terribly busy that she really cannot find time to write to you, but she has asked me to do so for her, as she cannot bear that you should remain any longer unthanked for your most interesting account of Miss Anne Bronte's death at Scarborough, which she has had much peasure in reading, and which she hopes you will allow her to make use of in the Memoir.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Manuscript: Unknown

  

Charlotte Bronte : [letters]

'She has also received a packet of letters from Mr Williams (another London publisher, I believe), which she says are almost more beautiful than any others of Miss Bronte's that she has seen.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Manuscript: Letter

  

Philip Henry Stanhope, 5th Earl Stanhope, Lord Mahon : [unknown]

'All evening that I have been reading Lord Mahon aloud I have been thinking how I could rush home via Strasbourg & Paris to see her [Julia, her daughter, who was unwell] for myself.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

[unknown] : [French]

'After dinner Meta & Flossy did their German; & I read French'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

[unknown] : [letter to Marianne Gaskell]

'here is a letter for you, which I opened [italics] verily [end italics] by mistake at first. One came for Florence at the same time which I snatched up and I could not believe I should be equally unfortunate with the second, but when I saw yours it was irresistible to read it; quite by way of chaperonage of course, and not a bit for gossipry. However, there is not much news of any kind in it, as you will find.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Manuscript: Letter

  

John Ruskin : Modern Painters

'I am very much obliged to you indeed for so kindly and so speedily sending me the books I asked for, and which gave great delight to my daughter, when they arrived yesterday morning. I beg to enclose a Post Office Order for the amount.'

Century: 1850-1899     Reader/Listener/Group: Margaret Emily ('Meta') Gaskell      Print: Book

  

Julia Kavanagh : [possibly] French Women of Letters

'I am very much obliged to you for letting me see Miss Kavanagh's new work. I will take great care of it and return it before long.'

Century: 1850-1899     Reader/Listener/Group: Elizabeth Cleghorn Gaskell      Print: Book

  

Samuel Taylor Coleridge : Rime of the Ancient mariner, The

'[whilst watching a boat race at Eton] Meta said she thought of the verse in the Ancient Mariner "A Seraph band" &c, - for each figure was motionless and bright, & the smooth current bore them past so noiselessly & still.'

Century: 1850-1899     Reader/Listener/Group: Margaret Emily (Meta) Gaskell      Print: Book

  

 : [Romances]

'I continued two years with this man [an apothecary to whom he was apprenticed], I read Romances and learned to Bleed'.

Century: 1700-1799     Reader/Listener/Group: George Crabbe      Print: Book

  

 : [Novels and poetry]

'I read novels and poetry and began to contribute to Magazines and Diaries.'

Century: 1700-1799     Reader/Listener/Group: George Crabbe      Print: Book

  

 : [Latin medical books]

'I read much, collected Extracts & translated Latin Books of physic with a view of double improvement; I studied the Materia Medica, & made some progress in Botany; I dissected Dogs & fancied myself an Anatomist, quitting entirely Poetry Novels & Books of Entertainment'.

Century: 1700-1799     Reader/Listener/Group: George Crabbe      Print: Book

  

 : [botany books]

'I read much, collected Extracts & translated Latin Books of physic with a view of double improvement; I studied the Materia Medica, & made some progress in Botany; I dissected Dogs & fancied myself an Anatomist, quitting entirely Poetry Novels & Books of Entertainment'.

Century: 1700-1799     Reader/Listener/Group: George Crabbe      Print: Book

  

Gilbert Knowles : Materia medica botanica

'I read much, collected Extracts & translated Latin Books of physic with a view of double improvement; I studied the Materia Medica, & made some progress in Botany; I dissected Dogs & fancied myself an Anatomist, quitting entirely Poetry Novels & Books of Entertainment'.

Century: 1700-1799     Reader/Listener/Group: George Crabbe      Print: Book

  

Francois de La Rochefoucauld : Maximes

'The Frenchman who wrote Maxims says 'there is hardly anyone who does not repay great obligations with Ingratitude'.

Century: 1700-1799     Reader/Listener/Group: George Crabbe      Print: Book

  

George Crabbe : [funeral address for Duke of Rutland]

'I am desired by the Duchess of Rutland to Print a Discourse which I read at Belvoir-Chapel at the Funeral of the late Duke'.

Century: 1700-1799     Reader/Listener/Group: George Crabbe      Manuscript: Unknown

  

Michael Drayton : Polyolbion

'I think Drayton's Verses have a peculiar propriety in such work; his Subject being the same and his Poetry now becoming antient.' [Crabbe is alluding to his writing of introductory verses for a 'Natural History of the Vale of Belvoir', a collaboration with John Nichols]

Century: 1700-1799     Reader/Listener/Group: George Crabbe      Print: Book

  

Arthur Young : Six Month's Tour Through the North of England, A

'With this parcel we return Messrs Marshall and Young. some Observations from the former I lay by as matters to be inquired into but have taken nothing by way of Extract, so that all you intend to take may be put in the proper Place in your work, without Danger of Repetition' [Crabbe is alluding to his work on the 'Natural History of the Vale of Belvoir', a collaboration with John Nichols]

Century: 1700-1799     Reader/Listener/Group: George Crabbe      Print: Book

  

William Marshall : Rural Economy of the Midland Counties, The; Including the Management of Livestock in Leicestershire and its Environs'

'With this parcel we return Messrs Marshall and Young. some Observations from the former I lay by as matters to be inquired into but have taken nothing by way of Extract, so that all you intend to take may be put in the proper Place in your work, without Danger of Repetition' [Crabbe is alluding to his work on the 'Natural History of the Vale of Belvoir', a collaboration with John Nichols]

Century: 1700-1799     Reader/Listener/Group: George Crabbe      Print: Book

  

Johan Christian Fabricius : Systema entomologiae

'I do not perfectly understand Fabricius always, but I think his Genera more natural than those of any other Author; it is indeed almost impossible to follow him in the smaller insects through all the minutia of his researches, but admitting him to be right in these, his Disposition and discriptions [sic] are accurate. I [grant his] obscurity and the greater Facility of the method of Linn[aeus], but I find much to be pleased with in the Systema Entomologica Fabia and frequently recur to it'.

Century: 1700-1799     Reader/Listener/Group: George Crabbe      Print: Book

  

 : [newspapers]

'we know nothing of mankind, but from letters and Neswpapers, to the latter of which, in spite of my Verses & Witticisms, I have recourse for Information: sad Information now!' [Crabbe alludes to his satirical poem 'The Newspaper']

Century: 1700-1799     Reader/Listener/Group: George Crabbe      Print: Newspaper

  

Samuel Jackson Pratt : Lower World, The

'Mr Pratt Author of a poem called "the Lower World" & of divers other works in prose & rhyme sent to me his Book with obliging direction where to find a Line of Panegyric in the Performance. This was flattering & yet (on the common principles of human Nature) calculated to move Envy & stir up the angry movements of the spirit for I had but one solitary line of applause, virtuous, to be sure was my Muse denominated, but the Muse of Marmion had 3 lines'

Century: 1800-1849     Reader/Listener/Group: George Crabbe      Print: Book

  

 : Scotish Review, The

'by the way my dear Sir, why does the Scottish Reviewer (late Edinboro Quarterly) abuse me in his last Number? Whatever he may think, I am a very middling, wellish-disposed kind of Man, and not the profligate he would seem to hold forth, I thought the Business of these Gentlemen had been with our verse & prose & not with our Dispositions & Characters [...] possibly the Civility of the older Edinburgh Reviewer (of whom I also am ignorant) may have caused a fit of spleen for there is evidently among even the best of these Critics a Spirit of Opposition as well as Emulation & I think whichsoever of the two Reviews the Quarterly or Edinboro I read first on any Author whose Subject I am acquainted with, I can foretell what the rival brother will observe: this I have seen in their Examinations of you of myself of Miss Edgeworth'

Century: 1800-1849     Reader/Listener/Group: George Crabbe      Print: Serial / periodical

  

 : Edinburgh Review

'by the way my dear Sir, why does the Scottish Reviewer (late Edinboro Quarterly) abuse me in his last Number? Whatever he may think, I am a very middling, wellish-disposed kind of Man, and not the profligate he would seem to hold forth, I thought the Business of these Gentlemen had been with our verse & prose & not with our Dispositions & Characters [...] possibly the Civility of the older Edinburgh Reviewer (of whom I also am ignorant) may have caused a fit of spleen for there is evidently among even the best of these Critics a Spirit of Opposition as well as Emulation & I think whichsoever of the two Reviews the Quarterly or Edinboro I read first on any Author whose Subject I am acquainted with, I can foretell what the rival brother will observe: this I have seen in their Examinations of you of myself of Miss Edgeworth'

Century: 1800-1849     Reader/Listener/Group: George Crabbe      Print: Serial / periodical

  

Walter Scott : Rokeby

'I derived a three fold Pleasure from the Receipt of Rokeby, first from the book itself, the Article, the thing sold and bought, & for this I know how much I am indebted [;] not so for the 2d part of the favour, the Pleasure of the perusal, nor for the 3d, the Honour of the present: but in more direct terms my dear Sir I do sincerely & heartily thank you & I beg of you likewise to accept the Thanks of my Household Mrs Crabbe & her Sons'. [Crabbe goes on to say how 'we had scarsely gratified our own Curiosity' when petitions from villagers to borrow the boook began]

Century: 1800-1849     Reader/Listener/Group: George Crabbe      Print: Book

  

Samuel Jackson Pratt : Sympathy; a Poem

'Mr Pratt & I began to write nearly about the same time & his Sympathy & my Village were [cancelled] nearly [ end cancelled] contemporaries, but this soon ceased & I was outrun in the first Season nor has his diligent Muse or whatever Spirit it be, ceased to prompt his ready Pen from that time to almost this present: The Lower World terminates his poetical career where Scott & Crabbe are handed down to'

Century: 1800-1849     Reader/Listener/Group: George Crabbe      Print: Unknown

  

Walter Scott : Lay of the Last Minstrel, The

'[Crabbe relates how he has had a letter from a Lady who] 'enjoins and adjures me to go instantly & climb the Mountains & penetrate the Defiles & in short embue my Mind with the grand northern Scenery that they may appear in my beautiful and ---- now if this anonymous Lady had read the "Lay" or any one of the four finest descriptive poems & of that very Scenery in our Language, with what kind of Taste & Judgment could she so call upon me & if she have not read them, she had only to enquire of the first reading Friend she met, but thus People judge, if a Man has acquired the Knack of painting a Tinkers Hov[el] how admirably would he describe the ruins of Balbu'

Century: 1800-1849     Reader/Listener/Group: George Crabbe      Print: Book

  

Walter Scott : Marmion

'[Crabbe relates how he has had a letter from a Lady who] 'enjoins and adjures me to go instantly & climb the Mountains & penetrate the Defiles & in short embue my Mind with the grand northern Scenery that they may appear in my beautiful and ---- now if this anonymous Lady had read the "Lay" or any one of the four finest descriptive poems & of that very Scenery in our Language, with what kind of Taste & Judgment could she so call upon me & if she have not read them, she had only to enquire of the first reading Friend she met, but thus People judge, if a Man has acquired the Knack of painting a Tinkers Hov[el] how admirably would he describe the ruins of Balbu'

Century: 1800-1849     Reader/Listener/Group: George Crabbe      Print: Book

  

Walter Scott : Lady of the Lake, The

'[Crabbe relates how he has had a letter from a Lady who] 'enjoins and adjures me to go instantly & climb the Mountains & penetrate the Defiles & in short embue my Mind with the grand northern Scenery that they may appear in my beautiful and ---- now if this anonymous Lady had read the "Lay" or any one of the four finest descriptive poems & of that very Scenery in our Language, with what kind of Taste & Judgment could she so call upon me & if she have not read them, she had only to enquire of the first reading Friend she met, but thus People judge, if a Man has acquired the Knack of painting a Tinkers Hov[el] how admirably would he describe the ruins of Balbu'

Century: 1800-1849     Reader/Listener/Group: George Crabbe      Print: Book

  

Walter Scott : Rokeby

'[Crabbe relates how he has had a letter from a Lady who] 'enjoins and adjures me to go instantly & climb the Mountains & penetrate the Defiles & in short embue my Mind with the grand northern Scenery that they may appear in my beautiful and ---- now if this anonymous Lady had read the "Lay" or any one of the four finest descriptive poems & of that very Scenery in our Language, with what kind of Taste & Judgment could she so call upon me & if she have not read them, she had only to enquire of the first reading Friend she met, but thus People judge, if a Man has acquired the Knack of painting a Tinkers Hov[el] how admirably would he describe the ruins of Balbu'

Century: 1800-1849     Reader/Listener/Group: George Crabbe      Print: Book

  

Horace Smith : Horace in London

'I have a present of the poetical Register no 7 as a testimony of respect & therein I find [italics] Horace in London [end italics]. A friend has previously mentioned the work but in high terms that occurred [italics] too [end italics] often as I read, yet there is, (no Question), Ability & music in this Mock-bird, or rather these, for there are two I am told Messrs Smiths, Brothers & Authors of ye rejected Addresses where you & I & Mr Southey & I know not who shine in the eye of the public, & Wordsworth whom I read & laughed at till I caught a touch of his disease & now really like many of the Simplicities'

Century: 1800-1849     Reader/Listener/Group: George Crabbe      Print: Serial / periodical

  

Horace Smith : Rejected Addresses

'I have a present of the poetical Register no 7 as a testimony of respect & therein I find [italics] Horace in London [end italics]. A friend has previously mentioned the work but in high terms that occurred [italics] too [end italics] often as I read, yet there is, (no Question), Ability & music in this Mock-bird, or rather these, for there are two I am told Messrs Smiths, Brothers & Authors of ye rejected Addresses where you & I & Mr Southey & I know not who shine in the eye of the public, & Wordsworth whom I read & laughed at till I caught a touch of his disease & now really like many of the Simplicities'

Century: 1800-1849     Reader/Listener/Group: George Crabbe      Print: Unknown

  

William Wordsworth : [poems]

'I have a present of the poetical Register no 7 as a testimony of respect & therein I find [italics] Horace in London [end italics]. A friend has previously mentioned the work but in high terms that occurred [italics] too [end italics] often as I read, yet there is, (no Question), Ability & music in this Mock-bird, or rather these, for there are two I am told Messrs Smiths, Brothers & Authors of ye rejected Addresses where you & I & Mr Southey & I know not who shine in the eye of the public, & Wordsworth whom I read & laughed at till I caught a touch of his disease & now really like many of the Simplicities'

Century: 1800-1849     Reader/Listener/Group: George Crabbe      Print: Unknown

  

Samuel Taylor Coleridge : Rime of the Ancient Mariner, The

'there is one Story if story it may be called, that Shape or Limb, Beginning or End has none, "The ancient Mariner or poets Reverie" written by a friend [of Wordsworth] (Mr Lambe?) & the Reason for my pointing it out to your notice if perchance you have not dwelt on its Singularities, is this that it does not describe Madness by its effects but by Imitation, as if a painter to give a picture of Lunacy should make his Canvas crazy, & fill it with wild unconnected Limbs & Distortions of features, & yet one or two of the Limbs are pretty'

Century: 1800-1849     Reader/Listener/Group: George Crabbe      Print: Book

  

Walter Scott : Lord of the Isles, The

'I will not mention my own nor my son's Judgment upon the Poem, which in spite of my Prohibition he stole for a solitary Perusal and came boasting, at the End of the first Book of the Discovery he made there in those admirable Verses but he soon found that he had no peculiar Discernment.'

Century: 1800-1849     Reader/Listener/Group: George Crabbe      Print: Book

  

Robert Browning : Dramatic Romances and Lyrics

Walter Savage Landor to Robert Browning, letter postmarked 10 November 1845: 'Before I have half re[a]d through your Dramatic Romances, I must acknowledge the delight I am receiving [...] What a profusion of imagery, covering what a depth of thought!'

Century: 1800-1849     Reader/Listener/Group: Walter Savage Landor      Print: Book

  

Walter Scott : Waverley; or, Tis Sixty Years Since

'We talk of Waverly [sic] and Guy Mannering: Lady Jersey sent me the former [italics] as yours [end italics]. I vote with the Multitude, yet some pretend to know more & talk of revisals & amendments. I have a private Reason for my Opinion viz. my own Vanity. who but a friend would haved quoted me so often & once in a peculiar Manner? - I ask no Question! I ought not but I tell you what we say & think. Waverley may be best but Guy is most entertaining.'

Century: 1800-1849     Reader/Listener/Group: George Crabbe      Print: Book

  

Walter Scott : Guy Mannering

'We talk of Waverly [sic] and Guy Mannering: Lady Jersey sent me the former [italics] as yours [end italics]. I vote with the Multitude, yet some pretend to know more & talk of revisals & amendments. I have a private Reason for my Opinion viz. my own Vanity. who but a friend would haved quoted me so often & once in a peculiar Manner? - I ask no Question! I ought not but I tell you what we say & think. Waverley may be best but Guy is most entertaining.'

Century: 1800-1849     Reader/Listener/Group: George Crabbe      Print: Book

  

Caroline Lamb : Glenarvon

'I have now read the remainder [underlined twice] nearly [end underlining] of Glenarvon! & should not give th[e Wr]iter as an Example of the good Ladies: the [wo]man absolutely holds forth the doctrine of [irre]sistable Passion, & that if Lady Avondale falls desperately in love with Lord Glenarvon, after marrying the Man of her own Choice, there is no help for it: if he spare her, well & good! if not she must fall! charming Morality & such as my dear Miss Houltons will never be taught.'

Century: 1800-1849     Reader/Listener/Group: George Crabbe      Print: Book

  

Mary Leadbeter : [unknown]

'you can write: They really are very admirable Things and the Morality is as pure & useful as the literary merit is conspicuous: I am not sure that I have read all you have given us; but what I have read has really that rare and almost indifineable Quality Genius; that is to say, it Seizes on the Mind & commands Attention, & on the Heart & compels its feelings.'

Century: 1800-1849     Reader/Listener/Group: George Crabbe      Print: Book

  

Edmund Malone : [unknown]

'Mr Boswell the younger. Malone's papers.'

Century: 1800-1849     Reader/Listener/Group: George Crabbe      Manuscript: Unknown

  

[unknown] : [pamphlet]

'Read the pamphlet Mr Boswell recommended:, natural, certainly, and the man had too much provocation for his act.'

Century: 1800-1849     Reader/Listener/Group: George Crabbe      

  

Maria Graham : Journal of A Residence in India

[present at dinner at Mr Murray's was] 'The Mrs Graham who wrote the lively India Journal, a delightful woman!'

Century: 1800-1849     Reader/Listener/Group: George Crabbe      Print: Book

  

Maria Edgeworth : [Dramas]

'Read Miss Edgeworth's dramas'.

Century: 1800-1849     Reader/Listener/Group: George Crabbe      Print: Book

  

Amelia Alderson Opie : Father and Daughter, The: a Tale in Prose, with an Epistle from the Maid of Corinth to her Lover, and Other Poetical Pieces

'I went to Norwich & past two Days with Mrs Opie who has written some pleasant books, particularly the [italics] Father & Daughter [end italics].'

Century: 1800-1849     Reader/Listener/Group: George Crabbe      Print: Book

  

Samuel Rogers : Human Life

'I have thought of your lines, and will claim your pardon when I suggest another alteration. The boy and the butterfly, though a beautiful, is a common image; and harebells have not only the same objection, but they are so seldom seen in cultivated ground that the name brings the idea of a wood or wild scene. I therefore prefer the boy's pursuit of insects and flowers in general to these particular instances.'

Century: 1800-1849     Reader/Listener/Group: George Crabbe      Manuscript: Unknown

  

George Crabbe : [verses]

'I assure you she [Mrs Murray] was a Shield to me on the Night when I read my Verses.' [to Murray and others, prior to agreeing on their publication]

Century: 1800-1849     Reader/Listener/Group: George Crabbe      Manuscript: Unknown

  

George Crabbe : Tales from the Hall

'I received yours this Morning as I was reading pages 85-113 in the M.S.'

Century: 1800-1849     Reader/Listener/Group: George Crabbe      Manuscript: Unknown

  

Samuel Rogers : Human Life, A Poem

'I found your Poem some days before at Mr Hoare's who has paid his Annual Visit to Bath. Give me full Credit when I assure you that I heard, no inferior or ordinary Judge speak feelingly, warmly and accurately of the Verses. Those on Page 41 are most admired by Ladies who feel tenderly & correctly & indeed, though I have other passages in as high Estimation & indeed higher, I am [underlined twice] not [end underlining] insensible to the Images which those lines Excite'.

Century: 1800-1849     Reader/Listener/Group: George Crabbe      Print: Book

  

Francis Jeffrey : [review of Crabbe's 'Tales from the Hall']

'[Critics] have been as graciously disposed towards me as I could expect. The Edinborough more particularly who have praised me into some Reputation for writing Lyrical Verses, that is to say, Songs, a Talent with which I did not previously flatter myself that I was I possession of & it is marvelous how much even acute Readers are led & influenced by these periodical Critics who dictate to us all more than perhaps any of us are willing to allow.'

Century: 1800-1849     Reader/Listener/Group: George Crabbe      Print: Serial / periodical

  

Henry Gally Knight : Alashtar, an Arabian Tale [?]

'A Mr Gally Knight the Author of a Book of very fair Poetry, told me a Story which He thought would suit me [as the basuis of a poem]'

Century: 1800-1849     Reader/Listener/Group: George Crabbe      Print: Book

  

Washington Irving : [Works]

'Mr Murray made me a present of the 5 Octavo Vols of Mr Irvings Works, the Sketch-Book & some others: I do understand this but it is not of Importance that I should'

Century: 1800-1849     Reader/Listener/Group: George Crabbe      Print: Book

  

Henry Mackenzie : Man of Feeling, The

'Here is Mr Mackensie - with the Surprise I heard it - the Author of "the Man of Feeling" & indeed he is so called.'

Century: 1800-1849     Reader/Listener/Group: George Crabbe      Print: Book

  

[unknown] : [Miscellany]

'Mr Blackwood the Editor of the Magazine which goes under his Name & who this Morning - in Modo Mr Murray of London - very kindly prest me to accept a Volume & a very pleasing Volume of Miscellanies which I will take with me if I live to reach Trowbridge again.'

Century: 1800-1849     Reader/Listener/Group: George Crabbe      Print: Book

  

[unknown] : [poetry]

'With your Letter I found a Parcel containing 2 vols of Poetry from a Gentleman who some time since wrote to me upon the Subject: it is rather unmerciful, but I must bear it.'

Century: 1800-1849     Reader/Listener/Group: George Crabbe      Print: Book

  

[n/a] : Blackwood's Edinburgh Magazine

'I will not forget Blackwood's Magazine, for though you will not approve much you will certainly be entertained by some Things.'

Century: 1800-1849     Reader/Listener/Group: George Crabbe      Print: Serial / periodical

  

Patrick Keith : Systems of Physiological Botany

'I like the books which we purchased though the Physiological Botany is rather too minute & supposes the Reader a Learner indeed. The Travels are I think really good & good humoured. Faust was not so terrific as I apprehended from the seduction of a Philosopher by an evil Spirit. I verily think that Business is conducted better (than in far more ostentatious works) in the Arabian Tales, (not Nights) where a pious old Lady is wrought upon by her Vanity into Compliance with a Devil who takes the Character of a pious old Man:I want this second part of these strange Tales & to have done with the Subject of Books I treated myself with Warton's History of Poetry: I have long wished for it, but the Quarto edition was so dear £ 5 that I waited for a Octavo & it is just published: it has a great deal of dull Matter but with much Information & Amusement & moreover it is in the way of my Vocation. There is a good Print of the Author & John having seen that, I believe has no wish to look a page further.'

Century: 1800-1849     Reader/Listener/Group: George Crabbe      Print: Book

  

[unknown] : [Travels]

'I like the books which we purchased though the Physiological Botany is rather too minute & supposes the Reader a Learner indeed. The Travels are I think really good & good humoured. Faust was not so terrific as I apprehended from the seduction of a Philosopher by an evil Spirit. I verily think that Business is conducted better (than in far more ostentatious works) in the Arabian Tales, (not Nights) where a pious old Lady is wrought upon by her Vanity into Compliance with a Devil who takes the Character of a pious old Man:I want this second part of these strange Tales & to have done with the Subject of Books I treated myself with Warton's History of Poetry: I have long wished for it, but the Quarto edition was so dear £ 5 that I waited for a Octavo & it is just published: it has a great deal of dull Matter but with much Information & Amusement & moreover it is in the way of my Vocation. There is a good Print of the Author & John having seen that, I believe has no wish to look a page further.'

Century: 1800-1849     Reader/Listener/Group: George Crabbe      Print: Book

  

Johan Wolfgang von Goethe : Faust

'I like the books which we purchased though the Physiological Botany is rather too minute & supposes the Reader a Learner indeed. The Travels are I think really good & good humoured. Faust was not so terrific as I apprehended from the seduction of a Philosopher by an evil Spirit. I verily think that Business is conducted better (than in far more ostentatious works) in the Arabian Tales, (not Nights) where a pious old Lady is wrought upon by her Vanity into Compliance with a Devil who takes the Character of a pious old Man:I want this second part of these strange Tales & to have done with the Subject of Books I treated myself with Warton's History of Poetry: I have long wished for it, but the Quarto edition was so dear £ 5 that I waited for a Octavo & it is just published: it has a great deal of dull Matter but with much Information & Amusement & moreover it is in the way of my Vocation. There is a good Print of the Author & John having seen that, I believe has no wish to look a page further.'

Century: 1800-1849     Reader/Listener/Group: George Crabbe      Print: Book

  

Denis Chavis : Arabian Tales; or, A Continuation of The Arabian Nights Entertainments

'I like the books which we purchased though the Physiological Botany is rather too minute & supposes the Reader a Learner indeed. The Travels are I think really good & good humoured. Faust was not so terrific as I apprehended from the seduction of a Philosopher by an evil Spirit. I verily think that Business is conducted better (than in far more ostentatious works) in the Arabian Tales, (not Nights) where a pious old Lady is wrought upon by her Vanity into Compliance with a Devil who takes the Character of a pious old Man:I want this second part of these strange Tales & to have done with the Subject of Books I treated myself with Warton's History of Poetry: I have long wished for it, but the Quarto edition was so dear £ 5 that I waited for a Octavo & it is just published: it has a great deal of dull Matter but with much Information & Amusement & moreover it is in the way of my Vocation. There is a good Print of the Author & John having seen that, I believe has no wish to look a page further.'

Century: 1800-1849     Reader/Listener/Group: George Crabbe      Print: Book

  

Thomas Warton : History of English Poetry, The

'I like the books which we purchased though the Physiological Botany is rather too minute & supposes the Reader a Learner indeed. The Travels are I think really good & good humoured. Faust was not so terrific as I apprehended from the seduction of a Philosopher by an evil Spirit. I verily think that Business is conducted better (than in far more ostentatious works) in the Arabian Tales, (not Nights) where a pious old Lady is wrought upon by her Vanity into Compliance with a Devil who takes the Character of a pious old Man:I want this second part of these strange Tales & to have done with the Subject of Books I treated myself with Warton's History of Poetry: I have long wished for it, but the Quarto edition was so dear £ 5 that I waited for a Octavo & it is just published: it has a great deal of dull Matter but with much Information & Amusement & moreover it is in the way of my Vocation. There is a good Print of the Author & John having seen that, I believe has no wish to look a page further.'

Century: 1800-1849     Reader/Listener/Group: George Crabbe      Print: Book

  

William Hazlitt : Liber Amoris, or the New Pygmalion

'I have just read the "Liber Amoris" of (as we are told) Mr Hazlet: it is strange that any Man could write & marvelous that he could publish such History of his own Weakness, Vice and Gullibility'

Century: 1800-1849     Reader/Listener/Group: George Crabbe      Print: Book

  

Johann C. Spurzheim : Phrenology

'I have been engaged by Spurzheims new Edition of his Phrenology: he does not write English Accurately & even where I understand, I cannot always agree & that in Assertions which do not immediately relate to the Science to which I lean sceptically.'

Century: 1800-1849     Reader/Listener/Group: George Crabbe      Print: Book

  

Abraham Scott : Calvinistic Doctrines Refuted

'I thank you for your Letter & Mr Scott's Treatise. True! I agree with him in his principal Idea, though even there I do not like the Expression that Regeneration must precede Faith, but it is his Intricacy and his so strongly contending that Things must be as he has stated. There is too much of the Logician & though he is in Earnest, It is with the spirit of one who Fights for the Truth & loves the Fighting. He narrows the way & then what plain unlettered Christian is able to comprehend his Meaning? I do not say He is wrong, but I have no Doubt of there being many who differ very much from him & yet [5X] equal Reasons may be urged for them. In fact tho' I can but accord with Mr Scott on the Nature of saving Faith as distinguished from unproductive Belief, yet there is much in his tract which I do not understand & not a little which I cannot agreed to. see his Definition of Faith Page 9-10'

Century: 1800-1849     Reader/Listener/Group: George Crabbe      Print: Book

  

[n/a] : Morning Herald, The

'The public opinion [of the trial of Catherine Cook, a servant convicted of theft] is, I think, expressed in the Morning Herald. Other papers I do not see, except the provincial.'

Century: 1800-1849     Reader/Listener/Group: George Crabbe      Print: Newspaper

  

Horace Smith : Gaieties and Gravities; A Series of Sketches, Comic Tales, and Fugitive Vagaries

'How are you supplied with Books; I have some from Bath, but I begin to be weary of toil & Humour. yet Mr Reynolds was amusing: "not so Gayeties & Gravities" an affected work & here is the journal of a young Officer but not yet read: a pretty good Quarterly Review & John's Gentleman's Magazine'

Century: 1800-1849     Reader/Listener/Group: George Crabbe      Print: Book

  

Reynolds : [unknown]

'How are you supplied with Books; I have some from Bath, but I begin to be weary of toil & Humour. yet Mr Reynolds was amusing: "not so Gayeties & Gravities" an affected work & here is the journal of a young Officer but not yet read: a pretty good Quarterly Review & John's Gentleman's Magazine'

Century:      Reader/Listener/Group: George Crabbe      Print: Book

  

[n/a] : Quarterly Review

'How are you supplied with Books; I have some from Bath, but I begin to be weary of toil & Humour. yet Mr Reynolds was amusing: "not so Gayeties & Gravities" an affected work & here is the journal of a young Officer but not yet read: a pretty good Quarterly Review & John's Gentleman's Magazine'

Century: 1800-1849     Reader/Listener/Group: George Crabbe      Print: Serial / periodical

  

William Lisle Bowles : Parochial History of Bremhill, The

'The reason for my not mentioning the History of Bremhill was this. I had not read at that time more than a very few pages: I knew nothing of Wansdike, nothing of Tanhill, and could not have told in what county, scarcely in what kingdom, were Avebury and Silbury [Crabbe details his activities whilst not reading the book] I am not a reader of topgraphy, though at one time I corresponded with John Nichols. I always had an opinion that it was extremely dull and I even now suspect that yours is not the genuine sort, for I understand you very well and to say nothing of the knowledge acquired, have been amused. The account of parishes and their "fat rectors" is most assuredly correct, lamentably correct [...] Your natural history and more especially your account of Kelloway rock revived in me the desire of seeng that part of the county [but, he says, his health prevents this] I read the more learned portion of the work with all the interest I could acquire and really by the time I had finished the notes on Chap. 2nd I conceived that I understood the matter like a contributor to the Gentleman's Magazine. I mean in its pristine glory. [Crabbe then praises Bowles for inspiring feeling in his readers, which is unusual for those who write on monuments] But seriously, though I like your book the better because it engages me by subjects which I partly understand, yet I dare not affirm that a rigid antiquary would approve any portion of the work, except that which I either do not comprehend or cannot relish....'

Century: 1800-1849     Reader/Listener/Group: George Crabbe      Print: Book

  

Edward Copleston : Inquiry into the Doctrines of Necessity & Predestination

'I think you do not mean the Treatise of Copplestone that I do, for I see nothing in his Discourses of Necessity and Contingency, of Predestination & Free-will, which are his Subjects,that I do not cordially assent to. He pretends not to see farther into the mill-stone than you & I do. I may read the Cardiophonia of Mr Newton as you recommend it, but the Title offends my Taste & who could guess what Cardiophonia was about? - I have been engaged by the confessions of St Augustine in Milner's History of the Church: the piety is impressive and the Story of his philosophic-Life & Conversation, curious: His "City of God" I expect to find very interesting.'

Century: 1800-1849     Reader/Listener/Group: George Crabbe      Print: Book

  

Joseph Milner : History of the Church of Christ

'I think you do not mean the Treatise of Copplestone that I do, for I see nothing in his Discourses of Necessity and Contingency, of Predestination & Free-will, which are his Subjects,that I do not cordially assent to. He pretends not to see farther into the mill-stone than you & I do. I may read the Cardiophonia of Mr Newton as you recommend it, but the Title offends my Taste & who could guess what Cardiophonia was about? - I have been engaged by the confessions of St Augustine in Milner's History of the Church: the piety is impressive and the Story of his philosophic-Life & Conversation, curious: His "City of God" I expect to find very interesting.'

Century: 1800-1849     Reader/Listener/Group: George Crabbe      Print: Book

  

John Newton : Cardiphonia, or Utterance of the Heart

'I think you do not mean the Treatise of Copplestone that I do, for I see nothing in his Discourses of Necessity and Contingency, of Predestination & Free-will, which are his Subjects,that I do not cordially assent to. He pretends not to see farther into the mill-stone than you & I do. I may read the Cardiophonia of Mr Newton as you recommend it, but the Title offends my Taste & who could guess what Cardiophonia was about? - I have been engaged by the confessions of St Augustine in Milner's History of the Church: the piety is impressive and the Story of his philosophic-Life & Conversation, curious: His "City of God" I expect to find very interesting.'

Century: 1800-1849     Reader/Listener/Group: George Crabbe      Print: Book

  

[unknown] : [book on witchcraft trials]

'That is a curious kind of Hallucination which Miss B. discovers in her Addresses to imaginary Beings: it comes very near to a case I read, long since, in the Trials of Witches, a book wh I should like to see again'. [Crabbe outlines the witchcraft case in question]

Century: 1800-1849     Reader/Listener/Group: George Crabbe      Print: Book

  

 : 

'You and I both love reading, and it is well for me that I do; but at your time reading is but one employment, whereas with me it is almost all. And yet I often ask myself, at the end of my volumes, - Well! what am I the wiser, what the better, for this? Reading for amusement only, and, as it is said, merely to kill time, is not the satisfaction of a reasonable being. At your age, my dear Caroline, I read every book which I could procure. Now, I should wish to procure only such as are worth reading; but I confess I am frequently disappointed'.

Century: 1800-1849     Reader/Listener/Group: George Crabbe      Print: Book

  

Christopher Benson : Hulsean Lectures for 1822: On Scripture Difficulties; Twenty Discourses

'Have you met with a Work called Scripture Difficulties? - C. Benson in the Hulsean Lectures?'

Century: 1800-1849     Reader/Listener/Group: George Crabbe      Print: Book

  

[unknown] : [unknown work on religious enthusiasm]

'I am reading & have nearly read, a Work upon Enthusiasm, [the] 3d Edition, the author unknown to me, but a thinking Man of good Sense & a stedd[y] Believer in what he does believe, which is not all that imaginative people [suppose.] He thinks the spread of Christianity over the World is rapidly going on with ev[ry] Prospect of Success, & that Every Believer should be a persuader & maker of Converts as far as his Abilities & powers &c extend-'

Century: 1800-1849     Reader/Listener/Group: George Crabbe      Print: Book

  

[n/a] : [newspapers at time of Reform debate]

'I read the papers, Reviews &c &c and cannot help perceiving strong prejudices on both Sides of the Reform Question. Blackwoods last Number, Numbers I should say for there are 2 for the present Month & one filled with Reviews & Remarks on this Bill. With him it is Ruin: with his Opponents it is Renovation.'

Century: 1800-1849     Reader/Listener/Group: George Crabbe      Print: Newspaper

  

[n/a] : Blackwoods Edinburgh Magazine

'I read the papers, Reviews &c &c and cannot help perceiving strong prejudices on both Sides of the Reform Question. Blackwoods last Number, Numbers I should say for there are 2 for the present Month & one filled with Reviews & Remarks on this Bill. With him it is Ruin: with his Opponents it is Renovation.'

Century: 1850-1899     Reader/Listener/Group: George Crabbe      Print: Serial / periodical

  

George Crabbe : Lady Barbara

'So you have been reading my almost forgotten stories - Lady Barbara and Ellen! I protest to you their origin is lost to me, and I must read them myself before I can apply your remarks.'

Century: 1800-1849     Reader/Listener/Group: George Crabbe      Print: Book

  

George Crabbe : Ellen

'So you have been reading my almost forgotten stories - Lady Barbara and Ellen! I protest to you their origin is lost to me, and I must read them myself before I can apply your remarks.'

Century: 1800-1849     Reader/Listener/Group: George Crabbe      Print: Book

  

George Crabbe : [sermons]

'I have not done much with the Sermons you sent me nor after the Bristol Huricanes Would you expect it, still I have not been altogether idle, for vamping old Sermons is to me no unpleasant kind of Employment.'

Century: 1800-1849     Reader/Listener/Group: George Crabbe      Manuscript: Unknown

  

Samuel Taylor Coleridge : Dejection: An Ode

'last night [Barker] read me Coleridge's "Ode on Dejection" which is very beautiful in parts. It exactly expresses those bad negative states in which one looks and sees nothing - the "grief without a pang".'

Century: 1900-1945     Reader/Listener/Group: George Barker      Print: Book

  

George Meredith : The Ordeal of Richard Feverel

Leonard Woolf to Lytton Strachey, 2 August 1911: 'Les Freres Karamazov is one of the greatest of novels [...] Have you read it? & the extraordinary speech of Ivan about Christ & Christianity & socialism which goes on without stopping for about 50 pages? I am halfway through. The Agamemnon is childish compared to it. I read it in trains & on steamers in inextricable fjords & on great lakes, very slowly, as befits it, in perpetual sunshine; I shall never finish it I think or perhaps it will never end. And Edgar [Woolf] is always sitting by me reading the Ordeal of Richard Feverel [...] We went up the coast from Gotenberg towards Norway [...] Then we wandered up a fjord to a detestable town called Uddevala [...] Then we took a toy steamboat & sailed over the lake [...] to Leksamd & thence here [Raatvik]. It was pleasant to sit on deck reading Les Freres at the rate of a page an hour, gliding past the shores from which the fair haired naked men & women perpetually waved their hands to us.'

Century: 1900-1945     Reader/Listener/Group: Edgar Woolf      Print: Book

  

 : The Strand Magazine

Leonard Woolf to Molly MacCarthy, 28 September 1912: 'Virginia is very lazy, she's lying on a sofa eating chocolates & reading & looking at pictures, including her own portrait, in the Strand Magazine.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Serial / periodical

  

 : The Life of Mrs Humphry Ward

Leonard Woolf to Lytton Strachey, describing routine at home at Asheham, 25 April 1913: 'After dinner Virginia reads the Life of Mrs Humphry Ward & I the Poor Law Minority Report.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Lytton Strachey : Life of Cardinal Manning

Leonard Woolf to Virginia Woolf, 13 March 1914: 'Lytton read me last night what he had written about Manning. It's very good & amusing.'

Century: 1900-1945     Reader/Listener/Group: Giles Lytton Strachey      Manuscript: Unknown

  

Laetitia Pilkington : To The Hon. Colonel Duncombe

[LP reproduces her poem 'to the Hon. Colonel Duncombe', which she sent to Lord Augustus Fitz Roy] 'Lord Augustus did not fail to shew the Lines to all the Noblemen at [italics] White's[end italics], who heartily bantered the Colonel on his Generosity to his Mistress'.

Century: 1700-1799     Reader/Listener/Group: Augustus, Lord Fitzroy      Manuscript: Unknown

  

[unknown] : [unknown]

[Having agreed to let her landlady lodge a Dr Turnbull in her (LP's) bedchamber] 'I went up to my own Apartment, where I found the Doctor reading'

Century: 1700-1799     Reader/Listener/Group: George Turnbull      Print: Book

  

Laetitia Pilkington : [Poems]

'A short while after he went down Stairs, he sent his Compliments up, and begg'd I would lend him a Book to amuse himself till Bed-time, so being willing to cultivate the good Opinion he seem'd to have conceiv'd of me, I sent him my own Poems in Manuscript, which, pardon my Vanity, did not fail to confirm it'.

Century: 1700-1799     Reader/Listener/Group: George Turnbull      Manuscript: Unknown

  

J. Walsh : [letter professing to be from Matthew Pilkington's lawyer]

'I ventured to communicate to him [Dr Turnbull] Mr [italics] Walsh[end italics]'s Letter; the Doctor lifted up his Hands and Eyes to Heaven, and seem'd as much shocked by the Perfidiousness of the Wretch, as I had been; for whoever wrote the Letter, it was certainly done by Mr [italics] Pilkington[end italics]'s direction.' [a letter signed J. Walsh making false accusations about LP, such as that she had murdered her father]

Century: 1700-1799     Reader/Listener/Group: George Turnbull      Manuscript: Letter

  

Laetitia Pilkington : Apology for the Minister, An

[Mr Rooke tells LP] 'as I had, in the Shop, read your [italics] Apology for the Minister [end italics], I was greatly surprized to hear it was the Product of a Lady's Pen'

Century: 1700-1799     Reader/Listener/Group: George Rooke      

  

[n/a] : [newspapers]

[Mr Rooke gives an account of his average day] 'I rise about Nine, drink Coffee, not that I like it, but that it gives a Man the Air of a Politician, for the same Reason I always read the News; - then I dress, and, about Twelve go to the [italics] Cocoa-Tree [end italics], where I talk Treason; from thence to [italics] St James's Coffee-house [end italics], where I praise the Ministry; then to [italics] White's [end italics], where I talk Gallantry; so by Three, I return home to Dinner; after that, I read about an Hour, and digest the Book and the Dinner together'

Century: 1700-1799     Reader/Listener/Group: George Rooke      Print: Newspaper

  

[unknown] : [unknown]

[Mr Rooke gives an account of his average day] 'I rise about Nine, drink Coffee, not that I like it, but that it gives a Man the Air of a Politician, for the same Reason I always read the News; - then I dress, and, about Twelve go to the [italics] Cocoa-Tree [end italics], where I talk Treason; from thence to [italics] St James's Coffee-house [end italics], where I praise the Ministry; then to [italics] White's [end italics], where I talk Gallantry; so by Three, I return home to Dinner; after that, I read about an Hour, and digest the Book and the Dinner together'

Century: 1700-1799     Reader/Listener/Group: George Rooke      Print: Book

  

Virginia Woolf : "memoir of Old Bloomsbury"

'After dinner, (a delicious dinner), Virginia read us her memoir of Old Bloomsbury. She had read it to me already at Saulieu, but I loved hearing it again; I want you to hear it.'

Unknown
Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      

  

Samuel Rutherford Crockett : The Surprising Adventures of Sir Toady Lion

E. M. Forster to Alice Clara Forster, 13 February 1898: 'Have you read Crockett's new book, the Adventures of Sir Toady Lion? It is splendid: a child's story, & reminds me of the times I used to have with Ansell & Frankie [neighbours].'

Century: 1850-1899     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Jane Austen : Northanger Abbey

E. M. Forster to Laura Mary Forster, 3 March 1898: 'I will tell how I spent my prize money. I got Browning's Poems in two volumes, two volumes of Jebb's Sophocles, Kugler's History of Italian Painting in two volumes, and last but not least Jane Austen in 10 volumes. It is such a lovely edition, in green cloth with beautiful print and paper, and each volume is very light to hold [...] Each novel goes into two volumes, except Persuasion & Northanger Abbey, who only take one. I am reading the latter again, & I am more delighted with it than ever.'

Century: 1850-1899     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Edward Morgan Forster : "The Greek Feeling for Nature"

E. M. Forster to Laura Mary Forster, 3 March 1898: 'I have just read a paper to the Classical Society on "The Greek Feeling for Nature"; everyone sat upon it very much, and disagreed with everything I said.'

Century: 1850-1899     Reader/Listener/Group: Edward Morgan Forster      Manuscript: Unknown

  

 : Punch

E. M. Forster to Laura Mary Forster, 7 May 1899: 'Thank you very much [...] for the Punches & Antiquaries which I much enjoy. I see from "Nature Notes" that yesterday a party were going for a ramble and then coming to tea with you. I hope it was a success'.

Century: 1850-1899     Reader/Listener/Group: Edward Morgan Forster      Print: Serial / periodical

  

 : The Antiquary: A Magazine Devoted to the Study of the Past

E. M. Forster to Laura Mary Forster, 7 May 1899: 'Thank you very much [...] for the Punches & Antiquaries which I much enjoy. I see from "Nature Notes" that yesterday a party were going for a ramble and then coming to tea with you. I hope it was a success'.

Century: 1850-1899     Reader/Listener/Group: Edward Morgan Forster      Print: Serial / periodical

  

 : Nature Notes

E. M. Forster to Laura Mary Forster, 7 May 1899: 'Thank you very much [...] for the Punches & Antiquaries which I much enjoy. I see from "Nature Notes" that yesterday a party were going for a ramble and then coming to tea with you. I hope it was a success'.

Century: 1850-1899     Reader/Listener/Group: Edward Morgan Forster      Print: Serial / periodical

  

Jabez Bunting Dimbleby : 

E. M. Forster to Alice Clara Forster, ?summer 1899: 'I hear much of Mr Dimbleby, and have tried to read his books. I can't think how Maimie [i.e. Mary Aylward, family friend] is taken in. Scattered scraps of information such as "in 1903 there will be a second Flood: 'one of the continents' (!) will sink below the sea. In 1910 the world will probably be consumed in the tail of a comet, &tc." '"Dear me," says Maimie, "to think that we shall probably be alive to see it."'

Century: 1850-1899     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Henry James : Portrait of a Lady

E. M. Forster to George Barger, 27 July 1899: 'I have had a good time in Scotland & here [Northumberland] & go home next week. I have just read James' "A portrait of a Lady" [sic]. It is very wonderful but there's something wrong with him or me: he is not as George Meredith. Now I'm reading the Forest Lovers by Maurice Hewlett, and am a little bored though there is lots of delightful writing.'

Century: 1850-1899     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Maurice Hewlett : The Forest Lovers: A Romance

E. M. Forster to George Barger, 27 July 1899: 'I have had a good time in Scotland & here [Northumberland] & go home next week. I have just read James' "A portrait of a Lady" [sic]. It is very wonderful but there's something wrong with him or me: he is not as George Meredith. Now I'm reading the Forest Lovers by Maurice Hewlett, and am a little bored though there is lots of delightful writing.'

Century: 1850-1899     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

George Bernard Shaw : plays

E. M. Forster to Alice Clara Forster, 5 November 1899: 'I have been reading Bernard Shaw's plays. Wonderfully clever & amusing, but they make me feel bad inside.'

Century: 1850-1899     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

George Macaulay Trevelyan : 'The Uses of History'

E. M. Forster to Laura Mary Forster, 27 February 1900: 'Last Thursday I went to Mr Dickinson's to hear Trevelyan of Trinity read a paper on "The Uses of History", & very good it was.'

Century: 1900-1945     Reader/Listener/Group: George Macaulay Trevelyan      Manuscript: Unknown

  

 : 'The Child's first Lesebuch'

E. M. Forster to Alice Clara Forster, 9 April 1905: 'At 2.45 I and Herr Steinweg [German tutor employed by the Countess von Arnim-Schlagenthin] [...] go a walk [...] We return at 4.0, and have tea in his room, during which he reads Keats to me or I the Child's first Lesebuch to him, correcting each other.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Samuel Butler : Erewhon; or, Over the Range

E. M. Forster to Alice Clara Forster, 9 April 1905: 'Elizabeth [employer] has lent me Erewhon which I am enjoying.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Walter Pater : Marius the Epicurean

E. M. Forster to Arthur Cole, 11 April 1905: 'Have you read Erewhon? Now I'm at Marius the Epicurean.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Jane Austen : Emma

E. M. Forster to Alice Clara Forster, 2 July 1905: 'In the evening I read Elizabeth [employer] "Emma". Liebeth [employer's daughter and Forster's pupil] has just drawn me doing it on the black board.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Jane Austen : Northanger Abbey

E. M. Forster to Arthur Cole, 7 July 1905, following satirical account of English travellers met the previous day: 'These then are my thoughts [...] My books are equally stimulating: Wilhelm Tell -- which is thought mighty fine -- and Northanger Abbey, which I read aloud to Elizabeth [employer] in the evenings. Also Thais, but that I am only beginning.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Anatole France : Thais

E. M. Forster to Arthur Cole, 7 July 1905, following satirical account of English travellers met the previous day: 'These then are my thoughts [...] My books are equally stimulating: Wilhelm Tell -- which is thought mighty fine -- and Northanger Abbey, which I read aloud to Elizabeth [employer] in the evenings. Also Thais, but that I am only beginning.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

E. M. Forster : Where Angels Fear to Tread

'[George Macaulay] Trevelyan wrote to Leonard Woolf (December 1905 [...]) "I wonder whether you will have seen E. M. Forster's novel 'Where Angels Fear to Tread': it is worth reading, but some people like it a great deal, others, like myself, only rather."'

Unknown
Century: 1900-1945     Reader/Listener/Group: George Macaulay Trevelyan      

  

Joris-Karl Huysmans : La Cathedrale

E. M. Forster to Edward Joseph Dent, 3 Ocotber 1906: 'You would hardly know me, so violently has Chartres gothicised me [...] In or outside Chartres you can find every human passion. Huysman[s], amid much nonsense, does make this point -- that the middle ages did not shirk things [...] His is an interesting book -- I forget if you set me onto it: at all events you first told me his name.'

Century: 1850-1899 / 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Edward Garnett : A Censored Play: The Breaking Point

E. M. Forster to Edward Garnett, 28 October 1907: 'You said I might write to you about The Breaking Point. I think it wonderful, and unlike anything I have read before. One receives images from some books, and yours suggested a vase in the hands of a clumsy person which will be dropped sooner or later, but when, one cannot tell. I had this image even before I came to the broken glass in the first act.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Hugh Walpole : The Wooden Horse / 'The House of the Trojans'

E. M. Forster to Hugh Walpole, 19 July 1908: 'I can say without preamble that it's good -- the theme is ample and fills the book properly, the development holds one [...] The interest does persist to the very end. I did put the book down, because I went to bed, but I finished it first thing in the morning. You ought to get it taken all right [comments further]'.

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Manuscript: Unknown

  

Ernest B. Havell : Indian Sculpture and Painting ... with an Explanation of Their Motives and Ideals

E. M. Forster to Malcolm Darling, 10 February 1910: 'I left off the last [letter to Darling] saying that I was going to tell you something special in the next, and now for the life of me I can't remember what it is. It's a comment on our civilisation. This reminds me: of my story being read to the Rajah [...] I don't know why it should make me smile, but it does [...] Perhaps he would think it odd to read a book about Indian Art, as I have been doing -- by Havell. A little petulant in tone, but fascinating.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Fyodor Dostoevsky : The Brothers Karamazov

E. M. Forster to Ottoline Morrell, 2 April 1910: 'I am reading Les Freres Karamazov, but am so far a little disappointed. It seems sketchy, though I have no notion what I mean by that useful word; not "insincere" by any means.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Edward Gibbon : Autobiography

E. M. Forster to Malcolm Darling, 15 April 1910: 'Just now I am enthralled by Gibbon's Autobiography. There are passages in it that are more than "correct", and on the border line of beauty. What a giant he is -- greatest historian & greatest [...] name of the 18th century [italics]I[end italics] say; whether it is his greatness or his remoteness that makes his goings on with religion so queer I do not know.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Niccolo Manucci : Storia do Mogor; or Mogul India, 1653-1708

E. M. Forster to Malcolm Darling, 29 June 1910: 'I am reading Manucci's "Storia do Mogor" -- a most entertaining book [...] He is so amusing & vivid about the Indian character that I can't believe it's all lies, though it is said to be partly.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Matthew Arnold : 

E. M. Forster to Malcolm Darling, 12 August 1910: 'Do you get any time for reading? I am taking huge chunks of Mat Arnold. he's not as good as he thinks, but better than I thought. His central fault is prudishness -- I don't use the word in its narrow sense, but as implying a general dislike to all warmth. He thinks warmth either vulgar or hysterical.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Sir Alfred C. Lyall : British Dominion in India

E. M. Forster to Syed Ross Masood, mid-January 1911: 'I am reading Lyall's hand book about the English in India -- the sort of thing I required [for preparation for travels in India]. Also I have failed to read another of Alice Parin's [sic] novels called Idolatry. The other I tried was good, but this is about missionaries & wicked Hindus and most tiresome.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Alice Perrin : Idolatry

E. M. Forster to Syed Ross Masood, mid-January 1911: 'I am reading Lyall's hand book about the English in India -- the sort of thing I required [for preparation for travels in India]. Also I have failed to read another of Alice Parin's [sic] novels called Idolatry. The other I tried was good, but this is about missionaries & wicked Hindus and most tiresome.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Alice Perrin : 

E. M. Forster to Syed Ross Masood, mid-January 1911: 'I am reading Lyall's hand book about the English in India -- the sort of thing I required [for preparation for travels in India]. Also I have failed to read another of Alice Parin's [sic] novels called Idolatry. The other I tried was good, but this is about missionaries & wicked Hindus and most tiresome.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Sir Alfred C. Lyall : Asiatic Studies: Religious and Social

'E[dward]M[organ]F[orster] was reading, as well, Lyall's Asiatic Studies: Religious and Social (1882) and G. F. I. Graham, The Life and Works of Syed Ahmed Khan (1909).'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

G. F. I. Graham : The Life and Works of Syed Ahmed Khan

'E[dward]M[organ]F[orster] was reading, as well, Lyall's Asiatic Studies: Religious and Social (1882) and G. F. I. Graham, The Life and Works of Syed Ahmed Khan (1909).'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Rudyard Kipling : Puck of Pook's Hill

E. M. Forster to Malcolm Darling, 29 July 1911: 'I have been reading Kipling's child's history of England with mingled joy and disgust. It's a fine conception, but oh is it necessary to build character on a psychological untruth? In other words to teach the young citizen that he is absolutely unlike the young German or the young Bashahari -- that foreigners are envious and treacherous, Englishmen, through some freak of God, never --? Kipling and all that school know it's an untruth at the bottom of their hearts -- as untrue as it is unloveable. But, for the sake of patriotism, they lie. It is despairing [...] 'I couldn't on the other hand read the New Machiavelli, finding it too fretful and bumptious, and very inartistic, but must try again -- the more so as Wells, in an article in Le Temps has mentioned me among the authors qui meritent etre mieux connus en France [...] The best novels I have come across in the past year are Rosalind Murray's The Leading Note [...] and Wedgwood's Shadow of a Titan -- unfortunately written in an affected and unreadable style.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

H. G. Wells : The New Machiavelli

E. M. Forster to Malcolm Darling, 29 July 1911: 'I have been reading Kipling's child's history of England with mingled joy and disgust. It's a fine conception, but oh is it necessary to build character on a psychological untruth? In other words to teach the young citizen that he is absolutely unlike the young German or the young Bashahari -- that foreigners are envious and treacherous, Englishmen, through some freak of God, never --? Kipling and all that school know it's an untruth at the bottom of their hearts -- as untrue as it is unloveable. But, for the sake of patriotism, they lie. It is despairing [...] 'I couldn't on the other hand read the New Machiavelli, finding it too fretful and bumptious, and very inartistic, but must try again -- the more so as Wells, in an article in Le Temps has mentioned me among the authors qui meritent etre mieux connus en France [...] The best novels I have come across in the past year are Rosalind Murray's The Leading Note [...] and Wedgwood's Shadow of a Titan -- unfortunately written in an affected and unreadable style.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Rosalind Murray : The Leading Note

E. M. Forster to Malcolm Darling, 29 July 1911: 'I have been reading Kipling's child's history of England with mingled joy and disgust. It's a fine conception, but oh is it necessary to build character on a psychological untruth? In other words to teach the young citizen that he is absolutely unlike the young German or the young Bashahari -- that foreigners are envious and treacherous, Englishmen, through some freak of God, never --? Kipling and all that school know it's an untruth at the bottom of their hearts -- as untrue as it is unloveable. But, for the sake of patriotism, they lie. It is despairing [...] 'I couldn't on the other hand read the New Machiavelli, finding it too fretful and bumptious, and very inartistic, but must try again -- the more so as Wells, in an article in Le Temps has mentioned me among the authors qui meritent etre mieux connus en France [...] The best novels I have come across in the past year are Rosalind Murray's The Leading Note [...] and Wedgwood's Shadow of a Titan -- unfortunately written in an affected and unreadable style.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

A. Felix Wedgwood : The Shadow of a Titan

E. M. Forster to Malcolm Darling, 29 July 1911: 'I have been reading Kipling's child's history of England with mingled joy and disgust. It's a fine conception, but oh is it necessary to build character on a psychological untruth? In other words to teach the young citizen that he is absolutely unlike the young German or the young Bashahari -- that foreigners are envious and treacherous, Englishmen, through some freak of God, never --? Kipling and all that school know it's an untruth at the bottom of their hearts -- as untrue as it is unloveable. But, for the sake of patriotism, they lie. It is despairing [...] 'I couldn't on the other hand read the New Machiavelli, finding it too fretful and bumptious, and very inartistic, but must try again -- the more so as Wells, in an article in Le Temps has mentioned me among the authors qui meritent etre mieux connus en France [...] The best novels I have come across in the past year are Rosalind Murray's The Leading Note [...] and Wedgwood's Shadow of a Titan -- unfortunately written in an affected and unreadable style.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Valentine Chiriol : Indian Unrest

E. M. Forster to Malcolm Darling, 29 July 1911: 'When you have a spare day [...] do send me some Indian papers -- the Pioneer, and if possible something Nationalist & semi-seditious. I have read Chiriol's book, and am anxious to taste the Journalism direct [...] I can't get hold of anything over here.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Thomas Hardy : novels

E. M. Forster to Jessica Darling, 24 September 1911: 'It's something to be near fine country [Simla] [...] Whether it is something to have the novels of Hardy with you, I doubt. He is a poet, and the few novels of his I've read were unsatisfying. However serious the edifice, the ground plan of it is farce. He's a poet [...] and only comes to full splendour in his poems. In them his narrow view of human, and especially female, character doesn't matter, and Wessex and Destiny at last stand clear out of the mist.'

Century: 1850-1899 / 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Unknown

  

Forrest Reid : The Bracknels

E. M. Forster to Forrest Reid, 31 January 1912: 'I have read The Bracknels, and wish to thank you for it [...] it does help one to distinguish between the superficial and the real, and to some minds there is something exhilarating in this [...] The book has moved me a good deal'.

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

George Moore : Ave

E. M. Forster to Jessica Darling, 6 February 1912: 'Before I get off books, I will put down the names of one or two that I have enjoyed lately. George Moore, Ave, William James, Memories & Studies, G. L. Strachey, Landmarks in French Literature (price 1/-, and oh so good), J. T. Sheppard, Greek Tragedy (also 1/-; Malcolm [Darling] knows him), Foemina, L'Ame des Anglais, Andre Chevrillon, Dans L'Inde, Forrest Reid, The Bracknels, Lascelles Abercrombie, Emblems of Love, Edith Wharton, Ethan Frome, Max Beerbohm, Zuleika Dobson.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

G. L. Strachey : Landmarks in French Literature

E. M. Forster to Jessica Darling, 6 February 1912: 'Before I get off books, I will put down the names of one or two that I have enjoyed lately. George Moore, Ave, William James, Memories & Studies, G. L. Strachey, Landmarks in French Literature (price 1/-, and oh so good), J. T. Sheppard, Greek Tragedy (also 1/-; Malcolm [Darling] knows him), Foemina, L'Ame des Anglais, Andre Chevrillon, Dans L'Inde, Forrest Reid, The Bracknels, Lascelles Abercrombie, Emblems of Love, Edith Wharton, Ethan Frome, Max Beerbohm, Zuleika Dobson.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

J. T. Sheppard : Greek Tragedy

E. M. Forster to Jessica Darling, 6 February 1912: 'Before I get off books, I will put down the names of one or two that I have enjoyed lately. George Moore, Ave, William James, Memories & Studies, G. L. Strachey, Landmarks in French Literature (price 1/-, and oh so good), J. T. Sheppard, Greek Tragedy (also 1/-; Malcolm [Darling] knows him), Foemina, L'Ame des Anglais, Andre Chevrillon, Dans L'Inde, Forrest Reid, The Bracknels, Lascelles Abercrombie, Emblems of Love, Edith Wharton, Ethan Frome, Max Beerbohm, Zuleika Dobson.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Mme Augustine Bulteau : L'Ame des Anglais

E. M. Forster to Jessica Darling, 6 February 1912: 'Before I get off books, I will put down the names of one or two that I have enjoyed lately. George Moore, Ave, William James, Memories & Studies, G. L. Strachey, Landmarks in French Literature (price 1/-, and oh so good), J. T. Sheppard, Greek Tragedy (also 1/-; Malcolm [Darling] knows him), Foemina, L'Ame des Anglais, Andre Chevrillon, Dans L'Inde, Forrest Reid, The Bracknels, Lascelles Abercrombie, Emblems of Love, Edith Wharton, Ethan Frome, Max Beerbohm, Zuleika Dobson.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Andre Chevrillon : Dans L'Inde

E. M. Forster to Jessica Darling, 6 February 1912: 'Before I get off books, I will put down the names of one or two that I have enjoyed lately. George Moore, Ave, William James, Memories & Studies, G. L. Strachey, Landmarks in French Literature (price 1/-, and oh so good), J. T. Sheppard, Greek Tragedy (also 1/-; Malcolm [Darling] knows him), Foemina, L'Ame des Anglais, Andre Chevrillon, Dans L'Inde, Forrest Reid, The Bracknels, Lascelles Abercrombie, Emblems of Love, Edith Wharton, Ethan Frome, Max Beerbohm, Zuleika Dobson.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Forrest Reid : The Bracknels

E. M. Forster to Jessica Darling, 6 February 1912: 'Before I get off books, I will put down the names of one or two that I have enjoyed lately. George Moore, Ave, William James, Memories & Studies, G. L. Strachey, Landmarks in French Literature (price 1/-, and oh so good), J. T. Sheppard, Greek Tragedy (also 1/-; Malcolm [Darling] knows him), Foemina, L'Ame des Anglais, Andre Chevrillon, Dans L'Inde, Forrest Reid, The Bracknels, Lascelles Abercrombie, Emblems of Love, Edith Wharton, Ethan Frome, Max Beerbohm, Zuleika Dobson.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Lascelles Abercrombie : Emblems of Love

E. M. Forster to Jessica Darling, 6 February 1912: 'Before I get off books, I will put down the names of one or two that I have enjoyed lately. George Moore, Ave, William James, Memories & Studies, G. L. Strachey, Landmarks in French Literature (price 1/-, and oh so good), J. T. Sheppard, Greek Tragedy (also 1/-; Malcolm [Darling] knows him), Foemina, L'Ame des Anglais, Andre Chevrillon, Dans L'Inde, Forrest Reid, The Bracknels, Lascelles Abercrombie, Emblems of Love, Edith Wharton, Ethan Frome, Max Beerbohm, Zuleika Dobson.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Edith Wharton : Ethan Frome

E. M. Forster to Jessica Darling, 6 February 1912: 'Before I get off books, I will put down the names of one or two that I have enjoyed lately. George Moore, Ave, William James, Memories & Studies, G. L. Strachey, Landmarks in French Literature (price 1/-, and oh so good), J. T. Sheppard, Greek Tragedy (also 1/-; Malcolm [Darling] knows him), Foemina, L'Ame des Anglais, Andre Chevrillon, Dans L'Inde, Forrest Reid, The Bracknels, Lascelles Abercrombie, Emblems of Love, Edith Wharton, Ethan Frome, Max Beerbohm, Zuleika Dobson.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Max Beerbohm : Zuleika Dobson

E. M. Forster to Jessica Darling, 6 February 1912: 'Before I get off books, I will put down the names of one or two that I have enjoyed lately. George Moore, Ave, William James, Memories & Studies, G. L. Strachey, Landmarks in French Literature (price 1/-, and oh so good), J. T. Sheppard, Greek Tragedy (also 1/-; Malcolm [Darling] knows him), Foemina, L'Ame des Anglais, Andre Chevrillon, Dans L'Inde, Forrest Reid, The Bracknels, Lascelles Abercrombie, Emblems of Love, Edith Wharton, Ethan Frome, Max Beerbohm, Zuleika Dobson.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Miss Wright : poem

E. M. Forster to S. R. Masood, 8 March 1912: 'Have just dined with the Morisons -- a very interesting evening, and I had a long talk alone with Miss Wright about her writings. We got on very well; at least I felt we did. She showed me that dream poem that we had at Tesserete. It is altered [...] and I think very good indeed.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Manuscript: Unknown

  

William James : Memories and Studies

E. M. Forster to Malcolm Darling, 12 March 1912: 'I seem to have read several good books -- William James's Memories and Studies, Walter de la Mare's The Return -- supernatural, profound, and fine --: The Reward of Virtue by Amber Reeves [...] Foemina is interesting on L'Ame des Anglais, though she theorises too much.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Walter de la Mare : The Return

E. M. Forster to Malcolm Darling, 12 March 1912: 'I seem to have read several good books -- William James's Memories and Studies, Walter de la Mare's The Return -- supernatural, profound, and fine --: The Reward of Virtue by Amber Reeves [...] Foemina is interesting on L'Ame des Anglais, though she theorises too much.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Amber Reeves : The Reward of Virtue

E. M. Forster to Malcolm Darling, 12 March 1912: 'I seem to have read several good books -- William James's Memories and Studies, Walter de la Mare's The Return -- supernatural, profound, and fine --: The Reward of Virtue by Amber Reeves [...] Foemina is interesting on L'Ame des Anglais, though she theorises too much.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Leonard Woolf : story

E. M. Forster to Leonard Woolf, before 24 May 1912: 'Dear Woolf 'It's a good story. Try the English Review -- I know of no other magazine that will pay for erections and excrement. Suggestions. New title. Shorten the Introduction and simplify its style [...] 'I enjoyed the story more the second reading, but still feel the touch of "scold" about it, that often goads me in Kipling [...] your man who has done & felt things is a little too anxious to give those who haven't a bad time.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Manuscript: Unknown

  

Richard Barham Middleton : 'The Ghost Ship'

E. M. Forster to Forrest Reid, 19 June 1912: 'The day before yesterday I read The Ghost Ship by R. Middleton [...] I thought it very good, and it added to the other qualities I want in a supernatural story, the quality of good nature. The others in the same book did not look as interesting.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      

  

Forrest Reid : Following Darkness

E. M. Forster to Forrest Reid, 13 December 1912: 'I have read Following Darkness again, and am happier than I can tell you to be connected with it [as dedicatee]. Initials [in dedication] are of no importance -- it is the knowledge that I have helped in it. Besides, your books have a knack of opening in my hands when daily life has gone wrong [goes on to comment further on text]'.

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Laetitia Pilkington : Memoirs

[LP recounts, addressing Matthew Pilkington, how she was invited to a Dublin widower's house and in the parlour] 'a Gentleman sat reading my first Volume. I did not interrupt him, as he seem'd to be deeply engaged. The Master of the House coming in, and saying, "Mrs [italics] Pilkington [end italics], I am very glad to see you, and your Son", made the Gentleman look at us attentively: After Dinner, he told us, he had a Bond and Judgement entered on it against you, at the Suit of Mr [italics] Clark [end italics], the Brewer; that hitherto he had been compassionate, supposing us to be such Creatures as your Imagination had painted us out to the World to be: But, said he, now I am convinced of my Error, I shall shew him no further Mercy'

Century: 1700-1799     Reader/Listener/Group: a gentleman      Print: Book

  

[unknown] : [book on wild flowers]

'There is an awfully good little book on English wild flowers with good clear illustrations, but it costs 7/6. Is it worth it?'

Century: 1900-1945     Reader/Listener/Group: Esther Gwendolyn, "Stella" Bowen      Print: Book

  

[n/a] : [press cuttings - subject unknown]

'The enclosed press cuttings have just arrived via Clifford. I've read 'em. It might be a good plan to give The Authors Club as an address for the Press Cuttings people, as the fewer things go to S.L. the better.'

Century: 1900-1945     Reader/Listener/Group: Esther Gwendolyn, 'Stella' Bowen      Print: Newspaper

  

Clifford Bax : [poems]

'The [underlined] whole [end underlining] trouble [in Bowen's relationships with her friends Phyllis and Clifford] is that Clifford doesn't admire your poetry!! so that somehow there is something lacking in their personal sympathy with me!!! And [underlined] I [end underlining] don't admire Clifford's, - tho' I try and dissemble a little - so you [underlined] see [end underlining]!! And this morning relations with P. were a trifle strained becaused she read me some poetry she'd written, for criticism, I said I thought there were always too many Stars & Pools & Buds in what she wrote, & she said I was so dreadfully sophisticated and affected!'

Century: 1900-1945     Reader/Listener/Group: Esther Gwendolyn 'Stella' Bowen      Print: Unknown

  

Phyllis Reid : [poems]

'The [underlined] whole [end underlining] trouble [in Bowen's relationships with her friends Phyllis and Clifford] is that Clifford doesn't admire your poetry!! so that somehow there is something lacking in their personal sympathy with me!!! And [underlined] I [end underlining] don't admire Clifford's, - tho' I try and dissemble a little - so you [underlined] see [end underlining]!! And this morning relations with P. were a trifle strained becaused she read me some poetry she'd written, for criticism, I said I thought there were always too many Stars & Pools & Buds in what she wrote, & she said I was so dreadfully sophisticated and affected!'

Unknown
Century: 1900-1945     Reader/Listener/Group: Esther Gwendolyn 'Stella' Bowen      

  

[n/a] : Daily Mail, The

'The Daily mail has persistent articles about Stabilisation at 100' [reference to currency fluctuations]

Century: 1900-1945     Reader/Listener/Group: Esther Gwendolyn, 'Stella' Bowen      Print: Newspaper

  

Getrude Stein : [art criticism]

'I've had [underlined] one [end underlining] violent set-too with Douglas on the subject of Gertrude Stein. He said her work was "purest bosh" & thought it "a shame" that undergraduates should be inveighed into listening & being influenced by her art propaganda.' [SB defended Stein's work]

Century: 1900-1945     Reader/Listener/Group: Douglas Cole      Print: Book

  

Edith Wharton : [unknown]

'I have just read a very bad book by Edith Wharton & am cross with it for being bad because I thougt she never [underlined] was [end underlining].'

Century: 1900-1945     Reader/Listener/Group: Esther Gwendolyn, 'Stella' Bowen      Print: Book

  

Ford Madox Ford : [dedicatory letter to 'The Good Soldier']

'The last mail brought me your Dedicatory letter. I am [underlined] so [end underlining] touched & so very very proud. I don't know how to tell you how proud it makes me. It is lovely of you to want to pay me such a tribute. Of course I don't deserve a quarter of it. Some day I shall begin to tell you what [underlined] you [end underlining] have done for [underlined] me [end underlining]! I suppose you know me well enough however to guess that at the idea of your letter being [underlined] published [end italics] I am overcome by feelings of really awful - shyness, I suppose it is.'

Century: 1900-1945     Reader/Listener/Group: Esther Gwendolyn, 'Stella' Bowen      Manuscript: Letter

  

Isabel Paterson : [column in ] New York Herald Tribune Books

'I read about your earlier dinner quite by accident in "Books" - & by the way I have never had the copy with your Stephen Crane article. I liked [underlined] very [end underlining] much the article about Ezra - I have read Hemingway's book - It seems pretty good. I like that hard clean sort of effect - but I think it gives also the effect of brittleness - or is that nonsense? It is also rather dazzling & tiring. He has touched me off rather nastily - rather on Jean's lines - So I feel very discouraged! Even you don't quite escape. Still its all of no consequence. Jenny had Violet's book lying about yesterday, which really [underlined] did [end underlining] rather upset me - The Envoi appears to say, that with someone who has had so [underlined] many [end underlining] final grand Passions there will [underlined] never [end underlining] be [underlined] any [end underlining] means of knowing who was really "the" one!

Century: 1900-1945     Reader/Listener/Group: Esther Gwendolyn, 'Stella' Bowen      Print: Serial / periodical

  

Ford Madox Ford : [unknown article about Ezra Pound]

'I read about your earlier dinner quite by accident in "Books" - & by the way I have never had the copy with your Stephen Crane article. I liked [underlined] very [end underlining] much the article about Ezra - I have read Hemingway's book - It seems pretty good. I like that hard clean sort of effect - but I think it gives also the effect of brittleness - or is that nonsense? It is also rather dazzling & tiring. He has touched me off rather nastily - rather on Jean's lines - So I feel very discouraged! Even you don't quite escape. Still its all of no consequence. Jenny had Violet's book lying about yesterday, which really [underlined] did [end underlining] rather upset me - The Envoi appears to say, that with someone who has had so [underlined] many [end underlining] final grand Passions there will [underlined] never [end underlining] be [underlined] any [end underlining] means of knowing who was really "the" one!

Century: 1900-1945     Reader/Listener/Group: Esther Gwendolyn, 'Stella' Bowen      Print: Serial / periodical

  

Ernest Hemingway : Sun Also Rises, The

'I read about your earlier dinner quite by accident in "Books" - & by the way I have never had the copy with your Stephen Crane article. I liked [underlined] very [end underlining] much the article about Ezra - I have read Hemingway's book - It seems pretty good. I like that hard clean sort of effect - but I think it gives also the effect of brittleness - or is that nonsense? It is also rather dazzling & tiring. He has touched me off rather nastily - rather on Jean's lines - So I feel very discouraged! Even you don't quite escape. Still its all of no consequence. Jenny had Violet's book lying about yesterday, which really [underlined] did [end underlining] rather upset me - The Envoi appears to say, that with someone who has had so [underlined] many [end underlining] final grand Passions there will [underlined] never [end underlining] be [underlined] any [end underlining] means of knowing who was really "the" one!

Century: 1900-1945     Reader/Listener/Group: Esther Gwendolyn, 'Stella' Bowen      Print: Book

  

Violet Hunt : I Have This to Say

'I read about your earlier dinner quite by accident in "Books" - & by the way I have never had the copy with your Stephen Crane article. I liked [underlined] very [end underlining] much the article about Ezra - I have read Hemingway's book - It seems pretty good. I like that hard clean sort of effect - but I think it gives also the effect of brittleness - or is that nonsense? It is also rather dazzling & tiring. He has touched me off rather nastily - rather on Jean's lines - So I feel very discouraged! Even you don't quite escape. Still its all of no consequence. Jenny had Violet's book lying about yesterday, which really [underlined] did [end underlining] rather upset me - The Envoi appears to say, that with someone who has had so [underlined] many [end underlining] final grand Passions there will [underlined] never [end underlining] be [underlined] any [end underlining] means of knowing who was really "the" one!

Century: 1900-1945     Reader/Listener/Group: Esther Gwendolyn, 'Stella' Bowen      Print: Book

  

Ford Madox Ford : Thus to Revisit

'I have inspected all the work the binder has done for you and as far as I can rember it seems to be what you ordered. He has put 'Hueffer' on the back of 'Thus to Revisit' having copied the jacket - but I suppose that is of no great consequence.'

Century: 1900-1945     Reader/Listener/Group: Esther Gwendolyn, 'Stella' Bowen      Print: Book

  

Ford Madox Ford : Last Post, The

'first let me say how splendid I think the "Last Post" is. (By the way, Duckworth has acknowledged receipt of MSS, so that's all safe). Mark's death is a lovely poem. And poor Valentine! But all that is a bit too near the knuckle. Still I'm the only person who is going to feel that, and it doesn't make it less wonderful art. I'm glad you didn't have a scene betwen Helen Luther and Valentine. I let Bradley read the MSS before sending it to Duckworth and he is awfully enthusiastic. He thinks it is a wonderfully sustained finish to the whole series. Only he expected a tragic denouement and was taken aback by the capitulation of Sylvia! So was I, rather. But I don't think you've ever in your life done anything better than you've done in this book. There is nothing better anywhere in Literature than Marie Leonie, Mark on Women, and the boy, and even Valentine's agonies even if she [underlined] is [end underlining] so beastly normal! Anyway that is my opinion.'

Century: 1900-1945     Reader/Listener/Group: Esther Gwendolyn, 'Stella' Bowen      Manuscript: Unknown

  

Ford Madox Ford : Last Post, The

'I am very touched by all the tributes in your New Year's letter, & enormously pleased with The Last Post. I don't believe you have any last idea how much I admire your genius, & how proud it makes me of my association with you [Stella then talks about her own painting] But your letter, & the "Last Post" together, seem to mark the end of our long intimacy, which did have a great deal of happiness in it for me, & which did involve us in a great deal of decent effort.'

Century: 1900-1945     Reader/Listener/Group: Esther Gwendolyn, 'Stella' Bowen      Print: Book

  

Ford Madox Ford : [chapters from 'It Was the Nightingale']

'Many thanks for the 3 chapters - they look entrancing, but I haven't had time to do more than glance at them as I've had a sitter all day'.

Century: 1900-1945     Reader/Listener/Group: Esther Gwendolyn, 'Stella' Bowen      Manuscript: Unknown

  

Isabel Paterson : [review of 'It Was The Nightingale' in] New York Herald Tribune Book Review

'Ray Postgate has given me some [underlined] excellent [end underlining] reviews of it was the Nightingale by Isabel Paterson & (better still) by W.R. Benet under the title "Uncle Ford". I expect you have seen them.'

Century: 1900-1945     Reader/Listener/Group: Esther Gwendolyn, 'Stella' Bowen      Print: Serial / periodical

  

W.R. Benet : 'Uncle Ford'

'Ray Postgate has given me some [underlined] excellent [end underlining] reviews of it was the Nightingale by Isabel Paterson & (better still) by W.R. Benet under the title "Uncle Ford". I expect you have seen them.'

Century: 1900-1945     Reader/Listener/Group: Esther Gwendolyn, 'Stella' Bowen      Print: Serial / periodical

  

Elizabeth Madox Roberts : Time of Man, The

'Mummy is now reading "[T]he Time of Man", so you can't have it back just yet: but you'll get it some day'.

Century: 1900-1945     Reader/Listener/Group: Esther Gwendolyn, 'Stella' Bowen      Print: Book

  

Nathaniel Hawthorne : Twice-Told Tales

'Your mention of Hawthorne puts me in mind to tell you what rabid [underlined] admirers we are of his [...] There is no prose write of the present day I have half the interest in I have in him, his style, in my mind is so beautifully refined and there is such exquisite pathos and quaint humour, and such an awfully [underlined] deep knowledge of human nature, not that hard unloving detestable, and, as it is purely one sided (or wrong [underlined] sided) false reading of it that one finds in Thackeray. He reminds me in many things of Charles Lamb, and of heaps of our rare old English humourists, with their deep pathetic nature--and one faculty he possesses beyond any writer I remember (not dramatic, for then I would certainly remember Shakespeare, and others on further though perhaps) viz. that of exciting you to the highest pitch without on any [underlined] occasion that I am aware of making you feel by his catastrophe ashamed of having been excited. What I mean is, if you have ever read it, such a case as occurs in the "Mysteries of Udolpho" where your disgust is beyond all expression on finding that all your fright about the ghostly creature that has haunted you throughout the volumes has been caused by a pitiful wax image! [...] And no Author I know does [underlined] try to work upon them [i.e. the passions] more, apparently with no [underlined] effort to himself. I cannot satisfy myself as to whether I like his sort of Essays contained in the twice told tales best, or his more finished works such as Blithedale romance. Every touch he adds to any character gives a higher interest to it, so that I should like the longer ones best, but there is a concentration of excellence in the shorter things and passages that strike, in force like daggers, in their beauty and truth, so that I generally end in liking that best which I have read last [...] There are beautiful passages in Longfellow, above all, as far as my knowledge goes in the Golden Legend, some of which in a single reading impressed themselves on my memory.'

Unknown
Century: 1850-1899     Reader/Listener/Group: Margaret De Quincey      

  

Nathaniel Hawthorne : Blithedale Romance

'Your mention of Hawthorne puts me in mind to tell you what rabid [underlined] admirers we are of his [...] There is no prose write of the present day I have half the interest in I have in him, his style, in my mind is so beautifully refined and there is such exquisite pathos and quaint humour, and such an awfully [underlined] deep knowledge of human nature, not that hard unloving detestable, and, as it is purely one sided (or wrong [underlined] sided) false reading of it that one finds in Thackeray. He reminds me in many things of Charles Lamb, and of heaps of our rare old English humourists, with their deep pathetic nature--and one faculty he possesses beyond any writer I remember (not dramatic, for then I would certainly remember Shakespeare, and others on further though perhaps) viz. that of exciting you to the highest pitch without on any [underlined] occasion that I am aware of making you feel by his catastrophe ashamed of having been excited. What I mean is, if you have ever read it, such a case as occurs in the "Mysteries of Udolpho" where your disgust is beyond all expression on finding that all your fright about the ghostly creature that has haunted you throughout the volumes has been caused by a pitiful wax image! [...] And no Author I know does [underlined] try to work upon them [i.e. the passions] more, apparently with no [underlined] effort to himself. I cannot satisfy myself as to whether I like his sort of Essays contained in the twice told tales best, or his more finished works such as Blithedale romance. Every touch he adds to any character gives a higher interest to it, so that I should like the longer ones best, but there is a concentration of excellence in the shorter things and passages that strike, in force like daggers, in their beauty and truth, so that I generally end in liking that best which I have read last [...] There are beautiful passages in Longfellow, above all, as far as my knowledge goes in the Golden Legend, some of which in a single reading impressed themselves on my memory.'

Century: 1850-1899     Reader/Listener/Group: Margaret De Quincey      Print: Book

  

Charles Lamb : unknown

'Your mention of Hawthorne puts me in mind to tell you what rabid [underlined] admirers we are of his [...] There is no prose write of the present day I have half the interest in I have in him, his style, in my mind is so beautifully refined and there is such exquisite pathos and quaint humour, and such an awfully [underlined] deep knowledge of human nature, not that hard unloving detestable, and, as it is purely one sided (or wrong [underlined] sided) false reading of it that one finds in Thackeray. He reminds me in many things of Charles Lamb, and of heaps of our rare old English humourists, with their deep pathetic nature--and one faculty he possesses beyond any writer I remember (not dramatic, for then I would certainly remember Shakespeare, and others on further though perhaps) viz. that of exciting you to the highest pitch without on any [underlined] occasion that I am aware of making you feel by his catastrophe ashamed of having been excited. What I mean is, if you have ever read it, such a case as occurs in the "Mysteries of Udolpho" where your disgust is beyond all expression on finding that all your fright about the ghostly creature that has haunted you throughout the volumes has been caused by a pitiful wax image! [...] And no Author I know does [underlined] try to work upon them [i.e. the passions] more, apparently with no [underlined] effort to himself. I cannot satisfy myself as to whether I like his sort of Essays contained in the twice told tales best, or his more finished works such as Blithedale romance. Every touch he adds to any character gives a higher interest to it, so that I should like the longer ones best, but there is a concentration of excellence in the shorter things and passages that strike, in force like daggers, in their beauty and truth, so that I generally end in liking that best which I have read last [...] There are beautiful passages in Longfellow, above all, as far as my knowledge goes in the Golden Legend, some of which in a single reading impressed themselves on my memory.'

Unknown
Century: 1850-1899     Reader/Listener/Group: Margaret De Quincey      

  

Ann Radcliffe : The Mysteries of Udolpho

'Your mention of Hawthorne puts me in mind to tell you what rabid [underlined] admirers we are of his [...] There is no prose write of the present day I have half the interest in I have in him, his style, in my mind is so beautifully refined and there is such exquisite pathos and quaint humour, and such an awfully [underlined] deep knowledge of human nature, not that hard unloving detestable, and, as it is purely one sided (or wrong [underlined] sided) false reading of it that one finds in Thackeray. He reminds me in many things of Charles Lamb, and of heaps of our rare old English humourists, with their deep pathetic nature--and one faculty he possesses beyond any writer I remember (not dramatic, for then I would certainly remember Shakespeare, and others on further though perhaps) viz. that of exciting you to the highest pitch without on any [underlined] occasion that I am aware of making you feel by his catastrophe ashamed of having been excited. What I mean is, if you have ever read it, such a case as occurs in the "Mysteries of Udolpho" where your disgust is beyond all expression on finding that all your fright about the ghostly creature that has haunted you throughout the volumes has been caused by a pitiful wax image! [...] And no Author I know does [underlined] try to work upon them [i.e. the passions] more, apparently with no [underlined] effort to himself. I cannot satisfy myself as to whether I like his sort of Essays contained in the twice told tales best, or his more finished works such as Blithedale romance. Every touch he adds to any character gives a higher interest to it, so that I should like the longer ones best, but there is a concentration of excellence in the shorter things and passages that strike, in force like daggers, in their beauty and truth, so that I generally end in liking that best which I have read last [...] There are beautiful passages in Longfellow, above all, as far as my knowledge goes in the Golden Legend, some of which in a single reading impressed themselves on my memory.'

Century: 1850-1899     Reader/Listener/Group: Margaret De Quincey      Print: Book

  

William Makepeace Thackeray : unknown

'Your mention of Hawthorne puts me in mind to tell you what rabid [underlined] admirers we are of his [...] There is no prose write of the present day I have half the interest in I have in him, his style, in my mind is so beautifully refined and there is such exquisite pathos and quaint humour, and such an awfully [underlined] deep knowledge of human nature, not that hard unloving detestable, and, as it is purely one sided (or wrong [underlined] sided) false reading of it that one finds in Thackeray. He reminds me in many things of Charles Lamb, and of heaps of our rare old English humourists, with their deep pathetic nature--and one faculty he possesses beyond any writer I remember (not dramatic, for then I would certainly remember Shakespeare, and others on further though perhaps) viz. that of exciting you to the highest pitch without on any [underlined] occasion that I am aware of making you feel by his catastrophe ashamed of having been excited. What I mean is, if you have ever read it, such a case as occurs in the "Mysteries of Udolpho" where your disgust is beyond all expression on finding that all your fright about the ghostly creature that has haunted you throughout the volumes has been caused by a pitiful wax image! [...] And no Author I know does [underlined] try to work upon them [i.e. the passions] more, apparently with no [underlined] effort to himself. I cannot satisfy myself as to whether I like his sort of Essays contained in the twice told tales best, or his more finished works such as Blithedale romance. Every touch he adds to any character gives a higher interest to it, so that I should like the longer ones best, but there is a concentration of excellence in the shorter things and passages that strike, in force like daggers, in their beauty and truth, so that I generally end in liking that best which I have read last [...] There are beautiful passages in Longfellow, above all, as far as my knowledge goes in the Golden Legend, some of which in a single reading impressed themselves on my memory.'

Century: 1850-1899     Reader/Listener/Group: Margaret De Quincey      Print: Book

  

Henry Wadsworth Longfellow : The Golden Legend

'Your mention of Hawthorne puts me in mind to tell you what rabid [underlined] admirers we are of his [...] There is no prose write of the present day I have half the interest in I have in him, his style, in my mind is so beautifully refined and there is such exquisite pathos and quaint humour, and such an awfully [underlined] deep knowledge of human nature, not that hard unloving detestable, and, as it is purely one sided (or wrong [underlined] sided) false reading of it that one finds in Thackeray. He reminds me in many things of Charles Lamb, and of heaps of our rare old English humourists, with their deep pathetic nature--and one faculty he possesses beyond any writer I remember (not dramatic, for then I would certainly remember Shakespeare, and others on further though perhaps) viz. that of exciting you to the highest pitch without on any [underlined] occasion that I am aware of making you feel by his catastrophe ashamed of having been excited. What I mean is, if you have ever read it, such a case as occurs in the "Mysteries of Udolpho" where your disgust is beyond all expression on finding that all your fright about the ghostly creature that has haunted you throughout the volumes has been caused by a pitiful wax image! [...] And no Author I know does [underlined] try to work upon them [i.e. the passions] more, apparently with no [underlined] effort to himself. I cannot satisfy myself as to whether I like his sort of Essays contained in the twice told tales best, or his more finished works such as Blithedale romance. Every touch he adds to any character gives a higher interest to it, so that I should like the longer ones best, but there is a concentration of excellence in the shorter things and passages that strike, in force like daggers, in their beauty and truth, so that I generally end in liking that best which I have read last [...] There are beautiful passages in Longfellow, above all, as far as my knowledge goes in the Golden Legend, some of which in a single reading impressed themselves on my memory.'

Century: 1850-1899     Reader/Listener/Group: Margaret De Quincey      Print: Book

  

Nathaniel Hawthorne : The House of Seven Gables

'The more I read of Mr. Hawthorne's writings the more intense does my admiration become. I read over the other day a part of his "House of the Seven Gables" and I don't remember any delineation of character under Shakespeare's that is to me so exquisitely fascinating as his of Phoebe, and it is the one I think, among all his characters which mark him most of all as a man of very great genius, for in the hands of any but such a man, instead of being as she is "A perfect woman, nobly planned, To warn, to comfort, and command; And yet a spirit still and bright With something of an Angel light." she would have been a common place stupid creature who only was good because she had not will to be bad [...] The contrast too of the restless minded metaphysical Holgrave always searching into the cause of things, and his tremendous delight in watching the development of character are admirable [underlined]. This latter feature is I am sure a marking characteristic of Mr. Hawthorne's and I just wish to warn him that though I have in thought [underlined] quite an agonizing sympathy with him in it, yet when carried to such a pitch as he does in practice that he won't give a hand to a pair of poor lovers that have fallen into the gutter on a rainy night because his part is only to be a spectator. I have no patience with him, and beg to say if I catch him at anything like that I will commit an assault upon him as sure as fate. I should tell you, as more important than any thing that I can say on the subject, that for the first time Papa read "The House of the Seven Gables" a few days ago [...] he said that if anyone wished to give a very favorable notion to a non-German reader of Jean Paul Richter's style of thought and sentiment they could not do it more successfully than by pointing out many passages in it [i.e. the Hawthorne], and when I tell you that Papa admires him more than any Author of his class by far, and has often regretted our not being German scholars simply on his account you will have an idea....'

Century: 1850-1899     Reader/Listener/Group: Margaret De Quincey      Print: Book

  

William Wordsworth : "She Was a Phantom of Delight"

'The more I read of Mr. Hawthorne's writings the more intense does my admiration become. I read over the other day a part of his "House of the Seven Gables" and I don't remember any delineation of character under Shakespeare's that is to me so exquisitely fascinating as his of Phoebe, and it is the one I think, among all his characters which mark him most of all as a man of very great genius, for in the hands of any but such a man, instead of being as she is "A perfect woman, nobly planned, To warn, to comfort, and command; And yet a spirit still and bright With something of an Angel light." she would have been a common place stupid creature who only was good because she had not will to be bad [...] The contrast too of the restless minded metaphysical Holgrave always searching into the cause of things, and his tremendous delight in watching the development of character are admirable [underlined]. This latter feature is I am sure a marking characteristic of Mr. Hawthorne's and I just wish to warn him that though I have in thought [underlined] quite an agonizing sympathy with him in it, yet when carried to such a pitch as he does in practice that he won't give a hand to a pair of poor lovers that have fallen into the gutter on a rainy night because his part is only to be a spectator. I have no patience with him, and beg to say if I catch him at anything like that I will commit an assault upon him as sure as fate. I should tell you, as more important than any thing that I can say on the subject, that for the first time Papa read "The House of the Seven Gables" a few days ago [...] he said that if anyone wished to give a very favorable notion to a non-German reader of Jean Paul Richter's style of thought and sentiment they could not do it more successfully than by pointing out many passages in it [i.e. the Hawthorne], and when I tell you that Papa admires him more than any Author of his class by far, and has often regretted our not being German scholars simply on his account you will have an idea....'

Century: 1850-1899     Reader/Listener/Group: Margaret De Quincey      Print: Book

  

Margaret Symonds : Days Spent on a Doge's Farm

'Have you read your sister in laws Doges Farm? Well that describes much the same sort of country that this is; and you see how she, a person of true artistic soul, revels in the land.'

Century: 1850-1899     Reader/Listener/Group: Virginia Woolf      Print: Book

  

William Shakespeare : Cymbeline

'My real object in writing is to make a confession-which is to take back a whole cartload of goatisms which I used at Fritham and elsewhere in speaking of a certain great English writer-the greatest: I have been reading Marlow, and I was so much more impressed by him than I thought I should be, that I read Cymbeline just to see if there mightnt be more in the great William than I supposed.'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Lewis Melville : The Thackeray Country

'However, to make up, the Times has sent me two trashy books, about Thackeray and Dickens and I may write 1500 words or so - Bruce Richmond is generous...'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

F. G. Kitton : The Dickens Country

'However, to make up, the Times has sent me two trashy books, about Thackeray and Dickens and I may write 1500 words or so - Bruce Richmond is generous...'

Century: 1900-1945     Reader/Listener/Group: Virginia Woolf      Print: Book

  

Sir William Sleeman : Rambles and Recollections of an Indian Official

E. M. Forster to Laura Mary Forster, 19 February 1913: 'Do you know Sleeman's Rambles & Recollections of an Indian Official? It is a charming book to read in, but the best chapter, about a Suttee on the Nerbudda, you would perhaps be inclined to skip. I have also been reading The Private Life of an Eastern King by E. W. Knighton who was librarian to one of the Kings of Oudh, a very entertaining and intersting little book, and it rings true. It is certainly out of print, but may be in the L[ondon] L[ibrary].'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

John Adam Cramb : Germany and England

E. M. Forster to Malcolm Darling, 6 November 1914: 'I am not a Pro-German [...] I have read the White Paper, and Cramb, and some Bernhardi, and I am sure we could not have kept out of this war.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      

  

General Friedrich Adam Julius von Bernhardi : 

E. M. Forster to Malcolm Darling, 6 November 1914: 'I am not a Pro-German [...] I have read the White Paper, and Cramb, and some Bernhardi, and I am sure we could not have kept out of this war.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

 : 'White Paper'

E. M. Forster to Malcolm Darling, 6 November 1914: 'I am not a Pro-German [...] I have read the White Paper, and Cramb, and some Bernhardi, and I am sure we could not have kept out of this war.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Unknown

  

 : notice on wartime safety measures

E. M. Forster to Malcolm Darling, 6 November 1914: 'Just now I sit in the N[ational]. G[allery]. having studied a notice that instructs me to "attack" a petrol bomb with sand instead of water. How am I to know whether it is a petrol bomb? But it will probably spare me the fatigue of considering.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: ?poster ('notice')

  

E. M. Forster : Maurice

E. M. Forster to Edward Joseph Dent, 6 March 1915: 'You can scarcely imagine the loneliness of such an effort as this [Forster's novel of homosexual love, Maurice] -- a year's work! [...] Carpenter has read and liked it, but he's too unliterary to be helpful [...] Roger Fry & Sydney [Waterlow] have also read the book, and their opinions, being totally unbiased, are interesting. R. agrees with you that it is beautiful and the best work I have done. S. finds it moving, and persuasive to all but bigots, admirable as a sociological tract, full of good things, but he finds the characters weighed down by these'.

Century: 1900-1945     Reader/Listener/Group: Roger Fry      Manuscript: Unknown

  

Johann Christian Friedrich Holderlin : Hyperion

E. M. Forster to Edward Joseph Dent, 6 March 1915: 'I have not read Platen yet [...] German's a labour. I liked Holderlin's Hyperion -- I wish someone would translate it. Have you read The White Peacock by D. H. Lawrence? If not, do not, because you cannot, but read one chapter in it called A poem of friendship, which is most beautiful. The whole book is the queerest product of subconsciousness that I have yet struck -- he has not a glimmering from first to last of what he's up to.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

D. H. Lawrence : The White Peacock

E. M. Forster to Edward Joseph Dent, 6 March 1915: 'I have not read Platen yet [...] German's a labour. I liked Holderlin's Hyperion -- I wish someone would translate it. Have you read The White Peacock by D. H. Lawrence? If not, do not, because you cannot, but read one chapter in it called A poem of friendship, which is most beautiful. The whole book is the queerest product of subconsciousness that I have yet struck -- he has not a glimmering from first to last of what he's up to.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

 : The New Statesman

E. M. Forster to Malcolm Darling, 2 August 1915: 'I read (and sometimes write) the New Statesman [...] also the Morning Post [...] I enclose from it this jolly letter of Balfour's: it seems to me distinctly on the spot. Reventlow's was too much of a bore to send.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Serial / periodical

  

 : The Morning Post

E. M. Forster to Malcolm Darling, 2 August 1915: 'I read (and sometimes write) the New Statesman [...] also the Morning Post [...] I enclose from it this jolly letter of Balfour's: it seems to me distinctly on the spot. Reventlow's was too much of a bore to send.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Newspaper

  

James Arthur Balfour : 'What Our Fleet Has Done'

E. M. Forster to Malcolm Darling, 2 August 1915: 'I read (and sometimes write) the New Statesman [...] also the Morning Post [...] I enclose from it this jolly letter of Balfour's: it seems to me distinctly on the spot. Reventlow's was too much of a bore to send.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Newspaper

  

Count Ernst von Reventlow : 'A Year of Naval Warfare'

E. M. Forster to Malcolm Darling, 2 August 1915: 'I read (and sometimes write) the New Statesman [...] also the Morning Post [...] I enclose from it this jolly letter of Balfour's: it seems to me distinctly on the spot. Reventlow's was too much of a bore to send.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Newspaper

  

Bridget McLagan (i.e. Mary Borden Turner) : 'Bombardment'

E. M. Forster to Malcolm Darling, 6 August 1916: 'I saw from the Hospital Lists that an officer from Lovats Scouts was here, and went round at once to get news of Jermyn [Moorsom]. But he was still in England [...] My only other link with our joint past is the Hot Stuff article in last month's English Review, which was provided by Mrs Turner. In fairness I must add that it contained more stuff than heat, stuff curiously disposed into metrical lengths. Quite three pages of the prose ran into the rhythm of Hiawatha. "There before us lay the village. Members of the etat-major walked around Celestine's garret." I cannot make out what she is up to, but then I never could. Some sort of effect is obviously intended.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Serial / periodical

  

Bridget McLagan (i.e. Mary Borden Turner) : 'Rousbrugge'

E. M. Forster to Malcolm Darling, 6 August 1916: 'I saw from the Hospital Lists that an officer from Lovats Scouts was here, and went round at once to get news of Jermyn [Moorsom]. But he was still in England [...] My only other link with our joint past is the Hot Stuff article in last month's English Review, which was provided by Mrs Turner. In fairness I must add that it contained more stuff than heat, stuff curiously disposed into metrical lengths. Quite three pages of the prose ran into the rhythm of Hiawatha. "There before us lay the village. Members of the etat-major walked around Celestine's garret." I cannot make out what she is up to, but then I never could. Some sort of effect is obviously intended.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Serial / periodical

  

 : 'Missionary magazine'

E. M. Forster to Laura Mary Forster (aunt), 25 August 1916: 'Your welcome letter to Darkest Africa has been followed by a "real" Missionary magazine, which I have also enjoyed. Work here [as Red Cross officer tracing missing soldiers] is quieter again, which leaves me time for reading, and while you were at H. J.'s Portrait of a Lady I was tackling his latter and tougher end in the person of What Maisie Knew. I haven't [italics]quite[end italics] got through her yet, but I think I shall: she is my very limit -- beyond her lies The Golden Bowl, The Ambassadors and other impossibles. I don't think James could have helped his later manner -- is [sic] a natural development, not a pose. All that one can understand of him seems so genuine, that what one can't understand is likely to be genuine also.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Serial / periodical

  

Henry James : What Maisie Knew

E. M. Forster to Laura Mary Forster (aunt), 25 August 1916: 'Your welcome letter to Darkest Africa has been followed by a "real" Missionary magazine, which I have also enjoyed. Work here [as Red Cross officer tracing missing soldiers] is quieter again, which leaves me time for reading, and while you were at H. J.'s Portrait of a Lady I was tackling his latter and tougher end in the person of What Maisie Knew. I haven't [italics]quite[end italics] got through her yet, but I think I shall: she is my very limit -- beyond her lies The Golden Bowl, The Ambassadors and other impossibles. I don't think James could have helped his later manner -- is [sic] a natural development, not a pose. All that one can understand of him seems so genuine, that what one can't understand is likely to be genuine also.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

John Milton : 

E. M. Forster to Laura Mary Forster (aunt), 1 January 1917: 'For the last hour I have occupied myself with copying extracts into my "War Anthology" [...] I have put in "your" Milton passage and next to it a passage from Pater -- that in which he describes the longings of Marcus Aurelius for the Ideal City [...] (The passage is in Marius the Epicurean -- at the end of the chapter called Urbs Beata) [...] It is somehow very tranquil to copy out passages such as these, and the very labour of writing seems to bring one nearer to those who wrote them in the past.'

Unknown
Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      

  

Walter Pater : Marius the Epicurean

E. M. Forster to Laura Mary Forster (aunt), 1 January 1917: 'For the last hour I have occupied myself with copying extracts into my "War Anthology" [...] I have put in "your" Milton passage and next to it a passage from Pater -- that in which he describes the longings of Marcus Aurelius for the Ideal City [...] (The passage is in Marius the Epicurean -- at the end of the chapter called Urbs Beata) [...] It is somehow very tranquil to copy out passages such as these, and the very labour of writing seems to bring one nearer to those who wrote them in the past.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Robert Bridges, ed. : [possibly] The Spirit of Man: An Anthology in English & French from the Philosophers and Poets made by the POet Laureate in 1915 & dedicated by gracious permission to His Majesty the King

E. M. Forster to Wilson Plant, 14 February 1917: 'Not many books here [...] I have been enjoying Bridges and sticking, as I always do, in a Zola.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Emil Zola : 

E. M. Forster to Wilson Plant, 14 February 1917: 'Not many books here [...] I have been enjoying Bridges and sticking, as I always do, in a Zola.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

D. H. Lawrence : The Rainbow

E. M. Forster to Wilson Plant, 14 February 1917: 'Like you I am a great admirer of D. H. Lawrence [...] The Rainbow I picked up in a book shop during the brief period it was for sale and thought it looked dull. How I wish I had bought it now.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Edward Gibbon : 

E. M. Forster to Goldsworthy Lowes Dickinson, 5 May 1917: 'I am anxious to re-read a little history and see how its solemn arrangement of "movements", which, while they bored me, used to impress, look now, in the light of actual experience. I have only tried Gibbon, whom nothing can disintegrate, but expect that everyone and everything else will shatter into dust.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

 : The Feet of the Young Men

E. M. Forster to Florence Barger,30 September 1917: 'Thanks for The Feet of the Young Men, but I wish I hadn't docked 2/- from your £ for it: an undistinguished little book [...] I enjoy books and such thoughts as progress from them greatly, and am pleased to find I can understand a little of Spinoza and that he is every bit as fine as I had suspected. He holds my intellect at its utmost strain'.

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Benedict Spinoza : Ethics

E. M. Forster to Florence Barger,30 September 1917: 'Thanks for The Feet of the Young Men, but I wish I hadn't docked 2/- from your £ for it: an undistinguished little book [...] I enjoy books and such thoughts as progress from them greatly, and am pleased to find I can understand a little of Spinoza and that he is every bit as fine as I had suspected. He holds my intellect at its utmost strain'.

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Henry James : The Middle Years

E. M. Forster to Robert Trevelyan, 29 January 1918: 'I am already deep in The Piddle Years [sic]. I never find Henry James difficult to understand, though it [italics]is[end italics] difficult to throw off the interests of one's larger life, and flatten oneself -- flat flatter flattest -- to crawl down his slots.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Jean Baptiste Racine : 

E. M. Forster to Robert Trevelyan, 29 January 1918: 'I have been reading Racine and Claudel.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Paul Claudel : 

E. M. Forster to Robert Trevelyan, 29 January 1918: 'I have been reading Racine and Claudel.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Robert Trevelyan : Translations from Lucretius

E. M. Forster to Robert Trevelyan, 29 January 1918: 'Lucretius has come -- I like him very much.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Manuscript: Unknown

  

Henry James : The Sense of the Past

E. M. Forster to Siegfried Sassoon, 2 May 1918: 'Have just finished The Sense of the Past, and though it's so obscure -- find it much nearer the work of other writers than is the rest of the later James. He is really interested in his subject [time travel] as well as in his treatment of it. And a topping subject.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Robert Graves : 

E. M. Forster to Siegfried Sassoon, 3 August 1918: 'Re the poets you mention I have read some of them both. I liked Graves. Nichols not so much.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Unknown

  

Robert Malise Bowyer Nichols : 

E. M. Forster to Siegfried Sassoon, 3 August 1918: 'Re the poets you mention I have read some of them both. I liked Graves. Nichols not so much.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Unknown

  

Robert Trevelyan : 

E. M. Forster to Robert Trevelyan, 23 August 1918: 'Thank you for your poem on Confuscius [sic]. It amused me very much.'

Unknown
Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      

  

Forrest Reid : 'Kenneth'

E. M. Forster to Forrest Reid, 10 January 1919: 'Some of your stories I have read before, but I am enjoying and admiring them all. "Kenneth" made me laugh so nicely. The "Trial of Witches" [...] seemed to me a most powerful [reminder] of the past.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Forrest Reid : 'The Trial of Witches'

E. M. Forster to Forrest Reid, 10 January 1919: 'Some of your stories I have read before, but I am enjoying and admiring them all. "Kenneth" made me laugh so nicely. The "Trial of Witches" [...] seemed to me a most powerful [reminder] of the past.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

 : 

'[quotation from Johnson's 'Life of Edmund Smith', regarding Gilbert Walmsley] His studies had been so various, that I am not able to name a man of equal knowledge. His acquaintance with books was great, and what he did not immediately know, he could, at least, tell where to find'.

Century: 1700-1799     Reader/Listener/Group: Gilbert Walmsley      Print: Book

  

Samuel Johnson : [original notes for "Irene"]

'The hand-writing [in the original sketch for "Irene"] is very difficult to read, even by those who were best acquainted with Johnson's mode of penmanship which at all times was very particular. The King having accepted of this manuscript as a literary curiosity, Mr Langton made a fair and distinct copy of it, which he ordered to be bound up with the original and the printed tragedy; and the volume is deposited in the King's library.'

Century: 1700-1799     Reader/Listener/Group: George III      Manuscript: Unknown

  

Laurence Sterne : The Life and Opinions of Tristram Shandy, Gentleman

[following transcribed passage on 'gravity,' from Tristram Shandy I.ii] 'Insight vitiated by instinct of self defence -- probably typical of Sterne, whom I have begun to read. How did he discover the art of leaving out what he wanted to say? And why was it lost again until our own time. Can nothing liberate English fiction from conscientiousness? S. clearly a g[rea]t writer and his philosophy of life almost good and quite good in quotations: "Look at little me" spoils it in the bulk. 'But (now finishing T.S.): what character drawing! [goes on to comment further]'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Jonathan Swift : 

'More I reflect on the novel the higher I place it: attempts to read Swift, Miss Burney, Smollett, place it on a pinnacle.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Frances Burney : 

'More I reflect on the novel the higher I place it: attempts to read Swift, Miss Burney, Smollett, place it on a pinnacle.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Tobias Smollett : 

'More I reflect on the novel the higher I place it: attempts to read Swift, Miss Burney, Smollett, place it on a pinnacle.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Daniel Defoe : Moll Flanders

In Commonplace Book entries made during 1926, E. M. Forster comments upon, and transcribes passages from, Defoe's Moll Flanders, remarking upon the work as 'A puzzling book -- gynomorphic, [with] not one stitch of the man-made', and discussing aspects including character and form.

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Percy Lubbock : The Craft of Fiction

'[Percy Lubbock] thinks ["The Craft of Fiction" -- a sensitive yet poor spirited book] that the aim of a novel should be capable of being put into a phrase, "ten words that reveal its unity", and so boggles at War and Peace, though he "duly" recognises its vitality [...] Must I read him through?'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Henry Fielding : Tom Jones

'Impossible to read a Meredith as simply and fairly as a Fielding, with one eye fixed on the author's interests and the other on his achievement. [read Tom Jones & Evan Harrington when I had chicken pox, 19, and felt this strongly]'.

Century: 1850-1899     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

George Meredith : Evan Harrington

'Impossible to read a Meredith as simply and fairly as a Fielding, with one eye fixed on the author's interests and the other on his achievement. [read Tom Jones & Evan Harrington when I had chicken pox, 19, and felt this strongly]'.

Century: 1850-1899     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

John Vanbrugh : The Provok'd Wife

Among entries made in 1926 in E. M. Forster's Commonplace Book is a passage from Vanbrugh, The Provok'd Wife III.i (opening '[italics]Virtue[end italics], alas, is no more like the thing that is called so than 'tis like vice itself').

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Daniel Defoe : Robinson Crusoe

'Robinson Crusoe an English book -- and only the English could have accepted it as adult literature: comforted by feeling that the life of adventure could be led by a man duller than themselves. No gaiety wit or invention [...] Boy scout manual. Unlike Moll or Roxana or Selkirk himself, Crusoe never develops or modifies. As much bored as I was 30 years ago. Its only literary merit is the well conceived crescendo of the savages. Historically important, no doubt, and the parent of other insincerities, such as Treasure Island [...] I shan't read Part II. [goes on to quote from, and comment upon, text further]'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Daniel Defoe : Robinson Crusoe

'Robinson Crusoe an English book -- and only the English could have accepted it as adult literature: comforted by feeling that the life of adventure could be led by a man duller than themselves. No gaiety wit or invention [...] Boy scout manual. Unlike Moll or Roxana or Selkirk himself, Crusoe never develops or modifies. As much bored as I was 30 years ago. Its only literary merit is the well conceived crescendo of the savages. Historically important, no doubt, and the parent of other insincerities, such as Treasure Island [...] I shan't read Part II. [goes on to quote from, and comment upon, text further]'

Century: 1850-1899     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Jonathan Swift : Gulliver's Travels

'Gulliver is Robinson Crusoe in Fairy Land [...] '[quotes] He said the [italics]Struldbrugs[end italics] commonly acted like Mortals until about thirty Years old, after which, by Degrees, they grew melancholy and dejected -- etc. -- -- 'but I will transcribe this passage into my anthology, under Old Age'.

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Samuel Richardson : Clarissa, or The History of a Young Lady

'Clarissa Harlowe. Have read 1/3 of [...] Certainly I am bored, but the book is not tedious through repetition -- the endless variety and modulations are not in themselves interesting enough [...] Granted her premises about copulation and relations, Cl. deduces with delicacy and truth. Within her conventions, she is sound. She is tragic and charming. Rich[ardson]. had a tragic mind [quotes passages] [...] 'The book raises the question of subject-matter. Within its limits it is great. But what limits!'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Henry James : The Ambassadors

Among texts discussed and quoted from at length in 1926 Commonplace Book of E. M. Forster is Henry James, The Ambassadors, with comments including 'Pattern exquisitely woven,' and 'However hard you shake his sentences, no banality falls out.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Norman Douglas : D. H. Lawrence and Maurice Magnus: A Plea for Better Manners

Among texts discussed and quoted from in 1926 Commonplace Book of E. M. Forster is Norman Douglas, D. H. Lawrence and Maurice Magnus: A Plea for Better Manners (1924).

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Herman Melville : Billy Budd

Among texts discussed and quoted from in 1926 Commonplace Book of E. M. Forster is Herman Melville, Billy Budd, with remarks including 'Billy Budd [...] has goodness, of the glowing aggressive sort which cannot exist unless it has evil to consume'.

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Charles Dickens : Great Expectations

'Great Expectations. Alliance between atmosphere and plot (the convicts) make it more solid and satisfactory than anything else of D[ickens]. known to me. Very fine writing occasionally ([italics]end of Pt.I[end italics].) [...] Occasional hints not developed -- e.g. [...] Jagger's [sic] character [italics]does[end italics] nothing, Herbert Pocket's has to be revised. But all the defects are trivial, and the course of events is both natural and exciting [goes on to comment further, and to quote at length from conclusion to 'the first stage of Pip's Expectations']'.

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Sylvia Townsend Warner : Lolly Willowes

Remarks in E. M. Forster's Commonplace Book of 1926 include 'Nearly all novels go off at the end,' with examples including Sylvia Townsend Warner, Lolly Willowes ('how silly the book becomes when the witchcraft starts, how worse than silly when it culminates').

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

David Garnett : A Man in the Zoo

Remarks in E. M. Forster's Commonplace Book of 1926 include 'Nearly all novels go off at the end,' with further comments including: 'Bunny's books are so good because they [italics]don't[end italics] go off. A Man at the Zoo [sic] fails at the end because the author daren't put the lady into the cage as well as the man. But Fox and Sailor strengthen steadily.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

David Garnett : Lady into Fox

Remarks in E. M. Forster's Commonplace Book of 1926 include 'Nearly all novels go off at the end,' with further comments including: 'Bunny's books are so good because they [italics]don't[end italics] go off. A Man at the Zoo [sic] fails at the end because the author daren't put the lady into the cage as well as the man. But Fox and Sailor strengthen steadily.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

David Garnett : The Sailor's Return

Remarks in E. M. Forster's Commonplace Book of 1926 include 'Nearly all novels go off at the end,' with further comments including: 'Bunny's books are so good because they [italics]don't[end italics] go off. A Man at the Zoo [sic] fails at the end because the author daren't put the lady into the cage as well as the man. But Fox and Sailor strengthen steadily.'

Unknown
Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      

  

Oliver Goldsmith : The Vicar of Wakefield

Remarks in E. M. Forster's Commonplace Book of 1926 include 'Nearly all novels go off at the end,' with further comments including 'V. of W. gets out of his [depth] 1/2 way through -- after the painting of the family group with Mrs Primrose as Venus all the grace and wit vanishes [...] the happy ending to the tragedy makes all worse than ever.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Aristotle  : Poetics

Entries in E. M. Forster, Commonplace Book (1926) include passage on character in tragedy from Aristotle, Poetics.

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Max Beerbohm : Letter to Lytton Strachey

Transcribed in E. M. Forster, Commonplace Book (1927): 'What is principle to me? I am a Pitt. -- Lady Hester Stanhope. Copyright? What is copyright to me? I am a Beerbohm -- Max' Forster notes underneath: '[Letter from Max to Lytton]'.

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Manuscript: Letter

  

John Dryden : Epistles

'An hour won. Dryden's Epistles read for pleasure September night windy, dark, warm, and I have read the Epistles of Dryden [sic] 'Reading these Epistles which have no connection with my work and little with my ideas, have given me a happy sense of my own leisure. Who has the necessary time and vacancy of mind to read Dryden's Epistles for pleasure in 1927? or to copy out extracts from them into a Commonplace Book? Or to write out more often than is necessary the words: Dryden, Epistles, Dryden's Epistles? No one but me and perhaps Siegfried Sassoon.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Thomas Mann : The Magic Mountain

In Commonplace Book for 1927 E. F. Forster transcribes passage on time from vol. I, ch.iv of Thomas Mann, The Magic Mountain, accompanying this with comments including: 'Thomas Mann a bore, but from a sense of literary duty rather than personally.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

J. B. Priestley : article on E. M. Forster

'Elusiveness. Shut up always in the same carcase, one is puzzled by this charge, which is brought against me not only by an ill-bred-and-natured journalist Priestley in today's D.N. but by friendly and sensitive Leonard Woolf. Is it just that I am different to most people, or that, knowing the difference, I have developed to conceal it?'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Newspaper

  

H. E. Wortham : Oscar Browning

Passages transcribed in E. M. Forster's Commonplace Book for 1927 include Oscar Browning's reflections, quoted in H. E. Wortham's biography of him, on the potential of the human mind, and the chances governing realisation, or non-realisation of this ('I have been drawn to think rather of the tens who have failed than of the units who have succeeded, and of the ore that lies buried in our social strata rather than of the bright coins which circulate from hand to hand').

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

 : 'I love me' (song lyric)

Transcribed in E. M. Forster's Commonplace Book for 1927: 'I love me, I love me, I'm wild about myself, I love me, I love me, my picture's on the shelf, You may not think I look so good but me thinks I'm just fine It's grand when I look in my eye and knows that I'm all mine. 'Oh I love me and I love me and my love doesn't bore Day by day in every way I love me more and more I takes me to a quiet place I puts my arms around my waist If I gets fresh I slap my face, I'm wild about myself. '[noted by Forster underneath] -- From a song book seen in a pub at Castle Acre.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Henrik Ibsen : Peer Gynt

Under heading 'Peer Gynt': 'The main ideas of this great and bitter poem become clearer at this last hasty reading (3-1-28) though my former criticism stands [i.e. that it is a poem pretending to be a sermon [...]] [goes on to comment further on text]'.

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Henrik Ibsen : Peer Gynt

Under heading 'Peer Gynt': 'The main ideas of this great and bitter poem become clearer at this last hasty reading (3-1-28) though my former criticism stands [i.e. that it is a poem pretending to be a sermon [...]] [goes on to comment further on text]'.

Century: 1850-1899 / 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

E. M. Forster : short stories

'Peace has been lost on the earth and only lives outside it, in places where my imagination has not been trained to follow [...] [literature] has committed itself too deeply to the worship of vegetation. 'Re-reading my old short stories have [sic] forced the above into my mind. It was much easier to write when I believed that Wessex was waiting to return, and for the new belief I haven't been properly trained.'

Unknown
Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      

  

Francois Mauriac : Le Desert de l'Amour

Passages transcribed into E. M. Forster's Commonplace Book (1928) include reflections on lovers' perceptions from Francois Mauriac, Le Desert de l'Amour (1925), and one line, 'La nuit etait vouee au vent et a la lune,' from Mauriac's La Pharisienne, added by Forster in 1942.

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Francois Mauriac : La Pharisienne

Passages transcribed into E. M. Forster's Commonplace Book (1928) include reflections on lovers' perceptions from Francois Mauriac, Le Desert de l'Amour (1925), and one line, 'La nuit etait vouee au vent et a la lune,' from Mauriac's La Pharisienne, added by Forster in 1942.

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

A. S. Eddington : Stars and Atoms

Passages transcribed into E. M. Forster's Commonplace Book (1928) include remarks on spatial relations between man, atoms, and stars, and on the effects of temperature on matter, from A. S. Eddington, Stars and Atoms (1927).

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Thomas Deloney : The Gentle Craft part II

Passages transcribed into E. M. Forster's Commonplace Book (1928) include character Margaret's remarks on married life from Thomas Deloney, The Gentle Craft (Pt. II).

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Horace Walpole : Letter to George Montagu, 13 November 1760

Passages transcribed into E. M. Forster's Commonplace Book (1929) include section from Horace Walpole's letter of 13 November 1760 to George Montagu, describing the funeral of George II.

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

A. S. Eddington : The Nature of the Physical World

'Eddington (5.1.29). After reading his Nature of the Physical World as carefully as I can, the new ideas become more possible to me and therefore less wonderful. They degenerate into mathematical symbols which we are content to use without understanding.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

A. N. Whitehead : Science and the Modern World

Transcribed into E. M. Forster's Commonplace Book (1929): 'It does not mattter what men say in words so long as their activities are controlled by settled instincts. The words may ultimately destroy the instincts. But until this has occurred, words do not count. [Whitehead, Science & the Modern World.]'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Ernest Hubert Lewis Schwarz : The Kalahari and its Native Races

Passages transcribed into E. M. Forster's Commonplace Book (1929) include anecdotes on pigmies from Ernest Hubert Lewis Schwarz, The Kalahari and its Native Races (1928) p.153, p.155.

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

T. S. Eliot : 'Tradition and the Individual Talent'

' "Impressions and experiences which are important for the man may take no place in the poetry, and those which become important in the poetry may play quite a negligible part in the man, the personality." This [T. S. Eliot, Sacred Wood, p52] seems sound, but "emotions which he has never experienced will serve his turn as well as those familiar to him" is surely nonsense. He recovers in "Poetry is not a turning loose of emotion, but an escape from emotion; it is not the expression of personality, but an escape from personality. But of course only those who have personality and emotions know what it means to want to escape from those things."'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Anton Chekhov : 'Uprooted'

Passages transcribed into E. M. Forster's Commonplace Book (1929-30) include descriptions and reflections on vagrants from Chekhov's story 'Uprooted.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Henry Vaughan : 'Quickness'

'Raw February Afternoon 2-30 [...] Reading Vaughan [quotes two stanzas beginning 'Thou art a moon-like toil'] [...] Reading F. R. Lucas also [quotes seven lines beginning with 'Your quiet altar after all was best']'.

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

F. L. Lucas : 'The Graces'

'Raw February Afternoon 2-30 [...] Reading Vaughan [quotes two stanzas beginning 'Thou art a moon-like toil'] [...] Reading F. R. Lucas also [quotes seven lines beginning with 'Your quiet altar after all was best']'.

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Cyril Connolly : 

'Raw February Afternoon 2-30 [...] Thought, after reading little Cyril Conolly [sic], of the new generation knocking at the door, and wondered whether it is more than a set of knuckle bones.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Unknown

  

Andre Maurois : Byron

'L'Heroisme consiste a ne pas permettre au corps de renier les impudences de l'esprit 'runs an epigram of Maurois which bowled me at the first reading; then, as so often, I thought "not really worth writing down." He is only saying that [italics]Byron[end italics] acted up to his theories. But he has written a very fine biography in which one always feels secure over the facts and has not to depend on the flashes of intuition cultivated by the Strachey school.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

John Cowper Powys : Wolf Solent

'Have been trying to read Solent Wolf [sic] again -- duck-weed and spittle unrelieved [...] No wonder that those Hardyesque fungi, the Powys [brothers T. F. and John Cowper], have never got anywhere. Patiently advertising their own decay and searching the hedgerows for simples. Can't go to bed with anyone, only talk and think it over, don't know that lust and tenderness bring relief.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

James Macpherson : Fragments of Ancient Poetry collected in the Highlands of Scotland

'At this time the controversy concerning the pieces published by Mr James Macpherson as translations of [italics] Ossian [end italics], was at its height. Johson had all along denied their authenticity; and, what was still more provoking to their admirers, maintained they had no merit. The subject having been introduced by Dr Fordyce, Dr Blair, relying on the internal evidence of their antiquity, asked Dr Johnson whether he thought any man of a modern age could have written such poems? Johnson replied, "Yes, Sir, many men, many women, and many children". Dr Johnson did not know that Dr Blair had just published a "Dissertation", not only defending their authenticity, but seriously ranking them with the poems of [italics] Homer [end italics] and [italics] Virgil [end italics].'

Century: 1850-1899     Reader/Listener/Group: Hugh Blair      Print: Book

  

Alfred Tennyson : In Memoriam

Passages transcribed in E. M. Forster's Commonplace Book (1930) include three stanzas (beginning 'Old warder of these buried bones') from Tennyson, In Memoriam (1870 edition).

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Alfred Tennyson : 'A Farewell'

Passages transcribed in E. M. Forster's Commonplace Book (1930) include Tennyson, 'A Farewell'.

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

A. E. Housman : Poem LII ('Far in a western brookland')

Passages transcribed in E. M. Forster's Commonplace Book (1930) include Poem LII ('Far in a western brookland') of A. E. Housman, A Shropshire Lad.

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Pierre Corneille : Trois Discours

Texts discussed in E. M. Forster's Commonplace Book (1930) include Corneille, Trois Discours ('Sur le poeme dramatique'; 'Sur la tragedie'; 'Sur les trois unites').

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

John Dryden : The Conquest of Granada

Texts discussed, and quoted from at length, in E. M. Forster's Commonplace Book (1930) include The Conquest of Granada, and its prefatory Essay of Heroic Plays.

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

John Dryden : An Essay of Heroic Plays

Texts discussed, and quoted from at length, in E. M. Forster's Commonplace Book (1930) include The Conquest of Granada, and its prefatory Essay of Heroic Plays.

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Pierre Corneille : Rodogune

'Rodogune 1646. Despite indistinct and I believe undistinguished diction, this is the most moving and exciting play of Corneille I've struck [...] Antiochus and Seleucus are devoted to each other, and there it is; their love for Rod[[ogune]. and the commands of Cleopatre doesn't contend with their devotion'.

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

John Dryden : Preface, The Maiden Queen

Texts discussed and quoted from in E. M. Forster, Commonplace Book (1930) include John Dryden, Preface to The Maiden Queen, regarding which Forster comments: 'Interesting but not sound. It's true that a writer knows whether he has carried out his aims, but he may be biassed in favour of his model, all the same'.

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Samuel Johnson : Rasselas

Texts discussed and quoted from at length in E. M. Forster, Commonplace Book (1930) include Samuel Johnson, Rasselas, to which Forster refers as 'a charming and important (why decried as dull?) composition'.

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Samuel Johnson : Life of [Richard] Savage

Texts discussed and quoted from at length in E. M. Forster, Commonplace Book (1930) include Samuel Johnson, Life of Savage, to which Forster refers as 'Good tempered account of a trying friend [...] S[avage]. reminds me of what I've just heard of Cyril Conolly [sic]. Lord Tyrconnel= Logan Pearsall Smith.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Samuel Johnson : Preface to Dictionary

Texts discussed and quoted from in E. M. Forster, Commonplace Book (1930) include Samuel Johnson, Preface to the English Dictionary and Plan (addressed to Chesterfield).

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Samuel Johnson : Plan [for Dictionary]

Texts discussed and quoted from in E. M. Forster, Commonplace Book (1930) include Samuel Johnson, Preface to the English Dictionary and Plan (addressed to Chesterfield).

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Samuel Johnson : remarks on Othello

[under heading 'Johnson on Othello]: 'Consulted original ed. to see if Raleigh misses out much. Naturally J. is stupider than he suggests: but was not stupid.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Walter Raleigh, ed. : Johnson on Shakespare

[under heading 'Johnson on Othello]: 'Consulted original ed. to see if Raleigh misses out much. Naturally J. is stupider than he suggests: but was not stupid.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Jonathan Swift : The Battle of the Books

[under heading 'Battle of the Books']: 'How I dislike Swift, and how is it possible to take this ill tempered ill informed stuff [...] seriously as criticism, even as destructive criticism? On [sic] a piece with his other works -- Jerries emptied with the same conscientiousness, same elaborate presentation of blame as praise. I feel, (as usual except perhaps in Laputa) a void behind the much advertised bitterness. I feel he never grows up [goes on to draw detailed comparison with ch. 3 of A Tale of a Tub].'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Jonathan Swift : A Tale of a Tub

[under heading 'Battle of the Books']: 'How I dislike Swift, and how is it possible to take this ill tempered ill informed stuff [...] seriously as criticism, even as destructive criticism? On [sic] a piece with his other works -- Jerries emptied with the same conscientiousness, same elaborate presentation of blame as praise. I feel, (as usual except perhaps in Laputa) a void behind the much advertised bitterness. I feel he never grows up [goes on to draw detailed comparison with ch. 3 of A Tale of a Tub].'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Nicolas Boileau : L'Art Poetique

Texts on which detailed notes made in E. M. Forster, Commonplace Book (1930) include Boileau, L'Art Poetique, comments on which include: 'He realises that experience is valuable to a writer and that the heart of the reader must be touched: but his conceptions of experience and the heart are jejune.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Dante Alighieri : De Vulgari Eloquentia

'Dante, De Vulgari Eloquentia 1309 (?) which I'd never read and now only have in translation, must have been written excitedly, and while Div[ina]. Com[media] was forming in his mind. What a pity it only deals with Canzone! [goes on to comment further on passages noted from text]'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

George Bernard Shaw : Saint Joan

'Shaw's St Joan and Joyce's Ulysses into which I looked today (8-11-30) made me ashamed of my own writing. They have something to say, but I am only paring away insincerities.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

James Joyce : Ulysses

'Shaw's St Joan and Joyce's Ulysses into which I looked today (8-11-30) made me ashamed of my own writing. They have something to say, but I am only paring away insincerities.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

J. A. Symonds : 

[entered in E. M. Forster's Commonplace Book (1930), underneath quoted passage opening 'I wonder what morality is, whether eternal justice exists, immutable right & wrong, or whether law and custom rule the world of humanity, evolved for social convenience from primal savagery'] 'J. A. Symonds: but whence? copied into this book off an odd scrap of paper, and into an odd space in the book.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Manuscript: Unknown, Copied from earlier transcription in Forster's hand.

  

J. A. Symonds : 

[entered in E. M. Forster's Commonplace Book (1930), underneath quoted passage opening 'I wonder what morality is, whether eternal justice exists, immutable right & wrong, or whether law and custom rule the world of humanity, evolved for social convenience from primal savagery'] 'J. A. Symonds: but whence? copied into this book off an odd scrap of paper, and into an odd space in the book.'

Unknown
Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      

  

Henry James : The Letters of Henry James (vol.I)

Texts quoted from at length in E. M. Forster, Commonplace Book (1931) include Henry James, Letters, passages from which cover topics including the writings of Pater, Kipling and Hardy.

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

John Aubrey : The Scandal and Credulities of John Aubrey

'Aubrey in young John Collier's book of selections has reminded me of the value of the quaint and the charming: they may bring the past when properly juxtaposed. How many anecdotes and conversations I've let die -- half a civilisation already'.

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Voltaire  : Des Singularites de la Nature

Texts from which passages quoted in E. M. Forster's Commonplace Book, 1931-32, include remarks on animal genitalia in Voltaire, Des Singularites de la Nature (incorporating comments such as 'Ce mecanisme est bien admirable; mais la sensation que la nature a jointe a ce mecanisme est plus admirable encore').

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Charles F. Richardson : 'Critical Introduction'

Passages quoted in E. M. Forster's Commonplace Book, 1932, include this remark from Charles F. Richardson 'Critical Introduction' to The Complete Poems of Edgar Allan Poe: 'It may be added that Poe stands supreme, even in the only morally pure national literature the world has ever seen, in the absolute chastity of his every word.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

William Shakespeare : Romeo and Juliet

Under heading 'Invocation of Poetry by Rhetoric': 'A mass of dead words is set spinning, then kindles. [italics]Or[end italics]: one's taste and critical faculties, thoroughly roused at first, are lulled unaccountably, and one heaves "gorgeous" er "splendid". 'Instances in Romeo & Juliet [Yet now I cannot find them, though they suggested this note and I have been looking at the play most of the evening] [goes on to comment further on topic]'.

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

[unknown] : [Lowth-Warburton controversy]

'His Majesty then talked of the controversy between Warburton and Lowth, which he seemed to have read, and asked Johnson what he thought of it. Johnson answered, "Warburton has most general, most scholastic learning ; Lowth is the more correct scholar. I do not know which of them calls names best." The King was pleased to say he was of the same opinion; adding, "You do not think then, Dr. Johnson, that there was much argument in the case." Johnson said, he did not think there was. "Why truly, (said the King,) when once it comes to calling names, argument is pretty well at an end." His Majesty then asked him what he thought of Lord Lyttelton's history, which was then just published. Johnson said, he thought his style pretty good, but he had blamed Henry the Second rather too much.'

Century: 1700-1799     Reader/Listener/Group: George III of England      Print: Book

  

Indu Rakshit : 

Passages transcribed at length in E. M. Forster's Commonplace Book (1932) include reflections by Indu Rakshit on 'the representation of the feminine' in contemporary Western and Indian art.

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Serial / periodical

  

Voltaire  : Histoire de Charles XII (Book 3)

Passages transcribed at length in E. M. Forster's Commonplace Book (1932) include extract from Voltaire, Charles XII Book 3 (on the execution of Jean Reginald Patkul, ambassador of the Czar), accompanied by comment: 'Each time I read the magnificent passage above -- at last transcribed -- I am struck by the economy of the [italics]irony[end italics] and even of the [italics]pathos[end italics]. Yet the whole passage vibrates with both. There is a sort of religious grandeur -- cruelty and cowardice are both noted without contempt. 'When will there be such writing again, or even the leisure to transcribe it? Voltaire and I do speak the same language, vast though be the difference in our vocabularies, we are both civilised [...] We belong to the cultured interlude which came between the fall of barbarism and the rise of universal "education" [...] We believe in reason, in pity, and in not always coming out right -- that is to say I hope to be logical and compassionate'.

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Christopher Isherwood : Mr Norris Changes Trains

Passages transcribed in E. M. Forster's Commonplace Book (1935) include (from chapter 15 of Christopher Isherwood, Mr Norris Changes Trains): 'Remorse is not for the elderly. When it comes to them it is not purging or uplifting, but merely degrading and wretched, like a bladder disease.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Ernest Hemingway : A Farewell to Arms

Passages transcribed in E. M. Forster's Commonplace Book (1935) include reflections on associations of placenames and other words, and on effects of 'the world' upon strong and weak characters, in Ernest Hemingway, A Farewell to Arms.

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Herman Melville : Mardi

Passages transcribed in E. M. Forster's Commonplace Book (1935-6) include two quotations from Herman Melville, Mardi.

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Herman Melville : Letter to Nathaniel Hawthorne, ?1 June 1851

Passages transcribed in E. M. Forster's Commonplace Book (1935-6) include quotation from letter of Herman Melville to Nathaniel Hawthorne: ' "I stand for the heart. To the dogs with the head! The reason the mass of men fear God and at bottom dislike him, is because they rather distrust His heart, and fancy him all brain like a watch' ".

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Norman Douglas : Together

Passages transcribed in E. M. Forster's Commonplace Book (1935-6) include quotation from Norman Douglas, Together, opening: 'How many avenues of delight are closed to the mere moralist or immoralist who knows nothing of things extra-human; who remains absorbed in mankind and its half-dozen motives of conduct, so unstable yet forever the same, which we all fathomed before we were twenty!'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Sophocles  : Oedipus Tyrannus

'A clean table and proper lighting make me solider, I find. Tonight I have swept all the rubbish off my board and read some of Oedipus Tyrannus with only the lamp and two vases in sight. One vase has four roses, the other a spray of oak leaves: the acorns when the sun falls on them, have a blue bloom. [Midnight 5-9-36]'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Thomas Malory : Le Morte D'Arthur

Passages transcribed into E. M. Forster, Commonplace Book (1937) include part of Le Morte D'Arthur, XX.3, opening: ' "So upon Trinity Sunday at night King Arthur dreamed a womderful dream [...] that to him there seemed he sat upon a chaflet [platform] in a chair, and the chair was fast to a wheel "'. Underneath, Forster notes: 'Copied, with modernised spelling, just as King George VI returned from his coronation to his palace.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

 : Book of Zechariah

Passages transcribed into E. M. Forster, Commonplace Book (1937) include Zechariah I.ii: 'And they answered the Angel of the Lord that stood among the myrtle trees and said: "We have walked to and fro through the earth, and, behold, all the earth sitteth still and is at rest."' Underneath, Forster notes: 'Accidental poetry. The spurt begins v.8 with "I saw by night" and is magic and meaningless.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Henrik Ibsen : passages from The Correspondence of Henrik Ibsen

Passages transcribed into E. M. Forster, Commonplace Book (1937) include five extracts from letters of Ibsen, noted as 'Copied from some notes made for lecturing on I[bsen]'.

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Manuscript: Unknown

  

Abraham Cowley : Essay no. 5 ('The Garden')

Passages transcribed into E. M. Forster, Commonplace Book (1937) include extract from Cowley's Essay No. 5 ('The Garden'), dedicated to John Evelyn, and opening: 'I never had any other Desire so strong, and so like to Covetousness as that one which I have had always. That I might be Master at last of a small House and a large Garden, with very modern Conveniencies joined to them, and there dedicate the remainder of my Life to the Culture of them and the study of Nature.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

John Bunyan : The Life and Death of Mr Badman

Passages transcribed into E. M. Forster, Commonplace Book (1937) include the description of the death of Mr Badman's wife (opening 'Now, said she, I am going to rest for my sorrows, my sighs, my tears, my mournings, and complaints') from chapter 16 of John Bunyan, The Life and Death of Mr Badman.

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Jean de la Bruyere : 'Du Coeur'

Passages transcribed into E. M. Forster, Commonplace Book (1937) include reflections upon benefits of reading both devotional and 'gallant' books, and the heart's ability to '[reconcile contrary things]' [source ed's translation] from La Bruyere's essay 'Du Coeur'.

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

John Bunyan : The Life and Death of Mr Badman

Passages transcribed at length into E. M. Forster, Commonplace Book (1937) include the description of the suicide of John Cox, from chapter 19 of John Bunyan's Life and Death of Mr Badman.

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Jean Freville, trans. and ed. : Sur la Litterature et l'Art: Karl Marx, Friedrich Engels

Passages transcribed at length into E. M. Forster, Commonplace Book (1937-38) include extracts on the art and literature of different historical periods from Les Grands Textes deu Marxism, sur litterature et l'Art, anthology edited by Jean Freville; topics and authors covered include the Renaissance; comedy; poetry; Goethe; Shakespeare; Carlyle, and Disraeli. Following transcriptions, Forster notes: 'I read this anthology to find material for the Ivory Tower.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Adolf Hitler : address on national art

Passages transcribed at length into E. M. Forster, Commonplace Book (1938) include Hitler's 18 July 1937 'address at Munich' (denouncing 'degenerate' art, and demanding an ideally pure and timeless national art for Germany), which Forster notes that he originally read as research for his article 'The Ivory Tower'.

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Unknown

  

V. I. Lenin and Josef Stalin : (excerpted) writings on literature

Passages transcribed at length into E. M. Forster, Commonplace Book (1938) include 'Lenin-cum-Stalin on literature. Being a 2nd instalment of Les Grands Textes du Marxism.' Forster's accompanying comments include: 'Leninism less cultured than Marxism -- i.e. less interested in the creation and enjoyment of works of art. But it does not openly denounce individualism or recommend corporate emotion, as the Nazis do. There seems no reason why Communism, if left in peace, should not become civilised.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

John Ruskin : The Stones of Venice (vol 1 chapter 1)

Passages transcribed into E. M. Forster, Commonplace Book (1938) include Ruskin's remarks on Claude and the Poussins as 'weak men' with 'no serious influence on the general mind.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

General Sir Robert Thomas Wilson : History of the British Expedition to Egypt

Passages transcribed into E. M. Forster, Commonplace Book (1938) include General R. T. Wilson's account of five British sailors' purchase of a woman sold at auction by Arabs.

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

William Gifford : Memoir of Ben Jonson

Passages transcribed into E. M. Forster, Commonplace Book (1938) include criticisms of practices of editors of Renaissance-period texts, by William Gifford in his Memoir of Ben Jonson; Forster also notes that 'Lord Macaulay has written "Very Good" in the margin of the copy at Wallington'.

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

William Gifford : Memoir of Ben Jonson

Passages transcribed into E. M. Forster, Commonplace Book (1938) include criticisms of practices of editors of Renaissance-period texts, by William Gifford in his Memoir of Ben Jonson; Forster also notes that 'Lord Macaulay has written "Very Good" in the margin of the copy at Wallington'.

Century: 1800-1849 / 1850-1899 / 1900-1945     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Benjamin Farington : Science and Politics in the Ancient World

Under heading 'Early Greek Science. -- And Lucretius': 'Farington (Science and Politics in the Ancient World) thinks that Ionia observed and experimented freely; that Science became conditioned by politics [...] 'Now I am reading Cornford (From Religion to Philosophy). I doubt whether Farington has. For Cornford proves that Ionian Science was conditioned by religion. This, though less exciting, is probable. 'I find these early speculations useful in clearing my own mind, and helping it to see how it has been twisted. And Farington recalls me to my proper job [...] I ought to think a little more, and not to slop about being diffident or charming.'

Century: 1800-1849 / 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

F. M. Cornford : From Religion to Philosophy

Under heading 'Early Greek Science. -- And Lucretius': 'Farington (Science and Politics in the Ancient World) thinks that Ionia observed and experimented freely; that Science became conditioned by politics [...] 'Now I am reading Cornford (From Religion to Philosophy). I doubt whether Farington has. For Cornford proves that Ionian Science was conditioned by religion. This, though less exciting, is probable. 'I find these early speculations useful in clearing my own mind, and helping it to see how it has been twisted. And Farington recalls me to my proper job [...] I ought to think a little more, and not to slop about being diffident or charming.'

Century: 1800-1849 / 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

John Newton : Sermon IV ('The Lord Coming to His Temple')

Passages transcribed at length into E. M. Forster's Commonplace Book (1938) include 'The Rev. John Newton on the Messiah' (Forster's heading) noted underneath by Forster as 'From a Sermon preached at St Mary's Woolnoth in 1784'; passage about how mortals distract themselves, by means including setting of scriptures to music, from proper awareness of God's impending judgement of them.

Century: 1800-1849 / 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Alexander Pope : The Dunciad (books I and II)

Passages transcribed into E. M. Forster's Commonplace Book (1938-40) include three quotations from the Dunciad (addresses to and by the personification of 'Dulness', beginning in I.12, I.311, II.34, and II.83). These accompanied by comments opening: 'How undull! and how gay are Pope's ordures besides Swift's,' and continuing: 'Bk II [...] is grand and frolicsome, and belongs to that happy moment when aristocracy catches hold of ordinary experiences and common life, and plunges, retaining its own proper form.'

Century: 1800-1849 / 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Arthur Hugh Clough : Dipsychus

'Dispsychus -- read after many hesitations -- is not clear what world it opposes to the spirit: the world of action or the world of ambition greed & snobbery. So its effect is fumbly [...] Don't expect to pursue Clough beyond the anthology-pieces.'

Century: 1800-1849 / 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

John Emerich Edward Dalberg Lord Acton : A Lecture on the Study of History

Passages quoted in E. M. Forster's Commonplace Book (1940) include remarks on value of cultural works for successive generations of civilised people from Lord Acton's Lecture on the Study of History ('A speech of Antigone, a single sentence of Socrates [...] come nearer to our lives than the ancestral wisdom of barbarians who fed their swine on the Hercynian acorns'). Forster responds with comment that 'Lord Acton is right, but [...] He forgot that that most people do not respond to culture or intellectual honesty [...] he appears to this generation as an old man lecturung in a cap and gown,' having also noted 'This afternoon (29-2-40) I was at Bishops Cross, where new born lambs were dying in the cold, and Hughie Waterson, a Nazi by temperament, was trying to save them [...] Him the ancestral wisdom inspired.'

Century: 1800-1849 / 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

William Wordsworth : The Prelude

Passages quoted in E. M. Forster's Commonplace Book (1940) include remarks on value of cultural works for successive generations of civilised people from Lord Acton's Lecture on the Study of History ('A speech of Antigone, a single sentence of Socrates [...] come nearer to our lives than the ancestral wisdom of barbarians who fed their swine on the Hercynian acorns'). Forster responds with comment that 'Lord Acton is right, but [...] He forgot that that most people do not respond to culture or intellectual honesty [...] he appears to this generation as an old man lecturung in a cap and gown,' having also noted 'This afternoon (29-2-40) I was at Bishops Cross, where new born lambs were dying in the cold, and Hughie Waterson, a Nazi by temperament, was trying to save them [...] Him the ancestral wisdom inspired.' Forster goes on to quote, for comparison, eight lines from The Prelude XII (opening 'I could no more / Trust the elevation which had made me one / With the great family which still survives [...]', and three lines from Wordsworth's 'Sonnet on Napoleon' (beginning with 'The great events with which old story rings'), continuing with remark: 'I glanced at these two books of the Prelude to see whether Wordsworth's Imagination and Taste had been impaired in the same way as my own.'

Century: 1800-1849 / 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

William Wordsworth : 'Sonnet on Napoleon'

Passages quoted in E. M. Forster's Commonplace Book (1940) include remarks on value of cultural works for successive generations of civilised people from Lord Acton's Lecture on the Study of History ('A speech of Antigone, a single sentence of Socrates [...] come nearer to our lives than the ancestral wisdom of barbarians who fed their swine on the Hercynian acorns'). Forster responds with comment that 'Lord Acton is right, but [...] He forgot that that most people do not respond to culture or intellectual honesty [...] he appears to this generation as an old man lecturung in a cap and gown,' having also noted 'This afternoon (29-2-40) I was at Bishops Cross, where new born lambs were dying in the cold, and Hughie Waterson, a Nazi by temperament, was trying to save them [...] Him the ancestral wisdom inspired.' Forster goes on to quote, for comparison, eight lines from The Prelude XII (opening 'I could no more / Trust the elevation which had made me one / With the great family which still survives [...]', and three lines from Wordsworth's 'Sonnet on Napoleon' (beginning with 'The great events with which old story rings'), continuing with remark: 'I glanced at these two books of the Prelude to see whether Wordsworth's Imagination and Taste had been impaired in the same way as my own.'

Century: 1800-1849 / 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Madame de Sevigne : Letters

Passages quoted at length in E. M. Forster's Commonplace Book (1940) include three extracts from the Letters of Madame de Sevigne, the first of which, Forster notes underneath it, 'is not the one I wanted to copy out,' continuing, 'Her orthodox, gaiety, and caution are much better combined in the following,' and announcing the third with 'And still better -- gaiety dominating'.

Century: 1800-1849 / 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

R. W. Ketton-Cremer : Horace Walpole: A Biography

Passages transcribed in E. M. Forster's Commonplace Book (1940-41) under heading 'Eighteenth Centuriana' include reported last words of Sir Robert Walpole and Sir Thomas Mann, from R. W. Ketton-Cremer's Horace Walpole: A Biography.

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Voltaire  : Zaide

[under heading Voltaire's Zaide] 'The warmth of feeling between Z. and Orasmane, the easiness of the action (except in the frigid double-recognition scene) suprised me, and as I cannot appreciate the badness of the French as Lytton [?Strachey] could; I enjoyed the play and should like to see it acted.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Ernest Hemingway : For Whom the Bell Tolls

Passages transcribed into E. M. Forster's Commonplace Book (1941) include remarks on bigotry (opening 'Bigotry is an odd thing') from chapter 13 of Ernest Hemingway, For Whom the Bell Tolls (1941).

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

William Wordsworth : Sonnets of the Imagination XLII

Transcribed in E. M. Forster's Commonplace Book (1941), under heading 'Wordsworth on Machinery': '"Nor shall your presence, howsoe'er it mar The loveliness of Nature, prove a bar To the Mind's gaining a prophetic sense Of future change, that point of vision, whence May be discovered what in soul you are." '[Sonnets of the Imagination XLII]' This followed by remarks: 'Right! The problem of 1941 has not been better put. And it could be so well put only by someone who had not all the facts.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

George Eliot : Silas Marner

Passages transcribed in E. M. Forster's Commonplace Book (1941) include speech about Christmas by Dolly Winthrop in chapter 10 of George Eliot, Silas Marner, which followed by remark: 'G. E. shows her greatness in this minor interview. Who else in her century or in any could present simplicity and goodness without patronage [italics]end[end italics] without self-abasement? Atmosphere all through both thick and unforced; buried buried are we in the depths of a deeper England than Hardy's. [comments further on text]'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Francois de Malherbe : 'Consolation a Monsieur du Perier, sur la Mort de sa Fille'

Passages transcribed in E. M. Forster's Commonplace Book (1941) include stanza 7 of Malherbe, 'Consolation a Monsieur du Perier, sur la Mort de sa Fille' (1607, followed by remark: 'If I admire this, do I like French poetry? I do admire it. And, mythology lost, what will become of poetry? Mythology gave a stiffening to the fabric.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Francois de Malherbe : 'Pour le Roi, allant chatier la Rebellion des Rochelois'

Passages transcribed in E. M. Forster's Commonplace Book (1941) include stanza 32 of Malherbe, 'Pour le Roi, allant chatier la Rebellion des Rochelois' (1628), followed by remark: 'If I admire this, do I like French poetry? I do admire it. And, mythology lost, what will become of poetry? Mythology gave a stiffening to the fabric.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Gerald Heard : The Creed of Christ: An Interpretation of the Lord's Prayer

Passages transcribed in E. M. Forster's Commonplace Book (1941) include remark that '[Christ] was the Son of Man, because, though greater than any of his generation, he was younger, he belonged, by the creative power which he allowed to keep flowing in renewal through him, to a generation of men, who even now after two thousand years, have yet to be born.' Forster then notes: 'Thus does Gerald Heard spice up his urge to prayer in The Creed of Christ. Have written (20-9-41) a letter to him which I ought to have transcribed. Like other priests, he so emphasises the perils of mis-prayer that one feels it was wise never to have started.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

 : 'The Disappointment of God'

'The Disappointment of God. 'The Times, in an article with this title, announced that though God is certainly disappointed by the state of the world we must not go so far as to suppose that he is surprised. -- Very funny effect, especially in its paginal context. Deducing Gods personality must be a fascinating game. But the world has disappointed [italics]me[end italics] so much that I scarcely smiled.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Newspaper

  

Elizabeth Gaskell : Sylvia's Lovers

'Sylvia's Lovers 1863, though I have not finished it, has been an eye-opener after the twitterings of Cranford. The sensuousness of the sailor, the characterisation, without fuss, of S's parents, the amusing deterioration of S's friends after marriage. And the wisdom in this account of old-fashioned country mentality: [quotes passage from chapter 7 of text, opening 'Taken as a general rule, it may be said that few knew what manner of men they were,' before commenting further on text]'.

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

H. A. L. Fisher : A History of Europe

Passages transcribed in E. M. Forster's Commonplace Book (1942) include remarks by H. A. L. Fisher beginning: 'Men wiser and more learned than I have discerned in history a plot, a rhythm, a predetermined pattern.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

John Ruskin : 'The Pleasures of Deed' (Lecture II in series 'The Pleasures of England')

Passages transcribed in E. M. Forster's Commonplace Book (1942) include Ruskin's remark, from a Slade Lecture (with five commas omitted from original): 'Every mutiny every danger every terror and every crime occurring under or paralysing our Indian legislation, arises directly out of our national desire to live out of the loot of India.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Paul-Louis Courier : 'Petition pour les Villageois que l'on empeche de Danser' (1822)

Passages transcribed in E. M. Forster's Commonplace Book (1942) include remark by Courier, opening 'Les gendarmes sont multiplies en France bien plus encore que les violons quoique moins necessaires pour la danse.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Paul Valery : 

Passages transcribed in E. M. Forster's Commonplace Book (1942) include remark by Paul Valery opening 'L'Histoire est le produit le plus dangereux que la chimie de l'intellect ait elabore.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

St Augustine : De Civitate Dei

Passages transcribed (and translated) in E. M. Forster's Commonplace Book (1942) include remarks on conquerors' impositions of their languages upon new subject peoples in De Civitate Dei.

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Thomas Hodgkin : Italy and Her Invaders 376-476 (vol. I)

'That detestable father [italics]St Jerome[end italics], thus reacts to the Fall of Rome:-- '[...] When the refugees [...] began to reach Palestine: "I was long silent, knowing that it was the time for tears. Since to relieve them all was impossible, we joined our lamentations with theirs [...]" [...] Virgil's "Urbas antiqua ruit, multos dominata per annos" quoted, which I myself was to read 1500 [sic] later, after seeing the Docks on fire from my roof in Chiswick. '[Extracted from Hodgkin. Jerome has to leave Rome for the desert because he found the ladies too charming there.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Virgil  : Aeneid (Book II)

'That detestable father [italics]St Jerome[end italics], thus reacts to the Fall of Rome:-- '[...] When the refugees [...] began to reach Palestine: "I was long silent, knowing that it was the time for tears. Since to relieve them all was impossible, we joined our lamentations with theirs [...]" [...] Virgil's "Urbas antiqua ruit, multos dominata per annos" quoted, which I myself was to read 1500 [sic] later, after seeing the Docks on fire from my roof in Chiswick. '[Extracted from Hodgkin. Jerome has to leave Rome for the desert because he found the ladies too charming there.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

George Eliot : Middlemarch

From Diary of E. M. Forster, 8 September 1940: 'London Burning! I watched this event from my Chiswick flat last night with disgust and indignation, but with no intensity though the spectacle was superb, I thought It is nothing like the burning of Troy. Yet the Surrey Docks were ablaze, at the back with towers and spires outlines [sic] against them, greenish yellow searchlights swept the sky in futile agony [...] Now and then tracts of the horizon flashed a ghastly electric green. Or the fire ahead burst up as I hoped it was dying down. "Oh!" I cried once faintly, then returned to my bed and read Middlemarch.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

W. E. H. Lecky : History of European Morals from Augustus to Charlemagne

[Following notes on 'squabble' between SS. Jerome and Augustine] 'Extracted from ch. iv of Lecky's "Morals from Augustus to Charlemagne", interesting, ill-indexed, strong on the Egyptian anchorites.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

St Augustine : 'On Marriage and Concupiscence'

'St Augustine, Some scattered notes. 'Have glanced at his work On Marriage & Concupiscence, part of his attack on the Pelagians. What he thinks is wrong in copulation is not the semen but the pleasure attending its emission, and he thinks the pleasure wrong because people are ashamed to be seen doing it [...] Elsewhere, he says that the time for giving in marriage was B.C., and the time for abstaining from it A.D., but he does not urge the extinction of the human race, and hopes that husbands and wives will continue to go ahead, with as little pleasure as possible, until the establishment of the City of God. I find it difficult to follow, in anyone so intelligent, such opinions, and think they may have been induced by the unintelligent asceticism of his age; by the knowledge that thousands of stupid men were sitting in the desert all along Africa.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Michaud : article on Pelagius

[Following notes on life and thought of Pelagius] 'From a good article in the Biographie Universelle.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

John Neville Figgis : The Political Aspects of St Augustine's City of God

[Following heading 'St Augustine'] 'Some questions raised rather than solved in Figges' [sic] "Political Aspects of the City of God" [goes on to transcribe extracts and add own notes and queries].'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

St Jerome : Select Letters of St Jerome

Texts quoted from and discussed at length in E. M. Forster's Commonplace Book (1942) include St Jerome, Letters ('Loeb'), with closing remarks: 'Now farewell St Jerome for ever, but I must not ignore some similarities between us: we both decline to concentrate on the political catastrophe. Your obsession with virginity helps you, for it is in danger whether there's peace or war.' [in notes, Forster expresses disapprobation for Jerome's attitudes to sexuality in particular, describing Letter 117 (p.136; on female modesty) as 'terrifying in its blindness and vigour']

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

St Basil : Letters (vol.II)

'St Basil (329-379) [...] is a Father easily disposed of, and a glance at the second volume of letters in Loeb shall suffice [goes on to make detailed notes and transcriptions from text].'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

F. A. Wright : A History of Later Greek Literature

'Forster's material on the Sophists and others is drawn from part II ("Byzantium A.D. 313-565") of F. A. Wright's A History of Later Greek Literature from the Death of Alexandria in 323 B.C. to the Death of Justinian in 565 A.D. (Routledge, 1932).'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Socrates of Constantinople : Ecclesiastical History

[following heading Sophocles of Constantinople] 'I have run through his Ecclesiastical History with amusement and without contempt [...] Bk V ch. 18 on the purity campaign of Theodosius is very funny. There was a machine which lowered visitors to a brothel into a bakehouse, where they worked for the rest of their lives [....] Funny too is the bishop who trod on another bishop's foot, with the result that it festered and had to be amputated. Bk VI ch 19.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

E. H. Carr : Michael Bakunin

[following heading 'Bakunin (1814-1876)] 'Reading Carr's pitiless and ungenerous account of him, I am often carried outside it to contemplate the endless senseless torturing of Europe; the same places occur in the 18th cent, as in the 5th, and people are still being killed and thwarted, and beautiful and useful objects being destroyed. [makes further notes on text]'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Marcel Proust : Le Temps Retrouve

Texts from which passages transcribed at length in E. M. Forster's Commonplace Book (1942-1943) include Marcel Proust, Le Temps Retrouve.

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Marcel Proust : Du Cote de chez Swann

'In his diary (1 March 1922) Forster recorded, while on the boat returning from India, his early impressions of Proust: "Bought Du Cote de Chez Swann at Marseilles and note how cleverly Proust uses his memories and experiences to illustrate his state of mind [...] His work impresses me by its weight and length, and sometimes touches me by its truth to my feelings."'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Charles Darwin : The Voyage of the Beagle

Passages transcribed in E. M. Forster's Commonplace Book (1943) include reflections on Australia from Charles Darwin's Voyage of the Beagle.

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

A. P. Wavell : Allenby: Soldier and Statesman

Passages transcribed in E. M. Forster's Commonplace Book (1943) include anecdote about Boer prisoners and their guards being found asleep together, with Allenby's remark 'that will do more to end this stupid war than anything else,' from A. P. Wavell, Allenby: Soldier and Statesman.

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Jean Bruller : Le Silence de la Mer

'La Silence de la Mer by "Vercors" (Schlumberger?) was given me by Raymond Mortimer yesterday and read without much admiration though with plenty of sympathy: published secretly under the Nazis in France. Read also too slow a story by Giono of the coming of Pan: it quickens at the end where human beings and animals dance together, with regrettable results [...] Read too in Illusions Perdues [...] and in Gide's Journal [...] Gide aroused my envy by reading, reading, but if I kept a journal I too should appear to have read, read a lot.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Jean Giono : 'Prelude de Pan'

'La Silence de la Mer by "Vercors" (Schlumberger?) was given me by Raymond Mortimer yesterday and read without much admiration though with plenty of sympathy: published secretly under the Nazis in France. Read also too slow a story by Giono of the coming of Pan: it quickens at the end where human beings and animals dance together, with regrettable results [...] Read too in Illusions Perdues [...] and in Gide's Journal [...] Gide aroused my envy by reading, reading, but if I kept a journal I too should appear to have read, read a lot.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Unknown

  

Honore de Balzac : Illusions perdues

'La Silence de la Mer by "Vercors" (Schlumberger?) was given me by Raymond Mortimer yesterday and read without much admiration though with plenty of sympathy: published secretly under the Nazis in France. Read also too slow a story by Giono of the coming of Pan: it quickens at the end where human beings and animals dance together, with regrettable results [...] Read too in Illusions Perdues [...] and in Gide's Journal [...] Gide aroused my envy by reading, reading, but if I kept a journal I too should appear to have read, read a lot.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Andre Gide : Journal

'La Silence de la Mer by "Vercors" (Schlumberger?) was given me by Raymond Mortimer yesterday and read without much admiration though with plenty of sympathy: published secretly under the Nazis in France. Read also too slow a story by Giono of the coming of Pan: it quickens at the end where human beings and animals dance together, with regrettable results [...] Read too in Illusions Perdues [...] and in Gide's Journal [...] Gide aroused my envy by reading, reading, but if I kept a journal I too should appear to have read, read a lot.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Unknown

  

Stefan George : 'Du schlank un rein wie eine flamme'

Poems transcribed in E. M. Forster's Commonplace Book (1943) include Stefan George's verses opening 'Du schlank und rein wie eine flamme,' and Baudelaire's 'Hymne' ('A la tres-chere, a la tres-belle'), with accompanying comment: 'The George and the Baudelaire above express, the one with studied starkness, the other with studied affectation, the masculine and feminine of the same idealism [...] Given over to habits of comfort, I feel insincere when I enjoy these poems. They are not for me or for anyone who is not prepared to sacrifice comfort.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Charles Baudelaire : 'Hymne' ('A la tres-chere, a la tres-belle')

Poems transcribed in E. M. Forster's Commonplace Book (1943) include Stefan George's verses opening 'Du schlank und rein wie eine flamme,' and Baudelaire's 'Hymne' ('A la tres-chere, a la tres-belle'), with accompanying comment: 'The George and the Baudelaire above express, the one with studied starkness, the other with studied affectation, the masculine and feminine of the same idealism [...] Given over to habits of comfort, I feel insincere when I enjoy these poems. They are not for me or for anyone who is not prepared to sacrifice comfort.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Van Wyck Brooks : The Ordeal of Mark Twain

'The Ordeal of Mark Twain by a bothered and bothering American of the psychoanalysing 20s has succeeded in bothering me a bit [discusses text further, drawing comparisons between Twain's, and own, experiences of ageing and senses of failure].'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

John Emerich Edward Dalberg Lord Acton : A Lecture on the Study of History

[under heading 'Lord Acton Some "shining precepts" for the historical student] E. M. Forster transcribes passage opening 'Keep men and things apart; guard against the prestige of great names,' and phrase 'The critic is one who, when he lights on an interesting statement, begins by suspecting it,' noting underneath: 'The above are from his lecture "The Study of History" [...] Transcribing them while the planes whirr, I wonder how far Liberalism might have progressed if the world had kept calm.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Arnold Toynbee : A Study of History (vol I)

Noted by E. M. Forster in his Commonplace Book (1944), beside quoted lines 'Thought shall be the harder / Heart the keener / Mood shall be the more / As our might lessens': 'The Lay of the Battle of Malden [sic] (date --) quoted by Arnold Toynbee on the title page of his History. Again the bombers whirr (14-3-44) as I transcribe it.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

 : A Handbook for Travellers in Surrey, Hampshire and the Isle of Wight

Transcribed by E. M. Forster in his Commonplace Book (1944): 'On Hydon's top there is a cup And in that cup there is a drop Take up the cup and drink the drop And place the cup on Hydon's top.' Forster notes underneath: 'Local rhyme quoted in Murrays Guide to Surrey.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Bede  : Ecclesiastical History (Bk 5 ch 13)

Passages in E. M. Forster's Commonplace Book (1944) include two short quotations, from Bede ('Two most wicked spirits rising with forks in their hands[...]') and Amiel ('S'en aller toute d'un fois est un privilege; tu periras par morceaux'), accompanied by note: 'I encounter these two mournful small fry on the same day. Boo hoo down the ages.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Henri-Frederic Amiel : Fragments d'un Journal Intime

Passages in E. M. Forster's Commonplace Book (1944) include two short quotations, from Bede ('Two most wicked spirits rising with forks in their hands[...]') and Amiel ('S'en aller toute d'un fois est un privilege; tu periras par morceaux'), accompanied by note: 'I encounter these two mournful small fry on the same day. Boo hoo down the ages.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Charles Waterton : Wanderings in South America

Passages in E. M. Forster's Commonplace Book (1944) include description of domestic life from Charles Waterton, Wanderings in South America, accompanied by comment 'His stupid obscene cruelty to the reptiles out there displeases me.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Samuel Henley : Appendix no. 2

Passages in E. M. Forster's Commonplace Book (1944-45) include account of Ancient Egyptian burial customs, as discovered by later explorers, from Samuel Henley's Appendix to Edward Daniel Clarke, 'The Tomb of Alexander' (1805). Underneath, Forster notes: 'This is the first entry I have made since the death of my mother, today three months in her grave.'

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

John Ruskin : Introduction to Notes on Turner drawings

Passages in E. M. Forster's Commonplace Book (1945) include extracts (on transience of pleasure in nature) from Ruskin's introduction to his notes on Turner drawings owned by him, and exhibited in 1878 at the Fine Art Society's London galleries.

Century: 1900-1945     Reader/Listener/Group: Edward Morgan Forster      Print: Book

  

Thomas Hardy : [novels]

'He [George Gissing] seems to have read Hardy's novels as they appeared and, impressed by "Diana of the Crossways", re-read Meredith in the important first collected edition which began to appear in the same year, that is in 1885'.

Century: 1850-1899     Reader/Listener/Group: George Gissing      Print: Book

  

George Meredith : Diana of the Crossways

'He [George Gissing] seems to have read Hardy's novels as they appeared and, impressed by "Diana of the Crossways", re-read Meredith in the important first collected edition which began to appear in the same year, that is in 1885'.

Century: 1850-1899     Reader/Listener/Group: George Gissing      Print: Book

  

George Meredith : [novels]

'He [George Gissing] seems to have read Hardy's novels as they appeared and, impressed by "Diana of the Crossways", re-read Meredith in the important first collected edition which began to appear in the same year, that is in 1885'.

Century: 1850-1899     Reader/Listener/Group: George Gissing      Print: Book

  

Johann Wolfgang von Goethe : [unknown]

'In the late 1880s Gissing immersed himself in contemporary European fiction, as he had during previous periods of his life. Gissing's wide reading has been often noted but rarely assessed. Salient in any study of it would be his reading of Goethe and Heine in 1876 (and throughout his life), Eugene Sue and Henri Murger (in 1878 "Scenes de la Vie Boheme" was deepy influential), Comte (notably "Cours de Philosophie Positive" in 1878), Turgenev (in 1884 - but also constantly, for by the end of the decade he had read "Fathers and Sons" five times), Moliere, George Sand, Balzac, de Musset (whom he called indispensable" in 1885), Ibsen (in German, in the late 1880s), Zola, Dostoevski, the Goncourts (at least by the early 1890s). Gissing read with equal ease in French, German, Greek and latin, and these from an early age. Later he added Italian and late in life some Spanish'.

Century: 1850-1899     Reader/Listener/Group: George Gissing      Print: Book

  

Heinrich Heine : [unknown]

'In the late 1880s Gissing immersed himself in contemporary European fiction, as he had during previous periods of his life. Gissing's wide reading has been often noted but rarely assessed. Salient in any study of it would be his reading of Goethe and Heine in 1876 (and throughout his life), Eugene Sue and Henri Murger (in 1878 "Scenes de la Vie Boheme" was deepy influential), Comte (notably "Cours de Philosophie Positive" in 1878), Turgenev (in 1884 - but also constantly, for by the end of the decade he had read "Fathers and Sons" five times), Moliere, George Sand, Balzac, de Musset (whom he called indispensable" in 1885), Ibsen (in German, in the late 1880s), Zola, Dostoevski, the Goncourts (at least by the early 1890s). Gissing read with equal ease in French, German, Greek and latin, and these from an early age. Later he added Italian and late in life some Spanish'.

Century: 1850-1899     Reader/Listener/Group: George Gissing      Print: Book

  

Joseph Marie Eugene Sue : [unknown]

'In the late 1880s Gissing immersed himself in contemporary European fiction, as he had during previous periods of his life. Gissing's wide reading has been often noted but rarely assessed. Salient in any study of it would be his reading of Goethe and Heine in 1876 (and throughout his life), Eugene Sue and Henri Murger (in 1878 "Scenes de la Vie Boheme" was deepy influential), Comte (notably "Cours de Philosophie Positive" in 1878), Turgenev (in 1884 - but also constantly, for by the end of the decade he had read "Fathers and Sons" five times), Moliere, George Sand, Balzac, de Musset (whom he called indispensable" in 1885), Ibsen (in German, in the late 1880s), Zola, Dostoevski, the Goncourts (at least by the early 1890s). Gissing read with equal ease in French, German, Greek and latin, and these from an early age. Later he added Italian and late in life some Spanish'.

Century: 1850-1899     Reader/Listener/Group: George Gissing      Print: Book

  

Henri Murger : Scenes de la Vie Boheme

'In the late 1880s Gissing immersed himself in contemporary European fiction, as he had during previous periods of his life. Gissing's wide reading has been often noted but rarely assessed. Salient in any study of it would be his reading of Goethe and Heine in 1876 (and throughout his life), Eugene Sue and Henri Murger (in 1878 "Scenes de la Vie Boheme" was deepy influential), Comte (notably "Cours de Philosophie Positive" in 1878), Turgenev (in 1884 - but also constantly, for by the end of the decade he had read "Fathers and Sons" five times), Moliere, George Sand, Balzac, de Musset (whom he called indispensable" in 1885), Ibsen (in German, in the late 1880s), Zola, Dostoevski, the Goncourts (at least by the early 1890s). Gissing read with equal ease in French, German, Greek and latin, and these from an early age. Later he added Italian and late in life some Spanish'.

Century: 1850-1899     Reader/Listener/Group: George Gissing      Print: Book

  

Auguste Comte : Cours de Philosophie Positive

'In the late 1880s Gissing immersed himself in contemporary European fiction, as he had during previous periods of his life. Gissing's wide reading has been often noted but rarely assessed. Salient in any study of it would be his reading of Goethe and Heine in 1876 (and throughout his life), Eugene Sue and Henri Murger (in 1878 "Scenes de la Vie Boheme" was deepy influential), Comte (notably "Cours de Philosophie Positive" in 1878), Turgenev (in 1884 - but also constantly, for by the end of the decade he had read "Fathers and Sons" five times), Moliere, George Sand, Balzac, de Musset (whom he called indispensable" in 1885), Ibsen (in German, in the late 1880s), Zola, Dostoevski, the Goncourts (at least by the early 1890s). Gissing read with equal ease in French, German, Greek and latin, and these from an early age. Later he added Italian and late in life some Spanish'.

Century: 1850-1899     Reader/Listener/Group: George Gissing      Print: Book

  

Ivan Turgenev : Fathers and Sons

'In the late 1880s Gissing immersed himself in contemporary European fiction, as he had during previous periods of his life. Gissing's wide reading has been often noted but rarely assessed. Salient in any study of it would be his reading of Goethe and Heine in 1876 (and throughout his life), Eugene Sue and Henri Murger (in 1878 "Scenes de la Vie Boheme" was deepy influential), Comte (notably "Cours de Philosophie Positive" in 1878), Turgenev (in 1884 - but also constantly, for by the end of the decade he had read "Fathers and Sons" five times), Moliere, George Sand, Balzac, de Musset (whom he called indispensable" in 1885), Ibsen (in German, in the late 1880s), Zola, Dostoevski, the Goncourts (at least by the early 1890s). Gissing read with equal ease in French, German, Greek and latin, and these from an early age. Later he added Italian and late in life some Spanish'.

Century: 1850-1899     Reader/Listener/Group: George Gissing      Print: Book

  

Moliere : [unknown]

'In the late 1880s Gissing immersed himself in contemporary European fiction, as he had during previous periods of his life. Gissing's wide reading has been often noted but rarely assessed. Salient in any study of it would be his reading of Goethe and Heine in 1876 (and throughout his life), Eugene Sue and Henri Murger (in 1878 "Scenes de la Vie Boheme" was deepy influential), Comte (notably "Cours de Philosophie Positive" in 1878), Turgenev (in 1884 - but also constantly, for by the end of the decade he had read "Fathers and Sons" five times), Moliere, George Sand, Balzac, de Musset (whom he called indispensable" in 1885), Ibsen (in German, in the late 1880s), Zola, Dostoevski, the Goncourts (at least by the early 1890s). Gissing read with equal ease in French, German, Greek and latin, and these from an early age. Later he added Italian and late in life some Spanish'.

Century: 1850-1899     Reader/Listener/Group: George Gissing      Print: Book

  

George Sand [pseud.] : [unknown]

'In the late 1880s Gissing immersed himself in contemporary European fiction, as he had during previous periods of his life. Gissing's wide reading has been often noted but rarely assessed. Salient in any study of it would be his reading of Goethe and Heine in 1876 (and throughout his life), Eugene Sue and Henri Murger (in 1878 "Scenes de la Vie Boheme" was deepy influential), Comte (notably "Cours de Philosophie Positive" in 1878), Turgenev (in 1884 - but also constantly, for by the end of the decade he had read "Fathers and Sons" five times), Moliere, George Sand, Balzac, de Musset (whom he called indispensable" in 1885), Ibsen (in German, in the late 1880s), Zola, Dostoevski, the Goncourts (at least by the early 1890s). Gissing read with equal ease in French, German, Greek and latin, and these from an early age. Later he added Italian and late in life some Spanish'.

Century: 1850-1899     Reader/Listener/Group: George Gissing      Print: Book

  

Honore de Balzac : [unknown]

'In the late 1880s Gissing immersed himself in contemporary European fiction, as he had during previous periods of his life. Gissing's wide reading has been often noted but rarely assessed. Salient in any study of it would be his reading of Goethe and Heine in 1876 (and throughout his life), Eugene Sue and Henri Murger (in 1878 "Scenes de la Vie Boheme" was deepy influential), Comte (notably "Cours de Philosophie Positive" in 1878), Turgenev (in 1884 - but also constantly, for by the end of the decade he had read "Fathers and Sons" five times), Moliere, George Sand, Balzac, de Musset (whom he called indispensable" in 1885), Ibsen (in German, in the late 1880s), Zola, Dostoevski, the Goncourts (at least by the early 1890s). Gissing read with equal ease in French, German, Greek and latin, and these from an early age. Later he added Italian and late in life some Spanish'.

Century: 1850-1899     Reader/Listener/Group: George Gissing      Print: Book

  

Alfred de Musset : [unknown]

'In the late 1880s Gissing immersed himself in contemporary European fiction, as he had during previous periods of his life. Gissing's wide reading has been often noted but rarely assessed. Salient in any study of it would be his reading of Goethe and Heine in 1876 (and throughout his life), Eugene Sue and Henri Murger (in 1878 "Scenes de la Vie Boheme" was deepy influential), Comte (notably "Cours de Philosophie Positive" in 1878), Turgenev (in 1884 - but also constantly, for by the end of the decade he had read "Fathers and Sons" five times), Moliere, George Sand, Balzac, de Musset (whom he called indispensable" in 1885), Ibsen (in German, in the late 1880s), Zola, Dostoevski, the Goncourts (at least by the early 1890s). Gissing read with equal ease in French, German, Greek and latin, and these from an early age. Later he added Italian and late in life some Spanish'.

Century: 1850-1899     Reader/Listener/Group: George Gissing      Print: Book

  

Henrik Ibsen : [unknown]

'In the late 1880s Gissing immersed himself in contemporary European fiction, as he had during previous periods of his life. Gissing's wide reading has been often noted but rarely assessed. Salient in any study of it would be his reading of Goethe and Heine in 1876 (and throughout his life), Eugene Sue and Henri Murger (in 1878 "Scenes de la Vie Boheme" was deepy influential), Comte (notably "Cours de Philosophie Positive" in 1878), Turgenev (in 1884 - but also constantly, for by the end of the decade he had read "Fathers and Sons" five times), Moliere, George Sand, Balzac, de Musset (whom he called indispensable" in 1885), Ibsen (in German, in the late 1880s), Zola, Dostoevski, the Goncourts (at least by the early 1890s). Gissing read with equal ease in French, German, Greek and latin, and these from an early age. Later he added Italian and late in life some Spanish'.

Century: 1850-1899     Reader/Listener/Group: George Gissing      Print: Book

  

Emile Zola : [unknown]

'In the late 1880s Gissing immersed himself in contemporary European fiction, as he had during previous periods of his life. Gissing's wide reading has been often noted but rarely assessed. Salient in any study of it would be his reading of Goethe and Heine in 1876 (and throughout his life), Eugene Sue and Henri Murger (in 1878 "Scenes de la Vie Boheme" was deepy influential), Comte (notably "Cours de Philosophie Positive" in 1878), Turgenev (in 1884 - but also constantly, for by the end of the decade he had read "Fathers and Sons" five times), Moliere, George Sand, Balzac, de Musset (whom he called indispensable" in 1885), Ibsen (in German, in the late 1880s), Zola, Dostoevski, the Goncourts (at least by the early 1890s). Gissing read with equal ease in French, German, Greek and latin, and these from an early age. Later he added Italian and late in life some Spanish'.

Century: 1850-1899     Reader/Listener/Group: George Gissing      Print: Book

  

Fyodor Dostoevsky : [unknown]

'In the late 1880s Gissing immersed himself in contemporary European fiction, as he had during previous periods of his life. Gissing's wide reading has been often noted but rarely assessed. Salient in any study of it would be his reading of Goethe and Heine in 1876 (and throughout his life), Eugene Sue and Henri Murger (in 1878 "Scenes de la Vie Boheme" was deepy influential), Comte (notably "Cours de Philosophie Positive" in 1878), Turgenev (in 1884 - but also constantly, for by the end of the decade he had read "Fathers and Sons" five times), Moliere, George Sand, Balzac, de Musset (whom he called indispensable" in 1885), Ibsen (in German, in the late 1880s), Zola, Dostoevski, the Goncourts (at least by the early 1890s). Gissing read with equal ease in French, German, Greek and latin, and these from an early age. Later he added Italian and late in life some Spanish'.

Century: 1850-1899     Reader/Listener/Group: George Gissing      Print: Book

  

Edmond de Goncourt : [unknown]

'In the late 1880s Gissing immersed himself in contemporary European fiction, as he had during previous periods of his life. Gissing's wide reading has been often noted but rarely assessed. Salient in any study of it would be his reading of Goethe and Heine in 1876 (and throughout his life), Eugene Sue and Henri Murger (in 1878 "Scenes de la Vie Boheme" was deepy influential), Comte (notably "Cours de Philosophie Positive" in 1878), Turgenev (in 1884 - but also constantly, for by the end of the decade he had read "Fathers and Sons" five times), Moliere, George Sand, Balzac, de Musset (whom he called indispensable" in 1885), Ibsen (in German, in the late 1880s), Zola, Dostoevski, the Goncourts (at least by the early 1890s). Gissing read with equal ease in French, German, Greek and latin, and these from an early age. Later he added Italian and late in life some Spanish'.

Century: 1850-1899     Reader/Listener/Group: George Gissing      Print: Book

  

William Morris : Earthly Paradise, The

'He [George Gissing] recommended [in letters to his siblings] books like Morris's "Earthly Paradise", a poem "abounding in the quaintest archaisms"; Ruskin's "Unto this last", which Gissing liked as a "contribution to - or rather onslaught upon - Political Economy"; Landor's "Imaginary Conversations", for its "perfect prose"; and Scott's "Redgauntlet", for the romantic situations of which he must "try to find parallel kinds in modern life". Gissing kept up the habit throughout his life: he was always reading and always recommending books to his friends and family. In the early 1880s he read a lot of German, and to his brother, Algernon, particularly recommended Eckerman's "Conversations with Goethe", "a most delightful book". Meanwhile his sister, Margaret, was reading Schiller under his direction'.

Century: 1850-1899     Reader/Listener/Group: George Gissing      Print: Book

  

John Ruskin : Unto this Last

'He [George Gissing] recommended [in letters to his siblings] books like Morris's "Earthly Paradise", a poem "abounding in the quaintest archaisms"; Ruskin's "Unto this last", which Gissing liked as a "contribution to - or rather onslaught upon - Political Economy"; Landor's "Imaginary Conversations", for its "perfect prose"; and Scott's "Redgauntlet", for the romantic situations of which he must "try to find parallel kinds in modern life". Gissing kept up the habit throughout his life: he was always reading and always recommending books to his friends and family. In the early 1880s he read a lot of German, and to his brother, Algernon, particularly recommended Eckerman's "Conversations with Goethe", "a most delightful book". Meanwhile his sister, Margaret, was reading Schiller under his direction'.

Century: 1850-1899     Reader/Listener/Group: George Gissing      Print: Book

  

Walter Scott : Redgauntlet

'He [George Gissing] recommended [in letters to his siblings] books like Morris's "Earthly Paradise", a poem "abounding in the quaintest archaisms"; Ruskin's "Unto this last", which Gissing liked as a "contribution to - or rather onslaught upon - Political Economy"; Landor's "Imaginary Conversations", for its "perfect prose"; and Scott's "Redgauntlet", for the romantic situations of which he must "try to find parallel kinds in modern life". Gissing kept up the habit throughout his life: he was always reading and always recommending books to his friends and family. In the early 1880s he read a lot of German, and to his brother, Algernon, particularly recommended Eckerman's "Conversations with Goethe", "a most delightful book". Meanwhile his sister, Margaret, was reading Schiller under his direction'.

Century: 1850-1899     Reader/Listener/Group: George Gissing      Print: Book

  

Walter Savage Landor : Imaginary Conversations

'He [George Gissing] recommended [in letters to his siblings] books like Morris's "Earthly Paradise", a poem "abounding in the quaintest archaisms"; Ruskin's "Unto this last", which Gissing liked as a "contribution to - or rather onslaught upon - Political Economy"; Landor's "Imaginary Conversations", for its "perfect prose"; and Scott's "Redgauntlet", for the romantic situations of which he must "try to find parallel kinds in modern life". Gissing kept up the habit throughout his life: he was always reading and always recommending books to his friends and family. In the early 1880s he read a lot of German, and to his brother, Algernon, particularly recommended Eckerman's "Conversations with Goethe", "a most delightful book". Meanwhile his sister, Margaret, was reading Schiller under his direction'.

Century: 1850-1899     Reader/Listener/Group: George Gissing      Print: Book

  

Johann Peter Eckerman : Conversations of Goethe

'He [George Gissing] recommended [in letters to his siblings] books like Morris's "Earthly Paradise", a poem "abounding in the quaintest archaisms"; Ruskin's "Unto this last", which Gissing liked as a "contribution to - or rather onslaught upon - Political Economy"; Landor's "Imaginary Conversations", for its "perfect prose"; and Scott's "Redgauntlet", for the romantic situations of which he must "try to find parallel kinds in modern life". Gissing kept up the habit throughout his life: he was always reading and always recommending books to his friends and family. In the early 1880s he read a lot of German, and to his brother, Algernon, particularly recommended Eckerman's "Conversations with Goethe", "a most delightful book". Meanwhile his sister, Margaret, was reading Schiller under his direction'.

Century: 1850-1899     Reader/Listener/Group: George Gissing      Print: Book

  

Friedrich Schiller : [unknown]

'He [George Gissing] recommended [in letters to his siblings] books like Morris's "Earthly Paradise", a poem "abounding in the quaintest archaisms"; Ruskin's "Unto this last", which Gissing liked as a "contribution to - or rather onslaught upon - Political Economy"; Landor's "Imaginary Conversations", for its "perfect prose"; and Scott's "Redgauntlet", for the romantic situations of which he must "try to find parallel kinds in modern life". Gissing kept up the habit throughout his life: he was always reading and always recommending books to his friends and family. In the early 1880s he read a lot of German, and to his brother, Algernon, particularly recommended Eckerman's "Conversations with Goethe", "a most delightful book". Meanwhile his sister, Margaret, was reading Schiller under his direction'.

Century: 1850-1899     Reader/Listener/Group: George Gissing      Print: Book

  

Friedrich Schiller : [unknown]

'He [George Gissing] recommended [in letters to his siblings] books like Morris's "Earthly Paradise", a poem "abounding in the quaintest archaisms"; Ruskin's "Unto this last", which Gissing liked as a "contribution to - or rather onslaught upon - Political Economy"; Landor's "Imaginary Conversations", for its "perfect prose"; and Scott's "Redgauntlet", for the romantic situations of which he must "try to find parallel kinds in modern life". Gissing kept up the habit throughout his life: he was always reading and always recommending books to his friends and family. In the early 1880s he read a lot of German, and to his brother, Algernon, particularly recommended Eckerman's "Conversations with Goethe", "a most delightful book". Meanwhile his sister, Margaret, was reading Schiller under his direction'.

Century: 1850-1899     Reader/Listener/Group: Margaret Gissing      Print: Book

  

[unknown] : [unknown]

'[During the 1880s Gissing] continued to read Latin and Greek authors daily'.

Century: 1850-1899     Reader/Listener/Group: George Gissing      Print: Book

  

Paul Charles Joseph Bourget : [unknown]

'Now [after 1890] he [Gissing] read books that seemed to have had a direct impact on his development, turning him away from working-class subjects (to which he never returned) and making him more interested in the nihilistic or purely intellectual attitudes of his characters than in those of them who had a Walter Egremont type of social conscience. Thus, he re-read Bourget, on [his friend] Bertz's recommendation looked at J.P. Jacobsen's "Niels Lyhne" and "Marie Grube", reread Turgenev's "Fathers and Sons" (for the seventh time), reread Dostoevski, whom he recomended to his brother but disliked himself, once again mulled over Hardy's "The Woodlanders" and "The Mayor of Casterbridge" (he later said that "Jude" was poor stuff by comparison with these), and began to ponder Ibsen, starting with "Hedda Gabler".'

Century: 1850-1899     Reader/Listener/Group: George Gissing      Print: Book

  

Jens Peter Jacobsen : Niels lyhne

'Now [after 1890] he [Gissing] read books that seemed to have had a direct impact on his development, turning him away from working-class subjects (to which he never returned) and making him more interested in the nihilistic or purely intellectual attitudes of his characters than in those of them who had a Walter Egremont type of social conscience. Thus, he re-read Bourget, on [his friend] Bertz's recommendation looked at J.P. Jacobsen's "Niels Lyhne" and "Marie Grube", reread Turgenev's "Fathers and Sons" (for the seventh time), reread Dostoevski, whom he recomended to his brother but disliked himself, once again mulled over Hardy's "The Woodlanders" and "The Mayor of Casterbridge" (he later said that "Jude" was poor stuff by comparison with these), and began to ponder Ibsen, starting with "Hedda Gabler".'

Century: 1850-1899     Reader/Listener/Group: George Gissing      Print: Book

  

Jens Peter Jacobsen : Marie Grube

'Now [after 1890] he [Gissing] read books that seemed to have had a direct impact on his development, turning him away from working-class subjects (to which he never returned) and making him more interested in the nihilistic or purely intellectual attitudes of his characters than in those of them who had a Walter Egremont type of social conscience. Thus, he re-read Bourget, on [his friend] Bertz's recommendation looked at J.P. Jacobsen's "Niels Lyhne" and "Marie Grube", reread Turgenev's "Fathers and Sons" (for the seventh time), reread Dostoevski, whom he recomended to his brother but disliked himself, once again mulled over Hardy's "The Woodlanders" and "The Mayor of Casterbridge" (he later said that "Jude" was poor stuff by comparison with these), and began to ponder Ibsen, starting with "Hedda Gabler".'

Century: 1850-1899     Reader/Listener/Group: George Gissing      Print: Book

  

Ivan Turgenev : Fathers and Sons

'Now [after 1890] he [Gissing] read books that seemed to have had a direct impact on his development, turning him away from working-class subjects (to which he never returned) and making him more interested in the nihilistic or purely intellectual attitudes of his characters than in those of them who had a Walter Egremont type of social conscience. Thus, he re-read Bourget, on [his friend] Bertz's recommendation looked at J.P. Jacobsen's "Niels Lyhne" and "Marie Grube", reread Turgenev's "Fathers and Sons" (for the seventh time), reread Dostoevski, whom he recomended to his brother but disliked himself, once again mulled over Hardy's "The Woodlanders" and "The Mayor of Casterbridge" (he later said that "Jude" was poor stuff by comparison with these), and began to ponder Ibsen, starting with "Hedda Gabler".'

Century: 1850-1899     Reader/Listener/Group: George Gissing      Print: Book

  

Fyodor Dostoevsky : [unknown]

'Now [after 1890] he [Gissing] read books that seemed to have had a direct impact on his development, turning him away from working-class subjects (to which he never returned) and making him more interested in the nihilistic or purely intellectual attitudes of his characters than in those of them who had a Walter Egremont type of social conscience. Thus, he re-read Bourget, on [his friend] Bertz's recommendation looked at J.P. Jacobsen's "Niels Lyhne" and "Marie Grube", reread Turgenev's "Fathers and Sons" (for the seventh time), reread Dostoevski, whom he recomended to his brother but disliked himself, once again mulled over Hardy's "The Woodlanders" and "The Mayor of Casterbridge" (he later said that "Jude" was poor stuff by comparison with these), and began to ponder Ibsen, starting with "Hedda Gabler".'

Century: 1850-1899     Reader/Listener/Group: George Gissing      Print: Book

  

Thomas Hardy : Woodlanders, The

'Now [after 1890] he [Gissing] read books that seemed to have had a direct impact on his development, turning him away from working-class subjects (to which he never returned) and making him more interested in the nihilistic or purely intellectual attitudes of his characters than in those of them who had a Walter Egremont type of social conscience. Thus, he re-read Bourget, on [his friend] Bertz's recommendation looked at J.P. Jacobsen's "Niels Lyhne" and "Marie Grube", reread Turgenev's "Fathers and Sons" (for the seventh time), reread Dostoevski, whom he recomended to his brother but disliked himself, once again mulled over Hardy's "The Woodlanders" and "The Mayor of Casterbridge" (he later said that "Jude" was poor stuff by comparison with these), and began to ponder Ibsen, starting with "Hedda Gabler".'

Century: 1850-1899     Reader/Listener/Group: George Gissing      Print: Book

  

Thomas Hardy : Mayor of Casterbridge, The

'Now [after 1890] he [Gissing] read books that seemed to have had a direct impact on his development, turning him away from working-class subjects (to which he never returned) and making him more interested in the nihilistic or purely intellectual attitudes of his characters than in those of them who had a Walter Egremont type of social conscience. Thus, he re-read Bourget, on [his friend] Bertz's recommendation looked at J.P. Jacobsen's "Niels Lyhne" and "Marie Grube", reread Turgenev's "Fathers and Sons" (for the seventh time), reread Dostoevski, whom he recomended to his brother but disliked himself, once again mulled over Hardy's "The Woodlanders" and "The Mayor of Casterbridge" (he later said that "Jude" was poor stuff by comparison with these), and began to ponder Ibsen, starting with "Hedda Gabler".'

Century: 1850-1899     Reader/Listener/Group: George Gissing      Print: Book

  

Thomas Hardy : Jude the Obscure

'Now [after 1890] he [Gissing] read books that seemed to have had a direct impact on his development, turning him away from working-class subjects (to which he never returned) and making him more interested in the nihilistic or purely intellectual attitudes of his characters than in those of them who had a Walter Egremont type of social conscience. Thus, he re-read Bourget, on [his friend] Bertz's recommendation looked at J.P. Jacobsen's "Niels Lyhne" and "Marie Grube", reread Turgenev's "Fathers and Sons" (for the seventh time), reread Dostoevski, whom he recomended to his brother but disliked himself, once again mulled over Hardy's "The Woodlanders" and "The Mayor of Casterbridge" (he later said that "Jude" was poor stuff by comparison with these), and began to ponder Ibsen, starting with "Hedda Gabler".'

Century: 1850-1899     Reader/Listener/Group: George Gissing      Print: Book

  

Henrik Ibsen : Hedda Gabler

'Now [after 1890] he [Gissing] read books that seemed to have had a direct impact on his development, turning him away from working-class subjects (to which he never returned) and making him more interested in the nihilistic or purely intellectual attitudes of his characters than in those of them who had a Walter Egremont type of social conscience. Thus, he re-read Bourget, on [his friend] Bertz's recommendation looked at J.P. Jacobsen's "Niels Lyhne" and "Marie Grube", reread Turgenev's "Fathers and Sons" (for the seventh time), reread Dostoevski, whom he recomended to his brother but disliked himself, once again mulled over Hardy's "The Woodlanders" and "The Mayor of Casterbridge" (he later said that "Jude" was poor stuff by comparison with these), and began to ponder Ibsen, starting with "Hedda Gabler".'

Century: 1850-1899     Reader/Listener/Group: George Gissing      Print: Book

  

George Sand [pseud.] : [unknown]

'Gissing, probably more than any of his contemporaries, knew well the main trends of European literature at that time, for he continued to read widely in both French and German, as well as English. During the eighteen-eighties, he re-read George Sand and much of Balzac; read Zola for the first time; purchased cheap German editions of Turgenev and read them all; was famiiar with Daudet, Flaubert, Tolstoy, Dostoevsky and later de Maupassant; and read Ibsen as his work became available and in the late eighties saw his plays when they were performed for the first time in London'.

Century: 1850-1899     Reader/Listener/Group: George Gissing      Print: Book

  

Honore de Balzac : [unknown]

'Gissing, probably more than any of his contemporaries, knew well the main trends of European literature at that time, for he continued to read widely in both French and German, as well as English. During the eighteen-eighties, he re-read George Sand and much of Balzac; read Zola for the first time; purchased cheap German editions of Turgenev and read them all; was famiiar with Daudet, Flaubert, Tolstoy, Dostoevsky and later de Maupassant; and read Ibsen as his work became available and in the late eighties saw his plays when they were performed for the first time in London'.

Century: 1850-1899     Reader/Listener/Group: George Gissing      Print: Book

  

Emile Zola : [unknown]

'Gissing, probably more than any of his contemporaries, knew well the main trends of European literature at that time, for he continued to read widely in both French and German, as well as English. During the eighteen-eighties, he re-read George Sand and much of Balzac; read Zola for the first time; purchased cheap German editions of Turgenev and read them all; was famiiar with Daudet, Flaubert, Tolstoy, Dostoevsky and later de Maupassant; and read Ibsen as his work became available and in the late eighties saw his plays when they were performed for the first time in London'.

Century: 1850-1899     Reader/Listener/Group: George Gissing      Print: Book

  

Ivan Turgenev : [unknown]

'Gissing, probably more than any of his contemporaries, knew well the main trends of European literature at that time, for he continued to read widely in both French and German, as well as English. During the eighteen-eighties, he re-read George Sand and much of Balzac; read Zola for the first time; purchased cheap German editions of Turgenev and read them all; was famiiar with Daudet, Flaubert, Tolstoy, Dostoevsky and later de Maupassant; and read Ibsen as his work became available and in the late eighties saw his plays when they were performed for the first time in London'.

Century: 1850-1899     Reader/Listener/Group: George Gissing      Print: Book

  

Leo Tolstoy : [unknown]

'Gissing, probably more than any of his contemporaries, knew well the main trends of European literature at that time, for he continued to read widely in both French and German, as well as English. During the eighteen-eighties, he re-read George Sand and much of Balzac; read Zola for the first time; purchased cheap German editions of Turgenev and read them all; was famiiar with Daudet, Flaubert, Tolstoy, Dostoevsky and later de Maupassant; and read Ibsen as his work became available and in the late eighties saw his plays when they were performed for the first time in London'.

Century: 1850-1899     Reader/Listener/Group: George Gissing      Print: Book

  

Fyodor Dostoevsky : [unknown]

'Gissing, probably more than any of his contemporaries, knew well the main trends of European literature at that time, for he continued to read widely in both French and German, as well as English. During the eighteen-eighties, he re-read George Sand and much of Balzac; read Zola for the first time; purchased cheap German editions of Turgenev and read them all; was famiiar with Daudet, Flaubert, Tolstoy, Dostoevsky and later de Maupassant; and read Ibsen as his work became available and in the late eighties saw his plays when they were performed for the first time in London'.

Century: 1850-1899     Reader/Listener/Group: George Gissing      Print: Book

  

Gustave Flaubert : [unknown]

'Gissing, probably more than any of his contemporaries, knew well the main trends of European literature at that time, for he continued to read widely in both French and German, as well as English. During the eighteen-eighties, he re-read George Sand and much of Balzac; read Zola for the first time; purchased cheap German editions of Turgenev and read them all; was famiiar with Daudet, Flaubert, Tolstoy, Dostoevsky and later de Maupassant; and read Ibsen as his work became available and in the late eighties saw his plays when they were performed for the first time in London'.

Century: 1850-1899     Reader/Listener/Group: George Gissing      Print: Book

  

Guy de Maupassant : [unknown]

'Gissing, probably more than any of his contemporaries, knew well the main trends of European literature at that time, for he continued to read widely in both French and German, as well as English. During the eighteen-eighties, he re-read George Sand and much of Balzac; read Zola for the first time; purchased cheap German editions of Turgenev and read them all; was famiiar with Daudet, Flaubert, Tolstoy, Dostoevsky and later de Maupassant; and read Ibsen as his work became available and in the late eighties saw his plays when they were performed for the first time in London'.

Century: 1850-1899     Reader/Listener/Group: George Gissing      Print: Book

  

Henrik Ibsen : [unknown]

'Gissing, probably more than any of his contemporaries, knew well the main trends of European literature at that time, for he continued to read widely in both French and German, as well as English. During the eighteen-eighties, he re-read George Sand and much of Balzac; read Zola for the first time; purchased cheap German editions of Turgenev and read them all; was famiiar with Daudet, Flaubert, Tolstoy, Dostoevsky and later de Maupassant; and read Ibsen as his work became available and in the late eighties saw his plays when they were performed for the first time in London'.

Century: 1850-1899     Reader/Listener/Group: George Gissing      Print: Book

  

Alphonse Daudet : [unknown]

'Gissing, probably more than any of his contemporaries, knew well the main trends of European literature at that time, for he continued to read widely in both French and German, as well as English. During the eighteen-eighties, he re-read George Sand and much of Balzac; read Zola for the first time; purchased cheap German editions of Turgenev and read them all; was famiiar with Daudet, Flaubert, Tolstoy, Dostoevsky and later de Maupassant; and read Ibsen as his work became available and in the late eighties saw his plays when they were performed for the first time in London'.

Century: 1850-1899     Reader/Listener/Group: George Gissing      Print: Book

  

J.P. Jacobsen : Niels Lyhne

'Gissing read as widely as ever, with the same unbridled curiosity as during his youth but now with an intelligence tempered by experience. Of course he continued to read the Latin, Greek, English and French classics, but of the particular titles he noted in his diary during the second part of 1889 there are a number that indicate fairly and squarely the direction in which his thoughts were carrying him. Besides books like J.P. Jacobsen's "Niels Lyhne" and Frederick Bremer's "Hertha", he also read Taine's "English Literature", Bourget's "Etudes et Portraits" as well as the "Essais Psychologiques", A.H. Buck's "Treatise on Hygiene", W. B. Carpenter's "Principles of Mental Physiology" and the books he just mentions as Ribot's "Hereditie".'

Century: 1850-1899     Reader/Listener/Group: George Gissing      Print: Book

  

Frederika Bremer : Hertha

'Gissing read as widely as ever, with the same unbridled curiosity as during his youth but now with an intelligence tempered by experience. Of course he continued to read the Latin, Greek, English and French classics, but of the particular titles he noted in his diary during the second part of 1889 there are a number that indicate fairly and squarely the direction in which his thoughts were carrying him. Besides books like J.P. Jacobsen's "Niels Lyhne" and Frederick [sic]Bremer's "Hertha", he also read Taine's "English Literature", Bourget's "Etudes et Portraits" as well as the "Essais Psychologiques", A.H. Buck's "Treatise on Hygiene", W. B. Carpenter's "Principles of Mental Physiology" and the books he just mentions as Ribot's "Hereditie".'

Century: 1850-1899     Reader/Listener/Group: George Gissing      Print: Book

  

Hippolyte Taine : History of English Literature

'Gissing read as widely as ever, with the same unbridled curiosity as during his youth but now with an intelligence tempered by experience. Of course he continued to read the Latin, Greek, English and French classics, but of the particular titles he noted in his diary during the second part of 1889 there are a number that indicate fairly and squarely the direction in which his thoughts were carrying him. Besides books like J.P. Jacobsen's "Niels Lyhne" and Frederick [sic]Bremer's "Hertha", he also read Taine's "English Literature", Bourget's "Etudes et Portraits" as well as the "Essais Psychologiques", A.H. Buck's "Treatise on Hygiene", W. B. Carpenter's "Principles of Mental Physiology" and the books he just mentions as Ribot's "Hereditie".'

Century: 1850-1899     Reader/Listener/Group: George Gissing      Print: Book

  

Paul Bourget : Études et portraits

'Gissing read as widely as ever, with the same unbridled curiosity as during his youth but now with an intelligence tempered by experience. Of course he continued to read the Latin, Greek, English and French classics, but of the particular titles he noted in his diary during the second part of 1889 there are a number that indicate fairly and squarely the direction in which his thoughts were carrying him. Besides books like J.P. Jacobsen's "Niels Lyhne" and Frederick [sic]Bremer's "Hertha", he also read Taine's "English Literature", Bourget's "Etudes et Portraits" as well as the "Essais Psychologiques", A.H. Buck's "Treatise on Hygiene", W. B. Carpenter's "Principles of Mental Physiology" and the books he just mentions as Ribot's "Hereditie".'

Century: 1850-1899     Reader/Listener/Group: George Gissing      Print: Book

  

Paul Bourget : Essais de psychologie contemporaine

'Gissing read as widely as ever, with the same unbridled curiosity as during his youth but now with an intelligence tempered by experience. Of course he continued to read the Latin, Greek, English and French classics, but of the particular titles he noted in his diary during the second part of 1889 there are a number that indicate fairly and squarely the direction in which his thoughts were carrying him. Besides books like J.P. Jacobsen's "Niels Lyhne" and Frederick [sic]Bremer's "Hertha", he also read Taine's "English Literature", Bourget's "Etudes et Portraits" as well as the "Essais Psychologiques", A.H. Buck's "Treatise on Hygiene", W. B. Carpenter's "Principles of Mental Physiology" and the books he just mentions as Ribot's "Hereditie".'

Century: 1850-1899     Reader/Listener/Group: George Gissing      Print: Book

  

Albert Henry Buck : Treatise on Hygiene and Public Health

'Gissing read as widely as ever, with the same unbridled curiosity as during his youth but now with an intelligence tempered by experience. Of course he continued to read the Latin, Greek, English and French classics, but of the particular titles he noted in his diary during the second part of 1889 there are a number that indicate fairly and squarely the direction in which his thoughts were carrying him. Besides books like J.P. Jacobsen's "Niels Lyhne" and Frederick [sic]Bremer's "Hertha", he also read Taine's "English Literature", Bourget's "Etudes et Portraits" as well as the "Essais Psychologiques", A.H. Buck's "Treatise on Hygiene", W. B. Carpenter's "Principles of Mental Physiology" and the books he just mentions as Ribot's "Hereditie".'

Century: 1850-1899     Reader/Listener/Group: George Gissing      Print: Book

  

William B. Carpenter : Principles of Mental Physiology, With Their Applications to the Training and Discipline of the Mind

'Gissing read as widely as ever, with the same unbridled curiosity as during his youth but now with an intelligence tempered by experience. Of course he continued to read the Latin, Greek, English and French classics, but of the particular titles he noted in his diary during the second part of 1889 there are a number that indicate fairly and squarely the direction in which his thoughts were carrying him. Besides books like J.P. Jacobsen's "Niels Lyhne" and Frederick [sic]Bremer's "Hertha", he also read Taine's "English Literature", Bourget's "Etudes et Portraits" as well as the "Essais Psychologiques", A.H. Buck's "Treatise on Hygiene", W. B. Carpenter's "Principles of Mental Physiology" and the books he just mentions as Ribot's "Hereditie".'

Century: 1850-1899     Reader/Listener/Group: George Gissing      Print: Book

  

Theodule-Armand Ribot : Hérédité: étude psychologique

'Gissing read as widely as ever, with the same unbridled curiosity as during his youth but now with an intelligence tempered by experience. Of course he continued to read the Latin, Greek, English and French classics, but of the particular titles he noted in his diary during the second part of 1889 there are a number that indicate fairly and squarely the direction in which his thoughts were carrying him. Besides books like J.P. Jacobsen's "Niels Lyhne" and Frederick [sic]Bremer's "Hertha", he also read Taine's "English Literature", Bourget's "Etudes et Portraits" as well as the "Essais Psychologiques", A.H. Buck's "Treatise on Hygiene", W. B. Carpenter's "Principles of Mental Physiology" and the books he just mentions as Ribot's "Hereditie".'

Century: 1850-1899     Reader/Listener/Group: George Gissing      Print: Book

  

Charles Darwin : On the Origin of Species

'[from Gissing's diary] Spent the evening in a troubled state of mind, occasionaly glancing at Darwin's "Origin of Species" - a queer jumble of thoughts'.

Century: 1850-1899     Reader/Listener/Group: George Gissing      Print: Book

  

Aristophanes : [unknown]

'[in Athens, Gissing] spent a lot of time in the hotel reading Aristophanes and Plato. He could read Greek but not speak it'.

Century: 1850-1899     Reader/Listener/Group: George Gissing      Print: Book

  

Plato : [unknown]

'[in Athens, Gissing] spent a lot of time in the hotel reading Aristophanes and Plato. He could read Greek but not speak it'.

Century: 1850-1899     Reader/Listener/Group: George Gissing      Print: Book

  

John Gay : Beggar's Opera, The

'The late "worthy'' Duke of Queensberry, as Thomson, in his "Seasons," justly characterises him, told me that when Gay showed him "The Beggar's Opera," his Grace's observation was, "This is a very odd thing, Gay; I am satisfied that it is either a very good thing, or a very bad thing." It proved the former, beyond the warmest expectations of the authour or his friends'.

Unknown
Century: 1700-1799     Reader/Listener/Group: Charles Douglas, Third Duke of Queensberry      

  

Thomas Hardy : 

'the two poets [Owen and Sassoon] probably talked more about literature than anything else. Owen found that they had been "following parallel trenches all our lives" and "had more friends in common, authors I mean, than most people can boast of in a lifetime". By chance, Sassoon was reading a small volume of Keats which Lady Ottoline [Morrel] had sent him. He shared Owen's interest in the late-Victorian poets, including Housman, whose influence is often apparent in his war poems, but Owen was surprised to discover that he admired Hardy "more than anybody living". No doubt Sassoon persuaded him to start reading Hardy's poems. In return, Owen showed him Tailhade's book'

Century: 1900-1945     Reader/Listener/Group: Siegfried Sassoon      Print: Book

  

John Keats : 

'the two poets [Owen and Sassoon] probably talked more about literature than anything else. Owen found that they had been "following parallel trenches all our lives" and "had more friends in common, authors I mean, than most people can boast of in a lifetime". By chance, Sassoon was reading a small volume of Keats which Lady Ottoline [Morrel] had sent him. He shared Owen's interest in the late-Victorian poets, including Housman, whose influence is often apparent in his war poems, but Owen was surprised to discover that he admired Hardy "more than anybody living". No doubt Sassoon persuaded him to start reading Hardy's poems. In return, Owen showed him Tailhade's book'

Century: 1900-1945     Reader/Listener/Group: Siegfried Sassoon      Print: Book

  

Alfred Edward Housman : 

'the two poets [Owen and Sassoon] probably talked more about literature than anything else. Owen found that they had been "following parallel trenches all our lives" and "had more friends in common, authors I mean, than most people can boast of in a lifetime". By chance, Sassoon was reading a small volume of Keats which Lady Ottoline [Morrel] had sent him. He shared Owen's interest in the late-Victorian poets, including Housman, whose influence is often apparent in his war poems, but Owen was surprised to discover that he admired Hardy "more than anybody living". No doubt Sassoon persuaded him to start reading Hardy's poems. In return, Owen showed him Tailhade's book'

Century: 1900-1945     Reader/Listener/Group: Siegfried Sassoon      Print: Book

  

Henri Barbusse : Under Fire

'Nothing before "Le Feu" had given such an appallingly vivid description of trench warfare or combined it with such passionate political conviction. The English translation, "Under Fire", appeared in June 1917 and Sassoon was reading it by mid-August; he lent it to Owen, who seems to have read it at Craiglockhart and again in December'.

Century: 1900-1945     Reader/Listener/Group: Siegfried sassoon      Print: Book

  

Edward Gee : A Treatise of Prayer and of Divine Providence as relating to it

'they lent me Mr Gee's booke concerninge prayer; he was minister at Eccleston. And upon the 15th day, Tusday, I was readinge in his booke, and in consideracion of the man's person and gravitie I was posesd with sadnes and composd these verses' [12 lines of verse extolling 'Renowned Gee' follow]

Century: 1600-1699     Reader/Listener/Group: Roger Lowe      Print: Book

  

John Foxe : Book of Martyrs

'I stayd till noone readinge in the Booke of Martirs'.

Century: 1600-1699     Reader/Listener/Group: Roger Lowe      Print: Book

  

Lewis Bayly : The Practice of Piety

'I went into old William Hasleden's in Ashton; his wife was sicke and I read in the Practice of Pietie, and as I was reading she gave up the ghost.'

Century: 1600-1699     Reader/Listener/Group: Roger Lowe      Print: Book

  

Alfred Tennyson : Guinevere

The Duke of Argyll to Alfred Tennyson, 14 July 1859: 'I think my prediction is coming true, that your "Idylls of the King" will be understood and admired by many who are incapable of understanding and appreciating many of your other works. 'Macaulay is certainly not a man incapable of [italics]understanding[end italics] anything but I knew that his tastes in poetry were so formed in another line that I gave him a good test, and three days ago I gave him "Guinevere." 'The result has been as I expected, that he has been [italics]delighted with it[end italics]. He told me that he has been greatly moved by it, and admired it exceedingly. Altho' by practice and disposition he is eminently a critic, he did not find one single fault. Yesterday I gave him the "Maid of Astolat" with which he was delighted also.'

Century: 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Alfred Tennyson : The Maid of Astolat

The Duke of Argyll to Alfred Tennyson, 14 July 1859: 'I think my prediction is coming true, that your "Idylls of the King" will be understood and admired by many who are incapable of understanding and appreciating many of your other works. 'Macaulay is certainly not a man incapable of [italics]understanding[end italics] anything but I knew that his tastes in poetry were so formed in another line that I gave him a good test, and three days ago I gave him "Guinevere." 'The result has been as I expected, that he has been [italics]delighted with it[end italics]. He told me that he has been greatly moved by it, and admired it exceedingly. Altho' by practice and disposition he is eminently a critic, he did not find one single fault. Yesterday I gave him the "Maid of Astolat" with which he was delighted also.'

Century: 1850-1899     Reader/Listener/Group: Thomas Babington Macaulay      Print: Book

  

Frederick the Great of Prussia  : Testament Politique

'"I have just put down the "Testament Politique,"" G. was writing to me, as though by telepathy, only a week later, "and I turn to think ... of you reading it to enlighten you on the War, of you telling me of it in the punt on that day down stream on the Cher."'

Century: 1900-1945     Reader/Listener/Group:      Print: Book

  

Mr Grove : [articled in 'The Spectator']

[from Bennet Langton's collection of Johnsoniana passed to Boswell in 1780] 'He mentioned with an air of satisfaction what Baretti had told him; that, meeting, in the course of his studying English, with an excellent paper in the "Spectator", one of four that were written by the respectable Dissenting Minister, Mr. Grove of Taunton, and observing the genius and energy of mind that it exhibits, it greatly quickened his curiosity to visit our country; as he thought if such were the lighter periodical essays of our authours, their productions on more weighty occasions must be wonderful indeed!'

Century: 1700-1799     Reader/Listener/Group: Giuseppe Marc'Antonio Baretti      Print: Serial / periodical

  

 : 

'Baretti used to read here with vast Avidity - do you remember all you read said I one day - Scarce a word replyed Baretti but it produces a general Effect: if you dip your Hand into the Tub at the Door, you gather up no Water but your Hand remains wet.'

Century: 1700-1799     Reader/Listener/Group: Giuseppe Marc'Antonio Baretti      Print: Book

  

Henry Wooton : 'Ye meaner beauties of the night'

'The Famous Sonnet of Sir H: Wooton beginning. Ye meaner Beauties of the Night is likewise exquisitely pretty, and I shall never forget Baretti's Critique upon it as I think it was a capital one - and for a Foreigner - astonishing. The last Stanza says he ought to be the first, for it is now A Climax Down Stairs, beginning with the Stars; and ending with the Roses'.

Century: 1700-1799     Reader/Listener/Group: Giuseppe Marc'Antonio Baretti      Print: Unknown

  

Charles Dickens : Pickwick Papers

Read for the fist time June 1865. Macaulay took this volume more than once on our Easter trips.

Century: 1850-1899     Reader/Listener/Group: George Otto Trevelyan      Print: Book

  

Conyers Middleton : The life and letters of Marcus Tullius Cicero

Copious MS notes, some correcting translation, others commenting on world affairs or noting events in Trevelyan's own life. MS dates of reading up to 1921 and list of 8 men selected for University Scholarship in 1850, incl. Trevelyan. Notes include: "August 18 1887" "Oct. 15. 1919" Page 573: "George's convoy have reached Udine [i.e. G.M. Trevelyan, his son]. How extraordinarily interesting the notes written during this crisis are!" P. 469: "Aug 16 1915 Warsaw has fallen. Rige in dire peril" P. 511: " Aug 16 1915 Runciman and Massingham visited us yesterday." "P. 560: "Aug 14 1889. Rain and no grouse, having spoiled the day's shooting".

Century: 1850-1899 / 1900-1945     Reader/Listener/Group: George Otto Trevelyan      Print: Book

  

John Poole : Little Pedlington and the Pedlingtonians

"This volume was being read by Sir George Trevelyan when his last illness overtook him. CPT" [i.e. Sir Charles Philips Trevelyan]. Under this "He died on August 19th 1928 at Wallington MKT" [i.e. Lady Mary Katharine Trevelyan]. Book also contains MS marginal corrections to text.

Century: 1900-1945     Reader/Listener/Group: George Otto Trevelyan      Print: Book

  

Elizabeth Von Arnim : Christopher and Columbus

"This volume was being read by Sir George Trevelyan when his last illness came on him": MS note in the hand of Sir Charles Philips Trevelyan, GOT's son.

Century: 1900-1945     Reader/Listener/Group: George Otto Trevelyan      Print: Book

  

Cicero  : The treatises of M.T. Cicero

MS date of reading by G.O. Trevelyan: Sep 2 1922. Also: "The pencil notes in this volume, which are cut off partially in the re-binding of it, are by a previous possessor. I have rubbed these out as we went along".

Century: 1900-1945     Reader/Listener/Group: George Otto Trevelyan      Print: Book

  

Frances Trollope : The Laurringtons; or, superior people

Vol. III: "Sept 10 1922 A jolly book with all its faults and absurdities. The social manners and ways of three generations ago are illustrated cheerfully in its pages." "Read again, with the same amusement, in the winter of 1927-8". Vol.II p.137: "The whole novel is burlesque. It is to me, as it was to my mother, uncle [Lord Macaulay], and to my sister Margaret, supremely and singularly readable. Dec 5 1927 Welcombe"

Century: 1900-1945     Reader/Listener/Group: George Otto Trevelyan      Print: Book

  

Frances Trollope : The ward of Thorpe-Combe

"What an admirable and clear type this most readable book is printed in! June 18 1928". "Perhaps the last time this amazing, but most amusing, book has been read, and reread, by many Macaulays and Trevelyans. June 9 1928". With a note by this in the hand of Sir Charles Philips Trevelyan: "Only nine weeks before he died."

Century: 1900-1945     Reader/Listener/Group: George Otto Trevelyan      Print: Book

  

Henry Gunning : Reminiscences of the university, town and county of Cambridem from the year 1780

"Oct 23 1913 Excellent book. The best account of the great Tory re-action that I know, - except in Scotland, Cockburn's". Vol. II has date of reading: "June 29 1914". Volumes contain several marginal references to "Uncle Tom" [i.e. Lord Macaulay].

Century: 1900-1945     Reader/Listener/Group: George Otto Trevelyan      Print: Book

  

Aulus Gellius : Noctes atticae

Many marginal notes include: "The marginal notes and lines are from Macaulay's Deux Ponts edition. NB I did not read through Aurus Gellius: but observed the contents of the chapter, glanced through the text if it excited my curiosity, and carefully read all, and all around, Macaulay's notes and marginal lines." "Wallington July 16 1918" "I am beginning to relish Aulus Gellius as much as my uncle did. (See the letter to Ellis of July 25 1836. Life and Letters Chapter VI)." "August 10 1918 George [G.M. Trevelyan] came to Wallington from Italy this morning." "August 13 1918 - Janet and the children left today - George yesterday". "August 12 1918 Wallington I say farewell to Aulus Gellius with regret; and am inclined to think I like him even as much as Macaulay. Perhaps a little better, because at 80 one is more of the age for trifles than at 35; and prettier trifling than the setting of the dialogues I hardly know."

Century: 1900-1945     Reader/Listener/Group: George Otto Trevelyan      Print: Book

  

Caius Velleius Paterculus : Works

"The marginal lines and notes are copied from Macaulay's Bipontine edition They are of high interest NB The notes in pencil are my notes, of difficult interpretations, to assist me when re-reading the book again." "Read Velleius again very carefully, as if for the Tripos .." Several MS dates of reading, indicated below, including September 29 1924 "Our 55th wedding anniversary".

Century: 1900-1945     Reader/Listener/Group: George Otto Trevelyan      Print: Book

  

Caius Suetonius Tranquillus : Opera omnia

"July 19 1909. Ah me. I was reading this soon after dear little Paul died." [Paul = grandson of George Otto Trevelyan.]. This after a section of Caligula "quorum dou infantes adhuc rapti, unus jam puerascens." "Dec 16th 1916 Lloyd George called on to form a government." Many marginal notes copied from Lord Macaulay's own copy of the book: "The marks on the outer margin, and the notes signed M, are copied from Macaulay's Bipontine edition. He does not seem to have regularly marked the Octavius."

Century: 1900-1945     Reader/Listener/Group: George Otto Trevelyan      Print: Book

  

Plato  : Dialogues

Many MS dates of reading: "Feb 13 1907 Welcombe"; "Nov 10 1909 Rome (Read in one day)"; "June 1915 Welcombe"; "October 1921 Wallington Have read the Euthyphron 6 times in 15 years." Includes a MS list of "My personal favourites in the dialogues of Plato". MS. notes in ink copied from Macaulay's folio edition of this text; this edition also belonged to Macaulay.

Century: 1900-1945     Reader/Listener/Group: George Otto Trevelyan      

  

Homer  : Iliad

Many MS dates of reading incl. "Began reading the Odyssey in summer of 1902, continued it during summer of 1903."

Century: 1900-1945     Reader/Listener/Group: George Otto Trevelyan      Print: Book

  

Thucydides  : De bello Pelloponesiaco

Copious MS notes and doodles throughout. First date "Trevelyan May 1852". One sketch is a drawing of "Alice [his sister] opening a box of soldiers. An anticipation of the holidays. What a child I was!" This vol. read by Sir George at prep school and Harrow "20 chap a day Wed. July 4th 1855" and in a later hand "when I worked so hard for the trials, and was so disappointed in coming out fourteenth. But the work won me the Gregory scholarship a year later on." I.i p.68: "These crosses in the text seem to represent the portion each boy was called on to translate." I.ii p.85 "I hate Harris"; "I detest Harris"; p.87: "I HATE HARRIS"; under this: "Poor little boy that I was; what a bad time I had with that able, and, (as I now know) not unkindly master". Many subsequent dates of reading, incl. Jan 20 1915 "sixty years after I was first reading it in the same volume at Harrow"; Sep 29 1922 "our wedding day"; March 14 1916 "Germans sent terms of peace to America through Colonel House: - and what terms!" "Finished this old book April 4 1916 Welcome. Almost everything reminds me of the most depressed and unsatisfactory period of my life, when I was the last boy in a form of 35, 63 years ago. What a mere child I was!"

Century: 1850-1899 / 1900-1945     Reader/Listener/Group: George Otto Trevelyan      Print: Book

  

Herodotus  : Works

Copious MS notes; multiple dates of reading , incl. "Sept 15 1915 Wallington"; "July 3 1922 A glorious winter"; "Finished Herodotus, all of him, once again this day Sept. 10 1925. He is a cordial in old age, and an anodyne in poor health. But I shall now pass willingly enough to Thucydides with a fine, clear legible type. My old copy was bought 73 years ago, at Harrow! I am reading, side by side with my two Greek historians, the Annals and the Histories of Tacitus. Macaulay found in the three of them "something he could find in no one else"; and my experience is the same as his. G.O. Trevelyan"

Century: 1900-1945     Reader/Listener/Group: George Otto Trevelyan      Print: Book

  

Martin Madan : A new and literal translation of Juvenal and Perseus

This book, originally owned and read by Lord Macaulay in June-Oct 1836, was given to his nephew who wrote on flyleaf: "Given me when at Harrow, by Macaulay to prepare for the examination for the Gregory Scholarship Summer 1856".

Century: 1850-1899     Reader/Listener/Group: George Otto Trevelyan      Print: Book

  

Demosthenes  : Demosthenes With English notes by the Rev. Arthur Holmes

Copious MS notes in hand of George Otto Trevelyan. Dates of reading are: Oct 1902 (on a train in Italy); Sept 16 1905; May 12 1918 (at Welcombe). He notes the dates when Macaulay read his own copy of Demosthenes and says of the reading in 1837: "The last time in 2 days". In 1902: "Certainly Holmes is a marvellous scholar" but in 1918: "Holmes writes of oratory like a pedant, narrow, sceptical and critical, - who never heard a fine speech in his life."

Century: 1900-1945     Reader/Listener/Group: George Otto Trevelyan      Print: Book

  

Demosthenes  : Orationes publicae; ed. by G.H. Heslop ... The Olynthiacs

Copious notes and dates of reading, incl. Dec 1918, Sept 1921. Trevelyan transcribes the dates when Macaulay also read Demosthenes (1836, 1837). Several references to the difficulty of the text, e.g.: "All the same, Demosthenes is tough reading: far more difficult to me than Herodotus and Plato, or the ordinary narrative of Thucydides, let alone Xenophon." On p.1: "The Olynthiacs were the first Demosthenes I read, in prefect room at Harrow, about 1853."

Century: 1900-1945     Reader/Listener/Group: George Otto Trevelyan      Print: Book

  

Demosthenes  : in Midiam

Copious MS notes, incl.: "The Midas was the first oration of Demosthenes which Macaulay gave me, as a schoolboy, to read ...The marks on the outer margin are copied from his Dindorf edition." MS dates of reading: April 13 1917 and Jan 16 1923. "Finished --- on the 30th Jan 1923 - the day on which a more exulted culprit than Midias was brought to account. How these masterpieces grow upon one's appreciation at each reading! I am now just halfway between 84 and 85; - nearly 70 years since I read the Midias for the first time." P.125: "Macaulay gave the the Meidias to read while I was at Harrow. His choice of books which he lent me while at school is significant. The Meidias, the Gorgias, the Plutus of Aristophanes, Quintus Curtius, Dialogues of the Dead of Lucian. When I was preparing for the Gregory Scholarship examination he gave me Juvenal with a translation on the opposite side."

Century: 1900-1945     Reader/Listener/Group: George Otto Trevelyan      Print: Book

  

Xenophon  : Anabasis; with an English translation by Carleton L. Brownson

Copious MS notes in the hand of Sir George Otto Trevelyan, including: "The marginal lines, and notes, are copied from Macaulay's Dindorf." Many MS dates of reading between 1926-7. "It is a curious circumstance that (considering the enormous amount of Greek that I have read) I should have read this wonderful book of Anabases for the first time at the age of 88 and a half!"

Century: 1900-1945     Reader/Listener/Group: George Otto Trevelyan      Print: Book

  

Horace  : Works; ed by Macleane

MS notes and dates of reading include: "Top of Beamerside while electioneering at Melrose, July 6th, 1868"; p.40: "Weybridge 1872. St. George's Hill, returning from taking Charley and Carry [son and wife] for a row on the Mole"; p.170: "In train to Wells with my father, May 22 1874." Titlepage verso: GO Trevelyan The companion of a lifetime which was never dull in Horace's company." Note in the hand of his son, Sir Charles Philips Trevelyan: "It was by his bedside when he died."

Century: 1850-1899     Reader/Listener/Group: George Otto Trevelyan      Print: Book

  

John Walker : Clavis Homerica

MS note on final flyleaf: "This book gets very poor towards the end. The omissions in the Shield of Achilles, - both in the key and the index, - are nothing less than disgraceful".

Century: 1900-1945     Reader/Listener/Group: George Otto Trevelyan      Print: Book

  

Henry James : Portraits of places

MS notes and marks throughout, including: "May 2 1919. Exquisite book! I seem to hear my dear friend [Henry James] talk, - oh so slowly - as we stroll arm in arm in the Warwickshire meadows which he loved so long and well - as I loved him, and he me". On t-p: "Trevelyan Welcombe"

Century: 1900-1945     Reader/Listener/Group: George Otto Trevelyan      Print: Book

  

Jules Michelet : Histoire de France

MS notes including various dates of reading from Feb 16, 1899 - March 25 1901. Final volume summarised as: "A fine, compact story; disfigured by a delight in the loathsome such as I have never known in any other great and grave writer. It amounts to monomania."

Century: 1850-1899 / 1900-1945     Reader/Listener/Group: George Otto Trevelyan      Print: Book

  

Laurence Sterne : Tristram Shandy

Dates of reading given in MS as being between June 22 1897 "Jubilee Day" and July 7 1897.

Century: 1850-1899     Reader/Listener/Group: George Otto Trevelyan      Print: Book

  

Mark Twain : A tramp abroad

MS notes and marginalia throughout book, including the thoughts of Sir George Otto Trevelyan on visiting the grave who had died young while climbing p.425.

Century: 1900-1945     Reader/Listener/Group: George Otto Trevelyan      Print: Book

  

George Bernard Shaw : Plays: pleasant and unpleasant

MS note at the end of "The man of destiny": "Dec 5 1926 Read aloud to C, [i.e. Lady Caroline Trevelyan] - as I once did to poor George Vanderbilt".

Century: 1900-1945     Reader/Listener/Group: George Otto Trevelyan      Print: Book

  

Sir Robert Thomas Wilson : Private diary of travels, personal services, and public events ...

Marginal marks show signs of George Otto Trevelyan's close reading, as of a proof - he corrects errors, e.g. where the text says "many would prefer expatriating themselves forever to America to serving under the Buonaparte dynasty", GOT crosses through "Buoanparte" and substitutes "Bourbon".

Century:      Reader/Listener/Group: George Otto Trevelyan      Print: Book

  

Oliver Cromwell : Oliver Cromwell's letters and speeches; with elucidations by Thomas Carlyle

Copious MS notes and marginal marks, including some showing signs of irritation: v.5 p.96 "Oh do have done!"; v.4: "Oh do shut up". Several dates of reading noted including: "Read aloud Nov 7 1904. Charles Dalrymple came this evening"; "Read aloud June 28 1923".

Century: 1900-1945     Reader/Listener/Group: George Otto Trevelyan      Print: Book

  

Arnold Bennett : The old wives' tale

Copious MS notes, including a chronology explaining the ages of the characters: "Samuel born 1833, 29 in 1862/ Constance born 1846, 16 in 1862/ Sophia born 1847, 15 in 1862 [etc.]". Dates of reading: "Read aloud Wallington Oct 13 1915"; "Finished Dec. 13 1922".

Century: 1900-1945     Reader/Listener/Group: George Otto Trevelyan      Print: Book

  

Arnold Bennett : These twain

MS notes including dates of reading, e.g.: "July 18 1916 Welcombe"; "March 29 1923 with Anna [i.e. Anna Philips, George Otto Trevelyan's sister-in-law]; "Read aloud to C [i.e. Lady Caroline Trevelyan] and most of it to her and Anna. Dec 23 1923 Welcombe".

Century: 1900-1945     Reader/Listener/Group: George Otto Trevelyan      Print: Book

  

Samuel Richardson : Clarissa

Marginalia and marginal lines. Includes dates and places of reading by George Otto Trevelyan: v.2: Oct 7 1891; v.3: Glasgow Oct 15 1891; v.4: Milan Oct 24 1891; v.5 Rome Oct 30 1891; vol.7: "On our homeward journey from Rome Dec. 2 1891".

Century: 1850-1899     Reader/Listener/Group: George Otto Trevelyan      Print: Book

  

Julius Stinde : The Bucholz family. Second Part. Sketches of Berlin life

Many marginal notes, including dates of reading: May 27, 1919 and June 22-July 1 1923. "Too much Hohanzollen. Without that family these Berliners might have been quiet, decent people enough." Also, on flyleaf: "Published 1886. See p. 145". Text on p. 145 has: "For fifteen years now we have enjoyed peace and all its blessings, and this we owe to German trustwowrthiness." George Otto Trevelyan writes beside this: "So it was 1886. Bismarck was born in 1815."

Century: 1900-1945     Reader/Listener/Group: George Otto Trevelyan      Print: Book

  

Henry James : The better sort

Various MS notes and marks including date of reading: June 23 1923 and a note on p.311 "The birthplace": "This was based on the story of Mr. Skipsey, told to Carry [i.e. Lady Caroline Trevelyan] by the Spence Watsons, and by her to Henry James."

Century: 1900-1945     Reader/Listener/Group: George Otto Trevelyan      Print: Book

  

Henry James : The reverberator

Marginal marks and MS notes. Dates of reading on final page and the note: "What was the year when we saw so much of the American family who so much reminded us of the Dossons? It could not be 1913; as we spent Christmas with them in Rome; and in 1913 Carry [i.e. Lady Caroline Trevelyan] never left her bed!"

Century: 1900-1945     Reader/Listener/Group: George Otto Trevelyan      Print: Book

  

Henry James : The Aspern Papers - Louisa Pallant - The modern warning

Various marginal marks and MS dates of reading including: "Welcombe. Read to C[Lady Caroline Trevelyan] and Anna [his sister-in-law]. Feb 14 1910"; "Feb 21 1924".

Century: 1900-1945     Reader/Listener/Group: George Otto Trevelyan      Print: Book

  

Anthony Hope : The Dolly dialogues

A note on endpaper by Sir Charles Philips Trevelyan: "This volume was among the books being read by Sir George Trevelyan when his last illness took him."

Century: 1900-1945     Reader/Listener/Group: George Otto Trevelyan      Print: Book

  

Percy Bysshe Shelley : The poetical works of Percy Bysshe Shelley

This book has marginal marks and dried acanthus leaves, with the MS note: "Acanthus leaves from Shelley's grave. Rome. Nov 21 1886".

Century: 1850-1899     Reader/Listener/Group: George Otto Trevelyan      Print: Book

  

Henry James : The ambassadors

This book has copious notes and marginal marks, including many unrelated to the text written on pastedown and fly-leaf: "I used to note down sentences for my history, that had ocurred to me in the watches of the night, in the flyleaf of the novel which I had in hand at that time."

Century: 1900-1945     Reader/Listener/Group: George Otto Trevelyan      Print: Book

  

Mary Boykin Chesnut : A diary from Dixie

Marginal marks and MS notes throughout,including p.xiii: "[The author's husband] deeply disapproved of her pleasure-seeking ways at such a time [...] Her hospitality had in it a strong dah of sheer gluttony; and she was a reckless, and most ill-natured gossip." Also, very critical of the editing: "The editing is bad. Chapter X ought to end about page 143." Dates of reading: "Oct 25 1910 Uncle Tom's birthday [i.e. Lord Macaulay] - the battle of Agincourt"; August 8 1921; March 15 1925; Jan. 4 1924; July 4 1928.

Century: 1900-1945     Reader/Listener/Group: George Otto Trevelyan      Print: Book

  

Felix Bouvier : Bonaparte en Italie

Marginal marks and MS notes throughout, incl. v.2 giving Nov 12 1904 as the "second time of reading" and v.1 July 24, 1920: "3rd time of reading A most excellent military history; - I think, the best I ever read". V.II has a MS chronology on pastedown and endpaper, giving the dates of Bonaparte's movements in April and May 1796. Notes incl. translations of French words, and comments e.g., by a footnote on a letter published in Le Moniteur "dont l'authenticite nous pariat fort suspecte", he writes: "rather!"

Century: 1900-1945     Reader/Listener/Group: George Otto Trevelyan      Print: Book

  

John Lothrop Motley : History of the United Netherlands

MS annotations and marginal marks incl. v.1 p.503, in reply to the author's comment "we must now throw a glance to the external", Sir George writes: "High time that you did. Seldom has so able a writer been so swamped and mastered by his materials." Describes ch. 6 as "Terribly lengthy. Such masses of extracts ... are out of place in such a book as this." V.4 p.530 in reply to the author's wish to have fostered through his work a "love of freedom of thought, of speech, and of life" Sir George writes "This is a true claim on the part of Motley, and is the prime merit of his history". "Motley on the whole has raised himself by this volume [2]. He has a fine enthusiasm for liberty and public right." "The fourth volume ... is deeply interesting, and, in some respects, better constructed and written than the other three. Welcombe. May 26. 1916". Dates of reading include: "Nov 3 1915 - Wallington" and "June 28 - with C[aroline] Wallington 1921."

Century: 1900-1945     Reader/Listener/Group: George Otto Trevelyan      Print: Book

  

James Grant : British battles on land and sea

MS annotations incl. v.1 p.534: "A ludicrous map, palpably incorrect at every point. Malplaquet is on the wrong side of the French line, and the attack on the French left flank in the wood is not represented at all, though the chief feature of the day." P. 575 next to the text "the artifices and baseness of William III", Sir George writes: "Fool read thy Macaulay".

Century: 1850-1899     Reader/Listener/Group: George Otto Trevelyan      Print: Book

  

Charles James Fox : Memorials and correspondence of Charles James Fox

MS notes throughout, mainly taken for Sir George's own research into Charles James Fox. One reads (v.2.p.376): "I am glad he liked shooting as much as I do."

Century:      Reader/Listener/Group: George Otto Trevelyan      Print: Book

  

John Lothrop Motley : The rise of the Dutch republic: a history

MS notes and marginal marks throughout the book, in the hand of Sir George Otto Trevelyan. Dates of reading include "Sept. 21 1914 Aloud to C[aroline]"; "Dec 30 1920 with C". One note alludes to the First World War: when Motley writes of a "train of unforeseen transactions", Sir George comments: "We have enough of that just now. Aug . 31 1915".

Century: 1900-1945     Reader/Listener/Group: George Otto Trevelyan      Print: Book

  

Marcus Tullius Cicero : M. Tullii Ciceronis Opera

MS notes in all vol. other than I, XI and XVI. Some are copied from Macaulay's own copy of Cicero which he read between 1835-7: "transferred by me from his Bipontine edition [to] the outside margin of the Delpin"; "Macaulay's notes are marked with M". Sir George's dates of reading incude: 1899; 1903; "June 18 1904 Chamonix"; "Nov 17 1909 Rome A heavy day of rain & the break up of our long spell of fine weather"; "Wallington Oct 12 1916"; "Christmas Day 1918 Welcombe"; 1919; "June 21 1921 Wallington"; 1923. Sir George responds to Macaulay's comments: "I understand my uncle's feelings about it in India, and his reservations twenty years afterwards." V.3: "On the whole I agree with Macaulay about the comparative value of the Third Book [...]". Vol. 12 draws historical parallels: "It is strange to read these letters. Cicer's cruel anxiety about the course to be taken [...] were like out anxieties about America, the Balkans, and the Scandinavian States. Then, as now, the whole civilised world was in question" [written in 1915].

Century: 1850-1899 / 1900-1945     Reader/Listener/Group: George Otto Trevelyan      Print: Book

  

Julius Caesar : Opera omnia

MS notes in vols. I and II, including some copied from Lord Macaulay's copy of the text. Dates of reading include: "May 28 1917 Welcombe The most interesting military story I ever read, as told by the hero of it. If Pharsalia had gone the other way the Kaiser and the Czar would now be called "Pompey". An anonymous piece has the MS note: "This is far and away the worst Latin I have ever read of the great Ciceronian age of prose. The text is mortally corrupt; but besides that, the style is detestable. And yet I read it with interest." In this Sir George echoes Macaulay's comment on the same piece: "It is dreadfully corrupt."

Century: 1900-1945     Reader/Listener/Group: George Otto Trevelyan      Print: Book

  

Cornelius Tacitus : Opera omnia

Many MS notes, some of which are transcribed from those of Lord Macaulay in another edition: "Macaulay's notes and marginal lines (on the outside margins) are transferred from his Bipontine edition. His notes are marked with an "M"." Sir George's dates of reading include: "Florence Jan. 22 1901. The day of Queen Victoria's death"; Jam 25 1901 "On way from Florence to Rome, Edward the Seventh proclaimed yesterday"; June 22 1920; Aug 2 1924 "Read with unceasing zest and admiration. May I live to finish him! But I was 86 last month"; p.740: "a rare good writer. But a very difficult one to read, I must confess, as a student of very mature age (1924)"; Dec 24 1924 "With Herodotus and Thucydides, he appertains to the first three historians of the Ancient World. I am reading them all again, with Suetonius if indeed I can live to finish them. This is the 4th time in this century that I have read them all through"; Jan 17 1925. P.1629, Sir George writes: "The development of Nero is a marvellous story, marvellously told; - as Carlyle would have written it, had he been a Roman of the age of Tacitus. I read it as I read the "French Revolution" in the Trinity backs in the summer of 1858, when I ought to have been reading Pindar and Thucydides. That summer I read the French Revolution three times on end [underlined twice]; besides devouring the Third Volume of "Modern Painters" and "Men and Women". As far as a place in the classical Tripos was concerned I doubt if I could have been better employed." P.2750: "As fine history, and as much to my mind, as any I ever read. Tacitus was much the same age as Carlyle, when he wrote the French Revolution, - which I read as an undergraduate at Trinity; reading three times through one end, with no book between. I did very much the same by this volume of Tacitus in the course of this winter, at 87 years of age."

Century: 1900-1945     Reader/Listener/Group: George Otto Trevelyan      Print: Book

  

Livy  : Historiorum libri

Many MS notes, incl. some copied from Lord Macaulay's own copy of Livy: "I copied these marginal notes, and lines, from Macaulay's Bipontine edition in the winter of 1910 at Wallington. GOT." Sir George's dates of reading include 1914,1915,1917,1918, "read with C[aroline] Jan 14 1919"; 1927. At end of v.4: "I read this book in the same number of days as Macaulay. But he was likewise constructing the penal code, and establishing the Indian education system." Sir George's notes in Livy often comment on Macaulay's earlier observations, almost as if they are having a conversation, e.g. where in book XXVI ch 32 Macaulay writes: "The conduct of the Roman senate was on the whole honorable to them, the state of public opinion among the ancients considered", Trevelyan comments: "How differently the Reichstag is showing in the case of Belgium. On Jan 28 1915 he writes: " I have now, day for day kept up, through these five books, exactly the same pace as my uncle. Shall now ease off. My age is more than twice his; and he [underlined] was Macaulay. Would I could talk Livy over with him, and tell him about this [underlined] war! How he would have recognised the spirit and self-sacrifice of the country." 1918: "I have now finished my war-time reading of the whole of Livy." Sir George's notes draw parallels between Livy and current affairs: "very different from the actions of the Germans towards Pointcarre's property"; p.679: "I wish such a speech as this could be made in Russia today (Sep. 10 1917). P.2877: "Jan 17 1915. A beautiful winter Sunday. Colonel Charrington Smith and his party came to tea. They are going to take part in a greater war than Hannibal, Philip and Antiochus together." Throughout, he uses his book to comment on events in his own life, e.g. Feb 12 1915: "George [i.e. G.M. Trevelyan] returned from Serbia yesterday. God be thanked for it." At the end of the book: "I seldom have been more interested in any history. I read the account of the great battle of Antiochus in a translation of Livy when I was a little boy at Mr Seawell's and never since. Feb. 1 1915". Note on p.3034 gives the date of reading as July 30, 1928 i.e. 18 days before Sir George died.

Century: 1900-1945     Reader/Listener/Group: George Otto Trevelyan      Print: Book

  

Sallust  : Opera omnia

MS notes, some evidently copied from Lord Macaulay's own marginalia in another volume. On p.145 Sir George writes: "I used to think this very fine at school. It now seems to me a very indifferent exercise in rhetoric." The date of reading is 1911.

Century: 1900-1945     Reader/Listener/Group: George Otto Trevelyan      Print: Book

  

Fyodor Dostoyevsky : Crime and Punishment

'His injury had not been permanent, and he now sat day after day beside Winifred's bed, talking to her about Russian literature and reading aloud from "Crime and Punishment".'

Century: 1900-1945     Reader/Listener/Group: George de Coundouroff      Print: Book

  

Arthur Murphy : Contest

'At the time when Owen Ruffhead was writing the "Contest" in opposition to Murphy's "Test"; Gilbert Cooper it seems thought so highly of the performance that he would persuade himself Mr Pitt was the Authour'

Century: 1700-1799     Reader/Listener/Group: Gilbert Cooper      Print: Serial / periodical

  

 : Advertisement for Tea

'Our mother started with joy at the sight of 'great fall in Tea' printed in the last newspaper, at the head of an advertisement by, I think, one Melrose in South-Bd street Edinr: if you can get a quarter of a pound [pack?]ed in next time (about 1/6 worth) you may send it.'

Century: 1800-1849     Reader/Listener/Group: Margaret Carlyle      Print: Advertisement, Newspaper

  

Arthur Hugh Clough : Mari Magno

From F. T. Palgrave's 'Personal Recollections' of Tennyson: 'Tennyson [...] said that Clough as he lay on the grass in some lovely valley near Cauteretz, had read aloud passages from his last and unfinished poem, the series of tales named "Mari Magno" [...] "When he read them his voice faltered at times: like every poet, he was [italics]moved by his own pathos[end italics]."'

Century: 1850-1899     Reader/Listener/Group: Arthur Hugh Clough      Manuscript: Unknown

  

Giovanni Povoleri : [translation of Gray's Elegy into Italian]

'Povoleri the Italian who dedicated the Tragedy of Rosmunda to me some years ago, has translated Gray's Church Yard Elegy into Tuscan: tis enchantment to hear the Fellow read his own Language, he does it so divinely; & has indeed great Taste and Skill in ours'.

Century: 1700-1799     Reader/Listener/Group: Giovanni Povoleri      Manuscript: Unknown

  

James Hogg : 'The Queens Wake'

'[George Goldie] earnestly requested to see my MS. I gave it to him with reluctance, being predetermined to have nothing to do with him. He had not, however, well looked into the work till he thought he perceived something above common-place; and, when I next saw him, he was intent on being publisher of the work, offering me as much as Mr Constable, and all the subscribers to myself over and above'.

Century: 1700-1799     Reader/Listener/Group: George Goldie      Manuscript: Unknown

  

Mark Pattison : Memoirs

'[Mrs Ward's report of a conversation with Gladstone] 'I spoke of Pattison's autobiography as illustrating Newman's hold. He agreed, but said that Pattison's religious phase was so disagreeable and unattractive that it did small credit to Newman. He would much like to have seen more of the autobiography, but he understood that the personalities were too strong. I asked him if he had seen Pattison's last 'Confession of Faith', which Mrs Pattison decided not to print, in MS. He said no.'

Century: 1850-1899     Reader/Listener/Group: Mary Augusta Ward      Print: Book

  

Mark Pattison : 'Confession of Faith'

'[Mrs Ward's report of a conversation with Gladstone] 'I spoke of Pattison's autobiography as illustrating Newman's hold. He agreed, but said that Pattison's religious phase was so disagreeable and unattractive that it did small credit to Newman. He would much like to have seen more of the autobiography, but he understood that the personalities were too strong. I asked him if he had seen Pattison's last 'Confession of Faith', which Mrs Pattison decided not to print, in MS. He said no.'

Century: 1850-1899     Reader/Listener/Group: Mary Augusta Ward      Manuscript: Unknown

  

William Gladstone : Gleanings Of Past Years

'[letter from Mrs Ward to Gladstone] Thank you very much for the volume of "Gleanings" with its gracious inscription. I have read the article you point out to me with the greatest interest, and shall do the same with the others. Does not the difference between us on the question of sin come very much to this - that to you the great fact of the world and in this history of man, is [italics] sin [end italics] - to me, [italics] progress [end italics]? I remember Amiel somewhere speaks of the distinction as marking off two classes of thought, two orders of temperament.'

Century: 1850-1899     Reader/Listener/Group: Mary Augusta Ward      Print: Book

  

Henri Frederic Amiel : Journal Intime

'[letter from Mrs Ward to Gladstone] Thank you very much for the volume of "Gleanings" with its gracious inscription. I have read the article you point out to me with the greatest interest, and shall do the same with the others. Does not the difference between us on the question of sin come very much to this - that to you the great fact of the world and in this history of man, is [italics] sin [end italics] - to me, [italics] progress [end italics]? I remember Amiel somewhere speaks of the distinction as marking off two classes of thought, two orders of temperament.'

Century: 1850-1899     Reader/Listener/Group: Mary Augusta Ward      Print: Book

  

T.H. Green : Witness of God and Faith, The: Two Lay Sermons

'[letter from Mrs Ward to Gladstone, regarding his projected article about "Robert Elsmere"] If you do speak of him [T.H. Green], will you look at his two Lay Sermons, of which I enclose my copy? - particularly the second one, which was written eight years after the first, and to my mind expresses his thought more clearly'.

Century: 1850-1899     Reader/Listener/Group: Mary Augusta Ward      Print: Book

  

 : Gospels

'There, too, in the book-lined room which she had made her study, she would on Sunday evenings carry out in practice those ideas on the teaching of the Bible which she had striven to inculcate at University Hall. The audience sat on low stools or lay on the floor, while she read to them usually a part of the Gospels, making the scene live again, as only she could make it, not only by her intimate knowledge of the times, but by her gift of presentation. Systematically, making us use our minds to follow her, she would work through a section of St Mark or St Matthew, comparing each with the other, showing the touches of the "later hand", taking us deep into the fascinating intricacies of the Synoptic Problem. [the account continues at length, discussing Mrs Ward's attitudes to various parts of the Bible, later saying] it was impossible to listen to her reading the Walk to Emmaus, or the finding of the empty tomb, without coming under the spell of an emotion as deep as it was austere. For the fact that we in these latter days had outgrown our childhood and must distinguish truth from phantasy was no reason in her mind, why we should renounce the poetic value of scenes and pictures woven into the very fabric of our being'.

Century: 1850-1899     Reader/Listener/Group: Mary Augusta Ward      Print: Book

  

 : [books on 18th century Lancashire life]

'[letter from Mrs Ward to her father] Read the books about Lancashire life a hundred years ago, and see if they have not improved - if they are not less brutal, less earthy, nearer altogether to the intelligent type of life.'

Century: 1850-1899     Reader/Listener/Group: Mary Augusta Ward      Print: Book

  

 : [Paul's 1st Epistle to the Corinthians]

'[letter to from Mrs Ward to Mrs Leonard Huxley, her sister] After seeing those temples with their sacrificial altars and [italics] cellae [end italics], their priests' sleeping rooms and dining rooms [in Pompeii], I read this morning St Paul's directions to the Corinthians about meat offered to idols - in fact, the whole first letter - with quite different eyes'.

Century: 1850-1899     Reader/Listener/Group: Mary Augusta Ward      Print: Book

  

 : [biblical criticism]

'[during a riddle game at Mrs Ward's home, Stocks] Lord Acton, who had that day devoured ten books of Biblical criticism that Mrs Ward had placed in his room, and would infinitely have preferred to go on talking about them, found himself confronted by the question: "Why is Lord Rothschild like a poker?".'

Century: 1850-1899     Reader/Listener/Group: John Dalberg-Acton, 1st Baron Acton      Print: Book

  

 : [blue books of statistics]

'[Mrs Ward] regularly put herself to school to learn every detail of the system of sweated home work prevalent in the East End of London at that time; wading through piles of Blue-books.'

Century: 1850-1899     Reader/Listener/Group: Mary Augusta Ward      Print: Book

  

 : [papers on Factory Law]

'[Mrs Ward writes to Mr Buxton about Sidney Webb's idea for a Factory Act for east London, and comments] I find the same thing foreshadowed in various other things on Factory Law I have been reading.'

Century: 1850-1899     Reader/Listener/Group: Mary Augusta Ward      Print: Unknown

  

[n/a] : Bible

'and after I had read 2 chapters of the Bible, I went to dinner'

Century: 1500-1599     Reader/Listener/Group: Margaret Hoby      Print: Book

  

Bond : [unknown]

'and after I had reed some of bond of the suboth, I walked abroad: and so to supper'

Century: 1500-1599     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'and, after I retourned home, I praied priuatly, read a chapter of the bible, and wrought tell dinner time'

Century: 1500-1599     Reader/Listener/Group: Margaret Hoby      Print: Book

  

Richard Rhodes : [Examination of the trial of a Christian]

[unsure if reading or writing?] 'then I wrett the most part of an examenation or triall of a christian, framed by Mr Rhodes'.

Unknown
Century: 1500-1599     Reader/Listener/Group: Margaret Hoby      

  

[n/a] : Bible

'and after I had broken my fast ... read some thinge in the bible, and so to work'

Century: 1500-1599     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'after dinner I wrought and read tell 4, and then I walked a litle abroad and, after I Cam home, read and [torn] tell all most 6'

Century: 1500-1599     Reader/Listener/Group: Margaret Hoby      Print: Unknown

  

[n/a] : Bible

'After priuat prairs I went about the house and read of the bible and wrought tell dinner time'

Century: 1500-1599     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'after, I reed of the bible, and walked alone'

Century: 1500-1599     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'and then, walkinge a litle and readinge of the bible in my Chamber, went to supper'

Century: 1500-1599     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'In the morninge, after priuat praier, I Reed of the bible, and then wrought tell 8: a clock'

Century: 1500-1599     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'after priuat praier I reed of the bible and wrought tell dinner time, before which I praied; and, after dinner, I continewed my ordenarie Course of working, reading, and dispossinge of busenes in the House, tell after 5:, at which time I praied, read a sermon, and examened my selfe'

Century: 1500-1599     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'after priuat praier I reed of the bible and wrought tell dinner time, before which I praied; and, after dinner, I continewed my ordenarie Course of working, reading, and dispossinge of busenes in the House, tell after 5:, at which time I praied, read a sermon, and examened my selfe'

Century: 1500-1599     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [sermon]

'after priuat praier I reed of the bible and wrought tell dinner time, before which I praied; and, after dinner, I continewed my ordenarie Course of working, reading, and dispossinge of busenes in the House, tell after 5:, at which time I praied, read a sermon, and examened my selfe'

Century: 1500-1599     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : Diet of the Soul

'then I went a little about the house and reed of the diatt of the soul tell 5:, and then returned to priuat praier and medetacion, and so to readinge of the bible and walkinge tell supper'

Century: 1500-1599     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'then I went a little about the house and reed of the diatt of the soul tell 5:, and then returned to priuat praier and medetacion, and so to readinge of the bible and walkinge tell supper'

Century: 1500-1599     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'when I had praied priuatly I did read of the Bible allmost vntell dinner time'

Century: 1500-1599     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'then I Came home and did studie my lector, and read a whill'

Century: 1500-1599     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'I walked and kept Mr Hoby Compenie almost tel dinner time: then I reed a litle, and praied, and so to dinner: after which I hilped to read of the book for the placing of the people in the church to Mr Hoby, and then we went to church'

Century: 1500-1599     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [a book of the pews in the church]

'I walked and kept Mr Hoby Compenie almost tel dinner time: then I reed a litle, and praied, and so to dinner: after which I hilped to read of the book for the placing of the people in the church to Mr Hoby, and then we went to church'

Century: 1500-1599     Reader/Listener/Group: Margaret Hoby      Manuscript: Codex

  

Richard Greenham : [unknown]

'after I had supped, I reed of grenhame, and se went to bed'

Century: 1500-1599     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'after I wrett my notes in my testement and reed of the bible, then to dinner'

Century: 1500-1599     Reader/Listener/Group: Margaret Hoby      Print: Book

  

Richard Greenham : [unknown]

'and reed of Granhame tell supper time'

Century: 1500-1599     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'after, I had reed of the bible, after to lector, and then to bed'

Century: 1500-1599     Reader/Listener/Group: Margaret Hoby      Print: Book

  

George Gifforde : Sermons upon the Songe of Salomon

'and after that I walked, and reed a sarmon of Geferd vpon the song of Salomon'

Century: 1500-1599     Reader/Listener/Group: Margaret Hoby      Print: Book

  

William Turner : New herball

'after dinner I went about the house, and read of the arball'

Century: 1500-1599     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'then I reed a chapter of the Bible to my mother'

Century: 1500-1599     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [sermon - Revelation]

'M. Rhodes read a sarmon of the Reuel: and so went to bed'

Century: 1500-1599     Reader/Listener/Group: Margaret Rhodes      Print: Book

  

[n/a] : Bible

'I Came home, where I did litle good but talked of many maters, litle concerning me, with Mrs Ormston, to whom a read a whill of the Bible'

Century: 1500-1599     Reader/Listener/Group: Margaret Hoby      Print: Book

  

Gervase Babington : [unknown]

'after, I walked a while, and read of Babington, and then went to supper'

Century: 1500-1599     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'then I praied and read of the bible, and so went to dimer'

Century: 1500-1599     Reader/Listener/Group: Margaret Hoby      Print: Book

  

Timothy Bright : A treatise of melancholie, containing the causes thereof

'and then reed of Bright of Mallincocolie, and then went to supper'

Century: 1500-1599     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'after, I did breake my fast, then I went about the house and, after, read of the bible'

Century: 1500-1599     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'After priuat prairs I did eate my breakfast, and then I did read of the Testament, and so went to church'

Century: 1500-1599     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible?

'after the sarmon, I walked, and read and talked with Mrs Ormston of that was deliuered'

Century: 1500-1599     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'and, sonne after, when I had reed of the Bible, I dined'

Century: 1500-1599     Reader/Listener/Group: Margaret Hoby      Print: Book

  

John Foxe : Book of Martyrs (the title by which Foxe's Acts and Monuments of these Latter and Perilous Days was popularly known)

'and then I read of the book of marters and so went to bed'

Century: 1500-1599     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'After priuat praier and breakfast I did read a whill for beinge not well, partly through myne owne folly'

Century: 1500-1599     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [letter]

'After priuat praier I did eate my breakfast, Read a Longe Letter and wret an other'

Century: 1500-1599     Reader/Listener/Group: Margaret Hoby      Manuscript: Letter

  

[n/a] : Bible

'then I medetated of the sarmons, and read and spoke to Mrs Ormstone of the Chapter that was read in the morning'

Century: 1500-1599     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'then I walked, and took a Lector, and read tell Lector time: then I hard that, and so went to supper: ... and, after, reed a whill, and so went to bed'

Century: 1500-1599     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'then I did read a while to my workwemen, and then to the Lector'

Century: 1500-1599     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'After priuat praier I reed a while of the Bible'

Century: 1500-1599     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'after, I reed of the Bible, and spock of Certaine Chapters to Mrs Ormston and John douson'

Century: 1500-1599     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'then I praied with Mr Rhodes and reed tell supper time: after, I hard publect prairs, and Reed of the testement'

Century: 1500-1599     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'then I praied with Mr Rhodes and reed tell supper time: after, I hard publect prairs, and Reed of the testement'

Century: 1500-1599     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'then I Came home and reed to Mrs Ormstone'

Century: 1500-1599     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'and so read tel supper Came'

Century: 1500-1599     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'After priuat praier I did read of the Bible and then eate my breakfast'

Century: 1500-1599     Reader/Listener/Group: Margaret Hoby      Print: Book

  

Jonathan Swift : works (including correspondence)

From John Wilson Croker's Journal of 1818: 'December 16th. -- Before dinner His Royal Highness told me he had been reading Walter Scott's edition of Swift, which, and particularly the correspondence, amused him; and above all he was surprised to find Dr. Sheridan's character to be so exactly that of poor Sheridan. He said he thought the best letters were Lord Bolingbroke's [...] I had shown H.R.H. in the morning, a copy of a letter written 40 years ago by Mrs. Delany (widow of the Dr. Swift's friend) giving an account of a visit of the Royal family to Bulstrode, in which H.R.H. was mentioned; he was pleased at this revival of early reflections, and assured me every word of the account was true.'

Century: 1800-1849     Reader/Listener/Group: George Augustus Frederick Prince of Wales      Print: Book

  

[unknown] : [unknown]

'then I dimed, and talked with some strangers that Came to visitt me, and after, being not well, I slept a while and then reed a while'

Century: 1500-1599     Reader/Listener/Group: Margaret Hoby      Print: Book

  

Mrs Delany : letter containing account of Royal visit

From John Wilson Croker's Journal of 1818: 'December 16th. -- Before dinner His Royal Highness told me he had been reading Walter Scott's edition of Swift, which, and particularly the correspondence, amused him; and above all he was surprised to find Dr. Sheridan's character to be so exactly that of poor Sheridan. He said he thought the best letters were Lord Bolingbroke's [...] I had shown H.R.H. in the morning, a copy of a letter written 40 years ago by Mrs. Delany (widow of the Dr. Swift's friend) giving an account of a visit of the Royal family to Bulstrode, in which H.R.H. was mentioned; he was pleased at this revival of early reflections, and assured me every word of the account was true.'

Century: 1800-1849     Reader/Listener/Group: George Augustus Frederick Prince of Wales      Manuscript: Letter, Copied.

  

[n/a] : Bible

'then I walked, reed of the bible, praied, and so went to dinner'

Century: 1500-1599     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'after, I walked and talked with Mr Rhodes, Reed of the bible, and, after, praied'

Century: 1500-1599     Reader/Listener/Group: Margaret Hoby      Print: Book

  

Richard Greenham : [unknown]

'and then I hard Margaret Rhodes reed of Mr Grenhm'

Century: 1500-1599     Reader/Listener/Group: Margaret Rhodes      Print: Book

  

[n/a] : Bible

After priuat praers I did read of the bible'

Century: 1500-1599     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'after I wrought, reed of the bible and praied, and then went to dinner'

Century: 1500-1599     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'then I wrought and reed tell dinner time'

Century: 1500-1599     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'After priuat praers I did eate my breakfast, then I wrough and reed of the bible tell dinner time'

Century: 1500-1599     Reader/Listener/Group: Margaret Hoby      Print: Book

  

William Perkins : [unknown]

'then reed a whill of perkins, and so went to bed'

Century: 1500-1599     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'then I reed a hard readinge a whill'

Century: 1500-1599     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'After priuat praiers I did eate my breakfast, then reed of the bible and wrought'

Century: 1500-1599     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'After priuat praier I did eate my breakfast: then I reed of the bible'

Century: 1500-1599     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'After priuat praiers I did eate my breakfast, then I reed of the bible and write in my table book, and so went to dinner'

Century: 1500-1599     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'After priuat praier I went about the house, and reed, did eate my breakfast, then I reed againe tell dinner time, then praied'

Century: 1500-1599     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'after dinner I did read of a good book, and then went about the house: then I reed againe'

Century: 1500-1599     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'After priuat praier I did eate my breakfast, goe abowt, read of the bible, pray, and after dime: then I talked a while, reed, went about'

Century: 1500-1599     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'After priuat praier I did eate my breakfast, goe abowt, read of the bible, pray, and after dime: then I talked a while, reed, went about'

Century: 1500-1599     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'After priuat praers I Reed tell dinner time'

Century: 1500-1599     Reader/Listener/Group: Margaret Hoby      Print: Book

  

Rudyard Kipling : 

'[At Mrs Ward's Passmore Edwards Settlement] One class, too, she kept as her very own - a weekly reading aloud for boys between eleven and fourteen, in the course of which she read them a great deal of Stevenson and Kipling'.

Century: 1850-1899     Reader/Listener/Group: Mary Augusta Ward      Print: Book

  

Robert Louis Stevenson : 

'[At Mrs Ward's Passmore Edwards Settlement] One class, too, she kept as her very own - a weekly reading aloud for boys between eleven and fourteen, in the course of which she read them a great deal of Stevenson and Kipling'.

Century: 1850-1899     Reader/Listener/Group: Mary Augusta Ward      Print: Book

  

[unknown] : [unknown]

'and after reed a while, and so went to supper'

Century: 1500-1599     Reader/Listener/Group: Margaret Hoby      Print: Book

  

 : [Catholic literature]

'All through the winter of 1896-7 Mrs Ward was steeping herself in Catholic literature' [as research for her book "Helbeck of Bannisdale"].

Century: 1850-1899     Reader/Listener/Group: Mary Augusta Ward      Print: Book

  

[n/a] : Bible

'after that, praied priuatly, hauinge reed a Chapter of the bible, and so went to bed'

Century: 1500-1599     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'After priuat praier I did eate my breakfast, dispatched diuerse busenes in the house, praied, and then read of the bible, and so dined'

Century: 1500-1599     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'then I did reed of the bible, praied, walked a litle abroad, dinned'

Century: 1500-1599     Reader/Listener/Group: Margaret Hoby      Print: Book

  

 : [Catholic literature]

'Many Catholic books, in which she browsed "with what thoughts", as Carlyle would say, followed her to Levens [a house she rented in Kent], giving her that grip of detail in matters of belief or ritual without which she could not have approached her subject [the novel "Helbeck of Bannisdale"], but which she had now learnt to absorb and re-fashion far more skilfully than in the days of "Robert Elsmere".'

Century: 1850-1899     Reader/Listener/Group: Mary Augusta Ward      Print: Book

  

[n/a] : Bible

'After priuat praier I reed of the bible, eate my breakfast, and went to Church'

Century: 1500-1599     Reader/Listener/Group: Margaret Hoby      Print: Book

  

 : [Catholic literature]

'[letter from Mrs Ward to her father] One of the main impressions of this Catholic literature upon me is to make me perceive the enormous intellectual pre-eminence of Newman. Another impression - I know you will forgive me for saying quite frankly what I feel - has been to fill me with a perfect horror of asceticism, or rather of the austerities - or most of them - which are indispensable to the Catholic ideal of a saint. [she discusses this at length, concluding] Don't imagine, dearest, that I find myself in antagonism to all this literature. The truth in many respects is quite the other way. The deep personal piety of good Catholics, and the extent to which their religion enters into their lives, are extraordinarily attractive.'

Century: 1850-1899     Reader/Listener/Group: Mary Augusta Ward      Print: Book

  

 : Civilta Cattolica

'[letter written by Mrs Ward from Italy] We read the "Tribuna" and the "Civilta Cattolica", which on opposite sides [of a controversy between Liberals and Clericals] breathe fire and flame'.

Century: 1850-1899     Reader/Listener/Group: Mary Augusta Ward      Print: Serial / periodical

  

[n/a] : Bible

'After priuat praier I reed of the bible, then brake my fast and walked abroad'

Century: 1500-1599     Reader/Listener/Group: Margaret Hoby      Print: Book

  

 : Tribuna

'[letter written by Mrs Ward from Italy] We read the "Tribuna" and the "Civilta Cattolica, which on opposite sides [of a controversy between Liberals and Clericals] breathe fire and flame'.

Century: 1850-1899     Reader/Listener/Group: Mary Augusta Ward      Print: Serial / periodical

  

[unknown] : [unknown]

'att :5: a cloke, I returned againe to examenation and praier: then I reed a whill and, after, went to supper'

Century: 1500-1599     Reader/Listener/Group: Margaret Hoby      Print: Book

  

François-René, vicomte de Chateaubriand : 

'She had been reading much of Chateaubriand and Mme de Beaumont during the winter, and had felt her imagination kindled by the relationship between the two'

Century: 1850-1899     Reader/Listener/Group: Mary Augusta Ward      Print: Book

  

[n/a] : Bible

'after priuat praers I did read of the bible, brake my fast, and then went to church'

Century: 1500-1599     Reader/Listener/Group: Margaret Hoby      Print: Book

  

Jeanne Marie Le Prince de Beaumont : 

'She had been reading much of Chateaubriand and Mme de Beaumont during the winter, and had felt her imagination kindled by the relationship between the two'

Century: 1850-1899     Reader/Listener/Group: Mary Augusta Ward      Print: Book

  

Richard Greenham : [unknown]

'and from thence came home and reed of Grenhame, and hard Megg Rhodes read'

Century: 1500-1599     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'and from thence came home and reed of Grenhame, and hard Megg Rhodes read'

Century: 1500-1599     Reader/Listener/Group: Margaret Rhodes      Print: Book

  

Alfred von Harnack : 

'[letter from Mrs Ward to her husband describing an inept Cardinal's lack of knowledge about the crypt of St Peters, Rome] I said not a word - and came home and read Harnack!'

Century: 1850-1899     Reader/Listener/Group: Mary Augusta Ward      Print: Book

  

Adolf Julicher : An Introduction to the New Testament

'There was one German scholar with whom she had at any rate a lengthy correspondence - Dr Adolf Julicher, of Marburg, whose monumental work on the New Testament she presented one day in a moment of enthusiasm, to her younger daughter [the author] (aged seventeen), suggesting that she should translate it into English. The daughter dutifully obeyed, devoting the best part of three years to the task - only to find, when the work was all but finished, that the German professor had in the meantime brought out a new edition of his book, running to some 100 pages of additional matter. Dismay reigned at Stocks, but there was no help for it: the additional 100 pages had to be tackled. In the end Mrs Ward herself seized on the proofs and went all through them, pen in hand; little indeed was left of the daughter's unlucky sentences by the time the process was complete.'

Century: 1900-1945     Reader/Listener/Group: Mary Augusta Ward      Print: Book

  

Adolf Julicher : An Introduction to the New Testament

'There was one German scholar with whom she had at any rate a lengthy correspondence - Dr Adolf Julicher, of Marburg, whose monumental work on the New Testament she presented one day in a moment of enthusiasm, to her younger daughter [the author] (aged seventeen), suggesting that she should translate it into English. The daughter dutifully obeyed, devoting the best part of three years to the task - only to find, when the work was all but finished, that the German professor had in the meantime brought out a new edition of his book, running to some 100 pages of additional matter. Dismay reigned at Stocks, but there was no help for it: the additional 100 pages had to be tackled. In the end Mrs Ward herself seized on the proofs and went all through them, pen in hand; little indeed was left of the daughter's unlucky sentences by the time the process was complete.'

Century: 1900-1945     Reader/Listener/Group: Mary Augusta Ward      Print: Unknown, page proofs

  

Thomas Arnold : [private papers]

'[letter from Mrs Ward to Bishop Creighton, after her father's death] My father's was a rare and [italics] hidden [end italics] nature. Among his papers that have now come to me I have come across the most touching and remarkable things - things that are a revelation even to his children'.

Century: 1900-1945     Reader/Listener/Group: Mary Augusta Ward      Manuscript: Unknown

  

George Meredith : 

'How they [Mrs Ward and her brother William Arnold] would talk, sometimes, about the details of her craft, about Jane Austen, or Trollope or George Meredith! For this latter they both had a feeling akin to adoration, based on a knowledge not only of his novels but of his poems (then not a common accomplishment); and I remember W.T.A. once saying to me that he thought the jolliest line in English poetry was Gentle beasties through pushed a cold long nose'

Century: 1900-1945     Reader/Listener/Group: Mary Augusta Ward      Print: Book

  

George Meredith : Richard Feverel

'[Letter from Mrs Ward to the Society of Authors when that body recommended Herbert Spencer not George Meredith for the Nobel Prize] If Mr Meredith had written nothing but the love scenes in "Richard Feverel"; "The Egoist"; and certain passages of description in "Vittoria" and "Beauchamp's Career", he would still stand at the head of English "dichtung" [the quality Mrs Ward thought the prize should reward] There is no critic now who can be ranged with him in position, and no poet. As a man of letters he is easily first; to compare Mr Spencer's power of clear statement with the play of imaginative genius in Meredith would be absurd - in the literary field'.

Century: 1900-1945     Reader/Listener/Group: Mary Augusta Ward      Print: Book

  

George Meredith : Egoist, The

'[Letter from Mrs Ward to the Society of Authors when that body recommended Herbert Spencer not George Meredith for the Nobel Prize] If Mr Meredith had written nothing but the love scenes in "Richard Feverel"; "The Egoist"; and certain passages of description in "Vittoria" and "Beauchamp's Career", he would still stand at the head of English "dichtung" [the quality Mrs Ward thought the prize should reward] There is no critic now who can be ranged with him in position, and no poet. As a man of letters he is easily first; to compare Mr Spencer's power of clear statement with the play of imaginative genius in Meredith would be absurd - in the literary field'.

Century: 1900-1945     Reader/Listener/Group: Mary Augusta Ward      Print: Book

  

George Meredith : Vittoria

'[Letter from Mrs Ward to the Society of Authors when that body recommended Herbert Spencer not George Meredith for the Nobel Prize] If Mr Meredith had written nothing but the love scenes in "Richard Feverel"; "The Egoist"; and certain passages of description in "Vittoria" and "Beauchamp's Career", he would still stand at the head of English "dichtung" [the quality Mrs Ward thought the prize should reward] There is no critic now who can be ranged with him in position, and no poet. As a man of letters he is easily first; to compare Mr Spencer's power of clear statement with the play of imaginative genius in Meredith would be absurd - in the literary field'.

Century: 1900-1945     Reader/Listener/Group: Mary Augusta Ward      Print: Book

  

George Meredith : Beauchamp's Career

'[Letter from Mrs Ward to the Society of Authors when that body recommended Herbert Spencer not George Meredith for the Nobel Prize] If Mr Meredith had written nothing but the love scenes in "Richard Feverel"; "The Egoist"; and certain passages of description in "Vittoria" and "Beauchamp's Career", he would still stand at the head of English "dichtung" [the quality Mrs Ward thought the prize should reward] There is no critic now who can be ranged with him in position, and no poet. As a man of letters he is easily first; to compare Mr Spencer's power of clear statement with the play of imaginative genius in Meredith would be absurd - in the literary field'.

Century: 1900-1945     Reader/Listener/Group: Mary Augusta Ward      Print: Book

  

Herbert Spencer : 

'[Letter from Mrs Ward to the Society of Authors when that body recommended Herbert Spencer not George Meredith for the Nobel Prize] If Mr Meredith had written nothing but the love scenes in "Richard Feverel"; "The Egoist"; and certain passages of description in "Vittoria" and "Beauchamp's Career", he would still stand at the head of English "dichtung" [the quality Mrs Ward thought the prize should reward] There is no critic now who can be ranged with him in position, and no poet. As a man of letters he is easily first; to compare Mr Spencer's power of clear statement with the play of imaginative genius in Meredith would be absurd - in the literary field'.

Century: 1900-1945     Reader/Listener/Group: Mary Augusta Ward      Print: Book

  

 : [newspaper interviews with herself]

'[in America] on the very few occasions when Mrs Ward did consent to be interviewed, she insisted on seeing the proof and entirely re-writing what had been put into her mouth'.

Century: 1900-1945     Reader/Listener/Group: Mary Augusta Ward      Print: Unknown, newspaper proofs

  

Julia Ward Howe : Reminiscences

'[in Boston Mrs Ward] met the fine old veteran, Mrs Julia Ward Howe, author of the "Battle Hymn of the Republic", who had lately brought out her memoirs. Mrs Ward had been somewhat wickedly amused by certain passages in the latter: "Imagine Mrs Ward Howe declaring in public that a poem of hers, which a critic had declared to be in 'pitiable hexameters' (English of course) was not 'in hexameters at all - it was in pentameters of my own make - I never followed any special school or rule!' - I have been gurgling over that in bed this morning".'

Century: 1900-1945     Reader/Listener/Group: Mary Augusta Ward      Print: Book

  

George Bancroft : History of the United States, from the Discovery of the American Continent.

'[letter from Mrs Ward] I have been reading Bancroft this morning, and shall read G.O.T. tonight. We [italics] were [end italics] fools! - but really, I rather agree with H.G. Wells that they make too much fuss about it! [separation from Britain]'

Century: 1900-1945     Reader/Listener/Group: Mary Augusta Ward      Print: Book

  

Emile Faguet : Dix-Huitieme Siecle: Études Littéraires

'[Mrs Ward's average day at Stocks began] at 5.30 a.m, with the reading of Greek, or writing of letters, or much reading, for the reading of many books was still her greatest solace and delight. "For reading, I have been deep in Emile Faguet's "Dix-huitieme siecle", she wrote to Mrs Creighton in August, 1908, "comparing some of the essays in it with Sainte-Beuve, the reactionary with the Liberal; reading Raleigh's Wordsworth, and Homer and Horace as usual. If I could only give three straight months to Greek now I should be able to read most things easily, but I never get time enough - and there are breaks when one forgets what one knew before". Greek literature meant more and more to her as the years went on, and though she could give so little time to it, the half-hour before breakfast which she devoted, with her husband, to Homer, or Euripides, or the "Agamemnon", became gradually more precious to her than any other fraction of the day'.

Century: 1900-1945     Reader/Listener/Group: Mary Augusta ward      Print: Book

  

Charles Augustin Sainte-Beuve : 

'[Mrs Ward's average day at Stocks began] at 5.30 a.m, with the reading of Greek, or writing of letters, or much reading, for the reading of many books was still her greatest solace and delight. "For reading, I have been deep in Emile Faguet's "Dix-huitieme siecle", she wrote to Mrs Creighton in August, 1908, "comparing some of the essays in it with Sainte-Beuve, the reactionary with the Liberal; reading Raleigh's Wordsworth, and Homer and Horace as usual. If I could only give three straight months to Greek now I should be able to read most things easily, but I never get time enough - and there are breaks when one forgets what one knew before". Greek literature meant more and more to her as the years went on, and though she could give so little time to it, the half-hour before breakfast which she devoted, with her husband, to Homer, or Euripides, or the "Agamemnon", became gradually more precious to her than any other fraction of the day'.

Century: 1900-1945     Reader/Listener/Group: Mary Augusta ward      Print: Book

  

Walter Raleigh : Wordsworth

'[Mrs Ward's average day at Stocks began] at 5.30 a.m, with the reading of Greek, or writing of letters, or much reading, for the reading of many books was still her greatest solace and delight. "For reading, I have been deep in Emile Faguet's "Dix-huitieme siecle", she wrote to Mrs Creighton in August, 1908, "comparing some of the essays in it with Sainte-Beuve, the reactionary with the Liberal; reading Raleigh's Wordsworth, and Homer and Horace as usual. If I could only give three straight months to Greek now I should be able to read most things easily, but I never get time enough - and there are breaks when one forgets what one knew before". Greek literature meant more and more to her as the years went on, and though she could give so little time to it, the half-hour before breakfast which she devoted, with her husband, to Homer, or Euripides, or the "Agamemnon", became gradually more precious to her than any other fraction of the day'.

Century: 1900-1945     Reader/Listener/Group: Mary Augusta ward      Print: Book

  

Homer : 

'[Mrs Ward's average day at Stocks began] at 5.30 a.m, with the reading of Greek, or writing of letters, or much reading, for the reading of many books was still her greatest solace and delight. "For reading, I have been deep in Emile Faguet's "Dix-huitieme siecle", she wrote to Mrs Creighton in August, 1908, "comparing some of the essays in it with Sainte-Beuve, the reactionary with the Liberal; reading Raleigh's Wordsworth, and Homer and Horace as usual. If I could only give three straight months to Greek now I should be able to read most things easily, but I never get time enough - and there are breaks when one forgets what one knew before". Greek literature meant more and more to her as the years went on, and though she could give so little time to it, the half-hour before breakfast which she devoted, with her husband, to Homer, or Euripides, or the "Agamemnon", became gradually more precious to her than any other fraction of the day'.

Century: 1900-1945     Reader/Listener/Group: Mary Augusta ward      Print: Book

  

Horace : 

'[Mrs Ward's average day at Stocks began] at 5.30 a.m, with the reading of Greek, or writing of letters, or much reading, for the reading of many books was still her greatest solace and delight. "For reading, I have been deep in Emile Faguet's "Dix-huitieme siecle", she wrote to Mrs Creighton in August, 1908, "comparing some of the essays in it with Sainte-Beuve, the reactionary with the Liberal; reading Raleigh's Wordsworth, and Homer and Horace as usual. If I could only give three straight months to Greek now I should be able to read most things easily, but I never get time enough - and there are breaks when one forgets what one knew before". Greek literature meant more and more to her as the years went on, and though she could give so little time to it, the half-hour before breakfast which she devoted, with her husband, to Homer, or Euripides, or the "Agamemnon", became gradually more precious to her than any other fraction of the day'.

Century: 1900-1945     Reader/Listener/Group: Mary Augusta ward      Print: Book

  

Euripides : 

'[Mrs Ward's average day at Stocks began] at 5.30 a.m, with the reading of Greek, or writing of letters, or much reading, for the reading of many books was still her greatest solace and delight. "For reading, I have been deep in Emile Faguet's "Dix-huitieme siecle", she wrote to Mrs Creighton in August, 1908, "comparing some of the essays in it with Sainte-Beuve, the reactionary with the Liberal; reading Raleigh's Wordsworth, and Homer and Horace as usual. If I could only give three straight months to Greek now I should be able to read most things easily, but I never get time enough - and there are breaks when one forgets what one knew before". Greek literature meant more and more to her as the years went on, and though she could give so little time to it, the half-hour before breakfast which she devoted, with her husband, to Homer, or Euripides, or the "Agamemnon", became gradually more precious to her than any other fraction of the day'.

Century: 1900-1945     Reader/Listener/Group: Mary Augusta Ward      Print: Book

  

Aeschylus : Agamemnon

'[Mrs Ward's average day at Stocks began] at 5.30 a.m, with the reading of Greek, or writing of letters, or much reading, for the reading of many books was still her greatest solace and delight. "For reading, I have been deep in Emile Faguet's "Dix-huitieme siecle", she wrote to Mrs Creighton in August, 1908, "comparing some of the essays in it with Sainte-Beuve, the reactionary with the Liberal; reading Raleigh's Wordsworth, and Homer and Horace as usual. If I could only give three straight months to Greek now I should be able to read most things easily, but I never get time enough - and there are breaks when one forgets what one knew before". Greek literature meant more and more to her as the years went on, and though she could give so little time to it, the half-hour before breakfast which she devoted, with her husband, to Homer, or Euripides, or the "Agamemnon", became gradually more precious to her than any other fraction of the day'.

Century: 1900-1945     Reader/Listener/Group: Mary Augusta Ward      Print: Book

  

Wlliam James : 

'She was deep in the writings of Father Tyrrel, of Bergson and of William James during these years'.

Century: 1900-1945     Reader/Listener/Group: Mary Augusta Ward      Print: Book

  

George Tyrrell : 

'She was deep in the writings of Father Tyrrel, of Bergson and of William James during these years'

Century: 1900-1945     Reader/Listener/Group: Mary Augusta Ward      Print: Book

  

Henri Bergson : 

'She was deep in the writings of Father Tyrrel, of Bergson and of William James during these years'

Century: 1900-1945     Reader/Listener/Group: Mary Augusta Ward      Print: Book

  

William James : 

'[Letter from Mrs Ward to her daughter Janet Trevelyan] It is good to be alive on spring days like this! I have been reading William James on this very point - the worth of being alive - and before that the Emmaus story and the appearance to the Maries'.

Century: 1900-1945     Reader/Listener/Group: Mary Augusta Ward      Print: Book

  

 : bible

'[Letter from Mrs Ward to her daughter Janet Trevelyan] It is good to be alive on spring days like this! I have been reading William James on this very point - the worth of being alive - and before that the Emmaus story and the appearance to the Maries'.

Century: 1900-1945     Reader/Listener/Group: Mary Augusta Ward      Print: Book

  

[n/a] : Bible

'After I was readie, had praied and broake my fast, I reed of the bible'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'After priuat praers and my breakfast, I reed of the bible'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'after I was in my Chamber, I praied priuatly, reed of the Testament, and then supper'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'after, I passed the afternone with Litle readinge because of my secknes'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'reed of my bible, studeed my Lector, and so dined'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'after I Came home I praied, reed of the bible, and dined'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'After priuat praers I tooke order for diner and then reed of the bible'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'reed a Chapter of the testement, and so went to bed'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'read tell diner time'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'After priuat praier I reed a whill and then did eate my breakfast'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

William Perkins : [unknown]

'then I reed in perkins tell I went againe to the Church'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'then I reed a whill, after I went to supper'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'after, I wrett Certaine thinges in my sermon book and did read of the bible, praied, and then dined'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'After priuat praers in the morninge I reed of the bible, and so dined'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'satt with Mr Hoby tell 6: then I went to priuat examenatione and praier, and to Read of the Testament'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'...tell all most :11: a cloke: then I praied, read of the bible, dined'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'After priuat praers I went about the house and then I reed of the bible tell dinner time'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'after dinner I dressed vp my Clositte and read and, to refreshe my selfe beinge dull, I plaied and sunge to the Alpherion'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'After I was readie and had praied, I did read of the testemente and bible'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'brake my fast: after, reed of the bible'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'after took a lector, read of the bible, praied, and so went to dinner'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

William Turner : New herball

'tell about 3 a Cloke: then I rede of the arball'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'after I Came home I reed of the testement'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'and, when I Came home, I mad an end of writing my sermon, then reed of the bible'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'then I reed of the bible: after, I praied and so dined'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'after, I reed of the bible, praied, and lastly dined'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

William Perkins : [unknown]

'after that, I reed of perkins, hauinge som further Conference with my Cossine'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'After priuat praier I did break my fast, read of the bible, walked to my workmen'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'After priuat praier I did eate, then dressed my patients, reed of the bible, and then saluted some strangers'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'after, I kept Companie tell they departed and, after, reed and talked with a yonge papest maid'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'took order for dimer, reed of the bible, walked abroad'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'then I dressed my patients, reed, talked with a neighbour, praied, then dined'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'gott Mr Hoby to Read some of perkines to me, and, after diner, I red as Longe as I Could my selfe'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'After priuat praier I did read of the bible, then wret in my sermon book'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'After priuat praers I did eate, read, and then goe to the church'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

 : 

'Mrs Ward never allowed the springs of thought to grow dry for lack of reading. The one advantage that she gained from her short nights - for her hours of sleep were rarely more and often less than six - was that the long hours of wakefulness in the early morning gave her time for the reading of many books and of poetry'.

Century: 1900-1945     Reader/Listener/Group: Mary Augusta Ward      Print: Book

  

[n/a] : Bible

'took a lector, reed of the testament, praied with Mr Rhodes'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

Mary Augusta Ward : Fields of Victory

'[letter from General Hastings Anderson to Janet Trevelyan] What strikes me most in your mother's book ["Fields of Victory"] is her marvellous insight into the way of thinking of the soldiers - I mean those who knew most of what was really happening - who were actually engaged in the great struggle. One would say the book was written by one who had played a prominent part in the War in France, and with knowledge of the thoughts of the high directing staffs'.

Century: 1900-1945     Reader/Listener/Group: Hastings Anderson      Print: Book

  

[unknown] : [unknown]

'After priuat praer I did read, break my fast, and then went with Mr Hoby to the Garden'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'reed a whill of another good book, and then went to priuat medetations and praier'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'after priuat praier and reading of the bible I did eate: then I hard M. Doman read'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'and then wrought, reed, and wrett tell diner tim'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'After priuat praier I did eate, read, and obsarued mine accustomed exercises tell night'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'after, I reed of the bible, went about the house, praied, and after dined'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'After priuat praers I did eate, tooke a lector, reed of the bible and testement, and then dined'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'then I hard the sarmon and after reed of a good book tell supper time'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'After priuat praier I did eate, read, and was busie deliueringe some monie'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'and then I reed of the Testemente and so to supper, then to publeck praers, and so to bed'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'After praers I did goe about the house and, hauing dune som busenes, I did eate a litle, read, and lastly dined'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'After priuat praers I did read, eate, and went to the church'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'After I had praied and reed, some of my freinds came, with whom I talked'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'After priuat praers I reed, talked with my phesition and som other gentlewemen, and so went to dinner'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

Hugh Broughton : Master Broughtons letters, especially his lastv pamphlet to and against the Archbishop of Centerbury about Sheol and Hades answered

'and then I walked awhill, and after reed of Mr Broughtons booke'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

Hugh Broughton : Master Broughtons letters, especially his lastv pamphlet to and against the Archbishop of Centerbury about Sheol and Hades answered

'when I had praied, I took a litle phesick and then I reed of Mr Browghtons book'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'After I was readie I praied, then reed of the bible and an other good book, and after 10 a cloke...'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'After I was readie I praied, then reed of the bible and an other good book, and after 10 a cloke...'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'I got vp and was lett blood: then I made me readie and went to priuat praier and reeadinge of the bible, as I was wonte'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'After priuat praier I dinned, then I walked about with my mother and reed, tell towardes night: then I praied priuatly and went to my booke again: after I went to supper and lastly to bed'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'After priuat praers, I reed of the bible and walked about before dinner'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'after, I was busie in the house, and walkinge and reading tell supper time'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'after, I reed of the bible tell all most Church time'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'After priuat praier I did read, eate, and so went to Church'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [prayer]

'then I went about a whill, and reed a praier, and then went to bed'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'I went about tell supper time and reed of the Testement'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'then went to priuat praer and reed a whill, and so went to bed'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'I went to supper, then I reed, and lastly went to bed'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'After priuat praers I went about the house when I had reed of the bible'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'and, after, went about the house and reed a whill, and so went to bed'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'then I Came home and praied priuatly and reed of the bible'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'when I Came home, I read of the bible, wrought, and after dined'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'then I did eate, read, and after went to the church'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'After priuat praere I did read to my wemen'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'and, when I had reed a whill, I went to dinner'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'then I reed a whill and praied, and so went to bed'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'after, I reed, praied, and went to dinner'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'after I Came in I reed, praied, and then went to dinner'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'after priuat praers I reed, walked and medetated'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'After I was readie I was Called to some busenes, which dine I went to priuat praier and readinge'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'after, I reed and went to the church'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'After I had gone about some busenes I praied priuatly, and after reed and took a lecture'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'and, when I Came in, I reed a litle of humanitie, and then went to priuat examenation and praier'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'After I was readie, I praied, went about the house, took a lecture, reed of the bible, praied, and went to dinner'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'After priuat praier I wrett notes in my testement, reed a whill, and went to the church'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'After priuat praers I reed'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'then I reed of the bible, after praied and so went to diner'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [sermon]

'after dinner I talked with som strangers that Came to Mr Hoby, wrought, reed a sarmon'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'After priuat praier I did read of the bible and then went about the house'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'After priuat praier I did eate, read a whill, and then went to church'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'after, I withdrew my selfe and reed of the bible and praied, and then went to dinner'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [sermon]

'when they were gone, I reed and wrett in my sarmon booke'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'when I Came in, I wrought and reed tell 5 a cloke'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'after, I reed a whill and so went to church'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'and after reed and praied, and then I went to dinner'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'and so, after priuat praers, I Reed a whill and so went to bed'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

Edward Bulwer-Lytton : The New Timon

John Gibson Lockhart to John Wilson Croker, 6 August 1846: 'The "Modern Timon" is not, I think, by a [italics]poet[end italics], but it is the work of a clever man, and who understands the construction of lines and the rhythm, and in short, all that people can learn without inspiration. I should suspect the Timon to be by Bulwer or Disraeli, or possibly Dicky Milnes'.

Century: 1800-1849     Reader/Listener/Group: John Gibson Lockhart      Print: Book

  

John Wilson Croker : article on Parliament and Irish Catholics

Lord George Bentinck to John Wilson Croker, 30 June 1847: 'I have read your article in the Quarterly and think it quite admirable -- a complete stunner for the Peel party. You are quite right as regards a State provision for the Irish Roman Catholic Church'.

Century: 1800-1849     Reader/Listener/Group: Lord George Bentinck      Print: Serial / periodical

  

John Wilson Croker : 'Peel Policy'

Lord George Bentinck to John Wilson Croker, 6 October 1847: 'I have got the Quarterly and am highly delighted with your contribution to it, which I esteem most admirable, and I feel confident that in the way you have put the statistics they cannot be disputed; indeed in my conscience I believe them to be substantially correct.'

Century: 1800-1849     Reader/Listener/Group: Lord George Bentinck      Print: Serial / periodical

  

 : Manchester Monthly Trade Circular

Lord George Bentinck to John Wilson Croker, 6 October 1847: 'The cotton market will ocupy a good deal of attention [...] Ferguson and Taylor's "Manchester Monthly Trade Circular," which I have received to-day, after generally observing "that at no former period in the course of a long experience had they ever known the business of that [?cotton] market so embarrassed as at this moment," note in their postscript that for money the terms are: One and a quarter per cent. for cash in ten days!"'

Century: 1800-1849     Reader/Listener/Group: Lord George Bentinck      Print: Serial / periodical

  

 : Hansard (parliamentary reports)

Lord George Bentinck to John Wilson Croker, 28 December 1847: I have only got Hansard to-day; I have marked the particular passages in the Coercion Bill debate, and send them to you.'

Century: 1800-1849     Reader/Listener/Group: Lord George Bentinck      Print: Serial / periodical

  

Thomas Babington Macaulay : History of England, vols 1 and 2

John Gibson Lockhart to John Wilson Croker, 12 January 1849, on Macaulay's recently-published History of England: 'He has written some very brilliant essays [...] but he has written [italics]no history[end italics] [...] his bitter hatred of the Church of England all through is evident; it is, I think, the only very strong feeling in the book [...] 'Then his treatment of the Whig criminals Sidney and Russell, is very shabby [...] 'You will tell me by-and-bye what you think of this. I own that I read the book with breathless interest, in spite of occasional indignations, but I am now reading Grote's new volume of his "History of Greece," and, upon my word, I find the contrast of his calm, stately, tranquil narrative very soothing. In short, I doubt if Macaulay's book will go down as a standard addition to our [italics]historical[end italics] library, though it must always keep a high place among the specimens of English rhetoric.'

Century: 1800-1849     Reader/Listener/Group: John Gibson Lockhart      Print: Book

  

Grote : History of Greece

John Gibson Lockhart to John Wilson Croker, 12 January 1849, on Macaulay's recently-published History of England: 'He has written some very brilliant essays [...] but he has written [italics]no history[end italics] [...] his bitter hatred of the Church of England all through is evident; it is, I think, the only very strong feeling in the book [...] 'Then his treatment of the Whig criminals Sidney and Russell, is very shabby [...] 'You will tell me by-and-bye what you think of this. I own that I read the book with breathless interest, in spite of occasional indignations, but I am now reading Grote's new volume of his "History of Greece," and, upon my word, I find the contrast of his calm, stately, tranquil narrative very soothing. In short, I doubt if Macaulay's book will go down as a standard addition to our [italics]historical[end italics] library, though it must always keep a high place among the specimens of English rhetoric.'

Century: 1800-1849     Reader/Listener/Group: John Gibson Lockhart      Print: Book

  

[unknown] : [unknown]

'After priuat praers I did read, then I wrought a peece of work for a freind'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'I praied and dined, and then I talked with my Mother and reed to hir'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'after, I reed, praied, and dined'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'After I was readie and had praied, I went about the house, wrought a whill, reed, and praied'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'After priuat praers I reed and went to the church'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'after diner I talked of the sarmon, and reed of the bible with some Gentlewemen that were with me'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'After praier I went about the house, and then went to my work and readinge'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'After I had praied I reed of the Testement and did eate: after, I walked and did medetate of that I had reed'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'then I dined: after, I talked with my neighbours of that we had hard, and Reed some thinge to them'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'and, after, I did read of the bible, praied, and wrett in my sermon booke, and then went to dinner'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'then I reed of the testement, walked a whill, and went to supper'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'After priuat praers I wrett in my testement and reed'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'After priuat praier I reed and then went to church'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'after I Came home I walked and reed, and then I went to priuat praier and examenation'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'so, when I had praied priuatly & reed a chapter of the testement, I went to bed'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'when I had ben a whill about the house, I reed of the testement and then praied and examened my selfe'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'and then, towardes night, I wrett to my Cosine bouser, and reed of the Testement, and then went to priuat examenation and praier'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'After priuat praers I did read and went about the house, and, after I had broken my fast, I went to church'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'after, dined: and then I talked and reed to some good wiffes that was with me'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'and then I went againe to the church, and, after, I reed of the testement'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'after, I reed of the bible, and then went to priuatt praier and, after publeck, so to bed'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'and after returned to priuat praier and readinge of the testement'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'After priuat praers I went about the house, reed of the testement, wrett some medetation that I had the day before'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'reed of the bible, and after returned to priuat medetation and praier'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'After praier I reed and went to church'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'after I diner I made an end of writinge my sarmon, then I walked, Red, and wrought'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'after, I sung a psalme with some of the saruants and, lastly, reed a chapter, praied, and so went to bed'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'After priuat praier I reed a whill to my mother, and then went to the church'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'then I talked and reed to some good wiues that dined [with] me'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'at the time of praier, I returned to priuat examenation, praier, and reading: after, I went to supper'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'After priuat praier I reed, did eate my breakfast, and then went to the church'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'then dined: after, I talked of the sarmon, and reed to the good wiues that was with me, and then I praied and againe went to the church'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'after, I reed, wrett diuers notes'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'then I went about the house, and, after I had reed of the bible and praied'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'some thinge I did eate, and then did reed, and made prouision for som strangers that Came'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'and after, when I had praied and reed of the bible, I dined'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'after I reed and so went to supper'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'After priuat praers I reed of the bible, talked [with] some of my freindes, praied, and then went to diner'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

Ardington : [unknown]

'After priuat praier I reed of Mr Ardington's booke, and then did eate my breakfast'

Unknown
Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      

  

[unknown] : [unknown]

'after, I reed and praied and so dined'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'After priuat praier I went to the Church when I had reed and eaten somethinge ... and when I had reed a whill, I went to priuat examenation and praier'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'after, I reed abroad'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'after I dined, I wrought, walked and reed tell allmost night'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'after, I reed, praied, was busie about waxe lights, and then I dined'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'and, after I had reed a whill, I went to priuat examenation and praier: then to supper'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'then I was busie in the kitchine allmost all the after none, and then I reed of the bible, and so went to priuat examenation and praier'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'this day I Continewed my orderarie exercises of praier and readinge'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'After priuat praier I took accountes, did reead of the bible, praied, and walked, and so dined'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'After priuat praier and readinge a whill I went to the church ... then dined: after, I talked [with] some of my neighbours and then reed againe ... I went againe to the church: then I reed a whill'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'All but the times of my ordenarie exercises of praier and readinge I was busie takinge order for my going to london, and packinge of thinges'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'After priuat praier I reed of the bible, and then I wrought tell allmost diner time'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'After priuat praier I went to worke tell dinner time: after, I wrought and reed, and was accompened with Mr Edward Gatt and after with Mistress Mari. Gatt'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'After priuat praier I brake my fast and wroug, reed of the bible, and then praied and dined'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'then I praied, reed of the bible, and went to diner'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'and, after I had reed and praied, I went to supper'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'After priuat praier I went to my booke, and after I dined'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'After priuat praier I went to my booke, and wrett a letter to Mr Rhodes: then I dined ... and after I went to my booke: then to supper'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'After priuat praers I reed, and talked with Mr Vrpith'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'After priuat praiers I went to readinge: then I was busie tell diner time ... then I returned home, and reed, and after I was Veseted by my brother'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [sermon]

'and then I reed a sarmon, and so, hauinge praied, went to supper'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'After priuat praier I went about and reed of the bible'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'then I went to Read a whill and, when I had praied, I went to bed'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [sermon]

'After praiers I went to diner: after, I went to a standinge to se the quene Come to London, were I Reed a serome'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'and after I had dined I reed of the bible'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'after, I went to worke, and read, and so, when I had praied and supped, I went to bed'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'after, I reed and wrought and was Vesited by my brother, and, after I had praied and suped, I reed and so went to bed'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'after, I wrette to Mr Rhodes, and reed of the bible'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'After prairs, I reed and dined'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'After I had praied I reed, and went to diner'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'After I was readie, and had praied and reed, I walked'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'after, I walked and was veseted by my Cousine Cookes wiffe, and, after they were gone, I went to readinge and praier'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'After priuat praier I reed, and walked to the Comune Garden'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'After praiers I reed, and wrett to Mr Rhodes'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'and I had praied, reed, wrought, and dined'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'and when I Came home I went to priuat readinge and praier'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'after, I busied myself in my Chamber and then went to priuatt readinge and praier'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'after, I went to Mr Egertons sermon and so, within litle time, I went to priuat readinge and praier, and settinge downe some notes I had Colected'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'and, when he was gome, I went to priuat praier and readinge'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'after supper I went againe to priuat praier and reading, and so to bed'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'After my praier and readinge I went into the feedles with Mistress Thornbrow ... and, after she was gone, I went to priuat praier and readinge, and so to supper'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'After priuat praier and readinge I went to walk'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'After priuat praier and readinge I went to worke'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'and so, after, I went to priuat praier and reading'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'had so great a Cough that I Could not goe abroad, nor the next day goe to church, but exercised my selfe at home in writinge, readinge, and prainge, as well as I Could'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

Richard Rhodes? : [papers of instruction]

'After praier I reed ouer certaine papers of instruction [which] I had receiued from Mr Rhodes'

Unknown
Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      

  

[unknown] : [unknown]

'at night I went to priuat praier and readinge'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'at my accustomed time I went to priuat praier and readinge'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'after I Cam home I was pained in the toothach which Continewed with me 4 days after, in which time I exercised prainge and readinge as I was able'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'After praiers And readinge I went to diner'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'After priuat praier and readinge I went to worke'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'After priuatt praier I went to readinge and worke tell diner'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'this day I, beinge not well, praied and reed in mine owne chamber'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'this day was rainie so that I Could nor durst goe abroad but exersised in the house, with prainge and reading and singing psa[lms], and Conferinge'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'After priuatt prairs I went to my worke, after I had reed of the bible'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'After prairs I went to work, and, hauinge reed a Litle, I talked with some that Came to Dine with vs'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'After priuat praiers I brake my fast and reed'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'After priuatt praiers I reed of the bible'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'After, I went to priuat readinge and medetation'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'this day I kept my chamber, and, as I was able, I wrought and reede and had Mr Ardington read to me and Mr Rhodes'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'After my accustomed prairs I did eate and read'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Catechism

'after, I hard Mr Ardington Read, and reed my selfe a Catzisimie of the Lord supper'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'before diner I praied and read of the bible'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'then I praied and reed, dined'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'this day, for prainge, readinge and workinge, I Continewed my ordenarie exercises, with much Comfort and peace of Conscience, I thanke god, hauinge Learned some thing from Mr Rhodes his readinge vnto me, as, first, that no Callinge is lawfull with out a growne for itt in godes word: 2., that the title of Lord Archbusshopes are Vnlawfull: 3., that no minister should be made without a minestrie and charge, vnto which he should be ordained'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'after, I returned in to my Chamber, and there reed and praied tell all most I went to supper'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'the rest of the day, after the afternone sermon, I spent in readinge, singing, praing, and hearinge repeticions'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'After prairs and readinge I kept Mr Gatt Companie'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'after, walked about with Hoby, and then returned to priuatt reading and praier'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'I went about the howse, and then reed and wrought a whill before diner'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'then I went to priuatt prairs and medetation and readinge'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'After I had reed and praied I went about the house'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'and, after, went to readinge and preparation for the next day'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'this day it pleased god to blesse my reading and medetation, and, in the afternone my hearinge of Mr Vrpith: after, I Came home and Caused Mr Stillington to Read of Grenhame, and, after, I went to priuatt readinge and praier'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'and after went to readinge and medetation'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'after, I dined, and after I talked and reed to some good wiffes: after, I praied and reed, and wrett notes in my bible of the morninge exercise'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'after, I dined, and after I talked and reed to some good wiffes: after, I praied and reed, and wrett notes in my bible of the morninge exercise'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'After praier I went to the church, and, after, I Came from thence, I praied and reed: after, I dined: then, I talked a whill, and after, wrett notes in my bible, and reed, tell church time'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'after, I reed, and wrought tell :2: a cloke'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'After praier I wrought, reed, went about the house, and praied againe before diner'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'After priuat praier I reed of the bible, and so went to the church'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'After priuat praier I reed of the bible, and so went to the church: after, I Came home, and after diner I reed a Litle to som good wiffes'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'After priuatt prairs I reed abroad [with] my Cosine Dakine'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'and, sonne after, went to priuatt prairs and readinge'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : Bible

'dined, reed of the bible, walked abroad'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

William Perkins : [unknown]

'After priuat prairs I reed of Mr perkins, and after went to the church'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'after, I praied, dined, and reed, and Conferred of good thinges to such wemen as dined with me'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'at my accustomed Hower, I returned to priuatt readinge and praier'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'after, I went to my Clositt, and there reed and praied'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'and then read and praied priuatly'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'After priuatt praiers I reed, and kept Companie with Mrs Girlington and diuers that Came'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

Richard Rhodes : letter

'and att night, I had read a letter that Came from Mr Rhodes'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Manuscript: Letter

  

John Wass[e] : letter

'after I perused Iohn wass his accussinge Letter, I went to priuatt praier'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Manuscript: Letter

  

[unknown] : [unknown]

'after the sarmon and dimer, I reed to the wiues and talked of the sarmon'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'reed to the good wiffes, as I had wont, after dinner'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'and after dinner I reed to some good neighbours'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'I Continewed well, I thanke god, these daies: and reed some medetations of the Lady Bowes hir Makinge'

Unknown
Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      

  

[unknown] : [unknown]

'this day I Continewed to heare, and read, and pray, I praise god, [with] much Comfort as before'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'I haue Continewed my duties or praier and readinge, both findinge my corruption and receiuinge stringth

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

Thomas Rogers : A pretious book of heavenly meditations, called a private talk of the soule with God

'in the after none, when she was Gon, I reed a Little of Mr Rogers book to Anne france'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'towarde Night I went to my accostomed exercises of Readinge and praier'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'priuatt praier and readinge'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'and after the exercises I went to readinge and priuatt praier'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'and after dinner went into the Garden, vntill I retourned to priuat praier and readinge'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'and at night I went to priuatt readinge and praier'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'and in the afternone I went to priuatt prairs and readinge'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'and at night returned to priuat readinge and praier'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'and towardes night I went to priuatt readinge and praier'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'and after they were gone I retourned to Readinge and priuat praier'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'and after went to priuatt praier and readinge'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'towardes Night I went to priuatt praier and readinge'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'and after I had praied I went to readinge'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'at Night I went to priuatt readinge and praier'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'and towardes night went to priuatt readinge and praier'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[unknown] : [unknown]

'priuat Readinge'

Century: 1600-1699     Reader/Listener/Group: Margaret Hoby      Print: Book

  

[n/a] : [newspaper]

witness statement in trial for violent theft: George Verry: 'the only thing that induced me to appear as a witness was from reading in the newspaper the observation of the Magistrate'

Century: 1800-1849     Reader/Listener/Group: George Verry      Print: Newspaper

  

 : classical texts

'On the evening of the days when it was necessary for him to stay in the City, to "lock up" [the family banking-house], George occupied himself principally with study. He had contracted a strong taste for the classics at Charterhouse, and felt prompted to cultivate them on quitting the scene of his boyish training.'

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

David Ricardo : 

'From the year 1812 up to the year 1815, the young banker's life revolved in a sufficiently prosaic circle; working steadily at the banking-house, partaking sparingly of amusements of a social character, and devoting the greater portion of his leisure to reading and meditating upon subjects of an instructive cast. 'Among these, political economy, history and metaphysics occupied the leading interest in his mind. To the first of these sciences he had been attracted by the writings of Mr. David Ricardo, with whom personally he afterwards became acquainted (in 1817)'.

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

 : historical texts

'From the year 1812 up to the year 1815, the young banker's life revolved in a sufficiently prosaic circle; working steadily at the banking-house, partaking sparingly of amusements of a social character, and devoting the greater portion of his leisure to reading and meditating upon subjects of an instructive cast. 'Among these, political economy, history and metaphysics occupied the leading interest in his mind. To the first of these sciences he had been attracted by the writings of Mr. David Ricardo, with whom personally he afterwards became acquainted (in 1817)'.

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

 : 'metaphysics'

'From the year 1812 up to the year 1815, the young banker's life revolved in a sufficiently prosaic circle; working steadily at the banking-house, partaking sparingly of amusements of a social character, and devoting the greater portion of his leisure to reading and meditating upon subjects of an instructive cast. 'Among these, political economy, history and metaphysics occupied the leading interest in his mind. To the first of these sciences he had been attracted by the writings of Mr. David Ricardo, with whom personally he afterwards became acquainted (in 1817)'.

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

Sismondi : history of Italy (vol. 1)

George Grote to George W. Norman, 26 June 1816: 'From England, in 1816, it is delightful to retire, even to Italy in its most disorganized periods. I have not yet arrived at Sismondi's second volume, as I have employed myself in deducing a short narrative of Italian transactions, from the invasion of the Lombards [...] I have always found that, in order to make myself master of a subject, the best mode was to sit down and give an account of it to myself.'

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

Lucretius  : De rerum natura

George Grote to George W. Norman (April 1817): 'I send you down the best "Lucretius" I have [...] Though the reasoning is generally indistinct, and in some places unintelligible, yet in those passages where he indulges his vein of poetry without reserve, the sublimity of his conceptions and the charm and elegance of his language are such as I have hardly ever seen equalled [...] I likewise send you the Tragedies attributed to Seneca, which I think I have heard you express an inclination to read. I have read one or two of them, and they appeared to me not above mediocrity. **** 'I am now studying Aristotle's "Nicomachean Ethics." His reasonings on the subject of morals are wonderfully just and penetrating, and I feel anxious, as I read on, for a more intimate acquaintance with him. Hume's Essays, some of which I have likewise read lately, do not improve, in my view, on further knowledge.'

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

Seneca  : Tragedies

George Grote to George W. Norman (April 1817): 'I send you down the best "Lucretius" I have [...] Though the reasoning is generally indistinct, and in some places unintelligible, yet in those passages where he indulges his vein of poetry without reserve, the sublimity of his conceptions and the charm and elegance of his language are such as I have hardly ever seen equalled [...] I likewise send you the Tragedies attributed to Seneca, which I think I have heard you express an inclination to read. I have read one or two of them, and they appeared to me not above mediocrity. **** 'I am now studying Aristotle's "Nicomachean Ethics." His reasonings on the subject of morals are wonderfully just and penetrating, and I feel anxious, as I read on, for a more intimate acquaintance with him. Hume's Essays, some of which I have likewise read lately, do not improve, in my view, on further knowledge.'

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

Aristotle  : Nicomachean Ethics

George Grote to George W. Norman (April 1817): 'I send you down the best "Lucretius" I have [...] Though the reasoning is generally indistinct, and in some places unintelligible, yet in those passages where he indulges his vein of poetry without reserve, the sublimity of his conceptions and the charm and elegance of his language are such as I have hardly ever seen equalled [...] I likewise send you the Tragedies attributed to Seneca, which I think I have heard you express an inclination to read. I have read one or two of them, and they appeared to me not above mediocrity. **** 'I am now studying Aristotle's "Nicomachean Ethics." His reasonings on the subject of morals are wonderfully just and penetrating, and I feel anxious, as I read on, for a more intimate acquaintance with him. Hume's Essays, some of which I have likewise read lately, do not improve, in my view, on further knowledge.'

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

David Hume : Essays

George Grote to George W. Norman (April 1817): 'I send you down the best "Lucretius" I have [...] Though the reasoning is generally indistinct, and in some places unintelligible, yet in those passages where he indulges his vein of poetry without reserve, the sublimity of his conceptions and the charm and elegance of his language are such as I have hardly ever seen equalled [...] I likewise send you the Tragedies attributed to Seneca, which I think I have heard you express an inclination to read. I have read one or two of them, and they appeared to me not above mediocrity. **** 'I am now studying Aristotle's "Nicomachean Ethics." His reasonings on the subject of morals are wonderfully just and penetrating, and I feel anxious, as I read on, for a more intimate acquaintance with him. Hume's Essays, some of which I have likewise read lately, do not improve, in my view, on further knowledge.'

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

Jeremy Bentham : works

'The writings of this remarkable man [Jeremy Bentham] were now beginning to tell upon the thinking portion of young public men and lawyers [...] Grote caught the infection with readiness, and not only became a reader of Bentham's works on Jurisprudence, Reform of the Law, and Political Philosophy, but he also frequented the society of the recluse author'.

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

Jean Baptiste Say : Economie politique

From the diary kept by George Grote for his fiancee, Harriet Lewin (1818): 'Tuesday, Sept, 22nd, 1818. 'Rose at 7. Read Say for a couple of hours. [...] 'Rose at 8. Breakfasted, and finished Say's "Economie Politique."'

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

Jean Baptiste Say : Economie politique

From the diary kept by George Grote for his fiancee, Harriet Lewin (September 1818): 'Rose at 1/2 past 6 [...] read over again that part of Say's second volume which refers to consumption. It requires further meditation before I shall have thoroughly comprehended it.'

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

Adam Smith : An Inquiry into the Nature and Causes of the Wealth of Nations

From the diary kept by George Grote for his fiancee, Harriet Lewin (September 1818): 'Rose at 7 [...] Sat reading Smith's "Wealth of Nations" until 8.'

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

Lord Shaftesbury : 'letter on Enthusiasm'

From the diary kept by George Grote for his fiancee, Harriet Lewin (September 1818): 'September 30th. At Badgemore [family's country residence] 'Rose at 7. Read some of Lord Shaftesbury's letter on Enthusiasm until 9 [...] I finished it after breakfast, and was extremely pleased with it [...] At 12 I read a chapter of the German Bible with my sister.'

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

Lord Shaftesbury : 'letter on Enthusiasm'

From the diary kept by George Grote for his fiancee, Harriet Lewin (September 1818): 'September 30th. At Badgemore [family's country residence] 'Rose at 7. Read some of Lord Shaftesbury's letter on Enthusiasm until 9 [...] I finished it after breakfast, and was extremely pleased with it [...] At 12 I read a chapter of the German Bible with my sister.'

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

Jean Baptiste Say : 

From the diary kept by George Grote for his fiancee, Harriet Lewin (autumn 1818): 'Thursday, October 8th. 'Rose soon after 6. Read the second chapter of Say's "Economie," and I wrote down on paper some remarks on production, after meditating the subject much, as some parts of it are very thorny. I had occasion to differ with some of Say's positions. 'Rose soon after 6. Read over again Say's chapter in capital, and put down some remarks on it in order to clear up my notions on the subject, as I found occasion to suspect the soundness of some I had before entertained [...] 'Rose at 1/2 past 6. Read some more Say on the Division of Labour.'

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

 : 'Dissertation on Virtue'

From the diary kept by George Grote for his fiancee, Harriet Lewin (autumn 1818): 'Rose at 8. Read once again the "Dissertation on Virtue" which is subjoined to Butler's "Analogy" with very great pleasure [...] After breakfast I opened the second volume of the "Wealth of Nations" and read the first chapter on the employment and accumulation of capital stock. With the exception of a few points, chiefly I believe of phraseology, I agree with him in all he says.'

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

Adam Smith : An Inquiry into the Nature and Causes of the Wealth of Nations, volume 2 chapter 1

From the diary kept by George Grote for his fiancee, Harriet Lewin (autumn 1818): 'Rose at 8. Read once again the "Dissertation on Virtue" which is subjoined to Butler's "Analogy" with very great pleasure [...] After breakfast I opened the second volume of the "Wealth of Nations" and read the first chapter on the employment and accumulation of capital stock. With the exception of a few points, chiefly I believe of phraseology, I agree with him in all he says.'

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

Jean Baptiste Say : 

From the diary kept by George Grote for his fiancee, Harriet Lewin (autumn 1818): 'Threadneedle Street, 14th October, 1818. 'Rose soon after 6. Read Say's chapter on Commercial Industry [...] After dinner read some of Schiller's "Don Carlos," then practiced on the bass from 1/2 past 7 till 9; at 9 I drank tea, then read some more of Say, on the mode in which capital operates.'

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

Friedrich Schiller : Don Carlos

From the diary kept by George Grote for his fiancee, Harriet Lewin (autumn 1818): 'Threadneedle Street, 14th October, 1818. 'Rose soon after 6. Read Say's chapter on Commercial Industry [...] After dinner read some of Schiller's "Don Carlos," then practiced on the bass from 1/2 past 7 till 9; at 9 I drank tea, then read some more of Say, on the mode in which capital operates.'

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

Jean Baptiste Say : 

From the diary kept by George Grote for his fiancee, Harriet Lewin (autumn 1818): 'Threadneedle Street, 14th October, 1818. 'Rose soon after 6. Read Say's chapter on Commercial Industry [...] After dinner read some of Schiller's "Don Carlos," then practiced on the bass from 1/2 past 7 till 9; at 9 I drank tea, then read some more of Say, on the mode in which capital operates.'

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

Jean Baptiste Say : 

From the diary kept by George Grote for his fiancee, Harriet Lewin (autumn 1818): 'Thursday, October 15th, 1818. 'Rose at 6. Read Say's chapter on the Accumulation of Capital. Wrote some remarks on the meaning which he annexes to the word unproductive, in which I think he has fallen into some confusion. 'Rose at 6. Read Say's chapter on the Circulation of Commodities, which is admirable; equally deep and accurate.'

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

Jean Baptiste Say : 

From the diary kept by George Grote for his fiancee, Harriet Lewin (autumn 1818): 'Rose at 1/2 past 6 [...] Read Say and Turgot until 12, and put down some remarks on the manner in which accumulation takes place. Neither Say nor Turgot completely satisfy my mind on this subject [...] Dined alone. Read some scenes in Schiller's "Don Carlos." Considered as complete dramas, I think both "Don Carlos" and "Marie Stuart" are very defective. There is too much mixture of paltry and unimportant intrigue in each [...] There are, however, most masterly single scenes to be found in them [...] After reading this, I practised on the bass for about an hour, then drank tea, and read Adam Smith's incomparable chapter on the Mercantile System until 11, when I went to bed. 'Rose at 6. Read some more of A. Smith on the Mercantile System [...] Dined at 1/2 past 5. Read Don Carlos, and played on the bass for the next two hours, when I went and locked up [the family banking house]; drank tea at 1/2 past 8, and began some more of Say; but I found my mind languid, so that I was obliged to change my study, and took up a dissertation of Turgot, "Sur les valeurs et monnoies," which I read with considerable attention. Went to bed soon after 11.'

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

Turgot : 

From the diary kept by George Grote for his fiancee, Harriet Lewin (autumn 1818): 'Rose at 1/2 past 6 [...] Read Say and Turgot until 12, and put down some remarks on the manner in which accumulation takes place. Neither Say nor Turgot completely satisfy my mind on this subject [...] Dined alone. Read some scenes in Schiller's "Don Carlos." Considered as complete dramas, I think both "Don Carlos" and "Marie Stuart" are very defective. There is too much mixture of paltry and unimportant intrigue in each [...] There are, however, most masterly single scenes to be found in them [...] After reading this, I practised on the bass for about an hour, then drank tea, and read Adam Smith's incomparable chapter on the Mercantile System until 11, when I went to bed. 'Rose at 6. Read some more of A. Smith on the Mercantile System [...] Dined at 1/2 past 5. Read Don Carlos, and played on the bass for the next two hours, when I went and locked up [the family banking house]; drank tea at 1/2 past 8, and began some more of Say; but I found my mind languid, so that I was obliged to change my study, and took up a dissertation of Turgot, "Sur les valeurs et monnoies," which I read with considerable attention. Went to bed soon after 11.'

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

Friedrich Schiller : Don Carlos

From the diary kept by George Grote for his fiancee, Harriet Lewin (autumn 1818): 'Rose at 1/2 past 6 [...] Read Say and Turgot until 12, and put down some remarks on the manner in which accumulation takes place. Neither Say nor Turgot completely satisfy my mind on this subject [...] Dined alone. Read some scenes in Schiller's "Don Carlos." Considered as complete dramas, I think both "Don Carlos" and "Marie Stuart" are very defective. There is too much mixture of paltry and unimportant intrigue in each [...] There are, however, most masterly single scenes to be found in them [...] After reading this, I practised on the bass for about an hour, then drank tea, and read Adam Smith's incomparable chapter on the Mercantile System until 11, when I went to bed. 'Rose at 6. Read some more of A. Smith on the Mercantile System [...] Dined at 1/2 past 5. Read Don Carlos, and played on the bass for the next two hours, when I went and locked up [the family banking house]; drank tea at 1/2 past 8, and began some more of Say; but I found my mind languid, so that I was obliged to change my study, and took up a dissertation of Turgot, "Sur les valeurs et monnoies," which I read with considerable attention. Went to bed soon after 11.'

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

Adam Smith : An Inquiry into the Nature and Causes of the Wealth of Nations

From the diary kept by George Grote for his fiancee, Harriet Lewin (autumn 1818): 'Rose at 1/2 past 6 [...] Read Say and Turgot until 12, and put down some remarks on the manner in which accumulation takes place. Neither Say nor Turgot completely satisfy my mind on this subject [...] Dined alone. Read some scenes in Schiller's "Don Carlos." Considered as complete dramas, I think both "Don Carlos" and "Marie Stuart" are very defective. There is too much mixture of paltry and unimportant intrigue in each [...] There are, however, most masterly single scenes to be found in them [...] After reading this, I practised on the bass for about an hour, then drank tea, and read Adam Smith's incomparable chapter on the Mercantile System until 11, when I went to bed. 'Rose at 6. Read some more of A. Smith on the Mercantile System [...] Dined at 1/2 past 5. Read Don Carlos, and played on the bass for the next two hours, when I went and locked up [the family banking house]; drank tea at 1/2 past 8, and began some more of Say; but I found my mind languid, so that I was obliged to change my study, and took up a dissertation of Turgot, "Sur les valeurs et monnoies," which I read with considerable attention. Went to bed soon after 11.'

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

Adam Smith : An Inquiry into the Nature and Causes of the Wealth of Nations

From the diary kept by George Grote for his fiancee, Harriet Lewin (autumn 1818): 'Rose at 1/2 past 6 [...] Read Say and Turgot until 12, and put down some remarks on the manner in which accumulation takes place. Neither Say nor Turgot completely satisfy my mind on this subject [...] Dined alone. Read some scenes in Schiller's "Don Carlos." Considered as complete dramas, I think both "Don Carlos" and "Marie Stuart" are very defective. There is too much mixture of paltry and unimportant intrigue in each [...] There are, however, most masterly single scenes to be found in them [...] After reading this, I practised on the bass for about an hour, then drank tea, and read Adam Smith's incomparable chapter on the Mercantile System until 11, when I went to bed. 'Rose at 6. Read some more of A. Smith on the Mercantile System [...] Dined at 1/2 past 5. Read Don Carlos, and played on the bass for the next two hours, when I went and locked up [the family banking house]; drank tea at 1/2 past 8, and began some more of Say; but I found my mind languid, so that I was obliged to change my study, and took up a dissertation of Turgot, "Sur les valeurs et monnoies," which I read with considerable attention. Went to bed soon after 11.'

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

Friedrich Schiller : Don Carlos

From the diary kept by George Grote for his fiancee, Harriet Lewin (autumn 1818): 'Rose at 1/2 past 6 [...] Read Say and Turgot until 12, and put down some remarks on the manner in which accumulation takes place. Neither Say nor Turgot completely satisfy my mind on this subject [...] Dined alone. Read some scenes in Schiller's "Don Carlos." Considered as complete dramas, I think both "Don Carlos" and "Marie Stuart" are very defective. There is too much mixture of paltry and unimportant intrigue in each [...] There are, however, most masterly single scenes to be found in them [...] After reading this, I practised on the bass for about an hour, then drank tea, and read Adam Smith's incomparable chapter on the Mercantile System until 11, when I went to bed. 'Rose at 6. Read some more of A. Smith on the Mercantile System [...] Dined at 1/2 past 5. Read Don Carlos, and played on the bass for the next two hours, when I went and locked up [the family banking house]; drank tea at 1/2 past 8, and began some more of Say; but I found my mind languid, so that I was obliged to change my study, and took up a dissertation of Turgot, "Sur les valeurs et monnoies," which I read with considerable attention. Went to bed soon after 11.'

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

Jean Baptiste Say : 

From the diary kept by George Grote for his fiancee, Harriet Lewin (autumn 1818): 'Rose at 1/2 past 6 [...] Read Say and Turgot until 12, and put down some remarks on the manner in which accumulation takes place. Neither Say nor Turgot completely satisfy my mind on this subject [...] Dined alone. Read some scenes in Schiller's "Don Carlos." Considered as complete dramas, I think both "Don Carlos" and "Marie Stuart" are very defective. There is too much mixture of paltry and unimportant intrigue in each [...] There are, however, most masterly single scenes to be found in them [...] After reading this, I practised on the bass for about an hour, then drank tea, and read Adam Smith's incomparable chapter on the Mercantile System until 11, when I went to bed. 'Rose at 6. Read some more of A. Smith on the Mercantile System [...] Dined at 1/2 past 5. Read Don Carlos, and played on the bass for the next two hours, when I went and locked up [the family banking house]; drank tea at 1/2 past 8, and began some more of Say; but I found my mind languid, so that I was obliged to change my study, and took up a dissertation of Turgot, "Sur les valeurs et monnoies," which I read with considerable attention. Went to bed soon after 11.'

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

Turgot : [Dissertation] sur les valeurs et monnoies

From the diary kept by George Grote for his fiancee, Harriet Lewin (autumn 1818): 'Rose at 1/2 past 6 [...] Read Say and Turgot until 12, and put down some remarks on the manner in which accumulation takes place. Neither Say nor Turgot completely satisfy my mind on this subject [...] Dined alone. Read some scenes in Schiller's "Don Carlos." Considered as complete dramas, I think both "Don Carlos" and "Marie Stuart" are very defective. There is too much mixture of paltry and unimportant intrigue in each [...] There are, however, most masterly single scenes to be found in them [...] After reading this, I practised on the bass for about an hour, then drank tea, and read Adam Smith's incomparable chapter on the Mercantile System until 11, when I went to bed. 'Rose at 6. Read some more of A. Smith on the Mercantile System [...] Dined at 1/2 past 5. Read Don Carlos, and played on the bass for the next two hours, when I went and locked up [the family banking house]; drank tea at 1/2 past 8, and began some more of Say; but I found my mind languid, so that I was obliged to change my study, and took up a dissertation of Turgot, "Sur les valeurs et monnoies," which I read with considerable attention. Went to bed soon after 11.'

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

Turgot : [Dissertation] sur les valeurs et monnoies

From the diary kept by George Grote for his fiancee, Harriet Lewin (autumn 1818): 'Tuesday, October 20th. 'Rose at 6. Studied some more of Turgot's Dissertation, which cost me considerable labour [...] Sat to Manskirch for my picture. Between 4 and 5 I read a little more of Turgot's Dissertation.'

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

Turgot : [Dissertation] sur les valeurs et monnoies

From the diary kept by George Grote for his fiancee, Harriet Lewin (autumn 1818): 'Tuesday, October 20th. 'Rose at 6. Studied some more of Turgot's Dissertation, which cost me considerable labour [...] Sat to Manskirch for my picture. Between 4 and 5 I read a little more of Turgot's Dissertation.'

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

Turgot : [Dissertation] sur les valeurs et monnoies

From the diary kept by George Grote for his fiancee, Harriet Lewin (autumn 1818): 'Having passed a sleepless night I did not rise until 1/2 past 7. Read some more of Turgot's "Valeurs et Monnoies," and also an old Edinburgh Review, on the subject of money [...] I think Turgot has proceeded throughout upon a misapprehension of the true theory of exhangeable values'.

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

 : Edinburgh Review

From the diary kept by George Grote for his fiancee, Harriet Lewin (autumn 1818): 'Having passed a sleepless night I did not rise until 1/2 past 7. Read some more of Turgot's "Valeurs et Monnoies," and also an old Edinburgh Review, on the subject of money [...] I think Turgot has proceeded throughout upon a misapprehension of the true theory of exhangeable values'.

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Serial / periodical

  

David Ricardo : 'Political Economy'

From the diary kept by George Grote for his fiancee, Harriet Lewin (autumn 1818): 'Dined at 1/2 past 5; [Charles] Cameron with me [...] Between 7 and 8 I locked up [family banking house] and we drank tea. We then read some of Ricardo's "Political Economy" until 1/2 past 10. 'Rose at 6. Read some of A. Smith on Wages, and also that part of Ricardo that we had read the night before over again'.

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

David Ricardo : 

From the diary kept by George Grote for his fiancee, Harriet Lewin (1819): 'January, 1819. 'Saturday -- Rose at 1/4 before 9. Breakfasted and worked at Ricardo until I was obliged to go into the office [...] Between 4 and 5 read some more of Ricardo, out of different parts of the book, to clear up my notions on Foreign Trade'.

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

David Ricardo : 

From the diary kept by George Grote for his fiancee, Harriet Lewin (1819): 'January, 1819. 'Sunday -- Rose about 9. After reading Ricardo for some little time, I set to and wrote down some stuff upon Foreign Trade [...] At 1 I mounted my horse and rode to the Park [...] Returned to dinner at 6, very tired; read some of Lessing's "Laocoon" [...] After tea set to at Ricardo again, but not finding my attention sufficiently alive, I dropt him, and looked over Melon's "Essai sur le Commerce," which I had had some curiosity to see. I found it the stupidest and most useless volume I ever opened.'

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

Gotthold Ephraim Lessing : Laocoon

From the diary kept by George Grote for his fiancee, Harriet Lewin (1819): 'January, 1819. 'Sunday -- Rose about 9. After reading Ricardo for some little time, I set to and wrote down some stuff upon Foreign Trade [...] At 1 I mounted my horse and rode to the Park [...] Returned to dinner at 6, very tired; read some of Lessing's "Laocoon" [...] After tea set to at Ricardo again, but not finding my attention sufficiently alive, I dropt him, and looked over Melon's "Essai sur le Commerce," which I had had some curiosity to see. I found it the stupidest and most useless volume I ever opened.'

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

Melon : 'Essai sur le commerce'

From the diary kept by George Grote for his fiancee, Harriet Lewin (1819): 'January, 1819. 'Sunday -- Rose about 9. After reading Ricardo for some little time, I set to and wrote down some stuff upon Foreign Trade [...] At 1 I mounted my horse and rode to the Park [...] Returned to dinner at 6, very tired; read some of Lessing's "Laocoon" [...] After tea set to at Ricardo again, but not finding my attention sufficiently alive, I dropt him, and looked over Melon's "Essai sur le Commerce," which I had had some curiosity to see. I found it the stupidest and most useless volume I ever opened.'

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Unknown

  

Gotthold Ephraim Lessing : 'theological writings'

From the diary kept by George Grote for his fiancee, Harriet Lewin (1819): 'Dined at 1/2 past 5; played on the bass for 1 hour, and then read some of Lessing's theological writings'.

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

Aristotle  : Politics

From the diary kept by George Grote for his fiancee, Harriet Lewin (1819): 'Read part of the first book of Aristotle's Politics, with a view to ascertain his notions on the original barrenness of money, and trade in general.'

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

David Ricardo : 'on the depreciation of our paper currency'

From George Grote's diary, kept for his fiancee Harriet Lewin (January 1819): 'Rose at 9 [...] Mr. Bury brought me Ricardo's pamphlets this day. Between 4 and 5 I set to and read his Pamphlet on the depreciation of our paper currency. Dined at 1/2 past 5; played on the bass; read some more of Ricardo -- his reply to Mr. Bosanquet, which is most able [...] spent the evening in going on with my "thoughts," looking at some parts of Xenophon and Arsitotle.'

Century: 1800-1849     Reader/Listener/Group: George Grote      

  

David Ricardo : 'on the depreciation of our paper currency'

From George Grote's diary, kept for his fiancee Harriet Lewin (1819): 'Mr Bury brought me Ricardo's pamphlets this day. Between 4 and 5 I set to and read his Pamphlet on the depreciation of our paper currency. Dined at 1/2 past 5; played on the bass; read some more Ricardo -- his reply to Mr. Bosanquet, which is most able [...] spent the evening in going on with my "thoughts,' looking at some parts of Xenophon and Aristotle.'

Century: 1800-1849     Reader/Listener/Group: George Grote      

  

David Ricardo : 'reply to Mr Bosanquet'

From George Grote's diary, kept for his fiancee Harriet Lewin (1819): 'Mr Bury brought me Ricardo's pamphlets this day. Between 4 and 5 I set to and read his Pamphlet on the depreciation of our paper currency. Dined at 1/2 past 5; played on the bass; read some more Ricardo -- his reply to Mr. Bosanquet, which is most able [...] spent the evening in going on with my "thoughts,' looking at some parts of Xenophon and Aristotle.'

Century: 1800-1849     Reader/Listener/Group: George Grote      

  

Xenophon  : 

From George Grote's diary, kept for his fiancee Harriet Lewin (1819): 'Mr Bury brought me Ricardo's pamphlets this day. Between 4 and 5 I set to and read his Pamphlet on the depreciation of our paper currency. Dined at 1/2 past 5; played on the bass; read some more Ricardo -- his reply to Mr. Bosanquet, which is most able [...] spent the evening in going on with my "thoughts,' looking at some parts of Xenophon and Aristotle.'

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

Aristotle  : 

From George Grote's diary, kept for his fiancee Harriet Lewin (1819): 'Mr Bury brought me Ricardo's pamphlets this day. Between 4 and 5 I set to and read his Pamphlet on the depreciation of our paper currency. Dined at 1/2 past 5; played on the bass; read some more Ricardo -- his reply to Mr. Bosanquet, which is most able [...] spent the evening in going on with my "thoughts,' looking at some parts of Xenophon and Aristotle.'

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

Galton : Chart on the Late Depreciation of Bank Notes

From George Grote's diary, kept for his fiancee Harriet Lewin (1819): 'Between 4 and 5 read Mr. Galton's "Chart on the Late Depreciation of Bank Notes" [...] During the evening I read some more of Hemsterhuis'.

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Unknown

  

Hemsterhuis : De l'Homme et de ses Rapports

From George Grote's diary, kept for his fiancee Harriet Lewin (1819): 'Between 4 and 5 read Mr. Galton's "Chart on the Late Depreciation of Bank Notes" [...] During the evening I read some more of Hemsterhuis'.

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Unknown

  

Hemsterhuis : (possibly) De l'Homme et de ses Rapports

From George Grote's diary, kept for his fiancee Harriet Lewin (1819): '[after 11pm] Read Hemsterhuis for an hour -- some beautiful passages on religion. Bed at 12.'

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Unknown

  

 : Edinburgh Review

From George Grote's diary, kept for his fiancee Harriet Lewin (1819): 'Rose a little before 9. Breakfasted and read some more of the "Edinburgh Review," but was little fit for anything, being so miserable at heart [over family matters relating to his and Harriet's engagement] [...] Between 4 and 5 read some more of Schiller's "Wallenstein," [...] locked up [banking house] about 8. Read Kant's "Anthropology" for two hours.'

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Serial / periodical

  

Schiller : Wallenstein

From George Grote's diary, kept for his fiancee Harriet Lewin (1819): 'Rose a little before 9. Breakfasted and read some more of the "Edinburgh Review," but was little fit for anything, being so miserable at heart [over family matters relating to his and Harriet's engagement] [...] Between 4 and 5 read some more of Schiller's "Wallenstein," [...] locked up [banking house] about 8. Read Kant's "Anthropology" for two hours.'

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

Imanuel Kant : 'Anthropology'

From George Grote's diary, kept for his fiancee Harriet Lewin (1819): 'Rose a little before 9. Breakfasted and read some more of the "Edinburgh Review," but was little fit for anything, being so miserable at heart [over family matters relating to his and Harriet's engagement] [...] Between 4 and 5 read some more of Schiller's "Wallenstein," [...] locked up [banking house] about 8. Read Kant's "Anthropology" for two hours.'

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

Hemsterhuis : Sur la divinite

From George Grote's diary, kept for his fiancee Harriet Lewin (1819): 'Rose at 9. Breakfasted and read some of Hemsterhuis, "Sur la Divinite." my brother Joseph came to town and interrupted me. Between 4 and 5 read the "Edinburgh Review" on Mill's British India, which is excellent [...] read with considerable attention some more of Hemsterhuis' "Sur la Divinite."'

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Unknown

  

 : article on 'Mill's British India'

From George Grote's diary, kept for his fiancee Harriet Lewin (1819): 'Rose at 9. Breakfasted and read some of Hemsterhuis, "Sur la Divinite." my brother Joseph came to town and interrupted me. Between 4 and 5 read the "Edinburgh Review" on Mill's British India, which is excellent [...] read with considerable attention some more of Hemsterhuis' "Sur la Divinite."'

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Serial / periodical

  

Immanuel Kant : 

From George Grote's diary, kept for his fiancee Harriet Lewin, Thursday 11 March 1819: 'Rose at 7. Breakfasted, and read Kant for a couple of hours [...] finished the evening with Kant.'

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

Immanuel Kant : 

From George Grote's diary, kept for his fiancee Harriet Lewin, Thursday 11 March 1819: 'Rose at 7. Breakfasted, and read Kant for a couple of hours [...] finished the evening with Kant.'

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

 : 'Franklin's Life'

From George Grote's diary, kept for his fiancee Harriet Lewin, Friday 12 March 1819: 'Read some of Franklin's Life in the evening.'

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

David Hume : Essay on the Academical Philosophy

From George Grote's diary, kept for his fiancee Harriet Lewin, Saturday 13 March 1819: 'Rose at 1/2 past 7, after a sleepless night. Read some of Hume's Essay on the Academical Philosophy [...] Between 4 and 5 read some more of Kant.'

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

Immanuel Kant : 

From George Grote's diary, kept for his fiancee Harriet Lewin, Saturday 13 March 1819: 'Rose at 1/2 past 7, after a sleepless night. Read some of Hume's Essay on the Academical Philosophy [...] Between 4 and 5 read some more of Kant.'

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

Immanuel Kant : 

From George Grote's diary, kept for his fiancee Harriet Lewin, Monday 22 March 1819: 'Rose at 6 [...] Read some of Kant for 1 hour ...] between 4 and 5 read some more of Kant; began to acquire a better idea of his doctrines than I had before [...] read Kant until 1/2 past 7, when I went to the "Crown and Anchor" to hear Coleridge's Lecture.'

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

Immanuel Kant : 

From George Grote's diary, kept for his fiancee Harriet Lewin, Wednesday 24 March 1819: 'Rose soon after 6. Read Kant, and breakfasted, until 9.'

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

Immanuel Kant : Prolegomena

From George Grote's diary, kept for his fiancee Harriet Lewin, Thursday 25 March 1819: 'Between 4 and 5 I read some of Kant's Prolegomena [...] went up to Palsgrave Place; drank tea with [Charles] Cameron; we conversed about Kant, and read some of Bentham upon Legislation.'

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

[n/a] : [newspaper]

Witness statement in trial for theft: George Patterson: 'Q. What were you doing there? A. I was reading the newspaper'

Century: 1800-1849     Reader/Listener/Group: George Patterson      Print: Newspaper

  

Immanuel Kant : 

From George Grote's diary, kept for his fiancee Harriet Lewin, Friday 26 March 1819: 'Rose at 6. Read and meditated Kant for some time [...] attempted to read some Kant in the evening, but found my eyes so weak that I was compelled to desist, and to think without book.'

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

Immanuel Kant : 

From George Grote's diary, kept for his fiancee Harriet Lewin, Friday 26 March 1819: 'Rose at 6. Read and meditated Kant for some time [...] attempted to read some Kant in the evening, but found my eyes so weak that I was compelled to desist, and to think without book.'

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

[n/a] : [newspaper]

Witness statement in trial for wounding: George Rogers: 'it was quite by accident I saw this affair in the newspaper, which made me attend here'

Century: 1800-1849     Reader/Listener/Group: George Rogers      Print: Newspaper

  

David Ricardo : 

From George Grote's diary, kept for his fiancee Harriet Lewin, Saturday 27 March 1819: 'George Norman appeared [...] Had some very interesting conversation about Ireland. After his departure I read a chapter in Ricardo's "Pol. Econ."'

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

 : Bell's Weekly Messenger (obituaries)

From the 1806-1840 Commonplace book of an unknown reader. 'From Bell's weekly Messenger, April 13 1834. "The late Rudolph Ackermann, Esqr, whose death we announced in our last weeks paper, was born at Schneeberg, in the Kingdom of Saxony, in 1764, and bred to the trade of a coach-builder...." Mr and Mrs Ackermann were my neighbours for the seven years I have lived at Finchley. CMG. April 16 1834. Finchley Common.'

Century: 1800-1849     Reader/Listener/Group: C.M.G. [anon]      Print: Newspaper

  

Pausanias  : 

From George Grote's Journal, 3 December 1822: 'Rose a little before 7. Read to the conclusion of Pausanias, being about 40 pages [...] Read some very interesting matter in the first volume of Goguet respecting the early arts, agriculture, baking, brewing [...] and clothes. This is far the best part of Goguet which I have yet seen.'

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

[n/a] : The Times

Witness statement in trial for theft: George Sweet: 'On the 15th Dec. I saw an advertisement in the Times Newspaper which I have here—(read "Horse for sale...)'

Century: 1800-1849     Reader/Listener/Group: George Sweet      Print: Advertisement, Newspaper

  

Goguet : 

From George Grote's Journal, 3 December 1822: 'Rose a little before 7. Read to the conclusion of Pausanias, being about 40 pages [...] Read some very interesting matter in the first volume of Goguet respecting the early arts, agriculture, baking, brewing [...] and clothes. This is far the best part of Goguet which I have yet seen.'

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

 : Gospel of St Luke, 23: 20-30

From the 1806-1840 Commonplace book of an unknown reader. '"Weep not for me ye daughters of Jerusalem" St Luke 23 Chapters 20 to 30'. Here follows a poem, by "CMG", dated March 26, 1834, Finchley which is clearly a reflection on the Biblical text.

Century: 1800-1849     Reader/Listener/Group: C.M.G. [anon]      Print: Book

  

Goguet : 

From George Grote's Journal, 4 December 1822: 'Rose at 6. Read Goguet on the different Arts until breakfast; after breakfast read some articles in Voltaire's Dictionn. Philosoph.'

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

Voltaire  : Dictionnaire [?philosophique]

From George Grote's Journal, 4 December 1822: 'Rose at 6. Read Goguet on the different Arts until breakfast; after breakfast read some articles in Voltaire's Dictionn. Philosoph.'

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

George Crabbe : The Mother's Funeral

From the 1806-1840 Commonplace book of an unknown reader. 'Then died lamented in the strength of life 1827 "Called not away, when time had loosed each hold/ On the fond heart, and each desire grew cold; / But when to all that knit us to our kind,/ He felt fast-bound, as Charity can bind..." Crabbe.'

Century: 1800-1849     Reader/Listener/Group: C.M.G. [anon]      Print: Book

  

Goguet : Dissertation on Sanchoniathon

From George Grote's Journal, 5 December 1822: 'Rose a little before 8. Read Goguet's Dissertation on Sanchoniathon; I do not think he has given the right reasonings about the genuineness or spuriousness of this author. Read also his Dissertation on the Book of Job, which I think poor. In the evening read 60 pages of Wolf's Proleg. in Homer, which I think very good.'

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

Goguet : Dissertation on the Book of Job

From George Grote's Journal, 5 December 1822: 'Rose a little before 8. Read Goguet's Dissertation on Sanchoniathon; I do not think he has given the right reasonings about the genuineness or spuriousness of this author. Read also his Dissertation on the Book of Job, which I think poor. In the evening read 60 pages of Wolf's Proleg. in Homer, which I think very good.'

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

Wolf : Proleg[omena] 'in Homer'

From George Grote's Journal, 5 December 1822: 'Rose a little before 8. Read Goguet's Dissertation on Sanchoniathon; I do not think he has given the right reasonings about the genuineness or spuriousness of this author. Read also his Dissertation on the Book of Job, which I think poor. In the evening read 60 pages of Wolf's Proleg. in Homer, which I think very good.'

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

Wolf : Proleg[omena] 'in Homer'

From George Grote's Journal, 6 December 1822: 'Continued the perusal of Wolf's Prolegomena, which contains very much instruction as to the literature and MSS. of antiquity. 'In the evening read some excellent articles in Volt. "Dict. Ph."; particularly articles Consequent and Democratic. Perused Wolf until bed-time.'

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

Voltaire  : Dictionnaire [?philosophique]

From George Grote's Journal, 6 December 1822: 'Continued the perusal of Wolf's Prolegomena, which contains very much instruction as to the literature and MSS. of antiquity. 'In the evening read some excellent articles in Volt. "Dict. Ph."; particularly articles Consequent and Democratic. Perused Wolf until bed-time.'

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

 : The Life of Thomas Sydenham M.D.

From the 1806-1840 Commonplace book of an unknown reader. Transcribed two pages starting '"Aug 3rd 1664. During the Plague which raged at that season Terror and apprehension now led the multitude into a thousand weak and absurd things...". This is attributed to 'Sydenham . M.D. Life of. Family Library.'

Century: 1800-1849     Reader/Listener/Group: C.M.G. [anon]      Print: Book

  

Wolf : Proleg[omena] 'in Homer'

From George Grote's Journal, 7 December 1822: 'Rose at 6. Read Wolf. My opinion of him not lessened; from some passages I think he is a Free- thinker, especially as to the Old Testament [...] Went on with Wolf until bed; I get on slowly with him, from taking constant notes.'

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

William Bray : Life of John Evelyn

From the 1806-1840 Commonplace book of an unknown reader. Transcribed a letter from 'Mr Evelyn to Mr Pepys, Wotton August 9 1700', beginning, 'The confirmation of your health under your own hand, and that I still live in your esteem revives me...'

Century: 1800-1849     Reader/Listener/Group: C.M.G. [anon]      Print: Book

  

[n/a] : [newspaper]

Witness statement in trial for treason: George Davis: 'Q. How came you to alter your mind? A. Through reading the newspaper this morning, and seeing the character the witness had yesterday, and 1 knew no one could bring such charges against me—it was from reading the account of the cross-examination of Powell—it occurred to me that he bore rather a bad character, and cut rather a bad figure—I did not want to bolster him up—I came to give the light evidence, because I thought the Jury would not believe Powell's statement to be true, as he bore such a bad character.'

Century: 1800-1849     Reader/Listener/Group: George Davis      Print: Newspaper

  

Anna Brownell Jameson : Diary of an Ennuyee

From the 1806-1840 Commonplace book of an unknown reader. Several pages are transcribed from the 'Diary of an Ennuyee'.

Century: 1800-1849     Reader/Listener/Group: C.M.G. [anon]      Print: Book

  

Wolf : Proleg[omena] 'in Homer'

From George Grote's Journal, 8 December 1822: 'Rose at 6. Finished Wolf's Proleg. [...] After breakfast set to upon Diod. Sicul., having previously cast my eye over Heyne's Dissent [...] Read Diod. until 2 o'clock -- about 35 pages, as I found it necessary to take down notes of considerable length.'

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

'Diod.' Siculus : 

From George Grote's Journal, 8 December 1822: 'Rose at 6. Finished Wolf's Proleg. [...] After breakfast set to upon Diod. Sicul., having previously cast my eye over Heyne's Dissent [...] Read Diod. until 2 o'clock -- about 35 pages, as I found it necessary to take down notes of considerable length.'

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

'Diod.' Siculus : 

From George Grote's Journal, 8 December 1822: 'Rose at 6. Finished Wolf's Proleg. [...] After breakfast set to upon Diod. Sicul., having previously cast my eye over Heyne's Dissent [...] Read Diod. until 2 o'clock -- about 35 pages, as I found it necessary to take down notes of considerable length.'

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

'Diod.' Siculus : 

From George Grote's Journal, 9 December 1822: 'Rose at 6. Employed all my reading-time this day upon Diodor., and got through 80 pages, taking notes. He seems a more sensible writer than I had expected. A few articles in the "Dictionn. Philos." filled up odd moments. The article on Miracles is admirable.'

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

Voltaire  : 'Miracles'

From George Grote's Journal, 9 December 1822: 'Rose at 6. Employed all my reading-time this day upon Diodor., and got through 80 pages, taking notes. He seems a more sensible writer than I had expected. A few articles in the "Dictionn. Philos." filled up odd moments. The article on Miracles is admirable.'

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

Dante Alighieri : Divina Commedia: Inferno

From the 1806-1840 Commonplace book of an unknown reader. Under title 'Naples, 1826', C.M.G. describes the city and (mis)quotes a line from Dante, "Inferno," Canto 7: "Qui vid'i gente, piu che altrove troppa..."

Century: 1800-1849     Reader/Listener/Group: C.M.G. [anon]      Print: Book

  

James Hogg : Queen Hynde

From the 1806-1840 Commonplace book of an unknown reader. C.M.G. transcribes, under title 'The Ettrick Shepherd, Queen Hynde' poem beginning 'As when, in ages long agone,/ The Sons of God before the throne / Of their almighty Father came...'. At end of poem is written 'Queen Hynde. Ettrick Shepherd - J. Hogg - Died 21 Nov 1835.'

Century: 1800-1849     Reader/Listener/Group: C.M.G. [anon]      Print: Book

  

Rev. J.E. Hankinson : St Paul at Philippi

From the 1806-1840 Commonplace book of an unknown reader. 'St Paul at Philippi, from the Seatonian Prize Poems. - By the Revd. J.E. Hankinson M. A. - 1833.' A poem beginning 'Twas a lone spot, that shrine of prayer!/ Some river nymph's deserted haunt/ Whose sacred springlet diamond clear/ Welled bubbling from its rocky front...' is then transcribed.

Unknown
Century: 1800-1849     Reader/Listener/Group: C.M.G. [anon]      

  

Hannah More : Essay on Saint Paul

From the 1806-1840 Commonplace book of an unknown reader. 'Mrs Hannah More says in her "Essay on Saint Paul," that he had the loftiness of Isaiah, the devotion of David, the pathos of Jeremiah, the vehemence of Ezekiel, the didactic gravity of Moses...' etc. Various other parts of the Essay are transcribed in the next 3 pages.

Unknown
Century: 1800-1849     Reader/Listener/Group: C.M.G. [anon]      

  

 : Salisbury Herald

From the 1806-1840 Commonplace book of an unknown reader. 'Approved remedies for Everyday Maladies. For a Fit of Passion. - Walk out in the open air, you may speak your mind to the wind and without hurting anyone, or proclaiming yourself to be a simpleton....[other maladies include A fit of Idleness, A Fit of Extravagance and Folly, a Fit of Ambition, a Fit of repining, a Fit of Despondency, and All Fits of Doubt Perplexity and Fear]. Salisbury Herald - John Bull, April 9th 1837.'

Century: 1800-1849     Reader/Listener/Group: C.M.G. [anon]      Print: Newspaper

  

 : Bible

From the 1806-1840 Commonplace book of an unknown reader. Notes are made on relationships in the Bible, e.g. two columns entitled 'Husband' and 'Wife' have below them Adam ---- Eve; Abram---Sarai...'

Century: 1800-1849     Reader/Listener/Group: C.M.G. [anon]      Print: Book

  

 : The Federalist

'[By 1837] American politics had for many years occupied Grote's attention, and engaged his sympathy. He was a great admirer of the "Federalist," the pages of which, he always declared, showed the highest qualities of philosophical statesmanship.'

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Serial / periodical

  

Richardson : unknown

From the 1806-1840 Commonplace book of an unknown reader. Transcribed: '"I compare marriage, even where there is no unhappiness, to a journey in a stage Coach, six passengers in it. Very uneasy do they sit at first, though they know by the number of places taken what they are to expect...' This is attributed to 'Richardson, Cor..t'

Unknown
Century: 1800-1849     Reader/Listener/Group: C.M.G. [anon]      

  

Bishop Middleton : Maxims

From the 1806-1840 Commonplace book of an unknown reader. 'Maxims of Bishop Middleton'. Various maxims follow, including 'Keep your temper', 'Employ leisure in study,' and [doubled underlined] 'remember the final account.'

Unknown
Century: 1800-1849     Reader/Listener/Group: C.M.G. [anon]      

  

 : John Bull Newspaper

From the 1806-1840 Commonplace book of an unknown reader. 'Copied from the John Bull Newspaper, Novr 19 1837. Speech of the Vicar, the Red Walter Farquer Hook D.D. at a meeting at Leeds, for the proposed enlargement of the Leeds Parish Church...'

Century: 1800-1849     Reader/Listener/Group: C.M.G. [anon]      Print: Newspaper

  

Comte : Traite de Philosophie Positive (vol. 3)

George Grote to Sir William Molesworth (c.1838-40): 'Have you read Comte's "Traite de Philosophie Positive," of which a third volume has just been published? It seems a work full of profound and original thinking [...] I am sorry to say, however, that I do not find in it the solution of those perplexities respecting the fundamental principles of geometry which I have never yet been able to untie to my own satisfaction. Nor can I at all tolerate the unqualified manner in which he strikes out morals and metaphysics from the list of positive sciences.'

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

Victor Cousin : Documens pour servir a l'Histoire de France

George Grote to Sir William Molesworth (c.1838-40): 'The other day at the Athenaeum I took up one of the volumes of the "Documens pour servir a l'Histoire de France," which I found to be the production of Victor Cousin, and to relate to the philosophy of the Middle Ages during the age of Abelard and Roscellinus. There are some clear and instructive reflections in it on the controversy of that day between the Nominalists and Realists.'

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

Immanuel Kant : Kritik der reinen Vernunft

George Grote to G. C. Lewis, September 1840: 'Since you departed from London, I have been reading some of Kant's "Kritik der reinen Vernunft," a book which always leads me into very instructive trains of metaphysical thought, and which I value exceedingly, though I am far from agreeing in all he lays down. I have also been looking into Plato's "Timaeus" and "Parmenides," and some of Locke, and have been writing down some of the thoughts generated in my mind by this philosophical melange.'

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

Plato  : Timaeus

George Grote to G. C. Lewis, September 1840: 'Since you departed from London, I have been reading some of Kant's "Kritik der reinen Vernunft," a book which always leads me into very instructive trains of metaphysical thought, and which I value exceedingly, though I am far from agreeing in all he lays down. I have also been looking into Plato's "Timaeus" and "Parmenides," and some of Locke, and have been writing down some of the thoughts generated in my mind by this philosophical melange.'

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

Plato  : Parmenides

George Grote to G. C. Lewis, September 1840: 'Since you departed from London, I have been reading some of Kant's "Kritik der reinen Vernunft," a book which always leads me into very instructive trains of metaphysical thought, and which I value exceedingly, though I am far from agreeing in all he lays down. I have also been looking into Plato's "Timaeus" and "Parmenides," and some of Locke, and have been writing down some of the thoughts generated in my mind by this philosophical melange.'

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

John Locke : 

George Grote to G. C. Lewis, September 1840: 'Since you departed from London, I have been reading some of Kant's "Kritik der reinen Vernunft," a book which always leads me into very instructive trains of metaphysical thought, and which I value exceedingly, though I am far from agreeing in all he lays down. I have also been looking into Plato's "Timaeus" and "Parmenides," and some of Locke, and have been writing down some of the thoughts generated in my mind by this philosophical melange.'

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

B. de St Hilaire : De la logique d'Aristote

George Grote to G. C. Lewis, 16 December 1840: 'I have been reading, and am still reading, B. de St. Hilaire, "De la Logique d'Aristotle.' I have been going through several parts of the Analyse which he gives, and comparing it with the original [...] The more I read of Aristote, the more I am impressed with profound admiration of the reach of thought which his works display. He is, however, excessively difficult, and the process of reading him is slow, almost to tediousness.'

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

Aristotle  : 

George Grote to G. C. Lewis, 16 December 1840: 'I have been reading, and am still reading, B. de St. Hilaire, "De la Logique d'Aristote.' I have been going through several parts of the Analyse which he gives, and comparing it with the original [...] The more I read of Aristotle, the more I am impressed with profound admiration of the reach of thought which his works display. He is, however, excessively difficult, and the process of reading him is slow, almost to tediousness.'

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

George Waddington : The History of the Reformation

'Early in 1841 Grote was called upon to add another duty to the already full catalogue, for his friend Dr. Waddington now entreated him to look through his ponderous and learned work, "The History of the Reformation," then preparing for publication! [...] True to the obligations of friendship, Grote immediately "set to," [a favourite expression of Grote's] upon his critical labours. It certainly was a sacrifice of time and thought to acquiesce in Waddington's modest request, and wade through those thick volumes: and I remember his making humorous observations upon his own disqualification -- I might add, his distaste -- for the task, which he regarded as lying outside his own familiar sphere of study. Nevertheless, the "History of the Reformation" was conscientiously scanned; letters and disquisitions on the subject frequently passing between the two friends.'

Unknown
Century: 1800-1849     Reader/Listener/Group: George Grote      

  

 : Italian grammar

'On the evening of our arrival at Verona, George said to me, "H, have you got an Italian grammar with you?" -- "Yes." -- "Because I want to look up the verbs." I handed the grammar to G., who quietly pored over it for the space of an hour or so.'

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

 : 'English comedies'

'Within a day or two of our arrival in Rome (which was on the 7th December, 1841) Grote engaged a master, in order to familiarise himself with the Italian tongue: to which end he translated, as best he could, English comedies into Italian, viva voce, for an hour daily.'

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

George Grote : A History of Greece (vols 1 and 2)

G. C. Lewis to George Grote, 5 April 1846: 'I cannot resist writing to express to you the satisfaction, as well as instruction, which I have gained from reading the two published volumes of your "History." You have succeeded completely in placing the whole question of the mythology and legendary narrations of the Greeks upon what I believe to be their true footing [comments further on text].'

Century: 1800-1849     Reader/Listener/Group: G. C. Lewis      Print: Book

  

George Grote : Letters from Switzerland

G. C. Lewis to George Grote, 5 November 1847: 'I received yesterday the volume on "Swiss Politics" which you were so good as to send me. I have since read it with great interest, and feel much indebted to you, both for having written the book, and having sent me a copy of it. The narrative is lucid and flowing, and the view taken of the whole series of events appears to me perfectly just and discriminating. It carries one back to the seventeenth century and seems to place one in the midst of the Thirty Years' War.'

Century: 1800-1849     Reader/Listener/Group: G. C. Lewis      Print: Book

  

Lord Hervey : Memoirs

George Grote to G. C. Lewis, 22 January 1849: 'I have recently read Lord Hervey's Memoirs, on the recommendation of a friend. If you have not read them I recommend them to your notice, for they really afford the best expose of the real interior of a court which I ever happened to light upon, resting, too, upon evidence which seems above all suspicion.'

Century: 1800-1849     Reader/Listener/Group: George Grote      Print: Book

  

Abbe St Pierre : Annees Politiques

George Grote to G. C. Lewis, 30 September 1852: 'Neither the work of Beaufort sur l'Histoire Romaine -- nor the works of the Abbe St. Pierre -- are to be got in Paris [...] I was directed by the concurrent advice of several of the booksellers, to apply to one of their fraternity named Guillemot, on the Quai des Augustins [...] He told me, that within the last two years, he had had a copy of both; that they were rare, and never turned up except by accident -- but were still not unobtainable. He procured for me one work of the Abbe St. Pierre, in two volumes, small octavo, entitled "Annees Politiques;" which I will send you on the first opportunity. I have read it myself, with great interest and instruction. It contains a sort of annalistic review of each separate year of the Abbe's life -- 1658 to 1730; and exhibits a degree of knowledge, beneficent views, and power of original thought, which impress me with a very high esteem for the author -- whom I before knew only by name.'

Century: 1850-1899     Reader/Listener/Group: George Grote      Print: Book

  

Stephens : 'Book of the Farm'

'The farm [a family property] in Lincolnshire consumed a vast deal of our time all through [...] 1853 [...] Grote worked at intervals even at the farm [...] the operations of husbandry were not without a certain "bucolic" attraction for him; the rather as he studied Stephens's "Book of the Farm" with regularity, even taking interest in the theory of cultivation, involving as it did a touch of [italics]science[end italics].'

Century: 1850-1899     Reader/Listener/Group: George Grote      Print: Book

  

John Stuart Mill : Article on George Grote's History of Greece

George Grote to Harriet Grote (wife), 14 October 1853: 'I immediately sent for the "Edinburgh Review," and have read [italics]the[end italics] article with much satisfaction and even delight. 'It seems to me executed in John's best manner [...] It is certainly complimentary to me, in a measure which I fear will bring down upon me the hand of the reactionary Nemesis.'

Century: 1850-1899     Reader/Listener/Group: George Grote      Print: Serial / periodical

  

William Smith : Article on George Grote's History of Greece

'In the course of the summer of this year [1856] an article appeared in the pages of the "Quarterly Review," upon Mr. Grote's "History of Greece," taken collectively as a complete work. 'Among the numerous tributes which flowed in upon the author after the publication of the final volume, I recollect his being unusually impressed by the perusal of this paper in the "Quarterly." Not only at the time, but on repeated occasions, would he avow the lively satisfaction he had derived from perceiving how thoroughly his views and arguments had been understood.'

Century: 1850-1899     Reader/Listener/Group: George Grote      Print: Serial / periodical

  

 : Life of Daunou

George Grote to John Stuart Mill (October 1857): 'I send you Thomas's book on the provincial administration of La Bourgogne [...] I also send another book, which I got from the London Library -- the Life of Daunou. It interested me very much, as the history of one of the most intelligent, consistent, and patriotic among the conventionnels -- who is hardly known (by name even) among Englishmen [comments further on text].'

Century: 1850-1899     Reader/Listener/Group: George Grote      Print: Book

  

W. Humboldt : 

George Grote to John Stuart Mill (October 1857): 'I have looked at W. Humboldt's book: it is written in a very excellent spirit, and deserves every mark of esteem for the frankness with which it puts forward free individual development as an end, also for the low comparative estimate which it gives of passive imitation and submission.'

Century: 1850-1899     Reader/Listener/Group: George Grote      Print: Book

  

G. C. Lewis : articles on ancient history

George Grote to G. C. Lewis, 12 October 1857: 'I have received and perused your three numbers of "Notes and Queries;" which is an agreeable collection of matters to read when one comes across it, though I do not habitually take it in. 'Your remarks upon Niebuhr's description of Pyrrhus are most just and instructive, and the exposure of his inaccuracies complete [comments further].'

Century: 1850-1899     Reader/Listener/Group: George Grote      Print: Serial / periodical

  

 : Notes and Queries

George Grote to G. C. Lewis, 12 October 1857: 'I have received and perused your three numbers of "Notes and Queries;" which is an agreeable collection of matters to read when one comes across it, though I do not habitually take it in. 'Your remarks upon Niebuhr's description of Pyrrhus are most just and instructive, and the exposure of his inaccuracies complete [comments further].'

Century: 1850-1899     Reader/Listener/Group: George Grote      Print: Serial / periodical

  

Donaldson : 

George Grote to G. C. Lewis, 21 October 1858 'The day before yesterday I got Donaldson's book, the completion of Muller's "Greek Literature." I have only had time to turn over the pages; but, as far as I can judge from this cursory view, it appears a truly learned and comprehensive work. I think it will be a great addition to every classical library.'

Century: 1850-1899     Reader/Listener/Group: George Grote      Print: Book

  

 : 

'Early in December [1858] we removed, with our household, to "The Priory" at Reigate, belonging to Earl Somers [...] we were glad to enjoy the repose and seclusion which the place afforded. A huge library, filled with old books, formed an attractive feature in "The Priory," and many a spare hour was passed by Grote in exploring its treasures, perched upon the steps of the lofty ladder, candle in hand.'

Century: 1850-1899     Reader/Listener/Group: George Grote      Print: Book

  

Degerando : Histoire des systemes de philosophie

'While we were [visiting] at Harpton Court, passing one forenoon in Mr. Grote [husband]'s dressing-room, I asked him (as was my wont to do), "What are you reading there, George?" '"I am studying Degerando's 'Histoire des Systemes de Philosophie," and here is something which it will amuse [italics]you[end italics] to read (handing me the book). 'I looked through the passage, and then enjoyed a hearty laugh over it, along with the Historian [Grote].'

Century: 1850-1899     Reader/Listener/Group: George Grote      Print: Book

  

John Stuart Mill : articles 'upon the Principles of Utility'

George Grote to John Stuart Mill (January 1862): 'I have just been reading your three articles in "Fraser's Magazine," upon the Principle of Utility, having waited until I could peruse them all de suite. I consider the essay altogether a most useful and capital performance.'

Century: 1850-1899     Reader/Listener/Group: George Grote      Print: Serial / periodical

  

G. C. Lewis : 'book of Ancient Astronomy'

George Grote to G. C. Lewis, 9 February 1862: 'I ought before this to have written to thank you for your book of Ancient Astronomy. But I delayed doing so until I had read the book through; and having now done so, I can perform the task with more satisfaction. I can say, without the least exaggeration, that it is a truly useful and instructive exposition [...] You deserve every compliment for the example which you set of always producing authorities and giving copious references. 'Your chapters on the AEgyptian [sic] and Assyrian interpretations are also exceedingly valuable. I never knew so much about the Egyptian [sic] matters before.'

Century: 1850-1899     Reader/Listener/Group: George Grote      Print: Book

  

Irving : pamphlet on mythology and the human mind

George Grote to G. C. Lewis, 6 November 1862: 'I send you herewith a letter and pamphlet which was forwarded to me by an unknown correspondent. I read the pamphlet with much interest, and think you will be pleased with it also. Mr. Irving is right in saying that his narrative illustrates very forcibly the myth-creating propensities of the human mind'.

Century: 1850-1899     Reader/Listener/Group: George Grote      

  

Colenso : 

George Grote to G. C. Lewis, 6 November 1862: 'I suppose you have read Colenso's book. It is certainly singular to see a bishop applying the historical principles of Sir George Lewis to the narrative of the Old Testament [...] Among the most interesting parts of the book are the extracts given from the most orthodox expositors: the artifices by which they slur over or blot out contradictions.'

Century: 1850-1899     Reader/Listener/Group: George Grote      Print: Book

  

G. C. Lewis : 'Egyptological pamphlet'

George Grote to G. C. Lewis, 29 December 1862: 'Your Egyptological pamphlet is a very ingenious jeu d'esprit, and the general observations contained in the first pages of it are very instructive: the citations which you give out of Niebuhr are curious.'

Century: 1850-1899     Reader/Listener/Group: George Grote      

  

Bain : article

George Grote to 'Mr Bain,' 4 Septemberr 1868: 'In coming down here [Long Bennington] yesterday, I read the September number of the "Fortnightly," seeing by the advertisement that it contained an article by you. I read it with very great pleasure: it seems to me most excellent; it is the lecture (apparently) that I did [italics]not[end italics] hear last May at the Royal Institution. The same number contained also an admirable article upon the Science of History, written with great ability, and in the best spirit, by an American author, whose name I never heard before -- John Fiske [comments further on article] [...] There was also another good article in the same number -- on John Wilkes.'

Century: 1850-1899     Reader/Listener/Group: George Grote      Print: Serial / periodical

  

John Fiske : article on 'the Science of History'

George Grote to 'Mr Bain,' 4 Septemberr 1868: 'In coming down here [Long Bennington] yesterday, I read the September number of the "Fortnightly," seeing by the advertisement that it contained an article by you. I read it with very great pleasure: it seems to me most excellent; it is the lecture (apparently) that I did [italics]not[end italics] hear last May at the Royal Institution. The same number contained also an admirable article upon the Science of History, written with great ability, and in the best spirit, by an American author, whose name I never heard before -- John Fiske [comments further on article] [...] There was also another good article in the same number -- on John Wilkes.'

Century: 1850-1899     Reader/Listener/Group: George Grote      Print: Serial / periodical

  

 : article on John Wilkes

George Grote to 'Mr Bain,' 4 Septemberr 1868: 'In coming down here [Long Bennington] yesterday, I read the September number of the "Fortnightly," seeing by the advertisement that it contained an article by you. I read it with very great pleasure: it seems to me most excellent; it is the lecture (apparently) that I did [italics]not[end italics] hear last May at the Royal Institution. The same number contained also an admirable article upon the Science of History, written with great ability, and in the best spirit, by an American author, whose name I never heard before -- John Fiske [comments further on article] [...] There was also another good article in the same number -- on John Wilkes.'

Century: 1850-1899     Reader/Listener/Group: George Grote      Print: Serial / periodical

  

Edward Gibbon : 

From Harriet Grote's diary (1868): 'Mr. Grote [husband] said he had, in the course of the last few months, taken down Gibbon's work and read occasionally therein; and, he added, he had been penetrated with admiration of the exactitude and fidelity of the references [...] Grote had tested Gibbon's trustworthiness, on several points, by reference to ancient writers, and invariably found his statements correct and candid. Dr. William Smith said that he too had compared the references in Gibbon with the works cited, and that he was affected by the same feeling of respect and admiration [comments further on George Grote's enthusiasm for Gibbon].'

Century: 1850-1899     Reader/Listener/Group: George Grote      Print: Book

  

anon ('ancient writers')  : 

From Harriet Grote's diary (1868): 'Mr. Grote [husband] said he had, in the course of the last few months, taken down Gibbon's work and read occasionally therein; and, he added, he had been penetrated with admiration of the exactitude and fidelity of the references [...] Grote had tested Gibbon's trustworthiness, on several points, by reference to ancient writers, and invariably found his statements correct and candid. Dr. William Smith said that he too had compared the references in Gibbon with the works cited, and that he was affected by the same feeling of respect and admiration [comments further on George Grote's enthusiasm for Gibbon].'

Century: 1850-1899     Reader/Listener/Group: George Grote      Print: Book

  

Sir William Gomm : Annotations to George Grote, A History of Greece (vols 1-5)

'Sir William Gomm served for some time in India, and indeed had been commander of the forces there. Being at Simla, he occupied himself with the study of Grote's "History of Greece," having got hold of the first five volumes. He was so absorbed in the book, that he made copious notes upon portions of it; which I have since had the privilege of reading, and Mr. Grote also looked through them. The observations and comments indicate an attentive following of the author's text, especially in connection with the military incidents, on which Sir W.'s remarks are pertinent and even instructive.'

Century: 1800-1849 / 1850-1899     Reader/Listener/Group: George Grote      

  

 : Le Siecle

'We left Metz on the 7th of September [1869], and "made" direct for Paris. It happened that, before starting for the railway station, we got hold of two Paris journaux -- "Le Siecle" and "The Tribune." Our astonishment was mutual at the altered tone of these papers. "Why, bless me! H.," cried George, "here are these French papers talking the freest language. I cannot understand how it comes to pass that, all at once, the press should break forth in such unwonted style!" "Well," replied I, "we shall know more about it when we get to Paris, I suppose."' 'When we arrived there, sure enough we found a wonderful state of things. None of my readers needs to learn at this time of day, from my pen, what were the circumstances under which the democratic sentiment found a vent in the autumn of 1869.'

Century: 1850-1899     Reader/Listener/Group: George Grote      Print: Newspaper

  

 : Tribune

'We left Metz on the 7th of September [1869], and "made" direct for Paris. It happened that, before starting for the railway station, we got hold of two Paris journaux -- "Le Siecle" and "The Tribune." Our astonishment was mutual at the altered tone of these papers. "Why, bless me! H.," cried George, "here are these French papers talking the freest language. I cannot understand how it comes to pass that, all at once, the press should break forth in such unwonted style!" "Well," replied I, "we shall know more about it when we get to Paris, I suppose."' 'When we arrived there, sure enough we found a wonderful state of things. None of my readers needs to learn at this time of day, from my pen, what were the circumstances under which the democratic sentiment found a vent in the autumn of 1869.'

Century: 1850-1899     Reader/Listener/Group: George Grote      Print: Newspaper

  

 : anti-Empire articles

'We remained in Paris from 8th September [1869] to the 18th. The effect of the daily articles against the Empire, which Grote devoured with avidity, of course, appeared to me to be more beneficial to his health and spirits than anything he had yet tried. He used to go out and buy a heap of these trashy diatribes every day, bringing in an armful to our apartment at Meurice's [...] moreover, I own to having spent much time over the "trash" in question, myself.'

Century: 1850-1899     Reader/Listener/Group: George Grote      Print: Newspaper, Unknown

  

 : 'treatises of medieval authors'

'We proceeded to Chatsworth on the 13th of August [1870] -- that is to say, to the "Edensor Inn," hard by [...] Lady Eastlake joining us on the same day, from London, we all profited by the good offices of Sir James Lacaita to pass our mornings, at our ease, within the walls of that palatial residence. We three ladies naturally betook ourselves to the art department [...] The Historian [George Grote, author's husband], meanwhile, would plant himself comfortably in the vast library, poring upon some rare, and even to [italics]him[end italics], unknown treatises of medieval authors, in Latin, which Lacaita would select as the very "morceaux" for his learned friend's delectation.'

Unknown
Century: 1850-1899     Reader/Listener/Group: George Grote      

  

 : 'the black penitent'

Harriet Cavendish to unknown recipient (c.1796): 'G. is very much interested in the "black penitent" and is now reading it in the window in mamma's little room.'

Century: 1700-1799     Reader/Listener/Group: Lady Georgina Cavendish      Print: Book

  

 : 

Lady Harriet Cavendish to her grandmother, the Countess Dowager Spencer, 8 August 1807: 'George's reading goes on prosperously and Georgiana is the quickest little creature that ever was met with, but Caroline remains on my knee sometimes (to the credit of the patience of both aunt and niece) with b a, b e, before us, till I hardly know them better than she does, and my sister, who is a great instructress, must have great talents for teaching if she makes anything of her.'

Century: 1800-1849     Reader/Listener/Group: George Howard      Print: Book

  

Anne Isabella Milbanke : 'Lines Supposed to be Spoken at the Grave of Dermody' and other verses

'In 1809 [Anne Isabella Milbanke] wrote the Lines supposed to be spoken at the Grave of Dermody. It is one of the earliest of her compositions extant [goes on to quote 11 lines from poem, beginning with "Degraded genius! o'er the untimely grave / In which the tumults of thy breast were still'd, / The rank weeds wave...."] [...] These, with some other verses, were sent to Byron for his opinion, in 1812, by Annabella's cousin-by-marriage, Lady Caroline Lamb. He liked the Dermody lines "so much that I could wish they were in rhyme."'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Manuscript: Unknown

  

Edmund Spenser : Faerie Queene

'C.E. Stansfield read a paper on Ed. Spenser & his times & the Faerie Queene. Readings were given by Mrs Reynolds, Mrs Edminson & H.M. Wallis'.

Century: 1900-1945     Reader/Listener/Group: Henry Marriage Wallis      Print: Book

  

George Meredith : 

'Geo Meredith's Diana of the Crossways was the subject of the evening. H.M. Wallis read an essay on the work of Geo Meredith as a whole & also two pieces of his poetry. This gave rise to considerable discussion. W.J. Rowntree gave a resume of Diana of the Crossways illustrated by copious extracts from the book & other members also read from the book & his poems'.

Century: 1900-1945     Reader/Listener/Group: Henry Marriage Wallis      Print: Book

  

Henry Marriage Wallis : [paper on Meredith's works]

'Geo Meredith's Diana of the Crossways was the subject of the evening. H.M. Wallis read an essay on the work of Geo Meredith as a whole & also two pieces of his poetry. This gave rise to considerable discussion. W.J. Rowntree gave a resume of Diana of the Crossways illustrated by copious extracts from the book & other members also read from the book & his poems'.

Century: 1900-1945     Reader/Listener/Group: Henry Marriage Wallis      Manuscript: Unknown

  

George Meredith : [two poems]

'Geo Meredith's Diana of the Crossways was the subject of the evening. H.M. Wallis read an essay on the work of Geo Meredith as a whole & also two pieces of his poetry. This gave rise to considerable discussion. W.J. Rowntree gave a resume of Diana of the Crossways illustrated by copious extracts from the book & other members also read from the book & his poems'.

Century: 1900-1945     Reader/Listener/Group: Henry Marriage Wallis      Print: Book

  

John Keats :  Isabella; or, The Pot of Basil

'Mrs Smith then read an interesting biography of Keats which was followed by a reading of "I stood tiptoe upon a little hill" by Helen Rawlings. Howard R. Smith read from Endymion & Mrs Ridges the Ode to a Nightingale. Alfred Rawlings read a paper upon the poetry of Keats & Mrs Edminson some of the sonnets & H.M. Wallis a portion of "Isabella".'

Century: 1900-1945     Reader/Listener/Group: Henry Marriage Wallis      Print: Book

  

Joseph Blacket : poetry

'The only link of which [Byron] was at this time [1811-12] conscious between him and Miss [Anne Isabella] Milbanke was his acquaintance with Joseph Blacket's poetry and fate. He thought slightingly of the poetry, as she was to learn; and not less slightingly of the patronage [from the Milbanke family] which, in his view, had done the poor young cobbler more harm than good.'

Unknown
Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      

  

Erasmus Darwin : article 'on Diseased Volition'

'[Byron] was reading an article by [Erasmus] Darwin on Diseased Volition (a semi-anticipation of Freud) and pointed out to her [Anne Isabella, his wife] a passage upon the patient's making a mystery of the diseased association, "which if he could be persuaded to divulge, the effect would cease." Acting upon this hint from Darwin, and from him, she led him on to speak of his infirmity [i.e. his club foot]. He came to talk familiarly of his "little foot" (as he called it) and said that some allowance must surely be made to him on the Day of Judgment, that he had often wanted to revenge himself on Heaven for it.'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Unknown

  

 : Punch

'W.S. Rowntree then read a very interesting paper on four Punch artists which was followed by readings from Punch of a very varied nature by S. A. Reynolds, Miss J. Heelas, H.M. Wallis, H.R. Smith, Helen Rawlings, C.E. Stansfield & A. Rawlings'.

Century: 1900-1945     Reader/Listener/Group: Henry Marriage Wallis      Print: Serial / periodical

  

Henry Mackenzie : The Man of Feeling

The whole three are sitting sewing in the most peaceful manner at my hand: our Mother has been reading the Man of Feeling and my last Paper (with great estimation) in the Edinburgh Review.

Century: 1800-1849     Reader/Listener/Group: Margaret Carlyle      Print: Book

  

Thomas Carlyle : State of German Literature

The whole three are sitting sewing in the most peaceful manner at my hand: our Mother has been reading the Man of Feeling and my last Paper (with great estimation) in the Edinburgh Review.

Century: 1800-1849     Reader/Listener/Group: Margaret Carlyle      Print: Serial / periodical

  

George Gordon Lord Byron : Cain

Harriet Countess Granville to her sister, Lady Georgiana Morpeth, 1 January 1822: 'I think "Cain" most wicked, but not without feeling or passion. Parts of it are magnificent, and the effect of Granville [husband] reading it out loud to me was that I roared [i.e. wept] till I could neither hear nor see. The scene, too, in "Sardanapalus" where Myrrha says "Oh, frown not on me," and the speech, "Why do I love this man?" I think beautiful and affecting.'

Century: 1800-1849     Reader/Listener/Group: Granville Leveson Gower      Print: Book

  

 : French newspapers

Harriet Countess Granville to her sister, Lady Georgiana Morpeth, from The Hague, 22 April 1824: 'Here is again the most delicious spring weather. I wish you could see us in my little boudoir, the window open, Granville [husband] reading the French papers in the green armchair you may remember in Bruton Street.'

Century: 1800-1849     Reader/Listener/Group: Granville Leveson Gower      Print: Newspaper

  

Samuel Dill : Roman Society from Nero to Marcus Aurelius

'H.M Wallis ably reviewed Dill's Social Life in the Roman Empire & much discussion followed'.

Century: 1900-1945     Reader/Listener/Group: Henry Marriage Wallis      Print: Book

  

Henry Marriage Wallis : [paper on English ballads]

'The subject of the evening - 'English Ballads' - was then discussed in two papers, by F.J. Edminson & H.M. Wallis, and illustrated by readings recitations & songs. Recitations were given by Rosamund Wallis & Mrs Ridges. Readings by H.M. Wallis, Mrs Smith & Mrs Edminson'

Century: 1900-1945     Reader/Listener/Group: Henry Marriage Wallis      Manuscript: Unknown

  

 : [either an English ballad or text about ballads]

'The subject of the evening - 'English Ballads' - was then discussed in two papers, by F.J. Edminson & H.M. Wallis, and illustrated by readings recitations & songs. Recitations were given by Rosamund Wallis & Mrs Ridges. Readings by H.M. Wallis, Mrs Smith & Mrs Edminson'

Century: 1900-1945     Reader/Listener/Group: Henry Marriage Wallis      Print: Book

  

Thomas Hardy : [minor poems]

'The programme on Thos Hardy & his works was as follows Mr Binns read an interesting account of the author's life & H.M. Wallis one on the minor poems. F.E. Reynolds read selections from Tess & S.A. Reynolds from Under the Greenwood Tree'.

Century: 1900-1945     Reader/Listener/Group: Henry Marriage Wallis      Print: Book

  

Henry Marriage Wallis : [paper on Thomas Hardy]

'The programme on Thos Hardy & his works was as follows Mr Binns read an interesting account of the author's life & H.M. Wallis one on the minor poems. F.E. Reynolds read selections from Tess & S.A. Reynolds from Under the Greenwood Tree'.

Century: 1900-1945     Reader/Listener/Group: Henry Marriage Wallis      Manuscript: Unknown

  

 : [a parody]

'The programme on parodies consisted of a paper by H.M. Wallis & C.I. Evans & readings by Miss Marriage, Mrs Evans, C.I. Evans, W. Binns, H.M. Wallis & Helen Rawlings'.

Century: 1900-1945     Reader/Listener/Group: Henry Marriage Wallis      Print: Book

  

Sir Gilbert Eliot, first Earl Minto : poems

Friday, 23 December 1825: 'Sir Gilbert [the first Earl Minto] was indeed a man among a thousand. I knew him very intimately at the beginning of the century [...] He loved the Muses and worshipd them in secret and used to read some of [his] poetry which was but middling. One upon a walk with his lady which involved certain conclusions (most delicately couchd) but which it is not usual to allude [to].'

Unknown
Century: 1800-1849     Reader/Listener/Group: Sir Gilbert Eliot, first Earl Minto      

  

 : [example of Vers de Societe]

'The subject of the evening Vers de Societe was introduced by H.M. Wallis & illustrative readings from various authors were given by H.M. Wallis, C.E. Stansfield, C.J [?]. Evans, H.R. Smith, J.J. Cooper, A. Rawlings & others'.

Century: 1900-1945     Reader/Listener/Group: Henry Marriage Wallis      Print: Book

  

Henrik Ibsen : Peer Gynt

'The programme on Ibsen's work was opened by a reading on Peer Gynt by Helen Rawlings from P.H. Wicksteed's book on Ibsen. Kathleen Rawlings sang a song from Peer Gynt composed by Grieg. Helen & Margery Rawlings & the Secretary gave readings & Kathleen Rawlings another song from the same play. F.J. Edminson gave a few biographical details of Ibsen & a synopsis of the plot of the Doll's House followed by a reading from the play. Miss Marriage, H.M Wallis, W.S. Rowntree & Percy Kaye took part in a reading from Pillars of Society'.

Century: 1900-1945     Reader/Listener/Group: Margery Rawlings      Print: Book

  

George Bernard Shaw : Doctor's Dilemma, The

'The programme on G. Bernard Shaw & his work was then entered upon by C.E. Stansfield reading a paper on the man & his work. H.M. Wallis gave a reading from "The Doctor's Dilemma" & next F.J. Edminson, W.S. Rowntree & Percy Kaye a part reading from "Man & Superman" & C.I. Evans completed the programme by reading in the Introduction to Fabian Essays'.

Century: 1900-1945     Reader/Listener/Group: Henry Marriage Wallis      Print: Book

  

Henry Marriage Wallis : [paper on historical setting of Browning's 'Sordello']

'Browning's Sordello was introduced by some prefatory notes by H.M. Wallis read by E.E. Unwin. H.M. Wallis then read a paper describing the historical setting of the poem. Selections were read by Miss Marriage and C.I. Evans'.

Century: 1900-1945     Reader/Listener/Group: Henry Marriage Wallis      Manuscript: Unknown

  

Robert Browning : Sordello

'Browning's Sordello was introduced by some prefatory notes by H.M. Wallis read by E.E. Unwin. H.M. Wallis then read a paper describing the historical setting of the poem. Selections were read by Miss Marriage and C.I. Evans'.

Century: 1900-1945     Reader/Listener/Group: Henry Marriage Wallis      Print: Book

  

Robert Browning : Evelyn Hope

'A series of more or less five minutes essays or talks on various aspects of Browning by the folowing members were then given. viz C.I. Evans, E.E. Unwin, W.S. Rowntree, E.A. Smith, H.R. Smith & A. Rawlings. Mrs Robson, E.E. Unwin, & Kathleen Rawlings contributed songs & Margery Rawlings read Evelyn Hope'.

Century: 1900-1945     Reader/Listener/Group: Margery Rawlings      Print: Book

  

Bronte : 

'J.J. Cooper introduced the subject of the Brontes with some excellent biographical notes & readings were given from the sisters' works by S.A. Reynolds, H.M. Wallis. C.I. Evans, Helen & Janet Rawlings & the secretary'.

Century: 1900-1945     Reader/Listener/Group: Henry Marriage Wallis      Print: Book

  

 : [works by and about Tolstoy]

'Mrs Unwin then read a biography of Leo Tolstoi. C.I. Evans then dealt with him as a schoolmaster - H.M. Wallis as a literary artist & R.H. Robson summarised the message of Tolstoi.'

Century: 1900-1945     Reader/Listener/Group: Henry Marriage Wallis      Print: Book

  

 : [works by and about Tolstoy]

'Mrs Unwin then read a biography of Leo Tolstoi. C.I. Evans then dealt with him as a schoolmaster - H.M. Wallis as a literary artist & R.H. Robson summarised the message of Tolstoi.'

Century: 1900-1945     Reader/Listener/Group: Reginald Robson      Print: Book

  

Oliver Wendell Holmes : Professor at the Breakfast Table, The

'The Life & Works of Oliver W. Holmes were then dealt with. John J. Cooper read an interesting biographical paper, concluding with a reading "Latter Day Warnings" for The Autocrat. Mrs Robson a reading from "The Poet at the Bt table" Mrs Evans [ditto marks] from "Elsie Venner" R.H. Robson read a paper dealing with the characters of "The Professor at the Bt table". The paper was illustrated by well selected readings from the book - making a most interesting communication. C.I. Evans read "The Chambered Nautilus" & "The Wonderful One-hoss Shay".'

Century: 1900-1945     Reader/Listener/Group: Reginald Robson      Print: Book

  

Reginald Robson : [paper on Holmes's 'the Professor at the Breakfast Table']

'The Life & Works of Oliver W. Holmes were then dealt with. John J. Cooper read an interesting biographical paper, concluding with a reading "Latter Day Warnings" for The Autocrat. Mrs Robson a reading from "The Poet at the Bt table" Mrs Evans [ditto marks] from "Elsie Venner" R.H. Robson read a paper dealing with the characters of "The Professor at the Bt table". The paper was illustrated by well selected readings from the book - making a most interesting communication. C.I. Evans read "The Chambered Nautilus" & "The Wonderful One-hoss Shay".'

Century: 1900-1945     Reader/Listener/Group: Reginald Robson      Manuscript: Unknown

  

Henry Marriage Wallis : [Paper on A.R. Wallace's scientific writings]

'The Meeting then considered the Life & Works of Alfred Russel Wallace. Walter S. Rowntree gave us an account of Wallace's life from the autobiography reading a number of well chosen extracts. This was followed by a paper from Henry M. Wallis on his scientific work and one from Mrs Smith on his psychical work.'

Century: 1900-1945     Reader/Listener/Group: Henry Marriage Wallis      Manuscript: Unknown

  

Alfred Russel Wallace : [scientific writings]

'The Meeting then considered the Life & Works of Alfred Russel Wallace. Walter S. Rowntree gave us an account of Wallace's life from the autobiography reading a number of well chosen extracts. This was followed by a paper from Henry M. Wallis on his scientific work and one from Mrs Smith on his psychical work.'

Century: 1900-1945     Reader/Listener/Group: Henry Marriage Wallis      Print: Book

  

William Makepeace Thackeray : Roundabout Papers

'The evening was given over to the consideration of Thackeray. A paper by J.J. Cooper was read by Miss Marriage followed by readings from his works Charles E. Stansfield from Pendennis Charles I. Evans from Newcomes Mrs W.H. Smith from Vanity Fair H.M Wallis from Roundabout Papers H.R. Smith from Esmond'.

Century: 1900-1945     Reader/Listener/Group: Henry Marriage Wallis      Print: Book

  

?Pierson : 

Harriet, Countess Granville, to her sister, Lady Carlisle, 4 September 1834: 'Our host at the inn at Avignon, a poet and a very gentlemanlike man, gave me the enclosed translation. Granville [husband] read the original out loud, which is beautiful, and Monsieur Pierson has meant better than executed.'

Unknown
Century: 1800-1849     Reader/Listener/Group: Granville Leveson Gower      

  

Richard Jefferies : 

'The evening was then devoted to Richard Jefferies - Poet-Naturalist. Ernest E. Unwin read a paper dealing with his life & the main aspects of his work. In this it was shown how the changes in environment & in health affected the style of his writings & an attempt was made to give a critical appreciation of his work. This was helped by numerous readings given by H.M. Wallis, Rosamund Wallis, C.I. Evans, Ursula D. Unwin, Howard R. Smith, & Ernest E. Unwin'.

Century: 1900-1945     Reader/Listener/Group: Henry Marriage Wallis      Print: Book

  

Miguel de Cervantes : 

'The evening was then devoted to the consideration of Cervantes - his life & work. C.E. Stansfield read a paper & readings were given by Mrs Rawlings, Alfred Rawlings, Mrs Evans, Mr Robson & Mrs Robson'.

Century: 1900-1945     Reader/Listener/Group: Reginald Robson      Print: Book

  

Henry Newbolt : Vitai Lampada

'The evening was then given up to the consideration of three modern poets. Alfred Noyes. A paper by Mrs Unwin with readings from his works. Henry Newbolt. A paper by C.E. Stansfield with readings Clifton Chapel C.I. Evans Vitai Lampada H.M. Wallis A Ballad of John Nicholson A. Rawlings The Vigil Mrs Robson & two songs. Drake's Drum & the Old Superb Mr Unwin. (3) Rupert Brooke a paper by R.H. Robson with readings by Mrs Rawlings Mrs Evans Mrs Robson & R.H. Robson'

Century: 1900-1945     Reader/Listener/Group: Henry Marriage Wallis      Print: Book

  

Rupert Brooke : 

'The evening was then given up to the consideration of three modern poets. Alfred Noyes. A paper by Mrs Unwin with readings from his works. Henry Newbolt. A paper by C.E. Stansfield with readings Clifton Chapel C.I. Evans Vitai Lampada H.M. Wallis A Ballad of John Nicholson A. Rawlings The Vigil Mrs Robson & two songs. Drake's Drum & the Old Superb Mr Unwin. (3) Rupert Brooke a paper by R.H. Robson with readings by Mrs Rawlings Mrs Evans Mrs Robson & R.H. Robson'

Century: 1900-1945     Reader/Listener/Group: Reginald Robson      Print: Book

  

Rupert Brooke : 

'The evening was then given up to the consideration of three modern poets. Alfred Noyes. A paper by Mrs Unwin with readings from his works. Henry Newbolt. A paper by C.E. Stansfield with readings Clifton Chapel C.I. Evans Vitai Lampada H.M. Wallis A Ballad of John Nicholson A. Rawlings The Vigil Mrs Robson & two songs. Drake's Drum & the Old Superb Mr Unwin. (3) Rupert Brooke a paper by R.H. Robson with readings by Mrs Rawlings Mrs Evans Mrs Robson & R.H. Robson'

Century: 1900-1945     Reader/Listener/Group: Reginald Robson      Print: Book

  

Reginald Robson : [paper on Rupert Brooke]

'The evening was then given up to the consideration of three modern poets. Alfred Noyes. A paper by Mrs Unwin with readings from his works. Henry Newbolt. A paper by C.E. Stansfield with readings Clifton Chapel C.I. Evans Vitai Lampada H.M. Wallis A Ballad of John Nicholson A. Rawlings The Vigil Mrs Robson & two songs. Drake's Drum & the Old Superb Mr Unwin. (3) Rupert Brooke a paper by R.H. Robson with readings by Mrs Rawlings Mrs Evans Mrs Robson & R.H. Robson'

Century: 1900-1945     Reader/Listener/Group: Reginald Robson      Manuscript: Unknown

  

Henry Marriage Wallis : [paper on Meredith]

'The evening was devoted to Meredith. H.M. Wallis read a most interesting paper upon Meredith's works. This gave rise to considerable discussion. Mrs Evans read from Richard Feverel. Mrs Robson - The Egoist. C.E. Stansfield introduced us to the poems of Meredith. The evening closed with the reading of [Jerry in another hand] the Juggler by C.I. Evans. This poem came as a pleasant surprise after the more obscure & difficult poems to which we had been introduced & should certainly encorage some of us to dig deeper into his poetical works.'

Century: 1900-1945     Reader/Listener/Group: Henry Marriage Wallis      Manuscript: Unknown

  

George Meredith : 

'The evening was devoted to Meredith. H.M. Wallis read a most interesting paper upon Meredith's works. This gave rise to considerable discussion. Mrs Evans read from Richard Feverel. Mrs Robson - The Egoist. C.E. Stansfield introduced us to the poems of Meredith. The evening closed with the reading of [Jerry in another hand] the Juggler by C.I. Evans. This poem came as a pleasant surprise after the more obscure & difficult poems to which we had been introduced & should certainly encorage some of us to dig deeper into his poetical works.'

Century: 1900-1945     Reader/Listener/Group: Henry Marriage Wallis      Print: Book

  

 : sermon

Harriet, Countess Granville to her sister, Lady Carlisle, 7 December 1839: 'Georgy [daughter] read me a sermon of his yesterday morning which quite charmed me on part of the Lord's Prayer, such warmth and feeling and eloquence.'

Unknown
Century: 1800-1849     Reader/Listener/Group: Lady Georgiana Leveson Gower      

  

Mr Sheil : speech

Harriet, Countess Granville to her brother, the Duke of Devonshire, 12 June 1843: 'We read about Ireland with great interest [...] Georgy [daughter] reads us Mr. Sheil's speech, as Mlle. Rachel [famous actress] would say it.'

Century: 1800-1849     Reader/Listener/Group: Lady Georgiana Leveson Gower      Print: Unknown

  

Reginald Robson : [paper on Dostoevsky]

'Dostoieffsky [sic] occupied our attention for the remained [sic] of the evening. We were much indebted to R.H. Robson for an interesting & valuable introduction dealing with his life as the background of his works. All his writings are in the main autobiographical & the story of his life is necessary for a study of his work. One of the main lessons of his writings is a new & deeper meaning in the term 'brotherhood'. It may be that the Russians will reveal the true democracy to the world. Readings from his novels were given by C. E Stansfield, Mrs Evans, E.E. Unwin'

Century: 1900-1945     Reader/Listener/Group: Reginald Robson      Print: BookManuscript: Unknown

  

Fyodor Dostoevsky : 

'Dostoieffsky [sic] occupied our attention for the remained [sic] of the evening. We were much indebted to R.H. Robson for an interesting & valuable introduction dealing with his life as the background of his works. All his writings are in the main autobiographical & the story of his life is necessary for a study of his work. One of the main lessons of his writings is a new & deeper meaning in the term 'brotherhood'. It may be that the Russians will reveal the true democracy to the world. Readings from his novels were given by C. E Stansfield, Mrs Evans, E.E. Unwin'

Century: 1900-1945     Reader/Listener/Group: Reginald Robson      Print: Book

  

Mark Twain : 

'Mark Twain A very humorous essay written by C.E. Stansfield & read by R.H. Robson gave us a delightful introduction to this great American 'wit' [?] Readings from his works were given by Mrs W.H. Smith. Mrs Evans. Miss Mary Hayward. Mr Robson. Mr Unwin'

Century: 1900-1945     Reader/Listener/Group: Reginald Robson      Print: Book

  

Charles Stansfield : [essay on Twain]

'Mark Twain A very humorous essay written by C.E. Stansfield & read by R.H. Robson gave us a delightful introduction to this great American 'wit' [?] Readings from his works were given by Mrs W.H. Smith. Mrs Evans. Miss Mary Hayward. Mr Robson. Mr Unwin'

Century: 1900-1945     Reader/Listener/Group: Reginald Robson      Manuscript: Unknown

  

William Morris : 

'C.I. Evans described the Earthly Paradise & Mrs Evans & R.H. Robson gave readings therefrom. H.M. Wallis read [superscript 'recited'] some parts of Sigurd the Volsung & described the extraordinary conditions under which many of the poems were written. Some little discussion upon his poetical works followed but lack of time prevented the reading of further poems'. [the 'crowded' tendency of the meetings is then commented on]

Century: 1900-1945     Reader/Listener/Group: Henry Marriage Wallis      Print: Book

  

William Morris : Earthly Paradise, The

'C.I. Evans described the Earthly Paradise & Mrs Evans & R.H. Robson gave readings therefrom. H.M. Wallis read [superscript 'recited'] some parts of Sigurd the Volsung & described the extraordinary conditions under which many of the poems were written. Some little discussion upon his poetical works followed but lack of time prevented the reading of further poems'. [the 'crowded' tendency of the meetings is then commented on]

Century: 1900-1945     Reader/Listener/Group: Reginald Robson      Print: Book

  

William Morris : Sigurd the Volsung

'C.I. Evans described the Earthly Paradise & Mrs Evans & R.H. Robson gave readings therefrom. H.M. Wallis read [superscript 'recited'] some parts of Sigurd the Volsung & described the extraordinary conditions under which many of the poems were written. Some little discussion upon his poetical works followed but lack of time prevented the reading of further poems'. [the 'crowded' tendency of the meetings is then commented on]

Century: 1900-1945     Reader/Listener/Group: Henry Marriage Wallis      Print: Book

  

Henry Marriage Wallis : [paper on Gilbert Murray]

'Gilbert Murray & his work was the subject for the evening & a paper was read by H.M. Wallis. This afforded an interesting & useful introduction to the evening's subject & it was followed by several readings from his work. Mrs Rawlings read from 'The Rise of the Greek Epic' & H.M. Wallis later also read from the same book. Miss Marriage also read some extracts from one of his volumes of translations'.

Century: 1900-1945     Reader/Listener/Group: Henry Marriage Wallis      Manuscript: Unknown

  

Gilbert Murray : Rise of the Greek Epic, The

'Gilbert Murray & his work was the subject for the evening & a paper was read by H.M. Wallis. This afforded an interesting & useful introduction to the evening's subject & it was followed by several readings from his work. Mrs Rawlings read from 'The Rise of the Greek Epic' & H.M. Wallis later also read from the same book. Miss Marriage also read some extracts from one of his volumes of translations'.

Century: 1900-1945     Reader/Listener/Group: Henry Marriage Wallis      Print: Book

  

George Gissing : Odd Women, The

'The meeting then entered the gloomy portals of New Grub St & attempted to follow the fortunes of George Gissing. The Book Club members were evidently in no mood to apreciate the side of life painted by Gissing. However the Secretary protests that there is need for all sides of 'Life' to be depicted & that we cannot obtain the all round knowledge so essential to a right understanding of the problems of living without our Gissings, Hardys. Kiplings & Masefields. The details of the programme included an introductory paper by E.E. Unwin New Grub Street by H.R. Smith The Odd Women by H.M. Wallis Private Papers of Henry Rycroft by C.S. Stansfield'

Century: 1900-1945     Reader/Listener/Group: Henry Marriage Wallis      Print: Book

  

Walter Scott : The Lay of the Last Minstrel

John Murray to Walter Scott, 27 June 1812: 'I cannot refrain [...] from mentioning to you a conversation which Lord Byron had with H. R. H. the Prince Regent, and of which you formed the leading subject. He was at an evening party at Miss Johnson's this week, when the Prince, hearing that Lord Byron was present, expressed a desire to be introduced to him; and for more than half an hour they conversed on poetry and poets [...] the Prince's great delight was Walter Scott, whose name and writings he dwelt upon and recurred to incessantly. He preferred him far beyond any other poet of the time, repeated several passages with fervour, and criticized them faithfully. He spoke chiefly of the "Lay of the Last Minstrel," which he expressed himself as admiring most of the three poems.'

Century: 1800-1849     Reader/Listener/Group: George Prince of Wales      Print: Book

  

George Gordon Lord Byron : poems

From recollections of John Murray junior: 'Sometimes, though not often, Lord Byron read passages from his poems to my father. His voice and manner were very impressive. His voice, in the deeper tones, bore some resemblance to that of Mrs. Siddons.'

Unknown
Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      

  

Henry Marriage Wallis : [paper on Wells's 'Romances']

'The meeting then considered the work of H.G. Wells. The chief item of interest was undoubtedly a paper by Henry M. Wallis upon Wells's romances but a better title would be 'A Critique of the Wells Method in Story-writing'. This was certainly one of the ablest papers which H.M.W. has contributed to the Book Club in recent years and gave rise to interesting discussion. R.H. Robson read one of the short stories to illustrate this side of Wells's literary works. Mrs Smith read a paper upon Mankind in the Making and Mary Hayward dealt with the novels, showing by extracts his views upon the English middle class, marriage, social life & religion.'

Century: 1900-1945     Reader/Listener/Group: Henry Marriage Wallis      Manuscript: Unknown

  

Herbert George Wells : [a short story]

'The meeting then considered the work of H.G. Wells. The chief item of interest was undoubtedly a paper by Henry M. Wallis upon Wells's romances but a better title would be 'A Critique of the Wells Method in Story-writing'. This was certainly one of the ablest papers which H.M.W. has contributed to the Book Club in recent years and gave rise to interesting discussion. R.H. Robson read one of the short stories to illustrate this side of Wells's literary works. Mrs Smith read a paper upon Mankind in the Making and Mary Hayward dealt with the novels, showing by extracts his views upon the English middle class, marriage, social life & religion.'

Century: 1900-1945     Reader/Listener/Group: Reginald Robson      Print: Book

  

Herbert George Wells : [novels]

'The meeting then considered the work of H.G. Wells. The chief item of interest was undoubtedly a paper by Henry M. Wallis upon Wells's romances but a better title would be 'A Critique of the Wells Method in Story-writing'. This was certainly one of the ablest papers which H.M.W. has contributed to the Book Club in recent years and gave rise to interesting discussion. R.H. Robson read one of the short stories to illustrate this side of Wells's literary works. Mrs Smith read a paper upon Mankind in the Making and Mary Hayward dealt with the novels, showing by extracts his views upon the English middle class, marriage, social life & religion.'

Century: 1900-1945     Reader/Listener/Group: Henry Marriage Wallis      Print: Book

  

Eagle : Journal of Penrose, the Seaman

John Murray to his wife, 15 August 1814: 'I have got [for publication] at last Mr. Eagle's "Journal of Penrose, the Seaman" [...] Lord Byron sent me word this morning by letter (for he borrowed the MS. last night): "Penrose is most amusing. I never read so much of a book at one sitting in my life. he kept me up half the night, and made me dream of him the other half. It has all the air of truth, and is most entertaining and interesting in every point of view."'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Manuscript: Unknown

  

C. R. Maturin : Bertram

John Murray to Walter Scott, 25 December 1815: 'I was with Lord Byron yesterday. He enquired after you, and bid me say how much he was indebted to your introduction of your poor Irish friend Maturin, who had sent him a tragedy, which Lord Byron received late in the evening and read through, without being able to stop. He was so delighted with it that he sent it immediately to his fellow-manager [at Drury Lane theatre], the Hon. George Lamb, who, late as it was, could not go to bed without finishing it. The result is that they have laid it before the rest of the [theatre] Commitee; they, or rather Lord Byron, feels it his duty to the author to offer it himself to the managers of Covent Garden.'

Unknown
Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      

  

C. R. Maturin : Bertram

John Murray to Walter Scott, 25 December 1815: 'I was with Lord Byron yesterday. He enquired after you, and bid me say how much he was indebted to your introduction of your poor Irish friend Maturin, who had sent him a tragedy, which Lord Byron received late in the evening and read through, without being able to stop. He was so delighted with it that he sent it immediately to his fellow-manager [at Drury Lane theatre], the Hon. George Lamb, who, late as it was, could not go to bed without finishing it. The result is that they have laid it before the rest of the [theatre] Commitee; they, or rather Lord Byron, feels it his duty to the author to offer it himself to the managers of Covent Garden.'

Unknown
Century: 1800-1849     Reader/Listener/Group: The Hon. George Lamb      

  

Walter Scott : Review of George Gordon, Lord Byron, Childe Harold's Pilgrimage, Canto III

Byron to John Murray, 3 March 1817: 'In acknowledging the arrival of the article from the Quarterly, which I received two days ago, I cannot express myself better than in the words of my sister Augusta, who (speaking of it) says, that it is written in a spirit "of the most feeling and kind nature."'

Century: 1800-1849     Reader/Listener/Group: Augusta Leigh      Print: Serial / periodical

  

 : Edinburgh Review

Augusta Leigh, Byron's half-sister, to John Murray (July 1818): 'I return the Edinburgh Review, with a thousand thanks for your kindness in lending it to me. It will surely please him (Byron) whom it most concerns.'

Century: 1800-1849     Reader/Listener/Group: Augusta Leigh      Print: Serial / periodical

  

Walter Scott : Life of Napoleon

'Say, too, that I received his Life of Napoleon, and have read it this winter - in the evening and at night - with attentino from beginning to end. To me it was full of meaning to observe how the first novelist of the century took upon himself a task and business, so apparently foreign to him, and passed under review with rapid stroke those important events of which it had been our fate to be eyewtinesses. The division into chapters, embracing masses of intimately connected events, gives a clearness to the historical sequence that otherwise might have been only to easily confused, while, at the same time, the individual events in each chapter are described with a clearness and a vividness quite invaluable.'

Century: 1800-1849     Reader/Listener/Group: Johann Wolfgang von Goethe      Print: Book

  

 : [German literature]

'On the whole, our study and love of German Literature seems to be rapidly progressive: in my time, that is, within the last six years, I should almost say that the readers of your language have increased tenfold; and with the readers, the admirers; for with all minds of any endowment these two titles, in the present state of matters, are synonymous. In proof of this, moreover, we can now refer not to one but to two Foreign Journals, published in London, and eagerly if not always wisely looking towards Germany: The Foreign Quarterly Review, and the Foreign Review, with the last of which I too have formed some connexion.'

Unknown
Century: 1800-1849     Reader/Listener/Group: British Population (general)      Print: Book

  

Reginald Robson : [paper on Conrad]

'The subject before the meeting was Joseph Conrad. R.H. Robson introduced the subject with an interesting essay & a number of readings were given to illustrate his descriptive power & his style. C.I. Evans helped by H.M. Wallis read from Lord Jim Mrs Reynolds - Almayer's Folly Mrs Rawlings - Typhoon Joseph Conrad seemed to have been known to but few of the club before the meeting, but certainly as a result members will turn to his writings with considerable [interest] and find possibly that a new star has sailed into their literary sky. If so one object of the club, to be a literary telescope, will have been achieved.'

Century: 1900-1945     Reader/Listener/Group: Reginald Robson      Manuscript: Unknown

  

Joseph Conrad : 

'The subject before the meeting was Joseph Conrad. R.H. Robson introduced the subject with an interesting essay & a number of readings were given to illustrate his descriptive power & his style. C.I. Evans helped by H.M. Wallis read from Lord Jim Mrs Reynolds - Almayer's Folly Mrs Rawlings - Typhoon Joseph Conrad seemed to have been known to but few of the club before the meeting, but certainly as a result members will turn to his writings with considerable [interest] and find possibly that a new star has sailed into their literary sky. If so one object of the club, to be a literary telescope, will have been achieved.'

Century: 1900-1945     Reader/Listener/Group: Reginald Robson      Print: Book

  

Robert Louis Stevenson : Master of Ballantrae, The

'The remainder of the evening was given over to R.L. Stevenson & his work. [the format of the evening's discussion on the question of whether Stevenson's work will live is explained] To enable us to review his work readings were given as under from the Essays - 'An Apology for Idlers' by Alfred vice Janet Rawlings Poems - 'Christmas at Sea' 'Tropic Rain' 'Vagabond' [all read by] Mrs W.H. Smith Travel Books - 'Travels with a Donkey' by E.E. Unwin Novels - 'Master of Ballantrae' by H.M. Wallis Letters - Mr & Mrs Evans. [some remarks on songs sung by various members] It is difficult for any one to sum up the results of the discussion - it was soon apparent that to some members his essays were the one & only thing worth having, to others his stories, 'Treasure Island', 'Island Nights Entertainments' & so on reveal his greatness: to others, his letters are the thing & so one might proceed'.

Century: 1900-1945     Reader/Listener/Group: Henry Marriage Wallis      Print: Book

  

Henry Marriage Wallis : [paper on an altar stone found near Carthage]

'Essays were then read. The Secretary does not feel able to do more than indicate the general nature of these essays. 1. Read by R.H. Robson. An essay written by H.M.W. about the remains of an altar stone found near Carthage. Vivid & interesting, bloodstained though the stone was, with human sacrifice. 2. Mrs Smith read a very interesting paper dealing with the mind & its training. 'My mind to me a kingdom is'. Considerable discussion followed. 3. Mr Stansfield read a fantasia (written surely by a historian. R.H.R.) relating the musings of Mendax II giving expression to a cynical prophecy of European politics if events evolved or devolved along present lines. We hope that the assassination of Ld. George by a Quaker pacifist & the suppression of L.P.S. will not be fulfilled. 4. E.E. Unwin read a paper entitled 'The Humours of Man' which consisted of a number of humorous stories lightly linked together'.

Century: 1900-1945     Reader/Listener/Group: Reginald Robson      Manuscript: Unknown

  

Henry Marriage Wallis : [paper introducing Balzac]

'Balzac We were introduced by Henry M. Wallis to the novels of Balzac by an introduction to & readings from The Wild Asses Skin. A general discussion on the novel & the author followed and Mrs Unwin read some extracts from an article upon Balzac published some few years ago in 'Everyman'. [these extracts, summarising Balzac's career are quoted at length] Mrs Robson read from 'Le Pere Goriot' 'Old Goriot' Rosamund Wallis read 'Christ in Flanders' with its fine description of a ferryboat in a storm & the mysterious stranger who lead [sic] those who had faith walking over the waters to safety when the boat capsized'.

Century: 1900-1945     Reader/Listener/Group: Henry Marriage Wallis      Manuscript: Unknown

  

Honore de Balzac : Wild Ass's Skin, The

'Balzac We were introduced by Henry M. Wallis to the novels of Balzac by an introduction to & readings from The Wild Asses Skin. A general discussion on the novel & the author followed and Mrs Unwin read some extracts from an article upon Balzac published some few years ago in 'Everyman'. [these extracts, summarising Balzac's career are quoted at length] Mrs Robson read from 'Le Pere Goriot' 'Old Goriot' Rosamund Wallis read 'Christ in Flanders' with its fine description of a ferryboat in a storm & the mysterious stranger who lead [sic] those who had faith walking over the waters to safety when the boat capsized'.

Century: 1900-1945     Reader/Listener/Group: Henry Marriage Wallis      Print: Book

  

Reginald Robson : [essay on Keats' life]

'The subject of the evening's programme was John Keats. R.H. Robson read an essay dealing with his life. The main influences & friendships of his short life were well brought out. H.M. Wallis folowed with an appreciation written in the delightful style of which our Friend is so great a master & a reading of the Grecian Urn ode by Miss Marriage completed the first part of the programme. On our return from physical refreshment Charles I. Evans described the Poems of 1820 and some readings were given by Mrs Evans, Mrs Robson & C.E. Stansfield.'

Century: 1900-1945     Reader/Listener/Group: Reginald Robson      Manuscript: Unknown

  

Henry Marriage Wallis : [essay on Keats]

'The subject of the evening's programme was John Keats. R.H. Robson read an essay dealing with his life. The main influences & friendships of his short life were well brought out. H.M. Wallis folowed with an appreciation written in the delightful style of which our Friend is so great a master & a reading of the Grecian Urn ode by Miss Marriage completed the first part of the programme. On our return from physical refreshment Charles I. Evans described the Poems of 1820 and some readings were given by Mrs Evans, Mrs Robson & C.E. Stansfield.'

Century: 1900-1945     Reader/Listener/Group: Henry Marriage Wallis      Manuscript: Unknown

  

John Keats : 

'The subject of the evening's programme was John Keats. R.H. Robson read an essay dealing with his life. The main influences & friendships of his short life were well brought out. H.M. Wallis folowed with an appreciation written in the delightful style of which our Friend is so great a master & a reading of the Grecian Urn ode by Miss Marriage completed the first part of the programme. On our return from physical refreshment Charles I. Evans described the Poems of 1820 and some readings were given by Mrs Evans, Mrs Robson & C.E. Stansfield.'

Century: 1900-1945     Reader/Listener/Group: Henry Marriage Wallis      Print: Book

  

Henry Marriage Wallis : [paper on the Comic]

'The evening then became a 'Comic One'. The chief contribution was a paper by H.M. Wallis on 'the Comic' as reflected in the works of the writers of last century. Readings were given & stories told as illustrations'.

Century: 1900-1945     Reader/Listener/Group: Henry Marriage Wallis      Manuscript: Unknown

  

Shane Leslie : End of a Chapter, The

'The main business of the evening was then proceeded with - 5 mins essays upon some book read recently. Mrs Evans read 'An English Lumber Camp' - from internal evidence it is probably true that this was an essay drawn from real life rather than from any book read. It was a magnificent literary effort in the author's best style. Perhaps more of 'H.M.W.' than 'Ashton Hillier'. Mrs Smith read a paper upon 'The Garden of Survival' a book by Alg. Blackwood. The paper gave rise to much interest. The extraordinary beauty of the extracts read from the book and the insight into the spiritual meaning of 'Guidance' displayed by the author impressed us all. Ernest E. Unwin read a paper on 'The End of a Chapter' by Shane Leslie - this paper was written by H.M. Wallis & introduced most of us to a new writer of power. The change in the world, in the balance of the classes & their future importance formed the theme of the book. Mary Hayward described her discovery of 'The Story of my Heart' by Richard Jefferies & read some extracts from it.'

Century: 1900-1945     Reader/Listener/Group: Henry Marriage Wallis      Print: Book

  

Giovanni Belzoni : Narrative of the Operations and recent Discoveries within the Pyramids, Temples, Tombs, and Excavations in Egypt and Nubia

'Lord Byron, to whom Mr. Murray sent a copy of [Belzoni's] work, said: "Belzoni [italics]is[end italics] a grand traveller, and his English is very prettily broken."'

Century: 1800-1849     Reader/Listener/Group: George Gordon Lord Byron      Print: Book

  

Henry Marriage Wallis : [paper on Hardy's life and work]

'The meeting then considered the works of Thomas Hardy. H.M. Wallis gave a paper outlining the main features of Hardy's life and gave some idea of the succession of works and a general criticism of his writing. The announced programme for the evening then came to an abrupt end - for health kept Mr Evans away & Mr Stansfield also was unable to come, and these two members had arranged to introduce the novels & poems of Hardy & also to start a discussion upon Hardy's religious views. We were very sorry to miss our friends & their contribution & hope that we may have another evening upon Hardy at some future time. To fill this gap in our programme H.M. Wallis told in his graphic way the short story called The 3 Travellers & Rosamund Wallis read the wife auction scene from 'The Mayor of Casterbridge' & the Secretary read a critique by Lawrence Binyon on the poems of Hardy'.

Century: 1900-1945     Reader/Listener/Group: Henry Marriage Wallis      Manuscript: Unknown

  

Thomas Hardy : 'Three Travellers, The'

'The meeting then considered the works of Thomas Hardy. H.M. Wallis gave a paper outlining the main features of Hardy's life and gave some idea of the succession of works and a general criticism of his writing. The announced programme for the evening then came to an abrupt end - for health kept Mr Evans away & Mr Stansfield also was unable to come, and these two members had arranged to introduce the novels & poems of Hardy & also to start a discussion upon Hardy's religious views. We were very sorry to miss our friends & their contribution & hope that we may have another evening upon Hardy at some future time. To fill this gap in our programme H.M. Wallis told in his graphic way the short story called The 3 Travellers & Rosamund Wallis read the wife auction scene from 'The Mayor of Casterbridge' & the Secretary read a critique by Lawrence Binyon on the poems of Hardy'.

Century: 1900-1945     Reader/Listener/Group: Henry Marriage Wallis      Print: Book

  

Thomas Hardy : 

'The meeting then considered the works of Thomas Hardy. H.M. Wallis gave a paper outlining the main features of Hardy's life and gave some idea of the succession of works and a general criticism of his writing. The announced programme for the evening then came to an abrupt end - for health kept Mr Evans away & Mr Stansfield also was unable to come, and these two members had arranged to introduce the novels & poems of Hardy & also to start a discussion upon Hardy's religious views. We were very sorry to miss our friends & their contribution & hope that we may have another evening upon Hardy at some future time. To fill this gap in our programme H.M. Wallis told in his graphic way the short story called The 3 Travellers & Rosamund Wallis read the wife auction scene from 'The Mayor of Casterbridge' & the Secretary read a critique by Lawrence [sic] Binyon on the poems of Hardy'.

Century: 1900-1945     Reader/Listener/Group: Henry Marriage Wallis      Print: Book

  

Edmund Gosse : Father & Son: A Study of Two Temperaments

'The rest of the evening was given to Edmund Gosse. H.M. Wallis spoke about Edmund Gosse the man & his work for the public services, & the conflict of personalities as shown in 'Father & Son' & his great interest in the Scandinavian peoples. Miss Marriage gave some very interesting readings from '2 Visits to Denmark' 'The Episode of the Plum Pudding served in a Tureen' & the dear lady who remarked "It brings the dear English nation so near to one". Ed. Gosse has also done great work as a critic - one sentence which fell from H.M.W.in relation to Swinburne. "A drunken monkey who gave utterance to the songs of angels". C.I. Evans spoke upon the Poems. These belong to the period round about 1872 & are frankly of that period & makeup. Perhaps versifying would be the best term to use as they do not quite rank as poetry.'

Century: 1900-1945     Reader/Listener/Group: Henry Marriage Wallis      Print: Book

  

Edmund Gosse : [literary criticism]

'The rest of the evening was given to Edmund Gosse. H.M. Wallis spoke about Edmund Gosse the man & his work for the public services, & the conflict of personalities as shown in 'Father & Son' & his great interest in the Scandinavian peoples. Miss Marriage gave some very interesting readings from '2 Visits to Denmark' 'The Episode of the Plum Pudding served in a Tureen' & the dear lady who remarked "It brings the dear English nation so near to one". Ed. Gosse has also done great work as a critic - one sentence which fell from H.M.W.in relation to Swinburne. "A drunken monkey who gave utterance to the songs of angels". C.I. Evans spoke upon the Poems. These belong to the period round about 1872 & are frankly of that period & makeup. Perhaps versifying would be the best term to use as they do not quite rank as poetry.'

Century: 1900-1945     Reader/Listener/Group: Henry Marriage Wallis      Print: Book

  

Thomas Moore : Life of Byron

Gally Knight to John Murray, 17 February 1831: 'I have seen the second volume of Moore's "Life of Byron," and though it can be matter of surprise to no one to find himself the object of the spleen of the noble author, yet I confess I [italics]am surprised[end italics] at seeing myself so gratuitously offered up as a victim to the public [comments further] [...] The second volume appears to me to be neither more nor less than "Don Juan" in prose, and I cannot say how much I regret to see Lord Byron's amours so openly paraded before the public. It is an indecorous exhibition, and but too likely to do harm, for young men will admire [italics]the whole[end italics] of the life, because it belonged to genius; and will imitate the only part of it with which metal superiority had nothing to do.'

Century: 1800-1849     Reader/Listener/Group: Gally Knight      Print: Book

  

Ben Jonson : [short poems]

'The Secy. (who was absent) has received the folowiing summary from R.B. Graham. a) C.I. Evans read a paper on Ben Jonson, by the request of the committee, 'Short & suggestive'. It fulfilled both these requisites & was also interesting. b) Short poems were illustrated by H. Marriage Wallis & R.B.Graham c) Miss Bowman Smith sang 'Drink to me only' d) Mrs Smith dealt with the proverbial sayings e) Miss R. Wallis gave a lively & lucid description of the play 'A Tale of a Tub'. This deals with the affairs of a fetching but impartial damsel yclept Audrey Turfe whose matrimonial adventures form a complicated & amusing plot f) Miss Bowman Smith sang 'Have you seen but the white lily grow?' (The Devil's an Ass)

Century: 1900-1945     Reader/Listener/Group: Henry Marriage Wallis      Print: Book

  

Miss Rigby : Letters from the Baltic

George Borrow to John Murray junior, 1 December 1842: 'Yesterday read "Letters from the Baltic"; much pleased with it; very clever writer; critique in Despatch harsh and unjust; quite uncalled for; blackguard affair altogether.'

Century: 1800-1849     Reader/Listener/Group: George Borrow      Print: Book

  

 : Review of Miss Rigby, Letters from the Baltic

George Borrow to John Murray junior, 1 December 1842: 'Yesterday read "Letters from the Baltic"; much pleased with it; very clever writer; critique in Despatch harsh and unjust; quite uncalled for; blackguard affair altogether.'

Century: 1800-1849     Reader/Listener/Group: George Borrow      Print: Serial / periodical

  

 : Review of George Borrow, The Bible in Spain

George Borrow to John Murray junior, 31 December 1842: 'With respect to the critique [of his The Bible in Spain] in the Times, I fully agree with you that it was harsh and unjust, and the passages selected by no means calculated to afford a fair idea of the contents of the work. A book, however, like "The Bible in Spain" can scarcely be published without exciting considerable hostility, and I have been so long accustomed to receiving hard knocks that they make no impression upon me. After all, the abuse of the Times is better than its silence; it would scarcely have attacked the work unless it thought it of some importance, and so the public will think [...] You ask me my opinion of the review in the Quarterly. Very good, very clever, very neatly done. Only one fault to find -- too laudatory. I am by no means the person which the reviewer had the kindness to represent me [sic].'

Century: 1800-1849     Reader/Listener/Group: George Borrow      Print: Newspaper

  

 : Review of George Borrow, The Bible in Spain

George Borrow to John Murray junior, 31 December 1842: 'With respect to the critique [of his The Bible in Spain] in the Times, I fully agree with you that it was harsh and unjust, and the passages selected by no means calculated to afford a fair idea of the contents of the work. A book, however, like "The Bible in Spain" can scarcely be published without exciting considerable hostility, and I have been so long accustomed to receiving hard knocks that they make no impression upon me. After all, the abuse of the Times is better than its silence; it would scarcely have attacked the work unless it thought it of some importance, and so the public will think [...] You ask me my opinion of the review in the Quarterly. Very good, very clever, very neatly done. Only one fault to find -- too laudatory. I am by no means the person which the reviewer had the kindness to represent me [sic].'

Century: 1800-1849     Reader/Listener/Group: George Borrow      Print: Serial / periodical

  

 : Review of George Borrow, The Bible in Spain

George Borrow to John Murray, 25 February 1843: 'I have seen the article in the Edinburgh about the Bible [in Spain] -- exceedingly brilliant and clever, but rather too epigrammatic, quotations scanty and not correct.'

Century: 1800-1849     Reader/Listener/Group: George Borrow      Print: Serial / periodical

  

E.V. Lucas : Joints in the Armour

'The following miscellaneous programme was then gone through. This change in the subject was caused by the imposibility of getting cheap copies of The Dynasts. 1. Pianoforte solo. Selection from Debusy [sic] Miss Bowman Smith 2. Reading. Modern Froissart Chronicles Mrs W.H. Smith 3. Reading. Migrations. Anon. Contrib. from Punch by Alfred Rawlings 4. Recitation. In a Gondola (Browning) Miss Cole 5. Song. 2 French Bergerettes. Mrs Unwin 6. Essay. 'The Pious Atrocity' R.B. Graham 7. Reading. Wedding Presents (Punch) Mrs Reynolds 8. Song. My dear Soul. Mrs Robson 9. Reading 'How the Camel got his Hump' W.H. Smith 10. Song. The Camel's hump. E.E. Unwin 11. Reading. The Man of the Evening (A.A. Milne Punch) Miss R. Wallis 12. Song. Hebrides Galley Song. Miss Bowman Smith 13. Reading. Arms of Wipplecrack S.A. Reynolds 14. Reading. Joints in the Armour. E.V. Lucas. H.M. Wallis 15. Song-Chant Folk Song [ditto] 16. Essay. 'Bad morality & bad art' R.H. Robson 17. Song. Winter. Miss Bowman Smith 18. Essay 'Etaples & the air raids' H.R. Smith 19. Recitation. These new fangled ways. E.E. Unwin 20. Song. Goodnight. Mrs Robson.'

Century: 1900-1945     Reader/Listener/Group: Henry Marriage Wallis      Print: Unknown

  

Reginald Robson : 'Bad Morality & Bad art'

'The following miscellaneous programme was then gone through. This change in the subject was caused by the imposibility of getting cheap copies of The Dynasts. 1. Pianoforte solo. Selection from Debusy [sic] Miss Bowman Smith 2. Reading. Modern Froissart Chronicles Mrs W.H. Smith 3. Reading. Migrations. Anon. Contrib. from Punch by Alfred Rawlings 4. Recitation. In a Gondola (Browning) Miss Cole 5. Song. 2 French Bergerettes. Mrs Unwin 6. Essay. 'The Pious Atrocity' R.B. Graham 7. Reading. Wedding Presents (Punch) Mrs Reynolds 8. Song. My dear Soul. Mrs Robson 9. Reading 'How the Camel got his Hump' W.H. Smith 10. Song. The Camel's hump. E.E. Unwin 11. Reading. The Man of the Evening (A.A. Milne Punch) Miss R. Wallis 12. Song. Hebrides Galley Song. Miss Bowman Smith 13. Reading. Arms of Wipplecrack S.A. Reynolds 14. Reading. Joints in the Armour. E.V. Lucas. H.M. Wallis 15. Song-Chant Folk Song [ditto] 16. Essay. 'Bad morality & bad art' R.H. Robson 17. Song. Winter. Miss Bowman Smith 18. Essay 'Etaples & the air raids' H.R. Smith 19. Recitation. These new fangled ways. E.E. Unwin 20. Song. Goodnight. Mrs Robson.'

Century: 1900-1945     Reader/Listener/Group: Reginald Robson      Manuscript: Unknown

  

Henry Marriage Wallis : [paper on Browning's The Ring & the Book]

'the rest of the evening was devoted to Browning's The Ring & the Book. Henry M. Wallis read a masterly paper in introduction. This enabled those who had not read the long poem to understand the story & the way in which Browning treated the story. The success of the evening was largely due to this introduction. The story from several standpoints was then dealt with by members of the club. R.H. Robson read a description of the 1st Guido A. Rawlings read extracts from the book Capansacchi Mrs Evans [ditto] Pompilia Mr Gidham [ditto] Pope Mr Robson [ditto] Guido in prison'

Century: 1900-1945     Reader/Listener/Group: Henry Marriage Wallis      Manuscript: Unknown

  

Robert Browning : Ring and the Book, The

'the rest of the evening was devoted to Browning's The Ring & the Book. Henry M. Wallis read a masterly paper in introduction. This enabled those who had not read the long poem to understand the story & the way in which Browning treated the story. The success of the evening was largely due to this introduction. The story from several standpoints was then dealt with by members of the club. R.H. Robson read a description of the 1st Guido A. Rawlings read extracts from the book Capansacchi Mrs Evans [ditto] Pompilia Mr Gidham [ditto] Pope Mr Robson [ditto] Guido in prison'

Century: 1900-1945     Reader/Listener/Group: Reginald Robson      Print: Book

  

Robert Browning : Ring and the Book, The

'the rest of the evening was devoted to Browning's The Ring & the Book. Henry M. Wallis read a masterly paper in introduction. This enabled those who had not read the long poem to understand the story & the way in which Browning treated the story. The success of the evening was largely due to this introduction. The story from several standpoints was then dealt with by members of the club. R.H. Robson read a description of the 1st Guido A. Rawlings read extracts from the book Capansacchi Mrs Evans [ditto] Pompilia Mr Gidham [ditto] Pope Mr Robson [ditto] Guido in prison'

Century: 1900-1945     Reader/Listener/Group: Henry Marriage Wallis      Print: Book

  

Fanny Burney : [from works or diary]

'The rest of the meeting was devoted to Fanny Burney. Mrs Robson read a paper which had been prepared by Miss Cole dealing wih the main features of her life. We then had a number of reading [sic] from her works & diary by Miss Stevens, Mrs Unwin, Miss Cole, R.H. Robson, H.R. Smith, E.E. Unwin. To Miss Cole was due the success of the evening. She selected the readings & in most cases copied them out for the different readers. They were well selected & gave an interesting glimpse into the kind of life lived by Fanny Burney at Court as a Lady in Waiting'.

Century: 1900-1945     Reader/Listener/Group: Reginald Robson      Manuscript: Sheet, copy from book, taken by Miss Cole

  

Henry Marriage Wallis : [paper on Thomas Love Peacock]

'The subject before the meeting was Thomas Love Peacock, novelist & poet. H.M. Wallis read an introductory paper which gave us the facts of Peacock's life & a general account of his writings. Extracts from his works were read C.I. Evans The War Songs [sic] of Dinas Vawr Miss Cole Love & Age E.E. Unwin extracts from Nightmare Abbey R.B. Graham Some of the poems from his novels C.I. Evans Three men of Gotham'

Century: 1900-1945     Reader/Listener/Group: Henry Marriage Wallis      Manuscript: Unknown

  

Thomas Love Peacock : 

'The subject before the meeting was Thomas Love Peacock, novelist & poet. H.M. Wallis read an introductory paper which gave us the facts of Peacock's life & a general account of his writings. Extracts from his works were read C.I. Evans The War Songs [sic] of Dinas Vawr Miss Cole Love & Age E.E. Unwin extracts from Nightmare Abbey R.B. Graham Some of the poems from his novels C.I. Evans Three men of Gotham'

Century: 1900-1945     Reader/Listener/Group: Henry Marriage Wallis      Print: Book

  

Francis Warrington Dawson : The Sin

'If the novel at which he [Warrington Dawson] is working now and of which he read me the first four chapters is, as a whole, up to that sample then it is distnctly stuff that can be handled.'

Century: 1900-1945     Reader/Listener/Group: Francis Warrington Dawson      Manuscript: Unknown

  

John Bunyan : Pilgrim's Progress

'The rest of the evening was devoted to John Bunyan. H.R. Smith read a paper dealing with the main episodes of his life. This was a valuable introduction and gave the right historical & religious setting of Bunyan. C.E. Stansfield read an Appreciation of Pilgrim's Progress & of the writing of Bunyan. He referred to Bunyan & Milton as the two writers who expressed most completely the Puritan ideal. He expected Pilgrim's Progress to live as it expressed the universal quest of mankind. There were several readings from Bunyan's works which added greatly to the interest. Mrs Smith read from 'Grace Abounding' the book which is his spiritual autobiography. R.H. Robson read the Fight with Apollyon C.I. Evans [ditto] The trial scene in Vanity Fair Mrs Unwin [ditto] The Interpreter's House. In the general discussion some doubt was expressed of C.E. Stansfield's opinion that the Pilgrim's progress will live. It was felt by some that the story will always be attractive to children, but that the puritan flavour & crude theology would prevent it becoming anything more than an interesting historical document for older people'.

Century: 1900-1945     Reader/Listener/Group: Reginald Robson      Print: Book

  

Maurice Hewlett : Queen's Quair Or The Six Years' Tragedy

'The remainder of the evening was devoted to the writings of Maurice Hewlett. [C.I. Evans outlined a few facts of his life] H.R. Smith gave an account of The Forest Lovers - by giving an outline of the story with one or two extracts he was able to bring us into the story & to illustrate the strange archaic manner of writing adopted in this novel. E.E. Unwin introduced 'Richard Yea & Nay' as a fine study of personality. Two short extracts were read to show the style of vigorous writing with vivid word pictures. Queen's Quair was discussed by H.M. Wallis who carried us into a discussion of the history of Mary Queen of Scots. It was a very able contribution though it erred on the side of being more history than Hewlett. C.I. Evans described the modern novels & pointed out the increasing simplicity of his style & R.B. Graham read a part of an article recently published in 'The Nation' in which Maurice Hewlett makes great play of the wail of the Duke of Bedford for housemaids to keep up Welbeck House. This illustrated a modern development of Hewlett's writing for he seems to be very keen upon a right settlement of the land problem & indeed the whole social problem.'

Century: 1900-1945     Reader/Listener/Group: Henry Marriage Wallis      Print: Book

  

Henry Marriage Wallis : [paper on History of Berkshire]

'5. The Club now considered the subject for the evening - Berkshire - & the opening paper was by H.M. Wallis who touched upon the History of the County in his inimitable way from the Piltdown race to Archbishop Laud. Alfred & his battles. Reading & the 35 religious houses & the breweries are prominent features of the story & may be responsible for the saying Piety Spiders & Pride. 6. Rosamund Wallis read a gruesome story from Thomas of Reading about a couple of Reading inhabitants who had murdered 60 people by the simple device of a trapdoor floor to the spare bedroom & a cauldron of boiling water below. 7. 3 Berkshire folksongs were then given by Mrs Robson & E.E. Unwin. 8. S.A Reynolds read a Ballad entitled 'A Berkshire Lady', though speaking as a mere male I doubt whether her conduct would be considered quite lady-like today'.

Century: 1900-1945     Reader/Listener/Group: Henry Marriage Wallis      Manuscript: Unknown

  

Henry Marriage Wallis : [paper on Piltdown Woman]

'The rest of the evening concerned Prehistoric Man & Woman. H.M. Wallis read a paper entitled 'The Piltdown Woman'. This was a learned & valuable paper upon the problems of prehistoric man, problems of date, of mental capacity, of relationships & of ancestry. These were dealt with in an interesting way & the paper was assisted greatly by a number of drawings giving details of the skulls & the reconstructions of facial peculiarities.'

Century: 1900-1945     Reader/Listener/Group: Henry Marriage Wallis      Manuscript: Unknown

  

Samuel Pepys : Diary

'The rest of the evening was spent in the company of Samuel Pepys (Peeps) The Club was much indebted to H.M. Wallis and to H.R. Smith for able essays giving an outline of Pepys' life & an estimate of his character. From H.R. Smith we were introduced to Pepys as the competent official who by keenness made himself master of his job. Readings from the diary were given by Rosamund Wallis on "The Great Fire" Mrs Robson on Mrs Pepys E.E. Unwin on "The Plague" & R.H. Robson'

Century: 1900-1945     Reader/Listener/Group: Reginald Robson      Print: Book

  

Henry Marriage Wallis : [essay on Pepys]

'The rest of the evening was spent in the company of Samuel Pepys (Peeps) The Club was much indebted to H.M. Wallis and to H.R. Smith for able essays giving an outline of Pepys' life & an estimate of his character. From H.R. Smith we were introduced to Pepys as the competent official who by keenness made himself master of his job. Readings from the diary were given by Rosamund Wallis on "The Great Fire" Mrs Robson on Mrs Pepys E.E. Unwin on "The Plague" & R.H. Robson'

Century: 1900-1945     Reader/Listener/Group: Henry Marriage Wallis      Manuscript: Unknown

  

Henry Marriage Wallis : [paper on ballads]

'The subject of the evening, 'Ballads', now occupied attention. From an introductory paper prepared by Mary Hayward & from readings by Rosamund Wallis we learnt what a ballad is or was & is not. [this is summarised at length] The programme was divided into six parts dealing with the six main varieties of ballads. Some of these ballads were read & others were sung. Part 1. dealing with Magic Song The Two Musicians Mr & Mrs Unwin Reading The Demon Lover Mr Rawlings [ditto] Thomas the Rhymer Miss R Wallis Part 2. Stories of Romance Song Lord Rendel The Book Club Reading Edward Edward (Binnorie) R.B Graham Instead of Binnorie we were favoured by a rendering of a Berkshire version of this story by Mr Graham. In fact he broke forth into song & was assisted in the chorus refrain by the whole Club who sang with differing emphasis "And I'll be true to my love - if my love'll be true to me". part 3. Romance Shading into History reading Sir Patrick Spens Mr R.H. Robson [ditto] Bonnie house of Airly [sic] Mr H.R. Smith Part 4. Greenwood & Robin Hood Reading Nut Brown Maid Mr & Mrs Evans [ditto] Death of Robin Hood Mr Rawlings H.M. Wallis read at this stage an interesting paper upon the subject [contents summarised] Part 5. Later History Reading Battle of Otterburn Miss Marriage [ditto] Helen of Kirconnel H.M. Wallis Part 6. Showing gradual decline Song Bailiff's Daughter of Islington Mrs Robson Reading Undaunted Mary Mrs Rawlings Song Mowing the Barley All Song The Wealthy Farmer's Son Mr & Mrs Unwin'

Century: 1900-1945     Reader/Listener/Group: Henry Marriage Wallis      Manuscript: Unknown

  

 : Sir Patrick Spens

'The subject of the evening, 'Ballads', now occupied attention. From an introductory paper prepared by Mary Hayward & from readings by Rosamund Wallis we learnt what a ballad is or was & is not. [this is summarised at length] The programme was divided into six parts dealing with the six main varieties of ballads. Some of these ballads were read & others were sung. Part 1. dealing with Magic Song The Two Musicians Mr & Mrs Unwin Reading The Demon Lover Mr Rawlings [ditto] Thomas the Rhymer Miss R Wallis Part 2. Stories of Romance Song Lord Rendel The Book Club Reading Edward Edward (Binnorie) R.B Graham Instead of Binnorie we were favoured by a rendering of a Berkshire version of this story by Mr Graham. In fact he broke forth into song & was assisted in the chorus refrain by the whole Club who sang with differing emphasis "And I'll be true to my love - if my love'll be true to me". part 3. Romance Shading into History reading Sir Patrick Spens Mr R.H. Robson [ditto] Bonnie house of Airly [sic] Mr H.R. Smith Part 4. Greenwood & Robin Hood Reading Nut Brown Maid Mr & Mrs Evans [ditto] Death of Robin Hood Mr Rawlings H.M. Wallis read at this stage an interesting paper upon the subject [contents summarised] Part 5. Later History Reading Battle of Otterburn Miss Marriage [ditto] Helen of Kirconnel H.M. Wallis Part 6. Showing gradual decline Song Bailiff's Daughter of Islington Mrs Robson Reading Undaunted Mary Mrs Rawlings Song Mowing the Barley All Song The Wealthy Farmer's Son Mr & Mrs Unwin'

Century: 1900-1945     Reader/Listener/Group: Reginald Robson      Print: Unknown

  

 : Helen of Kirconnel

'The subject of the evening, 'Ballads', now occupied attention. From an introductory paper prepared by Mary Hayward & from readings by Rosamund Wallis we learnt what a ballad is or was & is not. [this is summarised at length] The programme was divided into six parts dealing with the six main varieties of ballads. Some of these ballads were read & others were sung. Part 1. dealing with Magic Song The Two Musicians Mr & Mrs Unwin Reading The Demon Lover Mr Rawlings [ditto] Thomas the Rhymer Miss R Wallis Part 2. Stories of Romance Song Lord Rendel The Book Club Reading Edward Edward (Binnorie) R.B Graham Instead of Binnorie we were favoured by a rendering of a Berkshire version of this story by Mr Graham. In fact he broke forth into song & was assisted in the chorus refrain by the whole Club who sang with differing emphasis "And I'll be true to my love - if my love'll be true to me". part 3. Romance Shading into History reading Sir Patrick Spens Mr R.H. Robson [ditto] Bonnie house of Airly [sic] Mr H.R. Smith Part 4. Greenwood & Robin Hood Reading Nut Brown Maid Mr & Mrs Evans [ditto] Death of Robin Hood Mr Rawlings H.M. Wallis read at this stage an interesting paper upon the subject [contents summarised] Part 5. Later History Reading Battle of Otterburn Miss Marriage [ditto] Helen of Kirconnel H.M. Wallis Part 6. Showing gradual decline Song Bailiff's Daughter of Islington Mrs Robson Reading Undaunted Mary Mrs Rawlings Song Mowing the Barley All Song The Wealthy Farmer's Son Mr & Mrs Unwin'

Century: 1900-1945     Reader/Listener/Group: Henry Marriage Wallis      Print: Unknown

  

George Burrow : [paper on Dr Johnson]

'The evening was then devoted to Samuel Johnson as seen through the biography of Boswell. Two papers were contributed. By Mr Burrow on "a Second Hand Book" which threw an interesting sidelight on Dr Johnson & By H.R. Smith who gave us an interesting account of the biographer. Readings from the biography were given by Mr Rawlings, Mr Unwin, Mr Evans & Mr Wallis, Mr Robson'.

Century: 1900-1945     Reader/Listener/Group: George Burrow      Manuscript: Unknown

  

James Boswell : Life of Johnson

'The evening was then devoted to Samuel Johnson as seen through the biography of Boswell. Two papers were contributed. By Mr Burrow on "a Second Hand Book" which threw an interesting sidelight on Dr Johnson & By H.R. Smith who gave us an interesting account of the biographer. Readings from the biography were given by Mr Rawlings, Mr Unwin, Mr Evans & Mr Wallis, Mr Robson'.

Century: 1900-1945     Reader/Listener/Group: Reginald Robson      Print: Book

  

James Boswell : Life of Johnson

'The evening was then devoted to Samuel Johnson as seen through the biography of Boswell. Two papers were contributed. By Mr Burrow on "a Second Hand Book" which threw an interesting sidelight on Dr Johnson & By H.R. Smith who gave us an interesting account of the biographer. Readings from the biography were given by Mr Rawlings, Mr Unwin, Mr Evans & Mr Wallis, Mr Robson'.

Century: 1900-1945     Reader/Listener/Group: Henry Marriage Wallis      Print: Book

  

Henry Marriage Wallis : [paper on Laurence Housman]

'The rest of the evening was devoted to the works of Laurence Housman. Most of the members had seen & heard Mr Housman recently so there is no need to give any personal details & H.M. Wallis's encyclopaedic summary of Housman's artistic gifts & works put us in touch with the versatility of the man. "A charming man" says H.M.W. & so say all of us tho' I'm not sure whether someone did not say "a little effeminate". It was news perhaps to some to know that "An Englishwoman's Love Letters" published some years ago anonymously were by Housman. The bill of fare was varied & we were introduced to a novel, a St Francis play, a Victorian play & the Child's Guide to Knowledge. The choice whether conscious or otherwise gave us a rather curious result for in the main it dealt with the struggles & characters of women. Mrr & Mrs Evans dealt with The Sheepfold which relates the spirited history of a woman, 'Jane Sterling'. R.B. Graham chose out of all the St Francis cycle the coming of Sister Clair into the monkish community. Miss Marriage. E.E. Unwin & Alfred Rawlings gave a part-reading of "The Queen God Bless Her" which brought into prominence the foibles of Victoria and showed her in relation to two intimates, John Brown her favourite man-servant & Beaconsfield - her favourite minister. There was but little time left for R.H. Robson to display the fun of "A Child's Guide to Knowledge".'

Century: 1900-1945     Reader/Listener/Group: Henry Marriage Wallis      Manuscript: Unknown

  

Reginald Robson : [paper on Housman's 'New Child's Guide to Knowledge']

'The rest of the evening was devoted to the works of Laurence Housman. Most of the members had seen & heard Mr Housman recently so there is no need to give any personal details & H.M. Wallis's encyclopaedic summary of Housman's artistic gifts & works put us in touch with the versatility of the man. "A charming man" says H.M.W. & so say all of us tho' I'm not sure whether someone did not say "a little effeminate". It was news perhaps to some to know that "An Englishwoman's Love Letters" published some years ago anonymously were by Housman. The bill of fare was varied & we were introduced to a novel, a St Francis play, a Victorian play & the Child's Guide to Knowledge. The choice whether conscious or otherwise gave us a rather curious result for in the main it dealt with the struggles & characters of women. Mrr & Mrs Evans dealt with The Sheepfold which relates the spirited history of a woman, 'Jane Sterling'. R.B. Graham chose out of all the St Francis cycle the coming of Sister Clair into the monkish community. Miss Marriage. E.E. Unwin & Alfred Rawlings gave a part-reading of "The Queen God Bless Her" which brought into prominence the foibles of Victoria and showed her in relation to two intimates, John Brown her favourite man-servant & Beaconsfield - her favourite minister. There was but little time left for R.H. Robson to display the fun of "A Child's Guide to Knowledge".'

Century: 1900-1945     Reader/Listener/Group: Reginald Robson      Manuscript: Unknown

  

Laurence Housman : Englishwoman's Love-letters, An

'The rest of the evening was devoted to the works of Laurence Housman. Most of the members had seen & heard Mr Housman recently so there is no need to give any personal details & H.M. Wallis's encyclopaedic summary of Housman's artistic gifts & works put us in touch with the versatility of the man. "A charming man" says H.M.W. & so say all of us tho' I'm not sure whether someone did not say "a little effeminate". It was news perhaps to some to know that "An Englishwoman's Love Letters" published some years ago anonymously were by Housman. The bill of fare was varied & we were introduced to a novel, a St Francis play, a Victorian play & the Child's Guide to Knowledge. The choice whether conscious or otherwise gave us a rather curious result for in the main it dealt with the struggles & characters of women. Mrr & Mrs Evans dealt with The Sheepfold which relates the spirited history of a woman, 'Jane Sterling'. R.B. Graham chose out of all the St Francis cycle the coming of Sister Clair into the monkish community. Miss Marriage. E.E. Unwin & Alfred Rawlings gave a part-reading of "The Queen God Bless Her" which brought into prominence the foibles of Victoria and showed her in relation to two intimates, John Brown her favourite man-servant & Beaconsfield - her favourite minister. There was but little time left for R.H. Robson to display the fun of "A Child's Guide to Knowledge".'

Century: 1900-1945     Reader/Listener/Group: Henry Marriage Wallis      Print: BookManuscript: Unknown

  

Laurence Housman : New Child's Guide to Knowledge

'The rest of the evening was devoted to the works of Laurence Housman. Most of the members had seen & heard Mr Housman recently so there is no need to give any personal details & H.M. Wallis's encyclopaedic summary of Housman's artistic gifts & works put us in touch with the versatility of the man. "A charming man" says H.M.W. & so say all of us tho' I'm not sure whether someone did not say "a little effeminate". It was news perhaps to some to know that "An Englishwoman's Love Letters" published some years ago anonymously were by Housman. The bill of fare was varied & we were introduced to a novel, a St Francis play, a Victorian play & the Child's Guide to Knowledge. The choice whether conscious or otherwise gave us a rather curious result for in the main it dealt with the struggles & characters of women. Mrr & Mrs Evans dealt with The Sheepfold which relates the spirited history of a woman, 'Jane Sterling'. R.B. Graham chose out of all the St Francis cycle the coming of Sister Clair into the monkish community. Miss Marriage. E.E. Unwin & Alfred Rawlings gave a part-reading of "The Queen God Bless Her" which brought into prominence the foibles of Victoria and showed her in relation to two intimates, John Brown her favourite man-servant & Beaconsfield - her favourite minister. There was but little time left for R.H. Robson to display the fun of "A Child's Guide to Knowledge".'

Century: 1900-1945     Reader/Listener/Group: Reginald Robson      Print: BookManuscript: Unknown

  

Vera Brittain : Testament of Youth

'Yet the previous December, after reading my first nine chapters, G. had written to me at Halifax: "Your book, I think, is a very great, a very moving book...powerful, significant, important - for me it is oppressive also - to it I am an outsider, intruding, shamefaced, feeling very unworthy, painfully unworthy to the verge of tears."

Century: 1900-1945     Reader/Listener/Group: George Catlin      Print: Book

  

 : 

'On the plane I saw in the paper of the fellow ahead of me, "Le Marechal Pilzudski est mort hier".'

Century: 1900-1945     Reader/Listener/Group: George Catlin      Print: Newspaper

  

Anatole France : Penguin Island

'Miss Marriage then gave us some notes on Anatole France [sic] Life with references to some of his work & the order of their production. F.E. Pollard read an amusing account of an unconventional dinner party from "La Reine Pedauque" & A. Rawlings gave us some extracts from "The Memoirs of Abbe Coignard". After supper R.H. Robson amused us with the story of the Baptism of the penguins by the Blessed Mael "Penguin Island" & Mrs Evans gave us a glimpse of France's more sober philosophy in a series of short essays from "The Garden of Epicures". Mrs Rawlings read a charming passage on Joan of Arc and Miss Marriage read us one of the cynical passages from a novel "The Red Lily".'

Century: 1900-1945     Reader/Listener/Group: Reginald Robson      Print: Book

  

John Masefield : 

'Mr Burrow then introduced John Masefield's work setting out the little publicly known of his life following with a short review of his work and a few hints as to the topgraphy of his poems. C.I. Evans then read three short poems "Sea Change", "Cargoes" & "Ships" which well illustrated the poet's love of Ships & the Sea. H.R. Smith read from the earlier part of "Reynard the Fox" illustrating his love of energy the open air & his vivid portraiture of very round human types. This was followed by an interesting discussion on the quality of Masefield's work. H.M. Wallis read a moving passage from Gallipoli. After supper Mrs Reynolds read several short poems of personal feeling Tewkesbury Rd, Beauty, I Went into the Fields, Laugh & be Merry & By a Bierside. To conclude the evening Mr Burrow read the latter portion of "The Everlasting Mercy".'

Century: 1900-1945     Reader/Listener/Group: George Burrow      Print: Book

  

John Masefield : 'Everlasting Mercy, The'

'Mr Burrow then introduced John Masefield's work setting out the little publicly known of his life following with a short review of his work and a few hints as to the topgraphy of his poems. C.I. Evans then read three short poems "Sea Change", "Cargoes" & "Ships" which well illustrated the poet's love of Ships & the Sea. H.R. Smith read from the earlier part of "Reynard the Fox" illustrating his love of energy the open air & his vivid portraiture of very round human types. This was followed by an interesting discussion on the quality of Masefield's work. H.M. Wallis read a moving passage from Gallipoli. After supper Mrs Reynolds read several short poems of personal feeling Tewkesbury Rd, Beauty, I Went into the Fields, Laugh & be Merry & By a Bierside. To conclude the evening Mr Burrow read the latter portion of "The Everlasting Mercy".'

Century: 1900-1945     Reader/Listener/Group: George Burrow      Print: Book

  

John Masefield : Gallipoli

'Mr Burrow then introduced John Masefield's work setting out the little publicly known of his life following with a short review of his work and a few hints as to the topgraphy of his poems. C.I. Evans then read three short poems "Sea Change", "Cargoes" & "Ships" which well illustrated the poet's love of Ships & the Sea. H.R. Smith read from the earlier part of "Reynard the Fox" illustrating his love of energy the open air & his vivid portraiture of very round human types. This was followed by an interesting discussion on the quality of Masefield's work. H.M. Wallis read a moving passage from Gallipoli. After supper Mrs Reynolds read several short poems of personal feeling Tewkesbury Rd, Beauty, I Went into the Fields, Laugh & be Merry & By a Bierside. To conclude the evening Mr Burrow read the latter portion of "The Everlasting Mercy".'

Century: 1900-1945     Reader/Listener/Group: Henry Marriage Wallis      

  

Arthur Quiller-Couch : 'Once aboard the lugger'

'Mr Robson then gave us some short notes on Sir A.T. Quiller Couch and read us his short story "Once aboard the lugger". H.M. Wallis gave us an appreciation of 'Q's' work & read a tragic short story & poem. Mr Evans read from Couch's lecture on the Art of Writing an Interlude on Jargon. H.R. Smith read from the Mayor of Troy Mr Stansfield whose health unfortunately did not allow him to be present sent a short appreciation of Quiller Couch's novel Pho & Farrell [sic] and Miss Marriage read a short story (very sad). Perhaps the selection of his work put before us was a little one-sided for the club certainly got the impression of a writer too fond of the gloom & pain of life'.

Century: 1900-1945     Reader/Listener/Group: Reginald Robson      Print: Book

  

Arthur Quiller-Couch : [a short story]

'Mr Robson then gave us some short notes on Sir A.T. Quiller Couch and read us his short story "Once aboard the lugger". H.M. Wallis gave us an appreciation of 'Q's' work & read a tragic short story & poem. Mr Evans read from Couch's lecture on the Art of Writing an Interlude on Jargon. H.R. Smith read from the Mayor of Troy Mr Stansfield whose health unfortunately did not allow him to be present sent a short appreciation of Quiller Couch's novel Pho & Farrell [sic]and Miss Marriage read a short story (very sad). Perhaps the selection of his work put before us was a little one-sided for the club certainly got the impression of a writer too fond of the gloom & pain of life'.

Century: 1900-1945     Reader/Listener/Group: Henry Marriage Wallis      Print: Book

  

Arthur Quiller-Couch : [a poem]

'Mr Robson then gave us some short notes on Sir A.T. Quiller Couch and read us his short story "Once aboard the lugger". H.M. Wallis gave us an appreciation of 'Q's' work & read a tragic short story & poem. Mr Evans read from Couch's lecture on the Art of Writing an Interlude on Jargon. H.R. Smith read from the Mayor of Troy Mr Stansfield whose health unfortunately did not allow him to be present sent a short appreciation of Quiller Couch's novel Pho & Farrell [sic] and Miss Marriage read a short story (very sad). Perhaps the selection of his work put before us was a little one-sided for the club certainly got the impression of a writer too fond of the gloom & pain of life'.

Century: 1900-1945     Reader/Listener/Group: Henry Marriage Wallis      Print: Book

  

Arthur Quiller-Couch : 

'Mr Robson then gave us some short notes on Sir A.T. Quiller Couch and read us his short story "Once aboard the lugger". H.M. Wallis gave us an appreciation of 'Q's' work & read a tragic short story & poem. Mr Evans read from Couch's lecture on the Art of Writing an Interlude on Jargon. H.R. Smith read from the Mayor of Troy Mr Stansfield whose health unfortunately did not allow him to be present sent a short appreciation of Quiller Couch's novel Pho & Farrell [sic] and Miss Marriage read a short story (very sad). Perhaps the selection of his work put before us was a little one-sided for the club certainly got the impression of a writer too fond of the gloom & pain of life'.

Century: 1900-1945     Reader/Listener/Group: Henry Marriage Wallis      Print: Book

  

Mary Robinson : 'pastoral [poem]'

'I was correcting a proof sheet of my volume [of poetry], when the servant abruptly announced Mr. Fitzgerald! [...] The next subject of praise [following Fitzgerald's compliments on Robinson's baby daughter] was my poetry [...] Mr. Fitzgerald took up the proof sheet and read one of the pastorals.'

Century: 1700-1799     Reader/Listener/Group: George Robert Fitzgerald      Print: Unknown, In publisher's proofs

  

George Burrow : [paper on George Sand]

'Mr Geo Burrow read a paper on George Sand indicating her semi-patrician origin & the County surroundings in which she lived. We were given some indication of her passionate nature & of how the various subjects of her passion were first adored on a pedestal & then fell through successive states to one of severe criticism if not contempt. The apt epigram was quoted that "George Sand did not behave as a perfect Gentleman". Readings as under from her work were then given, bringing out her love of country life & her considerable powers of descriptive writing, also the romantic cast of her tales. From Tillage of the Soil Celia Burrow Consuelo H.R. Smith The Devil's Pool C.E. Stansfield Countess of Rudolfstadt F.E. Reynolds'.

Century: 1900-1945     Reader/Listener/Group: George Burrow      Manuscript: Unknown

  

Sabine Baring-Gould : John Herring

'H.R. Smith gave a brief outline of S. Baring Gould's Life following which H.M. Wallis read from "John Herring" a Dartmoor tale. He also gave us a short criticism of Baring Gould's work from which we learn that he wrote too fast for revision and his fiction was marred by many improbabilities. In short a maker of books rather than an artist. After supper Mrs Pollard read from The Broom Squire and E.A. Smith gave us an appreciation of our Author more favourable than H.M.W.'s perhaps because it dealt mainly with the archaeological side of his work. F.G. Pollard kindly took C.I. Evans' place (he had lost his voice) by reading from "Strange Survivals & Supersititions" & H.R. Smith read from "The Vicar of Morwenstow".'

Century: 1900-1945     Reader/Listener/Group: Henry Marriage Wallis      Print: Book

  

Sabine Baring-Gould : 

'H.R. Smith gave a brief outline of S. Baring Gould's Life following which H.M. Wallis read from "John Herring" a Dartmoor tale. He also gave us a short criticism of Baring Gould's work from which we learn that he wrote too fast for revision and his fiction was marred by many improbabilities. In short a maker of books rather than an artist. After supper Mrs Pollard read from The Broom Squire and E.A. Smith gave us an appreciation of our Author more favourable than H.M.W.'s perhaps because it dealt mainly with the archaeological side of his work. F.G. Pollard kindly took C.I. Evans' place (he had lost his voice) by reading from "Strange Survivals & Superstitions" & H.R. Smith read from "The Vicar of Morwenstow".'

Century: 1900-1945     Reader/Listener/Group: Henry Marriage Wallis      Print: Book

  

Anthony Trollope : Warden, The

'The rest of the evening was devoted to Anthony Trollope. C.E. Stansfield read an amusing passage from Dr Thorne. H.M. Wallis gave us a full & racy sketch of Trollopes life interspersed with short extracts from his works illustrative of his love of Fox hunting & his broad grasp of the social life of English upper class & clerical life. H.R. Smith read from "The Prime Minister" & F.E. Pollard gave a short appreciation of Trollopes work from which it appeared that he was not quite in the first rank of Victoriann writers, he does not attempt the greatest problems but he does quite perfectly the job he sets out to do; his pictures of life are real his, [sic] characters are not mere puppets but are all alive. R.H. Robson read from the Warden & F.E. Pollard from "the three Clerks" bringing to a conclusion a delightful evening in which many renewed old acquaintances whilst others were introduced to much that was new to them.'

Century: 1900-1945     Reader/Listener/Group: Reginald Robson      Print: Book

  

Henry Marriage Wallis : [essay on Trollope, with extracts from his works]

'The rest of the evening was devoted to Anthony Trollope. C.E. Stansfield read an amusing passage from Dr Thorne. H.M. Wallis gave us a full & racy sketch of Trollopes life interspersed with short extracts from his works illustrative of his love of Fox hunting & his broad grasp of the social life of English upper class & clerical life. H.R. Smith read from "The Prime Minister" & F.E. Pollard gave a short appreciation of Trollopes work from which it appeared that he was not quite in the first rank of Victorian writers, he does not attempt the greatest problems but he does quite perfectly the job he sets out to do; his pictures of life are real his, [sic] characters are not mere puppets but are all alive. R.H. Robson read from the Warden & F.E. Pollard from "the three Clerks" bringing to a conclusion a delightful evening in which many renewed old acquaintances whilst others were introduced to much that was new to them.'

Century: 1900-1945     Reader/Listener/Group: Henry Marriage Wallis      Manuscript: Unknown

  

Anthony Trollope : 

'The rest of the evening was devoted to Anthony Trollope. C.E. Stansfield read an amusing passage from Dr Thorne. H.M. Wallis gave us a full & racy sketch of Trollopes life interspersed with short extracts from his works illustrative of his love of Fox hunting & his broad grasp of the social life of English upper class & clerical life. H.R. Smith read from "The Prime Minister" & F.E. Pollard gave a short appreciation of Trollopes work from which it appeared that he was not quite in the first rank of Victorian writers, he does not attempt the greatest problems but he does quite perfectly the job he sets out to do; his pictures of life are real his, [sic] characters are not mere puppets but are all alive. R.H. Robson read from the Warden & F.E. Pollard from "the three Clerks" bringing to a conclusion a delightful evening in which many renewed old acquaintances whilst others were introduced to much that was new to them.'

Century: 1900-1945     Reader/Listener/Group: Henry Marriage Wallis      Print: Book

  

Mark Rutherford [pseud.] : 

'The Club then turned its attention to Mark Rutherford. Mr Burrow gave some outline of Hale White [sic] life telling us how he had passed through several occupations student for Ministry School Master & Publisher's Assistant before settling down as an Author and Admiralty Official. In style he is simple & effective in manner he reminds sometimes of Hardy or Gissing. Three of his novels are semi-biographical & have the interest that attaches to a truthful diary. The rest of the evening was devoted to Readings designed to give us an insight into different aspects of his work. We gathered that although his plots were poor & scrappy his characters were vivid & intensely living. The readings were as followed. R.B. Graham & F.E. Pollard from Autobiography of Mark Rutherford Mrs Evans A Series of Character Sketches Mrs Robson Revolution in Tanners Lane Mrs Reynolds Catherine [sic] Furze Mrs Burrow Mark Rutherfords Deliverance.'

Century: 1900-1945     Reader/Listener/Group: George Burrow      Print: Book

  

George Burrow : [paper on Mark Rutherford]

'The Club then turned its attention to Mark Rutherford. Mr Burrow gave some outline of Hale White [sic] life telling us how he had passed through several occupations student for Ministry School Master & Publisher's Assistant before settling down as an Author and Admiralty Official. In style he is simple & effective in manner he reminds sometimes of Hardy or Gissing. Three of his novels are semi-biographical & have the interest that attaches to a truthful diary. The rest of the evening was devoted to Readings designed to give us an insight into different aspects of his work. We gathered that although his plots were poor & scrappy his characters were vivid & intensely living. The readings were as followed. R.B. Graham & F.E. Pollard from Autobiography of Mark Rutherford Mrs Evans A Series of Character Sketches Mrs Robson Revolution in Tanners Lane Mrs Reynolds Catherine [sic] Furze Mrs Burrow Mark Rutherfords Deliverance.'

Century: 1900-1945     Reader/Listener/Group: George Burrow      Manuscript: Unknown

  

George Gordon, Lord Byron : 'Isles of Greece, The'

'H.R. Smith then gave some account of Lord Byron's Life. Mrs Burrough [sic] read part of Mazzeppa [sic]. C.E Stansfield then read a critique of Byron's work showing he belonged to the Romantic Movement especially as it was a Recoil of the Human Spirit against Tyranny. His work is witty & vitriolic full of energy & passion. Mr Robson expounded Childe Harold to us and Alfred Rawlings read to us from the same poem 4th canto. Mr Robson then read The Isles of Greece and Mr Pollard a stirring passage the Giaour'

Century: 1900-1945     Reader/Listener/Group: Reginald Robson      Print: Book

  

George Gordon, Lord Byron : Childe Harold's Pilgrimage

'H.R. Smith then gave some account of Lord Byron's Life. Mrs Burrough [sic] read part of Mazzeppa [sic]. C.E Stansfield then read a critique of Byron's work showing he belonged to the Romantic Movement especially as it was a Recoil of the Human Spirit against Tyranny. His work is witty & vitriolic full of energy & passion. Mr Robson expounded Childe Harold to us and Alfred Rawlings read to us from the same poem 4th canto. Mr Robson then read The Isles of Greece and Mr Pollard a stirring passage the Giaour'

Century: 1900-1945     Reader/Listener/Group: Reginald Robson      Print: Book

  

William de Morgan : Alice for Short

'The evening's subject of William de Morgan was introduced by Geo Burrow who gave some account of his life drawing attention to his whimsical nature & unpractical business methods. Mrs Rawlings read a powerful but sad scene of shipwreck from Joseph Vance. F.E. Pollard chatted on the novels emphasizing their apparent but not real shapelessness the author's great interest in problems of memory the reality of the conversations the way in which characters were drawn & well drawn in all kinds of situations & from all ranks of society. The ensuing discussion showed how the healthy & delightful tone of the books had been enjoyed. R.H. Robson & H.R. Smith read from Alice for short & Somehow Good & A. Rawlings gave some account of De Morgan's methods on his tiles & pottery.'

Century: 1900-1945     Reader/Listener/Group: Reginald Robson      Print: Book

  

Walt Whitman : 'Memories of President Lincoln'

'F.E. Pollard gave some account of Walt Whitman's Life indicating the variety of livelyhood [sic] & of expression which he sought he also told us something of the leading ideas expressed in his work "The Splendour of Life" World wide Comradeship Immortality Freedom Broad Vistas. Geo Burrow read from the poem Memories of President Lincoln. After supper R.B. Graham read Captain, My Captain & Manhattan Faces. F.E. Pollard sang "Ethiopian Saluting the Colours". R.H. Robson amused us by reading passages showing Whitman's fondness for lists. In the discussion which concluded the evening it was concluded that whilst Whitman is often effective his poems are often not poetry.'

Century: 1900-1945     Reader/Listener/Group: George Burrow      Print: Book

  

Walt Whitman : 

'F.E. Pollard gave some account of Walt Whitman's Life indicating the variety of livelyhood [sic] & of expression which he sought he also told us something of the leading ideas expressed in his work "The Splendour of Life" World wide Comradeship Immortality Freedom Broad Vistas. Geo Burrow read from the poem Memories of President Lincoln. After supper R.B. Graham read Captain, My Captain & Manhattan Faces. F.E. Pollard sang "Ethiopian Saluting the Colours". R.H. Robson amused us by reading passages showing Whitman's fondness for lists. In the discussion which concluded the evening it was concluded that whilst Whitman is often effective his poems are often not poetry.'

Century: 1900-1945     Reader/Listener/Group: Reginald Robson      Print: Book

  

Herman Melville : Moby Dick

'The subject for the evening Herman Melville was then proceeded with & R.H. Robson gave a short account of his life following which Mrs Robson read two passages from Typee. After supper R.B. Graham C.I. Evans K.S. Evans Geo Burrow & H.R. Smith gave readings from Moby Dick giving us glimpses of the power & wonder of this work of genius.'

Century: 1900-1945     Reader/Listener/Group: George Burrow      Print: Book

  

Hugh Walpole : Cathedral, The

'The subject for the evening Hugh Walpole was then taken F.E. Pollard giving us a brief outline of the writer's life. Mrs Robson read from "Fortitude" & Mrs Pollard from "The Secret City". After supper the Secretary attempted some analysis & estimate of Walpoles work which was followed by some discussion. Mr Stansfield read from "Jeremy" & in conclusion Mr Robson read from "The Cathedral". An interesting evening about work which both attracts & repels. The man perhaps just missing greatness but frequently gripping us by powerful intriguing work.'

Century: 1900-1945     Reader/Listener/Group: Reginald Robson      Print: Book

  

Ariosto : Orlando Furioso

Margaret Collier to Samuel Richardson, from Ryde, 3 October 1755: 'I met with some lines the other day in a translation of a famous Italian poet, which in a few expressive words, gives a better account of this sweet country, than I could in a hundred [quotes eight lines opening "She wishes much to tarry in this land ..."]. This poem was the only book of amusement I brought with me; it is called Ariosto,; or, Orlando Furioso, and is, in its way, a most wonderful piece of imagination, and really a very extraordinary work.'

Century: 1700-1799     Reader/Listener/Group: Margaret Collier      Print: Book

  

Samuel Richardson : Clarissa

Margaret Collier to Samuel Richardson, from Ryde, 31 December 1755: 'My good old folks were desirous that I should read Clarissa to them, which gave me a fourth time the pleasure of going through that admirable work; they never read it nor heard of it till now, and are so delighted, and so interested for your beloved sweet girl [i.e. character Clarissa], that you cannot imagine what a new entertainment it is to me to hear the remarks, and the observations they make, and this from minds so innocent and ignorant of the world as they seem.'

Century: 1700-1799     Reader/Listener/Group: Margaret Collier      Print: Book

  

Samuel Richardson : Clarissa

Margaret Collier to Samuel Richardson, from Ryde, 31 December 1755: 'My good old folks were desirous that I should read Clarissa to them, which gave me a fourth time the pleasure of going through that admirable work; they never read it nor heard of it till now, and are so delighted, and so interested for your beloved sweet girl [i.e. character Clarissa], that you cannot imagine what a new entertainment it is to me to hear the remarks, and the observations they make, and this from minds so innocent and ignorant of the world as they seem.'

Century: 1700-1799     Reader/Listener/Group: Margaret Collier      Print: Book

  

 : newspapers

Margaret Collier to Samuel Richardson, from Ryde, 31 December 1755: 'I still feel anxiety, painful anxiety, for some good account of those I knew and esteemed at Lisbon [...] I see the public newspapers pretty constantly, and have watched earnestly for some account amongst the English who got on board ships and are coming to England [...] but am not yet satisfied. But how terribly extensive have these shocks been! Sure never was heard of an earthquake being felt so far, and in so many places, and so many leagues at sea, as this before!'

Century: 1700-1799     Reader/Listener/Group: Margaret Collier      Print: Newspaper

  

Samuel Richardson : Sir Charles Grandison

Margaret Collier to Samuel Richardson, from Ryde, 11 February 1756: 'My good old folks --you can't think how I love them! -- the more I believe, because they hearken with such attention and admiration to Clarissa and Sir Charles Grandison, which latter I have now begun to them [sic]. They believe both Clarissa and Sir Charles to be real stories, and no work of imagination, and I don't care to undeceive them. The good man is more than three score, he believes [...] They love each other, and the husband rejoices in the balance of sense being of her side, which it is, in some degree, and glories in her being able to read and write, which he can scarcely do.'

Century: 1700-1799     Reader/Listener/Group: Margaret Collier      Print: Book

  

Johannes Wilhelm Meinhold : "The Amber Witch"

'After refreshment Geo Burrow told us of Meinholt's [sic] book "The Amber Witch" & of witchcraft & Howard R. Smith read a story written by H.M. Wallis who was unable to be present entitled "The Price of his Soul" dealing with sin eating in Wales'.

Century: 1900-1945     Reader/Listener/Group: George Burrow      Print: Book

  

Henry Marriage Wallis : [paper on geology]

'C.I. Evans read a short essay on W.H. Hudsons story Green Mansions H.R. Smith followed on Rates & Taxes & Geo Burrow read a short paper of H.M. Wallis on some points in recent Geology'.

Century: 1900-1945     Reader/Listener/Group: George Burrow      Manuscript: Unknown

  

Charles Lamb : [letters]

'Letters & Letter writing were then proceeded with. Mrs Burrow read three letters of William Cowper characteristically interesting & amusing. Mrs C. Elliott read in French two amusing letters one by Madame de Sevigny & one by Victor Hugo. C. I. Evans read two [?] Ladies Battle & K.S. Evans two by R.L. Stevenson F.E. Pollard read letters by G.B. Shaw & J.M. Barrie to Mrs Patrick Campbell on the death of her son killed in action. Geo Burrow read several characteristic epistles of Charles Lamb & Howard R. Smith part of a letter by Lord Chesterfield to his son. The Club were also much interested by seeing a number of Autograph letters from famous folk shown by various members of the Club.'

Century: 1900-1945     Reader/Listener/Group: George Burrow      Print: Unknown

  

Elizabeth Carter : 'To a Lady Fond of Life'

[Catherine Talbot to Elizabeth Carter, 7 February 1755:] 'Did not you permit Miss Highmore to give [Mrs Donnelon] a copy of your poem "To a Lady fond of Life?" She shewed it lately to Sir George Lyttleton, who thought and spoke of it as he ought, and earnestly begged for a copy. This she was too honourable to grant. The Bishop of Oxford says she was [italics] too [end italics] scrupulous.'

Century: 1700-1799     Reader/Listener/Group: Sir George Lyttleton      Manuscript: Unknown

  

J. C. Squires : [poem possibly entitled 'Birds']

'The Club then listened to a variety of readings from modern poets as follows: A Rawlings Extracts from "The Art of Poetry" T.C. Eliott from Chesterton's "Lepanto" Mrs Evans some verses by Colin D. B. Ellis R. H. Robson from J. C. Squires "Birds" D. Brain from Noyes' "Torch Bearers" C. I. Evans from Thos Hardy G. Burrow poems by his brother F. E. Pollard from Siegfried Sassoon Mrs Pollard from W. Watson's "Lakeland" C. E. Stansfield from Rupert Brooke A. Rawlings from E. V. Lucas & Lang Jones'.

Century: 1900-1945     Reader/Listener/Group: Reginald Robson      Print: Book

  

Burrow : [poems]

'The Club then listened to a variety of readings from modern poets as follows: A Rawlings Extracts from "The Art of Poetry" T.C. Eliott from Chesterton's "Lepanto" Mrs Evans some verses by Colin D. B. Ellis R. H. Robson from J. C. Squires "Birds" D. Brain from Noyes' "Torch Bearers" C. I. Evans from Thos Hardy G. Burrow poems by his brother F. E. Pollard from Siegfried Sassoon Mrs Pollard from W. Watson's "Lakeland" C. E. Stansfield from Rupert Brooke A. Rawlings from E. V. Lucas & Lang Jones'.

Century: 1900-1945     Reader/Listener/Group: George Burrow      Print: Book

  

 : [reading about the Garden of Eden]

'The subject of the evening "Gardens" was then taken. Geo Burrow reminded us that the world began in the garden of Eden. Miss Bowman-Smith played Debussy's "Garden Under the Rain" Miss D. Brain gave us an essay on Hampton Court gardens & their history. F.E. Pollard a song Summer Afternoon Rosamund Wallis read from Sir Wm Temple on Gardens Mrs F. E. Pollard read Michael Drayton's Daffodil Alfred Rawlings charmed us by showing a series of his Water Colour drawings "Gardens I have Known" Mrs Robson sang two songs June Rapture & Unfolding After supper Mrs Stansfield read a paper by Mr Stansfield who was prevented by a severe cold from being present on Gardening in which he showed how Gardening is one of the fine Arts in fact the noblest of the plastic Arts F. E. Pollard sang Andrew Marvell's "Thoughts in a Garden" Mrs Burrow read Walter de la Mare's Sunken Garden Mrs Stansfield read from The Story of my Ruin and in a concluding reading Geo Burrow brought our minds back to the Garden of Eden'.

Century: 1900-1945     Reader/Listener/Group: George Burrow      Print: Book

  

Leo Tolstoy : The Cossacks

'The subject of Tolstoy & his works was then taken. R. H. Robson gave a brief outline of his life. T. C. Elliott gave a reading from Faussett's "Inner Drama of Tolstoy". R. B. Graham gave an account of "Anna Karenina" with some short readings. After Refreshments Mrs Robson read a parable from "Master & Man" & Geo Burrow read from "The Cossacks". F. E. pollard read an essay of Tolstoy on the Russian Famine. Some general discussion of Tolstoy & his work but more especially of the man himself closed the evening'.

Century: 1900-1945     Reader/Listener/Group: George Burrow      Print: Book

  

Thomas Hardy : Far from the Madding Crowd

'F. E. Pollard read an article on Thos Hardy by Arnold Bennett S. A. Reynold [sic] spoke on Hardy's country with books & illustrations & R. H. Robson read from "Far from the Madding Crowd. T. C. Elliott read some of Hardy's poems. Mrs Rawlings read a description of Egdon Heath from "the return of the Native" Muriel B. Smith read from The Mayor of Casterbridge & Miss Brain from Tess of the d'Urbervilles. Geo Burrow gave a short introduction to & some readings from the Dynasts. In conclusion F. E. Pollard made some provocative remarks which achieved their object'.

Century: 1900-1945     Reader/Listener/Group: Reginald Robson      Print: Book

  

Thomas Hardy : Dynasts, The

'F. E. Pollard read an article on Thos Hardy by Arnold Bennett S. A. Reynold [sic] spoke on Hardy's country with books & illustrations & R. H. Robson read from "Far from the Madding Crowd. T. C. Elliott read some of Hardy's poems. Mrs Rawlings read a description of Egdon Heath from "the return of the Native" Muriel B. Smith read from The Mayor of Casterbridge & Miss Brain from Tess of the d'Urbervilles. Geo Burrow gave a short introduction to & some readings from the Dynasts. In conclusion F. E. Pollard made some provocative remarks which achieved their object'.

Century: 1900-1945     Reader/Listener/Group: George Burrow      Print: Book

  

William Makepeace Thackeray : Essay on Jonathan Swift

'Geo Burrow then read portions of Thackeray's essay on Swift. H. R. Smith read several short extracts from the Journal to Stella. After supper Miss D. Brain read several passages from Gulliver's travels & T. C. Elliott read from the Drapers Letters & explained them Alfred Rawlings read from the Tale of a Tub'.

Century: 1900-1945     Reader/Listener/Group: George Burrow      Print: Book

  

 : New York Post

'He told me later that the "New York Post" announced the conclusion of the war in Europe under the headline: "Now We Must Crush the Japs!"'

Century: 1900-1945     Reader/Listener/Group: George Catlin      Print: Newspaper

  

Charlotte Bronte : Jane Eyre

[George Henry Lewes to Elizabeth Gaskell:] 'When Jane Eyre first appeared, the publishers courteously sent me a copy. The enthusiasm with which I read it made me go down to Mr Parker, and propose to write a review of it for Fraser's Magazine [...] Meanwhile I had written to Miss Bronte to tell her the delight with which her book filled me'.

Century: 1800-1849     Reader/Listener/Group: George Henry Lewes      Print: Book

  

Charlotte Bronte : Jane Eyre

[Charlotte Bronte (as 'Currer Bell') to her publisher, W. S. Williams, 11 December 1847:] 'There are moments when I can hardly credit that anything I have done should be found worthy to give even transitory pleasure to such men as Mr Thackeray, Sir John Herschel, Mr Fonblanque, Leigh Hunt, and Mr Lewes -- that my humble efforts should have had such a result is a noble reward.'

Century: 1800-1849     Reader/Listener/Group: James Henry Leigh Hunt      Print: Book

  

Astolphe de Custine : ?Biographical Anecdotes of the Founders of the French Republic

'most striking & thrilling... twice to my mother & sisters'

Century: 1800-1849     Reader/Listener/Group: G. W. F. Howard, Lord Morpeth      Print: Book

  

William Ellery Channing : Sermon on Spiritual Freedom

'very good, rather political in character'

Century: 1800-1849     Reader/Listener/Group: G. W. F. Howard, Lord Morpeth      Print: Book

  

William Ellery Channing : Sermon on the Imitableness of Christ

'very good, with his peculiar views'

Century: 1800-1849     Reader/Listener/Group: G. W. F. Howard, Lord Morpeth      Print: Book

  

William Ellery Channing : Sermons on Love to Christ

'good, with the Unitarian views'

Century: 1800-1849     Reader/Listener/Group: G. W. F. Howard, Lord Morpeth      Print: Book

  

George Stillman Hillard : The Relation of the Poet to His Age

'a vague subject, but treated in the refined & elevated spirit peculiar to him'

Century: 1800-1849     Reader/Listener/Group: G. W. F. Howard, Lord Morpeth      Print: Book

  

Thomas Farnham : Travels in the Great Western Prairies

'written in a bad American style, turgid, & obscurely fractious, but interesting from its matter'

Century: 1800-1849     Reader/Listener/Group: G. W. F. Howard, Lord Morpeth      Print: Book

  

Astolphe de Custine : La Russia

'I have been extremely interested by it, and think it a most remarkable book, beyond measure severe, every line is written with a brand of frame, but I feel that my recollections and convictions assent the whole way… I image he does justice to the character of the Emperor, a great sovereign, not a great man; who thinks it would show weakness ever to forgive'. The reader continues to say that the book showed 'an indignation against oppression & fraud too well-grounded and too energetic not to be in great part genuine'.

Century: 1800-1849     Reader/Listener/Group: G. W. F. Howard, Lord Morpeth      Print: Book

  

William Ellery Channing : Sermon on Dr Tuckerman

'the founder of the Ministry at large, excellent. I must have talk with Ly Byron about this subject, & the similar institution that has been set on foot here'

Century: 1800-1849     Reader/Listener/Group: G. W. F. Howard, Lord Morpeth      Print: Book

  

 : [Articles on the French Revolution and Robespierre, journal unknown]

'interesting, but I should say indicative of rather a deficient moral standard & Providential recognition'

Century: 1800-1849     Reader/Listener/Group: G. W. F. Howard, Lord Morpeth      Print: Serial / periodical

  

Henry Melvill : Sermon on the Ascension

'fine imagery, but is too speculative'

Century: 1800-1849     Reader/Listener/Group: G. W. F. Howard, Lord Morpeth      Print: Unknown

  

Thomas Arnold : Sermon on the text 'except ye eat the flesh of the son of man'

'short as all his are, & excellent as almost all are'

Century: 1800-1849     Reader/Listener/Group: G. W. F. Howard, Lord Morpeth      Print: Unknown

  

William Ellery Channing : Lecture on the Present Age

'very interesting & able. I have read the entire contents of his published works, and every page has impressed upon me increased admiration, sympathy & veneration. I make of course the deduction which is to be set down to his Unitarian doctrines, though even with respect to these what I have read has led me to modify much that was uncharitable and ignorant'

Century: 1800-1849     Reader/Listener/Group: G. W. F. Howard, Lord Morpeth      Print: Book

  

Thomas Arnold : Sermon on the Three Comings of Christ

'pithy & good. He is sure never to offend, usually to instruct & amend'

Century: 1800-1849     Reader/Listener/Group: G. W. F. Howard, Lord Morpeth      Print: Book

  

Thomas Arnold : Sermon on Ceasar's Household

'Read loud… I like better & better, it is so clever & so practical'

Century: 1800-1849     Reader/Listener/Group: G. W. F. Howard, Lord Morpeth      Print: Book

  

James Kay-Shuttleworth : Proof of a report on Battersea Teacher-Training School

'full of good & useful matter'

Century: 1800-1849     Reader/Listener/Group: G. W. F. Howard, Lord Morpeth      Print: Unknown

  

George Selwyn : Correspondence

'entertained me much, though they would probably have not so much interest out of this family, to which so many of them relate. My father is much annoyed at having so many particulars disclosed'

Century: 1800-1849     Reader/Listener/Group: G. W. F. Howard, Lord Morpeth      Print: Book

  

Leighton : Sermon on Divine Grace and Obedience

'excellent, some antidote is salutary amidst such frivolities'

Century: 1800-1849     Reader/Listener/Group: G. W. F. Howard, Lord Morpeth      Print: Book

  

Charlotte Bronte : Jane Eyre

[Sidney Biddell to Ellen Nussey, 15 February 1885:]


'I am having a great treat in Cross's "Life of George Eliot." Most wonderful woman! [...] Writing to a correspondent in June 1848, she says, "I have read 'Jane Eyre' [...] All self- sacrifice is good, but one would like it to be in a somewhat nobler cause than that of a diabolical law which chains a man soul and body to a putrefying carcase. However the book is interesting; only I wish the characters would talk a little less like the heroes and heroines of police reports."'

Century: 1800-1849     Reader/Listener/Group: George Eliot      Print: Book

  

Elizabeth Gaskell : Life of Charlotte Bronte

[Sidney Biddell to Ellen Nussey, 15 February 1885:]


'I am having a great treat in Cross's "Life of George Eliot." Most wonderful woman! [...] Of Mrs Gaskell's "Life" she writes to a friend in 1857: "But there is one new book we have been enjoying [...] the "Life of Charlotte Bronte"'.

Century: 1850-1899     Reader/Listener/Group: George Eliot      Print: Book

  

Gilbert Keith Chesterton : Backfile of his own articles published in the "Daily Herald."

'One Friday afternoon I went to the [italics] Daily Herald [end italics] office to call on a friend. As I entered the building a taxi stopped at the door and I found G. K. C. [G. K. Chesterton] by my side. "I have half an hour for my article," said he, rather breathlessly. "Wait here till I come back." The first sentence was addressed to himself, the second to the taxi-driver, but as we were now in the office the driver heard nothing. Chesterton called for a back file of the [italics] Daily Herald [end italics], sat down, lit a cigar and began to read some of his old articles. I watched him. Presently he smiled. Then he laughed. Then he leaned back in his chair and roared. "Good - oh, damned good!" exclaimed he. He turned to another article and frowned a little, but a third pleased him better. After a while he pushed the papers from him and sat a while in thought.'

Century: 1900-1945     Reader/Listener/Group: Gilbert Keith Chesterton      Print: Newspaper

  

George Burrow : [A very short introduction to Elizabethan drama other than Shakespeare]

'The subject of the evening Elizabethan Drama other than Shakespear was then taken. Geo Burrow read a very short introduction to the subject.'

Century: 1900-1945     Reader/Listener/Group: George Burrow      Manuscript: Unknown

  

anon  : Arden of Faversham

'A scene was then read from The Lamentable Tragedy of Arden of Faversham T. C. Elliot taking the part of Arden[.] S A Reynolds was Franklin & Geo Burrow Michael.'

Unknown
Century: 1900-1945     Reader/Listener/Group: George Burrow      

  

Christopher Marlowe : Doctor Faustus

The Club was then much impressed by a reading from Christopher Marlows Doctor Faustus parted as under Thos. C Elliot Faustus R H Robson Metistopholes [sic] A Rawling An old Man

Unknown
Century: 1900-1945     Reader/Listener/Group: Reginald H. Robson      

  

Ben Jonson : Epicoene, or the Silent Woman

There followed an amusing passage from Ben Jonsons Silent Woman with C I Evans as Morose Geo Burrow as Mute & R H Robson as Truewit.

Unknown
Century: 1900-1945     Reader/Listener/Group: George Burrow      

  

Ben Jonson : Epicoene, or the Silent Woman

There followed an amusing passage from Ben Jonsons Silent Woman with C I Evans as Morose Geo Burrow as Mute & R H Robson as Truewit.

Unknown
Century: 1900-1945     Reader/Listener/Group: Reginald H. Robson      

  

Henry Marriage Wallis : War Time Tree Fellings

H. M. Wallis delighted us with an account of War Time Tree fellings

Century: 1900-1945     Reader/Listener/Group: Henry Marriage Wallis      Manuscript: Unknown

  

Reginald H. Robson : The Abolition of the House of Commons

'A Meeting held at 9 Denmark Rd 13/11/1928 F. E. Pollard in the chair

1. Minutes of last read and approved


[...]

8[.] Essays were read (1) Alfred Rawlings on Beauty (2) R H Robson on The Abolition of the House of Commons'

Century: 1900-1945     Reader/Listener/Group: Reginald H. Robson      Manuscript: Unknown

  

William Shakespeare : The Tempest

'A meeting held at School House 4/12/28 T. C. Elliott in the chair

1 Minutes of the last read and approved


[...]

4 The Most Part of the Tempest was then read the Play being cast as follows.
Alonso King of Naples Mrs Stansfield.
Sebastian, his brother Miss Brain.
Prsopero [sic], the right Duke of Milan Mr Stansfield.
Antonio, his brother, usurping Duke of Milan Mr Elliott.
Ferdinand, son to King of Naples Mr Reynolds.
Gonzalo, honest old Counsellor Mr Rawlings.
Adrian, a Lord Mrs Pollard
Caliban, a savage and deformed slave Mr Pollard.
Trinculo, a Jester Mr Smith.
Stephano, a Drunken Butler Mr Robson
Miranda, daughter to Prospero Miss Bowman Smith
Ariel, an airy Spirit Miss Wallis
Mrs Rawlings read the stage directions
Mrs [or Mr.?] Robson sang some of Ariel’s songs.'

Unknown
Century: 1900-1945     Reader/Listener/Group: Reginald H. Robson      

  

Victor Hugo : Toilers of the Sea (Les Travailleurs de la mer)

'A Meeting held at Oakdene 20/2/1929 S. A. Reynolds in the chair

1. Minutes of last Meeting read and approved


[...]

4. The Subject of the evening Victor Hugo was then taken[.] Howard R Smith gave a brief sketch of his life[.] Thos C. Elliott gave some estimate of Hugos verse & his position in French literature following this up by reading in French "Boaz" & Waterloo. after supper Mis Brain read from Les Miserables which was followed by some general discussion on Hugos work. R. H. Robson read from Toilers of the sea & H. B. Lawson read from Ninety three'

Century: 1900-1945     Reader/Listener/Group: Reginald H. Robson      Print: Book

  

William Shakespeare : Henry IV Part 1 (Act II scene I: the men in buckram)

'A Meeting held at Grove House May 3rd H. B. Lawson in the chair

Min 1. Minutes of last Read and approved


[...]

[Min] 4 The Subject of the evening "Humour" was then introduced by H. B. Lawson who fascinated us by his thoughtful attempts to define his subject[.] An interesting discussion followed in which the disputants backed their opinions by literary allusion and we were led to wonder if Humour flowed from F E Pollards heart & wit from R H Robsons head.

After Supper the Club settled down to enjoy the following selections chosen to represent English Humour in literature down the Ages[:]

Prologue of Chaucers Canterbury Tales The Prioress & Wife of Bath read by Howard R. Smith

Shakespeares Henry IV The Men in Buckram read by R. H Robson Fallstaff
[ditto] S. A. Reynolds Poins
[ditto] C. E. Stansfield Prince Hall [sic]
[ditto] Geo Burrow Gadshill
Jane Austin Pride & Prejudice Mr. Collins proposes
[ditto] Mrs Robson
Charles Dickens David Copperfield Mrs Micawber on her husbands career[?] Geo Burrow
Charles Lamb A Letter Alfred Rawlings
Lewis Carrols Alice in Wonderland The Lobster Quadrill Mary Reynolds
Jerome K. Jerome Three Men in a Boat Uncle Podger hangs a picture F. E. Pollard
Hilaire Belloc Cautionary Tales "George" recited by Howard R. Smith'

Century: 1900-1945     Reader/Listener/Group: Reginald H. Robson      Print: Book

  

William Shakespeare : Henry IV Part 1 (Act II scene I: the men in buckram)

'A Meeting held at Grove House May 3rd H. B. Lawson in the chair

Min 1. Minutes of last Read and approved


[...]

[Min] 4 The Subject of the evening "Humour" was then introduced by H. B. Lawson who fascinated us by his thoughtful attempts to define his subject[.] An interesting discussion followed in which the disputants backed their opinions by literary allusion and we were led to wonder if Humour flowed from F E Pollards heart & wit from R H Robsons head.

After Supper the Club settled down to enjoy the following selections chosen to represent English Humour in literature down the Ages[:]

Prologue of Chaucers Canterbury Tales The Prioress & Wife of Bath read by Howard R. Smith

Shakespeares Henry IV The Men in Buckram read by R. H Robson Fallstaff
[ditto] S. A. Reynolds Poins
[ditto] C. E. Stansfield Prince Hall [sic]
[ditto] Geo Burrow Gadshill
Jane Austin Pride & Prejudice Mr. Collins proposes
[ditto] Mrs Robson
Charles Dickens David Copperfield Mrs Micawber on her husbands career[?] Geo Burrow
Charles Lamb A Letter Alfred Rawlings
Lewis Carrols Alice in Wonderland The Lobster Quadrill Mary Reynolds
Jerome K. Jerome Three Men in a Boat Uncle Podger hangs a picture F. E. Pollard
Hilaire Belloc Cautionary Tales "George" recited by Howard R. Smith'

Century: 1900-1945     Reader/Listener/Group: George Burrow      Print: Book

  

Charles Dickens : David Copperfield

'A Meeting held at Grove House May 3rd H. B. Lawson in the chair

Min 1. Minutes of last Read and approved


[...]

[Min] 4 The Subject of the evening "Humour" was then introduced by H. B. Lawson who fascinated us by his thoughtful attempts to define his subject[.] An interesting discussion followed in which the disputants backed their opinions by literary allusion and we were led to wonder if Humour flowed from F E Pollards heart & wit from R H Robsons head.

After Supper the Club settled down to enjoy the following selections chosen to represent English Humour in literature down the Ages[:]

Prologue of Chaucers Canterbury Tales The Prioress & Wife of Bath read by Howard R. Smith

Shakespeares Henry IV The Men in Buckram read by R. H Robson Fallstaff
[ditto] S. A. Reynolds Poins
[ditto] C. E. Stansfield Prince Hall [sic]
[ditto] Geo Burrow Gadshill
Jane Austin Pride & Prejudice Mr. Collins proposes
[ditto] Mrs Robson
Charles Dickens David Copperfield Mrs Micawber on her husbands career[?] Geo Burrow
Charles Lamb A Letter Alfred Rawlings
Lewis Carrols Alice in Wonderland The Lobster Quadrill Mary Reynolds
Jerome K. Jerome Three Men in a Boat Uncle Podger hangs a picture F. E. Pollard
Hilaire Belloc Cautionary Tales "George" recited by Howard R. Smith'

Century: 1900-1945     Reader/Listener/Group: George Burrow      Print: Book

  

Robert Graves : 

'Robert Graves lent me his manuscript poems to read: some very bad, violent and repulsive. A few full of promise and real beauty. He oughtn't to publish yet.'

Unknown
Century: 1900-1945     Reader/Listener/Group: Siegfried Sassoon      

  

 : [Un-named modern American works in verse]

'A Meeting held at Broomfield June 6 1929

Geo H Burrow in the chair

Min 1. Minutes of last time read and approved


[...]

5 The Subject of the evening Modern American Literature was then taken F. E. Pollard introducing us to a number of Authors in a short general Survey. Geo Burrows then read us several short examples in Verse[.]

Rosamund Wallis read two passages from "the Bridge of St Louis Rey" by Thornton Wilder[.]

Thos C. Elliott read an essay on "War" by George Santiana[.]

Chas E Stansfield read a poem "Renaissance by E. St Vincent Millay[.]

R. H. Robson gave us two readings from Sinclair Lewis’s Babbit'

Century: 1900-1945     Reader/Listener/Group: George Burrow      

  

Sinclair Lewis : Babbitt

'A Meeting held at Broomfield June 6 1929

Geo H Burrow in the chair

Min 1. Minutes of last time read and approved


[...]

5 The Subject of the evening Modern American Literature was then taken F. E. Pollard introducing us to a number of Authors in a short general Survey. Geo Burrows then read us several short examples in Verse[.]

Rosamund Wallis read two passages from "the Bridge of St Louis Rey" by Thornton Wilder[.]

Thos C. Elliott read an essay on "War" by George Santiana[.]

Chas E Stansfield read a poem "Renaissance by E. St Vincent Millay[.]

R. H. Robson gave us two readings from Sinclair Lewis’s Babbit'

Century: 1900-1945     Reader/Listener/Group: Reginald H. Robson      

  

Reginald H. Robson : [essay on a family holiday]

'A Meeting held at 70 Northcourt Avenue 25th September 1929 C. E Stansfield in the chair

Min 1. Minutes of last time read and approved

2 Mrs T C Elliott was wellcomed to the club in a felicitous speech by the chairman

3 The Secretary read a letter of resignation of Membership from Muriel Bowman Smith he was directed unanimously to ask her to reconsider the matter.


[...]

7 Holiday Essays were read R H Robson a family holiday at Mort[?] Geo Burrow The Jamboree & thoughts thereon C. E. Stansfield on a Swiss Holiday whilst H M Wallis chatted on some aspects of Bordighera.'

Century: 1900-1945     Reader/Listener/Group: Reginald H. Robson      Manuscript: Unknown

  

George Burrow : The Jamboree and Thoughts thereon

'A Meeting held at 70 Northcourt Avenue 25th September 1929 C. E Stansfield in the chair

Min 1. Minutes of last time read and approved

2 Mrs T C Elliott was wellcomed to the club in a felicitous speech by the chairman

3 The Secretary read a letter of resignation of Membership from Muriel Bowman Smith he was directed unanimously to ask her to reconsider the matter.


[...]

7 Holiday Essays were read R H Robson a family holiday at Mort[?] Geo Burrow The Jamboree & thoughts thereon C. E. Stansfield on a Swiss Holiday whilst H M Wallis chatted on some aspects of Bordighera.'

Century: 1900-1945     Reader/Listener/Group: George Burrow      Manuscript: Unknown

  

John Galsworthy : The Roof

Meeting held at Broomfield June 3rd 1930
G. Burrow in the chair
1. Minutes of last read and approved
[...]
7. John Galsworthys “The Roof” was then read in parts
Gustave C.E. Stanfield
Hon R Fanning R. H. Robson
Major Moultenay H. M. Wallis
Baker H. R. Smith
Brice T. C. Elliott
Mr Beeton S. A. Reynolds
Mrs Beeton E. B. Smith
H. Lennox Geo Burrow
Evelyn Lennox Celia Burrow
Diana D. Brain
Brye J. Rawlings
A Nurse R. Wallis
A Young Man F. E. Pollard
A Young Woman Mrs Pollard
Froba Mrs Robson
Two Pompiers Thomas C. Elliott
Miss Stevens read the stage directions

Century: 1900-1945     Reader/Listener/Group: Reginald H. Robson      Print: Book

  

John Galsworthy : The Roof

Meeting held at Broomfield June 3rd 1930
G. Burrow in the chair
1. Minutes of last read and approved
[...]
7. John Galsworthys “The Roof” was then read in parts
Gustave C.E. Stanfield
Hon R Fanning R. H. Robson
Major Moultenay H. M. Wallis
Baker H. R. Smith
Brice T. C. Elliott
Mr Beeton S. A. Reynolds
Mrs Beeton E. B. Smith
H. Lennox Geo Burrow
Evelyn Lennox Celia Burrow
Diana D. Brain
Brye J. Rawlings
A Nurse R. Wallis
A Young Man F. E. Pollard
A Young Woman Mrs Pollard
Froba Mrs Robson
Two Pompiers Thomas C. Elliott
Miss Stevens read the stage directions

Century: 1900-1945     Reader/Listener/Group: Henry Marriage Wallis      Print: Book

  

John Galsworthy : The Roof

Meeting held at Broomfield June 3rd 1930
G. Burrow in the chair
1. Minutes of last read and approved
[...]
7. John Galsworthys “The Roof” was then read in parts
Gustave C.E. Stanfield
Hon R Fanning R. H. Robson
Major Moultenay H. M. Wallis
Baker H. R. Smith
Brice T. C. Elliott
Mr Beeton S. A. Reynolds
Mrs Beeton E. B. Smith
H. Lennox Geo Burrow
Evelyn Lennox Celia Burrow
Diana D. Brain
Brye J. Rawlings
A Nurse R. Wallis
A Young Man F. E. Pollard
A Young Woman Mrs Pollard
Froba Mrs Robson
Two Pompiers Thomas C. Elliott
Miss Stevens read the stage directions

Century: 1900-1945     Reader/Listener/Group: George Burrow      Print: Book

  

George Burrow : [an account of the life of John Masefield]

Meeting held at Ashton Lodge July 10th 1930
H. M. Wallis in the chair
Min 1. Minutes of last meeting approved
[...]
5 The subject of John Masefield was then taken
Geo Burrow gave some account of his life
Mrs Burrow read 2 poems "Beauty" & "Posted Missing"
H. M. Wallis read from the novel Sard Harker a thrilling account of an escape from a bog.
Violet Clough read from "Midsummer Night".
After refreshments "Phillip the King" was read in parts & much enjoyed the parts being taken as opposite.
King Phillip C. B. Castle
His Daughter the Infanta Mrs Castle
Various Ghosts Mrs Pollard
The Captain H.R. Smith
De Leyva S.A. Reynolds

Century: 1900-1945     Reader/Listener/Group: George Burrow      Manuscript: Unknown

  

John Masefield : Sard Harker

Meeting held at Ashton Lodge July 10th 1930
H. M. Wallis in the chair
Min 1. Minutes of last meeting approved
[...]
5 The subject of John Masefield was then taken
Geo Burrow gave some account of his life
Mrs Burrow read 2 poems "Beauty" & "Posted Missing"
H. M. Wallis read from the novel Sard Harker a thrilling account of an escape from a bog.
Violet Clough read from "Midsummer Night".
After refreshments "Phillip the King" was read in parts & much enjoyed the parts being taken as opposite.
King Phillip C. B. Castle
His Daughter the Infanta Mrs Castle
Various Ghosts Mrs Pollard
The Captain H.R. Smith
De Leyva S.A. Reynolds

Century: 1900-1945     Reader/Listener/Group: Henry Marriage Wallis      Print: Book

  

John Masefield : Philip the King

Meeting held at Ashton Lodge July 10th 1930
H. M. Wallis in the chair
Min 1. Minutes of last meeting approved
[...]
5 The subject of John Masefield was then taken
Geo Burrow gave some account of his life
Mrs Burrow read 2 poems "Beauty" & "Posted Missing"
H. M. Wallis read from the novel Sard Harker a thrilling account of an escape from a bog.
Violet Clough read from "Midsummer Night".
After refreshments "Phillip the King" was read in parts & much enjoyed the parts being taken as opposite.
King Phillip C. B. Castle
His Daughter the Infanta Mrs Castle
Various Ghosts Mrs Pollard
The Captain H.R. Smith
De Leyva S.A. Reynolds

Unknown
Century: 1900-1945     Reader/Listener/Group: Edgar Castle      

  

John Masefield : Philip the King

Meeting held at Ashton Lodge July 10th 1930
H. M. Wallis in the chair
Min 1. Minutes of last meeting approved
[...]
5 The subject of John Masefield was then taken
Geo Burrow gave some account of his life
Mrs Burrow read 2 poems "Beauty" & "Posted Missing"
H. M. Wallis read from the novel Sard Harker a thrilling account of an escape from a bog.
Violet Clough read from "Midsummer Night".
After refreshments "Phillip the King" was read in parts & much enjoyed the parts being taken as opposite.
King Phillip C. B. Castle
His Daughter the Infanta Mrs Castle
Various Ghosts Mrs Pollard
The Captain H.R. Smith
De Leyva S.A. Reynolds

Unknown
Century: 1900-1945     Reader/Listener/Group: Mignon Castle      

  

George Burrow : [an introduction to the topic of the Sitwells]

'Meeting held at 70, Northcourt Avenue: 2. VI. 31 Charles E. Stansfield in the chair 1. Minutes of last approved [...] 7. The subject of the Sitwells was introduced by George Burrow who read spicy biographical extracts from Who's Who about the father Sir George Reresby, the sister Edith, and the brothers Osbert and Sacheverell. [...] Relieved by this happy if unexpected dénouement we settled ourselves in renewed confidence to listen to readings from the poetry of Edith. Alfred Rawlings read us parts of Sleeping Beauty & Celia Burrow the story of Perrine. Then for the work of Osbert and Sacheverell. H. M. Wallis gave us an amusing & tantalising paper entitled "Southern Baroque Art". This was followed by further reading from Mary Pollard, Alfred Rawlings, Charles Stansfield, & George Burrow.'

Century: 1900-1945     Reader/Listener/Group: George Burrow      Manuscript: Unknown

  

 : Who's Who

'Meeting held at 70, Northcourt Avenue: 2. VI. 31 Charles E. Stansfield in the chair 1. Minutes of last approved [...] 7. The subject of the Sitwells was introduced by George Burrow who read spicy biographical extracts from Who's Who about the father Sir George Reresby, the sister Edith, and the brothers Osbert and Sacheverell. [...] Relieved by this happy if unexpected dénouement we settled ourselves in renewed confidence to listen to readings from the poetry of Edith. Alfred Rawlings read us parts of Sleeping Beauty & Celia Burrow the story of Perrine. Then for the work of Osbert and Sacheverell. H. M. Wallis gave us an amusing & tantalising paper entitled "Southern Baroque Art". This was followed by further reading from Mary Pollard, Alfred Rawlings, Charles Stansfield, & George Burrow.'

Century: 1900-1945     Reader/Listener/Group: George Burrow      Print: BookManuscript: Unknown

  

Henry Marriage Wallis : Southern Baroque Art

'Meeting held at 70, Northcourt Avenue: 2. VI. 31 Charles E. Stansfield in the chair 1. Minutes of last approved [...] 7. The subject of the Sitwells was introduced by George Burrow who read spicy biographical extracts from Who's Who about the father Sir George Reresby, the sister Edith, and the brothers Osbert and Sacheverell. [...] Relieved by this happy if unexpected dénouement we settled ourselves in renewed confidence to listen to readings from the poetry of Edith. Alfred Rawlings read us parts of Sleeping Beauty & Celia Burrow the story of Perrine. Then for the work of Osbert and Sacheverell. H. M. Wallis gave us an amusing & tantalising paper entitled "Southern Baroque Art". This was followed by further reading from Mary Pollard, Alfred Rawlings, Charles Stansfield, & George Burrow.'

Century: 1900-1945     Reader/Listener/Group: Henry Marriage Wallis      Manuscript: Unknown

  

Osbert or Sacheverell Sitwell : 

'Meeting held at 70, Northcourt Avenue: 2. VI. 31 Charles E. Stansfield in the chair 1. Minutes of last approved [...] 7. The subject of the Sitwells was introduced by George Burrow who read spicy biographical extracts from Who's Who about the father Sir George Reresby, the sister Edith, and the brothers Osbert and Sacheverell. [...] Relieved by this happy if unexpected dénouement we settled ourselves in renewed confidence to listen to readings from the poetry of Edith. Alfred Rawlings read us parts of Sleeping Beauty & Celia Burrow the story of Perrine. Then for the work of Osbert and Sacheverell. H. M. Wallis gave us an amusing & tantalising paper entitled "Southern Baroque Art". This was followed by further reading from Mary Pollard, Alfred Rawlings, Charles Stansfield, & George Burrow.'

Unknown
Century: 1900-1945     Reader/Listener/Group: George Burrow      

  

Henry Marriage Wallis : [an account of two or three bird nesting exploits undertaken with James Crosfield in Scotland]

Meeting held at School House, Leighton Park: 16. IX. 31. Victor Alexander in the chair
'Meeting held at School House, Leighton Park: 16. IX. 31. Victor Alexander in the chair 1. Minutes of last approved. [...] 4. John L. Hawkins then read us his paper on the Natural History of the neighbourhood [...] 6. After the interval Henry Marriage Wallis gave a vivid account of two or three bird nesting exploits undertaken with James Crosfield in Scotland.' 1. Minutes of last approved.
[...] 4. John L. Hawkins then read us his paper on the Natural History of the neighbourhood [...]
6. After the interval Henry Marriage Wallis gave a vivid account of two or three bird nesting exploits undertaken with James Crosfield in Scotland.

Century: 1900-1945     Reader/Listener/Group: Henry Marriage Wallis      Manuscript: Unknown

  

Hugh de Selincourt : The Cricket Match

'Meeting held at Fairlight: 9 Denmark Rd. 18th April 1932.

Francis Pollard in the Chair.

1. Minutes of last read and approved.

br/>[...]

4. F. E. Pollard then spoke on the spirit of Cricket, telling some good anecdotes to illustrate its fun and its art, both for those who play & those who frequently see it.[...]

5. Readings were then given by Victor Alexander from Nyren, by Howard Smith from Francis Thompson, & by R. H. Robson from de Delincourt's "The Cricket Match".'

Century: 1900-1945     Reader/Listener/Group: Reginald H. Robson      Print: Book

  

Molière [pseud.] : The Misanthrope

Meeting held at Eynsham, Shinfield Rd, 31.5.32.

George Burrow in the Chair.

1. Minutes of last approved


[...]

6. Victor Alexander then gave an outline of the career of Molière, & a sketch of the life of the XVIIth Century in France.


[...]

7. There followed a reading of the Misanthrope - abridged - in translation. The parts were taken as follows:

Philinte      Charles Stansfield
Alceste      Frank Pollard
Oronte      George Burrow
Célimène      Rosamund Wallis
Basque      Sylvanus Reynolds
Eliante      Mary S. W. Pollard
Clitandre      Edgar Castle
Acaste      Henry M. Wallis
A Guard      Victor Alexander
Arsinoë [Arsinoé]      Mary E. Robson

Century: 1900-1945     Reader/Listener/Group: George Burrow      Print: Book

  

Molière [pseud.] : The Misanthrope

Meeting held at Eynsham, Shinfield Rd, 31.5.32.

George Burrow in the Chair.

1. Minutes of last approved


[...]

6. Victor Alexander then gave an outline of the career of Molière, & a sketch of the life of the XVIIth Century in France.


[...]

7. There followed a reading of the Misanthrope - abridged - in translation. The parts were taken as follows:

Philinte      Charles Stansfield
Alceste      Frank Pollard
Oronte      George Burrow
Célimène      Rosamund Wallis
Basque      Sylvanus Reynolds
Eliante      Mary S. W. Pollard
Clitandre      Edgar Castle
Acaste      Henry M. Wallis
A Guard      Victor Alexander
Arsinoë [Arsinoé]      Mary E. Robson

Century: 1900-1945     Reader/Listener/Group: Edgar Castle      Print: Book

  

Molière [pseud.] : The Misanthrope

Meeting held at Eynsham, Shinfield Rd, 31.5.32.

George Burrow in the Chair.

1. Minutes of last approved


[...]

6. Victor Alexander then gave an outline of the career of Molière, & a sketch of the life of the XVIIth Century in France.


[...]

7. There followed a reading of the Misanthrope - abridged - in translation. The parts were taken as follows:

Philinte      Charles Stansfield
Alceste      Frank Pollard
Oronte      George Burrow
Célimène      Rosamund Wallis
Basque      Sylvanus Reynolds
Eliante      Mary S. W. Pollard
Clitandre      Edgar Castle
Acaste      Henry M. Wallis
A Guard      Victor Alexander
Arsinoë [Arsinoé]      Mary E. Robson

Century: 1900-1945     Reader/Listener/Group: Henry Marriage Wallis      Print: Book

  

Reginald H. Robson : [a paper on the life of Goethe]

Meeting held at Reckitt House, Leighton Park: 22.6.32

Reginald H. Robson in the Chair.

1. Minutes of the last read. It was felt that Minute 6 needed some amplification, & Charles Stansfield was asked to do this. His more than kind amplification is appended.


[...]

8. After adjournment for supper, the Goethe evening was begun by Mary E Robson. She sang the song "Knowst thou the land". The music is by Beethoven. In this and her other songs Mary Robson was kindly accompanied by Caroline Pollard.

9. A Reading from Goethe was next given by Mary S. W. Pollard.

10. Reginald H. Robson read a paper on the life of Goethe. If there were any who had thought of Goethe exclusively as a poet, they must have been amazed at his vesitality. Philosopher, poet, statesman, scientist, he seems to have been "everything by turns and nothing long", except indeed a lover [...].

11. We had been much intrigued with Mrs Robson's description of the Sorrows of Werther, especially when our friend warned us that those who came under the spell of this book usually commited suicide after reading it. We felt accordingly grateful to Mrs. Robson who had read it on our behalf, and flirted with death for our sakes, and not a little apprehensive when Janet Rawlings read us an extract from it. All passed off well, however. [...]

12. George Burrow read a song from Goethe's Gefunden.

13. Mary Robson sang "My peace is o'er" from Faust.

14. A Reading from the same play was given by Elisabeth & Victor Alexander

15. Another song "Little wild rose, wild rose red." was sung by Mary Robson.

16. Finally Charles E. Stansfield gave us his paper on Goethe. He referred to the lack of the political sense in the German people of those days, & showed Goethe as quite content to acquiesce in the paternal government of his small state. He described the influence of Herde[,] Klopstock, Lessing, Shakespeare, &, quaintly enough, of Goldsmith on Goethe. In speaking of the poet's scientific interests he told us of his discovery of the intermaxillary bone & of Goethe's ceaseless efforts to acquire truth.

Century: 1900-1945     Reader/Listener/Group: Reginald H. Robson      Manuscript: Unknown

  

Johann Wolfgang von Goethe : Gefunden

Meeting held at Reckitt House, Leighton Park: 22.6.32

Reginald H. Robson in the Chair.

1. Minutes of the last read. It was felt that Minute 6 needed some amplification, & Charles Stansfield was asked to do this. His more than kind amplification is appended.


[...]

8. After adjournment for supper, the Goethe evening was begun by Mary E Robson. She sang the song "Knowst thou the land". The music is by Beethoven. In this and her other songs Mary Robson was kindly accompanied by Caroline Pollard.

9. A Reading from Goethe was next given by Mary S. W. Pollard.

10. Reginald H. Robson read a paper on the life of Goethe. If there were any who had thought of Goethe exclusively as a poet, they must have been amazed at his vesitality. Philosopher, poet, statesman, scientist, he seems to have been "everything by turns and nothing long", except indeed a lover [...].

11. We had been much intrigued with Mrs Robson's description of the Sorrows of Werther, especially when our friend warned us that those who came under the spell of this book usually commited suicide after reading it. We felt accordingly grateful to Mrs. Robson who had read it on our behalf, and flirted with death for our sakes, and not a little apprehensive when Janet Rawlings read us an extract from it. All passed off well, however. [...]

12. George Burrow read a song from Goethe's Gefunden.

13. Mary Robson sang "My peace is o'er" from Faust.

14. A Reading from the same play was given by Elisabeth & Victor Alexander

15. Another song "Little wild rose, wild rose red." was sung by Mary Robson.

16. Finally Charles E. Stansfield gave us his paper on Goethe. He referred to the lack of the political sense in the German people of those days, & showed Goethe as quite content to acquiesce in the paternal government of his small state. He described the influence of Herde[,] Klopstock, Lessing, Shakespeare, &, quaintly enough, of Goldsmith on Goethe. In speaking of the poet's scientific interests he told us of his discovery of the intermaxillary bone & of Goethe's ceaseless efforts to acquire truth.

Unknown
Century: 1900-1945     Reader/Listener/Group: George Burrow      

  

Henry Marriage Wallis : [on the later work of Walter Scott]

Meeting held at Ashton Lodge, Kendrick Rd., 13.x.32.

Henry M. Wallis in the chair

1. Minutes of last read & approved.


[...]

5. Francis E. Pollard then gave us an account of the life of Scott, interspersed with racy anecdotes. He gave us a lively picture of Scott's romantic outlook & of his keen historical interests.

6. Alfred Rawlings, who is endeared to us among other reasons as the stormy petrel of the Club, next launched an attack upon Scott as a poet, decrying his imperfections and slovenliness.

7. Henry M. Wallis then entertained us with the later work of Scott. Speaking as one wizard of another he almost succeeed in making us believe that he had been Scott's contemporary, & under his spell we caught something of the dazzling popularity of Scott's writings throughout the whole of Europe, and in particular of the cult for the Highlands and the Highlanders which sprang into being from his pen.

8. Towards the end of the evening we heard three readings, the first from Ivanhoe by Charles Stansfield who used the supper scenne in which Friar Tuch entertains the unknown knight, the second from the Heart of Midlothian by Frank Pollard in which Jeannie Deans pleads for her sister's life, & the third from Old Mortality by Rosamund Wallis describing the interrogation and torture inflicted upon the Covenanters.

All three readings held us enthralled, & all three papers aroused the maximum of discussion which a benevolent Chairman and a lenient hostess could allow. The time sped on beyond our usual hours, and as we took our leave we were still talking Scott.

Century: 1900-1945     Reader/Listener/Group: Henry Marriage Wallis      Manuscript: Unknown

  

Alfred Rawlings : [a thoughtful essay]

Meeting held at Fairlight, Denmark Rd.: 21.iii.33

Francis E. Pollard in the Chair.

1. Minutes of last read & approved.


5. Eight anonymous essays were then read. In some of these the subject treated or the style of the author made recognition comparatively easy, but others were provocative of much ingenious speculation. A paper on English Justice proved to be the most discussed during the interval. Rival tipsters gave in confidence the names of Mrs. Stansfield & Robert Pollard as the author, one of them purporting to recognize - or coming perilously close to so doing - Mrs. Stansfield’s opinion of her fellow magistrates, while the other detected just that ingenious combination of Fascism and Bolshevism that Robert Pollard would enjoy putting up for the Club’s mystification. Further conflicting theories attributed the authorship to Henry Marriage Wallis or Howard Smith, & this last proved correct[....]


Another essay which stirred debate told of a medium, a photograph, a Twentieth Century Officer & a suit of medieval armour. It was told with that precision of detail that marks either the experienced writer of fiction or the worshipper of truth. And as if to darken counsel there was an open allusion to Bordighera. Suspicious though we were, & in spite of every appearance of our being right, we adhered to the view that the author must be H. M. Wallis.


Time & space do not allow adequate record of all the papers, but it must be mentioned that three of the eight came from the Rawlings family: a thoughtful essay by Alfred Rawlings needed a second reading if it were to be seriously discussed, some interesting reminiscences by Helen Rawlings made very good hearing, & Moroccan memories by Janet helped to make a most varied programme.

Other essays were "Safety First" by Charles E. Stansfield, and "The English - are they modest? " by Edgar Castle, both of which added some humorous touches to the evening.

A list of essayists, & their readers, follows.

Mrs Castle read a paper by Alfred Rawlings
Janet Rawlings read a paper by Helen Rawlings
Charles Stansfield read a paper by Henry M. Wallis
Reginald Robson read a paper by Howard Smith
George Burrow read a paper by Reginald Robson
Alfred Rawlings read a paper by Edgar Castle
Howard Smith read a paper by Janet Rawlings
Mrs Pollard read a paper by Charles E. Stansfield.

Century: 1900-1945     Reader/Listener/Group: Mignon Castle      Manuscript: Unknown

  

Howard Smith : [A paper on English justice]

Meeting held at Fairlight, Denmark Rd.: 21.iii.33

Francis E. Pollard in the Chair.

1. Minutes of last read & approved.


5. Eight anonymous essays were then read. In some of these the subject treated or the style of the author made recognition comparatively easy, but others were provocative of much ingenious speculation. A paper on English Justice proved to be the most discussed during the interval. Rival tipsters gave in confidence the names of Mrs. Stansfield & Robert Pollard as the author, one of them purporting to recognize - or coming perilously close to so doing - Mrs. Stansfield’s opinion of her fellow magistrates, while the other detected just that ingenious combination of Fascism and Bolshevism that Robert Pollard would enjoy putting up for the Club’s mystification. Further conflicting theories attributed the authorship to Henry Marriage Wallis or Howard Smith, & this last proved correct[....]


Another essay which stirred debate told of a medium, a photograph, a Twentieth Century Officer & a suit of medieval armour. It was told with that precision of detail that marks either the experienced writer of fiction or the worshipper of truth. And as if to darken counsel there was an open allusion to Bordighera. Suspicious though we were, & in spite of every appearance of our being right, we adhered to the view that the author must be H. M. Wallis.


Time & space do not allow adequate record of all the papers, but it must be mentioned that three of the eight came from the Rawlings family: a thoughtful essay by Alfred Rawlings needed a second reading if it were to be seriously discussed, some interesting reminiscences by Helen Rawlings made very good hearing, & Moroccan memories by Janet helped to make a most varied programme.

Other essays were "Safety First" by Charles E. Stansfield, and "The English - are they modest? " by Edgar Castle, both of which added some humorous touches to the evening.

A list of essayists, & their readers, follows.

Mrs Castle read a paper by Alfred Rawlings
Janet Rawlings read a paper by Helen Rawlings
Charles Stansfield read a paper by Henry M. Wallis
Reginald Robson read a paper by Howard Smith
George Burrow read a paper by Reginald Robson
Alfred Rawlings read a paper by Edgar Castle
Howard Smith read a paper by Janet Rawlings
Mrs Pollard read a paper by Charles E. Stansfield.

Century: 1900-1945     Reader/Listener/Group: Reginald H. Robson      Manuscript: Unknown

  

Reginald H. Robson : [The life and writings of John Galsworthy]

Meeting held at Fairlight, Denmark Rd.: 21.iii.33

Francis E. Pollard in the Chair.

1. Minutes of last read & approved.


5. Eight anonymous essays were then read. In some of these the subject treated or the style of the author made recognition comparatively easy, but others were provocative of much ingenious speculation. A paper on English Justice proved to be the most discussed during the interval. Rival tipsters gave in confidence the names of Mrs. Stansfield & Robert Pollard as the author, one of them purporting to recognize - or coming perilously close to so doing - Mrs. Stansfield’s opinion of her fellow magistrates, while the other detected just that ingenious combination of Fascism and Bolshevism that Robert Pollard would enjoy putting up for the Club’s mystification. Further conflicting theories attributed the authorship to Henry Marriage Wallis or Howard Smith, & this last proved correct[....]


Another essay which stirred debate told of a medium, a photograph, a Twentieth Century Officer & a suit of medieval armour. It was told with that precision of detail that marks either the experienced writer of fiction or the worshipper of truth. And as if to darken counsel there was an open allusion to Bordighera. Suspicious though we were, & in spite of every appearance of our being right, we adhered to the view that the author must be H. M. Wallis.


Time & space do not allow adequate record of all the papers, but it must be mentioned that three of the eight came from the Rawlings family: a thoughtful essay by Alfred Rawlings needed a second reading if it were to be seriously discussed, some interesting reminiscences by Helen Rawlings made very good hearing, & Moroccan memories by Janet helped to make a most varied programme.

Other essays were "Safety First" by Charles E. Stansfield, and "The English - are they modest? " by Edgar Castle, both of which added some humorous touches to the evening.

A list of essayists, & their readers, follows.

Mrs Castle read a paper by Alfred Rawlings
Janet Rawlings read a paper by Helen Rawlings
Charles Stansfield read a paper by Henry M. Wallis
Reginald Robson read a paper by Howard Smith
George Burrow read a paper by Reginald Robson
Alfred Rawlings read a paper by Edgar Castle
Howard Smith read a paper by Janet Rawlings
Mrs Pollard read a paper by Charles E. Stansfield.

Century: 1900-1945     Reader/Listener/Group: George Burrow      Manuscript: Unknown

  

Matthew Arnold : The Scholar Gipsy

Meeting held at 70 Northcourt Avenue 28/4/1933

C. E. Stansfield in the chair


1 Minutes of last read and approved


2 For the Next Meeting's subject "The Jew in Literature" was chosen with Geo Burrow H. R. & E. B. Smith as committee


[...]


4 The evening's subject of Berkshire in Literature was then opened up by Charles E. Stansfield reading from Tom Browns School days a description of the Vale of the White Horse[.] He carried us into a quietude of time & space where a great lover of the Vale tells of the great open downs & the vale to the north of them.


Dorothy Brain told us something of Old Berkshire Ballads surprising us with their number & variety & read an amusing Ballad about a lad who died of eating custard, & the Lay of the Hunted Pig.


C. E. Stansfield read an introduction to "Summer is a Cumen In"which was then played and sung on the Gramophone.


H. R. Smith read a description of "Reading a Hundred Years Ago" from "Some Worthies of Reading"


F. E. Pollard introduced Mary Russell Mitford to the Club giving a short account of her life and Work quoting with approval a description of her as "A prose Crabbe in the Sun"


M. S. W. Pollard read "The Gypsy" from "Our Village"


Geo Burrows gave us a short Reading from Mathew Arnolds "Scholar Gypsy" and a longer one from "Thyrsis"[.] During this the Stansfield "Mackie" put in a striking piece of synchronization.


E. B. Castle read an interesting account of the Bucklebury Bowl Turner from H. V. Mortons "In Search of England".

Unknown
Century: 1900-1945     Reader/Listener/Group: George Burrow      

  

Matthew Arnold : Thyrsis

Meeting held at 70 Northcourt Avenue 28/4/1933

C. E. Stansfield in the chair


1 Minutes of last read and approved


2 For the Next Meeting's subject "The Jew in Literature" was chosen with Geo Burrow H. R. & E. B. Smith as committee


[...]


4 The evening's subject of Berkshire in Literature was then opened up by Charles E. Stansfield reading from Tom Browns School days a description of the Vale of the White Horse[.] He carried us into a quietude of time & space where a great lover of the Vale tells of the great open downs & the vale to the north of them.


Dorothy Brain told us something of Old Berkshire Ballads surprising us with their number & variety & read an amusing Ballad about a lad who died of eating custard, & the Lay of the Hunted Pig.


C. E. Stansfield read an introduction to "Summer is a Cumen In"which was then played and sung on the Gramophone.


H. R. Smith read a description of "Reading a Hundred Years Ago" from "Some Worthies of Reading"


F. E. Pollard introduced Mary Russell Mitford to the Club giving a short account of her life and Work quoting with approval a description of her as "A prose Crabbe in the Sun"


M. S. W. Pollard read "The Gypsy" from "Our Village"


Geo Burrows gave us a short Reading from Mathew Arnolds "Scholar Gypsy" and a longer one from "Thyrsis"[.] During this the Stansfield "Mackie" put in a striking piece of synchronization.


E. B. Castle read an interesting account of the Bucklebury Bowl Turner from H. V. Mortons "In Search of England".

Unknown
Century: 1900-1945     Reader/Listener/Group: George Burrow      

  

H. V. Morton : In Search of England

Meeting held at 70 Northcourt Avenue 28/4/1933

C. E. Stansfield in the chair


1 Minutes of last read and approved


2 For the Next Meeting's subject "The Jew in Literature" was chosen with Geo Burrow H. R. & E. B. Smith as committee


[...]


4 The evening's subject of Berkshire in Literature was then opened up by Charles E. Stansfield reading from Tom Browns School days a description of the Vale of the White Horse[.] He carried us into a quietude of time & space where a great lover of the Vale tells of the great open downs & the vale to the north of them.


Dorothy Brain told us something of Old Berkshire Ballads surprising us with their number & variety & read an amusing Ballad about a lad who died of eating custard, & the Lay of the Hunted Pig.


C. E. Stansfield read an introduction to "Summer is a Cumen In"which was then played and sung on the Gramophone.


H. R. Smith read a description of "Reading a Hundred Years Ago" from "Some Worthies of Reading"


F. E. Pollard introduced Mary Russell Mitford to the Club giving a short account of her life and Work quoting with approval a description of her as "A prose Crabbe in the Sun"


M. S. W. Pollard read "The Gypsy" from "Our Village"


Geo Burrows gave us a short Reading from Mathew Arnolds "Scholar Gypsy" and a longer one from "Thyrsis"[.] During this the Stansfield "Mackie" put in a striking piece of synchronization.


E. B. Castle read an interesting account of the Bucklebury Bowl Turner from H. V. Mortons "In Search of England".

Century: 1900-1945     Reader/Listener/Group: Edgar Castle      Print: Book

  

Dorothy Brain : Hors d’Oeuvres

Meeting held at Oakdene, Northcourt Av, 20.3.34.

Sylvanus A. Reynolds in the Chair.

1. Minutes of last read and approved, in the teeth of one dissident.


[...]

5. We then proceeded to the anonymous essays and members felt on excellent terms with themselves at the prospect of hearing some attractive reading and of eluding or inflicting a good hoax or two.

The first essay opened discreetly without title on the theme of “Newcomers to Reading”, going on to a description of the neighbourhood, its beauties its quaint place names and historical associations. […]

6. Next came a paper on “Uniforms”. The writer was considered by one or two to show the observation of the masculine mind and the style of the feminine. […]

7. Then came a letter to "My dear Twelve" written with the unmistakeable touch of the practised writer. […]

8. We listened, too, with equal interest to a paper called “Canaries”, telling us something of the progress and perambulations of our latest migrant members. Moreover two or three of our number were able to follow their doings with particular appreciation, having mad much the same trip themselves. […]

9. All of us were a good deal non plussed by “Hors d’Oeuvres”, an essay not inappropriately named, for it contained a perplexing mixture of fare, and certainly stimulated our appetite. […]

10. Hardly less difficult was “Glastonbury”. Many of us had visited it, and so were able to follow closely the author’s points. But few of us knew enough of its history and legend to be sure whether or no our one professional historian had set his wits before us. So we gave up reasoning and just guessed. […]

11. Finally we heard “Spoonbill”. It was a noteworthy paper, combining the love of the naturalist for the birds he watches with the craft of the writer in the language he uses. […]

12. Here is the complete list. —

“Newcomers to Reading” by H. R. Smith, read by F. E. Pollard
“Uniforms” by Janet Rawlings, read by Elizabeth Alexander
“My dear Twelve” by H. M. Wallis, read by S. A. Reynolds
“Canaries” by C. E. Stansfield, read by Dorothy Brain
“Hors d’Oeuvres” by Dorothy Brain, read by R. H. Robson
“Glastonbury” by Mrs Goadby, read by H. R. Smith
“The Spoonbill” by W. Russell Brain, read by Mrs. Robson

Century: 1900-1945     Reader/Listener/Group: Reginald H. Robson      Manuscript: Unknown

  

Reginald H. Robson : [On the artistic and socialist aspects of William Morris’s work]

Meeting held at 9 Denmark Road, 20 IV. 1934

F. E. Pollard in the chair

1. Minutes of last read & approved with one correction, in the absence of the secretary.


[...]

4. Howard R. Smith told us of Morris’s life. The meeting gasped with unanimity and amazement to learn that he (Morris i.e.) had read all the Waverley novels by the age of seven; we gathered that the background of his life had been a blend of Epping Forest & shares in a coppermine, and that his appearance accounted for his lifelong nickname of Topsy. Of his friendships, his labours to restore beauty to Victorian homes, to prevent vandals from restoring cathedrals & other ancient monuments, his Kelmscott Press, his poems & prose romances, his turning to Socialism as the only way to a society in which men would find happiness in sound and beautiful work – of all these things and many more which made up his extraordinarily full and fruitful life, it is impossible to make a summary.

5. Mary S. W. Pollard read a short extract from Percy Corder’s life of Robert Spence Watson telling of a visit of Wm Morris to Bensham Grove. Members afterwards inspected his signature in the Visitors’ book.

6. Ethel C. Stevens read an interesting account of Kelmscott Manor, revealing other sides of this vigorous and many sided personality.

7. R. H. Robson gathered together the artistic & socialist aspects of Morris’s work, emphasised the greatness of the man, & read extracts from MacKail’s Biography. It was clear that Morris would wish to cancel out the last four hundred years & start again on different lines. Time was wanting to reveal all the varieties of opinion that this might have elicited, & we parted in united awe at the mans capacity for work, & his important contributions to our life & ideals.

Century: 1900-1945     Reader/Listener/Group: Reginald H. Robson      Manuscript: Unknown

  

J. W. Mackail : The Life of William Morris

Meeting held at 9 Denmark Road, 20 IV. 1934

F. E. Pollard in the chair

1. Minutes of last read & approved with one correction, in the absence of the secretary.


[...]

4. Howard R. Smith told us of Morris’s life. The meeting gasped with unanimity and amazement to learn that he (Morris i.e.) had read all the Waverley novels by the age of seven; we gathered that the background of his life had been a blend of Epping Forest & shares in a coppermine, and that his appearance accounted for his lifelong nickname of Topsy. Of his friendships, his labours to restore beauty to Victorian homes, to prevent vandals from restoring cathedrals & other ancient monuments, his Kelmscott Press, his poems & prose romances, his turning to Socialism as the only way to a society in which men would find happiness in sound and beautiful work – of all these things and many more which made up his extraordinarily full and fruitful life, it is impossible to make a summary.

5. Mary S. W. Pollard read a short extract from Percy Corder’s life of Robert Spence Watson telling of a visit of Wm Morris to Bensham Grove. Members afterwards inspected his signature in the Visitors’ book.

6. Ethel C. Stevens read an interesting account of Kelmscott Manor, revealing other sides of this vigorous and many sided personality.

7. R. H. Robson gathered together the artistic & socialist aspects of Morris’s work, emphasised the greatness of the man, & read extracts from MacKail’s Biography. It was clear that Morris would wish to cancel out the last four hundred years & start again on different lines. Time was wanting to reveal all the varieties of opinion that this might have elicited, & we parted in united awe at the mans capacity for work, & his important contributions to our life & ideals.

Century: 1900-1945     Reader/Listener/Group: Reginald H. Robson      Print: Book

  

Samuel Pepys : Diary

'Meeting held at 70 Northcourt Avenue: 18. 6. 35.

Charles E. Stansfield in the Chair

1. Minutes of last read and approved.

2. The Secretary then read a letter from Marjorie C. Cole, expressing her interest in the Book Club and offering us a book “Gone Rambling” by Cecil Roberts which she had recently read with enjoyment. [...]


[...]

6. The large subject of London was then opened by Howard Smith. He spoke of the extraordinary insistence of the divergent views as its origin, leaning to the opinion that it owed its beginnings to to a variety of causes.


[...]

7. Extracts from Defoe’s Journal of the Great Plague were then read by Victor Alexander.


[...]

8. From Defoe we turned to Pepys, and Reginald Robson described the Great Fire.


[...]

9. We next enjoyed a delightful picture of old London which Edith Goadby gave us, making the acquaintance of Gabriel Bardon the locksmith, his pretty daughter Dolly and Simon the apprentice. It was all too short, but at least we left them happily seated before their jolly round of beef, their Yorkshire cake and quaintly shaped jug of ale.


10. A further scene was depicted for us by Ethel Stevens, old Crosby Hall, Chelsea Hospital, Cheyne walk as it used to be, and Carlyle’s house, where he entertained Tennyson in the kitchen. We were introduced to John Stuart Mill and his great concern over the loss of his fiend’s manuscript of the French Revolution, and we took glimpses at William de Morgan + Sir Thomas More.


11. Finally Charles Stansfield read us Wordsworth’s Sonnet composed on Westminster Bridge, and Henry Marriage Wallis quoted happily ten lines from William Morris.'

Century: 1900-1945     Reader/Listener/Group: Reginald H. Robson      Print: Book

  

William Morris : 

'Meeting held at 70 Northcourt Avenue: 18. 6. 35.

Charles E. Stansfield in the Chair

1. Minutes of last read and approved.

2. The Secretary then read a letter from Marjorie C. Cole, expressing her interest in the Book Club and offering us a book “Gone Rambling” by Cecil Roberts which she had recently read with enjoyment. [...]


[...]

6. The large subject of London was then opened by Howard Smith. He spoke of the extraordinary insistence of the divergent views as its origin, leaning to the opinion that it owed its beginnings to to a variety of causes.


[...]

7. Extracts from Defoe’s Journal of the Great Plague were then read by Victor Alexander.


[...]

8. From Defoe we turned to Pepys, and Reginald Robson described the Great Fire.


[...]

9. We next enjoyed a delightful picture of old London which Edith Goadby gave us, making the acquaintance of Gabriel Bardon the locksmith, his pretty daughter Dolly and Simon the apprentice. It was all too short, but at least we left them happily seated before their jolly round of beef, their Yorkshire cake and quaintly shaped jug of ale.


10. A further scene was depicted for us by Ethel Stevens, old Crosby Hall, Chelsea Hospital, Cheyne walk as it used to be, and Carlyle’s house, where he entertained Tennyson in the kitchen. We were introduced to John Stuart Mill and his great concern over the loss of his fiend’s manuscript of the French Revolution, and we took glimpses at William de Morgan + Sir Thomas More.


11. Finally Charles Stansfield read us Wordsworth’s Sonnet composed on Westminster Bridge, and Henry Marriage Wallis quoted happily ten lines from William Morris.'

Unknown
Century: 1900-1945     Reader/Listener/Group: Henry Marriage Wallis      

  

Reginald H. Robson : The Excursion – Saturday July 13th. 1935: Byways of the Chiltern Hills

Meeting held at School House, L. P. : 13.9.35

   Francis E. Pollard in the Chair.

1. Minutes of last read and approved.

2. Account of the Excursion, contributed by R. H. Robson, read and approved.

Century: 1900-1945     Reader/Listener/Group: Reginald H. Robson      Manuscript: Notebook, with photographs of the excursion pasted alongside the text.

  

Percy Bysshe Shelley :  Prometheus Unbound

Meeting held at School House, L.P. :- 28. v. 37.

C. E. Stanfield in the Chair.

1. Minutes of last read & approved

[...]

4. Charles Stansfield then read a biographical sketch of Shelley, followed by an estimate of Shelley’s views and character.


5. Readings were then given by the following
Hymn to Intellectual Beauty by Mary Pollard
Prometheus Unbound by Reginald Robson
Ode to the West Wind by Elizabeth Alexander
Adonaïs by Victor Alexander.


These were all discussed; and a further short reading, from William Watson’s poetry, was given by Alfred Rawlings.

Century: 1900-1945     Reader/Listener/Group: Reginald H. Robson      

  

Henry Marriage Wallis : [a paper on witchcraft]

Meeting held at Ashton Lodge :- 3. 7. 37.

Henry Marriage Wallis in the Chair.

1. Minutes of last read & approved


[...]

7. The Meeting then gave its attention to Witches.

H. M Wallis led off with a paper on Witchcraft and readings were given from the following books:- MacBeth – The Witch Scene[?] by Janet Rawlings, Dorothy Brain, & Dorothea Taylor with F. E. Pollard & V. W. Alexander as Banquo & MacBeth
Samuel – The Witch of Endor scene by Mary Robson
Westward Ho (Lucy), by Dorothy Brain
Trials for Witchcraft, by Howard Smith
Precious Bane, by Rosamund Wallis

Between all these items there was considerable discussion. Members were able to vie with one another in tale of mystery and eerie happenings, and if all the conversation was not strictly relevant at least the interest did not flag.

Century: 1900-1945     Reader/Listener/Group: Henry Marriage Wallis      Manuscript: Unknown

  

Victor Alexander : [letter acknowledging receipt of letter of resignation from the XII Book Club]

'Meeting held at 70 Northcourt Avenue: 14. 12. 37

C. E. Stansfield in the Chair.

1. Minutes of last read and approved

2. It should have been mentioned in last meeting’s minutes that the Secretary was asked to write to Dorothy Brain and to Edgar & Mignon Castle acknowledging their letters of resignation. [...] This was duly done and all three offered their best wishes for the Club’s happy continuance.'

Century: 1900-1945     Reader/Listener/Group: Edgar Castle      Manuscript: Letter, Notebook

  

Victor Alexander : [letter acknowledging receipt of letter of resignation from the XII Book Club]

'Meeting held at 70 Northcourt Avenue: 14. 12. 37

C. E. Stansfield in the Chair.

1. Minutes of last read and approved

2. It should have been mentioned in last meeting’s minutes that the Secretary was asked to write to Dorothy Brain and to Edgar & Mignon Castle acknowledging their letters of resignation. [...] This was duly done and all three offered their best wishes for the Club’s happy continuance.'

Century: 1900-1945     Reader/Listener/Group: Edgar Castle      Manuscript: Letter, Notebook

  

Victor Alexander : [letter acknowledging receipt of letter of resignation from the XII Book Club]

'Meeting held at 70 Northcourt Avenue: 14. 12. 37

C. E. Stansfield in the Chair.

1. Minutes of last read and approved

2. It should have been mentioned in last meeting’s minutes that the Secretary was asked to write to Dorothy Brain and to Edgar & Mignon Castle acknowledging their letters of resignation. [...] This was duly done and all three offered their best wishes for the Club’s happy continuance.'

Century: 1900-1945     Reader/Listener/Group: Mignon Castle      Manuscript: Letter

  

Sinclair Lewis : Dodsworth

Meeting held at 70 Northcourt Avenue: 14. 12. 37
[...]
6. The evening was completed by the reading of extracts from the works of various authors who had recently been awarded the Nobel prize for Literature. In the interests of truth it should perhaps be mentioned that the reading from French and Russian authors were given from English translations.
R. H. Robson read from Dodsworth by Sinclair S. Lewis
Mary S. W. Pollard [read from] The Village [by] Ivan Bunin
L. Dorothea Taylor [read from] All God’s Chillun Got Wings [by] Eugene E. O'Neill
H. R. Smith [read from] Les Thibault by Roger M. du Gard
S. A Reynolds [read from] White Monkey [by] J. Galsworthy

Century: 1900-1945     Reader/Listener/Group: Reginald H. Robson      Print: Book

  

Saki [pseud.] : Beasts and Super-Beasts

February 15th was the date chosen for the next time and the subject “Books that people have been reading”


Meeting held at Oakdene: Northcourt Av.–15.2.38 Sylvanus A. Reynolds in the Chair.


1. Minutes of last read and approved

[...]


4. The first reading came from Reginald Robson who gave us an amusing extract from “Beasts & Superbeasts” by H. H. Munro


5. Mary S. Stansfield read from “Lawrence by his Friends” some interesting impressions contributed by some of these friends to a book edited by Lawrence’s brother. One passage by a man who knew Lawrence as a fellow aircraftman gave us a picture of him as a thoroughly likeable and popular hero, admired for his prowess as a motorcyclist.


6. Howard L. Sikes then read from Africa View by Julian Huxley. The passage concerned the respective advantages of Indirect and Direct Rule[...]. This reading produced considerable discussion on the same questions, and spread over on to the attitude of the French and the British toward their African dependant peoples, and members found something to ask or to say about almost every corner of Africa[...].


7. Elizabeth T. Alexander followed with an entertaining reading from Halliday Sutherland’s “A time to keep”. We shall carry in our minds for some time the dramatic appearance of Red William in his nightshirt urging the ladies in evening dress to run for their lives.


8. Roger Moore gave us some excellent fun in his reading from Benjamin Robert Haydon’s Autobiography, and we made some discoveries about Charles Lamb and Wordsworth too.


9. F. E. Pollard, greatly daring, then read from the “Comments of Bagshott” [sic] some shrewd remarks about the male and female of the human species[...].


10. H. R. Smith completed the programme with some well chosen paragraphs from “Those English” by Carl [i.e. Curt] von Stutterheim.

Century: 1900-1945     Reader/Listener/Group: Reginald H. Robson      Print: Book

  

Saki [pseud.] : Beasts and Super-Beasts

February 15th was the date chosen for the next time and the subject “Books that people have been reading”


Meeting held at Oakdene: Northcourt Av.–15.2.38 Sylvanus A. Reynolds in the Chair.


1. Minutes of last read and approved

[...]


4. The first reading came from Reginald Robson who gave us an amusing extract from “Beasts & Superbeasts” by H. H. Munro


5. Mary S. Stansfield read from “Lawrence by his Friends” some interesting impressions contributed by some of these friends to a book edited by Lawrence’s brother. One passage by a man who knew Lawrence as a fellow aircraftman gave us a picture of him as a thoroughly likeable and popular hero, admired for his prowess as a motorcyclist.


6. Howard L. Sikes then read from Africa View by Julian Huxley. The passage concerned the respective advantages of Indirect and Direct Rule[...]. This reading produced considerable discussion on the same questions, and spread over on to the attitude of the French and the British toward their African dependant peoples, and members found something to ask or to say about almost every corner of Africa[...].


7. Elizabeth T. Alexander followed with an entertaining reading from Halliday Sutherland’s “A time to keep”. We shall carry in our minds for some time the dramatic appearance of Red William in his nightshirt urging the ladies in evening dress to run for their lives.


8. Roger Moore gave us some excellent fun in his reading from Benjamin Robert Haydon’s Autobiography, and we made some discoveries about Charles Lamb and Wordsworth too.


9. F. E. Pollard, greatly daring, then read from the “Comments of Bagshott” [sic] some shrewd remarks about the male and female of the human species[...].


10. H. R. Smith completed the programme with some well chosen paragraphs from “Those English” by Carl [i.e. Curt] von Stutterheim.

Century: 1900-1945     Reader/Listener/Group: Reginald H. Robson      Print: Book

  

Benjamin Robert Haydon : Autobiography

February 15th was the date chosen for the next time and the subject “Books that people have been reading”


Meeting held at Oakdene: Northcourt Av.–15.2.38 Sylvanus A. Reynolds in the Chair.


1. Minutes of last read and approved

[...]


4. The first reading came from Reginald Robson who gave us an amusing extract from “Beasts & Superbeasts” by H. H. Munro


5. Mary S. Stansfield read from “Lawrence by his Friends” some interesting impressions contributed by some of these friends to a book edited by Lawrence’s brother. One passage by a man who knew Lawrence as a fellow aircraftman gave us a picture of him as a thoroughly likeable and popular hero, admired for his prowess as a motorcyclist.


6. Howard L. Sikes then read from Africa View by Julian Huxley. The passage concerned the respective advantages of Indirect and Direct Rule[...]. This reading produced considerable discussion on the same questions, and spread over on to the attitude of the French and the British toward their African dependant peoples, and members found something to ask or to say about almost every corner of Africa[...].


7. Elizabeth T. Alexander followed with an entertaining reading from Halliday Sutherland’s “A time to keep”. We shall carry in our minds for some time the dramatic appearance of Red William in his nightshirt urging the ladies in evening dress to run for their lives.


8. Roger Moore gave us some excellent fun in his reading from Benjamin Robert Haydon’s Autobiography, and we made some discoveries about Charles Lamb and Wordsworth too.


9. F. E. Pollard, greatly daring, then read from the “Comments of Bagshott” [sic] some shrewd remarks about the male and female of the human species[...].


10. H. R. Smith completed the programme with some well chosen paragraphs from “Those English” by Carl [i.e. Curt] von Stutterheim.

Century: 1900-1945     Reader/Listener/Group: Margaret L. LLoyd      Print: Book

  

Benjamin Robert Haydon : Autobiography

February 15th was the date chosen for the next time and the subject “Books that people have been reading”


Meeting held at Oakdene: Northcourt Av.–15.2.38 Sylvanus A. Reynolds in the Chair.


1. Minutes of last read and approved

[...]


4. The first reading came from Reginald Robson who gave us an amusing extract from “Beasts & Superbeasts” by H. H. Munro


5. Mary S. Stansfield read from “Lawrence by his Friends” some interesting impressions contributed by some of these friends to a book edited by Lawrence’s brother. One passage by a man who knew Lawrence as a fellow aircraftman gave us a picture of him as a thoroughly likeable and popular hero, admired for his prowess as a motorcyclist.


6. Howard L. Sikes then read from Africa View by Julian Huxley. The passage concerned the respective advantages of Indirect and Direct Rule[...]. This reading produced considerable discussion on the same questions, and spread over on to the attitude of the French and the British toward their African dependant peoples, and members found something to ask or to say about almost every corner of Africa[...].


7. Elizabeth T. Alexander followed with an entertaining reading from Halliday Sutherland’s “A time to keep”. We shall carry in our minds for some time the dramatic appearance of Red William in his nightshirt urging the ladies in evening dress to run for their lives.


8. Roger Moore gave us some excellent fun in his reading from Benjamin Robert Haydon’s Autobiography, and we made some discoveries about Charles Lamb and Wordsworth too.


9. F. E. Pollard, greatly daring, then read from the “Comments of Bagshott” [sic] some shrewd remarks about the male and female of the human species[...].


10. H. R. Smith completed the programme with some well chosen paragraphs from “Those English” by Carl [i.e. Curt] von Stutterheim.

Century: 1900-1945     Reader/Listener/Group: Roger Moore      Print: Book

  

Benjamin Robert Haydon : Autobiography

February 15th was the date chosen for the next time and the subject “Books that people have been reading”


Meeting held at Oakdene: Northcourt Av.–15.2.38 Sylvanus A. Reynolds in the Chair.


1. Minutes of last read and approved

[...]


4. The first reading came from Reginald Robson who gave us an amusing extract from “Beasts & Superbeasts” by H. H. Munro


5. Mary S. Stansfield read from “Lawrence by his Friends” some interesting impressions contributed by some of these friends to a book edited by Lawrence’s brother. One passage by a man who knew Lawrence as a fellow aircraftman gave us a picture of him as a thoroughly likeable and popular hero, admired for his prowess as a motorcyclist.


6. Howard L. Sikes then read from Africa View by Julian Huxley. The passage concerned the respective advantages of Indirect and Direct Rule[...]. This reading produced considerable discussion on the same questions, and spread over on to the attitude of the French and the British toward their African dependant peoples, and members found something to ask or to say about almost every corner of Africa[...].


7. Elizabeth T. Alexander followed with an entertaining reading from Halliday Sutherland’s “A time to keep”. We shall carry in our minds for some time the dramatic appearance of Red William in his nightshirt urging the ladies in evening dress to run for their lives.


8. Roger Moore gave us some excellent fun in his reading from Benjamin Robert Haydon’s Autobiography, and we made some discoveries about Charles Lamb and Wordsworth too.


9. F. E. Pollard, greatly daring, then read from the “Comments of Bagshott” [sic] some shrewd remarks about the male and female of the human species[...].


10. H. R. Smith completed the programme with some well chosen paragraphs from “Those English” by Carl [i.e. Curt] von Stutterheim.

Century: 1900-1945     Reader/Listener/Group: Roger Moore      Print: Book

  

Benjamin Robert Haydon : Autobiography

February 15th was the date chosen for the next time and the subject “Books that people have been reading”

Meeting held at Oakdene: Northcourt Av.–15.2.38 Sylvanus A. Reynolds in the Chair. 1. Minutes of last read and approved [...] 4. The first reading came from Reginald Robson who gave us an amusing extract from “Beasts & Superbeasts” by H. H. Munro 5. Mary S. Stansfield read from “Lawrence by his Friends” some interesting impressions contributed by some of these friends to a book edited by Lawrence’s brother. One passage by a man who knew Lawrence as a fellow aircraftman gave us a picture of him as a thoroughly likeable and popular hero, admired for his prowess as a motorcyclist. 6. Howard L. Sikes then read from Africa View by Julian Huxley. The passage concerned the respective advantages of Indirect and Direct Rule[...]. This reading produced considerable discussion on the same questions, and spread over on to the attitude of the French and the British toward their African dependant peoples, and members found something to ask or to say about almost every corner of Africa[...]. 7. Elizabeth T. Alexander followed with an entertaining reading from Halliday Sutherland’s “A time to keep”. We shall carry in our minds for some time the dramatic appearance of Red William in his nightshirt urging the ladies in evening dress to run for their lives. 8. Roger Moore gave us some excellent fun in his reading from Benjamin Robert Haydon’s Autobiography, and we made some discoveries about Charles Lamb and Wordsworth too. 9. F. E. Pollard, greatly daring, then read from the “Comments of Bagshott” [sic] some shrewd remarks about the male and female of the human species[...]. 10. H. R. Smith completed the programme with some well chosen paragraphs from “Those English” by Carl [i.e. Curt] von Stutterheim.

Century: 1900-1945     Reader/Listener/Group: Roger Moore      Print: Book

  

 : Saturday Review

'Here I sit reading the Saturday Review, New Statesman etc and feeling rather humpy.'

Century: 1900-1945     Reader/Listener/Group: Siegfried Sassoon      Print: Serial / periodical

  

Thomas Hardy : The Return of the Native

'I keep reading Tess and The Return of the Native -- they fit in admirably with my thoughts.'

Century: 1900-1945     Reader/Listener/Group: Siegfried Sassoon      Print: Book

  

Robert Curzon : Visits to Monasteries in the Lavant

'Another sharp frost and thick fog this morning. Reading Curzon's Monasteries in the Lavant which Meiklejohn sent me at Christmas. More amusing than Eothen, but Doughty's Arabia Deserta spoils one for every other book of that sort.'

Century: 1900-1945     Reader/Listener/Group: Siegfried Sassoon      Print: Book

  

 : 

'It is really remarkable how oblivious we are to what is going on overseas. There is very little in the papers about the British Army, even if we had time to read them, and, anyway, we are too self-centred and interested in our job to worry much about the War.'

Century: 1900-1945     Reader/Listener/Group: Douglas Herbert Bell      Print: Newspaper

  

 : 

'Back to the front line, taking over a stretch of our own, which shows the Staff trusts us ... Some papers came by post - just what I want here.'

Century: 1900-1945     Reader/Listener/Group: Douglas Herbert Bell      Print: Newspaper

  

 : 

'Made a very successful raisin rice pudding over a charcoal brazier. This is War; a straw-strewn barn, heaps of periodicals, a glowing brazier, puddings, and plenty.'

Century: 1900-1945     Reader/Listener/Group: Douglas Herbert Bell      Print: Serial / periodical

  

 : [Address by the Bishop of London at Guildhall, 1914]

'A mail arrived after dusk. Someone sent me the Bishop's address at the Guildhall, and I read it out to those around, at their request.'

Century: 1900-1945     Reader/Listener/Group: Douglas Herbert Bell      Print: Unknown

  

 : 

'There is a Brigade Order out about the show on the 19th. In it we read that it was supposed to pin German troops to this front to prevent them from fighting the Russians. On the other hand, the official communique (known as Comic Cuts) dismisses the whole thing in two lines. Can't help thinking Comic Cuts has a better sense of values.'

Century: 1900-1945     Reader/Listener/Group: Douglas Herbert Bell      Print: Unknown

  

 : [Army Communique]

'There is a Brigade Order out about the show on the 19th. In it we read that it was supposed to pin German troops to this front to prevent them from fighting the Russians. On the other hand, the official communique (known as Comic Cuts) dismisses the whole thing in two lines. Can't help thinking Comic Cuts has a better sense of values.'

Century: 1900-1945     Reader/Listener/Group: Douglas Herbert Bell      Print: Serial / periodical

  

Rudyard Kipling : 

'Talking of slang, the Tommies' name for England is "Blighty". This puzzled me for a bit, till I remembered one of Kipling's stories in which [italics]"Belait"[end italics] occurs as a Hindustanee word for Europe. I suppose they brought it from India.'

Century: 1900-1945     Reader/Listener/Group: Douglas Herbert Bell      Print: Book

  

George William Russell : "Shadows and Lights"

'I have just come across these lines by A. E., which I like, because the stars are your only companions on sentry duty in the trenches; and they seem filled with majesty and peace, as does the sunrise too [quotes stanza five of A. E.'s poem "Shadows and Lights"].'

Century: 1900-1945     Reader/Listener/Group: Douglas Herbert Bell      Print: Unknown

  

 : 

'Glorious day, warm sun. It is funny to sit here quietly chatting and reading with a peaceful view behind over field and wood, when if you move two feet you are as good as dead. A pied wagtail keeps running about in front, heedless of the cracking bullets.'

Unknown
Century: 1900-1945     Reader/Listener/Group: Douglas Herbert Bell      

  

 : 

'Much as he had liked [his previous employers], George Michael [Clarkson] liked the builder-brothers just as well. The feeling was mutual, and the brothers tried to fill some of the voids in George Michael's home environment. "I was the only apprentice they ever had. And they used to lend me books and look after my moral welfare. They were great church-goers and that sort of thing".'

Century: 1900-1945     Reader/Listener/Group: George Michael Clarkson      Print: Book

  

 : [POW camp publication]

'Each day there is a "Budget" published, the work of the more literary and energetic of our members, chiefly consisting of the various "officials" taken from the German papers, with leading articles on any special bits of news. There is also a monthly production with short stories and illustrations which is wonderfully good. The summer number is just out, and there is a hit at me under "Things We Want to Know": whether "Joy Riding in an aeroplane over imperfectly known country is not an overrated amusement?"'

Century: 1900-1945     Reader/Listener/Group: Douglas Lyall Grant      Print: Serial / periodical

 

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